• 2 days ago
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At High Point, North Carolina, NYC designer Laurence Carr showcases circular design, highlights expert trend forecasting on sustainability and discusses responsible design with manufacturers.

About Chez Laurence:
Designer Laurence Carr meets manufacturers and brands who are employing circular, regenerative, and sustainable practices. See how they're seeking to change the end-of-life concept with eco-friendly techniques.

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Transcript
00:00🎵
00:29🎵
00:38Twice a year, interior designers, makers, manufacturers, and press
00:43come together at High Point Market, North Carolina, to share new products.
00:48This market is just for the design industry,
00:51but months later, the items will appear in stores
00:55and eventually in businesses, hotels, and homes.
00:59I'm here to talk about sustainable materials and practices
01:03and how important they are for the earth and for people.
01:07High Point Market is the largest trade show in the U.S.
01:11and potentially globally because it attracts clients from all over the world.
01:15About 80,000 visitors per year.
01:19Designer collaborations with furniture launchers,
01:23brands and new collections of furnishings, and, of course, plenty of parties.
01:28Because we're here all together to be together and celebrate our industry.
01:32🎵
01:35I was invited to speak on panels as well as demonstrate
01:38how sustainable and circular materials and practices can be implemented in design.
01:44The largest opportunity across the economy is, in fact, our industry.
01:48The furnishing industry and the housing industry,
01:52which is a massive contributor for carbon emissions.
01:55It is simply no longer true that there is a trade-off
01:58between sustainability and quality, or beauty and elegance.
02:03I have been espousing this for quite some time in my own design practice
02:08and in my advocacy for a circular economy.
02:11But it is truer today than ever before.
02:14So, how does circularity fit in?
02:18The circular business model is not just a means of tackling
02:22the excessive and unsustainable consumption of natural resources,
02:27which is incredibly important.
02:29It is also a solution to climate change,
02:32as well as a huge economic opportunity for businesses.
02:36That is, you can call it, a win-win-win.
02:40We are a 163-year-old mill,
02:44producing linen, linen blends,
02:47and doing one thing very, very well.
02:50We are completely carbon neutral.
02:53We feel it's an innate part of our DNA.
02:56It's something that's extremely important for the future of the planet
03:00and for our organization's health.
03:03But also, it's financially smart to do so.
03:09The one thing that, when I started the company,
03:13I was always curious where goods were coming from.
03:17And the one thing that we knew we were using a lot of was wood.
03:22So, my first mission for my company and the sustainability side
03:28was to plant a tree for every piece of furniture that we've made.
03:32And that was, you know, 1991, so that's a long time ago.
03:36That was way before sustainability.
03:39Since then, we've moved along quite a bit the needle.
03:44Sustainable materials are good for the Earth and its citizens,
03:48but how do consumers know which products to invest in?
03:52And when it comes to furniture, fashion, and style,
03:56who establishes trends?
03:58Julie Smith-Vicenti has a finger on the pulse of the market.
04:03Julie Smith-Vicenti has a finger on the pulse of the market.
04:06Julie Smith-Vicenti has a finger on the pulse of the market.
04:10I don't see a time in the near term
04:13where we aren't bombarded with scary headlines
04:16about the changes that are happening to our planet.
04:19So, who establishes the sustainable trends
04:22that ultimately, we're hoping, make its way to the consumer, to the homeowner?
04:26Well, it begins with the designer making decisions about the materials they'll use.
04:30It begins with the company contracting with that designer
04:34and making a decision about where that product will go.
04:37It then carries on to the retailer seeing that new product at a trade show
04:42and making a decision one way or another
04:45about whether or not they believe that their customers
04:48will respond to that sustainable message,
04:51as well as interior designers.
04:54If you imagine a consumer who's sitting in front of their laptop
04:57and they're about to click buy,
04:59or they're standing in a retail store and they're about to say,
05:02or they're standing in a retail store and they're about to say,
05:05I want that one.
05:06With a small change to the conversation at that point of sale,
05:10I believe that we'll get consumers even more interested
05:13and more likely to choose the sustainable product.
05:16It's about conversation on the health attributes of sustainable furniture.
05:22That messaging can be as simple as,
05:24your child is going to set up their toys on this area rug.
05:28Wouldn't you like to know that this design has no harmful chemicals?
05:33You're going to be sitting at that dining room table
05:36and eating food off that dining room table.
05:38Wouldn't you like to know that the finish on the product that you've selected
05:42has no harmful VOCs?
05:44As an industry, we just need to be better storytellers.
05:49IMC is also very committed to conservation,
05:52and so they were one of the first trade show producers in home furnishings
05:56to start implementing water preservation technology
06:01in all of the public bathrooms.
06:03Now, what's next?
06:05And I think that IMC's educational programming this market
06:08really can help to teach buyers and suppliers and manufacturers
06:14and interior designers how to take that next step.
06:18In an activation program called Sustainable Stories,
06:22I designed a vignette that represents a huge step
06:25towards responsible sustainability and circularity in the design industry.
06:31My vignette is called the Salon de la Circularité,
06:34which is Lounge of Circularity.
06:37So I partnered with different brands that all push the understanding
06:43So I partnered with different brands that all push the envelope
06:47with circularity in their supply chain.
06:49So today we have this vignette, currently it's empty.
06:52We have six hours, so we start from zero,
06:55an empty trailer, and we have to design a lounge.
07:00So I have to get started,
07:02but my first problem is that nothing is here right now.
07:13Put them on the side because, yeah, the carpet needs to be laid first.
07:17The challenge was really, as things arrived a couple of hours later
07:21than what we planned, to really fix the back wall.
07:25The back wall was made of a very thin structure.
07:28It was a challenge to actually hang some of these 10 pounds, 20 pounds,
07:33beautiful wall art.
07:35Some of them are covers of barrels.
07:38Some of them are covers of barrels.
07:40We want to make no waste and minimal damage to what we are creating.
07:44This was the first challenge.
07:45And the second challenge was just working around time.
07:49So suddenly everybody turned up, delivering the sofa and the chair.
07:53And we had the rug, the side tables,
07:56and the beautiful console made of chamcha wood.
08:00So it's just been amazing and really fast.
08:03I really design for wellness and sustainability.
08:07What I do is really to emphasize how interiors should be circular,
08:13full of regenerative materials.
08:15So it really contributes to our health and wellness.
08:19The circular economy goes away from the take, make, and waste,
08:25linear thinking.
08:27But it rather goes into take, use, reuse, recycle, upcycle,
08:34transform, and use it into a new product.
08:40Creative bakers from all over bring their work to High Pond Market.
08:45One of my favorites is Milk Collective,
08:48a group of impeccable artisans who are focused on sustainability.
08:54Tell me about Milk Collective.
08:56We are a collective of like-minded individuals with similar values.
09:03Artists, creatives, makers.
09:06About 70 companies we have in our network so far.
09:10Thankfully, wellness is becoming increasingly more important for people.
09:18So they're looking for healthy interiors.
09:21They design and make the pieces here in the USA.
09:25Sourcing sustainable materials, sometimes upcycled.
09:30They imagine how they can make their furniture pieces long-lasting,
09:35sustainable, healthy, sometimes multifunctional.
09:39Does sustainability or circularity play a role in these choices?
09:44We prefer designs with materials that can be reused, can be upcycled.
09:50Some of these pieces are considered modern heirlooms.
09:55We know now that not a lot of kids want to have their parents' old furniture.
10:00So these pieces will be reused, or in the worst-case scenario, the materials will be reused.
10:07Our makers are committed to creating good products
10:13that will not bring any health risks to your home.
10:16Natural finishes, certified hardwoods,
10:20their logistics and packaging materials.
10:24Not all of the companies are there yet, 100%, but it's a process.
10:29And because we have similar values, we're always reinforcing these practices.
10:35Do you offer any guidance to artisans to implement more sustainable practices?
10:41Anytime you get a few makers in the same room,
10:43they're sharing their techniques, their sources for purchasing reclaimed or certified hardwoods.
10:50So they're consistently improving on their techniques and processes.
10:57Heirlooms, the special handmade items that are passed down for generations,
11:02are often discarded nowadays.
11:04And in India, that includes the beautiful garments called saris.
11:10Amy Fleury and her partners rescue these items and refashion them
11:16to make them more sustainable.
11:19Our product is sourced in India.
11:21My partners, they were visiting family.
11:25Their mother and grandmother happened upon a material,
11:29a quilt that has existed for a long time, but still has a lot of potential,
11:33and reached out to me and said, what do you think?
11:35And I said, it's gorgeous, I agree.
11:38And they said, well, let's make a quilt.
11:40And I said, well, let's make a quilt.
11:42And they said, well, let's make a quilt.
11:44And they reached out to me and said, what do you think?
11:46And I said, it's gorgeous, I agree.
11:50It was as simple as that.
11:51That was the start.
11:53So speaking of your product, can you show us?
11:55This is one of the quilts, and one side is very expressive.
11:59One side may be, well, a beautiful color, you know, bright color.
12:03The other side, a carnival, you know, or like a…
12:07Love it, a carnival of colors.
12:09Carnival of colors.
12:10The materials that make up the quilts as we buy them
12:14are layers and layers of retired saris.
12:18Over time, you might retire clothes.
12:20The mindset at the time that they were made
12:22was not to throw that material away, but to make something with it,
12:26because these are beautiful cottons, sometimes silks.
12:30Anywhere from 8 to 15 saris hand-stitched 60 to 80 years ago.
12:36So we do go through and, you know, pick these blankets and quilts
12:40in good condition already, but they have a lot of life left in them,
12:44strong enough to upholster with.
12:46If you unravel the edges just a little bit, you can see the layers.
12:50That stitch is called a kantha stitch, which creates the durability,
12:54because when something is stitched that tightly, it's very hard to rupture,
12:58but we're talking over many, many decades.
13:01Some may be worn in places, and so when that area would wear out,
13:05somebody stitches a patch on top of that.
13:08It would be hard to replicate that kind of serendipity
13:11in the placement of the patches.
13:14We started to cut pillows, we call them pillow families,
13:18from the same quilt.
13:20This is a great example of one of the more time-worn.
13:23It kind of has a more textured, worn, vintage appeal.
13:26It's very soft.
13:28The sari underneath and the color from that one layer underneath
13:31is starting to show through.
13:33And give it another hundred years,
13:35and you would see the other color of the next layer.
13:39If you look at it, there are thousands of stitches
13:42in that one piece of scrap that somebody put together by hand.
13:45We're mapping the quilts both in terms of their beauty,
13:49but also so that we have as little waste as possible.
13:52These are like fraternal twins.
13:55They're not exactly alike, but they're definitely from the same quilt.
13:59And we, again, try to be very sensitive in the mapping
14:02so that you can decorate easily with them.
14:05We have designers who are really focused on sustainable living,
14:09and that is the niche that they carry through.
14:13It used to be, if you bought pre-owned,
14:16you were trying to get a value.
14:18Now it's a point of pride.
14:20It's more like, I'm buying something that has lasted all these years
14:25and is so beautiful,
14:27and now this company has made it even more beautiful.
14:30You have to consider A to Z in how you will deliver it,
14:35and then what will they do with it after.
14:38When you think of how these things were made,
14:41sitting together, sewing, sharing stories,
14:44that takes a lot of time, and it takes people.
14:48And so I think about that, of what you bring into your home,
14:52that there's so much that radiates from one pillow or one quilt,
14:57and especially the quilts, because when you wrap yourself in them,
15:00it's heavy, it's got that beautiful weight,
15:03but it just feels like a universal hug.
15:07I just don't know how you can not sense the connection over time
15:11to things made by hand, by people,
15:14that were made well enough to continue for so long.
15:17You see and you feel the connection.
15:20Leather is a sturdy, useful item that can last generations.
15:25It's also something that people think of an expensive luxury,
15:29but with a massive global beef industry that is only expected to grow,
15:34leather is abundant and needs to be kept out of landfills.
15:38Enter my friend, Saket Wood, to turn waste into utility.
15:44Let's get into leather.
15:46Many people fall under the misconception
15:48that leather is not sustainable.
15:50Leather is the original sustainable solution.
15:53Leather has been around since about fire,
15:56and the same thing that made leather essential to early humans
15:59is the same thing that makes it a luxury material today.
16:02And the fact that we can take something like this
16:04and convert it into something beautiful and luxurious and long-lasting,
16:08that you can invest in for a lifetime,
16:10that you can invest in over time,
16:12it's an important story to tell.
16:14And I do think it's very important
16:16because you're basically taking waste out of a landfill
16:19and you are actually upcycling it.
16:21The definition of leather is the skin of an animal that's been tanned.
16:25If something is called leather and it's a synthetic,
16:28it's not really leather.
16:30You hear things today about pineapple leather
16:33and other plant-based leather, and all those are fine.
16:36But what they don't do is take away that hide
16:39that's going to be available.
16:41And if you think about 285 million hives, landfilling those,
16:45it would be a real environmental catastrophe.
16:48It's important to us that the last hide that's available
16:51be used before you make something synthetic.
16:54I'm inspired by your company's adaptability.
16:57What products do Moore & Giles
16:59specifically create for the interiors industry?
17:02After being in the footwear business for 50 years after 1933,
17:06as that footwear business left,
17:08we branched out into upholstery leather.
17:10And really what the company evolved into is, I think,
17:13a design company that went out and made beautiful leathers
17:16from really artisan tanneries from all over the world,
17:19and we bring them into Lynchburg, Virginia,
17:21and warehouse them at two distribution centers.
17:24And so we are selling furniture manufacturers,
17:26designers and architects, residential designers,
17:29aviation designers,
17:31and then we have our own bag and accessory company.
17:34Everything you see in this room is pretty much a natural leather.
17:37We make leathers that you can sit in, that you can wear,
17:40and that you can walk in, and that you can carry.
17:43We spent a lot of our time in the tanneries
17:46working on that artistic side
17:48because there's just really endless possibilities
17:50with what you can do with a hide,
17:52and it's really a way for us to express
17:54what we love about leather on really classic silhouettes
17:57on bags and accessories and furniture.
18:00What is your company's approach to waste management?
18:03And what is your biggest challenge?
18:05The company is committed to both education and sustainability,
18:09and it's something that we have to invest in on a regular basis.
18:12We have someone leading it.
18:14We have a conservation team at the company that meets weekly
18:16to talk about different ways that we can improve.
18:19It's really an expectation on all of our employees' part
18:22to do what we can, and it's really basic stuff right now
18:25to just know what we can and cannot recycle.
18:28But we're also looking at ways to reduce our waste.
18:31One of the things that we have a lot of is scrap leather.
18:34We do try and sell our scrap by the pound
18:37to people who are making sort of crafts and keychains
18:40and different things, but we also are working with a company now
18:43who's figured out how to take our scraps and grind them up
18:46in a way to create sort of a leather substrate
18:49that we'll be introducing in sort of our finished goods.
18:52We have these sort of fiber blankets that are padded
18:55that come in with the leather.
18:57We've been throwing away, and we've found a nonprofit
19:00who can use them for making sleeping bags for refugees,
19:03humane society centers.
19:06We're taking our campus and planting natural grasses and shrubs
19:10that sort of have deep roots that create a carbon sink
19:13on our campus that reduce our carbon footprint.
19:16The most important tanning ingredient in leather is water,
19:20and most of these tanneries are in small towns
19:23with rivers coming through the town.
19:25We have a tanner in Germany who has done such a good job
19:28with his water effluent treatment that he has a holding pond
19:31that can release back into the river,
19:34and you can test the water 24-7 anytime you want.
19:37We've got a lot to do, but it's something that we're committed to
19:40for the long term.
19:42You have to be a good corporate citizen, or you'll not be in business.
19:45What is the future of the tanning industry?
19:48There's been 2 ways of tanning in the history of mankind.
19:51Vegetable tanning, which uses the extracts of bark
19:54and trees like mimosa and chestnut.
19:57It's sort of the ancient way of tanning.
19:59It takes a long time to do.
20:01There's still great vegetable tanners all around the world
20:03that work that medium.
20:05The modern form of tanning is chrome tanning.
20:07Chrome is a mineral.
20:09It really preserves the leather.
20:11Chrome tanning has been around since 1875.
20:13We've looked at alternative forms of tanning for quite some time.
20:16The one we've sort of settled on is olive tanning,
20:19and we met with a group from Germany,
20:21and they were looking at the olive leaves in the Mediterranean,
20:23which are abundant.
20:25They treat it like a tea.
20:27There's enough of these leaves to tan 30-40% of the world's leather.
20:31Leather is really the original sustainable solution.
20:34We are completely controlled by the global demand for beef consumption.
20:39The farmers go to great lengths to raise the animals
20:42in good environments, in an ethical manner.
20:45Our duty is to take those hives and use them
20:50in a way that you can create things that last for a lifetime.
20:55So I'm just about done,
21:02and I'm just putting a few finishing touches.
21:05I'm really excited about tomorrow.
21:08I can't wait to show it to the world.
21:10I invited Cisco Home, Lansing, Libeco,
21:15Philips Collection, and Naturals Legacy
21:18because they prioritize circularity
21:20and use certified healthy materials.
21:23I also invited Curie & Co. and, of course, Bill Collective
21:27because they demonstrate transparency
21:30through their affiliations and accreditations.
21:33I am thrilled to be able to amplify the messages
21:36of conscious, forward-thinking brands.
21:39So we partnered and worked for a few months
21:43on creating a circular sofa and chair from Cisco Home.
21:48Some of the feeling is made of tensile fibers,
21:52which are tree pulp fibers that are 100% recyclable.
21:58When people come to the Salon de la Circularité,
22:01I really want them to experience wellness, calm,
22:06a sense of really great comfort,
22:09and really by experiencing the space,
22:12feeling the textures, the colors.
22:15My design was inspired by nature,
22:18particularly the biodiversity of the ocean
22:21that I once witnessed while diving.
22:24The fluidity in water, textures, colors, and marine life
22:30inspired me to capture the physicality and emotions of nature
22:34and foster an indoor connection to the outside environment
22:38through the color palette and finishes.
22:41Materiality and texture are sensory experiences,
22:45not simply visual, and my space was a feast for the senses.
22:51Until next time, I am Laurence Gare,
22:54designing a more circular future.

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