(Adnkronos) - Fabio e Damiano D’Innocenzo debuttano con la loro prima serie ‘Dostoevskij’, da oggi su Sky Atlantic e in streaming su Now con tutti gli episodi. Il protagonista della storia è Enzo Vitello (interpretato da Filippo Timi), tormentato detective ossessionato da Dostoevskij, serial killer che uccide con una modalità costante: accanto al corpo l'omicida lascia trascritta su una lettera la propria visione del mondo, descrivendo gli ultimi attimi di vita della vittima. Sedotto da un’oscurità che sente risuonare al suo interno da sempre, Vitello comincia un segreto rapporto epistolare con l’assassino, costringendosi a guardare dentro di sé affrontando le torture che si è autoinflitto per sopravvivere a qualcosa che viene svelato nel corso del racconto. Lo stesso segreto che l’aveva indotto ad abbandonare la figlia Ambra (Carlotta Gamba) in tenera età.
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00:00of. The drawing of the
00:11of. The drawing of the
00:11of. The drawing of the victim in the world. In fact
00:13victim in the world. In fact
00:13victim in the world. In fact it is that you read. In the
00:15it is that you read. In the
00:16it is that you read. In the future. It's the only
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00:43It's the only one. It's the only one.
00:48It's the only one.
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00:58It's the only one. It's the only one.
01:03It's the only one. It's the only one.
01:18It's the only one.
01:23It's the only one.
01:23It's the only one.
01:28It's the only one.
01:33It's the only one.
01:38It's the only one.
01:43It's the only one.
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02:03It's the only one.
02:08It's the only one.
02:13It's the only one.
02:18It's the only one.
02:23It's the only one.
02:28It's the only one.
02:33It's the only one.
02:38It's the only one.
02:43It's the only one.
02:48It's the only one.
02:53It's the only one.
02:58Do you think that cinema and the world
03:01generally refuse the complexity?
03:04It's not that they refuse it.
03:06I'm not a snob.
03:11I mean, I understand who,
03:15after a day of hard work,
03:18comes home and wants something simple, reassuring.
03:22I understand that.
03:23I'm like that too.
03:24I'm not different.
03:26But sometimes I ask myself,
03:28do we need to be reassured
03:30or do we need to be shaken?
03:32Our life assumes a different meaning
03:35only when we face something
03:38that we don't expect,
03:40something that manipulates
03:42our emotional politics.
03:46And this, of course,
03:47some stories can do it,
03:49some stories don't,
03:50I choose not to do it,
03:52deliberately,
03:53so I respect any form of television.
03:55Of course, it's about narration,
03:57it's about cinema,
03:58it's about literature,
03:59it's our marriage.
04:01Because it's the only one we can do.
04:04After Dostoevsky, what is there?
04:07It's such a totalized series,
04:09such a repulsive series,
04:11but at the same time fascinating.
04:13What was there after Dostoevsky?
04:16There was, there was,
04:20because it's a series that came out
04:22in Berlin a year ago in February.
04:24There was a lot of silence
04:25between me and Fabio this year.
04:27A really familiar and beautiful silence,
04:29of search, of contemplation.
04:31We talked for a long time
04:32with Dostoevsky,
04:33so it was also right
04:34to go crazy
04:35and look for the next story to tell
04:38as soon as this story comes,
04:40as soon as this story,
04:41whatever it is,
04:42has sincerity.
04:43And then, from there,
04:44the work begins,
04:45the entanglement of the cinema,
04:46that's wonderful.
04:47But it has to happen,
04:48that clash,
04:49otherwise we stay still.