Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00♪♪
00:05Ay.
00:06I'm here right now, right?
00:08There's no one here.
00:09Yes.
00:10I mean, I could enter.
00:11I'm inside.
00:12Is something wrong, assistant?
00:14♪♪
00:17Yes, there is something.
00:18There is something I need to tell you.
00:19It's very important.
00:21Tell me.
00:22Hmm.
00:23Yes.
00:24♪♪
00:30By the way, what is this?
00:32Is it a gift?
00:33Yes.
00:34Ms. Neşe gave it to me.
00:35It's important.
00:36I couldn't look at it, but I'm curious.
00:38Anyway, that's not our topic now.
00:40Yes.
00:41Come to the point.
00:42What are you going to say?
00:43Yes.
00:44Let's go.
00:45Well, I'm trying to say this.
00:47Now, if this business is going to last today.
00:49I mean, if we're going to work for a long time.
00:52Between this long work.
00:54Can I go somewhere and come back?
00:57I wonder if there is such a possibility.
00:59It was rejected, assistant.
01:00But here I am in the evening.
01:03I'm telling you what you're going to do in the evening.
01:05You can fill out this loan application form I mentioned to you.
01:08Those forms can be filled out, but in the evening.
01:10We'll go out together in the evening, assistant.
01:12But I have a date.
01:15You have a date.
01:17It's not like that, assistant.
01:20You know, Mr. Halit, the owner of the blue magazine we're trying to make a deal with.
01:26We're going to get him a gift.
01:27Oh, that gift?
01:28I'll take it.
01:29I'll take the tie.
01:30I'll choose a nice one.
01:31I'll put it in a nice box.
01:32It's not such a simple ordinary gift, assistant.
01:34It has to be a gift that we're going to paint your eyes with.
01:36What are we going to paint your eyes with?
01:38You'll see when you go in the evening.
01:39Your idea is important, too.
01:44Don't forget to wear something stylish in the evening, assistant.
01:46I mean, we're going out shopping.
01:49Why am I wearing something stylish?
01:51This is not the shopping you know.
01:53Okay?
01:54This is what you'll wear.
01:55Please be stylish.
02:05What did you buy?
02:09What's this?
02:12Is it for the CD package?
02:14Oh, my God.
02:16Is it a movie?
02:17I guess he found one of the old movies.
02:20Don't write anything.
02:24Deniz, Deniz.
02:25There's no one in the office.
02:26Can you help me?
02:27There's something black and black on my table.
02:29Okay, I'll be right there.
02:47Come on, Deniz.
02:50Hello, welcome.
02:52Hello, nice to meet you.
02:54Let me give it to you.
02:57Come on, take off your coat.
02:58Let's give it to the lady.
03:03Yes.
03:17What happened?
03:18It's wrong.
03:19Isn't it?
03:21If it's not suitable here, I'll take it back.
03:24I'll wear my coat back.
03:25My coat.
03:26Excuse me, Ms. Neslihan.
03:28Should I wear it?
03:31Are you thirsty?
03:32Did something happen?
03:33Did I do something wrong?
03:34Ms. Neslihan, do you have water?
03:36No, thank you.
03:39You look beautiful.
03:43I'm out of breath.
03:45I'm out of breath.
03:48My throat is...
03:50What did I do?
03:51No, honey.
03:53Don't exaggerate.
03:54There's nothing like that.
03:55I'm not exaggerating, Deniz.
03:57In fact,
03:58you're the most beautiful,
04:00the most chic lady here.
04:03I'm sorry, but
04:04am I wrong?
04:07No, honey.
04:08Isn't it?
04:09The miracle of the shoes.
04:11Yes.
04:12Are you real?
04:14What is real?
04:15I don't know.
04:20Yes.
04:21Where are we really?
04:24Come.
04:25You'll see.
04:44Are these paintings telling a dream?
04:47Or is it a nightmare?
04:49What happened?
04:50We were going to buy a gift.
04:52I don't know.
04:53We could buy a pen and paper.
04:54Why are we
04:55at Esat Cavit's exhibition?
04:57Why?
04:58Because Mr. Halit is a good collector
05:00and we'll buy his gift from here.
05:04Well...
05:12It's a beautiful work.
05:13Isn't it?
05:14Yes.
05:19Now,
05:20I said I'd stay on duty,
05:21but now I'm right in the middle
05:23of Esat Cavit's exhibition.
05:25Please don't come.
05:26You'll get me wrong
05:27if I say the tickets are half sold out.
05:29God, please don't come.
05:30Please.
05:31What am I going to do?
05:34I'll let you know, of course.
05:36Deniz, what are you doing?
05:39I'm curious about the painting.
05:43It's beautiful.
06:04It's a unique painting.
06:06Yes, it is.
06:10It's amoeba.
06:14It's an animal.
06:20Good evening.
06:23Good evening.
06:28Good evening.
06:34Can we talk?
06:35No need.
06:36I mean, I can see.
06:37I don't need to listen.
06:38You can talk.
06:39No, I can't.
06:40I mean, I can see.
06:41I don't need to listen.
06:43You were looking for a place to work.
06:45You needed a quiet and elegant place.
06:47You dressed up
06:49and came to the exhibition,
06:50which I think
06:52makes a lot of sense.
06:55Of course, if you're not going to listen,
06:56I won't talk anyway.
06:57But you invited me.
06:59I couldn't come.
07:00Anyway,
07:01Donald Trump is coming with his nephew.
07:04I guess that's what happened.
07:11What should I say?
07:14Don't change the subject.
07:16I'm not changing the subject.
07:17It's the subject.
07:18It's the subject.
07:19What should I do?
07:23What a coincidence, right?
07:24Mr. Yiğit.
07:25We met.
07:26Yes.
07:27It's a really interesting coincidence.
07:31I'll go to the bathroom.
07:32I won't stay here any longer.
07:33I'll go to the bathroom.
07:40Then I'll go with Deniz.
07:53What are you doing?
07:54What are you doing?
07:55You put it on your arm.
07:56You brought it.
07:57I didn't even know we were coming here.
07:59I didn't know.
08:00Let go of those feet, Michael.
08:05What's going on?
08:12What are you doing here?
08:13This is the women's bathroom.
08:14I'm inside your head.
08:16What's inside my head?
08:17Am I walking?
08:18Am I in the bathroom?
08:19What am I living?
08:20Calculate it now.
08:21I can't calculate.
08:22I'm so old.
08:23Calculate it yourself.
08:24For God's sake.
08:25I can't calculate anymore.
08:28God.
08:30God.
08:41Hi, honey.
08:42Hi.
08:44Honey.
08:45I'm going to ask you something.
08:46Ask me.
08:48Did you get a brazilian hairdresser to do your hair?
08:50Or did you do it yourself?
08:52I don't know.
08:57Are you real?
09:00I'm so beautiful that I can't be real, right?
09:03Just kidding.
09:05Deniz.
09:06We couldn't sit and talk in the office.
09:09Actually, we have a common point.
09:11Do you know that?
09:12A common point?
09:14Of course, Tuna.
09:16I don't know how to tell you that you're with him.
09:21You're very lucky.
09:23What can I say?
09:25I hope you have a good time.
09:27But be careful.
09:28Deniz, honey.
09:29Time is running out.
09:30And Tuna is a very attractive man.
09:33And every woman wants to be with Tuna.
09:37And you are a very good-natured, but naive young girl.
09:42I don't have anything to thank you for.
09:44But thank you.
09:48Look, honey.
09:49Always be awake.
09:51If you're not awake,
09:53they'll kill him in a minute.
09:57No.
09:58Okay.
10:02Come on.
10:03He's a maniac.
10:04Another maniac came to the office.
10:06He's a maniac.
10:09He's a maniac.
10:27What do you think this picture is telling?
10:30Are you kidding me?
10:32No.
10:33I was just curious about your comment.
10:38Let's see.
10:40I wonder what this picture is telling.
10:43What should we look at?
10:45Lines, tones, and colors.
10:48Now, this picture.
10:50Tones, lines, and colors.
10:52They're all over the place.
10:54I mean, it's like none of them is enough for what they have.
10:58They're trying to be a pain in the ass.
11:00Right?
11:01I mean, look at this.
11:03It's like,
11:04your neighbor's chicken looks like a goose to you.
11:07It's exactly like that.
11:09Actually, if you ask me what the name of this picture is,
11:12it's a rotten thief.
11:16What happened?
11:17It was funny, of course.
11:18You enjoyed it, didn't you?
11:20Palavra.
11:21Palavra.
11:22All of this is just a palavra.
11:25Wow.
11:26Of course, we couldn't do it in America like you, right?
11:29We're from Europe.
11:30Tell me, what does it say?
11:33Nothing.
11:34This picture is not telling anything.
11:36It's just telling that the painter knows his job well.
11:40Do you know who the best painter is?
11:42Come on, who is it?
11:44Get out of my way.
11:46Okay.
11:48The best painter is the painter who knows who will buy his works.
11:53It's obvious that this guy has followed the latest trends well.
11:57He mixed it with classical.
11:59He created works that can be easily sold.
12:03But it's just a polo cut.
12:11From what we're talking about, it's clear that there's a huge difference between us.
12:17You're a dreamer who doesn't die on the slopes.
12:20I'm a realist at the top.
12:26I'm so happy to be a dreamer.
12:29But we have to do something to that peak.
12:31Look.
12:36We're burning the brush.
12:37First, here.
12:40We're making it lighter.
12:41Do you know what we do after that?
12:42Look.
12:43First, we pull it here.
12:44You think the painting is done.
12:45But then he makes the wood.
12:46I don't know how he does it.
12:47But the wood.
12:52Assistant.
12:53You can tour the exhibition with Tuna if you want.
12:55After all, I don't force you to come with me.
13:00No, there's no need for that.
13:01I've already seen all the paintings.
13:04I will see them.
13:05So...
13:08I'll go.
13:09Are you going?
13:10Can't I go?
13:11You can go, honey.
13:12You can go.
13:13You can go wherever you want.
13:14If you want, go to the hottest places.
13:16If you want, go to the bottom of those hot places.
13:18I can't get involved anyway.
13:20For example, Rio.
13:21This season is great.
13:23For example, this season is great.
13:26Very nice.
13:27Let's choose this painting.
13:29Now let's go to work.
13:33Yes.
13:34Your work.
13:35Let it be.
13:38I'll go now.
13:39I have a long way to go.
13:41Okay.
13:46See you.
13:51It's a really ridiculous coincidence.
14:07This is the place, right?
14:08Yes.
14:09We're here.
14:10The music is great, right?
14:12Shall we go somewhere and drink something?
14:19It's late.
14:20I think we should go home.
14:22We have work to do.
14:23I have coffee.
14:24I brought it from Bali.
14:25Would you like a cup?
14:29As I said, it's late.
14:30So let's go home.
14:31We have work to do tomorrow.
14:33Okay.
14:35You'll sit like a bird and write again, right?
14:38Good.
14:39Okay, then.
14:40Good night.
14:41Good night.
15:08What happened? Are you okay?
15:09I hit my foot on the tunnel.
15:10It hurts a lot.
15:11What should we do?
15:12Should I take you to a Turkish doctor?
15:14No, no.
15:15It's not that important.
15:17My life is a little sweet.
15:21It hurts when I step on it.
15:22Wait a minute.
15:23I worked all night for you.
15:27You're so strong.
15:28Don't ask.
15:37You have a very good eye, Deniz.
15:39Mr. Halit will love the painting you like.
15:43I hope he likes it.
15:47What's wrong with you?
15:48Nothing.
15:49I'm just a little tired.
15:54I'm sorry.
15:56For what?
15:58Because I caused you to meet Tuna.
16:02No, honey.
16:03It has nothing to do with it.
16:07Look, Deniz.
16:09Really.
16:11I didn't know Tuna was coming there.
16:14It was a surprise to me, too.
16:16I knew.
16:17I knew he was coming.
16:18But I didn't know Ayça was coming.
16:20It was a surprise to me, too.
16:22And there...
16:24Anyway, why am I talking?
16:26It's not important.
16:32It's important.
16:34Call Tuna if you want.
16:35I don't want it to end like this.
16:39I don't have to call him.
16:41What do you mean?
16:43I don't want to call him right now.
16:45Because I don't want to talk right now.
16:47We'll talk later.
16:49You know.
16:56If you let me, I want to take you somewhere.
16:59Somewhere?
17:05Somewhere.
17:07Zuzu, I'm sorry about this morning.
17:09Please come home tonight.