にけつッ!! 2025年1月14日 М－１エントリーに秘められたミステリー＆窓側と通路側の結論
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00Thank you very much.
00:25There's a rumor that there's a mystery going on in the comedy world.
00:31Rumor has it that the person who caused the mystery is in love with you.
00:35Yes, yes.
00:38What?
00:39You have to manage it well.
00:41Who is it?
00:42I think it's already over by the time this airs.
00:46M-1 Grand Prix.
00:47Yes.
00:48The Manzai Festival.
00:50The winner of the last competition, Reiwa Roman, will be participating again.
00:55Yes, yes, yes.
00:56There's a pattern like that.
00:57Well, even now, Non-Style, Footballer, etc.
00:59Yes, yes, yes.
01:00There's a rumor that they came out again after winning.
01:02Maybe there will be two consecutive wins.
01:04I heard that they were actually aiming for another group.
01:09Yes.
01:11An entry form for R-1 was delivered to ABC.
01:15Yes.
01:16They said they were participating in WESTLAND.
01:19Yes, yes, yes.
01:21ABC was like,
01:22Huh? WESTLAND?
01:23Like Reiwa Roman?
01:24Yes.
01:25They're coming out again?
01:26Yes.
01:27I checked a lot of things.
01:28Yes.
01:29It seems that the age limit is already over.
01:32WESTLAND?
01:33Yes.
01:34But the entry form was officially delivered.
01:36Yes.
01:37I have to ask TITAN from now on.
01:38Yes.
01:39I'll contact TITAN.
01:40Yes.
01:41There's an entry form for WESTLAND.
01:43According to the document,
01:45I think the age limit is already over.
01:48Yes.
01:49More than 18 years.
01:50Yes.
01:51What do you think?
01:52Yes.
01:53TITAN was surprised.
01:54Yes.
01:55Huh?
01:56I won't let you do that.
01:57Yes, yes, yes.
01:58Yes.
01:59Once WESTLAND.
02:00Yes.
02:01It's like that.
02:02Yes.
02:03I'm sure the age limit is already over.
02:04Yes.
02:05Yes.
02:06I'm sure the entry form is already written.
02:07Yes.
02:08I'm sure the entry form is already written.
02:09Yes.
02:10The manager was in a hurry.
02:11Yes.
02:12I contacted Mr. Komoto.
02:13Yes.
02:14There's no way I would do that.
02:15Yes.
02:16What is that?
02:17Yes.
02:18I thought it was in a good shape.
02:19Yes.
02:20Yes.
02:21What's going on?
02:22Yes.
02:23I thought it had nothing to do with it.
02:24I contacted Mr. Komoto.
02:25Yes.
02:26I contacted Mr. Komoto.
02:27Yes.
02:28Did you enter?
02:29Yes.
02:30Yes.
02:31Huh?
02:32Huh?
02:33Huh?
02:34Huh?
02:35Tell me the reason.
02:36Yes.
02:37I asked him.
02:38He gave me a copy of the entry form.
02:39Yes.
02:40Yes.
02:41I understand that.
02:42The rarest entry form of the year that you recently encounter is the Junior 3.
02:43Not like that.
02:44Not like that.
02:45Mr. Komoto makes me very nervous.
02:47Oh that's true.
02:48It's a mysterious entry form.
02:49I was really Egyptian- objective.
02:51Yeah it's very exact to be objecting.
02:53So distracting?
02:54Yes.
02:55So distracting?
02:56Yes.
02:58I was about a change to give it another chance.
03:00Yes.
03:01I was about a change to give it another chance.
03:02He probably already still has an eye on it.
03:03Oh.
03:04He probably already still has an eye on it.
03:06Yes.
03:07He probably already hesitates,
03:08so I asked him about the timer and all.
03:09He doesn't even wear a mofuku in the basic variety show.
03:13No, he just doesn't come in.
03:15He's thinking a lot in his head.
03:17He's like, this is good.
03:20There's a mystery going on.
03:22It's a mystery.
03:23But there was something to think about.
03:28Well, there was something wrong with me.
03:31I had to take responsibility for my work.
03:33Compared to his partner.
03:40Iguchi also has his own show.
03:47That's why I think M-1 Entry is a different way.
03:50There are many different ways.
03:52If it comes out, Iguchi is the one who makes up the story.
03:56That's right.
03:58He's quiet when he's thinking about it.
04:01I see.
04:02That's what's going on.
04:03If he were me, I'd talk to him about his mother in the countryside.
04:09I see.
04:10There must have been something to think about.
04:12I'm sure there was.
04:14There are so many entertainers.
04:17I can't figure them out.
04:20You can't figure them out?
04:21Yes.
04:22I'll give you one more chance.
04:23An underground entertainer.
04:24An underground entertainer.
04:25He's called that.
04:26Yes.
04:28Have you ever heard of Intake?
04:30Interesting Takeshi.
04:31I've never heard of him.
04:33He's like Chance's right arm.
04:37Chance's right arm.
04:38Chance's right arm.
04:39Intake.
04:40Interesting Takeshi.
04:41Yes.
04:42He's been biting for a long time.
04:44Yes.
04:45He has a habit of biting for a long time.
04:48Yes.
04:50Chance told me about it.
04:52He went to Ramen Jiro and said,
04:53Wait, wait, wait, wait, wait, wait, wait, wait.
04:55Then this came out.
04:58It can't be helped.
04:59Because I told him.
05:00So, I went to stay overnight with Intake and some other people.
05:08On the highway.
05:10I borrowed a rental car.
05:12Everyone got on.
05:13I stayed overnight with Intake.
05:16I've never been together for this long.
05:18Yes, yes, yes, yes, yes.
05:21Surprisingly, Intake's...
05:25What is it?
05:26Various people.
05:27I said, I don't know.
05:29I asked people around Intake.
05:33Yes.
05:34It's an interview.
05:35I asked them to tell me a lot of things.
05:39Intake.
05:40What's the movie I saw recently?
05:45It's Murai's.
05:48Murai's.
05:50Murai's.
05:51Yanagiba's.
05:52Yanagiba's.
05:54That's right.
05:55That's what I'm doing now.
05:56I saw that recently.
05:57That's right.
06:00I saw both of them.
06:03That's right.
06:04I like all of them.
06:07I like all of them.
06:09I watch all the dramas and movies.
06:12I like Odoru Daisousa Sen.
06:14I like Intake.
06:17It's a little unexpected.
06:18It's unexpected.
06:19That's right.
06:20I really, really, really, really like it.
06:22You like it a lot.
06:23That's right.
06:24Really.
06:25I like Oda Yuji's impersonation.
06:29Yes.
06:30I'm here.
06:31Why did you go to the world league?
06:36It's a strong image.
06:38Why did you go to the world league?
06:41I was driving at high speed.
06:43You can't block the rainbow bridge.
06:46No matter how you think about it.
06:48I like Utagawa.
06:50I like Ozaki Yutaka.
06:52I like Ozaki Yutaka.
06:54I like Ozaki Yutaka.
06:55Sing it.
06:56I'm doing it because I'm myself.
06:59He is very good.
07:01He doesn't care at all.
07:03That's right.
07:04He is very good at music.
07:08Chan-sun is also good.
07:10Chan-sun is also good.
07:12His voice is transparent.
07:15I heard that in the old days,
07:17Seji Ken of Seiji.
07:19He was a part-time job for Chan-sun who works with a variety of entertainers.
07:21Intake was also a part-time job.
07:23When I was listening to the menu, I bit down on the food and told him to sing.
07:30He was playing the guitar and talking to me.
07:34He said, what would you like to drink?
07:37It's like a commercial.
07:40It's a nice commercial.
07:42He said, I'd like a dashimaki tamago.
07:45He said that to all of us.
07:47There were about three customers.
07:50Welcome.
07:51Are you praising me?
07:53Scary, scary, scary.
07:56Intake is mysterious.
07:59I don't think we know what an underground comedian is.
08:03I think there were a few people who came out.
08:06That's right.
08:07I heard it from Chance.
08:11Mogurider said he never wanted to go back.
08:14Mogurider was there, too.
08:15He was there.
08:17He said he wanted to go to a nostalgic place.
08:21He said he never wanted to go.
08:24Mogurider said he would go.
08:26There was a mouse behind him.
08:30It was a real basement.
08:32It wasn't underground people.
08:35The venue was as real as it was.
08:37That's right.
08:38Why did you make it a mole?
08:40There was no mouse.
08:42Maybe it's a mole in the basement.
08:45Oh, I see.
08:47Mogurider is underground, too.
08:48We're underground, too.
08:50We didn't have that at the time.
08:53Underground entertainers.
08:55There was no free entertainment.
08:58In Osaka, Yoshimoto had to go to the small district.
09:04Wako Pro.
09:05There were three Wako Pro.
09:11It was easier to understand at that time.
09:16It's hard to eat near the small district.
09:19Something like that.
09:20Something like that.
09:22I was deceived by Mr. Kimoto once.
09:26I ate Indian curry.
09:28He said, come here.
09:30I said, yes.
09:32He said, come anytime.
09:34I was scared.
09:36He didn't feel that way.
09:38He might not have felt that way.
09:39I was really scared.
09:41I see.
09:43I thought Mr. Kimoto was a noisy person.
09:48I wanted to ask Mr. Kimoto.
09:51Three days ago, I went to work in Fukuoka.
09:55In Hakata.
09:56I couldn't stand it.
09:57I worked in Hakata for a night.
10:01I finished work at 7 o'clock in the morning.
10:04That's the best.
10:06I contacted the stall I was always in charge of.
10:11I said, okay.
10:12I said, I'll open it.
10:14He opened it.
10:15My manager, three people, staff, five people.
10:18Five people in total.
10:20Six people.
10:21Six people went to the stall.
10:24It was cold.
10:26It was warm.
10:27It was delicious.
10:28It was cold, but it was delicious.
10:29It was delicious.
10:30I drank sake.
10:32The young man and woman who came in here.
10:37The young man and woman who came in here.
10:41The old man was watching.
10:45Obviously.
10:46Obviously.
10:47Do you know what it is?
10:48It's fun here.
10:49It's fun here.
10:51It's like a junior discovery.
10:54That's right.
10:55What's going on?
11:01I am not doing anything without worrying about it.
11:03I can't enjoy this fun time at all.
11:07I think I can't do anything.
11:14It's not time yet to go to the youngest.
11:16The man who brought it to us.
11:20I don't think anyone will know that I'm filming.
11:23Right?
11:25I don't know how many people, but it's only about ten people here, so I'm going to take a picture.
11:33That's right.
11:34You said at the beginning that you would take a picture if you could finish it in one piece.
11:37That's right.
11:38If I take a picture here, no one else will come.
11:41It's a small space with a limited number of stalls.
11:45I've been looking forward to it for days.
11:48I'm looking forward to it.
11:49Three days later.
11:50Tomorrow.
11:51I'm coming.
11:52Why do I have to take a picture like this?
11:56I've confused the other person's brain.
11:59When you're being surveyed.
12:01It's hard to say no, but I'm taking a picture at Shinkansen's platform.
12:06I always feel the presence of the other person.
12:09When I try to take a picture of that person, for some reason, I'm in a diagonal line between the pillars.
12:18No matter what I do, I can only see the pillars.
12:21Without looking at it.
12:23I'm in a lot of trouble.
12:25You're taking a picture of that person at the end of the line.
12:28But it's such a limited space.
12:30It's impossible to have a stall.
12:33I've been saying this to everyone, but I haven't come up with a solution yet.
12:39There are people who say, I'll take it.
12:42Like taking it back.
12:43I don't need a picture of an old man.
12:45I don't need it.
12:46There's no doubt about it.
12:48That's right.
12:50What do you mean, old man?
12:52I'll turn it off.
12:54I took a picture of it and deleted it recently.
12:57I took a picture of it and deleted it.
13:01We're having fun.
13:03It's not like I can go back to 10 because it's gone.
13:08It's a start from zero or minus two.
13:11Why do I have to work hard to get up to 10?
13:16Well, it's almost time.
13:19You might be able to make a perfect mask like Trump or Putin in urban legends.
13:27Why do I have to go to a stall?
13:31You might be able to make a mask like Takashi Sorimachi, which is your goal.
13:35You might be able to take more pictures.
13:43There's no younger generation.
13:45That's right.
13:46What about old men?
13:48There are old women.
13:52I was surprised by the sound of the shutter on my cell phone.
13:57I was surprised by the sound of the shutter on my cell phone.
13:59I was surprised by the sound of the shutter on my cell phone.
14:06It's difficult.
14:07It's difficult.
14:08It's very difficult.
14:10If Mr. Sanma asked me this question, I would be defeated for the rest of my life.
14:18Mr. Sanma will be peaceful.
14:22I think that's the pressure, too.
14:32I think it's pressure.
14:34I think it's pressure.
14:35I think it's pressure.
14:36I'm worried about it.
14:37I'm worried about it.
14:39I have to think about it.
14:41I have to think about it.
14:42I'm worried about it.
14:43In the past, when I worked for MEGALOVANIA, I thought,
14:48In the past, when I worked for MEGALOVANIA, I thought,
14:49I thought,
14:52I thought about my co-workers, so I thought about my co-workers, so
14:58I thought about my co-workers when I was working on smaller projects.
15:02And I thought
15:03And I thought
15:05I thought
15:12It's only 7 minutes.
15:13That's so cool!
15:15I want to be like that!
15:17It's only 7 minutes from Tokyo.
15:197 minutes? That's a long distance!
15:24It feels so good!
15:25Ah, that's true.
15:27It's in the morning, right?
15:29No, no, no, it's around noon.
15:32Around noon.
15:34Ah, that's true.
15:35When I come back from Osaka after filming 4 episodes,
15:39I don't know how long it takes to get on the Shinkansen,
15:41but sometimes it takes 7 seconds to get to Tokyo.
15:43I'm like, what? It's already here?
15:47There are times like that.
15:48It takes an instant.
15:53How far is the Shinkansen going to take you?
15:55Huh?
15:56I'm going to Nagoya.
15:57Ah, me too.
15:58Ah, you're going to Ise?
16:00I'm going to the airport.
16:03That's right.
16:05I want to go to Sendai by plane.
16:09You're going to Sendai?
16:10By plane.
16:11Ah, by plane?
16:12No?
16:13I don't really go to Sendai.
16:15When I go to Sendai, it's always the Shinkansen.
16:20I force myself to go to Ishikawa by plane.
16:23But Ishikawa is a new Shinkansen.
16:26That's right.
16:27I want to get on a plane.
16:30Ah, I see.
16:33I'm not really good at Shinkansen.
16:35You don't want to get on a new Shinkansen?
16:37I'm not really good at it.
16:39I'm good at it.
16:42I know I'm small,
16:47but I wonder why I'm sitting next to it.
16:49Even though it's so open.
16:51There are people who don't care.
16:54Well, I don't think they care.
16:56Right?
16:57There are two seats in the movie theater.
17:00It's open here, and there's a passageway here.
17:02I thought I wouldn't fit in here,
17:04so I took a seat.
17:06It's open.
17:07There are people who come here.
17:09That's how I feel.
17:11So if you don't care, you don't care.
17:13But there's definitely a plane next to you.
17:17But the plane is fine.
17:19Because you don't have to get on it.
17:23What?
17:24Ah, yes, I ask for a passageway for the plane.
17:26I see.
17:28When you go to the bathroom,
17:30you don't have to get on it.
17:32I don't like that.
17:34Do you understand?
17:36Yes, I do.
17:38The tray you're holding down,
17:40the legs you're holding,
17:42the shoes you're throwing away.
17:44You have to get on all of these.
17:46It's impossible.
17:48As it is?
17:50Yes.
17:52You can do it with this,
17:55but you can't do it like this.
17:57You can't do it like this.
17:59I don't like that.
18:01Which one do you prefer?
18:05You can get on the Shinkansen or the plane.
18:09The Shinkansen is on the window side.
18:13The plane is on the passageway side.
18:15The Shinkansen is on the window side.
18:17I see.
18:21The window side is a must for me.
18:24You can do it however you want.
18:26Yes.
18:28To cool my cheeks.
18:30The window side.
18:32The window side.
18:34You can't do it on the plane,
18:36but the window side is far from the plane.
18:38The window side is far from the plane.
18:40The window side is far from the plane.
18:46What?
18:48How do you know?
18:54I borrowed it from a co-worker.
18:56He told me too.
18:58On the program of
19:00Norihara Shoomoto in Nagoya,
19:02there was a part
19:04about a very difficult
19:06and tasty restaurant
19:08where you must think
19:10very very hard.
19:12As for what is difficult,
19:14it's a car parking.
19:16It's very difficult!
19:18There are many parking booths.
19:20If you can stop by
19:22I don't know if I can do it, but if I can do it, I'm waiting for something really, really delicious.
19:26I've introduced the store a few times.
19:28I'm watching it in the studio.
19:30I don't like men who are really bad at driving.
19:34I really want to do it.
19:36You want to challenge it?
19:38The harder it is to stop, the more exciting it is.
19:40It's burning.
19:42I want to do it.
19:44I said I wanted to do it.
19:46It's my first time on that show.
19:48There's a ramen shop in the parking lot where it's really hard to stop.
19:54Find me a really good ramen shop.
19:56Line up the big cars I've prepared in the back.
20:02Go in there in the back.
20:04This is the first mission.
20:08It's a mess.
20:10I can't get in here.
20:12The parking lot in the back.
20:14How do I get back here?
20:16I don't know if I can park.
20:18It's really hard.
20:20It's like switching.
20:22I don't do this.
20:24I don't say anything about my car.
20:26I don't do it with a rental car.
20:28That's the rule.
20:30That's scary.
20:32That's the rule.
20:34I don't know where it's going.
20:36I don't know where it's going.
20:38I don't know where it's going.
20:40It's been going on and on.
20:42It's been going on and on.
20:44I've been scared.
20:46I've been scared.
20:48I've been scared.
20:50I can't P.
20:52I don't know what the real last P is.
20:58P is the last P.
21:00P is the last P?
21:02Next to P, it's Gon.
21:04Next to P, it's Gon.
21:06Next to P, it's Gon.
21:08Ah!
21:09Beep beep!
21:10Beep beep beep...
21:12Beee...
21:13go!
21:38I like it a lot.
21:39Oh, you like it a lot?
21:40That's right!
21:41Really!
21:42Hey!
21:43Can you do an impression of Oda Yuji?
21:45Yes!
21:46Here he comes!
21:48Why is he at the World Rink?
21:52Well, he has a strong image.
21:54Why is he at the World Rink?
21:57He's been running on the court all day.
21:59He can't block the Rainbow Bridge, can he?
22:02That's what I thought.