TRUE COLORS 第3話
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00The colourful Diva, which controls the colour beautifully, was the word that honoured me as a photographer.
00:16Until the eye disease occurred.
00:22It is a chronic disease in which the cells that control vision and colour are not functioning normally.
00:35Is there a way to cure it?
00:37Unfortunately, in modern medicine,
00:40Does the disease also affect the colour?
00:43I was originally colour-blind since I was born.
00:47Why did you hide it from me until now?
00:49Even if the colour looks a little different, it doesn't affect my expression.
00:54I can't sell you, who is not the best, to a top-notch client.
00:59You want to say that I'm a scapegoat, right?
01:04I've been thinking about it a lot, but I've decided to cancel all my new jobs.
01:10All of them?
01:12Including going to Paris next month?
01:14All of Marco Andretti's jobs next year.
01:18No way.
01:20Why?
01:21I'll talk to the company.
01:23Come at 1pm tomorrow.
01:48I can't believe it right away.
02:00I can't believe that the colour-blind diva was colour-blind.
02:04The difference in colour perception function should be recognized as individuality.
02:09The colours that you and I, who think we are colour-blind, can see clearly are subtly different.
02:16Is that true?
02:18The difference in colour perception function should be recognized as individuality.
02:21Even if Misaki Tachibana was colour-blind, I think it's even more so.
02:26She tried to bring the colour of the world she saw closer to the colour of our imagination.
02:33As a result, that vivid colour expression was born.
02:38It was Shinya Makigami who brought Misaki Tachibana to life, but it was her ability that made her a star photographer.
02:46She should have started walking on her own earlier.
02:51It's her misfortune that she fell in love with a perfectionist who has a strong desire for independence.
02:58Oh!
03:03Misaki-san!
03:07I'm sorry.
03:18Let's have a meeting later.
03:20I'm going to change my position.
03:30Chief editor!
03:32Is it true that you cancelled all the contracts with Misaki Tachibana's overseas brand?
03:36From now on, I will not fall.
03:40So that you won't fall...
03:41The company will!
03:48We should avoid the risk of misappropriation.
03:51That's Mr. Makigami's idea, isn't it?
03:53I'm the chief editor of Loose Salon.
03:55I'm also the executive representative of this publisher.
03:58I represent the company's interests.
04:00Who was the one who made a contract with Misaki Tachibana to monopolize her talent?
04:06If you treat her like that, our company's reputation will be tarnished.
04:14This is the answer I came up with to not hurt Misaki.
04:21Misaki Tachibana
04:26Sanomai-chan.
04:27Yes?
04:28Why are you following me?
04:30I'll walk you downstairs.
04:33It's the last time.
04:35The last time?
04:36I don't think I'll ever come here again.
04:40That's too sudden.
04:43It's not a contract exclusive to Loose Salon.
04:50Misaki Tachibana
04:55Sanomai-chan
05:00Sanomai-chan
05:05Misaki Tachibana
05:10Sanomai-chan
05:15Take care.
05:22Um...
05:30If I become the chief editor in the future, please take a picture of me again.
05:36You heard that, didn't you?
05:38I...
05:39I like your pictures.
05:43Colors move my heart.
06:03I can become the chief editor.
06:14Sanomai Tachibana
06:19Sanomai Tachibana
06:24Sanomai Tachibana
06:29Sanomai Tachibana
06:34Sanomai Tachibana
06:39Sanomai Tachibana
06:44This coffee is terrible.
06:48Hyo-Fu Shrine
07:06Please take a good look at it.
07:17Please come in.
07:33Would you like to take a look?
07:37Yes, please.
07:48Mr. Tachibana.
07:56I didn't know you were here.
08:05What a day.
08:08You betrayed me and switched to commercial photography.
08:12Why are you here?
08:15You should be ashamed of yourself.
08:19I can't believe I'm meeting this guy on a day like this.
08:24Senpai, how old are you going to be this year?
08:30This is the worst.
08:33Why don't you take a picture of yourself?
08:44It's the worst day ever.
09:02Sensei.
09:05What a face.
09:14How is it? Is it good?
09:40Yes.
09:42I see.
09:51You're still so kind.
10:04Did you see the photo exhibition?
10:07Yes, I happened to pass by.
10:11I was so nostalgic that Komura-senpai told me about it.
10:16He's a good photographer.
10:19Really?
10:23It's been 10 years, right?
10:2812 years.
10:30That long?
10:33Sensei.
10:37I'm sorry.
10:40I wanted to turn you down.
10:4312 years ago, when you were away for a long time,
10:49I left the studio.
10:53When I came back,
10:55I heard you went to New York.
10:58I laughed.
11:00I laughed when I heard that.
11:04I auditioned for a photo studio over there.
11:07I thought I had to go.
11:09But I couldn't stand it.
11:11You found what you wanted to do.
11:13You couldn't stand it.
11:16Who can stop a young man like you?
11:20I don't like it.
11:22I don't want to be an old man stopping you.
11:30You're the daughter of the family I'm proud of.
11:39I'm not the daughter you can be proud of anymore.
11:52I lost all my jobs.
11:55That's not calm.
11:59I was diagnosed with genetic eye disease.
12:05They said it was a chronic disease.
12:09And because of that,
12:12I was diagnosed with a problem with my optic nerve.
12:23You had optic nerve, too?
12:30Me, too.
12:32It's a type of optic nerve.
12:37We don't call it optic nerve anymore.
12:41Really?
12:42It's not that rare.
12:45When I was born,
12:47there were two or three people in my family
12:51because we had a lot of children.
12:54That many?
12:56There were about 20 men and one woman.
13:01It's not a big deal.
13:04It's just a little bit different.
13:07There's an old man who's been a cameraman for 60 years.
13:20As a professional,
13:22if I don't have confidence in my skills,
13:25I'd rather be black and white like me.
13:28I was called a color diva.
13:35I'll give you a task.
13:40Listen carefully.
13:42Okay.
13:44If you mix all the colors of this world,
13:47what color will it be?
13:49Black.
13:51That's right.
13:53Black is the richest of all colors.
13:57It has an infinite number of gradations.
14:09What is the color of this plate?
14:13It's black and white.
14:15Black and white is darker than the color of a crow's feather.
14:22It's the black that Japanese people think is the darkest.
14:27It looks like this.
14:29It looks like a variety of colors in the state of light.
14:33It's a supple black.
14:37I want to make black like this one day,
14:42but it's quite difficult.
14:46If you mix white with red, it becomes pink.
14:50If you mix it with blue, it becomes light blue.
14:54Black and white are deep.
15:00Fumi.
15:03Yes.
15:05What is the most important thing for a photographer?
15:09I told you before, but do you remember?
15:15Don't let go of the camera.
15:20That's right.
15:22As long as you are a photographer,
15:25don't let go of the camera no matter what happens.
15:35Yes.
15:39You went to fashion early,
15:44but you know about Robert Capa, right?
15:48No, I don't.
15:49He's a legendary battlefield photographer.
15:52Robert Capa shot the last scene on the battlefield in Indonesia.
16:00He had the same Nikon as this one.
16:05When he first became a photographer, he adored it and bought it.
16:09It's the same 50mm as Capa.
16:12Take a look.
16:18I didn't know Capa was using a Japanese camera.
16:23When he died in the war in Indonesia,
16:27he said he couldn't let go of the camera.
16:39What's wrong?
16:42I don't know if I have what it takes to be a photographer.
16:49I'm embarrassed.
16:51You don't have to be bored.
16:54You'll find what you're looking for.
16:58So,
17:01don't let go of the camera.
17:12Don't take a picture of me like this.
17:15I'm sorry. I'll fix it.
17:26By the way,
17:28when you won the New Artist Award,
17:33you took a picture of the M4 that I gave you as a souvenir.
17:38How is it going?
17:42It's in good condition.
17:45Is it in good condition?
17:49No.
17:50I couldn't use the camera that you took so many pictures of.
17:57You're not as good as I thought.
18:01Of course not.
18:03It's the best camera in the world.
18:06It's not mine.
18:08It's the best camera in the world.
18:11The best camera in the world
18:13requires a person to be prepared to take pictures.
18:18Preparation?
18:20When you travel with a camera like that,
18:23you'll meet beautiful things.
18:26Landscapes, people, flowers, birds, light and shadow.
18:31You have the power to draw those things in front of the lens.
18:36That's why I feel like the person taking the picture is being tested by the camera.
18:49Oh,
18:52I don't know your name.
18:56This is my favorite monochrome film.
19:01It goes well with the M4.
19:05Take it with you.
19:07You can capture the real light and shadow.
19:26I don't know your name.
19:29This is my favorite monochrome film.
19:32It goes well with the M4.
19:35Take it with you.
19:38You can capture the real light and shadow.
19:42It goes well with the M4.
19:45Take it with you.
19:48You can capture the real light and shadow.
19:52It goes well with the M4.
19:55Take it with you.
19:58You can capture the real light and shadow.
20:01It goes well with the M4.
20:04Take it with you.
20:07You can capture the real light and shadow.
20:10It goes well with the M4.
20:13Take it with you.
20:16You can capture the real light and shadow.
20:19It goes well with the M4.
20:22Take it with you.
20:25You can capture the real light and shadow.
20:28It goes well with the M4.
20:31Take it with you.
20:34You can capture the real light and shadow.
20:37It goes well with the M4.
20:40Take it with you.
20:43You can capture the real light and shadow.
20:46You can capture the real light and shadow.
20:49It goes well with the M4.
20:52Take it with you.
20:55You can capture the real light and shadow.
20:58It goes well with the M4.
21:01Take it with you.
21:04You can capture the real light and shadow.
21:07It goes well with the M4.
21:10Take it with you.
21:13You can capture the real light and shadow.
21:16It goes well with the M4.
21:19Take it with you.
21:22You can capture the real light and shadow.
21:25It goes well with the M4.
21:28Take it with you.
21:31You can capture the real light and shadow.
21:34It goes well with the M4.
21:37Take it with you.
21:40You can capture the real light and shadow.
21:43It goes well with the M4.
21:46Take it with you.
21:49You can capture the real light and shadow.
21:52We hope you reached the end by which I could take a look a little longer,
21:57which, I think, was useful.
22:02Yes.
22:03This is the post area.
22:05Is Ms. Misaki Tachibana in?
22:08It's me.
22:10We have received a letter from the newspaper.
22:15Can you receive it?
22:20Yes.
22:39I'm sorry.
22:43I'm sorry.
22:45I'm sorry.
22:47I'm sorry.
23:08I'm sorry.
23:10I'm sorry.
23:12I'm sorry.
23:14I'm sorry.
23:16Yes.
23:18Misaki?
23:19I've been listening to you for a long time.
23:20Really?
23:22I'm sorry.
23:24There were too many things.
23:26I missed the timing to explain.
23:29It's a matter of life and death for Ipperi.
23:33I'm fine.
23:35Are you okay?
23:38I think I'm fine.
23:43Are you at home now?
23:45Yes.
23:46Are you eating something delicious?
23:49You seem to be worried about me.
23:51I'm worried about you, too.
23:53Not me.
23:54Junko says so.
23:56Junko?
23:58She is at home.
23:59I'm going shopping.
24:00Wait for me.
24:02Did you hear that?
24:04Yes.
24:05I'll see you later.
24:36Thank you for waiting.
24:40Wow.
24:42Everything looks delicious.
24:44It's like a picture.
24:45That's right.
24:47First of all, let's have a toast.
24:50Yes.
24:54To a new start.
24:57That's good.
24:58To a new start.
25:00I don't know where to go.
25:02That's fine now.
25:04Let's look ahead.
25:07That's right.
25:08I think that's important.
25:14To a new start.
25:19Cheers.
25:27This white wine is delicious.
25:29What kind of wine is it?
25:31I got it from Mr. Makigami.
25:38There is no sin in wine.
25:41Is there any other wine you got from the editor-in-chief?
25:44Yes.
25:45Let's drink it all.
25:47Let's eat.
25:49Let's eat.
25:50Let's eat.
25:51Let's eat.
25:52It looks delicious.
25:58It's delicious.
25:59Is it delicious?
26:00Yes.
26:18You have a lot of things.
26:23How long have you been living here?
26:27About three years.
26:30I have to move soon.
26:32The rent is high here.
26:38It was a difficult choice for you.
26:46I was thinking about canceling the contract.
26:52I don't want to play dirty in a long trial.
26:57So I decided to cancel the contract.
27:03I can give you enough money to eat until the next job is decided.
27:11I think it was the best decision.
27:16I was worried about what would happen.
27:19I'm sorry.
27:21I can't afford it.
27:23Don't worry about it.
27:26There is nothing we can do for you.
27:31Let's drink together.
27:39Thank you very much.
27:50It's a little late.
27:53Why did you come to the editing department today?
28:00Why?
28:01You are almost naked.
28:07You can't get excited.
28:12Make-up is not just for show.
28:19It's to make you feel better.
28:29Let's drink together.
28:32Now?
28:33Yes.
28:50It's done.
28:54It's beautiful.
29:06I thought it was a good make-up.
29:09But it's not.
29:12I'm sorry.
29:14It's okay.
29:16I thought it was a good make-up.
29:19But it's not.
29:22I'm a professional.
29:27Get up.
29:30It's a job.
29:36This lens is bright.
29:39Let's do it.
29:42One more.
29:44Laugh.
29:54It's the last one.
30:02I want one, too.
30:04Me, too.
30:05No.
30:07Give it to me.
30:09Give it to me.
30:14I got it.
30:18T3 is good.
30:20I know why it's so popular.
30:24I like Snap.
30:26I wanted to buy it used.
30:28But it was too expensive.
30:30How much is it?
30:32300,000 to 400,000 yen.
30:35Used?
30:37I'll give it to you.
30:39Thank you for today.
30:42You were the best assistant.
30:57I don't want it.
30:59What?
31:01Don't say that.
31:05Don't say that.
31:07You won't quit, right?
31:12You won't quit, right?
31:13I don't know.
31:16Not yet.
31:22I don't know.
31:26I don't know what will happen to me.
31:29I don't know what I want to do.
31:33Not now.
31:37I'm sorry.
31:41But I won't let go of the camera.
31:48My master told me.
31:50If I have a camera, I can go back to being a photographer.
31:55Are you talking about Ms. Kijima?
31:58Yes.
32:02I'm sorry.
32:11I got this camera from my master.
32:17It means to stand on your own feet as a photographer.
32:24So I want you to give me my favorite camera.
32:39If that's the case, I'll keep it until Ms. Kijima comes back.
32:44Can I have it?
32:47Ms. Kijima, please.
32:53I drank too much.
32:56Please don't drink anymore.
32:59I didn't think I'd drink that much.
33:01Ouch!
33:03I dropped it.
33:05I'm sorry.
33:07I totally forgot about it.
33:09I've been keeping this for you.
33:12I asked you to give it to me.
33:14What's this?
33:15It's a postcard for you.
33:24I'll be waiting for you.
33:29Misaki, see you.
33:31Take care.
34:23Ms. Kijima, how are you?
34:41Ms. Kijima.
34:43It's been 18 years since we parted.
34:49How are you?
34:51I've seen your activities in magazines and TV.
34:55I'm happy to see you and your mother.
35:04I couldn't find your address,
35:06so I sent this letter to the editor of your magazine.
35:14My mother and I are poor.
35:21I went to a university in Fukuoka.
35:24Now I'm back in Amakusa.
35:26I'm a teacher at an elementary school in Hondo.
35:30I think it's all thanks to my father,
35:33who gave me the dream of becoming an educator.
35:43Now, I have one thing to tell you.
35:48I'm going to get married.
35:54My husband is a classmate at a university.
35:59We're going to have a wedding on September 24th.
36:04It's a small wedding with only the family members.
36:09Would you like to attend?
36:19I want you to see my sister get married.
36:25I wrote this letter to my mother and Tsujimura's father.
36:31My mother said,
36:33don't do it because my sister will feel bad.
36:37I'm sure my mother will stop me.
36:42My mother passed away last year.
36:46She's been crying a lot lately.
36:51I want you to know that I want to see you more than myself.
36:59But no matter what my mother says,
37:04I want you to bless me.
37:10But no matter what my mother says,
37:14I want you to bless me.
37:30What should I wear for the wedding?
37:34I think you should wear what you usually wear.
37:37I can't wear what I usually wear.
37:41You can wear a necktie.
37:44I have a lot of responsibilities.
37:49Goodbye.
37:54If my mother and Tsujimura's father don't want to see me,
37:58I don't have to attend the wedding.
38:02But at least let me meet my husband.
38:08I'll write down my email address and phone number.
38:13I'll wait for your reply.
38:32I'll wait for your reply.
39:02I'll wait for your reply.
39:32I'll wait for your reply.
40:02I'll wait for your reply.
40:07I'll wait for your reply.
40:12I'll wait for your reply.
40:17I'll wait for your reply.
40:22I'll wait for your reply.
40:27I'll wait for your reply.
40:32I'll wait for your reply.
40:40I'll wait for your reply.
40:45I'll wait for your reply.
40:50I like the cloud you draw.
40:52It looks like Constable's painting.
40:56I'm just imitating you, of course.
40:59If you like it, take it.
41:08That's a good tip.
41:13Yeah.
41:16But if you like it,
41:18come back to see the real thing when the park is open.
41:23You can only see the burning clouds and the sky
41:26in the rain.
41:53Shotaro.
41:55Have you gotten used to this place?
42:08Shotaro!
42:10Shotaro!
42:12Shotaro!
42:14Shotaro!
42:16Shotaro!
42:18Shotaro!
42:20Shotaro!
42:22Shotaro!
42:25What's the weather like today?
42:28It's fine until noon today.
42:30It's better to finish early.
43:22True colors, true colors
43:27Are beautiful like a rainbow
43:40Show me a smile then
43:44Don't be unhappy
43:47Can't remember when
43:49I last saw you laugh
43:52If this world makes you crazy
43:55And you've taken all you can
43:58Then you call me up
44:00Because you know I'll be there
44:03And I'll see your true colors
44:07Shining through
44:09I'll see your true colors
44:12And that's why I love you
44:15So don't be afraid
44:17To let it show
44:20Your true colors
44:23Your true colors
44:26Are beautiful like a rainbow
44:30Show me a smile then
44:33Don't be unhappy
44:36Can't remember when
44:39I last saw you laugh
44:42If this world makes you crazy
44:45And you've taken all you can
44:48Then you call me up
44:51Because you know I'll be there
44:54And I'll see your true colors
44:57Shining through
45:00I'll see your true colors
45:03Shining through
45:07I'll see your true colors
45:10And that's why I love you
45:13So don't be afraid
45:16To let it show
45:19Your true colors
45:22True colors
45:24True colors
45:27Shining through
45:30Your true colors
45:33And that's why I love you
45:36So don't be afraid
45:39To let it show
45:42Your true colors
45:45True colors
45:48Beautiful
45:51Like a rainbow
46:21Beautiful
46:24Keep it up!
46:27Keep it up!
46:51Keep it up!
47:21Keep it up!
47:24Keep it up!
47:27Keep it up!
47:30Keep it up!
47:33Keep it up!
47:36Keep it up!
47:39Keep it up!
47:42Keep it up!
47:45Keep it up!
47:47Keep it up!
47:50Keep it up!
47:53Keep it up!
47:56Keep it up!
48:18That man...
48:22Why?
48:47Shinobu and Nanase are still on good terms.
48:50I'm the one who cut ties with them and left the island.
49:47This week's theme is healthy life.
49:49The secret is a mysterious triangle.
49:52What does it mean to live?
49:54Muscle training.
49:56B-GES, 20th at 10.45 p.m.