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Short filmTranscript
00:00You can't tolerate such a behavior in your house, it's unacceptable.
00:07If you still want to live in this house, you'll have to marry Bernardo.
00:11We had to convince them that our play was real.
00:15Do you know what an honor it is for me to marry you?
00:20I called you because I would like the three of us to talk about Adrián's return to the big house.
00:26If you called us to tell us this, you could have saved it.
00:29Because I'm not going back to the big house.
00:31Are you going to save me or do I have to take notes on the matter?
00:34Julio is capable of anything to get away with his own.
00:36And me too.
00:37Don't underestimate me.
00:39I'll go with you.
00:40You may have heard, by chance, that he is very fond of seducing women.
00:44Luisa!
00:46Do you know that my best friend, one of the people who ...
00:49The maid!
00:50I have never attended a birth.
00:51We are waiting for the midwife.
00:53Donatana gave notice to a day laborer, but he has not arrived yet.
00:56What the hell is going on up there?
00:58What's going on with Luisa?
00:59If Luisa gave birth ...
01:01If she gave birth, what?
01:03Neither she nor the child would have any chance of surviving.
01:18What's up, sir?
01:19I called because I have already made a decision regarding my link with Mercedes.
01:25After giving it a lot of thought, I have decided that I am not going to marry her.
01:32No matter how noble her reasons were to surrender to Toribio de la Vega,
01:36I cannot allow something like this to stain the last name of the Calves de Aguirre.
01:42I don't understand, sir.
01:43Unfortunately, Mercedes will have to carry that macula for the rest of her life.
01:54I'm sorry it was my fault, sir.
01:56I don't know if it's your fault, but of course it's your responsibility.
02:01You have been indebted to her since she saved your life.
02:05And I will be eternally grateful for it.
02:09Why don't you show her your gratitude by doing what you had in mind?
02:14Mercedes and you can celebrate your link.
02:18You have my blessing.
02:21Did I really do it?
02:22Absolutely.
02:24But she ...
02:26She saw how she reacted when she met us in the living room.
02:29Yes.
02:30The idea is still not to her liking.
02:32In fact, she has not stopped trying to change her attitude for active and passive.
02:37And what did you tell her?
02:38The truth.
02:40That the decision is made and that she has no choice but to accept her fate.
02:44I understand.
02:46It's the best for her, Bernardo.
02:49I would not like to force Mrs. Mercedes to contract nuptia with me against her will, but ...
02:55But?
02:57But I think the same as you.
02:59It is the best solution for her, given the problem she has.
03:03The best, not Bernardo.
03:04The only one.
03:06You know what I feel for her forever.
03:09And you don't care that she smiled?
03:13Yes.
03:14The truth is yes.
03:15But in the end, she did it to save my life.
03:19There is only one thing that worries me.
03:22The what?
03:24It will not be so easy to convince her to accept the commitment.
03:33Maybe there is something you can do so that you have no choice.
03:39I'm all ears.
03:41Announce the commitment at the big house.
03:43Make it public as soon as possible.
03:47Without his consent?
03:49He will not dare to contradict it in public.
03:52He will accept his will without hesitation.
04:14I have a wound that does not heal over time
04:23For a betrayal that pierced my heart
04:28As if it were a dagger
04:34That locked me in this torment
04:41Of silence and lies
04:44Everything I knew is getting further away
04:51I live dreaming
04:54With what fate decided to deny us
04:59Condemned to the taste of bitterness
05:03Dancing with madness
05:06Imagining that you are
05:08You are
05:10I live dreaming eternally
05:14Hoping that in this wild valley
05:18Your light illuminates me
05:21That in this wild valley
05:24Your light illuminates me
05:38Your light illuminates me
06:01Any news?
06:04No
06:05He has not opened his eyes or reacted in any way
06:13At least he doesn't have a fever. That's a good sign.
06:18What's going to happen, Mr. Atanasia?
06:23Luisa has to wake up.
06:25And if she doesn't wake up?
06:28And if she doesn't come back?
06:30She already knows that it is not my specialty, Mrs. Adriana.
06:33But she will have to give her opinion.
06:36To give birth, you need to be aware.
06:40That's all I can tell you.
06:43Otherwise, the birth could end in tragedy.
06:49Are you telling me ...
06:52If Luisa doesn't open her eyes and the baby is there, they could die.
07:00Do we know anything about Mr. Rafael?
07:03Do we know anything about Mr. Rafael?
07:05Did he leave to look for the midwife?
07:07Yes, he left, but the midwife was busy with a woman, with a complicated labor.
07:15That's what I was afraid of.
07:18But he has left a man there.
07:20He will bring her to the farm when he is available.
07:24So I hope it's as soon as possible.
07:26And if not, well ...
07:28We have you.
07:40Luisa.
07:43Wake up.
07:47Wake up, please.
07:51Please.
07:54Wake up.
07:57Let's go.
07:59Let's go, Mrs. Adriana.
08:02Try to keep her interested.
08:06She has to be fine in case things get ugly.
08:10Luisa needs her strong.
08:13Do you hear me? She has to be very strong.
08:21What's going on?
08:24I have a note from your husband.
08:27But what does he want now?
08:29I'd better leave you alone.
08:32Okay.
08:37Do you want me to read it to you?
08:44Dear Adriana.
08:46I beg you to escape to the big house.
08:50I have to talk to you immediately.
08:53Attentively, your husband.
08:55I'm not going anywhere.
08:57Adriana, I beg you.
08:59No, Isabel.
09:00I'm not going to separate from Luisa again.
09:03I can't tell her that.
09:05Well, tell her what you have to tell her.
09:07But this is my decision.
09:09And if she wants to see me, she can wait until tomorrow.
09:31I'm sorry.
09:44The young people of the village go down the river on wooden boats.
09:49They built them themselves.
09:51That's right. Well, with their parents and their grandparents.
09:53And when they reach the end of the journey,
09:56the youngest girls, who are of age,
10:00dance around them.
10:02And they put a kind of crown on them,
10:05which they have made with flowers that they have collected in the mountains.
10:07And all this while other young people
10:09play the sound of the gaita.
10:11It's beautiful.
10:13It sounds very ...
10:15Picturesque.
10:17Villager, I was going to say.
10:19And you say that this is celebrated every year.
10:22That's right, on these dates.
10:24Not even the most torrential rains
10:26have ever managed to suspend a day in San Jerónimo.
10:28I would like to go this year.
10:30I have never gone to any of these village celebrations.
10:38Bernardo.
10:40Good evening.
10:43What are you doing here?
10:45I called him.
10:48What's up, Father?
10:51I have something to announce to you.
10:55Mercedes, please come with me.
11:01Despite the fact that your mother's wish,
11:03as you already know,
11:05and I announced it to you at the time,
11:07was that your aunt and I get married.
11:11Recent events have made me change my mind about it.
11:16What's all this about?
11:18Aren't they getting married?
11:20That's right.
11:22That wedding is not going to be celebrated.
11:24For what reason?
11:26Circumstances have changed.
11:28But what circumstances?
11:30They don't matter.
11:32And I don't want to discuss this with you either.
11:34What's more, I don't want to make the reasons public.
11:38I just wanted you to know that
11:42I'm not going to marry your aunt
11:44because the one who will do it, finally,
11:46is Bernardo.
11:50I know that now it will be difficult for you to understand,
11:53but it's the best for everyone.
11:56The best for whom?
11:57For whom?
11:59Please, don't make a new spectacle.
12:01Dears,
12:03do you want to know the reasons why your father
12:06no longer thinks I'm worthy to be his wife?
12:08Mercedes, please.
12:10Because I tried to save Bernardo's life.
12:12The man who has kept the most loyalty to him and to this house
12:15was me,
12:17who exonerated him from the murder he had not committed.
12:22What a fool you are.
12:24For that reason,
12:27I will not be able to fulfill
12:29my sister's last wish,
12:31your mother.
12:33And I will have to marry a man I don't love.
12:37Life is unfair, sometimes.
12:39But you can be calm.
12:41I will not make any scandal.
12:43I will accept
12:45what your father has decided
12:47for the good of all.
12:53I love you.
13:09I bring you dinner.
13:11Doña Matilde has prepared it.
13:14I'm not hungry, Aya.
13:19Despite everything, you have to eat.
13:21I'm not hungry.
13:24Adriana,
13:26you haven't eaten all day.
13:28I have a stomach ache.
13:30Do you want to get sick too?
13:32Is that what you want?
13:34No, I want Luisa to wake up at once.
13:38If you don't want to eat,
13:40okay.
13:43But at least you have to rest.
13:46How long have you been at the foot of this bed?
13:50Tell me.
13:53I'm fine, Aya.
13:55No, you're not.
13:57You look exhausted.
14:01Then I'll sleep for a while.
14:03No, you'll sleep now.
14:05You'll go to my bed
14:07and I'll take care of Luisa.
14:09No, Aya, I can't leave her.
14:11I don't care what you want.
14:14I understand the affection you feel for Luisa.
14:17And that's precisely why you have to do it.
14:20She wouldn't like to see you like this either.
14:24Adriana, you have to rest
14:26for when that child is born.
14:28By then, you have to be strong
14:31and in full use of your faculties.
14:34Because Luisa won't be able to take care of her child alone.
14:38What if she doesn't wake up?
14:40What if it's her child?
14:42Don't even think about that.
14:44Because it won't happen.
14:46Now you have to clear those thoughts from you.
14:49Stop thinking about Majin.
14:51And go to sleep.
14:55What if she wakes up?
14:57I'll let you know.
15:00You want to take care of Luisa and I want to take care of you.
15:04Now we have to have faith.
15:07Luisa is in God's hands, my child.
15:16But first, go see your brother.
15:18It has cost me God and help him to go to sleep.
15:21And even so, he hasn't calmed down.
15:24Have you told him anything else?
15:26He knows that Luisa hasn't woken up yet,
15:30that she's not well,
15:32and little else.
15:34He knows what he's seen.
15:36It's better if he's not aware of the seriousness of the situation.
15:40Pedrito is very close to Luisa and...
15:43I don't want him to suffer.
15:45I don't want him to suffer.
15:47I agree with you, my child.
15:50If Luisa manages to overcome it,
15:53it will be of no use to worry the child.
15:56And if, on the contrary, she can't do it,
15:59God forbid,
16:01there will be time to give her the bad news
16:04and to help her go through the pain.
16:07Aya, promise me that if there is any news, let me know.
16:10Yes, of course.
16:20Thank you, my child.
17:15Ah...
17:20At last.
17:25Come in.
17:27Can I come in?
17:29Go away.
17:31Yes, come in, come in.
17:38Aunt, what happened in the dining room?
17:39Nothing.
17:44Don't...
17:46Don't worry.
17:48I feel that you and your brothers have had to witness
17:51such a spectacle.
17:52That's the least of it.
17:54I haven't come to reproach you for anything,
17:55but to know what's going on.
17:58Hasn't your father told you anything else?
18:01Only that he has reasons not to want to marry you.
18:04Why such a drastic turn in events?
18:07Aunt,
18:09what did he have to do to save Bernardo's life?
18:11That's what he did in the dining room, right?
18:13He did it to excuse Bernardo of a crime he had not committed.
18:17What did he have to do
18:18for Don Toribio to release her?
18:23Alejo, it's better if you don't know.
18:25If you don't tell me, I'll ask my father
18:27or Toribio himself if it's necessary.
18:29Please, don't be silly.
18:30I'm not telling you.
18:31I swear to God that if it's Menester, I'll talk to that man.
18:36Alejo.
18:40All right.
18:43But promise me that what I'm going to tell you
18:45is not going to come out of here.
18:47I give you my word.
18:49You see,
18:51the captain of the Santa Hermanda
18:55was willing to end Bernardo's life.
18:58And we all knew he was innocent.
19:00So...
19:01Aunt,
19:03what did he have to do?
19:07I...
19:10I turned myself in to him.
19:13What?
19:15I let that man take me
19:17to excuse Bernardo.
19:22Alejo, don't worry.
19:23Forgive me.
19:25What?
19:27Why are you asking me for forgiveness?
19:31Alejo,
19:32what's going on?
19:33I'm sorry.
19:36Come here.
19:56You and I have had our share of difficulties,
20:00but you have to make an effort to open your eyes, girl.
20:06I knew there were a lot of people who loved her.
20:08Adriana,
20:10Pedrita,
20:12Matilde,
20:14and even I took affection from her, damn it.
20:17Because I was going to deny it.
20:19Those days were left behind when my threats made her suffer.
20:23I apologize to her,
20:25once and a thousand times.
20:27Know that if I did it,
20:28it was for pure survival.
20:33I admire you a lot, Luisa.
20:36You are the bravest woman I have ever met.
20:43She got pregnant,
20:44she fought for her son,
20:48she worked hard to get him through,
20:51and always with her head held high,
20:54and without being ashamed.
20:58You are an incredible woman.
21:03And that's why you have to wake up.
21:05Please.
21:07You have to bring that child into the world, do you hear me?
21:10Please, Luisa, wake up.
21:12Fight for her life.
21:16Fight for that baby's life.
21:21Fight for everyone who loves her.
21:36I love you.
21:46How long were you there?
21:51I'm sorry, I didn't mean to interrupt you.
21:54What are you doing here?
21:56I came to see Mrs. Adriana.
21:58I haven't seen her today yet.
22:00When I got there, she was already there, but I went to get more hot water.
22:06Did you come alone?
22:18I was hoping to see her with a midwife.
22:21The one I found was busy helping a woman give birth in a complicated place.
22:27I left a man there to bring her when I was available.
22:30But I doubt they will make it in time.
22:32Mrs. Adriana has already told me all that.
22:35And you didn't look for anyone else?
22:36Yes, all over the region.
22:38But they are all busy with other births.
22:40I don't know, they say it has something to do with the full moon.
22:42Yes, the full moon.
22:45Well, let's wait for the midwife to arrive.
22:48And if that's not the case, Luisa is not alone.
22:50She has you.
22:53How is she?
22:56I don't want to lie to you, she's not well.
23:00And I'm afraid my help won't be enough.
23:02Don't say that, please.
23:04But what I think, Miss Rafael ...
23:08If Luisa doesn't open her eyes, we will need God to do her part.
23:14A month later.
23:26Miss Bárbara, what a pleasant surprise to see you here.
23:34I came to see Irene.
23:36Do you want to sit with me while the service gives you a warning?
23:39The truth is that ...
23:41That's Miss Irene. Tell her you have a visitor.
23:47Tell me, how is Luisa doing?
23:51Unfortunately bad.
23:54No news.
23:57I'm sorry to hear that.
23:59If she can do something to make her anguish more bearable ...
24:02Little can be done more than wait.
24:04I don't quite agree.
24:06Maybe I could distract her.
24:09Distract me?
24:10Not to think ...
24:12When I get over my problems, it's good for me to go out for a ride.
24:16They say there are beautiful places around.
24:19What problems do you have?
24:23You would be surprised.
24:25I can hardly imagine that someone like you has concerns that torment you.
24:29Well, I have them.
24:31What does he say?
24:32Does he want me to ask the Duke for a pair of corsets and we go galloping around?
24:37I don't know what to tell him.
24:39I'm not very good at riding a horse.
24:41I could teach her.
24:43Do you think?
24:45I don't want to be a nuisance.
24:47It would not be at all.
24:49I'm a good rider.
24:53Maybe his thing would be to take me up with you to his corset.
24:58Grabbing me by the back is safer.
25:01I can't think of a better scenario.
25:04I could protect her.
25:08Please, do these strategies really work with the women of the court?
25:13What do you mean?
25:15He thinks I need to grab his back to feel protected.
25:20He has deceived me.
25:23What surprises me is that he didn't see him coming.
25:29I don't usually invite the women of the court to ride a horse.
25:32In the Villa de Madrid there are many more interesting things to do with a lady.
25:36That's what they told me.
25:38What did they tell you?
25:41That you like to seduce women.
25:45Who told you that?
25:47What else? Is that a lie?
25:50Neither truth nor lie.
25:52It depends on the lady in question.
25:54That's not what they say out there.
25:56If he told me what they say out there, maybe I could take him away.
25:59I'm not interested in him taking anything away from me.
26:02You know what he does with his life.
26:05I came to see Irene.
26:09And luckily, she's coming.
26:11Bárbara, it's a pleasure to see you.
26:13Likewise, friend.
26:15How's Luisa?
26:17She's still the same.
26:19The atmosphere at home is distressing.
26:21I thought we could do something to distract my mind.
26:25You've come to the right place.
26:27You've come to the right place.
26:29Do you want a hot chocolate?
26:31Hmm?
26:57Have you come to see Julio?
26:59Yes, he's the one who called me.
27:01But since you're here, I'd rather talk to you.
27:04Sit down.
27:09You tell me.
27:11You're in charge of this house, aren't you?
27:15I don't know if you're aware of the conversation we had yesterday,
27:18your son, my aunt and me.
27:20Lately, I've been busy at other monasteries
27:23and I haven't had the chance to talk to Julio.
27:26You don't have to. I'll set the date.
27:29Yesterday, your son warned me...
27:31Sorry, he threatened me
27:33that if I didn't return to the big house,
27:35he would take reprisals.
27:37It's strange that my son behaved like that.
27:40He told me that if I didn't do it for good,
27:42I would do it for bad.
27:44Are you really going to tell me that you didn't know anything about all this?
27:47I don't just doubt it, Mr. Duke.
27:50I think the initiative came from you.
27:53You're wrong.
27:55In any case, I'm sure that what my son wants
27:57is the best for both of you.
28:00Please don't be cynical.
28:02Your son only thinks of himself.
28:04And in any case, the Galvez de Aguirre.
28:07You're a Galvez de Aguirre now.
28:09I'm a Salcedo de la Cruz, now and always.
28:12And neither you nor anyone else is going to tell me what I have to do.
28:14It's your husband who should tell you.
28:16He owes you respect.
28:18He lost that right when he sold my house
28:20in Villa de Madrid without my consent.
28:22I'm sorry to tell you that I didn't need your consent.
28:27I signed a contract, yes.
28:29But that doesn't mean it's his property.
28:31I'm not going back to this house.
28:33Not with or without threats.
28:35It's clear to him.
28:37I don't know who has to be clear to him.
28:39I'm not his husband.
28:41I'm his father-in-law.
28:43Do you want to tell him?
28:45Do it.
28:46I'm going to look for him.
28:52I'm going to look for him.
28:58Luisa is no longer a maid.
29:00And how is she going to be if she only has one?
29:03I mean, she's like a sister to them.
29:06Pedrito, her little brother, is very fond of her.
29:13Can I ask you a question, Miss Irene?
29:17Do you know that I do?
29:20What did you tell Miss Bárbara about my reputation in Villa de Madrid?
29:26I haven't told her anything.
29:28What do you mean?
29:32She's convinced that I'm a joker.
29:34A Don Juan.
29:36A pickpocket.
29:42And isn't he?
29:46I haven't been a saint.
29:49If that's what you're asking.
29:51I've had my ups and downs with women.
29:54I've lived life.
29:56So what are you complaining about?
29:58You know that rumors and dust travel at the same speed
30:02in this small world of ours.
30:04Are you telling me that you were the one who told Miss Bárbara?
30:09I give you my word.
30:11Although I should have done it.
30:13As a good friend of mine who is.
30:15But I'm not a woman who likes to judge and speculate.
30:20And you do, but very well.
30:22Even so, I don't want my friend to be in a bad place.
30:26What do you mean?
30:30I have the impression that Bárbara is starting to be interested in you.
30:37Do you think so?
30:39That's what I think.
30:42That would make me very happy.
30:45Although I doubt it.
30:47With Miss Bárbara, I get the impression that I'm one step ahead and two steps behind.
30:52She won't make it clear to you.
30:54I know her.
30:56But believe me, you don't find her indifferent.
31:07I'm back.
31:10You didn't move the chips.
31:12I don't need to do that to beat you.
31:16I'll leave them alone.
31:18Good luck and may the best one win.
31:20Or me.
31:22We'll see about that.
31:30What were you talking about?
31:32It seemed to me that I interrupted something.
31:34Nothing.
31:35Nonsense.
31:37Your turn.
31:58Where the hell were you?
32:00Your father has been looking for you for a long time.
32:03I'm sorry to keep you waiting.
32:06Julio, I want to finish this as soon as possible.
32:08Because I need to go back to Luisa.
32:10You made me call you. What do you want?
32:12Don't worry, I'll be brief.
32:14If I'm late, it's because my father was telling me about the tense conversation you had.
32:18He also told me that you were very rude and you spoke to him in very bad ways.
32:22My ways are those of someone who doesn't respect me or my will.
32:27Anyway, I haven't told him anything he didn't know.
32:30I'm not going back to this house.
32:32I understand.
32:34Well, if you understand, I have nothing more to add.
32:36I do have something more to add, Adriana.
32:41One of your main complaints was that I acted behind your back, right?
32:46Yes.
32:47Good.
32:49Well, I'll tell you so that there are no misunderstandings.
32:52I'm going to sell the land that your father owned around the Villa de Madrid.
32:58What?
32:59It's nothing personal.
33:01But as you know, we need money to keep the farm afloat.
33:04Julio.
33:05That's all, dear. I just wanted you to know.
33:11Julio.
33:32Have you been able to collect with this time?
33:36Whatever is necessary.
33:40What did you get?
33:42Herba Luisa, Herba de San Juan, Oregano Mejorana, and Salvia.
34:02Can I help you?
34:04Please.
34:10I'll make a good infusion for Luisa with all this.
34:13With oregano?
34:15Yes. Yes, it has a high content of minerals and acids.
34:19It will be good for her when she loses blood during labor.
34:22God willing.
34:24That will mean that she has awakened and that she can bring the world to her creature.
34:32Still nothing?
34:38Isabel is with her.
34:40I didn't want to go into the room so as not to bother her.
34:44She told me that when there are fewer people in that cove, better is better.
34:47Understandable.
34:51The truth is that I would like to see her.
34:55As I already told you, I have taken great care of that girl.
34:59I feel so sorry for her.
35:03That's why I would like to visit her if you allow me.
35:08Tell this to Mrs. Isabel.
35:11As she is telling me.
35:14And I'm sure she will like it.
35:18Maybe she will.
35:24What happens to her is so serious.
35:29Do you want to know the truth?
35:36If Luisa doesn't open her eyes, she and her son are in serious danger.
35:41Serious danger? Don't scare me.
35:46Poor girl.
35:48What bad luck I've always had.
35:51And yet she is tremendously brave.
35:53She is very good.
35:56She is one of the few people for whom I would put my hand in the fire.
36:01You can fully trust her.
36:05I don't trust her.
36:07Excuse me.
36:11What's wrong?
36:15I just wanted to know how Luisa was.
36:19Any news?
36:21Everything is the same.
36:26I don't know.
36:37Put this on a stove.
36:40I'll be right back.
36:42Where are you going?
36:43To the big house.
36:45To look for something of great importance.
36:55I'll be right back.
37:14Do you know?
37:17That creature of yours wants to get out.
37:21He wants to see the light of the sun.
37:25To meet his mother.
37:28To see that incredible woman who has brought him life.
37:33May I, Mrs. Isabel?
37:35Of course, Mr. Alejo. Come in.
37:40How is he?
37:42Who knows?
37:43He hasn't opened his eyes since he passed out.
37:46If you have something to do, don't worry.
37:48I can take care of myself.
37:50Really?
37:51Of course. I have free time.
37:53I'll stay to keep Luisa company.
37:56It would be good for me to go get some clean towels.
38:00I'll stay. Don't worry.
38:02Thank you. Excuse me.
38:09Luisa, it's me.
38:11Alejo, I'm here.
38:13Can you hear me?
38:39I know I promised you.
38:41I know I promised you I'd teach you to read.
38:44And God knows I will.
38:47But...
38:50I thought that maybe while you're here,
38:53you'd like to hear what I've written just for you.
39:00This is the story of a desperate man.
39:04Lost.
39:07Defeated by a life he had just begun to live.
39:14He was the most unhappy man in the world.
39:16Submerged in the darkest pit.
39:20And that day, when this story began,
39:24he had made a decision.
39:28He didn't want to live on.
39:32Everything changed when he met her.
39:38Are you okay?
40:02Luisa.
40:04My love.
40:06My treasure. My life.
40:12Luisa, come back to me.
40:32I swear to God this won't end like this.
40:34I swear it like my name is Adriana Salcedo de la Cruz y Millán.
40:37Can you tell me what happened?
40:39Didn't your brother tell you?
40:41No.
40:42Well, your brother Julio called me again at the big house
40:45to tell me something.
40:46You know what?
40:47He wanted to tell me that he had made a decision
40:50that he wasn't even going to consult with me about.
40:52Adriana.
40:54What decision?
40:57Rafael.
40:59Rafael.
41:01Julio is going to sell some land that my father had
41:04on the outskirts of Villa de Madrid.
41:06Some lands that my brothers and I inherited
41:09and that don't belong to him at all.
41:12Did you know about this?
41:14If I had known, I would have told you, Adriana.
41:22How can you be so insensitive?
41:26This idea didn't come from Julio.
41:31This is my father's idea.
41:33How much land does your father have?
41:35I don't know exactly.
41:38I think I know what they want, Adriana.
41:41All this is part of a strategy.
41:43They're going to sell all your property
41:45until you give up your third arm.
41:48What?
41:50They won't stop until you return to live in the big house.
41:54I'm not going back to that house, Rafael.
41:57Don't worry.
42:04Then get ready to see how I give up
42:06all your father's property.
42:09Don't you dare tell me again that Julio is a good person.
42:12Don't you dare mention such a lie to me again.
42:23I'm sorry.
42:39How did it go at the big house?
42:42I've been playing with Irene for a while,
42:45but it hasn't helped me much.
42:48I'm still anxious.
42:50I understand.
42:52I was going to go for a ride on a horse with this star.
42:59I'm sorry.
43:01It's what Mr. Leonardo had proposed to me
43:03and it was funny to remember him.
43:06How are things going between you two?
43:08They're not going forward.
43:10Although...
43:12Mr. De Guzman has been very attentive
43:14and has been keeping an eye on me lately.
43:18What are you doing with that look on your face?
43:21Be careful with those warnings.
43:24Are you going to give me the sermon again?
43:27I just want to warn you.
43:29And what about the freedom and independence of the women
43:32I've heard so much about?
43:34I'm still faithful to those ideas.
43:36Really?
43:37Then why do you keep warning me about Mr. Leonardo?
43:40I only put it on notice
43:42so that you don't confuse Mr. Hito's kindness
43:44with his intentions.
43:46What intentions do you have with me?
43:48I don't know.
43:49It's something you have to find out for yourself.
43:51I trust you.
43:53You're a smart and judicious woman.
43:56And I will continue to be.
43:58I'm glad.
44:00What is it that scares you so much?
44:03There are men who see women only as fun.
44:07They don't think about the consequences of their actions
44:09or that they can hurt them.
44:11And I haven't thought that maybe there are women
44:13who also like to have fun
44:15and who don't care about the consequences of their actions.
44:27Sol.
44:29Do you have a moment?
44:30Mrs. Adriana wants to see you.
44:32Did something happen with Luisa?
44:34She wants to see you, but I don't know anything else.
44:45♪♪♪
44:56Señor, le ruego ayude a esa muchacha.
45:00Su vida está en sus manos
45:02y nadie puede hacer nada por ella más que usted.
45:05Señora, piádese de Luisa
45:08y no permita que le pase nada malo
45:10ni a ella ni a su hijo.
45:15Haga que despierte, por favor.
45:18Haga que despierte, se lo ruego, señor.
45:21Haga que esa muchacha abre los ojos
45:23para que pueda dar a luz a su hijo.
45:41No querÃa interrumpirlo.
45:43VenÃa a lo mismo que usted, supongo,
45:45a rezar por el alma de esa pobre muchacha.
45:48¿Cómo está Luisa?
45:51Todo sigue igual.
45:53Salvo que a cada rato que pasa, el pronóstico empeora.
45:56Qué lástima.
45:58Qué mala suerte ha tenido.
46:01Lo que le está pasando a Luisa no es fruto de la mala suerte.
46:05¿Ah, no?
46:06¿De qué, entonces?
46:08De la falta de cuidados previos.
46:10DeberÃa haber guardado reposo.
46:12DeberÃa haber dejado de trabajar hace ya dÃas.
46:15¿Y quién se lo impidió?
46:17¿Cómo?
46:19Yo le dije que lo dejara, que descansara,
46:23que no se excediera en sus esfuerzos,
46:25pero ella se negó.
46:27Se empeñó en trabajar hasta el último dÃa sin descanso.
46:30Ojalá hubiera insistido más.
46:32Y ahora, si me disculpa, iré a ver cómo sigue.
46:36Una última cosa.
46:39Espero que sea discreto con toda esta situación de Luisa.
46:43Nadie tiene por qué saber lo que sucede
46:45o deja de suceder en mi casa.
46:48No me gustarÃa ser la comidilla de la comarca.
47:03Estos son todos los documentos que tenÃa mi padre
47:05y que trajimos de la Villa de Madrid.
47:10¿Qué busca exactamente?
47:13Aún no lo sé.
47:15Pero necesito que me ayude a examinarlos todos con detenimiento.
47:20Claro, me alegra ser la de ayuda.
47:23Sol, mi tÃa no se puede enterar de esto.
47:27Por eso le he hecho venir a la cocina,
47:29porque ella rara ve la prisa
47:31y no nos pillará con las manos en la masa.
47:34Tampoco quiero que se entere ni Bárbara ni Pedrito.
47:37¿Qué es lo que sucede, doña Adriana?
47:40Necesito saber qué patrimonio posee a mi padre exactamente.
47:44Porque Julio ha decidido venderlo todo.
47:46Lamento oÃr eso.
47:48Por eso no quiero preocupar a mis hermanos antes de tiempo.
47:51Esto es mi responsabilidad y mi culpa,
47:54porque ese hombre es mi esposo.
47:57Prefiero arreglarlo antes de que suponga un problema para ellos.
48:01Lo entiendo. Vamos a ello.
48:04¿Qué es lo que sucede, doña Adriana?
48:07Prefiero arreglarlo antes de que suponga un problema para ellos.
48:10Lo entiendo. Vamos a ello.
48:35Perdóname. Perdóname.
48:41¿Quiere que le prepare una infusión?
48:44Me asusté.
48:48No me importa. Quizá una tila le sienta bien.
48:51No.
48:55¿Esto es lo que fue a buscar a la casa grande?
49:00No debe culparse ni atormentarse.
49:03Lo que le pasa a Luisa no es culpa suya.
49:06Ya lo sé.
49:09Y quizá no pueda ayudarla.
49:13Don Atanasio, por muy buen galeno que sea, hay cosas que no tienen solución.
49:19¿Qué ocurre? ¿Por qué pone esa cara?
49:23Dios mÃo, don Atanasio, ¿qué ocurre?
49:29Nada. Nada.
49:34Es evidente que algo hay.
49:40Don Atanasio, hay algo que no me está contando. Es por Luisa, ¿verdad?
49:44Está peor de lo que todos pensamos.
49:46Eso no es eso.
49:48¿Y entonces qué es? ¿Qué es lo que le tiene tan atormentado?
49:52¿Qué le hace sentir toda esta angustia?
49:55Es por la culpa, doña Matilde.
49:59La culpa me está matando.
50:04Me está asfixiando.
50:07¿La culpa por qué?
50:09Yo no deberÃa estar atendiendo a esa muchacha.
50:12Yo no deberÃa estar aquà siquiera.
50:14¿A qué se refiere?
50:16No puedo más.
50:21No puedo más.
50:29Necesito contársela a alguien y usted es la única persona de todo el valle que confÃo.
50:35Por supuesto, claro, claro.
50:39¿Pero qué es lo que está sucediendo? ¿Por qué no puede atender a Luisa?
50:47Porque soy un mentiroso.
50:50Soy un engaño, Matilde.
50:53¿De qué estoy hablando?
50:59De que no soy Galeno.
51:04Nunca lo he sido.
51:10La espuntÃ.
51:29¿Qué es eso?
51:35Es el registro parroquial de la boda de mis padres.
51:39No sabÃa que mi padre lo guardaba.
51:43Normal.
51:45Y más si su madre falleció.
51:48Es algo que adquiere aún más valor con el tiempo.
51:58No sabe cuánto se querÃan.
52:03Aún lo recuerdo.
52:05Sentados en el salón delante de la chimenea.
52:08Hablando y riendo como si nada ni nadie les importara.
52:14No es lo común.
52:16No.
52:18No, no lo es.
52:20No lo he vuelto a ver en ningún matrimonio.
52:24Quizá por eso crea yo en el amor.
52:28Y que era lo mismo para mÃ.
52:43¿Qué sucede, Sol?
52:45¿Qué ha descubierto?
52:49No se lo va a creer.
52:53No se lo va a creer.
52:57TodavÃa no eres consciente de lo que va a ocurrir, ¿verdad?
52:59Adriana, el propio don Atanasio lo tiene claro desde que...
53:02No siga, por favor.
53:04Te tienes que recuperar.
53:05No me abandones tú también.
53:07¿Se va a morir?
53:09¿Se puede saber qué hace aqu� ¿Por qué no está con Luisa?
53:12Hay una fiesta.
53:13Por supuesto que la hay. En el Palacio Real.
53:16Caray.
53:17Doña Victoria.
53:19Doña Mercedes ha aceptado contraer nucias con un servidor.
53:22¿Tan pronto?
53:23Me gustarÃa pedirle algo más.
53:25¿Cuándo pensabas contármelo?
53:27Lo anuncié durante la cena.
53:29¿No querrÃas que Lobo fuera corriendo a contártelo?
53:31HabrÃas de un detalle por tu parte.
53:35Las escrituras de las propiedades que mi padre nos llevó a su muerte.
53:38Es una barbaridad.
53:41Tome asiento y le contaré por qué necesitaba verla cuanto antes.
53:45Hay algo que me preocupa.
53:47Cuando te rebelé y lo que hice para salvar la vida de Bernardo,
53:51¿tú me pediste perdón?
53:53Si se vio obligada a perder su virtud, fue por mi culpa.
53:55¿De qué hablas, Alejo?