小山薫堂 東京会議 2025年2月15日 彫刻の森美術館の足湯CM メイキング編
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00A SHOCHIKU FILMS PRODUCTION
00:18This year marks the 55th anniversary of the Chōhoku No Mori Museum's opening.
00:24As a commemorative event, we are going to have a big renewal of the hot spring ACU, which has been a hot topic for a long time.
00:35It's going to be a real PR time, so I'd like to ask the three of you to make a TV spot for the ACU PR.
00:53You're going to make a TV commercial?
00:55Yes. I'd like to ask Dentsu and Hakodō to do it.
00:58Well...
01:00It's expensive for us, too.
01:10It's so cute!
01:12I like this one.
01:16Again, please.
01:18For me, please.
01:23Take a picture.
01:25I can't take a picture yet.
01:27I'm sorry.
01:36A photo booth at the Tokyo Academy.
01:39It's a club for old men who respond to the voice of wanting to be photographed by everyone, and do their best to take pictures with love.
01:51This time, the client is Hakone Chōhoku No Mori Museum, which is the second time it has appeared.
01:58It's a big project to make a TV commercial to promote the ACU outside the museum, which opened for renewal last year.
02:09Old men who have never made a TV commercial will challenge the three of them in a 15-second video.
02:28How will the game play out?
02:36It's nostalgic.
02:38It's been about three years.
02:40Yes, I came here with a cargura.
02:42Yes, I came here with that, too.
02:46I was thinking of making a game car with Osumō-san.
02:51It's better to face the other way than to face this way.
02:55It's been only a week since the kick-off meeting.
03:00Matsutoya Masataka was the first to arrive at the site.
03:06Please come in. Let's go to the third floor.
03:10Matsutoya style is to use any method to shape the imagined image.
03:19He has left many masterpieces so far with a good sense of holding and careful preparation.
03:28This is what it looks like.
03:32I see.
03:34It would be nice if I could go through here.
03:37Can I put a rail here?
03:42I think it's possible.
03:45Matsutoya makes you feel like you've got a lot of work this time, too.
03:50The hint was in the last meeting.
03:56Russian, Ukrainian, Israeli, and Arab.
04:01You're so mean.
04:03I'll go with that, too.
04:07Have you decided yet?
04:09There's a geisha in the middle.
04:12The geisha is walking.
04:14There are foreigners around who are fighting.
04:19It's best to feel good.
04:22I see.
04:24No?
04:26I think it's good.
04:29The cast is global.
04:33Even Geiko and Osmo.
04:36Everything is going as planned.
04:41In addition, Matsutoya has a special idea.
04:46Why don't you take a picture and mix AI with it?
04:52How about Picasso in the foot bath?
04:56At the end.
04:58A little.
05:00Who should be with Picasso?
05:02I wonder if Henry Moore should be there.
05:05AI?
05:07I don't think he'll forgive me.
05:10I see.
05:12In the live-action movie, the cast of sculptors are combined with AI.
05:18Can they do that?
05:22There are two people walking in the center.
05:25Two people over there.
05:28Osmo, a geisha, and Maiko.
05:33Next to them, one or two people.
05:40AI is on the other side of the parasol.
05:45It's like a layout.
05:56I've been working at a vocational school for 60 years.
05:59In April 2024, I resigned as a principal.
06:04That's how it happened.
06:09Your faces are full of hope.
06:12It's coming.
06:14It's amazing.
06:16A professional photographer, Harvey Yamaguchi, cuts the shutter hoping for the happiness of the subject.
06:24The technique of cutting the best moment with polished technology and Japanese art is unforgivable.
06:34It's up.
06:36I took it.
06:38I did it.
06:40Harvey chose the students of the Japanese Photography School, where he is the principal.
06:50Many students are from abroad.
06:52Some are from China, Ukraine, Italy, and Russia.
06:5815 seconds is a short time.
07:00I took the students there and took a video of them having fun.
07:06The narration made me the principal.
07:11I was most happy to meet young people from all over the world.
07:18Ukraine, Russia, Italy, China, Japan.
07:22There was a place where they had a small happiness beyond the border.
07:28I saw the hope of the world at the Chokoku-no-Mori Museum in Hakone.
07:33I took the students there with that narration.
07:40It's a Chokoku-no-Mori Museum.
07:42Based on Chokoku's conversation, I wanted to convey the charm of foot bath.
07:52Can you take a picture here?
07:55Yes.
07:56It's very good.
08:00Kondo Koyama takes a story-themed picture with the theme of a coincidence.
08:08He prepares something right after the meeting based on his experience in the TV industry.
08:16It's a decontamination.
08:18He makes a difference to Matsutoya and Harvey with his own creativity.
08:24I don't know if I should make it a blowout or a decontamination.
08:28I want to see how much humor I can put into the frame of Chokoku's conversation about foot bath.
08:41What kind of video do you want to make?
08:45I wanted to make it with a micro drone.
08:49But it would cost a lot of money.
08:52So I gave up.
08:56But my drone has crashed and gone somewhere.
09:03I've dropped a lot of drones so far.
09:08So you don't have it now?
09:10No, I don't.
09:13He can't use the drone, which was a trump card in the last calendar showdown.
09:21What's going to happen?
09:24Are you confident?
09:26I've never done a commercial before.
09:29So I don't know how it's going to turn out.
09:36But it's a foot bath.
09:39It's a commercial about foot bath.
09:44I don't think I can lose.
09:48Episode 14
09:53The 14th photo showdown is not a photo showdown, but a video showdown.
09:59It's the first time for a 15-second TV commercial on the foot bath stage at Hakone Chokoku no Mori Museum.
10:08Good morning.
10:11It's cold.
10:13It's very cold.
10:16Finally, it's the day of the showdown.
10:20They have only two hours before the museum opens.
10:26They can't relax because they have to turn the camera by themselves.
10:40You can adjust the height later.
10:44This is the lowest height.
10:46I think the lowest height is good.
10:49It's like a steam room.
10:51The blue sky is reflected here.
10:53That's great.
10:55Can you see it?
10:57Yes, I can.
10:59Really?
11:02I want to bring that tree here.
11:08I want that tree.
11:10Don't look at me.
11:14Matsutoya is the only one among the three.
11:19He is the first one to shoot.
11:24He has prepared a long rail along the foot bath.
11:31Nice to meet you.
11:33Nice to meet you.
11:35It's perfect.
11:37Can I use this foot bath?
11:42Yes, you can.
11:44Because it's a foot bath.
11:48Nice to meet you.
11:50Nice to meet you.
11:52Nice to meet you.
11:54Geiko's foot bath is black.
11:56Do you want a light color?
11:58This one is good.
12:00Geiko and Osomo were cast.
12:05They are from Senegal, Poland, and Nepal.
12:13Nice to meet you.
12:15Nice to meet you.
12:17They are planning to combine the sculptures.
12:24Please make it peaceful.
12:28Make it sleepy.
12:30Yes.
12:32The camera is rolling.
12:34Let's start.
12:37It's peaceful.
12:39The foot bath is the best.
12:41How about the sculpture?
12:45It's perfect.
12:49You look a little bit serious right now.
12:54Sorry.
12:56Don't think anything.
12:59Just think and feel good.
13:02Please.
13:08What Matsutoya wants to express is that
13:11this foot bath feels good.
13:14It's a common feeling for all humans.
13:17It makes people happy.
13:25It's good.
13:27It's good.
13:29As expected,
13:31the cast is getting used to shooting.
13:37It's peaceful.
13:39Look up at the sky.
13:42Yes.
13:44The camera is rolling.
13:46It's peaceful.
13:48The foot bath is the best.
13:50How about the sculpture?
13:53It's perfect.
13:55Thank you very much.
13:57That's all.
13:59That's all.
14:01Thank you very much.
14:03Thank you very much.
14:05Thank you very much.
14:07It took only a short time to set up.
14:13It's great.
14:15It's cool.
14:17It's great just like a picture.
14:21It's very three-dimensional.
14:25It's good.
14:33Thank you very much.
14:35Thank you very much.
14:37Thank you very much.
14:39Thank you very much.
14:41It's past 6 o'clock in the morning.
14:44The sun will come out from the east soon.
14:48It's cold outside.
14:51Today, young people who learn photography
14:54are determined to take pictures to make the world peaceful.
14:58I want to express that moment with this foot bath.
15:03Specifically, it's 15 seconds.
15:06If there are 10 shots,
15:08I think it's good to connect.
15:11I'm happy to take a foot bath.
15:14And wow, how beautiful it is.
15:17Wait a minute.
15:19It's the clouds of the moon and airplanes.
15:25The students of the Japanese Photography School,
15:29which he is the principal,
15:31are the main characters.
15:33Harvey Yamaguchi is challenging to make a commercial.
15:37The nationalities of the cast are Japan, Ukraine, Russia,
15:41China, Belarus, Hong Kong, and many more.
15:47Which way is the sun going?
15:49The sun is coming this way.
15:51That's right.
15:53Let's wait for 5 minutes.
15:55It's coming this way soon.
16:01But it might be good to have a three-dimensional effect.
16:05Let's go.
16:07The clouds of airplanes are beautiful.
16:09Wow, this is the clouds of airplanes.
16:11The clouds of airplanes are beautiful.
16:13It doesn't come this far.
16:17Can we go this far?
16:19Let's go a little further.
16:21Are you serious?
16:23The other camera has a 20mm lens.
16:25The other camera has a 20mm lens.
16:29The first cut is a scene of running to the foot bath.
16:34There are 10 cuts in total.
16:37Can they finish it in time?
16:41Okay, let's go.
16:43Okay, let's go.
16:47They are running to the foot bath.
16:55Okay, cut.
16:57Okay, let's go.
17:01My camera is here.
17:03Let's take a picture of their backs.
17:05Okay, now the camera is running.
17:07Start.
17:09They take an additional one cut.
17:13Okay, okay.
17:15Okay, good.
17:17Okay, cut.
17:19Okay, cut.
17:21From here, they take a picture of their ankles.
17:25Shout, all right.
17:29In your mind, you hope world peace with your photography.
17:35Now, your theme of your photography is aiming at world peace.
17:39Let's go.
17:41Something like that.
17:43Come here a little more.
17:45I'm sorry it's cold.
17:47Show me your big pose.
17:51Okay, camera is running.
17:53One, two, three.
17:55Let's go.
17:57Can you keep this pose?
17:59Can you keep this pose?
18:01Keep it.
18:03One more time.
18:05One, two, three.
18:07Let's go.
18:09Okay, thank you.
18:13Next, they use a crane to take a picture of the view.
18:17Rotable splash.
18:23Great, great.
18:25They also take a picture of their feet.
18:27They take a picture of their feet.
18:29They take a picture of their feet.
18:35Okay, camera is running.
18:37Okay, camera is running.
18:40Show me your teeth.
18:42Smile.
18:44Make friends.
18:46Show me your camera.
18:47Give me your camera, a little bit more.
18:50Like this, they were able to shoot all the line shots in only two hours.
18:56Like this, they were able to shoot all the line cuts in only two hours.
18:57Okay, this will do, right?
18:59Yes.
19:01Good.
19:02Yes, thank you.
19:03You can go out.
19:05Get out.
19:09I heard it was really good.
19:11Who told you that?
19:13From Shuhei.
19:15Herbie.
19:17Herbie's stars are showing.
19:19They're showing!
19:21It's a person, right?
19:23I've never seen this before.
19:25I just made this.
19:27I've never touched it,
19:29so I don't know if I can fly it.
19:31I bought this for today.
19:33That's how excited I am.
19:35Kondo Koyama challenges himself to a battle with a work that comically depicts the comfort of foot baths.
19:41First, he decides to shoot with a drone that he bought for this day,
19:45starting with the fashionable sculptures.
19:55I'm going to shoot.
19:57I'm going to shoot.
19:59I'm going to shoot.
20:01Kondo Koyama is shooting with a drone.
20:05I forgot how to operate this.
20:07I forgot how to operate this.
20:11It's been a while.
20:17Kondo Koyama is shooting with a drone.
20:21I'm getting a little bit of a hunch back.
20:23I'm getting a little bit of a hunch back.
20:25It's cool.
20:27It's cool.
20:29I like this angle.
20:31I like this angle.
20:33It's innovative.
20:35You can't see this picture.
20:37It's innovative.
20:39I've never seen that.
20:41I've never seen that.
20:43It looks great.
20:45My personal narration.
20:49Can you do it again?
20:51Can you do it again?
20:53It looks great.
20:59Okay, I think this is good.
21:04If I were to go, it would be in here.
21:09Next is the main cut of the arm.
21:12He's so comfortable that he turns to the outside to take a picture of the passenger car that has hardened like a sculpture.
21:20But I feel like Masataka-san is taking it from the same angle.
21:27I don't like the same angle as the enemy.
21:32Everyone, please think of your own pose.
21:35I'm going to take a picture of this with a drone, so I'm going to fly here with a drone.
21:42The artists and the staff of the Koyama office will appear.
21:49To make a difference to the rivals, the drone is taken off here as well.
21:56Okay, please pose.
21:58Here we go.
22:05Oh, I'm sorry. I can't do it because of the wind.
22:10Jump.
22:22I'm sorry. I'm waiting for the wind.
22:30Unfortunately, the drone shooting was interrupted due to strong winds.
22:36He went into the foot bath himself and took a picture with a gimbal camera.
22:42Here we go.
22:45Start.
22:57This may be better than the drone.
23:01I'm sorry.
23:06This is too much.
23:08It can't be helped because it's the shadow of the sun.
23:11It's coming from the other side.
23:14I'm going to try the drone again in the fog.
23:18I'm going to try it in the fog.
23:21Here we go, everyone.
23:24Please be a sculpture.
23:26Please don't move.
23:28Here we go.
23:31Are you ready? Here we go.
23:34The battery has run out.
23:3710 seconds later.
23:4010 seconds later.
23:42Please translate it to Japanese.
23:44Wait a minute.
23:48It came back automatically.
23:53I'm so shocked.
23:55That was good.
23:59I'm going to charge it.
24:01Please charge it.
24:05Again?
24:12I feel like I'm sweating.
24:14You're sweating.
24:17I think Mr. Masataka will be like,
24:20Do it. Do it.
24:22That's the difference.
24:25I'm going to be evaluated.