Category
📺
TVTranscript
00:00♪♪
00:30Yes, and I can't leave without making an excuse,
00:32and I can't justify
00:34that María Fernández accompanies me on a trip like this.
00:36I'll talk to Mr. Baeza and I'll make things a little easier for you.
00:39Curro knows that Lorenzo and I are fixing a marriage for him.
00:42Well, don't be surprised,
00:44because I know it was you who told him.
00:46Me? It's the first news I have.
00:48I prefer not to have many illusions, son.
00:52It's going to be hard for him to forgive me.
00:54He can.
00:56But that doesn't mean I'm impossible.
00:59You have to keep fighting, mother.
01:01Because life owes you a second chance.
01:04God hear you.
01:06Well, Father Samuel has to do some business in Cádiz
01:08and he wanted to take advantage of the trip
01:10so that María could go to the Palacio de Cruz.
01:12Well, if that's what you want.
01:14Yes, also ask for a horse car,
01:16which will take them less time than driving.
01:19I'll ask them to prepare a car.
01:21I want to ask you to be very, very discreet about this matter.
01:24I need you to promise me,
01:26please, that my uncles did not bribe you
01:28so that you would try to convince me to sell the land, please.
01:31But let's see, that has no head or feet.
01:33Martina, how were your uncles going to bribe me,
01:35who are in the ruin?
01:36So I don't understand why you support that idea.
01:38My life, I don't want to be a witness
01:40to how you lose everything your parents have left you.
01:42I have clearer and clearer the image of that girl in my mind.
01:46She had a beautiful blonde hair
01:48and a tenacious and indomitable look,
01:52just like you.
01:55Why do I look at you, Hanna, and I'm looking at that girl?
01:58I am Dolores' daughter.
02:04You are that girl.
02:08But how did you survive?
02:12How could you remember all this story?
02:15You had to be very young.
02:17How is it possible that you remember the promise?
02:19Let's say I made an effort not to forget it.
02:22I think it's better if we sit down.
02:32As you can imagine, I did not reach the promise by chance.
02:37Remembering the Lujan family's gun shield
02:41was very useful for me to find my way back.
02:44I see.
02:45Anyway, I would have grabbed a nail by now if I had needed to.
02:49Those hooded men not only killed my mother ...
02:52They took Curro, your brother.
02:54That's right.
02:56But you didn't know it was him.
02:59You couldn't even confirm that he was alive, could you?
03:02We'll get to that now.
03:04I think that to better understand what happened,
03:07the best thing is to start with my mother.
03:13My mother was Mrs. Carmen's maid,
03:16the Marquis's first wife.
03:18And when Mrs. Carmen died,
03:20my mother became a support for him.
03:23A support? How?
03:26Well, at first I think they were just good friends.
03:29In fact, Mr. Alonso married Mrs. Cruz that same year,
03:32and my mother with my father.
03:35I don't understand what Mrs. Carmen has to do with the Marquis with Curro.
03:40Well, be patient.
03:43Although I am convinced that at first my mother was nothing more than ...
03:48than a refuge for Mr. Alonso,
03:51until he recovered from his wife.
03:55In the end, over the years, that ended up becoming love.
03:59Even though he was married to Cruz?
04:03And you think that Curro was born out of that love?
04:07I don't think so, ma'am.
04:09I am completely convinced of it.
04:12Now I understand it.
04:15Your mother's death. Don Juan's involvement.
04:20Although there is something that doesn't fit me.
04:23Curro.
04:25Curro is Alonso's bastard.
04:28Why the hell would Cruz want him to end up in his sister's arms?
04:34Something must have twisted along the way for Curro to end up in Eugenia's hands.
04:38Cruz has always felt a disproportionate devotion for his sister.
04:42Maybe he chose to sacrifice himself for her.
04:45But that doesn't justify giving him that child.
04:48In any case, seeing his bastard husband's son every day
04:52I don't think it's a good deal for Mrs. Cruz.
04:55So?
04:58I don't know.
05:00But that would explain the hatred he has always had for my brother.
05:04It had to be that way.
05:07He tried to get rid of his husband's lover and give his sister's son a son he wanted so much.
05:12And he used all the means his father put at his disposal.
05:18History fits perfectly, Hanna.
05:21I know.
05:23But I have no proof to use against Cruz.
05:26And sometimes I think about what I would say if I confronted her with all this history.
05:30Cruz?
05:32He would deny everything.
05:34If he had been too cunning, he would never leave a trace of those crimes.
05:39He would simply look for someone to blame.
05:47If you want to expose Cruz, you need something else.
06:04I love you.
06:34I love you.
07:05I love you.
07:30Mr. Gutiérrez.
07:32Yes, Mr. Baeza.
07:33When I finish serving breakfast to the gentlemen, I need you to go to Lujan.
07:36So look for me later in my office.
07:38Okay, sir.
07:41Mr. Spellicer, one second.
07:44Tell me, good news?
07:46Last night, Mr. Curro gave us some loot, because some of his soles have come off.
07:50So when you finish fixing your bedroom, come see me.
07:53At your service.
07:54For a second I thought you were going to talk to me about the other matter.
07:57I have no news that there is any pending matter between you and me.
08:02Do me a favor. I'm sure it's not going to be something.
08:06Stop whining. Do you hear me?
08:08Your passivity with this matter only means that you already know about the crime.
08:12And that they are covering it up.
08:16Blaming Mrs. Adarre or any member of the prosecution service without such serious grounds
08:22is a nonsense that I will not give you, Pablo.
08:25Look, if I really wanted to protect the service, I would already be investigating what I have told you.
08:29And give wings to your fantasies.
08:31Mrs. Adarre is an integral person, unable to hurt anyone, much less commit a crime.
08:36But how can you believe that I have invented something like that?
08:38Well, where are the evidence? Because so far I have only heard conjectures.
08:42Well, conjectures that could help explain what really happened.
08:45There is nothing to explain. Don Juan de Ezquerdo fell down a cliff.
08:49That and no other was the cause of his death.
08:51But ...
08:52Don't insist.
08:54And I'm doing you a favor.
08:56Accusing someone who has not committed any crime of something so serious is a crime in itself.
09:00Unless he really committed it.
09:02Well, then give me the evidence.
09:04In the meantime, you and I have nothing more to talk about.
09:08Very well. Very well, but then it will not be with you who I will talk to.
09:11I will go to tell Mrs. Marquesa my suspicions.
09:14And what do you think?
09:15I have no evidence, but will she believe me or not?
09:19Will you ask me for those evidence you are talking about or will you call the Civil Guard directly?
09:22It was the Civil Guard that was in charge of investigating this case
09:25and that determined what the cause of death was.
09:28Do you know more than the authorities?
09:32I'm going to give you one last chance, out of respect for your father.
09:35Stay away from Mrs. Adar.
09:37Never talk about this again.
09:40It's the last time I tell you.
09:53I don't know.
09:54I would love to think you're right, but ...
09:57We both know the hatred that Santos has for me. What would stop him from talking?
10:03I don't know, Mrs. Pia.
10:05Maybe fear.
10:07But if he had something firm, he would have already accused him.
10:09And besides, we take great care not to leave any evidence that night.
10:14That's what we think.
10:16But we both know that Santos is stubborn and pertinent.
10:19Especially to do evil.
10:21And he's not going to give up on the first exchange.
10:24Come on, you're so worn out, put it away.
10:30Do you want me to order a new one?
10:32No, no, because we don't know when Hanna and Don Manuel will go to Milan.
10:35So maybe they will arrive in Lagoa when they are already there.
10:37Better than buying it on the way.
10:41Don't be sad, Mrs. Pia.
10:43Santos can't do anything against you.
10:45Especially if Mr. Baeza is on your side.
10:49Do you think Mr. Baeza's support will be enough to stop Santos?
10:52It will have to be.
10:54Especially for everyone's sake.
10:56No, Teresa, not for everyone's sake.
10:58For my sake.
10:59Because no one knows that you helped me.
11:01Not even Mr. Baeza is sure.
11:03So if the worst happens, I will take responsibility.
11:09But you can't pay for all of us.
11:13And besides, it was precisely you who saved me from ...
11:18from that monster ...
11:19Teresa, anyone would have done it.
11:21What happens is that I have done it.
11:23So I am the only one responsible.
11:25But Mrs. Pia, it's not ...
11:26No more turns, please.
11:27If they catch me, I will declare myself guilty.
11:31And what judge would believe it?
11:33You alone could not ... could not move the body.
11:36Get him in the car and ... and throw him down that cliff.
11:40The important thing is that no one ever knows what happened that night.
11:45And we will all be safe.
11:48Well, at the moment I am doing what Santos has asked me to do,
11:54which is ... which is to get away from his father.
11:59I'm calm.
12:02We will find a way to stop him.
12:05Yes, yes, that's it, that's it.
12:07It's just that I haven't slept all night with all this suffocation
12:10and the truth is that it's complicated for me to keep the hope.
12:13Teresa, forgive me, you have a lot to worry about.
12:19Me?
12:21Yes, because your husband is going to Galicia, right?
12:24Ah, yes, yes, of course.
12:28But, well, I have already assumed it.
12:32And besides, it's best for both of us.
12:36You are brave, Teresa.
12:38Very brave.
12:52Well, and with this I think we are at peace.
12:56Ah, I almost forgot.
12:58Here is the letter of references that you asked me for.
13:02I have left the envelope open so that I can check it in case something is missing
13:05and I will be delighted to read it.
13:18There is nothing missing, Mr. Baeza.
13:20Rather, there are plenty of compliments that do not correspond to me.
13:22No, on the contrary.
13:24You are a great worker,
13:26with initiative and interest in learning.
13:29It is an elegant way to say that I arrived here without having any idea.
13:32Well, if you didn't miss the remains.
13:34And that says a lot about you, Mr. Rodríguez.
13:38Now that everything is over,
13:40I would like you to call me by my last name.
13:44As you wish, Mr. Villamil.
13:50You said before that with this we were at peace.
13:56But it's not like that.
13:58I could never thank you for everything you have done for me.
14:02Well, to create a good apprenticeship, you need a teacher and a student.
14:06But you have proven to be a great apprentice.
14:10It's a shame that wherever I go, it won't help me much,
14:13like ironing some shirts or concreting boots.
14:16No, I think I have learned things that have even more value.
14:20Discipline.
14:22Pleasure for the job well done.
14:24And above all, excellent treatment with colleagues.
14:30If you allow me, I'm going to give you some advice.
14:35I think you are perfectly prepared to serve in any reputation case.
14:40So if one day you consider it and decide to regain the uniform of the Calle,
14:45don't hesitate to contact me.
14:48I will do whatever I can for you.
14:50Actually, there is something I can do for myself right now.
14:55I would like to say goodbye to the Marquises.
14:58I know that these last few weeks have been difficult for everyone,
15:01but I am very grateful to them.
15:06They could have fired me a long time ago and look where I am going now.
15:13They will think I'm asking for a silly thing.
15:17No, no.
15:18I was thinking that when I wrote that letter of reference,
15:22it was true when I put that you were a good man.
15:26Don't worry, I will talk to the Marquises
15:29and I will let you know when they can receive you.
15:33And do you know when you are going to travel?
15:36When I finish solving my affairs here.
15:52Oh my God.
15:54I told you it wasn't a big deal.
15:57But what do you say, Hanna, for God's sake?
16:00This is like bringing a piece of your past to the present.
16:09And aren't you surprised that this still exists?
16:12Ramona said something similar.
16:14He said it reminded him a lot of the cabin where my mother and I lived in Moscow,
16:18on the outskirts of the farm.
16:22And that your mother was seen here with the Marquis?
16:26And that your brother was here as a child?
16:29This was the refuge where he lived in his forbidden love story.
16:39What's wrong? What are you thinking?
16:42You won't like it.
16:44Come on, don't be silly, tell me.
16:48Because I thought that story ended very badly.
16:57I knew you wouldn't like it.
16:58I know.
17:01Don't worry, María, you're absolutely right.
17:03I couldn't get it out of my head.
17:06This was the scene of many nights of love, but also of crimes.
17:12That's what I mean, Hanna.
17:15That your mother-in-law knows about these nights,
17:19and that she was the one who ordered your mother's death and your brother's robbery.
17:22María, where do you want to go?
17:23Because you promise me that you will go to my side.
17:26And that you will be very happy with your Manuel.
17:29And that you will forget all this.
17:31Promise me.
17:32Why are you saying that?
17:35Are you afraid that the Marquis will come for me or what?
17:37Promise me, Hanna.
17:38María, don't worry about anything. We are being very prudent.
17:43Promise me, please.
17:46I came here for a promise.
17:48You and your promises, Hanna.
17:49And I'm not going to stop until I fulfill it.
17:57Father.
17:58Yes?
17:59Is Mr. Baeza here?
18:00He has not gone up to speak with the Marquis.
18:02What are you looking for him for? Can I help you?
18:04No, just to inform him that I have already finished arranging Mr. Curro's routines.
18:08I'll take care of it.
18:09Ah, very good.
18:10Thank you very much, Santos.
18:17Father.
18:18Yes?
18:22Actually, I also wanted to tell you something.
18:24Actually, I also wanted to thank you.
18:27Ah.
18:28Thank you for what?
18:30For taking such good care of Mother.
18:33Yeah, well.
18:34It's not necessary.
18:35I did what anyone would have done for me.
18:38Well, that's not true.
18:40Not only did you accompany her to Luján, which is already a good walk,
18:44but Mother told me that you stayed with her until she fully recovered.
18:48Well, I insist that it was only a humanitarian matter.
18:51If she had survived another dizziness, she might not have asked for help.
18:56But it's so hard for you to admit that your concern for Mother is sincere.
19:00Well, of course it is.
19:01But just as it would have been for anyone else in her situation.
19:05Well, it wasn't like that for Mother.
19:06And not for me either.
19:07Santos ...
19:08It's true.
19:10Or a few weeks ago, when I still hated her, I would have treated her like that.
19:13No, Santos, I have never hated your mother.
19:17Look, your actions speak for you.
19:19And although it's hard for you to admit it, it's clear to me.
19:21Mother cares about you.
19:24But why are you getting like this?
19:25It's not a good thing.
19:27Yes, it's good.
19:28Of course it's good.
19:29But if we have fixed our differences, it only means that.
19:34They have already forgiven each other.
19:35That's a step forward.
19:36But a ...
19:37But Santos, a step forward to where?
19:38Well, at this point you will be the last to discover it.
19:41Let's see.
19:43Santos, I told you at the time and I repeat it to you.
19:45The only thing that unites your mother and me is you.
19:47And whatever comes out of there, I don't care.
19:49And why are you so determined to build barriers between you two?
19:52Mother has told me a thousand times that if it were for her,
19:54I would go back to the past to fix what happened.
19:56That opportunity has already passed.
19:58And I did everything possible to fix our marriage.
20:01No.
20:02I haven't done it.
20:04We could still ...
20:06Or we could ...
20:07No, Santos.
20:08We're going to leave it there.
20:10If I see Mr. Baeza, I'll tell him about the booties.
20:13If I see Mr. Baeza, I'll tell him about the booties.
20:25Here you go, sir.
20:26The complete list with all the names of those who have decided to abandon the promise service.
20:33They are not few.
20:35But what else can they do if we cannot pay them for their work?
20:38No, but there are many more who have opted to stay.
20:41Out of loyalty to the family.
20:43Out of loyalty to you, in any case.
20:45We can't offer you much.
20:50Those who leave have received your journal.
20:52Yes, sir. As well as a letter of recommendation to those who have requested it.
20:56I hope you find a decent job soon.
20:58Yes. Having served in the promise, I guarantee it, sir.
21:03And those who stay will be enough to carry the house forward?
21:07Yes, sir.
21:08They will do everything in their power not to be ignored.
21:11That honors them.
21:13Although I am afraid that if this situation is not solved soon, they will lose the good talent.
21:18And in confidence I will tell them that there are no signs that this will be solved for the moment.
21:22There is no one interested in the sale of the land?
21:25Since we lost that impossible buyer.
21:28Many do not want to be pointed out for doing business with us.
21:31Someone will talk. Who does not care about the compadreo?
21:34Yes, there are.
21:35But they take advantage of our situation to make irresistible offers.
21:38They are beautiful.
21:39I do not blame them. It is the world that we are creating.
21:43In which it only matters to make a profit, even if it is at the expense of the misery of others.
21:47But things will change, sir.
21:49Well, I hope it will be soon because I have had to recruit Catalina to harden her jewels.
21:55And Martina, who is all-hearted and has found out, has also put hers at my disposal.
22:01I understand that it has not had to be easy for you.
22:06A man is worth what his honor is worth.
22:10I should be the one to give them sustenance and not them to me.
22:13That's how it has been so far.
22:15I am convinced that this gesture of generosity towards you only comes from the great affection he has for you.
22:24Know that we are discussing the possibility of selling the palace of Cádiz that my father-in-law left in cross inheritance.
22:30Miss Catalina told me.
22:33My wife does not know.
22:34And it will continue to be so, sir.
22:37Thank you, Rómulo.
22:38If you allow me, there is still one last request to convey.
22:43Some of the members of the service who abandon the promise would like to say goodbye to you before leaving.
22:53I understand. It is not possible.
22:58Tell them above all that we are very grateful to them.
23:04And that here we will always be waiting for them with open arms.
23:07I will do so, sir.
23:21Yes, yes, I can be there when you tell me.
23:25Perfect, no problem.
23:29I am the one who is grateful that he receives me with such urgency.
23:35Well, see you then.
23:37Thank you. Have a nice day.
23:47When I heard you, it seemed to me that they were giving you good news.
23:50I hope so.
23:52Who were you talking to?
23:53Are you doing something now?
23:56Why?
23:57In case you come with me.
23:59Well, Jacob proposed to me yesterday that we take a walk, but ...
24:03Ah, then nothing.
24:04No, no, but tell me what we have to do or how long you and I are going to take.
24:09A few hours.
24:13Well, let him wait.
24:15Are you sure? Because I can go alone.
24:17And keep the desire to know your secret plans.
24:20Because they will have to do with the phone call, right?
24:23Yes, I'll tell you on the way.
24:25I'm going to change, see you here in five minutes.
24:27Yes, but what are we going to do?
24:30Well, something very important that I should have done a long time ago.
24:50Mr. Baeza, if you leave me five minutes so I can finish brushing the boot,
24:55I would be totally free, but ...
24:57Do I need to go up right now?
24:59The Marquis is not going to receive you now.
25:02Oh, no, of course. He will be very busy and I am not in a hurry.
25:05But in reality, the Marquis is not going to receive you in general.
25:10But ...
25:11Please, don't take it personally.
25:14There are several colleagues who have asked for an audience to say goodbye to the Marquis
25:17and we cannot turn Alonso's office into a bar.
25:21I understand, but ...
25:22No, no, but there cannot be any differences.
25:24If we accept some, it would be unfair to leave others out.
25:29But don't think that's why the Marquis doesn't want to say goodbye to all of you.
25:33He asked me to do it on his behalf.
25:36Well, thank you.
25:38Yes, I understand that the main interest of your interview with Mr. Marquis
25:41was to leave the door open for his return.
25:45In that case, be careful.
25:48In addition to the thanks, Mr. Marquis has asked me to convey to you
25:51that this will always be your home.
25:54And that it will be an honor if you decide to return to the promise.
25:58Really?
26:01Thank you very much, Mr. Baeza. You are the best.
26:16Hello.
26:18Are you ready?
26:19I thought we could go to the waterfall you told me about.
26:22Do you remember? I don't know if it's too far.
26:25Well, it's not too far, but we're going to have to go another day.
26:28Because I'm meeting my cousin Catalina.
26:31Ah, that's fine. No problem.
26:33Then we'll take a shorter walk, without leaving the gardens.
26:37Yeah, it's just that I'm meeting her now.
26:45Now? And it can't be later?
26:49It has to be now.
26:52Well, okay. Then we'll walk later.
26:55What time will you be free?
26:58Well, I don't know.
27:00So for now, don't count on me today.
27:04But where are you going?
27:07I can't tell you.
27:10But why so much secrecy? Martina, it's me. You know you can trust me.
27:13Yes, I know, I know. But I can't tell you because I don't know.
27:19But is everything okay?
27:22What? Martina, you can't even answer that?
27:27It's just that I don't know.
27:29I've noticed Catalina very nervous, but she only told me that we had to do an important job.
27:34If you want, I can go with you. You know I don't have anything else to do all morning.
27:38Yes, but I think it's better if you wait here.
27:43Okay, as you wish.
27:46I knew you would understand. And when I come back, I'll tell you everything.
27:52Okay.
28:06Since I was a child, we are clean boots of Madrid.
28:17Well, Marcelo, you are happy.
28:19That's because they haven't given you the news yet.
28:22What news?
28:24That the Marquis is not going to receive any of you.
28:27I understand that for him it must be hard to be betrayed by a group of deserters.
28:32Look, Santos, I don't have the body for your nonsense, which you want to point out to everything.
28:38Then admit it.
28:41The Marquis is not going to receive any of us.
28:44Because he can't receive us all.
28:46And who told you that nonsense?
28:48Don Romulo himself. In fact, he has given us the goods in the name of the Marquis.
28:55You're not going to make me doubt Mr. Baeza. You talk whatever you want.
28:57I don't know, they already say that there is no worse blind man than the one who does not want to see.
29:00So that's what they told you, that for the Marquis it is impossible to receive you.
29:04And why does he put us all together at the same time?
29:06If he doesn't, it's because he doesn't want to see our faces.
29:10And less to you.
29:12It's nothing personal.
29:13They are not going to receive any of us.
29:15None of those who had asked for it.
29:17But I understand, Marcelo, that you are the only one.
29:20But what has bitten you? Why do you take it with me?
29:23That's it. That's it.
29:24Do pushers, put yourself in evidence.
29:26Look, leave me alone.
29:27But Marcelo, if I'm doing you a favor, because that way when you go somewhere else and people approach you,
29:31you will realize that it is not because they want to be your friends, but to laugh at you.
29:36Here we are companions and we help each other.
29:39Here we are companions and we help each other.
29:41Companions?
29:43What companions?
29:44Lope, the cook who laughs at you from behind your back?
29:47Or your wife, who prefers you to go to Galicia to lose sight of you once and for all?
29:51No, no, wait, maybe you thought I was your friend.
29:56Is that it?
29:58Look, Santos, I'm very sorry.
30:04That they don't love you doesn't mean they don't love me.
30:09No.
30:29A lot of long faces I see here, more than usual.
30:34It's because several members of the service are going to abandon the promise.
30:37The layoffs have already begun.
30:39Well, very little of Mr. Baeza's own.
30:42I don't have all the information.
30:45But I understand that they are not leaving because they have been fired.
30:50But because they can't pay them.
30:53What are they going to do if they don't?
30:57Keep working for those people, you and your uncles, and on top of that for free?
31:00No, you don't understand Curro.
31:02But you'll see how your sister does.
31:04She has suffered it in her own flesh.
31:08By the way, where did your sister go?
31:11I don't know. She's out of the palace and I don't know what she's doing.
31:16Maybe she's with Cruz's friend.
31:18Lately, they've been very good friends.
31:21I know.
31:22In fact, Cruz's relationship with our mother's death came from her.
31:27So it's normal for them to trust each other.
31:30Maybe too much.
31:32When I talked to her, with that lady, I came full of smiles and beautiful words.
31:40As if we had been great friends in the past.
31:43Oh yeah?
31:44But you two hadn't had much of a relationship in the past, right?
31:48Well, no.
31:50I'm sure she didn't even look at my hair.
31:54But I...
31:56How can I forget Mrs. Marquesa's scruffy dog?
32:01Didn't she tell you what she wanted from you?
32:04To thank me for saving her father's life.
32:06She saved her father's life?
32:09It seems that one of my remedies managed to calm him down or save him from a fever.
32:13Well, she says that because I don't remember.
32:17Well, why would she lie to you about that?
32:20Ramona, you have cured countless people.
32:23It's normal that you don't remember.
32:26Otherwise, what other intention would you have with that?
32:29That's what worries me, Curro. I don't know.
32:33And those people are the worst.
32:35The ones who hide so much and also a lie that you never know where they can come from.
32:41Ramona.
32:43Look, Hanna told you who I really was.
32:47That lady doesn't hide anything.
32:50There's always something behind it, kid. Always.
32:53Always.
32:55And the worst thing is that I threw Hanna into that woman's arms, inciting her to show her face.
32:59Let's see, Ramona.
33:02Can you tell me why he has taken her this way with Mrs. Leocadia?
33:06Has something happened to her in the past or...?
33:10But what Mrs. Leocadia or what dead child?
33:13Of course I don't trust her.
33:15And I don't trust anyone either.
33:17And that's what got me here.
33:19And I live not trusting anyone.
33:23That's why I prefer the countryside.
33:26Nature never lies.
33:28It's cruel.
33:29Yes, many times.
33:31But it never lies.
33:36Boy, could you go get me an infusion?
33:40Listen.
33:42Ginger with a hint of lemon.
33:45And Laurel.
33:46Come on, I've been having a bad stomach lately.
33:50Ginger and a hint?
33:52Yes, young man, yes.
33:54Me too.
33:55Yes.
34:07Well, you can pray now, Lorenzo.
34:09Because the situation of the promise is unsustainable.
34:11And we depend on that wedding.
34:13This time we will sing, Victoria.
34:16Yes.
34:17Yes, I know I've told you this many times.
34:20But I have that old Castro eating out of my hand.
34:23And look, it hasn't been easy.
34:25That duke is spoiled and distrustful like few.
34:29But now he is wishing that we are in-laws.
34:37Sister-in-law, I confess that I did not expect a welcome with salvas and all the paraphernalia.
34:41But at least a little joy.
34:44Half of the work is done.
34:45Now there is the other half.
34:47What other half?
34:49Curro.
34:51Curro would be delighted to marry the daughter of a duke.
34:55First, to help alleviate the economic situation that lives in the promise.
35:00And in passing, to continue the life given as usual, without sticking a stick to the water.
35:04Curro already knows.
35:06So what?
35:07What do you mean, so what?
35:08That it would not be the first wedding plans that dynamite the baby?
35:12He is going to marry that girl. Sooner or later he would have to find out.
35:15Yes, but not like that.
35:17What do you mean?
35:19Don't you think we should have been the ones who would have informed him?
35:22And not find out by third parties?
35:24Cruz, as I tell you, this situation is completely different.
35:27She is not a hungry institutress. She is the youngest daughter of the Castroviejos.
35:32She would have to clap her ears.
35:33Curro is a sensitive man.
35:35He still thinks that a marriage is a matter of love.
35:39He will get rid of the wrinkles when he finds out how much the dukes have contributed to the dowry.
35:43A money that he will never perceive.
35:45Well, he doesn't know that.
35:47When he finds out, it will be too late.
35:49Or not.
35:51Why are you so hesitant?
35:53The difficult part is already done.
35:55The dukes agree.
35:56But all I want is for him to get married as soon as possible.
35:58And have less worries.
36:00And solve the economic problem.
36:02Of course. Otherwise, what?
36:04What I mean is that when you talk to him, let him know that he will be aware of everything.
36:09Aware of what?
36:20A few days later.
36:32All good?
36:35Do you need something?
36:42Do you feel like talking?
36:45And what would it be useful for?
36:47Well, shared evils are less evils.
36:50Yes.
36:52But they are still evils, right?
37:02Has there been any news regarding Godot's plans?
37:08I talked to my aunt Cruz.
37:11Really? And how did she react? What did she say?
37:14That she will talk to the captain.
37:16That she didn't want to know anything.
37:22So it's like before. Without being able to do anything.
37:29It has to be very complicated to have your hands tied while others write their destiny.
37:36That's right.
37:37And I wish that was my only concern.
37:41But it seems that misfortunes have been snatched away with the promise.
37:46You say that because of the economic difficulties?
37:50Yes, in part.
37:51But not because of the hardships that we can go through up here.
37:57This morning I was at the service plant.
38:00And it's devastating.
38:03Yes, I have already found out that many servants have been abandoned. They will do it soon.
38:07Natural.
38:09If they don't pay them to do their job, what else can they do?
38:15They try to cover it up.
38:18But they are noticed.
38:23I didn't know that side of yours.
38:26Which one?
38:28That you care so much about the people who work at the service.
38:31And tell me, what else worries you?
38:36You said misfortunes. In the plural.
38:39And that means that there are more than one.
38:48Manuel and Hanna's departure to Italy.
38:53Do you fear for their safety because of the war?
38:55No.
38:57Do you fear for their safety because of the war?
38:59No, no.
39:01It is seen that they are going to a safe area.
39:03Very far from the fronts of Trentino and Isonzo.
39:07What worries me is what can happen here, in La Promesa.
39:13And what could happen?
39:15That my uncles will go crazy.
39:17If they are not already doing it.
39:20Manuel is the heir to all this heritage.
39:24And how is he going to take care of all this legacy, being so far away?
39:30But that is not your problem.
39:32No. In any case, it will be Manuel's.
39:35Well, if he stays in La Promesa for a while, he will realize that it is not so.
39:43And ... is there anything else?
39:47Does it seem little to you?
39:49No.
39:51No.
39:53The truth is that I have not stopped being surprised since I arrived here.
39:57My life in Switzerland belongs to Omar Zanodina and this palace is like the stage of a Baudeville.
40:07I'm sorry. I'm sorry, it was a totally unfortunate comment.
40:10No, no.
40:11No, I apologize.
40:13You are right.
40:15The Andalusian countryside is famous for its tranquility.
40:19But La Promesa seems to be the exception that confirms the rule.
40:29And so much.
40:31It is difficult to predict what the next surprise will be.
40:36Listen to me.
40:38And try it.
40:40The best thing is to let yourself be amazed.
40:42And pray that what comes is not bad.
40:46Sir.
40:47Excuse me.
40:48But I asked you to let him know when the captain returned.
41:01Alonso, for God's sake.
41:02We didn't even tell you that we were going to take Curro to the morgue.
41:05It's a wedding.
41:06And a very beneficial wedding for everyone.
41:09It is time for him to assume his responsibilities for the family.
41:12Enough of belittling and abusing your generosity.
41:16The Castrovíos have an opposition that many would like for themselves.
41:21This would help us get out of the crisis, Alonso.
41:24It would cut off the campaign of disbelief that the Dukes of Infantes have armed against us.
41:28I do not criticize the end, but the means.
41:31And what did you expect?
41:33For all appearances, Curro is not very focused.
41:36Not even at the Ballester party, where half of the youth of Andalusia was,
41:40he was able to find whoever he wanted.
41:42We are helping him.
41:44And I am surprised that it is precisely you who reproaches us.
41:48Given your history with your two sons.
41:51It is not comparable in any way.
41:53Well, there are more similarities than differences, Alonso.
41:56And don't try to deny it, because here the captain knows perfectly well
41:59that Manuel and Tomás' marriages
42:01were fixed precisely to avoid a crisis like the one we are experiencing.
42:05And I have to remind you how those marriages ended.
42:07But it's not our fault.
42:10It was the Dukes of Infantes who hid from us that their daughter was crazy about Atar.
42:15String or nothing, it was a complete mistake.
42:19I have to remind you that the cause of our current financial situation
42:22is precisely that marriage.
42:24Alonso, are you listening to yourself?
42:26Fixed marriages have always existed.
42:28In fact, they are the key to the survival of the nobility.
42:31And this time we will not make the same mistake as with the Orate.
42:35I have taken great care of it.
42:37The girl is a delight.
42:39She is elegant, she is sensible.
42:41A little shy, maybe.
42:43But pretty.
42:47Well, whatever it is, this discussion does not take place.
42:51Lorenzo is the father of the child, right?
42:53Well, it is up to him to make the best decision for his son.
42:56Which in this case is the wedding.
42:59You say that the decision is Lorenzo's.
43:01No, but it is evident that you are aware of everything.
43:04And I just found out by accident.
43:07It's not that we intended to leave you aside.
43:09Well, yes. Yes, we intended it.
43:11And do you want to know why?
43:13Because in these months we have not done anything
43:15to get rid of the scum of the Dukes of Infantes.
43:18That is not true.
43:19Oh no? Well, look at the results.
43:21Why are we still denounced by all social circles?
43:26So don't you dare criticize Lorenzo
43:28for taking the initiative to get us out of the ostracism.
43:48Well, don't get mad either.
43:50Maria, it is no longer a matter of education, but of simple humanity.
43:53Well, don't take it so seriously, it's our daily bread.
43:56Maria, it is not welcome that after so many hours of travel
43:58they make us carry things.
44:00Well, have you never heard that service is always the reflection of its owner?
44:05What do you mean?
44:07Have you ever seen the evil shadow of the Count of Monteverde?
44:11That's what I mean.
44:12And what happened to the Count?
44:14What happened to the Count?
44:24Speak, what are you here for?
44:27I am the illustrious.
44:30I am Maria Fernández and I am Doncella de la Promesa and he is ...
44:34And I am the parish priest of Luján.
44:39Why do you dare to come to my house without concerting an audience?
44:43Well, we come on behalf of Miss Catalina.
44:46And we bring you a vase, which is a collector's item,
44:49which she believes may interest you.
44:51A vase?
44:52Yes.
44:54Here you can see it.
44:59And how did this vase get into your hands?
45:03Well, as I have already told you, we come on behalf of Miss Catalina.
45:06And she gave us a letter where she explains the details.
45:13What?
45:21Did you take the letter?
45:25I thought you had taken it.
45:39I'm afraid there has been a misunderstanding.
45:43I see. Stay here.
45:47I'm going to ask for a telephone conference with Miss Catalina
45:51to explain those details to me.
46:01Did I tell you or did I not tell you that we were in the shade?
46:12Yes.
46:19Aren't you going to say hello to me?
46:24It has been a tiring trip.
46:27I was going to change my room.
46:30And your management in Madrid has also been exhausting.
46:32A lot.
46:33But it was worth it.
46:35Thanks for asking.
46:36Tell me, have you solved the crisis of the uncles by yourself?
46:40Leave the drama, will you?
46:43Are you going to reproach me for looking for you a good match?
46:46Look, at least you don't deny it.
46:49I don't see why I should do it.
46:50Is it good for you? Is it good for the family?
46:53Do you really want to get rid of me?
46:56First, you try to marry me to Julio.
46:58And now with a daughter of the Duke of Castroviejo.
47:00I see that you are aware of who your fiancée is.
47:02That will save me the presentations.
47:04Captain, you can look for me with all the girls you want.
47:09I'm not getting married.
47:11Curro, unfortunately, that is a decision that is out of your reach.
47:16I already avoided it once.
47:18But this time you will obey.
47:19Because I am your father and because I order you.
47:22You are not my father.
47:25You can't force me or order me anything.
47:29You are a child.
47:32An ungrateful child.
47:35You are going to be related to one of the most important families in all of Andalusia.
47:38From all of Spain.
47:39And yet you come to me with remorse.
47:41Yes.
47:42And as I have already told you, I am not going to be related to anyone.
47:46This time you are going to change your mind.
47:49You and your puerile obstinacy will give in.
47:52Because it is the best match you could ever imagine.
47:55The Dukes of Castroviejo, Curro.
47:58Great of Spain.
47:59The Duke is a gentleman of His Majesty Alfonso XIII.
48:02Half of Andalusia is his.
48:03Fields like this are counted by dozens.
48:05You love the promise so much.
48:07Be a good boy.
48:08And they will serve you a silver platter.
48:13I don't want her.
48:14Well, you give her up, but after the wedding.
48:17There will be no wedding, Captain.
48:20Do you know why I kept you out of my affairs?
48:24Do you know?
48:25Because of this.
48:27Because everything that comes from me you reject without remedy.
48:29Yes, that's right.
48:30That's right.
48:31And if I already knew, I could have saved the trip.
48:33Look, if you don't do it for me, think about your dear uncle Alonso.
48:37The situation of the promise is critical, as I suppose you already know.
48:42I'm not doing this for you, not even for me, Curro.
48:46I do it for them.
48:48Besides, I don't understand how you have the courage to reject a woman you don't even know.
48:54It's just that I'm rejecting her for that, Captain.
48:58Because I don't know her.
48:59Look, you can get dressed however you want.
49:02You can kick, you can scream.
49:03As a child, it won't do you any good.
49:06Because this wedding is already on its way and no one, no one,
49:10will say goodbye to the Dukes of Castroviejo, have you heard?
49:16That, we'll see.
49:30THE WEDDING
49:36Well, if he doesn't come now, I'll tell you to pick up the vase and I'll find someone else to love him, huh?
49:40Maria, don't be ridiculous.
49:42We're not going to find a better buyer than him.
49:45He'll be here soon.
49:46God hear you.
49:48I'm telling you to do it, because you're a priest for a reason.
49:52Besides, I don't want to spend all night in the cold.
49:55There's still a long way to go before it gets dark.
49:58Be patient, it can't take much longer.
50:06Well, how did the phone call go?
50:09Excellently, I trust.
50:11And have you been able to reach a deal with Miss Catalina?
50:14I haven't spoken to her.
50:15I've called the Civil Guard to have this vase returned to its owners.
50:18Thieves!
50:19Hey, no one has stolen anything here.
50:22That, the sergeant will explain it to you when he comes.
50:25Don't you dare come any closer.
50:27And what are you doing standing there like a postman?
50:29Stop them!
50:30Don't even think about touching her.
50:32Let's go.
50:34But what about the vase?
50:35We'll get it back as soon as we talk to Catalina.
50:40Adriana?
50:43Maria?
50:46What are you doing here?
50:56Ara didn't tell me, Santos, that you were coming.
50:58If you give me a moment, I'll give orders to let him know.
51:00No, no, don't do it.
51:02I didn't come to see him, but to see you.
51:05It's just a detail.
51:08Here.
51:10I wanted to thank you for taking such good care of me.
51:14It's not necessary.
51:16Aren't you going to give me a gift?
51:25I love you.
51:32Do you remember?
51:35It took me a while to find a resemblance.
51:44I remember that night perfectly.
51:51It was you who approached me.
51:54And it wasn't an easy task.
51:55With all the guys harassing you.
51:58Well, you're the youngest, most sought-after of all the girls.
52:02But you stood out above the rest.
52:05It's because you accepted that stupid bet I made on you.
52:10If I make you laugh, we'll dance together.
52:14That's what you told me.
52:16It was then that you took out the coin and made it dance between your fingers.
52:21It seemed like it was moving by itself, like magic.
52:25But you didn't laugh there.
52:27It was another argument that convinced me.
52:31If I can do magic with this coin,
52:34I can also make this night magical for both of us.
52:39That's when you laughed.
52:42And I kept my bet.
52:45It wasn't just a dance.
52:47We were together all night.
52:50Even when she had left,
52:52all the musicians and the town square were empty.
52:57Alone.
52:59You and me.
53:21What's wrong?
53:22I can't even have a little peace in my room.
53:26I have to talk to you.
53:28If you're not here to tell me that my son has given up on that stupid idea of going to Italy,
53:33I'm not interested. Thank you.
53:35If you have a problem with that, talk to your son directly.
53:38I will, of course.
53:40You can go now.
53:41He would have liked that much easier when you were a maid who obeyed orders.
53:45I'm not going until he listens to me.
53:47That will be if I want, right?
53:48No.
53:50I've been wanting to tell him this for a long time.
53:55Very well.
53:57Then tell me.
53:58What is it so important that you have to tell me, Hanna?
54:01Mariano.
54:03My name is Mariano.
54:05Mariano.
54:07Mariano.
54:09Mariano.
54:11Mariano.
54:13And Dolores was my mother.
54:26I'm very sorry I never asked you about your parents.
54:29But I'm not interested.
54:32Take off that mask right now.
54:34I'll kill you.
54:36I'll kill you to steal your baby and give it to your sister Eugenia.
54:39That's what you're saying.
54:41That's how they baptized him.
54:43But the name my mother gave him was Marcos.
54:46You've definitely lost the trial.
54:49I didn't deny it because I know perfectly well that it's true.
54:52What are you saying?
54:54It wasn't in his plans for me to survive.
54:57But I did.
54:59And that same day I promised my murdered mother that I would find my brother.
55:03And that his death would not be unpunished.
55:05I don't know what you're talking about.
55:08There's something else.
55:09Tomás.
55:11Tomás knew everything.
55:13I told him myself the day I came here.
55:15The day of his wedding.
55:17And he believed me.
55:19He told me that he knew perfectly well who had killed my mother.
55:23But that same morning,
55:25he appeared dead.
55:27You killed him.
55:28I killed him.
55:35I want a little dog of my trust to value it properly.
55:39Are you in a hurry?
55:40No, not at all.
55:42If you're going to spend more time here, you're going to need a place to spend the night.
55:45Take care of looking for shelter on the farm.
55:48No, no, no, no, that wasn't fraternity.
55:50That was a kiss of lovers.
55:52You mean a kiss on the lips?
55:55I think they're about to reconcile.
55:58I don't care what Santos says.
56:00He's the only one who's seen that supposed kiss.
56:02Look, that doesn't take away from the story.
56:05We all know Mr. Pellicer.
56:07He's keeping his distance from his wife.
56:09We also know Ana.
56:10And we know she doesn't do it.
56:12I've learned something from your failed marriages.
56:15That's why I think forcing Curro to marry an unknown woman
56:17won't bring anything good.
56:19And to top it off, Curro isn't the first time he's had a similar experience.
56:22No, it's not the first time.
56:24In that case, he could still get rid of it.
56:25But I'm afraid that his commitment to the Dukes of Castroviejo
56:28will be more firm.
56:30I'm more than delighted with Marcelo's departure.
56:33It's just that I suspect that he's not leaving just for economic reasons
56:37that he didn't want us to believe.
56:39And what do you think?
56:41His marriage to Teresa isn't going well.
56:43I think you've understood me perfectly.
56:45Well, the truth is that I don't, Martina.
56:48And it occurs to me more and more that I don't understand your suspicions.
56:51It's as if you were always looking for three feet for the cat or something worse.
56:53What's wrong? Don't you trust me?
56:55It's a matter of Catalina.
56:57In the end, she didn't marry the Count of Añil.
56:59It seemed like a done deal, didn't it?
57:01Yes, well, in the end, she didn't consummate.
57:03I mean marriage, because something did consummate.
57:05She got pregnant. A twin. No more, no less.
57:08At least I have something to fight for.
57:10Not like you, who has always been a fighter.
57:12Cruz.
57:14Fine.
57:16Let's fight.
57:17Is that really what you want?
57:19I assure you that nothing would make me more excited.
57:21You wanted it.
57:23I wanted it.