Los Casablanca Capítulo 52 en Español Completo Los Casablanca Capítulo 52 en Español Completo Los Casablanca Capítulo 52 en Español Completo Los Casablanca Capítulo 52 en Español Completo
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Short filmTranscript
00:00Come on.
00:30I'm sorry.
00:39It's over, it's over.
00:42Why did you leave me?
00:44Why what?
00:45Why did you leave me?
00:48Why did you leave me?
00:50I don't know.
00:54You're a piece of shit, asshole.
00:56You're a piece of shit.
00:58It's all shit!
01:00It's all shit!
01:02It's all shit.
01:04I'm shit, but I love you.
01:06I'm shit, but I love you.
01:08I'm shit, but I wanted to hold you tight.
01:10Hold you tight...
01:28I don't know.
01:37Conas, Casa Blanca, Berechi.
01:43Casa Blanca.
01:44Conas!
01:46Hi.
01:48I thought you were home, at this time of day.
01:50What were you doing here?
01:51Nothing, you caught me looking for a room.
01:54What? Why didn't you call me?
01:56No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
02:26Ivan, Ivan.
02:57I asked Ivette, but she denied it.
03:00Now, if you ask me, the one who is obsessed today is Jonas with her.
03:05I think the same.
03:09But it is so difficult to get to Jonas.
03:12Yes.
03:15Have you slept with him?
03:20It's a permanent headache.
03:23Have you known Ivette for a long time?
03:26Yes, since college.
03:28And has it always been like that?
03:30Has she always slept with guys smaller than her?
03:35No, I mean, Ivette is a very reserved woman in her personal life.
03:40A woman very dedicated to her job, loves her job.
03:44She is a good mother, sensitive, cheerful.
03:48It seems to me that you are also in love with her.
03:52No, no.
03:55What I want to tell you is that she is a good person.
04:01You should invite her to have lunch here on family Sundays.
04:05No, Raymundo.
04:08Not everything is black and white.
04:10There are shades, there are gray areas too.
04:13Ivette is a traditional woman, conservative.
04:16Conservative.
04:18A woman who messes with guys who are half her age.
04:23Let's see.
04:24Look, when she recognized me that I was with Jonas, I was destroyed.
04:32I was very bad.
04:33I was fighting with his daughter, she doesn't talk to him.
04:37Raymundo, no one chooses who to fall in love with.
04:41Or not?
04:42What are you telling me that Ivette is in love with my son?
04:49Honestly, I'm as lost as you are.
04:52It's hard for me to believe that it's like that, but...
04:55I don't know.
04:56I don't know.
04:57I don't know.
04:58I don't know.
04:59I don't know.
05:00I don't know.
05:01I don't know.
05:02I don't know.
05:03I don't know.
05:04It's hard for me to believe that it's like that, but...
05:07It's also hard for me to believe that it's just a feeling.
05:16That I'm going to live with you in your house.
05:22I mean, there are a lot of steps beyond, really.
05:25I don't really know what to say.
05:27Yes, why not?
05:28Tell me yes.
05:29Tell me yes.
05:32Let's see, Ivan.
05:33Why are you offering me this?
05:37Well, because you're my nephew.
05:39That's why.
05:40Yes?
05:41I'm sure that's the only reason.
05:44Yes.
05:45Which other?
05:47I don't know.
05:49I'm sure I'm not doing this because you want to be like...
05:52The good one with me.
05:53Like to...
05:55No.
05:56I don't understand what you're talking about.
05:59Ivan.
06:01You and I know that for my dad it would be a huge blow for me to live with you.
06:05I mean...
06:07I don't know.
06:08Maybe you're doing this to use me and provoke him.
06:14What?
06:15Or not.
06:16Well, whatever.
06:20It seems to me like a possibility.
06:22That's all.
06:23Yes.
06:24Okay.
06:26Yes.
06:27Okay.
06:28Yes.
06:29Yes, it could be a possibility, but no.
06:33No.
06:34No, Jonas.
06:36Look, it's very painful.
06:38I thought that we had a good relationship.
06:41I don't know if it's a good relationship.
06:42No, yes.
06:43We have.
06:44I didn't crucify myself.
06:45And I didn't crucify you, Ivan.
06:46It was stupid.
06:47Okay?
06:48Did I say something I shouldn't have said?
06:49It was your fault.
06:51Your dad put that idea in your head.
06:57Oh, Jonas.
06:58No, no.
06:59No.
07:00I'm not doing this to bother your father.
07:03No.
07:04I'm doing this because you're my nephew.
07:06Because you need help and because you're the only member of that family
07:10who has approached me without any problems.
07:13And that's worth a lot to me.
07:18Yes, I'm fine.
07:19Yes.
07:20Maybe I'm a little ahead of my time.
07:23Yes, I'm fine.
07:24Maybe I'm a little ahead of my time.
07:29But you can stay and live here in the hotel.
07:33There's no problem.
07:35It's a lot, Ivan.
07:36No, it's not a lot.
07:37No, listen to me.
07:38When it comes to family, it's never a lot.
07:41And even now, it's never enough.
07:45So you stay and live here in the hotel.
07:47Okay?
07:54Igor.
07:56My nephew Jonas is going to be here in a little while.
08:00Okay?
08:06Oh, this is great.
08:15What's wrong?
08:17I want you to leave.
08:20But why?
08:23It was once.
08:25And this was the last time I want you to leave.
08:27But how so literal, Luciana?
08:29Yes.
08:33I'm a journalist.
08:35Of course I take my words very seriously.
08:37Now get out of here.
08:38Yes, of course.
08:42Get dressed and go.
08:44Okay.
08:52Get dressed.
08:53Get dressed.
09:21Hello, my love.
09:23I'm glad you called me.
09:24I was just about to call you.
09:25Juan Pablo, where are you?
09:26I was waiting for you.
09:27You told me you were coming back.
09:29You won't believe it, my love.
09:30I broke my tire.
09:31I'm finishing.
09:32I'm going home.
09:33What?
09:34And where are you?
09:35Are you changing it?
09:36Yes.
09:37Yes, I have a little bit left.
09:39But why didn't you call a crane if insurance covers it?
09:43But my love, why would I call a crane?
09:45I was going to have to wait longer.
09:47I was going to take longer.
09:48I'm finishing now.
09:49But my love, it's dangerous.
09:50It's midnight.
09:51Imagine if they assault you or take your car.
09:54They run you over.
09:55It's super late.
09:59Hey, I have a little bit left.
10:00I'm going home.
10:02Okay.
10:03Are you okay?
10:04Because you sound like you're tired.
10:07Yes, my love.
10:08I'm changing a tire.
10:09I'm finishing.
10:10I'm going home.
10:11I told you.
10:12Okay.
10:13Come slowly, please.
10:14Imagine if a wheel comes out and you roll over.
10:18Bitch, I love the confidence you had in my skills.
10:22Come on, stupid.
10:23Hurry up.
10:24Yes, I'm going.
10:26Hey.
10:28I love you.
10:30A kiss.
10:36Fucking hell, Luciano.
10:48I love you.
11:00Here, drink.
11:03Oh, that face.
11:06Too early to walk with a long face, old woman.
11:09Now, sit down.
11:11What happened?
11:12Oh, I got caught with Gaby.
11:16And she told me to change.
11:18Yeah, and that's for everything that's going on between Jona and his mom, right?
11:22Yes, yes.
11:23He preferred to leave.
11:26Let's see.
11:27And what can I do to make you happy?
11:32I got married.
11:34Just like your sister did a short time ago.
11:38In one of those, I'll surprise you, old woman.
11:40Oh yeah?
11:41Oh yeah.
11:42Imagine.
11:44You know, I really like Miss Luciana.
11:49She's just like you.
11:52Because she's very different from the other girls you used to date.
11:56Oh, come on.
11:57Don't say that.
11:59Girls?
12:02But yes.
12:03Yes, I feel like I won the lottery with her.
12:06And where's Dad?
12:08No, he left very early.
12:10He had to go.
12:11Why? Where did he go?
12:14Don't know.
12:17Bye.
12:43I'm coming.
12:48I'm coming.
12:55Good morning, Ivette.
12:56Sorry for coming so suddenly, but I needed to talk to you personally.
13:01What a surprise, Raymundo.
13:05Can I come in?
13:13Come in.
13:18Angel has always had a good concept of you.
13:21And that's why I dared to come see you.
13:28And since she's a mother,
13:31I suppose she understands the complexity of this matter.
13:36Matter?
13:37Matter.
13:39I know you're not the only one responsible.
13:44But since she's a grown woman,
13:47I understand that she's more reasonable than my son.
13:51I'm sorry, but it seems like I don't understand.
13:55I'm talking about your relationship with my son.
13:57About what's going on between you two.
14:01Look, Jonas is obsessed with you.
14:05It's another example of his acts of rebellion.
14:09And that's why I wanted to ask you not to feed this relationship.
14:15Does Jonas know that you're here?
14:18No, no. He doesn't need to know.
14:21This is a conversation between two people with formal criteria.
14:24A conversation that I have not asked to have.
14:27And a conversation that is very uncomfortable for me too.
14:30So if you have a problem with your son,
14:32I think you should talk to him directly.
14:34No, I don't have a problem with Jonas.
14:37I have a problem with whatever is going on between you two.
14:42Doesn't this seem strange to you?
14:45Coming to my house to talk about something
14:47that's going on between two people who are adults.
14:51Well...
14:52Look, he's your son. I give you my word.
14:55But the only thing I'm going to say
14:57is that if my daughter went out with someone older,
15:01it would probably seem strange to me.
15:04But I would bite my tongue
15:06before giving an opinion about something
15:08where no one has asked me for my opinion.
15:11So if you have no other topic to talk to me about,
15:13please, can I go?
15:19Excuse me.
15:24Well, tell me.
15:28Sigh.
15:34Good morning.
15:35Hello.
15:36How did the most beautiful woman in the world die?
15:39Oh!
15:40What are you talking about? Where did it come from?
15:42Nothing, I just wanted to feel a little different today.
15:45A little vanity doesn't hurt anyone, does it?
15:48And who do you want to impress dressed like this?
15:50Meche.
15:51You, my love.
15:54My love, what happened to your lip?
15:56What?
15:58Nothing, I'm even ashamed to tell you.
16:00Yesterday, changing the tire, I leaned very hard on the cat,
16:04I went forward and you hit me in the leg.
16:07That looks ugly, my love.
16:09Very irresponsible that you changed that wheel alone, I told you.
16:12Irresponsible? But we men do these things.
16:15Are you going to leave me alone?
16:16Yes, my love, I have to go to the hotel
16:18because we are staying with Emilia
16:19and I have to go get the things that were left from the party,
16:21so I want to get to the store earlier, okay?
16:24Okay.
16:25I love you.
16:26I love you.
16:28Bye.
16:29Bye.
16:46How did you wake up?
16:48I was thinking about you.
16:52Me too.
16:59The number you have dialed is not available
17:02or is out of service.
17:22You have a phone call.
17:34Hello?
17:36Hello, my love, it's me.
17:38How are you?
17:39Hi, love, I've been calling you, so you didn't wait for me.
17:42I thought you had already left me.
17:44You're ridiculous, how can you think that?
17:48Hey, why did you call me on this number?
17:51Because they changed the numbers in La Pega.
17:54And why did they do that?
17:56I don't know, poor thing, you're from above.
17:58It looks like they're going to change your company.
18:00I don't know, I just obey.
18:02She's the most obedient.
18:06Hey, what's wrong with you? I'm super obedient.
18:10Let me question your...
18:13Obedience.
18:17Hey, now I understand.
18:19I was sending you a message and you didn't receive it.
18:21No, honey, that's why I didn't receive it.
18:24Hey, are we going to see each other today?
18:27No, I don't think so, honey, I have a lot of work.
18:30A lot, I would love for you to come to my house.
18:33I would love to, but it's impossible.
18:36A business is opening with the Japanese,
18:38and I have to stay with my dad to help him with everything,
18:41so we can't stay working until late, I'm sorry.
18:44Well, I understand.
18:45Tell me how your day is going, okay?
18:48Well, you? Everything okay?
18:50Yes, everything's fine.
18:53Well, I'll leave you. A kiss, okay?
18:55A kiss. I love you.
19:11Why did you leave me?
19:13Why what?
19:14Why did you leave me?
19:17Don't worry.
19:23I'm a piece of shit, asshole.
19:25I'm a piece of shit.
19:26I'm a piece of shit.
19:28I'm a piece of shit.
19:34Half an hour?
19:35Okay.
19:40Hello.
19:41Hello.
19:42Good morning, how are you?
19:43Very well, you?
19:45Well, here we are.
19:46I'm not complaining.
19:47I thought I was going to find you sleeping there.
19:49Again?
19:50In a pool?
19:51You're surprised, huh?
19:53No.
19:54The thing is, I have a bruised body,
19:56and those pools are not the most comfortable I've ever been in.
19:59So I preferred not to sleep there.
20:01So you broke up with your dad?
20:03No.
20:04No, no, no.
20:05We're not there yet.
20:07And where are you spending the night?
20:09In a place.
20:11A place that is much more comfortable than sleeping in my dad's house
20:15or here in the pool.
20:18Hey.
20:19It's my idea, you're a little down.
20:23It's your idea, man.
20:25The thing is, I found this lying there in the pool
20:27where you slept.
20:36You've gotten good at drinking, Rooster.
20:38Look, he's recharging to have a little drink.
20:43Well, it's just that it's a day that needs to be hot,
20:47but I guess it's not going to happen again.
20:50Hello.
20:51Are you there?
20:54Hey.
20:55What are you writing?
20:57What are you smiling at?
20:58Are you peeling?
20:59Let's see.
21:00My sister.
21:01Excuse me.
21:02Your sister?
21:05Yabo.
21:06Say hi to your sister.
21:10My sister.
21:18For you, always.
21:25I couldn't talk to you yesterday.
21:29I can imagine.
21:32Did your husband tell you anything?
21:35Nothing about you.
21:38But he followed me.
21:40That's why I went to my sister's house.
21:42It's clear that he suspects.
21:58Yes?
22:00Excuse me.
22:01Ma'am, they're waiting for you in the meeting room.
22:04Perfect, Elfira.
22:06I'm going.
22:14I have to leave you.
22:24Excuse me.
22:25Let's see if I understand correctly.
22:26So, Alessandra wouldn't be willing to take charge of my project?
22:30No, no, no.
22:31I didn't say that.
22:32I didn't say she wouldn't be willing.
22:33I just told you that it wouldn't be easy to convince her.
22:38Let's see, Tomás.
22:39Be honest.
22:40Have you talked or not about this with her?
22:42Yes.
22:43I mean, I haven't found the right time or space to go deeper.
22:49But you two live together.
22:50How come you haven't found the right time to go deeper?
22:56I see.
22:57So, you two are really bad.
22:59No, I didn't say that.
23:01No, no.
23:02No, Tomás.
23:03I'm sorry.
23:04A couple of days ago, you were here at the hotel drinking alone,
23:06quite drunk.
23:08Well, all marriages have their ups and downs.
23:13It's normal.
23:14Yes, yes, yes.
23:15Look, I'm really sorry that you and my niece are not well.
23:20And I hope you two get better.
23:23Because you two have a very good future together.
23:27Well, I've already told you, personally,
23:29that I think you're getting lost there in Aras.
23:34But I need both of you.
23:36Not just you.
23:37And time is running out.
23:41What do you mean by time is running out?
23:42That I can't wait all the time in the world, Tomás,
23:45for you two to get together and decide to get on this project.
23:49I can't.
23:50Well, if you don't do it, I'll have to find someone else.
23:53I don't know.
23:54Do you understand?
23:55Yes.
23:56No, I understand perfectly.
23:58Well, that's it.
24:00Go ahead.
24:02Excuse me, Ivan.
24:03They arrived from the agency to finalize the last details of the foundation event.
24:07Okay, thank you very much.
24:09I hope to have news from you soon.
24:11Yes.
24:15How are you?
24:16Fine.
24:17All good?
24:18Yes, super.
24:19I can tell.
24:21Why?
24:24Because of your face.
24:27Is that an irony?
24:29No.
24:30You have a better face than the other night.
24:35You're welcome.
24:38Beautiful.
24:49You have to ask for the boxes that didn't open at the party, okay?
24:53Yeah, and how many boxes are there?
24:55It must be two or three.
24:57I think there's anything there, let me know, okay?
24:59Okay, I'm going.
25:24Well.
25:25That's it.
25:26Thank you for joining me.
25:28It wasn't necessary, really.
25:29You're welcome.
25:30Bye.
25:33Bye.
25:36See you later.
25:37See you later.
25:48See you later.
26:12No, Pato.
26:13Just the trunk.
26:14It's not ready for the truck yet.
26:16Tormento.
26:17What's up?
26:19Do you want to say hi?
26:21Hi.
26:22Hi, Lube.
26:23Hi.
26:26I'm sorry I came without telling you, but can we talk?
26:29Yes, yes, yes.
26:31Well, I'll leave you, Lube.
26:34Delighted.
26:35Tormento, see you later.
26:36See you.
26:38What are you doing here?
26:39What happened? I didn't stay calm with your visit yesterday.
26:42Let's talk.
26:47I can't believe Reymundo went to your house because of Jonas.
26:51Really.
26:52He's crazy.
26:53That's how it is.
26:54Did you give him my address?
26:56But how can you think that I'm going to give him your address without your permission?
27:00Then it must have been someone else, Eva.
27:02What an old woman.
27:03She got in the way.
27:06Well, I imagine that for her it is also quite difficult to say no to the boss.
27:10But that he is going to get into my house?
27:12What do you believe in white houses?
27:14Well, she also understands Reymundo.
27:16He is worried about his son.
27:19Ángel, I'm sorry, but are you defending him?
27:22No.
27:24No, I'm not defending him.
27:27Let's see.
27:28Did you fight hard at your house?
27:30How do you think I'm going to lower that?
27:32Please.
27:33Look, if I can understand that he is worried about his son,
27:36but that he gets into my life?
27:38What do you want me to tell you?
27:39But no.
27:40Well, very invasive.
27:41What do you want me to tell you?
27:42But no.
27:43Well, very invasive.
27:44I could be complicated because I'm dating a minor,
27:47but you want them to believe that they can treat me, I don't know,
27:50as if I were a criminal?
27:51No, no one has said that either.
27:53Oh, yeah.
27:54And you think it's very normal, then,
27:56that the Casablancas come in line to sermon me?
27:59Yesterday the Genoveva drops here.
28:00And now your friend.
28:01And all because?
28:02Because they don't think I'm going out with Jonas Casablanca?
28:07Then they are together.
28:08What?
28:11You're going to forgive me, Angel, but that doesn't matter.
28:14And if it were, it's my problem.
28:17I need you to give me a couple of days off.
28:20So much so?
28:21Yes, so much so.
28:22I'm up here, up to La Coronilla.
28:25You've never taken a license in your life, so ...
28:27So what?
28:28So you can see how they have me.
28:29They have me fed up.
28:32Come on, Angel.
28:35Are you going to give me a few days off, yes or no?
28:41Why do you like to mess with horses so much?
28:46I don't know.
28:47Maybe because it's my job.
28:48Do you think this is funny?
28:50Why not me?
28:51I couldn't sleep last night
28:53thinking about the mess you're in.
28:56What mess?
28:57I'm not stupid.
28:59I know perfectly well what I'm doing.
29:01Yes.
29:02Black legs of a Casablanca.
29:04Torment.
29:05If that's not playing with fire, I don't know what it is.
29:07Hey, stay calm.
29:09No, calm the balls.
29:11You won't even notice when they kick you out.
29:15And when they kick you out,
29:16do you think it's very easy to find a job somewhere else?
29:19Look, sister.
29:20Sorry if this sounds a little arrogant,
29:22but anyone who has a horse
29:24would love to work with me.
29:26So I won't be short of a job.
29:28No, no, no.
29:29Not if Raymundo Casablanca kicks you out.
29:31Look, one call
29:32and you don't work with pure-blood horses again,
29:34or with fair horses.
29:37Is it worth it?
29:38Seriously, for a hot girl?
29:40Hey, I respect myself now.
29:42This is not a hot girl.
29:43No, I mean her.
29:46You're so stupid to think
29:48that Alexandra Casablanca is also in love with you.
29:51Women like your boss
29:53don't fall in love with men like you, Torment.
29:56Well, I didn't know her.
29:58Maybe it's different.
29:59You're naive.
30:01Look, enough.
30:02Let's suppose so.
30:04Let's suppose she feels something for you.
30:07Do you really think she's going to break up
30:09and leave everything for you?
30:12I don't know.
30:13Time will tell.
30:14No, Torment.
30:15Brother.
30:17Let's see.
30:20Please.
30:22Face reality.
30:25Break up with that woman.
30:27You're cute.
30:29You're loving.
30:30You're hardworking.
30:32Women interested in you have always existed.
30:36But I'm interested in her.
30:39Look, when you're caught,
30:41don't tell me anything because I warned you.
30:44These people never lose, Torment.
30:46Get that in your head.
30:48They never lose.
31:06I'm sorry.
31:28Lu, Lu.
31:29Phone.
31:30Who is it?
31:31Sergio Romero.
31:32He says you interviewed him for the report
31:34of the investigators of the General Cemetery.
31:36Sergio Romero?
31:37Yes, I left it for you at two.
31:41Hello?
31:43Your phone doesn't work anymore?
31:46Juan Pablo.
31:48Him?
31:50What happened?
31:51Did you block me?
31:52Did you eliminate me?
31:53We changed the number.
31:54They changed the number to everyone here at the office,
31:56I mean.
31:58Notable.
31:59What?
32:01Do you think I'm going to believe that absurd lie?
32:04Well, it's not my problem if you believe me or not.
32:07It turns out that just the day after our meeting,
32:10your company is about to change the number to all the workers.
32:13Weird, isn't it?
32:15Your nose is going to grow, Pinocchio.
32:17You changed it for me.
32:19The world does not revolve around you,
32:21don't be so self-referent.
32:24Well, let's pretend I believe you.
32:27Give me your new number then.
32:30No.
32:31No?
32:32No.
32:33Why should I have your brother-in-law's number?
32:37Come on, Luciana.
32:40Luciana, nothing. Stop it.
32:43This was the 20th time, okay?
32:45Our relationship is closed.
32:46Closed forever?
32:47Yes.
32:48I don't believe you.
32:50Well, I don't care if you believe me or not.
32:52Don't call me bad at work,
32:53much less making fun of someone else.
32:55It's pathetic.
32:57Oh, Juan.
33:00Juan.
33:30Juan.
33:36Come in.
33:38Hi, sorry.
33:39Am I interrupting?
33:41Hi, sister-in-law.
33:42No, nothing.
33:43I was checking the street sector,
33:44to make sure you were all right.
33:46Looking for your husband?
33:47No.
33:48I was looking for you.
33:50There's something I'd like to know.
33:52Tell me.
33:53What were you doing this morning at the Ibanez hotel?
34:00I'm sorry.