Mumbai: During an exclusive interview with the star cast of the movie “JAAT” Sunny Deol, Randeep Hooda, and Vineet Kumar Singh- where they discussed the reception of the film's trailer, the director's success with previous projects, and their experience working with Sunny Deol. The conversation also touches on the director's career, their affinity for tools, and their observations about the ‘Jaat’ community. Additionally, they discuss their thoughts on Salman Khan's comments, the impact of big film releases, and their experience working with South cinema makers.
#SunnyDeol #RandeepHooda #VineetKumarSingh #JAAT #ExclusiveInterview #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #ians
#SunnyDeol #RandeepHooda #VineetKumarSingh #JAAT #ExclusiveInterview #Trending #BollywoodNews #BollywoodGossips #BollywoodUpdates #BollywoodNews #Bollywood #Bollywoodcelebrity #BollywoodHindiNews #ians
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FunTranscript
00:00First of all, I want to tell you why it occurs two days back when you spoke to Kuman Nata sir and he said that he is very positive about your film and he said that he really likes the trailer and the teaser and he is very positive about this.
00:17So, because all around positive reviews are all around, so how are you processing it?
00:24You are on role, chava, super boys of Marikao and now this, how are you processing it?
00:46It looks good.
00:47It looks good.
00:48It looks good.
00:49It looks good.
00:50You know, if you want to speak something more about it.
00:53Now, it's like that.
00:55It's like that.
00:56It's like that.
00:57It's like that.
00:58It's like that.
00:59It's like that.
01:00It's like that.
01:01But yes, it's very different for me.
01:03I've never done anything like that.
01:05First of all, I'm taking a negative role.
01:07So, I'm really positive.
01:08One of those things are really good, very sad and that's what I've said.
01:11Thank you so much.
01:12For our films of Tarifians, Komal Ji, thanks for the four and four of us.
01:17I also listen to one of the four of us.
01:22And we've been talking about now.
01:26It was that Sani Sir is very low, and there is a lot of waiting for people.
01:33People are waiting for it.
01:36This is a very valid point, that Sani Sir is very low, especially, you know,
01:41for many years, we were very low.
01:45But now, after Gadar and Gadar, you know, Bordertu, Lahore,
01:51you started your career when you were doing films in the 80s, 90s,
01:56multiple films at the same time.
01:58Do you think you have gone back to that time?
02:00See, I'm not thinking of where I've gone back.
02:03I'm just feeling happy that the work is coming,
02:06it's been made of a good film.
02:08I just hope that I live up to it.
02:11And I always want to wait for a good time.
02:16One is always hoping for the best.
02:19But also, I mean, as a human being, I think we just have to carry on.
02:22It's a way of life.
02:23We've seen it all.
02:27And I just thank God for all my different places.
02:32But he's not let it go.
02:34He's not stepped down.
02:36He's not, you know, started doing all kinds of roles.
02:40He's really stood his ground and with a lot of dignity,
02:44which is a very appreciable thing.
02:46It's not easy to do that.
02:47And now it's chappard bhaad.
02:49How was your experience working with Sunny, sir?
02:53Because you were watching them in college school.
02:56Yes, absolutely.
02:57I mean, half a kilo of the dialogue,
02:59we didn't kill many people.
03:01And we had posters and posters,
03:06and then when the first time in the shooting,
03:11there was a feeling of acting with Sunny Dior.
03:16and there was a short shot in which I was in anger.
03:20And I was in anger and the director said,
03:22I don't cut the line.
03:23So I said,
03:24I'm going to cut the line.
03:25I said,
03:26I'm going to cut the line.
03:27I'm going to cut the line.
03:28I'm going to cut the line.
03:29I'm going to cut the line.
03:30So when you think about Sunny, sir,
03:34Like obviously now I have worked with him,
03:37but which film of his comedy or my, like Daamini?
03:42I mean, when I think,
03:43they're in my mind.
03:45But if I ask you,
03:46which one of the first things that comes to the frame
03:49and a dialogue?
03:51I was the first of the first thing about Arjun
03:53and Arjun's song.
03:55We used to play, because one of the friends of Arjun came to the back and kept a pair on each other.
04:08We used to play.
04:10So, that's the first time we remember.
04:13So many films.
04:14I've never heard of it.
04:16I've never heard of it.
04:18After the birthday of Sonny Sir, we realized that in the scene of Baitaap's action, there was something happening on the action.
04:30So, the buggy was under the buggy.
04:36It was an action sequence and he was running away from him.
04:41The shot was cut because he was smiling.
04:46Because he was sort of enjoying it.
04:50I mean, this is an action that the director himself is saying that you don't do this.
04:55It's very risky.
04:57He said, where will the buggy run?
04:59He's running away from the road.
05:01And I don't know what's going on down there.
05:03If something happened, or if you hit it, then you...
05:06And he was enjoying so much.
05:08He was laughing.
05:11Sir, when he was talking about Baitaap, it just came into my mind that you started your career with a love story.
05:18It was such a massive hit.
05:20After that, your career was in action.
05:22How did this transition happen?
05:25No, I don't know.
05:26I don't know.
05:27There are subjects, there are things that happen.
05:29Basically, it was romantic films only.
05:31Baitaap was also basically romantic, but there was action very much in the picture.
05:35So, if you were to get the work, you would have to go.
05:41So, but Baitaap is the most romantic film.
05:46I've always seen the first Baitaap.
05:48It was a completely romantic film.
05:50A truck driver.
05:51I can't even think about it.
05:52I can't even think about it.
05:53I can't even think about it.
05:54I can't even think about it.
05:56So, it was a very...
05:58I mean, people usually dream about it.
06:01That comes into reality.
06:03So, it was a very fairytale kind of a romance.
06:05Romance.
06:06Yeah.
06:07Across borders.
06:08Yeah.
06:09Strife situation.
06:10Yeah.
06:11When we talk about Gadar,
06:13as you were first with a ceiling fan,
06:17so this was a general discussion,
06:20that first hand pump for a fan.
06:22It was very special from tools.
06:25I'm not for all these things.
06:30But what happens?
06:31At the end of the day,
06:32it becomes,
06:33no, something like this should happen.
06:34I don't know.
06:35It's just...
06:36It's going and it's going.
06:37I can't say anything,
06:38I can't do anything,
06:39I can't do anything.
06:40It's going to be a sequence.
06:41It's not about it.
06:42It's not about it.
06:43It's about it.
06:44The next thing is,
06:45Paji,
06:46Bridgetha.
06:50The name of the President's Judd
06:51and I think you both are Judd.
06:54I'm, I think you could say.
06:55I'm a Shatri.
06:56Yeah.
06:57Close to that.
06:58So,
06:59how was that?
07:01There were two Judds,
07:02one you were from Lucknow.
07:04So,
07:05you have to find some special things
07:07that you have to find specific to Judds.
07:12So,
07:13they get to hear and to see.
07:15What is your mind in mind?
07:16What is your mind?
07:17What is your mind?
07:18What is your mind?
07:19What is your mind?
07:20What can you hold many times for a long time?
07:22They will say.
07:23And even all actors.
07:24Yeah.
07:25We were all actors who are doing their own work.
07:28They are all people.
07:29They are all people.
07:30They are all people.
07:31They are all people.
07:32They are all people.
07:33From all different communities.
07:34All together.
07:35Decency, courtesy, industry,
07:36all together.
07:37I was doing a picture of the sign.
07:39Because they are very clannish also,
07:42the Jarts.
07:43So,
07:44I was feeling a little bit at the beginning
07:45but then,
07:46the whole movie is glorifying the Jarts.
07:48So,
07:49why not be a part of it?
07:50And I am so glad that
07:52I got the opportunity to do this.
07:54Yeah.
07:55The clannish thing you've said.
07:58So,
07:59of course,
08:00a lot of,
08:01I won't get into the politics,
08:02but
08:03you know things that have happened in the past.
08:05So,
08:06you've heard all of those things.
08:08I mean,
08:09you've heard all of those things,
08:10when you said that it was very,
08:11but that's a very clannish also.
08:13I was going to my family.
08:15I was like,
08:16I'm going to go to the house.
08:17What would I say?
08:18Oh,
08:19you want to be a joke?
08:24So,
08:25dry sense of humor,
08:26sarcasm,
08:27you have to face the same thing.
08:28But,
08:29it's not the same.
08:30It's not the same thing.
08:31It's not the same role in the role.
08:32It's not the same thing.
08:33Your character's name is very interesting.
08:35Yeah.
08:36Rana Tunga.
08:37Rana Tunga.
08:38Yes.
08:39So,
08:40we remember Rana Tunga.
08:42We remember Rana Tunga.
08:44So,
08:45what is the story behind this?
08:46Like,
08:47have you decided your character's name before?
08:50Yeah.
08:51Yeah.
08:52Yeah.
08:53Yeah.
08:54Rana Tunga is a great ring.
08:55Yeah.
08:56Rana Tunga.
08:57That's solid.
08:58Menacing,
08:59villainous name.
09:01So,
09:02it is good.
09:03I quite enjoy being called that.
09:05Yeah.
09:06Rana Tunga.
09:07So,
09:08recently,
09:09our friend Salmani,
09:10we just went through news or something like that,
09:13he gave shout out for your film.
09:15And at the same time,
09:16he also said that,
09:17there should be,
09:19like,
09:20it seems to me that,
09:22and,
09:23but he was like,
09:24he's waiting for your film.
09:25And,
09:26he said,
09:27we all have a lot of love and fondness for one another.
09:34So,
09:35this,
09:36especially,
09:37I can't say anything more about that,
09:40because,
09:41I don't know,
09:42but,
09:43a lot of,
09:44I mean,
09:45he's so fond of my dad,
09:46with Bobby,
09:47with his father,
09:48with his father.
09:49He always says,
09:50I'm your son.
09:51So,
09:52that's the way,
09:53and he believes in that.
09:54So,
09:55we all have a big bonding.
09:56So,
09:57when you ask questions like that,
09:58then,
09:59I don't understand what I'm saying.
10:00Because,
10:01we all love each other,
10:02and,
10:03we all are for one another.
10:04Now,
10:05that's a different thing,
10:06when we come to our films,
10:08but,
10:09that has nothing to do with anything.
10:11You know,
10:12so,
10:13we have a whole family,
10:14the whole film industry is a fraternity.
10:16Yeah.
10:17So,
10:18we don't understand each other.
10:19Yeah.
10:20No,
10:21the statement was about,
10:22he probably thought that,
10:23he is no actor.
10:24So,
10:25we all wish for one another.
10:27Nobody wishes back for one another.
10:28Yeah.
10:29You know.
10:30And,
10:31people never think.
10:32Look,
10:33Look,
10:34Look,
10:35Look,
10:36Look,
10:37Look,
10:38Look,
10:39Look,
10:40As an actor,
10:41we don't want to clash with someone.
10:42No actor wants it.
10:43A distributor,
10:44his own reason,
10:45the producer,
10:46they feel business is right,
10:47that's why they are doing it.
10:48And,
10:49they feel business is right,
10:50that's why they are doing it.
10:51And,
10:52In other words,
10:53I don't want to talk about the capacity of the film industry.
10:54The capacity of the film industry,
10:55the capacity of the film industry,
10:56the capacity of the film industry,
10:57we have got a capacity of doing over 170 crores in one week,
10:59one day,
11:00sorry.
11:01So,
11:02there is ample space over there.
11:03We all feel that we are doing it.
11:04We all feel that we don't want to clash with someone.
11:05No actor wants it.
11:06A distributor,
11:07his own reason,
11:08a producer,
11:09they feel business is right,
11:10that's why they are doing it.
11:11And,
11:12I do not want to talk about the capacity of the film industry.
11:15There is a capacity of the film industry.
11:16There is a capacity of doing over 170 crores in one week,
11:20one day,
11:21sorry.
11:22So there is ample space over there for two or three films.
11:25We always think,
11:26And,
11:27we don't want to talk about it.
11:28But,
11:29that is a debate,
11:30At the end of the day, the show is only 40 shows.
11:36There is no difference between 20-25 shows.
11:39There is always 4 shows.
11:42One show means that it is 1,000 and 1,200 people.
11:45One show means that it is 1,000 and 1,200 people.
11:49Now, there is no point in discussing mathematics.
11:59Basically, as we talk about film industry,
12:05I don't think there is no other thing about it.
12:07Every person keeps doing it.
12:10Every film is good and is made for success.
12:15Yes, the budget is a bit lower,
12:17but it is not 100-200-300 crores.
12:20That is a great thing.
12:22As long as the producers have been saved,
12:26and that is the way it is.
12:29We do it.
12:30There are so many films that have done.
12:32The box office is always up and down,
12:34always up and down.
12:36Exactly.
12:37You are doing multiple things.
12:49You are doing multiple things.
12:51Now, when OTT project is about to release,
12:56are you more at peace,
12:58a little bit of peace?
12:59Because in OTT,
13:00there are so many people,
13:01there are no parameters that have to gauge it.
13:04What will happen,
13:05what will happen,
13:06what will happen.
13:07So, is that,
13:08when OTT comes to OTT,
13:09people live with peace,
13:10you know,
13:11actors especially.
13:12Yes,
13:13OTT is in this case democratic.
13:15Because,
13:16whether there is any other thing that is released,
13:21whatever the numbers are,
13:23it will be designed by default.
13:25But,
13:27it is a fun thing for cinema.
13:29When you watch a film,
13:33and,
13:34with the emotion,
13:35500-700 people,
13:37in the dark hall,
13:40that feeling is very special.
13:45So,
13:46that is,
13:47the rest is okay.
13:48I have to eat this,
13:49I have to eat this,
13:50I have to eat this,
13:51I have to think,
13:52that it is better to find peace.
13:54Because,
13:55there is no need to change from my thinking.
13:57So,
13:58we have to do our work,
13:59we have to do our work,
14:00we have to do our work,
14:01that's it.
14:02So,
14:03yes,
14:04we will talk about this,
14:06that,
14:07I mean,
14:08a lot of discussion must be going,
14:10in the film industry,
14:12while you are sitting here.
14:14How do you see this,
14:16that,
14:17everybody is saying,
14:18this lull period,
14:19right?
14:20When do you think,
14:21that,
14:22that,
14:23that,
14:24that,
14:25that,
14:26that,
14:27that,
14:28that,
14:29that,
14:30that,
14:31that,
14:32that the film industry will take place in other industries,
14:37as well,
14:38as you then,
14:39that,
14:40you have to look for that.
14:42Also,
14:43you have to do their creativity and view the taste of it,
14:45and you are to consider your taste change,
14:47and start improving the efendim everything new parts.
14:49So I am sure that this will be the same in the Hindi film industry.
14:55The people who were thinking that it's not going to work.
14:58People will think new things, new films will be made, a new packaging.
15:02The industry will go further.
15:04It's a rubber band.
15:06If you have seen it, it will go further.
15:08Okay, we'll talk about the director who is not here.
15:11How was your experience working?
15:13I think with Mahitri movie and the director of the film.
15:17It was really lovely.
15:20I was very interested when they came to me.
15:24And when they read a story to me.
15:26It was a different story to do.
15:29But they said, I have a story.
15:31So they narrated me the story.
15:33I was caught into the story.
15:36And I think we all believe that, we feel while working, we enjoyed it.
15:41Because obviously language is a bit different.
15:44But always the language of cinema is basically the same.
15:49We don't have to talk about the language.
15:51We have a problem in our language.
15:53But I think I enjoyed working with it.
15:56It was great fun.
15:58And also talking about your upcoming project.
16:00How are you managing your time and shooting like?
16:03I think right now I am only managing jat.
16:05Till yesterday also I was doing jat only.
16:07I was shooting only.
16:08I was shooting only.
16:09I was shooting only.
16:10And it was 10,000 pixels.
16:12We have been just doing jat, jat, jat.
16:14And then thinking about it.
16:15And then we'll think about it.
16:16You will both have to start with Gopi Chand sir.
16:19What are you talking about?
16:20Gopi is a very soft-spoken and a very…
16:25He's a filmmaker.
16:26He doesn't execute it.
16:29He's making a film as he's going along.
16:33And he said a great thing.
16:36Because I remember a lot of logic and logic and logic.
16:42There is no logic, only magic, which is such a big eye-opener for me personally because of the kind of work one has been doing, always looking for logic.
16:53But cinema is also, you know, a dream and cinema is also something which is magical and we should concentrate on that.
17:01He is very good and Maitri and People Media Factory, they are great producers, they really trust the director a lot, give him all the free reign to make the kind of movie he wants to make.
17:13And also when it comes to mounting the movie and marketing the movie, they really take special care in that.
17:20They did the same with Pushpa and Pushpa too and now Jaant. So I feel very fortunate to work with this team in general.
17:28Gopi Chand Millenini, when I met, I felt some kind of connect because the way he narrated this story, it was, he used lots of Telgu.
17:41But his understanding for emotion is amazing. He see the films visually, he knows the, where the punches are landing.
17:53He don't know the dialogue, but if you are going here and there, he knows this is not going to work.
17:58So he see things very clearly. And while shooting every day, I felt in each and every scene, he holds the emotion.
18:07He knows this is going to work on the screen. And he will shot that particular thing that way.
18:13If you will see, uh, Sunny Sir, Randeep Bhai, even my scenes, you will see so many new things.
18:20It's very difficult to work with someone who is very big. The kind of, you know, personality Sunny Sir has.
18:32So many films you saw and when you are directing someone who is that big and you are doing something new.
18:41That Gopi Chand, he did. In action also, you will see some, something new in Jaant. The action is very new. The style is very new.
18:53Yeah. Please elaborate it. So many things. Even if you will see the trailer. See the trailer. Yeah.
19:00And you can understand what I'm trying to tell you. I don't want to go in detail, even in the scenes.
19:06So there are lots of things he added. Like with me, my character, Somalu. I never did anything, anything like that.
19:14But the way he saw things, I am surprised. So do you think this is the significant difference between Bollywood and South?
19:21That the way South, you know, brings action on the big screen, it is like massive or something.
19:29Do you think about it?
19:31So basically, our cinema was like this. There are films that you watch and watch.
19:39And definitely, their techniques are more sharp, but our cinema is changing.
19:45But if we have subjects here, we will be able to become that way.
19:50And in addition to that, the whole country is the same.
19:53Some of the South, some of the North, some of the same is the same.
19:55Basically, we all are all Indian.
19:57And it is very good.
19:59Because it is only one of the four languages.
20:02It is only one of the four languages.
20:04It is only one of the four languages.
20:06You are right when you say that it is only one of the four languages.
20:09But still, for some reason, like, comparisons are still happening.
20:14And debates are still happening in this situation.
20:16And, you know, there have been so many…
20:19To talk about something, it is a good thing.
20:22This is also a good thing.
20:24If you compare them to their release, then you will be able to compare them to their release.
20:29So, if you imagine someone, like Pali said, it is a journalism ploy.
20:36But, no.
20:38They…
20:39They…
20:40If we didn't get in the news, then we would have to go.
20:42Where is it?
20:43The film-making culture is different from our film-going culture.
20:50Like if you read the DP on WhatsApp,
20:54I didn't go to film school, I went to movies.
20:57So those people, their movie-watching culture is much higher than the Hindi-belt movie-watching culture.
21:03And then that's why they make movies for the bigger screen,
21:07even with more panache and more aplomb than probably we do here.
21:11But I think it's all mixing together.
21:13There is no language difference in terms of making of the cinema.
21:18So it will all become one.
21:20But you have three categories,
21:22because I haven't seen too many spot-takes.
21:23So you have three categories.
21:25You don't see the camera in front of the camera.
21:29Because you have to look at the cinema.
21:31That's right.
21:32That's right.
21:35Thank you, sir.