#josephbalsamo #cyranodebergerac #hettywainthroppinvestigates @bethfreedTV
A man has a vision of a scarred man strangling his wife. At an engagement party, he discovers with horror that the future victim and her murderer are the two betrothed. How he can stop the impending and deadly marriage? Starring: Nicholas Clay, Emma Piper, Shaun Scott.
A man has a vision of a scarred man strangling his wife. At an engagement party, he discovers with horror that the future victim and her murderer are the two betrothed. How he can stop the impending and deadly marriage? Starring: Nicholas Clay, Emma Piper, Shaun Scott.
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Short filmTranscript
01:00Well done, Neil.
01:26I'm almost persuaded you know one end of a horse from the other.
01:29Well, I know that both ends are dangerous.
01:31Paul won't let me use the motor.
01:33But then motors don't bite, do they?
01:35Nor do they kick.
01:35Well, why have we stopped?
01:39Well, there you are, old man.
01:41A family seat.
01:45Nice.
01:47Looks good, doesn't it?
01:48So we always show Badge where they are from here.
01:50Any closer and you can see the cracks.
01:52I won't be the only guest, will I?
01:56Well, you're the only guest to brave the journey by the railway.
02:00Do you know, I like trains.
02:02That is because you're the country bump.
02:04Your room.
02:05Now, listen, you have a wash and brush up.
02:07Change for dinner and I'll be up to find you.
02:08We never let guests come down on their own ever since old Admiral Worthy sneaked up for a snifter in the middle of a rubber
02:13and was found an hour later wandering in a distracted manner around the attic.
02:18Do you know, it was good of you to ask me.
02:21It's jolly good of you to come.
02:22Between you, me and the gatepost, you're my early pal here.
02:24This is really Sylvia's partner for her engagement.
02:27So apart from you, it's family and family friends.
02:31Well, I won't know anyone here.
02:33Oh, you'll know me and the horrible brat.
02:35Is Alan coming?
02:35Yes, the young bounder would never miss a bun fight.
02:38Now, you'll be relieved to hear that no man will come and unpack for you.
02:41So the guilty secrets of that will remain unrevealed to the servants' quarters.
02:46Well, I am relieved.
02:47Do you know, I hate being unpacked.
02:49Yes, I don't know the man who doesn't.
02:50However, please don't feel that we omitted a manservant out of consideration
02:54for your sensitive feelings.
02:55The fact is, there aren't enough to go around.
02:58The house may be large, but the exchequer is small.
03:01There have been Carslakes at Badgeworthy for 300 years.
03:05And what we lack in tangible currency, we make up for in history.
03:09Is the place haunted?
03:10No, my ancestors were all far too lazy to haunt.
03:13There are rumours of footsteps, and the usual not to say obligatory.
03:17Sighs, groans, rattles, and headless nuns.
03:19But I've never seen or heard anything.
03:20Now, as soon as I've changed, I'll be back for you.
03:24Mm-hmm.
03:25So move yourself, Hermitage.
03:27Not down on the farm, eh?
03:29Good evening, madam.
03:31Ah, Hobbs.
03:32Do you think one should light the fire?
03:34Oh, I hardly think so, madam.
03:35It is a beautiful evening.
03:36Yes, but people from town always feel the cold.
03:39Don't you worry, madam.
03:40It's all ready for a light to be set to it just as soon as dinner's over.
03:43Dear Mrs Hobbs,
03:44I'm sure this is being a great burden on you all.
03:47God gracious, no, madam.
03:48It's like a party for us.
03:51Old Badwar, the entertaining society again.
03:54And Miss Sylvia as well.
03:55Her engagement.
03:57It seems like only yesterday she was no more than a bit of a band.
04:02That'll do, Mary.
04:03You can go now.
04:04All is well in the kitchens?
04:05God willing, madam.
04:07And a better meal they're unlikely to sample in town.
04:10For all, it may be warmer up there.
04:11Everyone has arrived?
04:13Yes, madam.
04:14Master Neil has returned with his university friend
04:16whom he had collected at the halt.
04:18Oh, yes.
04:19What was his name?
04:20Armitage, madam.
04:21Mr Matthew Armitage.
04:23How is one ever going to remember all the names?
04:25You don't have to, madam.
04:27Dear Mr and Mrs Hobbs,
04:29what would any of us do without you?
04:32With your help,
04:33I'm sure this evening is going to be a great, great success.
04:38You are cold, madam.
04:40No, not really.
04:41I'm sure you are alive.
05:11No!
05:12No!
05:13No!
05:14No!
05:15No!
05:41No!
05:48You ready?
05:49Neil!
05:50Is there a door behind this compounded wardrobe?
05:52Yes, there is. Why?
05:54And is there a room behind the door?
05:56Yes, a guest bedroom.
05:57Who's in it?
05:58Old Major Oldham and his wife.
05:59She's Sylvia's godmother.
06:00But why?
06:01Has she got fair hair?
06:02No, since you asked.
06:03She's dark starting in her mid-fifties.
06:04You can see for yourself in a moment.
06:06They're on their way downstairs as I came to your door.
06:08What is the matter, Armitage?
06:12Nothing.
06:15It's just that...
06:18Nothing.
06:19Have you been at the hip flat?
06:20No, I don't possess such a thing.
06:22Pity.
06:23You could do with it, sweet.
06:24Shall we go down?
06:41Thank you, Hobbs.
06:42Come and meet someone.
06:47Excuse me a moment. Lucy.
06:48Sylvia.
06:49Matthew, I'd like you to meet my sister.
06:50Sylvia.
06:51Sylvia, this is Matthew Armitage.
06:57I'm most terrible.
06:58Terrible son.
06:59It slipped right out of my hand.
07:01Allow me, sir.
07:02No harm done.
07:03It was risky, I think.
07:04Here, now, give this to me.
07:09Well, then, Neil.
07:10Won't you introduce me to your young friend?
07:11Sorry, Pa.
07:12I was about to, but I declare,
07:13Sister Sylvia quite knocked him off balance.
07:15Oh, really?
07:16Matthew, I'd like you to meet my father.
07:17Pa, this is Matthew Armitage.
07:18How do you do, sir?
07:19How do you do?
07:20Now, your people are in farming, am I right?
07:22Yes, sir.
07:23Suffolk.
07:24Very windy place.
07:25Now, then, my dear.
07:26What have you done with Crawley?
07:27He's here, Pa.
07:34Armitage.
07:35Good to see you.
07:36All right?
07:40I do declare he must have seen the headless nun.
07:44Shut your mouth, old chap.
07:45The wind could change and you'll stay like that.
07:47Don't be tiresome, Alan.
07:48Poor Mr Armitage will feel hopelessly set upon him.
07:51May I introduce you to my fiancé, Charles Crawley?
07:53Charles Crawley.
07:54Charles, this is a friend of my brother.
07:55Uh, Armitage.
07:56Matthew Armitage.
07:57How do you do?
07:58How do you do?
07:59So, you're to be married.
08:02Congratulations.
08:07Charles.
08:08Now, I hope Alan showed you the view from the west.
08:10Indeed he did.
08:11It's magnificent.
08:12It always gives me a feeling of home.
08:14Of the empire, half and home.
08:17Something like that, Alan.
08:18Let's pray it may last.
08:20You know, I should just serve.
08:22Oh, you may.
08:23What has the murder of a foreign archduke to do with us?
08:27Now, come along everyone.
08:28Shall we go in?
08:29We're all family.
08:30Uh, Mr Armitage, perhaps you would like to accompany my son?
08:33We seem to have an excess of men that are after this time.
08:36I know.
08:37Now, shall we go in?
08:45Whatever was the matter with you?
08:47Spilling Pires Good Whiskey all over Myers Good Carpet.
08:49I'm most terribly sorry.
08:51No earthly good you being smitten by Sylvia, old chap.
08:53Most men are, but she's already spoken for me.
08:55Look, Neil.
08:56It's not there.
08:57Oh, wasn't it?
08:58He's a thoroughly nice chap with a pretty good ink.
08:59Look, Neil.
09:00Not now, old man.
09:01If we keep the diners waiting, you really will have made our blood.
09:03It has got into you.
09:04Well, whatever it is, I don't want to hear.
09:06This is supposed to be a party.
09:07Some say the last party we'll be having for some time.
09:25Come on, old man.
09:30Neil, when is Sylvia getting married?
09:34Lord, I don't know.
09:35They've only just engaged themselves.
09:37Ask Sylvia.
09:38Come on.
09:42In September, Mr Armitage.
09:44Charles has business interests in South Africa.
09:47We will honeymoon on the Cape.
09:50And shall you like South Africa?
09:52How can I tell until I've been?
09:54Will you live there?
09:57Charles says it's no place for a young family to grow up.
10:01I'm happy at that.
10:03I should not like for too long to be far from Badgeworthy.
10:06I've lived here all my life, you know.
10:09What...
10:11What are Mr Crawley's business interests?
10:15I scarcely know.
10:18Commerce, I believe.
10:20Papa says he's financially sound.
10:23Why do you ask?
10:25Miss Carslake...
10:30Mr Armitage, please calm yourself.
10:33You know.
10:34Know?
10:35Something.
10:36Tell me.
10:38Perhaps we should join the rest of the party.
10:47Miss Carslake.
10:48You must not marry that man.
10:51I don't know what it was the first night I was here.
10:53A vision.
10:54A waking dream.
10:55Could it be that?
10:57I do not know, Mr Armitage.
11:00I do not know what you're talking about.
11:04You must think you're such an idiot.
11:06A lunatic.
11:08But I must speak.
11:10I should never forgive myself otherwise.
11:13No.
11:16I don't think you're an idiot.
11:19Or a lunatic.
11:21There's a seat along here.
11:39The night you arrived here, you were telling me, Mr Armitage.
11:42Yes.
11:43I was in my room.
11:44Tying my tie.
11:45Please.
11:46Look here.
11:47Do you see?
11:49I saw in the mirror a door open behind me where the wardrobe stands.
11:55And?
11:56And I saw into the room beyond.
11:59I saw a young woman.
12:01You, Miss Carslake.
12:04And he...
12:05He had his hands around your neck.
12:08Squeezing the life from your body.
12:10Forcing you to the...
12:12It was you.
12:15It was.
12:18And the man?
12:19He was...
12:20I couldn't see his face.
12:21He had his back to me.
12:22I couldn't see.
12:23Oh.
12:26Miss Carslake.
12:28The man had a long scar on the left-hand side of his neck.
12:34I did see.
12:36I'm not making it up.
12:41Charles got that scar as a young man.
12:44A riding accident.
12:58You had to tell me.
13:05What a strange vision.
13:08Or dream.
13:11I think I'd like to walk a little on my own now, Mr. Armitage.
13:18I'm leaving early in the morning.
13:20Neil is driving me to the halt.
13:23Perhaps we'd better say goodbye now.
13:32You do believe me.
13:34That you saw?
13:35Yes.
13:38Yes.
13:43Goodbye, Mr. Armitage.
13:44It's been...
13:49Goodbye.
13:52Hi, Mr. Armitage.
13:55Dylan.
14:26Dearest mother, your letter has reached me here.
14:36Things are a bit quiet at the moment, so I'm able to write you a few lines.
14:42This was all farmland once.
14:45It's just mud now.
14:48We're making a devil of a mess of France.
14:51Father would have had a fit, for nothing much grows here.
14:56For nothing grows here.
15:07But I suppose when this is all over, there will be grass again.
15:11And birds.
15:12Oh, I do miss the birds.
15:20How I wish I could be with you now you are so alone.
15:22But I know my place is here.
15:27What time are you?
15:32What time is it?
15:58Two hours to do.
15:59You can get some sleep, old chap.
16:04Bloody hun.
16:06Some poor blight is down the French lines toward Verdun.
16:09Captain Arjun!
16:11Sir!
16:12Give me your hand, will you?
16:13Yes, sir.
16:18Rest for a weary man, aren't you?
16:22New recruits from the Egyptian front.
16:24They had a bit of a job getting here.
16:26This poor fellow could do with a bit of a reviver, I think.
16:32Talk to him, Matthew.
16:34He seems to think he knows you.
16:38Captain Mountjoy.
16:39Sir.
16:40I need your help, please.
16:43There are 40 new recruits to be found homes for.
16:46Sir.
16:49Black up the flaming French to fight their own war.
16:53Here you are, old chap.
16:55You'll be safe here.
16:56We're having a quiet time of it.
16:58A bit hectic down toward Verdun.
17:00Those poor blights are at wipers.
17:02Say that we're having an absolute tea party.
17:04Matthew.
17:06Matthew Arna did.
17:08Neil!
17:09Neil!
17:11It's all right, old chap.
17:13It's all right.
17:14I'm sorry.
17:15I wanted to be strong and brave.
17:17But we all didn't.
17:20It's all right.
17:21Hey, come on.
17:22Sit down.
17:23That's...
17:24One of those has got my name.
17:31Now we don't know that.
17:32I do.
17:35Will you break it to Sylvia?
17:37Now look, stop talking like this old chap.
17:39It's bad luck for all of us.
17:41She remembers Sylvia.
17:43Yes, of course.
17:47I don't know what you said to her, but you know,
17:49she never did marry Crawley.
17:51Poor old child.
17:56She was pretty cut up about it.
17:58But she sent him packing.
18:00A sweet thing, I'm sure.
18:07What do you mean?
18:09What I said to her.
18:10I always thought you must have said something to her.
18:12Why?
18:13Because you were with us on that last evening.
18:18Last evening for us all, really.
18:22God, I'm so scared, man.
18:24I am so scared.
18:27I'm ashamed of it.
18:31Come on, get some sleep, old chap.
18:33Come on.
18:34You'll be safe here.
18:38Will you stay here?
18:39Yes.
18:40Yes.
18:43Right here.
18:44Right here.
18:46Do you remember that day at Badgeworthy?
18:48We went riding.
18:52Later, you went for a walk with Sylvia.
18:57It'll never be like that again.
19:01Never.
19:02Never.
19:04I know.
19:08Do you believe in presentments?
19:10Visions, you know, knowing the future.
19:12In the future.
19:14Do you?
19:15No.
19:30No.
19:31Dearest mother, I'm coming home, but I don't know for how long, and with such a sad heart.
19:44Neil Carslake was killed in no man's land just before dawn yesterday.
19:52I was beside him. I didn't even get a scratch.
19:59Mother. Oh, Mother. Soap.
20:08No. Better not speak.
20:16Poor Neil. Poor all of us. And you, Matthew.
20:27You look so tired.
20:32See? There are still flowers.
20:41Sylvia. I want to help.
20:46You loved him too, didn't you?
20:51Yes. He was my best. He was my very dearest friend.
20:59Then I'm thankful you were there.
21:05Poor flowers. Now they're dying too.
21:14I must go back to my mother.
21:18Poor Papa.
21:20Thank you, Matthew.
21:23Thank you, Matthew.
21:25I love you.
21:27To be with you.
21:28You look at my mother'scribed.
21:30You can see you.
21:31Maybe then you can see you.
21:32Or do you have a new woman's garment?
21:33You know you can see me.
21:34You know you're a new woman's garment.
21:35You know you're a new woman's garment.
21:36It's a new man.
21:37You know you're a new woman's garment.
21:38No.
21:39You understand that he's doing your own garment.
21:40No.
21:41No.
21:42You're not a man's garment.
21:43What's your name?
22:01Barton's the sea company.
22:03No, Barton, this is no place for a nap.
22:05Come on, it's my legs, sir.
22:13Can you make it back to our lines?
22:22There's enough to come on.
22:23Come on, then.
22:24Take your gun.
22:33Take me.
22:43It's not far, it's not far.
22:53All right, steady.
22:55Steady.
22:56Steady, just keep coming.
23:03Bugger, stop, sir.
23:06So do I, Barton.
23:08So do I.
23:09He's in no way to behave, is he?
23:17He's not even bloody polite.
23:20Those are our guns, Barton.
23:22They're our guns.
23:26We should be pulling off of your phone.
23:28This way.
23:39Oh, Sylvia.
23:44Sylvia.
23:55There are flowers in heaven.
23:59There certainly are at Badgeworthy.
24:02What's you here?
24:05I came as soon as I heard.
24:08Your mother wrote and told me you were back and sent me your address.
24:12The letter arrived this morning, so you see, I've wasted no time.
24:19I wanted to die.
24:21Don't.
24:22I'd taken everything away.
24:24From whom?
24:26From you, my darling girl.
24:29From me?
24:29When I told you about Neil, I thought my heart would break to see you in such anguish.
24:36But I could only have heard it from you.
24:40And then...
24:43What happened to Charles Crawley?
24:48He was killed on the Somme two years ago.
24:52Oh.
24:53I'm sorry.
24:56I'm so very sorry.
24:58Yes.
24:59Poor Charles.
25:04But why do you think I broke off our engagement?
25:07Because of my vision.
25:10No.
25:11No, dear, dear, Matthew.
25:14Because of you.
25:17I would hardly have been decent to have married him when my heart was beating for another.
25:23For another?
25:25From the first time I saw you at Badgeworthy, I knew I loved you.
25:28Come on, Mr. Armitage.
25:31Time for nature to heal that wound.
25:32Oh, no.
25:33Not now, Maris.
25:34Yes, now.
25:35The young lady may wait.
25:37This won't take a moment.
25:37Here, now, Mr. Armitage.
25:51Two good eyes.
25:52Nothing to show for it all but a wee bit of a scar.
25:54I think it gives him a certain dash, don't you, miss?
25:56You were lucky.
25:57Not all lucky, you know.
25:58You were lucky.
25:59Not all lucky, you know.
26:01You were lucky.
26:02You were lucky.
26:03Not all lucky, you know.
26:08Nothing to show for it all but a wee bit of a scar.
26:11I think it gives him a certain dash, don't you, Miss?
26:15You were lucky.
26:17Not all lucky, you know.
26:32Do I look awful?
26:34No.
26:37I was so afraid for you.
26:43If this war should ever end,
26:46and we go back to living again,
26:49would you...?
26:52I should be down on one knee for this, and here I am, lying flat on my back.
26:56I love you so much.
26:58Do you think it's possible to love someone too much?
27:01Because if it were, it would be my only crime.
27:04And I love you too.
27:06More than crawling.
27:08I don't think you can compare.
27:10I simply love you.
27:12Not as much as I love you.
27:14Not as much.
27:16Not as much as I love you.
27:25Oh, my dear.
27:26What do you do all day?
27:28I shouldn't like it at all.
27:31You're happy, Sylvia, aren't you?
27:40You're my little sister, and I shouldn't like you to be otherwise.
27:45Yes, Alan, I am happy.
27:49Mama wonders very much if she's to be a grandmother.
27:52Oh, only Mama?
27:53Oh, Papa as well.
27:54He's longing for a grandson.
27:56Well, why not?
27:58We're talking about you, my love, not about me.
28:02We've been married nearly four years now.
28:04There should be...
28:06There should be...
28:08The rifts of baby whiteness blowing in the wind.
28:15Very fair.
28:16Talent will out.
28:18The Sidwells, think we're promising.
28:20Which would be wonderful to say for the fact that I think they may be mad as hatties.
28:23Who are the Sidwells? Do we know them?
28:25Clowns' Houses.
28:27Huh?
28:28The Warden Pegasus.
28:30Rescue me, dearest.
28:33My brother is now talking in ribbons.
28:35Armitage, you're keeping my sister under lock and key.
28:38Too much country can be very bad for a person.
28:40She must come to London and meet some interesting people.
28:43She might even meet the Sidwells.
28:45Not now, Alan.
28:46Come and have some tea.
28:47It's nearly time for you to go.
28:48My wife can come and go as she pleases.
28:50There's only I who am confined to this farm.
28:52You have a manager, Matthew, who does all the work.
29:02And we all know perfectly well why you never leave this frozen wilderness.
29:05You're afraid some good-looking young Adonis might enchant Sylvia down off a perch.
29:09Infidelity is all the rage this season.
29:13Not in Suffolk, sir.
29:19Pardonne-moi.
29:21Oh, Alan!
29:32Alan is...
29:37He's just Alan, Matthew.
29:39He's always been at ease all his life.
29:41One learns not to let him upset one.
29:44Oh, does one?
29:46I really think you're taking this too seriously.
29:48Maybe there's some truth in what he says.
29:51What?
29:52No.
29:53No.
29:54No.
29:55No.
29:56No.
29:57No.
29:58No, no.
29:59No.
30:00No.
30:01You're not.
30:02No.
30:03particularly as far as a little disappointed in him your poor father is
30:08there any small wonder well the man's an artistic Sylvia he's a poet yes
30:16he's also my brother and a dear loving person and I don't wish to discuss him
30:22why don't you go and live with him could have a very jolly time together all
30:27those Chelsea types or where Bloomsbury yes that's the place to be now isn't it
30:32darling are you trying to divorce me I won't let you go I love you Sylvia
30:46I know it's not much fun for you here I am with you that's all that matters if
30:54only I could believe that yes Matthew if only you could
30:59I didn't always want to be a farmer do you remember when we first met I was at
31:08university with Neil I wanted to be a historian it's probably meant I'd have
31:15ended up teaching a lot of bored little schoolboys history in a minor public
31:19school somewhere I'd have enjoyed that yes darling and then the war came changed
31:27everything you were to be married to Charles Crawley maybe we neither of us got
31:33what we wanted Matthew you must stop this and then the war came changed everything
31:40fun
31:44took away my sense of fun
31:48this house needs children
31:54it's all right it's all right
32:02I'm here Matthew it's over the war it's over
32:08not yet I think
32:10not yet
32:14perhaps we should give a party
32:23celebrate our wedding anniversary
32:28the mom-pa will be staying here then
32:33your mother could come
32:35perhaps we have to make our lives not expected to happen
32:41no
32:43Charles and Graham could call
32:47and if her brother's doing anything they never used to him
32:51where's Graham?
32:53my dear never be married to a doctor it's impossible to make arrangements at this
32:57moment he's probably delivering a lusty infant over at Stapensort
33:00Sylvia the man I wanted you to meet he's rather good-looking but don't be dismayed
33:05he has brains as well
33:07you must be Charlotte's brother
33:08didn't I say that truly living in the country makes one lose all the social graces
33:12Charlotte a few names would be useful
33:14what?
33:16oh this is Sylvia Armitage the prettiest farmer's wife in the whole of supper
33:20oh don't be so miggedly in your praise Charlotte
33:22and this is my brother Derek Derek Wainwright
33:25don't ask me what he does darling
33:27he was going to be a perfectly respectable doctor like all the rest of our family
33:31even I married one
33:32but no Derek has to be different
33:34but Matthew
33:36ooh
33:37darling
33:38Charlotte divides her time between telling me how jealous Matthew is and trying to write the balance by making me jealous
33:48what do you do Mr. Wainwright I'm a sort of doctor I always get embarrassed when people ask me that particularly at parties I don't know why
33:58well then let us pretend I never asked it
34:01no no I don't mind telling you I'm studying in Vienna
34:05oh sorry
34:07I'm studying to be a psychiatrist
34:09oh that's rather the vogue at the moment isn't it
34:13well thank you
34:14I'm afraid I've never really understood what it means
34:16a doctor who diagnoses and treats disorders of the mind
34:20are you successful?
34:23I personally or psychiatry as a practice
34:26I suppose I meant can such disorders be treated
34:30at least you acknowledge that they do exist
34:33oh yes Mr. Wainwright
34:34but not before then certainly they're a legacy of the war
34:38it seems so poignant that the men who have returned should be bedevilled by fearful memories
34:43but not all of us
34:44no
34:46and you're quite right it's an unsuitable conversation for a party
34:50make me laugh Mr. Wainwright
34:52Charlotte's always boasting about what a witch you are
34:54is she? yes
35:19Matthew?
35:21Matthew I'm speaking to you
35:23I'm sorry mother
35:25my dear are you alright?
35:27yes
35:29yes of course
35:31Matthew?
35:32what is it?
35:33it's nothing
35:34I'm alright
35:36go back to our guest
35:38go back to our guest Sylvia
35:42very well
35:44only don't you think a good hostess should circulate a little more? not spend her entire evening
35:49talking to the one handsome man in the room
35:51particularly when that man does not happen to be her husband
35:53I shall ignore that remark
35:55I shall ignore that remark
35:59and just remind you that we have guests
36:01you're here for your pleasure remember
36:03this entire party is for you to relieve the boredom of living with me
36:35I hear from Sylvia
36:37he's had his birthday
36:39proud man
36:41well it's gone mad
36:42my husband doesn't hold with artistic pursuits
36:44no I do not
36:45knitting is for women
36:47oh
36:49your husband went right through the war
36:51I believe
36:53a brave man
36:54yes
36:55I've got medals for his bravery
36:59medals
37:01you must meet our other guests Mr Wainwright
37:03of course
37:05if ever you need my help
37:07I'll be staying with Charlotte for a short while
37:09after that I'll be in London
37:13that won't be necessary
37:15thank you
37:17good night
37:21you can tell Graham
37:23put this in your hand
37:25I will I will
37:27yes just very highly strung
37:29let me be the judge of that
37:30we like having you both as neighbours
37:32thank you
37:33and thank you for a delightful evening
37:35well Armitage I'm going to take you up on that office
37:37oh my dear chap my dear chap anytime
37:39in fact whenever you're staying with Charlotte and Graham
37:41you'd be most welcome
37:42we shall expect to see you won't we Sylvia
37:43thank you
37:45about earlier
37:59I'm sorry
38:03we still have guests Matthew
38:07whatever may have gone wrong between us
38:11at least let our parents be spared
38:13??
38:15embed
38:17plays
38:27plays
38:31like
38:33to be sure
38:35at least we should start playing
38:37my friends
38:39I won, and I refuse to believe you let me.
38:53I've enjoyed that.
39:30You know, don't you?
39:31No.
39:33That I'm falling in love with you.
39:38You mustn't.
39:40You mustn't. I love my husband.
39:42But you're unhappy.
39:44That doesn't stop me loving him, Derek.
40:08Who's the letter from?
40:22It was addressed to me.
40:24But you are my wife.
40:26But you are my wife. I own you. Now who is that letter from?
40:32I will not tell you. I'm going up to my room.
40:36My letters are my private life.
40:38And your mind is your private mind! And you close me out of both!
40:42What was that letter from?
40:44No!
40:45It was from him, wasn't it?
40:46Derek Wainwright.
40:48Derek Wainwright.
40:49He hasn't been around much lately, has he?
40:50What's the matter?
40:51Had a lover's tiff, have you?
40:52Or perhaps you decided your meetings ought to become more clandestine.
40:56All that riding and carrying on under my very nose was too much for even a fool like me.
40:58Oh my god Silvia.
40:59You're distrusted.
41:00It was from him, wasn't it?
41:05Derek Wainwright.
41:06He hasn't been around much lately, has he?
41:08What's the matter?
41:09Had a lover's tiff, have you?
41:12Or perhaps you decided your meetings ought to become more clandestine.
41:16All that riding and carrying on under my very nose was too much for even a fool like me.
41:22Oh my god Silvia.
41:27You're destroying me.
41:29You're tearing me apart.
41:31Damn you!
41:33Damn you!
41:35Why did you marry me?
41:37Why didn't you leave me in peace?
41:41My God.
41:45You trapped me.
41:47I should have known.
41:49You cast Crawley off without...
41:51Without...
41:53Oh my God.
41:57My vision was right.
41:59But I saved you from it.
42:01Crawley would have strangled you with his bare hands
42:03and no one would have suspected that you had driven him to it.
42:05Oh you flirt!
42:07You flirt!
42:09Well don't think that I won't let you go.
42:11You are the only woman I ever loved.
42:15Till death us do part.
42:17Do you remember?
42:27No.
42:29No.
42:31No.
42:33No.
42:35No.
42:37No.
42:39No.
42:41No.
42:42No.
42:43No.
42:44No.
42:45No.
42:47No.
42:49No.
43:06I suppose this is a very traditional way of doing it but I'm too much of a
43:12coward to face you. I'll go to Badgeworthy for a day or two. after that I'll go to
43:24the one person in the world who really loves me and needs me.
43:36I'll go to the one person in the world.
44:06Let's go.
44:36So, you were going to him, to Wainwright, or you cheat, you slut, you flirt!
44:57You flirt!
45:06Oh...
45:13Oh...
45:15Sylvia?
45:28Sylvia?
45:30Aye, you all right?
45:31guys, our...
45:33Yes, pa.
45:33Will you, er... Yes, ma.
45:35Do you hear a voice?
45:37No, it's all right, Pa.
45:40It's all right, Matthew, isn't it?
45:42Yes, Hobbes, do tell us. We were a little concerned, perhaps...
45:44I'm just going to give you some...
45:47Good, OK?
46:03All this time, all these years, and I never knew...
46:33The man with the scar.
46:39My darling.
46:43I love you so much.
46:46I've damaged you so much.
46:49Of course, I'll never stand in the way of your happiness.
46:53I rejoice in your happiness.
46:56I thank Wainwright.
46:58He has the power to give you what I never could.
47:00Listen to me, Matthew.
47:03I've loved you since that first day in the arbor when you told me about your strange vision.
47:09I don't know whether I believed it or not.
47:11But I do know that it had nothing to do with Charles and I.
47:15I just could not marry one man when I loved another.
47:18I couldn't.
47:20You love me.
47:22I've lost everything.
47:28You love me and I've driven you into the arms of the man who loves and needs you.
47:32Alan.
47:33Alan.
47:34Not Derek Wainwright.
47:35Alan.
47:36That's who my letter was from.
47:38My brother who's alone and unhappy and confused and had no one to turn to but me.
47:43I've never stopped loving you.
47:46Even when things were so bad between us, I didn't believe it was you.
47:51Not the real you.
47:52It was what the war had done to you.
47:55It was what the war had done to you.
47:56I love you so much.
48:00I love you so much.
48:14Do you see?
48:16Crawley's scar was on the left.
48:18My scar is on the right.
48:21The mirror reversed the image.
48:25If I'd seen that all those years ago, I'd have never spoken to you about it.
48:28I'd have known the man was not Charles Crawley.
48:34Everything reversed.
48:36An illusion.
48:38Make-believe.
48:43Shh.
48:45Listen.
48:50The sound of the guns.
48:53Inside my head.
48:54They've gone.
48:58They've gone.
49:05Do you know without you, without your love, I have been...
49:11I'm here with you now.
49:15Do you think the farm is a good place to bring up children?
49:17Oh yes.
49:20Yes, a very good place.
49:23A place we've won together.
49:25In a world you fought for.
49:30What was it Mr. Wells called?
49:32The war to end war.
49:47It was, yes, a very well.
49:48It's like a long story.
49:49But it.
49:50It's like a flash.
49:51It was in flight.
49:52It's a long story.
49:53It's a long story.
49:54It was like a flash.
49:55In a world you are going to be a place to go.
49:56And we're living in the world.
49:58And I was like, no I'm not.
49:59The hope you are from being a mom.
50:01No I don't have to be a place to live.
50:02To be a place to live.
50:04The peace.
50:05The peace.
50:06The peace.
50:07The peace.
50:08The peace.
50:10The peace.