• 3 anni fa
Seven mini-stories of adultery: "Funeral Possession", a wayward widow at her husband's funeral; "Amateur Night", angry wife becomes a streetwalker out of revenge; "Two Against One", seemingly prudish girl turns out otherwise; "Super Simone", wife vainly attempts to divert her over-engrossed writer husband; "At the Opera", a battle over a supposedly exclusive dress; "Suicides", a death pact; and "Snow", would-be suitor is actually a private detective hired by jealous husband.
Trascrizione
00:00:00["The Star-Spangled Banner"]
00:00:30["The Star-Spangled Banner"]
00:01:00["The Star-Spangled Banner"]
00:01:10["The Star-Spangled Banner"]
00:01:20["The Star-Spangled Banner"]
00:01:40["The Star-Spangled Banner"]
00:01:50["The Star-Spangled Banner"]
00:02:00["The Star-Spangled Banner"]
00:02:20["The Star-Spangled Banner"]
00:02:40["The Star-Spangled Banner"]
00:02:50Paulette, that's enough.
00:02:52That's enough, Paulette.
00:02:54You must think of yourself.
00:02:56You must be reasonable.
00:02:58Thank you, John.
00:03:01Doctor, please talk to her.
00:03:04She hasn't eaten anything all day.
00:03:07Paulette, life goes on.
00:03:10You're young.
00:03:12You have a full, rich life in front of you.
00:03:16You have a full, rich life in front of you.
00:03:19And it's not me that's saying that.
00:03:22It's Claude.
00:03:24He'd want me to say that.
00:03:26But he shouldn't have.
00:03:28He shouldn't have left me alone.
00:03:30You're not alone.
00:03:32You'll always have your devoted Annette.
00:03:36You'll always have your familiars.
00:03:41There is also me.
00:03:43Those are not just words.
00:03:55They come from my heart.
00:03:57They've been there since the first moment I saw you.
00:04:07Oh!
00:04:09Oh!
00:04:11Oh!
00:04:13Oh!
00:04:15Oh!
00:04:17Oh!
00:04:19Oh!
00:04:21Oh!
00:04:23Oh!
00:04:25Oh!
00:04:27Paulette, there's a hole.
00:04:30Oh!
00:04:32Oh!
00:04:35Oh!
00:04:49Paulette, don't leave me hanging in Madea.
00:04:52Say something.
00:04:54Say no, but say something.
00:04:58When I bought my farm, I was thinking of you, Paulette.
00:05:02I pictured you.
00:05:04Your hair streaming back.
00:05:06Riding across the Camargue on a beautiful horse.
00:05:11You know what I have named my prize Arab filly?
00:05:15I have named her Paulette.
00:05:23Have you ever tasted milk fresh from the cow before they take all the goodness from it?
00:05:29No.
00:05:30I bring it to you every morning in bed.
00:05:35Like a servant.
00:05:40Claude liked milk so much.
00:05:46And then in a month or so, we'll be able to pick the apricots.
00:05:51I have over 800 trees full of apricots.
00:05:58Shall we gather the apricots together at my farm in Magin, Paulette?
00:06:03Hmm?
00:06:05I want to go. I want the apricots.
00:06:09I just want to go.
00:06:18With no respect, not even for...
00:06:28Oh, Fredo.
00:06:59Is Magin far from here?
00:07:01By car, it's only eight hours away.
00:07:04It's too far away from Claude.
00:07:08Well, I have another little place in Orleans, but that's not even an hour away.
00:07:13You must try to understand, John. I don't want to leave Paris. He was born here.
00:07:22Paulette, you must forget about this.
00:07:26Paulette, you must forget about these things.
00:07:34Then let's go overseas.
00:07:40Uh, you decide where. I don't know, eh?
00:07:44Uh, Paraguay. What about Paraguay?
00:07:51Isn't there a revolution going on there?
00:07:53Uh, there was, but I understand that the government has it sorted out now, I'm sure.
00:07:58Maybe, um, Honduras, eh?
00:08:01Must be sad there. I've never heard anyone talk about it. My passport's expired.
00:08:05Ah, well, that's no problem. I will take care of everything.
00:08:08You need two photographs, uh, your birth certificate, your husband's permission.
00:08:14In this case, uh...
00:08:16Oh, but Paulette. Life will be ecstatic together.
00:09:16Thank you.
00:09:46Thank you.
00:10:17Thank you.
00:10:36They didn't expect me, did they?
00:10:43No!
00:10:46Oh!
00:10:49Oh!
00:10:51Oh!
00:10:52Giorgio!
00:10:54Minette!
00:10:57Oh, Giorgio!
00:10:59Minette!
00:11:02Oh!
00:11:03In my own house!
00:11:06In my own room!
00:11:08In my own bed!
00:11:10Oh, Giorgio!
00:11:11No!
00:11:12No!
00:11:13I spoke to her in Italy this morning.
00:11:15She was supposed to get back tomorrow.
00:11:20Bad rest.
00:11:21Oh, mamma mia, bad rest.
00:11:23Why did we ever move here in the first place?
00:11:26Mamma mia.
00:11:27Foreign sales representative!
00:11:31Keep away from me!
00:11:35Let me explain.
00:11:37There is nothing between me and Minette.
00:11:39Absolutely nothing.
00:11:40I can swear to you.
00:11:41Maria Teresa.
00:11:43Keep away from me!
00:11:45Away from me!
00:11:48Don't let it out!
00:11:50Out of the parcel!
00:11:52That I will not count!
00:11:54Is that I want it!
00:11:55No!
00:11:56Try to understand!
00:11:58You are going to be so sorry for this!
00:12:00No, Maria Teresa!
00:12:02Try to understand!
00:12:04Try to understand!
00:12:06Maria Teresa!
00:12:07Maria Teresa!
00:12:09Maria Teresa!
00:12:10And now you're going to give me your own medicine!
00:12:13I'm going with the first man that I find on the street!
00:12:16I am!
00:12:17I am!
00:12:18And right now!
00:12:19It's not right!
00:12:20It's not fair!
00:12:21Maria Teresa!
00:12:26Stupid, filthy, rotten liar!
00:12:29Maria Teresa!
00:12:38Maria Teresa!
00:12:47Maria Teresa!
00:13:07Maria Teresa!
00:13:38Maria Teresa!
00:13:39Maria Teresa!
00:13:40Maria Teresa!
00:13:41Maria Teresa!
00:13:42Maria Teresa!
00:13:43Maria Teresa!
00:13:44Maria Teresa!
00:13:45Maria Teresa!
00:13:46Maria Teresa!
00:13:47Maria Teresa!
00:13:48Maria Teresa!
00:13:49Maria Teresa!
00:13:50Maria Teresa!
00:13:51Maria Teresa!
00:13:52Maria Teresa!
00:13:53Maria Teresa!
00:13:54Maria Teresa!
00:13:55Maria Teresa!
00:13:56Maria Teresa!
00:13:57Maria Teresa!
00:13:58Maria Teresa!
00:13:59Maria Teresa!
00:14:00Maria Teresa!
00:14:01Maria Teresa!
00:14:02Maria Teresa!
00:14:03Maria Teresa!
00:14:04Maria Teresa!
00:14:05Maria Teresa!
00:14:07Maria Teresa!
00:14:32Jean, who's that woman?
00:14:33She's out of her territory.
00:14:35Looks high class.
00:14:37Jeanine!
00:14:54You feeling bad?
00:14:56Well, she's not deaf.
00:14:58Maybe she's just dumb.
00:15:01She's no working girl you can see that much.
00:15:03Why?
00:15:05What's so different about her?
00:15:06Everything.
00:15:09And look at her shoes.
00:15:11At least one's no walker.
00:15:18Got man trouble, chérie?
00:15:30Go to Rome, he always tells me.
00:15:32Go to Rome and visit your parents.
00:15:35And take the children.
00:15:36Take the children.
00:15:38They have sunshine there.
00:15:40And there's fresh air.
00:15:44The filthy, filthy hypocrite.
00:15:51Well, am I right or am I wrong?
00:15:52Of course you're right.
00:15:53And if you want to pay him back, do it right away.
00:15:56Yes, it's the only right thing to do.
00:15:58But don't cry.
00:15:59These animals won't pay for tears.
00:16:00They want you full of love.
00:16:01I'm not crying.
00:16:02It's just that I'm so angry.
00:16:04Then what are you waiting for?
00:16:06Get over to the curb and get to it.
00:16:08There are a lot of clients around here tonight.
00:16:26Hey, what is this, the social hour?
00:16:28There's a customer down there
00:16:29been striding at the leash for a half hour.
00:16:31Go on, get to him.
00:16:33Slave driver.
00:16:35He'd even make me work on Christmas Eve.
00:16:38You know, if we got ourselves organized,
00:16:40we could go on strike every once in a while.
00:16:43What a great idea.
00:16:45There are thousands of hungry little housewives
00:16:47just waiting to take our place.
00:16:50Lost your courage already?
00:16:52Hey, but you swore to pay him back.
00:16:55Come on, chérie.
00:16:56No, let's get a nice one for her.
00:16:59I call Jacques.
00:17:00Besides everything else, he's a very cultured man.
00:17:05Is your husband light or dark?
00:17:08He's dark.
00:17:09Okay.
00:17:11Then we better get you a blonde.
00:17:13Hey, the baby doctor.
00:17:15No, no, that one smacks you around while he's at it.
00:17:17And he never pays up either.
00:17:19But she's just out for revenge.
00:17:21She could go for free.
00:17:22Oh, no, you don't.
00:17:23That would wreck the market.
00:17:24Make them pay and screw the nose.
00:17:26Whatever she gets,
00:17:27she's got to frame it and put it on the mantelpiece.
00:17:29And then her husband never forgets it.
00:17:31No, she should leave him in the dark.
00:17:33One day, you tell him you made it with another man.
00:17:36The day after, you deny the whole thing, understand?
00:17:38And he'll follow you around like a little dog
00:17:40because he isn't sure that's the way they all are.
00:17:43And women are worse.
00:17:45There is one poor girl I know who keeps her man in clover.
00:17:48And the doctors have even told her he's a mantelpiece.
00:17:51But he feels like a god
00:17:53because she's working for him
00:17:55and he takes care of her twice a day.
00:17:57And she even went out and bought him an air conditioner.
00:17:59Who is this poor idiot?
00:18:01It's me!
00:18:03Ha, ha, ha!
00:18:05Ha, ha, ha!
00:18:07Ha, ha, ha!
00:18:09Ha!
00:18:10Hey, Maria Teresa.
00:18:12I'll lend you one of my regulars.
00:18:14It's a nice one.
00:18:15I'll set it up for you.
00:18:17Don't forget your husband.
00:18:19When you saw him all wrapped up in your bed,
00:18:21kissing your friend.
00:18:23She's not my friend!
00:18:24She's a cheap whore!
00:18:25Good, good.
00:18:26Keep it up.
00:18:27Even if you insult the business.
00:18:29I like her like this.
00:18:31Come on.
00:18:32Come on.
00:18:33Hurry.
00:18:34Don't be afraid.
00:18:35Remember to tell him this poor girl's problems.
00:18:37Why?
00:18:38Is she underage or something?
00:18:39This is a sweet revenge for all of us.
00:18:41Take a picture of it.
00:18:42Then tell your husband to stick that one in the family album.
00:18:48Judge.
00:18:49This nice lady wants to take my place.
00:18:52One time.
00:18:53That is, if you don't mind.
00:18:55No, no, no, no, no, no, no.
00:18:57You don't mind a little change, do you, Judge?
00:19:10Now I can go back to work a little happier.
00:19:14He's naked!
00:19:15He's driving that car absolutely bone naked,
00:19:18not a stitch up!
00:19:20But listen, the judge is a very busy man.
00:19:23Well, there it is, girls.
00:19:25She's an amateur.
00:19:26You've got a big mouth and no guts.
00:19:28I want to go home.
00:19:29I want to go home.
00:19:30Good, good.
00:19:31You go home to your little cheating man.
00:19:33Hey, look.
00:19:34Police!
00:19:35Police!
00:19:36Police!
00:19:37Police!
00:19:38Police!
00:19:39Police!
00:19:40Police!
00:19:41Police!
00:19:42Police!
00:19:43Police!
00:19:44Police!
00:19:45Police!
00:19:47Police!
00:19:51Hey, come on.
00:19:53Hurry up.
00:19:58Police!
00:20:02Hello?
00:20:12Maybe it's better if I have someone take you home.
00:20:14No, it's not very far.
00:20:16But if the cops grab you, you go in for the night.
00:20:20All right. Thank you very much.
00:20:29If you change your mind again, I'll be here.
00:20:32I can always give you a hand.
00:20:34Oh, thank you. Thank you very much.
00:20:36You know, it really gets me that you are going to let him get away with it.
00:20:41No, but I'm going to leave him.
00:20:42I really am. I'm going home now, and I'm going to pack my bags,
00:20:45and then I stay in a hotel room tonight, and tomorrow I pick up my children.
00:20:48I'm really going to leave him.
00:20:50I heard that before. Come on.
00:20:58That's my air conditioner, ma'am.
00:21:02You wanted a sports car, too.
00:21:07Take my friend home, Didi.
00:21:09I'll tell you about it later.
00:21:11Okay, get in.
00:21:25Oprah.
00:21:35Hey, Chad.
00:21:37Chad.
00:21:44I don't want to know your story, honey,
00:21:46but someone like you, with class,
00:21:48if you got together with someone who knows the ropes and who pays off,
00:21:52every morning when your shift is done,
00:21:54you could get yourself a fur coat and a silver tea set in a month.
00:22:02Don't you want a silver tea set?
00:22:04I already have one.
00:22:05Well, you could stick the money in your shoe.
00:22:07Got to think of that old age.
00:22:09You do think about your old age.
00:22:15Yes.
00:22:17Yes, I think about it. I think about it.
00:22:20Stop! Stop!
00:22:35Thank you, Didi.
00:22:37Well, you jump right in the cesspool.
00:23:05Stop!
00:23:06Giorgio!
00:23:08Giorgio!
00:23:12Oh, open your eyes.
00:23:14Oh, speak to me, my darling, speak to me.
00:23:17Oh, mamma mia, that hurts.
00:23:19Oh, my precious sweetheart.
00:23:21Oh, mamma mia, that hurts.
00:23:23Oh, my darling love.
00:23:25Oh, mamma mia, that hurts.
00:23:27Oh, my precious baby, cuddly puppy.
00:23:30Oh, mamma mia, that hurts.
00:23:32Oh, the light of my life.
00:23:35Oh, the gold of my dreams.
00:23:38Oh, daddy bear, daddy bear.
00:23:42Oh, my precious.
00:24:02Excuse me.
00:24:33I'm sure you're the young lady that's been speaking such beautiful English into my earphones.
00:24:37Am I right?
00:24:39I knew that voice could only come from someone looking like you.
00:24:42And, well, I wanted to thank you.
00:24:45You're welcome.
00:24:46I mean, you don't just translate.
00:24:48Your voice, well, sings it.
00:24:50It's like music.
00:24:52Miss, Miss Interpreter, excuse me.
00:24:55I need your help to speak to one of our Japanese colleagues over there.
00:24:59I'm not disturbing you.
00:25:00Oh.
00:25:01With your permission, ma'am.
00:25:03You English devils.
00:25:04Scots!
00:25:06Konnichiwa.
00:25:08Irasshaimase.
00:25:09Konnichiwa.
00:25:18Um...
00:25:19Chensei-sensei...
00:25:25Thank you, young lady.
00:25:27Thank you, young lady.
00:25:28But, unfortunately, we won't need your services.
00:25:31Because I know the Italian language.
00:25:34I was in Rome in 1942, 52, 62, and last week.
00:25:39Ah.
00:25:40Very well, then, gentlemen.
00:25:41With your permission.
00:25:43Prego, Shiseika.
00:25:54Now, would you be so good as to express the admiration of Dr. McCormick
00:25:58for the pyramids, the Suez Canal, the deserts, everything?
00:26:13The words of my colleague are of exquisite beauty.
00:26:20Especially as it is from your lips that they fall.
00:26:22That is to say, my lips.
00:26:26It would give me the greatest pleasure
00:26:30if you would spend the evening with me.
00:26:36And possibly all night, too.
00:26:38Miss, Miss Interpreter.
00:26:42Thank you.
00:27:12May I call you by your first name?
00:27:14Why not?
00:27:15Thank you.
00:27:16I could live my whole life through, on top of a mountain.
00:27:19Just calling you Linda.
00:27:20Linda, Linda, Linda.
00:27:22On top of a mountain?
00:27:24On top of a mountain, yes.
00:27:27Your whole life through?
00:27:28My whole life through.
00:27:30Just saying my name.
00:27:31Just saying your name.
00:27:35Liar.
00:27:38Rob's the only man who never lies.
00:27:40Do you live alone?
00:27:42I live with Bob.
00:27:45He's in Calcutta now.
00:27:49I, I can just imagine your wee house.
00:27:52I see it all.
00:27:54Pink.
00:27:55It's white.
00:27:57White, with lots of flowers,
00:28:00paintings, chairs.
00:28:03Go on, go on.
00:28:04Lampshades.
00:28:07And a bed.
00:28:08That's what you were thinking of, wasn't it? A bed?
00:28:11I was thinking of a chest of drawers.
00:28:23Linda.
00:28:25From the moment I saw you,
00:28:27you only exist for me from ear to ear.
00:28:31Where would I ever find another man like Bob?
00:28:35A man who could discuss art,
00:28:37the greats of literature, sculpture, painting,
00:28:40read poetry aloud,
00:28:42calmly and serenely
00:28:46while I'm nude.
00:28:47Nude?
00:28:49Nude.
00:28:51Like a patient etherized upon a table,
00:28:54let us go through certain half-deserted streets,
00:28:59the muttering retreats of restless nights in one-night cheap hotels
00:29:05and sawdust restaurants with oyster shells.
00:29:11Streets that follow like a tedious argument of insidious intent
00:29:17to lead you to an overwhelming question.
00:29:22What a beautiful atmosphere we've created here.
00:29:25Perfect.
00:29:27Are you?
00:29:30As far as I'm concerned, you can go on till dawn.
00:29:35This...
00:29:37This...
00:29:38Victory of the spirit over the flesh.
00:29:40Yes, yes.
00:29:41Well put, very, very well put.
00:29:44I...
00:29:45I feel like a hermit,
00:29:47high in a tower above the world,
00:29:49beyond sex.
00:29:51That's it, that's it.
00:29:53Oh, that's it, that's it, that's it.
00:29:56Yes, that's it, that's it, that's it.
00:29:59La, la, la, la.
00:30:01That's it, it, it.
00:30:04Oh, that's it, that's it.
00:30:06La, la, la.
00:30:12Oh, we're angels.
00:30:19Come up here with me, you two.
00:30:21Come up here with me.
00:30:24Gentlemen, your shoes.
00:30:35Pass.
00:30:43Would you like a sandwich?
00:30:45An apple, nuts and honey, milk?
00:30:49Whiskey?
00:30:50A little soda?
00:30:53Plain water's fine for me.
00:30:56Bob's way up there.
00:30:58He lives in the clouds.
00:31:02He's an airline steward.
00:31:08Listen, Chinchy, two of us is one too many.
00:31:11Yes, you.
00:31:12Would you like a slice of lemon in your water?
00:31:15Perfect.
00:31:17Well, that's all there is.
00:31:19What about a wee bit of arm wrestling?
00:31:25Right.
00:31:26There.
00:31:30Ready?
00:31:31Ready.
00:31:32We'll just play now, la.
00:32:03Even post-war informal art is out of date.
00:32:10Way out of date.
00:32:17No, no, no.
00:32:19No, no, no.
00:32:32And notice how art continues to move ahead.
00:32:36The world should leap forward also with its traditions and morals.
00:32:41I wish this night would never end.
00:32:44It's wonderful.
00:32:47Once again, my bed has become the arcade in Athens.
00:32:51A sacred place of thought.
00:33:08What would you two be willing to do for me?
00:33:12I'll marry you.
00:33:14I'll get a divorce and marry you.
00:33:17Big deal.
00:33:18In your country, you can't get a divorce.
00:33:20I...
00:33:21If Linda asks me to throw myself out the window,
00:33:25I'll do it.
00:33:27Beautiful.
00:33:28Perfect.
00:33:30Perfect.
00:33:31Jump.
00:33:35Morally, I'm already down there.
00:33:37Smeared out on the asphalt like a bat.
00:33:39But afterwards, this one,
00:33:41I will take advantage of it.
00:33:42That's not fair.
00:33:43Now, here we have Alan Jones.
00:33:45Now, there's the feeling of the time.
00:33:48Of today.
00:33:50All right.
00:33:52Which one did it?
00:33:54Which one touched me?
00:33:55I mean, I'm still as a statue.
00:33:57Ants could even crawl on me.
00:33:58Well, I was falling asleep.
00:33:59It's a disgrace.
00:34:01You ought to be ashamed.
00:34:06You've sent a dream up in smoke.
00:34:09Destroyed a spiritual relationship.
00:34:12A friendship.
00:34:14Reverting to the age of the caveman.
00:34:17Look at you.
00:34:18Look at you, insensitive mummies.
00:34:21And we wonder why there are still wars?
00:34:27No!
00:34:40And in front of two creatures the likes of you,
00:34:44I don't even have the courage to show myself as God made me.
00:34:50The hypocrisy returns to suffocate us.
00:34:57What was this?
00:34:58It moved by itself.
00:34:59I lost control of it.
00:35:01And I thought,
00:35:02I can't let an innocent person suffer.
00:35:05That redeems you, McCormick.
00:35:08You're a man.
00:35:10I deserve more than he does.
00:35:12I had to hold back this hand for over an hour.
00:35:15And that's a tremendous effort for a Mediterranean.
00:35:18I felt my heart pounding and my blood coursing.
00:35:22I heard the voices crying inside of me, too.
00:35:25And I had to keep my mouth shut tight,
00:35:27or else a roar would have come out.
00:35:30Go on.
00:35:32Go on.
00:35:34Slam me one, McCormick.
00:35:36Slam me one.
00:35:37Let me have it.
00:35:38Come on.
00:35:39I just...
00:35:40Slam me.
00:35:41I just turned my other cheek.
00:35:43Give it.
00:35:44Give it to me.
00:35:45Like that.
00:35:46I deserve it.
00:35:47I wished you'd break your leg when we were coming up the stairs.
00:35:51And then as the ambulance took you away,
00:35:53she and I left all alone.
00:35:56Come on.
00:35:57Slam me.
00:35:58Slam me.
00:35:59Come on, McCormick.
00:36:00Give it.
00:36:01Now you'll have to hit me back, Chinchy.
00:36:04I saw you dead.
00:36:06Dead and gone.
00:36:08The sheet pulled over you there on the sofa.
00:36:10Why, you hadn't even stopped twitching.
00:36:12When I jumped on her, I kissed her.
00:36:15I kissed her a hundred times.
00:36:16I drove her out of her mind with kisses.
00:36:18But I wrapped myself around her like a pie tonight.
00:36:22I cracked.
00:36:23I reboned in her body.
00:36:24I beat her here.
00:36:26Forgive me, Linda.
00:36:28I adored her.
00:36:30I feasted on her.
00:36:32I devoured her.
00:36:33I drank her.
00:36:34I scratched her.
00:36:35I ripped her.
00:36:36I hit her.
00:36:37I insulted her.
00:36:38I exalted her.
00:36:39I thrilled her.
00:36:40I manhandled her.
00:36:41I tied her in knots.
00:36:43I played arpeggios on her.
00:36:45And other things I can't even start to talk about.
00:36:50I can't even start to talk about.
00:37:20I can't even start to talk about.
00:37:50I can't even start to talk about.
00:38:20I can't even start to talk about.
00:38:50I can't even start to talk about.
00:39:21I can't even start to talk about.
00:39:22I can't even start to talk about.
00:39:23I can't even start to talk about.
00:39:24I can't even start to talk about.
00:39:25I can't even start to talk about.
00:39:26I can't even start to talk about.
00:39:27I can't even start to talk about.
00:39:28I can't even start to talk about.
00:39:29I can't even start to talk about.
00:39:30I can't even start to talk about.
00:39:31I can't even start to talk about.
00:39:32I can't even start to talk about.
00:39:33I can't even start to talk about.
00:39:34I can't even start to talk about.
00:39:35I can't even start to talk about.
00:39:36I can't even start to talk about.
00:39:37I can't even start to talk about.
00:39:38I can't even start to talk about.
00:39:39I can't even start to talk about.
00:39:40I can't even start to talk about.
00:39:41I can't even start to talk about.
00:39:42I can't even start to talk about.
00:39:43I can't even start to talk about.
00:39:44I can't even start to talk about.
00:39:45I can't even start to talk about.
00:39:46I can't even start to talk about.
00:39:47I can't even start to talk about.
00:39:48I can't even start to talk about.
00:39:49I can't even start to talk about.
00:39:50I can't even start to talk about.
00:39:51I can't even start to talk about.
00:39:52I can't even start to talk about.
00:39:53I can't even start to talk about.
00:39:54I can't even start to talk about.
00:39:55I can't even start to talk about.
00:39:56I can't even start to talk about.
00:39:57I can't even start to talk about.
00:39:58I can't even start to talk about.
00:39:59I can't even start to talk about.
00:40:00I can't even start to talk about.
00:40:01I can't even start to talk about.
00:40:02I can't even start to talk about.
00:40:03I can't even start to talk about.
00:40:04I can't even start to talk about.
00:40:05I can't even start to talk about.
00:40:06I can't even start to talk about.
00:40:07I can't even start to talk about.
00:40:08I can't even start to talk about.
00:40:09I can't even start to talk about.
00:40:10I can't even start to talk about.
00:40:11I can't even start to talk about.
00:40:12I can't even start to talk about.
00:40:13I can't even start to talk about.
00:40:14I can't even start to talk about.
00:40:15I can't even start to talk about.
00:40:16I can't even start to talk about.
00:40:17I can't even start to talk about.
00:40:18I can't even start to talk about.
00:40:19I can't even start to talk about.
00:40:20I can't even start to talk about.
00:40:21I can't even start to talk about.
00:40:22I can't even start to talk about.
00:40:23I can't even start to talk about.
00:40:24I can't even start to talk about.
00:40:25I can't even start to talk about.
00:40:26I can't even start to talk about.
00:40:27I can't even start to talk about.
00:40:28I can't even start to talk about.
00:40:29I can't even start to talk about.
00:40:30I can't even start to talk about.
00:40:31I can't even start to talk about.
00:40:32I can't even start to talk about.
00:40:33I can't even start to talk about.
00:40:34I can't even start to talk about.
00:40:35I can't even start to talk about.
00:40:36I can't even start to talk about.
00:40:37I can't even start to talk about.
00:40:38I can't even start to talk about.
00:40:39I can't even start to talk about.
00:40:40I can't even start to talk about.
00:40:42Oh, thanks, Jim.
00:40:50Wait a minute.
00:40:51Listen to this.
00:41:02Instead of glow by the wind,
00:41:03Simone radiates a wild vitality.
00:41:06He says,
00:41:07Don't move.
00:41:08Stay as you are through all eternity.
00:41:11Simone in a sudden, unpredictable caprice
00:41:14does a front flip
00:41:21and disappears among the buttercups,
00:41:23her hair flying in the wind.
00:41:26But...
00:41:29What?
00:41:30Didn't she have braids yesterday?
00:41:32Yesterday? That was yesterday.
00:41:34You must realize by now that Simone is a fantastic woman.
00:41:38When she should laugh, she cries.
00:41:40When she should cry, she laughs.
00:41:43This woman is everything.
00:41:45Cynical.
00:41:47Cruel.
00:41:49Bitter.
00:41:50One moment, dancing gaily on a mountaintop.
00:41:54The next moment, plunged into the depths of despair.
00:42:01Are you all right, darling?
00:42:04Yes.
00:42:06Yes, I'm all right. Go on.
00:42:07You see, by chapter 11,
00:42:08Ivan has become dirt under her feet.
00:42:11She dances all over him like a harem girl
00:42:13on a leopard-skin rug.
00:42:15Simone, whose moods change as frequently as an April sky.
00:42:21Dressed all in white, she is virginal.
00:42:24Pure, superior,
00:42:25splitting from place to place,
00:42:27insubstantial as thistledown,
00:42:30intangible as a summer's breeze,
00:42:32then suddenly sparkling like the snow.
00:42:34In green, jealous, a sorceress,
00:42:37full of artifice and cunning, sadistic,
00:42:39capable of incredible meanness and cruelty,
00:42:42a Bengal tiger, forever on the prowl.
00:42:46But in blue.
00:42:49Ah, in blue.
00:42:51A challenge to every male,
00:42:53insistent, irresistible, and forever laughing, laughing.
00:42:59Laughing, laughing, laughing.
00:43:01Laughing, laughing, laughing.
00:43:04The wonderful thing about Simone
00:43:06is that she's always new,
00:43:08always original,
00:43:10always exciting,
00:43:12always everything.
00:43:32Hey there.
00:43:33I read your husband's story this week.
00:43:36Fantastic.
00:43:37He's absolutely genius.
00:43:39Thank you, thank you.
00:43:41Where does he find all these extraordinary women?
00:43:44They are so crazy, so unexpected.
00:43:47You know, my husband, last month,
00:43:49he went wild with me.
00:43:52He said,
00:43:54I'm going to be a star.
00:43:56I said,
00:43:58I'm going to be a star.
00:43:59My husband, last month,
00:44:00he went wild over that cute little nympho.
00:44:02Remember?
00:44:03The one who came into the living room and yelled...
00:44:07What did he call her?
00:44:08Lulu.
00:44:09Lulu, that's it.
00:44:11Where does he find these women?
00:44:13Who are they?
00:44:14I don't know, but they're not me, that's for certain.
00:44:17No, of course not.
00:44:19I was talking about that with the girls.
00:44:22No, you're so good, so thrifty, so sensitive.
00:44:26What?
00:44:27Tell your husband we just love him
00:44:29and give him a big kiss from me.
00:44:31If you're not jealous, of course.
00:44:33Oh, no, no, of course not.
00:44:38Bye.
00:44:39Bye.
00:44:40Bye.
00:44:54Madam, I want a raise.
00:44:56I can't go on like this.
00:44:58I have to do everything around here.
00:45:00Just the coffee alone.
00:45:03Sometimes I make as many as 20 pots a day.
00:45:07And those dogs of his, can they eat?
00:45:10If I go, you're going to be all on your own.
00:45:12And the way things are today, you'll never get anybody else like me.
00:45:16You'll have to do it all by yourself
00:45:18and I don't know how you'll manage.
00:45:20You're such a little thing.
00:45:25Madam, I'm serious.
00:45:27These things are important.
00:45:29Why should we only laugh at the unimportant, trivial things?
00:45:34Not me.
00:45:35Not me.
00:45:37I laugh when things get serious.
00:45:39I laugh when they're important.
00:45:55You know what I'm going to do?
00:46:00I'm going to make the last chapter
00:46:03one long kiss.
00:46:05The whole chapter.
00:46:07About 30 pages.
00:46:12He kisses her here, here, here, and here.
00:46:15He brushes her with his lips.
00:46:17He bites her.
00:46:18He licks her with his tongue.
00:46:20And the whole time he's crying, see?
00:46:22All the time he's kissing her, he's crying.
00:46:25With joy.
00:46:27It's a great idea, that.
00:46:28Kissing and crying at the same time.
00:46:32Hey, look.
00:46:33Look at that girl.
00:46:35Her thighs are exactly what I imagined for Simone.
00:46:40Now watch.
00:46:42Watch how she moves.
00:47:01I must go to Normandy.
00:47:03That's the setting I need.
00:47:05All those rocks along the coast
00:47:08and the dolphin and the albatross.
00:47:12Albatrossing Normandy?
00:47:13Of course.
00:47:15Well, maybe not.
00:47:17But the point is, that's where you find all those beautiful, wonderful girls.
00:47:21Like Simone.
00:47:23You see, one minute you're talking to her
00:47:26and then the next minute she turns around and dives 150 feet into the ocean below
00:47:31and disappears over the horizon towards America.
00:47:34Towards adventure.
00:47:36Love.
00:47:37Towards the still uncharted frontiers of the busy new world.
00:47:42Towards a sensual reconquest of life.
00:47:45Oh, that's beautiful.
00:48:02I'm sorry about that.
00:48:15I don't want too much.
00:48:18Let go.
00:48:32Can we talk a little bit, Rick?
00:48:35Of course, darling.
00:48:37What about?
00:48:38Whatever you like.
00:48:40Sure.
00:48:41Why not?
00:48:43Do you like that?
00:48:45I love it.
00:49:08Get a move on.
00:49:09Do you like it?
00:49:39Yes.
00:49:54You smoking, Edith?
00:49:56Yes.
00:50:00Yes, I...
00:50:02I wanted to begin today.
00:50:04Exactly a year from the day we were married.
00:50:11Oh, my goodness, I'm sorry. I forgot.
00:50:14Of course, we'll have a celebration.
00:50:16What would you like? Ice cream?
00:50:20No.
00:50:22I want champagne.
00:50:35To you, darling.
00:50:40To your success.
00:50:43And to the success of Simone.
00:50:47What are you doing?
00:50:49I don't know.
00:51:17What time is it, dear?
00:51:19Eight o'clock.
00:51:27Well, I've got to get down to work.
00:51:30New ideas, new ideas.
00:51:32Lots of them.
00:51:34I had one last night.
00:51:36Simone comes to visit some of her friends.
00:51:39And they're at the dining room table.
00:51:42Well, she rides into the dining room on horseback.
00:51:45And you know how?
00:51:48Nude.
00:51:51Can I make you a cup of coffee, dear?
00:51:54Do you want your eggs poached or fried?
00:52:02No eggs, just toast.
00:52:04Just a piece of toast, yes, just a piece of toast.
00:52:07Just a piece of toast, yes, just a piece of toast.
00:52:10Butter and or jam.
00:52:12No jam.
00:52:13Why are you singing instead of talking?
00:52:15I love to sing, I love to sing.
00:52:18They go on all day.
00:52:20Mary Ann, Mary Ann.
00:52:23Coffee and butter, toast for my husband.
00:52:25Right away, right away.
00:52:28Right away.
00:52:29Thank you, thank you.
00:52:38Who is it?
00:52:40Me.
00:53:07Mary Ann.
00:53:10Mary Ann.
00:53:36Mary Ann.
00:53:40Mary Ann.
00:54:11Are you ready for dinner, darling?
00:54:13Yes.
00:54:14Yes, let's eat.
00:54:16Are you hungry?
00:54:17Famished, famished.
00:54:22And you're feeling okay?
00:54:24Fabulous, fabulous.
00:54:41By the way, I'm going to pay a little visit to the doctor tomorrow.
00:54:45Why, are you sick?
00:54:47No, no, no, it's just a good time to go.
00:54:50You see, I finished Simone out there on the stairs.
00:54:53Oh, how does it end?
00:54:56Oh, she flies away.
00:54:58She flies?
00:55:01Oh, she flies, how stupendous.
00:55:04Say, why don't you come along?
00:55:10Mary Ann, we're waiting.
00:55:12The master's waiting.
00:55:14Say, that's a great idea.
00:55:16You come along and keep me company.
00:55:18And then, since you're already there, you can take a little peek at you too.
00:55:22After all, we have to keep ourselves in the pink, don't we?
00:55:26Do you know how many different kinds of germs there are?
00:55:28Billions.
00:55:30Come with me, huh?
00:55:31Me?
00:55:32Darling, I'm not afraid of germs.
00:55:34I like to live dangerously.
00:55:39You admire that, don't you?
00:55:41Yes, of course.
00:55:50Who the hell is that?
00:55:53Are you surprised?
00:55:56No, no.
00:56:01I know it's crazy, but just for one night.
00:56:07You're not angry, are you?
00:56:10No, of course not.
00:56:13It's a very funny idea.
00:56:16For one night.
00:56:17And then tomorrow, we'll trade him in for a Filipino.
00:56:20Well, just this morning, she showed up with a knife that big.
00:56:24I don't mind telling you, it shook me.
00:56:26Then she twirled around and cut off both the candles.
00:56:29And burst out laughing.
00:56:32Tell me, what does it mean?
00:56:34Don't call me doctor.
00:56:36Remember tonight, I'm not a doctor.
00:56:38I'm your lawyer.
00:56:40Well, now, psychologically speaking, as a preliminary diagnosis,
00:56:45your wife did strike me as being a little excited, somewhat strange.
00:56:50Oh, nothing out of the ordinary, mind you.
00:56:52Nothing for you to worry about.
00:56:54Oh, but I do worry.
00:56:58You see, she was always so sweet.
00:57:00So affectionate.
00:57:04And now, well, you know, it's my career.
00:57:06A writer needs peace and quiet.
00:57:09I must create.
00:57:18Fire!
00:57:21Oh, my God!
00:57:26Are you hurt?
00:57:27Yes, nothing, nothing!
00:57:29Your wife's very young for her age, isn't she?
00:57:33Yes, like a little girl.
00:57:38You see, it's nothing.
00:57:40It's just a vase.
00:57:46I'll get you a drink.
00:57:54I'm so happy!
00:57:56He said I was like a little girl.
00:57:58She'll need intensive treatment over a long period.
00:58:01Will I take care of the doctor?
00:58:03Lawyer.
00:58:04Mary Ann, is it true?
00:58:06Am I really like a little girl?
00:58:08Yes, madam, yes.
00:58:09That's just what you are.
00:58:10A little girl.
00:58:11A little girl.
00:58:19So, you're our little girl.
00:58:22That's OK.
00:58:23No, it's nothing, really.
00:58:25It's nothing.
00:58:26Actually, a good bruise would look nice on me.
00:58:31Bladder me.
00:58:32Blood in my eyes.
00:58:34Well, let's have a look, shall we, Mary?
00:58:37Oh, yes.
00:58:38Just a slight contusion.
00:58:40Be all better tomorrow.
00:58:42No.
00:58:59Now, follow my finger with your eyes.
00:59:10Do as the doctor says, dear.
00:59:11Lawyer.
00:59:12Lawyer.
00:59:13Lawyer.
00:59:18Look how well I do this.
00:59:19Better than anyone.
00:59:21Now you try.
00:59:23Hold out your arm.
00:59:26Your arm.
00:59:27Your arm.
00:59:28It doesn't hurt a bit.
00:59:29Hold out your arm.
00:59:33Come along.
00:59:34Hold out your arm.
00:59:36Then it'll all be over.
00:59:39Come along now.
00:59:43No!
00:59:44Mary, Mary, keep calm, will you?
00:59:47No, no, no, no, no, no, no, no.
00:59:49Keep calm.
00:59:50Mary!
00:59:51Mary!
00:59:53Mary!
00:59:55Mary!
01:00:18Get up!
01:00:19Get up!
01:00:20Mary!
01:00:21Oh, God.
01:00:22Stay where you are, madam.
01:00:24I'm coming.
01:00:25No.
01:00:26Stay there.
01:00:28My God.
01:00:33Oh, no.
01:00:34No.
01:00:36I'm not crazy.
01:00:38I'm not crazy.
01:00:42I'm just in love.
01:00:44Oh.
01:00:46Oh.
01:00:46Get off!
01:01:16Get off!
01:01:18Get off!
01:01:20Get off!
01:01:22Get off!
01:01:24Get off!
01:01:26Get off!
01:01:28Get off!
01:01:30Get off!
01:01:32Get off!
01:01:34Get off!
01:01:36Get off!
01:01:38Get off!
01:01:40Get off!
01:01:42Get off!
01:01:44Get off!
01:02:03Dream gown out of the 1,001 nights
01:02:05created exclusively for the noted Madame Le Sieur.
01:02:07She will wear this elegant original
01:02:09to the gala reopening of the opera!
01:02:11Oh, the liars!
01:02:13Liars! The thieves! This is mine!
01:02:16This is an original created just for me! It's mine!
01:02:19I'll sue them for this! I'll go to jail for this!
01:02:21Call my chauffeur! Call my chauffeur!
01:02:23Get these things out of my house! Get these things out of my house!
01:02:25Please sit down! I won't sit down!
01:02:27Get these things out! Please sit down!
01:02:28Oh, Thomas!
01:02:30I'll ruin you, Fivala! I'll wipe you out!
01:02:33You'll be walking around in rags and begging!
01:02:36My husband will destroy you.
01:02:38He'll destroy you, and he's got the power you need.
01:02:39It's not my fault, Madame Dubois. They stole my designs.
01:02:42Yeah, well, you shouldn't let them steal your designs, Fivala,
01:02:44especially when a client pays over 4 or 5,000 for one.
01:02:47Madame Dubois, look at me. I beg you.
01:02:49Come to see I'm innocent.
01:02:50I look at you, and I see an idiot!
01:02:52Well, I'm afraid I don't share your opinion on that, Madame.
01:02:56All right, Fivala. Then you stop that lycee-hair woman
01:02:58from wearing that gown tonight.
01:02:59Have them confiscated! Get an injunction against it!
01:03:02But you need 24 hours to get the law moving.
01:03:04Well, bribe them! Bribe them!
01:03:06They move quicker with grease.
01:03:07Naturally. Without bribing, it takes 48 hours.
01:03:09The gala is tonight!
01:03:12Oh, Francis just falling apart. It's disgraceful!
01:03:15Call the chief magistrate.
01:03:16I don't know. Madame Lucia's lover is very influential.
01:03:20Whose isn't?
01:03:21Oh, call Madame Lucia.
01:03:24Of course, madame.
01:03:27Certainly, madame.
01:03:28Oh, I'd be only too happy to help out.
01:03:31Oh, I'm sure we can find a way.
01:03:33Thank you, thank you, thank you, Madame Lucia.
01:03:36You are an angel.
01:03:38Oh, you're too kind.
01:03:41It's so fortunate that you have another hundred stunning outfits
01:03:45for which to choose.
01:03:47Oh, everyone knows that you have over 200.
01:03:50And the prettiest in all Paris.
01:03:52But this one, I don't know.
01:03:55I'm fond of this one.
01:03:57You know, I don't know if it's occurred to you or not,
01:04:00but with very little alteration,
01:04:01the two could be made completely different.
01:04:04Don't you think so, Jean-Yves? May I call you Jean-Yves?
01:04:08Thank you. Thank Eve.
01:04:10Now, it would only take a moment.
01:04:13But, for example, to lift the hem a little, shift the shoulder.
01:04:16It would give the dress a more simple, pure, straight line.
01:04:20You go right ahead and do it.
01:04:22Well, see you later.
01:04:24Later where?
01:04:26While at the opera, dear.
01:04:29You swindled and cheated this company
01:04:31over at least 20% of the reserves.
01:04:33And right into your own pocket.
01:04:35Yes, yes, yes.
01:04:36All right, all right, all right, all right.
01:04:39You can't prove it.
01:04:42Anybody can make wild accusations.
01:04:45Bobo!
01:04:46Darling?
01:04:47Come in here!
01:04:49I tell you, this whole thing stinks,
01:04:51and I'm going to get it out in the public.
01:04:54I tell you...
01:04:59Richard.
01:05:00Son of the old heart attack gentleman.
01:05:02Would you excuse me for a few minutes?
01:05:04No, darling!
01:05:05Yes!
01:05:06Please, darling!
01:05:07Please, darling!
01:05:10There are some poor old women on the street for stealing an apple,
01:05:13and they allow that lyciare woman to walk around free.
01:05:17There ought to be a revolution!
01:05:18Please, darling, don't yell.
01:05:20They might hear.
01:05:21Do you still own 51% of this company?
01:05:23Of course, I do.
01:05:24I'll yell all I want, then!
01:05:25Then you'd better do something. You'd just better do something.
01:05:29That is, of course, unless you're a frightened yellow chicken.
01:05:32You seem to forget the war.
01:05:35The medals I won.
01:05:36That was then, and that was easy.
01:05:38But this is now!
01:05:44Call lyciare.
01:05:46Speak to lyciare! Call him!
01:05:48My wife is perfectly right, absolutely right.
01:05:50No, she cannot possibly change her mind.
01:05:53I'll send my seconds over with the challenge.
01:05:55Sending his seconds over.
01:05:59And I'll kill you on the market, too!
01:06:01He's gonna kill me on the market.
01:06:03Laugh.
01:06:08He's laughing.
01:06:12Then laugh, too.
01:06:13Laugh, laugh.
01:06:20I've got a meeting going on in there.
01:06:21If I don't get back, they'll tear me apart.
01:06:23I'll give you some of the smartest boys in the company.
01:06:25They'll work something.
01:06:28I could go to Madame Lyciare.
01:06:29I'd persuade the world to buy our products.
01:06:32Nusserl, promotion and sales.
01:06:33And I might add that we've had a 30% rise so far this year.
01:06:38Cromier personnel.
01:06:39We could call Madame Lyciare
01:06:41and tell her that her grandmother has just died.
01:06:44You'll have to do better than that.
01:06:46Her mother?
01:06:48You don't know very much about women, do you?
01:06:59I have an idea.
01:07:03I'm Demi of Research and Ideas.
01:07:05Well?
01:07:10A bomb.
01:07:25Oh, darling, sweetheart, treasure, Mama's baby.
01:07:28Don't cry, don't cry. No, no, no, no.
01:07:31No, no, no. Not the hair. Not the hair, dear. Not the hair.
01:07:35No, no, no. Look here. Look. Look.
01:07:36Look at Vivo the bear. Vivo the bear.
01:07:39Look at the growly old bear.
01:07:42The growly old bear.
01:07:44Take over. Take over, Nico.
01:07:46Yes.
01:07:53You are the most beautiful creature in the world.
01:07:55Yes, dearest.
01:07:56Fix this for me, will you?
01:08:00Sorry it got so late. Hell of a battle.
01:08:02I won, of course.
01:08:03And how about your man Moreau? Did he come through?
01:08:05Oh, he's still with us. Just a paralyzed leg, that's all.
01:08:08You know your man Demi?
01:08:10He's quite fantastic, really. I believe he deserves a raise.
01:08:13Demi, he's one of the little men.
01:08:15They do produce, even if they don't get much.
01:08:18He fixed your problem?
01:08:19Yes, yes. He was quite helpful.
01:08:21I'll tell you all about it later.
01:08:22Madame, I'm afraid the baby wants you, Madame.
01:08:25Do bibbo the bear, dear. Bibbo the bear.
01:08:28I've already tried that, Madame.
01:08:30All right, then sing the International Workers' Anthem.
01:08:32I've told you, I will not hear that song in my house.
01:08:36I'll fire you.
01:08:37It was the nurse you had before me who got him into the habit.
01:08:40Dear, it's the only thing that will put the child to sleep.
01:08:43Now, don't you worry. He'll grow up and forget all about it.
01:08:46Come along. Hurry, hurry.
01:08:48Don't have much time, you know.
01:08:51Come along. Move your lady bottoms.
01:08:55Hello?
01:08:56Ah, Demi. Fine, thank you.
01:09:01Perfect, perfect.
01:09:02Now, we'll come by on our way to the opera.
01:09:07Waterpolo and his first little side street on the left.
01:09:10Now, Demi, give her a yell every now and then.
01:09:13Better yet, give an owls' hoot. That's where we'll be sure to find you.
01:09:17What do you mean, you don't know how to do it?
01:09:20Well, then go on.
01:09:22What do you mean, you don't know how to do it?
01:09:25Well, then give a wolf call.
01:09:30Try.
01:09:33Yes, that's it. That's it. Now, perhaps a bit younger.
01:09:36Good, good. Now, we'll see you in about 15 minutes.
01:09:41Hmm?
01:09:42Of course it should blow after we've gone on.
01:09:46Yes, Demi. Yes, yes, yes. Goodbye.
01:09:48What should blow after we've gone on?
01:09:50Oh, now, don't go thinking it's an H-bomb or anything like that.
01:09:54You must be out of your mind.
01:09:56I don't want to go to prison for this.
01:09:58I'll fire that Demi so fast.
01:10:02You have never taken a risk for me, ever.
01:10:05Except with your money, only with your lousy money.
01:10:07You are...
01:10:10And you have no class, none whatsoever.
01:10:12Stop this carpool. I'm leaving.
01:10:14I'm leaving. It's finished between us. Finished!
01:10:21Eve! Eve, where are you going?
01:10:24Away, away!
01:10:25Do you want to ruin me?
01:10:26I only want you to be a man.
01:10:28Eve.
01:10:29Howl.
01:10:31Him.
01:10:33Howl.
01:10:35Howl.
01:10:36It's Demi. It's Demi.
01:10:38Howl.
01:10:41Howl.
01:10:44Howl.
01:10:46Good evening, madam. Good evening, chief.
01:10:48Demi, what size bomb are you talking about?
01:10:51Just a teeny-weeny one wired into the ignition on that car.
01:10:54It's smaller than the one you had me plant on Beauvoir in 58.
01:10:57But this time, I don't want anybody put away.
01:11:00No, just some smoke, noise and instant terror.
01:11:03It doesn't weigh more than 10 ounces.
01:11:05Wouldn't 15 be better?
01:11:07Madam, that much could blow them apart.
01:11:09How about 12 1 1 ?
01:11:11And who are they going to suspect?
01:11:13Oh, don't worry about it.
01:11:15They'll blame it all on the unions.
01:11:17Now, here they come.
01:11:19In the car. Let's get back quick.
01:11:21That wouldn't be very clever.
01:11:23Remember, we haven't seen each other tonight.
01:11:26As you wish, sir. As you wish.
01:11:47Good evening.
01:12:09Hello.
01:12:17How are you?
01:12:21Good evening.
01:12:23Good evening.
01:12:47Good evening.
01:13:17Good evening.
01:13:47Good evening.
01:14:17Good evening.
01:14:36Oh!
01:14:40Keese!
01:14:42Keese!
01:14:47♪
01:15:06♪
01:15:21Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
01:15:51Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
01:16:22Are you afraid? No. I'm very happy.
01:16:33Can I get any dust? No. Later, later.
01:16:38Oh, Figaro, Figaro, Figaro, Figaro, Figaro, Figaro
01:16:47Oh, my dumb husband. Have you ever heard such junk?
01:17:02Do you want to go first?
01:17:08This is Fred and Marie.
01:17:13We're committing the Supreme Act.
01:17:16Supreme Act? That's overdoing it a little bit. Supreme Act.
01:17:20Yeah, maybe so, but what should I call it? How should I put it?
01:17:23We're killing ourselves.
01:17:30I'm going to kill myself.
01:17:33We're killing ourselves in full possession of our faculties.
01:17:40Now, don't go make the usual noise about psychosis and nervous breakdowns just to avoid the responsibility.
01:17:48We're calm. We're cool.
01:17:52And we're collected, right, Fred? Speak up. Say it loud.
01:17:56Right.
01:17:58And this is no funeral ceremony either.
01:18:02It's a celebration.
01:18:05A hymn to life. A glorious hymn to life.
01:18:08What does that mean? A hymn to life?
01:18:11It's not life we're against. Life is beautiful. Life is beautiful.
01:18:14It's mankind that's disgusting.
01:18:17You're disgusting!
01:18:20You wanted to see us humiliated.
01:18:23On our hands and knees crying.
01:18:25Well, I'll tell you, we're not crying. We're laughing.
01:18:28And we're laughing in your ugly face.
01:18:45Tell my husband.
01:18:50I've got nothing to say to you.
01:18:52I can't even hate you. You're such a stupid jerk.
01:18:57When we were first married, you weighed 150 pounds.
01:19:01Inside of two years, you zoomed up to over 200.
01:19:04Without regrets. Goodbye.
01:19:07To your wife.
01:19:11I don't know how to talk.
01:19:14You don't have to make a speech or anything like that. Go on.
01:19:17Go on.
01:19:19Go on.
01:19:22Listen, Juliet.
01:19:25I can't take it anymore.
01:19:28Try and forgive me.
01:19:31Forgive? Forgive? Are you crazy?
01:19:34She's a poor old lady.
01:19:37Did you hear that? You're old. You're old.
01:19:40The only reason you ever got anybody to marry you in the first place is you had money.
01:19:43You could be his mother. His grandmother.
01:19:46Look what you did to him.
01:19:49Look what you did to him. He's a nothing.
01:19:52He never worked. He never learned anything. A nothing.
01:19:55I'm just a gigolo.
01:19:58You and your false teeth.
01:20:01Talk louder. She can't hear too well.
01:20:04You and your false teeth. And you're deaf. You're deaf too.
01:20:08Yeah, I know.
01:20:11I should take care of her.
01:20:16To the world.
01:20:19To everybody. And I mean everybody.
01:20:22You're rotten, motherless garbage.
01:20:25Now stick that in your hat.
01:20:40You have the lives of two good people on your conscience.
01:20:45I sure as hell don't want them to hear me cry.
01:20:47You want a Coke?
01:20:50Sure.
01:20:53Two Coca-Cola's.
01:20:56With ice.
01:20:59Two Coca-Cola's with ice. Room 54.
01:21:06You know what I was thinking?
01:21:09It would be better if they found us naked.
01:21:12Oh no. That would ruin the most beautiful party.
01:21:14We have to make sure they find us looking like a wedding celebration.
01:21:21I only brought this along to please you.
01:21:24It's too tight for me. There's a button missing.
01:21:28Couldn't your wife have at least sewn on a button?
01:21:31No. She doesn't see very well.
01:21:34That too?
01:21:45Where'd you get that?
01:21:48My wife's first husband was a general.
01:21:59I was thinking.
01:22:02I was thinking of pills.
01:22:05No, no, no. I never took a pill in my whole life.
01:22:08Never a pill, never a tablet. They make me sick to my stomach.
01:22:11I always used a positone.
01:22:14What's a positone?
01:22:17Oh, I can just see the headlines now. They did it with suppositories.
01:22:33I got it. I'll take it.
01:22:38Wait there.
01:22:45You got a change?
01:22:48Give it all to him.
01:22:58Here. Keep it, keep it, keep it.
01:23:01What do I care?
01:23:04It's just...
01:23:07I didn't want to be followed out of scent.
01:23:10You know how to fuss they make.
01:23:13Warm.
01:23:20I'm going to be lute.
01:23:23They stump all over you.
01:23:26Didn't do experiments on you.
01:23:31They better not touch us.
01:23:34I'm going to put that on tape like the last testament.
01:23:37I want to be cremated.
01:23:39I want my ashes scattered over the sea.
01:23:42And damn anybody who touches me.
01:23:45I don't want any experiments.
01:23:48But if they need an organ.
01:23:51For a sick person.
01:23:54What's that?
01:24:01It's an enemy.
01:24:09I need a better idea.
01:24:12My wife has kidney trouble.
01:24:16Joliette!
01:24:19I leave you a kidney.
01:24:22You're a saint, you know that?
01:24:25It's the tour. They're coming in.
01:24:28What do we care?
01:24:391, 2, 3, 4, 5, 6, 7.
01:24:42All of them.
01:24:45Behind us.
01:24:48That side.
01:24:51A sharp bend.
01:25:09A sharp bend.
01:25:12A sharp bend.
01:25:40There's anything else you have to say?
01:25:43Anything to tell me?
01:25:46Go ahead.
01:25:49There's nothing, darling.
01:25:53Then we're really as one.
01:25:57Truly united souls.
01:26:00And we'll never leave each other.
01:26:03Never.
01:26:06Never.
01:26:09You know, there's... there's something we haven't spoken... uh, about yet.
01:26:26Uh, technically... technically speaking, what do I do?
01:26:31You don't have to do anything. I'll do it.
01:26:34Um, how? How... how do you do it?
01:26:39There's a certain procedure. There's a certain way of doing these things.
01:26:43The man takes the responsibility.
01:26:45And what's that?
01:26:47I should.
01:26:48Who?
01:26:50You. And then me right afterwards.
01:26:55And if by chance, right afterwards, you change your mind?
01:26:58I don't know, you're sorry or you're faint or something.
01:27:02You want to do it? Go ahead. You don't know how.
01:27:05You get me... you get... you get me like this, and I'm paralyzed for life.
01:27:19Sweetheart, I would have liked a way we could go together.
01:27:26Sorry if you misunderstood me.
01:27:30We'd throw ourselves out of the window wrapped in each other's arms.
01:27:34You mind me putting on a tuxedo to go smashing into a sidewalk?
01:27:37There are a lot of other ways.
01:27:41The sea, for example.
01:27:43Haven't got enough money to get there.
01:27:48There's always the pills.
01:27:49Please don't talk about pills!
01:27:52What the hell should I talk about?
01:27:54You want to know something? You want me to tell you the truth?
01:27:57You don't love me.
01:27:59If you did, you'd be proud and happy for me to end your life.
01:28:02As it is, all you think is that I'm a coward.
01:28:04Worse, a murderer, now that it's convenient for you.
01:28:08Now what is that supposed to mean?
01:28:10I was ready to go through with this comedy. What a joke!
01:28:14Now I get the story about your poor sick stomach!
01:28:18You were afraid you wouldn't be safe with the pills.
01:28:21Oh! That's a lousy insinuation!
01:28:24Now I'm going to tell you what's going to happen.
01:28:26Nobody gets out of this room alive!
01:28:28They're going to find us stretched out on the floor and I'm going to take those damn pills!
01:28:31You got that? Does it look like I'm joking now?
01:28:35Fine! Fine!
01:28:37Nobody gets out of here alive!
01:28:56Fred! My darling! My love!
01:28:59Oh, my dearest! My darling!
01:29:03It's tremendous! It's tremendous!
01:29:07We were able to suspect each other.
01:29:11It's over. The nightmare is over.
01:29:14We're back to where we were before.
01:29:17Oh! It's better! It's better than it was before!
01:29:23This rotten world doesn't deserve us!
01:29:36Look at your face.
01:29:39I want to be pretty when they find us.
01:29:43Let me... Let me go into the bathroom for a second.
01:29:54Whatever happens...
01:29:57...remember...
01:30:00...you're everything to me.
01:30:24Darling?
01:30:27Fred?
01:30:54Fred?
01:30:57Fred?
01:31:22Fred!
01:31:27Marie?
01:31:57Fred!
01:32:27Fred!
01:32:58He's following us. He's still back there.
01:33:01Oh, some of these guys are real romantics.
01:33:04You have to help them out a little. Encourage them.
01:33:07Otherwise, you just waste your time.
01:33:10But, you know, this one's been hanging on for almost an hour.
01:33:17Oh, I know his type.
01:33:19Just content looking around to follow along and look.
01:33:23They dream all over your legs.
01:33:25And in the summer, when there's more showing, to use the rest of you.
01:33:29Oh, stop talking like that, or I'm not going shopping with you anymore.
01:33:36He's being so careful about it. He must be very shy or something.
01:33:40Like you.
01:33:42I'm not shy.
01:33:44Not much, you're not. You've never even cheated on your husband.
01:33:47Well, I've never found anybody better than my husband.
01:33:56That coat's in better days.
01:33:59Still, he's got that little lost boy look working for him.
01:34:03Not bad at all.
01:34:08Look, look, he's getting a ticket.
01:34:10And all because he tried to keep up with us.
01:34:13Maybe he can't afford it.
01:34:16I don't know.
01:34:19I don't know.
01:34:22Well, we'll just have to reimburse him for expenses then.
01:34:25Don't laugh.
01:34:27Oh, relax.
01:34:29He hasn't got a faintest idea we've seen him.
01:34:35Hey, let's double back.
01:34:38We'll surprise him.
01:34:40I want to take a good look at this guy up close.
01:34:42Come on.
01:34:44Okay, but don't laugh or anything.
01:34:46Come on.
01:34:48Let's get this guy up close.
01:34:50Come on.
01:34:51Okay, but don't laugh or anything.
01:34:52Quiet.
01:35:19I saw him peeking at you.
01:35:21I'm sure he's after you.
01:35:23Or both of us, if he's modern.
01:35:26There he is, there he is.
01:35:48If he doesn't make his move now, he never will.
01:36:19Maybe he hasn't got the money for a cup of coffee.
01:36:29Or even a match.
01:36:31This one probably writes poetry.
01:36:35Maybe he'll even get pneumonia and die.
01:36:40You go to the right, I go to the left.
01:36:42That way we'll find out who he's after.
01:36:44Oh, I can't do that.
01:36:46I'm going to take a cab and go home.
01:36:48Oh, come on, let's try it.
01:36:50Come on, it will be a kick.
01:36:52Afterwards, we'll call and the winner will tell everything.
01:36:54But everything, okay?
01:36:56All right.
01:36:59I'll buy coffee.
01:37:01You can't.
01:37:03Let me drive.
01:37:05You can't?
01:37:07I don't want to take a cab.
01:37:10I will take a bus.
01:37:12You're not taking a cab.
01:37:14You've got to be kidding me.
01:37:17I'm not going to take a cab.
01:37:19I'm serious.
01:37:22I want to take a bus.
01:37:26Taxi!
01:37:27Taxi!
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