• l’année dernière
ΑΥΤΗ Η ΝΥΧΤΑ ΜΕΝΕΙ ΕΠ 102

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00:44:14 [Bruits de la porte]
00:44:21 Straty?
00:44:23 Straty?
00:44:25 Open the door, please!
00:44:28 You locked yourself in there again!
00:44:30 [Bruits de la porte]
00:44:31 Straty, open the door, damn it!
00:44:34 Open the door, I'm telling you, open it!
00:44:39 [Bruits de la porte]
00:44:40 [Musique]
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00:44:55 You can't stand to think about her, Fonys!
00:44:57 I'd rather...
00:44:59 No, no, Zeta, listen to me...
00:45:03 Straty, it's over!
00:45:22 Come on, Marco, do me a favor, please.
00:45:25 That ticket I told you about, for the ship...
00:45:29 I want two, after all.
00:45:31 Okay?
00:45:33 Come in, my girl.
00:45:50 You don't have to tell him, my dear.
00:45:52 The doctors said he's better, they've stabilized him.
00:45:56 He'll be waiting for you, he'll be happy to see you.
00:46:00 I don't know, Grandma.
00:46:04 I don't want to, I can't.
00:46:07 He's your father, my girl.
00:46:11 He was angry before he did what he did.
00:46:13 Please, Grandma, I can't stand it anymore.
00:46:19 What are you doing here, then?
00:46:21 I don't know.
00:46:25 I'm sitting outside.
00:46:29 I have nowhere else to go, don't you think?
00:46:35 I don't.
00:46:37 I called Fotini.
00:46:40 She's upset, but...
00:46:43 She won't come, she says.
00:46:48 His daughters are so hard.
00:46:50 And you two...
00:46:52 What can I say?
00:46:54 So many tears on your beds,
00:46:58 his shame for you, so many tears.
00:47:01 It's a shame.
00:47:04 Whatever he did,
00:47:06 he did it for you.
00:47:09 Do you know how many times I've heard that?
00:47:12 It's not enough for me anymore.
00:47:17 Just don't act like what you say he is.
00:47:22 Me?
00:47:25 Do you see anyone else standing here?
00:47:29 Where are his friends?
00:47:31 His associates?
00:47:33 His companions?
00:47:35 Where is his brother?
00:47:37 Where is Nitsa?
00:47:40 He destroyed us all, Dad.
00:47:45 All of us.
00:47:46 Good morning.
00:47:52 Maybe not all of us.
00:47:57 Maybe not all of us.
00:47:58 What?
00:48:22 How is Christ?
00:48:24 He's fine.
00:48:27 He's better.
00:48:28 Where were you last night?
00:48:32 I stayed in Leschi.
00:48:34 There was a small room there, I was comfortable.
00:48:37 In Leschi?
00:48:39 You became a different Tassos.
00:48:43 A complete stranger.
00:48:45 Yes.
00:48:47 I want to talk, you have some time.
00:48:50 Where is Nitsa?
00:48:52 She went to find her friend Zata.
00:48:55 You know her?
00:48:56 Yes.
00:48:58 Look, Uncle.
00:49:00 You know I don't like the atmosphere here.
00:49:03 Yes, but you found a job now.
00:49:05 Yes, but what can I do?
00:49:08 I can't just pick up a few coins and leave.
00:49:13 Leave?
00:49:15 Yes.
00:49:17 I thought about it, I thought about it.
00:49:21 I want to go to Australia.
00:49:24 My mother is there, my father too.
00:49:26 It doesn't matter if they are divorced or grown up.
00:49:30 I don't like the atmosphere here.
00:49:33 What do you say?
00:49:35 I want to go to your house, to your wife.
00:49:38 No, Tassos.
00:49:41 You're not going anywhere.
00:49:43 You're staying here, with me.
00:49:45 I told you, I thought about it.
00:49:48 Why not, Tassos?
00:49:50 So many things are happening, this is going to happen too.
00:49:53 You're going to stay here, with me.
00:49:55 Can't you see what's happening around you?
00:49:58 Your uncle is in the hospital,
00:50:00 the equipment is getting worse.
00:50:03 The farms need work, Tassos.
00:50:05 You have to work, you have to get by.
00:50:07 You're going to stay here and help me.
00:50:10 Do you understand?
00:50:12 Help you? Help you with what?
00:50:15 I need to understand what's happening around me, Tassos.
00:50:20 I'm going to leave, Tassos.
00:50:21 Giorgi, I have to leave.
00:50:24 Bah!
00:50:26 You saw the dust and you want me to get the steam.
00:50:29 That's all.
00:50:31 But you owe me, Tassos.
00:50:38 You owe me something too.
00:50:41 Thank you, Taki.
00:50:48 Thank you, I tried to find you yesterday, but Giorgi told me...
00:50:50 Don't think about it now, that's how it should have been.
00:50:53 But if it wasn't for you, I don't know what I would have done.
00:50:56 You were the only one who supported me.
00:50:58 Don't say it and say it again, that's enough.
00:51:01 That's how it should have been, I'm telling you.
00:51:03 I couldn't have not given you the steam.
00:51:05 Going in for something you didn't do,
00:51:07 it wasn't right.
00:51:09 And if they find out,
00:51:12 if they find out that it didn't happen like that,
00:51:15 you'll get in trouble too, you'll be in trouble.
00:51:17 I'm not going to get in trouble with so many people,
00:51:18 I don't want anyone to tell me.
00:51:20 I'd rather end up with their asses an hour earlier.
00:51:23 I'm tired, I'm tired, that's life.
00:51:26 What's wrong?
00:51:29 What's going on?
00:51:31 Why are you talking like that?
00:51:33 You at least have a man by your side.
00:51:36 Don't talk to me like that, don't confuse me.
00:51:38 If you feel sorry for me, go and take it back,
00:51:41 I'll take the first step, don't worry.
00:51:43 What are you talking about? It's not about you.
00:51:46 You don't understand.
00:51:47 Explain it to me, so I can understand.
00:51:51 I almost fell to the bed with Tassos, I almost jumped with him.
00:51:56 Inside his house.
00:51:58 Inside the house of the only person who truly loved me.
00:52:02 Where were you?
00:52:03 I was in Athens, I went for a walk.
00:52:08 It's such a beautiful place, Mr. Stalin,
00:52:12 I've never seen it before, can you believe it?
00:52:14 Farms,
00:52:16 a lot of people,
00:52:18 a lot of people.
00:52:20 I was in Athens, I went for a walk.
00:52:22 I was in Athens, I went for a walk.
00:52:24 I was in Athens, I went for a walk.
00:52:26 I was in Athens, I went for a walk.
00:52:28 I was in Athens, I went for a walk.
00:52:30 I was in Athens, I went for a walk.
00:52:31 I was in Athens, I went for a walk.
00:52:33 I was in Athens, I went for a walk.
00:52:35 I was in Athens, I went for a walk.
00:52:37 I was in Athens, I went for a walk.
00:52:39 I was in Athens, I went for a walk.
00:52:41 I was in Athens, I went for a walk.
00:52:43 I was in Athens, I went for a walk.
00:52:45 I was in Athens, I went for a walk.
00:52:47 I was in Athens, I went for a walk.
00:52:49 I was in Athens, I went for a walk.
00:52:51 I was in Athens, I went for a walk.
00:52:53 I was in Athens, I went for a walk.
00:52:55 I was in Athens, I went for a walk.
00:52:57 I was in Athens, I went for a walk.
00:53:00 What's up, Elio?
00:53:01 How are you doing? Everything under control?
00:53:04 We're doing our best, Mr Pozzani.
00:53:07 Are you here for the case of his diagnosis?
00:53:10 No, no. He's already taken his course.
00:53:13 We're gathering some data.
00:53:15 If you need anything, I'll let you know.
00:53:17 You know, though, we have other issues.
00:53:22 I'm not sure.
00:53:23 I don't like this place in Athens.
00:53:33 I mean this Nonda Paradise.
00:53:36 I read the records, I read the documents.
00:53:41 Something's wrong.
00:53:43 What do you mean?
00:53:46 I'm not sure yet.
00:53:48 We need to investigate further.
00:53:51 That's why I want to do something, as soon as possible.
00:53:55 I don't want to waste time if it's not necessary.
00:53:59 You'll tell us what you want us to do, Mr Pozzani, and we'll do it.
00:54:03 I'll explain it to you right away. Wait.
00:54:08 Wait.
00:54:09 Potika, you're here, my boy.
00:54:28 I'm glad to see you.
00:54:30 I want to talk to you.
00:54:32 Is Myrtoula here?
00:54:36 Welcome.
00:54:37 She went out for a walk. Why? What's going on?
00:54:40 I had a conversation with Aglaia.
00:54:43 The wife of Stelios, the diamond.
00:54:46 You know, about the coffee shop.
00:54:49 You're talking to the wrong person, my father.
00:54:51 When Myrtoula comes back, tell her whatever you want.
00:54:53 My boy, listen to me, please.
00:54:56 I mean it. I had a conversation with Myrtoula, and she wants to be alone in the afternoon, without my help.
00:55:04 If you want to tell her about the coffee shop or whatever else,
00:55:07 ask the room on the right.
00:55:10 What's the matter with me?
00:55:14 I had no job.
00:55:16 It was Myrtoula's idea.
00:55:18 Her future, her child, everything.
00:55:21 Yes.
00:55:24 But she's doing well.
00:55:26 She's trying to regain her self-confidence.
00:55:29 Slowly, but surely.
00:55:32 You see, people are very strict outside.
00:55:34 They don't protect her like you do.
00:55:37 That's what I'm saying.
00:55:39 I said the opposite.
00:55:41 That's exactly what she wants.
00:55:43 She wants to do well.
00:55:45 She'll do whatever she wants.
00:55:47 I'm stuck on her, too.
00:55:50 I mean, the love I have for her.
00:55:53 I didn't let her breathe.
00:55:55 After she left the hospital,
00:55:58 there, next to her,
00:56:01 I let her be alone for a while,
00:56:02 to enjoy her freedom.
00:56:05 Isn't that right?
00:56:09 Yes.
00:56:12 Let's say it's good for her to be alone for a while.
00:56:16 Independent.
00:56:18 That's right.
00:56:20 She'll do whatever she wants.
00:56:22 That's what she wants.
00:56:24 I wish people knew what they really want.
00:56:30 What they have in their hearts and minds.
00:56:33 But it's not always like that.
00:56:37 What are you going to do now?
00:56:38 I don't know, damn it.
00:56:40 I tried to tell her.
00:56:42 But she, her brother,
00:56:44 my head, I couldn't.
00:56:46 I'll explode.
00:56:48 Don't do it, Nietzsche.
00:56:50 Don't tell her.
00:56:52 She'll die.
00:56:54 From me?
00:56:56 One of the bad things that happened and it doesn't change.
00:56:59 You know how I feel?
00:57:01 You know how I feel in here?
00:57:04 I feel like a black hole.
00:57:05 I can't tell her.
00:57:07 The damage has happened again.
00:57:09 Why?
00:57:11 Why do it?
00:57:13 Don't look for it.
00:57:15 It happened before.
00:57:17 I didn't know who Tassos was.
00:57:20 But now I know.
00:57:22 I know, Zeta.
00:57:24 I know.
00:57:26 I have no excuse.
00:57:28 Have you been drinking?
00:57:33 Why do you drink, Nietzsche?
00:57:34 Why do you drink when you can't stand it?
00:57:36 What's got you?
00:57:38 Because sometimes, only if you drink,
00:57:40 you can stand on your feet.
00:57:42 You drink to go further, to hold on.
00:57:44 Is that what you think?
00:57:46 Because your mother did it?
00:57:48 You saw how she led her.
00:57:50 What mother?
00:57:52 What does my mother have to do with it?
00:57:54 What do you want to get in your mouth?
00:57:56 I don't even want to hear her name.
00:58:00 I'm sick of her.
00:58:01 I'm sick of her.
00:58:03 I'm sick of her.
00:58:05 I'm sick of her.
00:58:07 I'm sick of her.
00:58:09 I'm sick of her.
00:58:11 I'm sick of her.
00:58:13 I'm sick of her.
00:58:15 I'm sick of her.
00:58:17 I'm sick of her.
00:58:19 I'm sick of her.
00:58:21 I'm sick of her.
00:58:23 I'm sick of her.
00:58:25 I'm sick of her.
00:58:27 I'm sick of her.
00:58:29 Nitsa,
00:58:30 leave them all and look ahead.
00:58:33 Isn't that what you always told me?
00:58:36 I wish I could be here.
00:58:38 I wish.
00:58:40 But where I am now,
00:58:43 I can't be.
00:58:45 [music]
00:59:07 Gretoula, what are you doing?
00:59:10 I'm sorry I didn't come to the room to sit with you.
00:59:14 I'll come more often.
00:59:15 At least that's what I say.
00:59:17 Pontikas?
00:59:19 I just got here.
00:59:21 Hi, Grigori.
00:59:24 Hi, girl.
00:59:26 What's up?
00:59:28 Nothing, thank you.
00:59:30 I just wanted to ask you something.
00:59:32 What is it?
00:59:34 Do you know if the offer of the diamond is valid?
00:59:37 Of course it is.
00:59:39 But Pontikas doesn't want to hear it.
00:59:42 I'm sorry.
00:59:43 I'm sorry?
00:59:45 You?
00:59:47 Yes.
00:59:49 That's what I'm saying.
00:59:51 [music]
01:00:05 What's up?
01:00:08 [heart monitor beeping]
01:00:13 Christos...
01:00:15 How did all this happen? Why?
01:00:20 [music]
01:00:32 Where are these for?
01:00:36 I keep them for my archive.
01:00:38 One day they'll open them and find the history of the country.
01:00:42 I'm going to go.
01:00:51 Do you need anything else?
01:00:53 I have a lesson with the little manager.
01:00:55 The exams are in two days.
01:00:57 And the snakes are still alive?
01:00:59 Not so much.
01:01:01 The manager will come back later.
01:01:04 What are you doing here?
01:01:05 I work here.
01:01:07 In the printing press, but this time in the office.
01:01:10 Don't worry.
01:01:12 We have nothing to do with each other.
01:01:14 And we don't want to be separated.
01:01:16 What do you mean?
01:01:18 I'm leaving.
01:01:20 Sit down.
01:01:26 If you came to ask me about Christos...
01:01:32 I'm sorry.
01:01:33 It was a trap.
01:01:35 And I hope it will be saved.
01:01:37 Because otherwise I can't see myself in here.
01:01:40 I can't stand it myself.
01:01:42 A trap?
01:01:44 When?
01:01:46 Last night.
01:01:48 Now if I tell you I'm upset, I'm lying to you.
01:01:52 I see.
01:01:54 So you didn't come for that.
01:01:56 How can I help you?
01:01:58 I want you to put an ad.
01:02:01 For you.
01:02:02 The store?
01:02:04 Yes, the store.
01:02:06 At some point, you'll have to sell it.
01:02:09 I'll sell it.
01:02:11 And I'll go to Italy.
01:02:13 I hope with the woman I love.
01:02:16 I'm ordering a pizzeria.
01:02:30 Let's see where this will go.
01:02:31 Hello.
01:02:44 I'm calling from the police department of Agrinio.
01:02:47 I'm the manager of "The Perfect Diamonds".
01:02:49 Can I speak to Mr. Toko?
01:02:51 Yes, the same.
01:02:53 Mr. Toko, I'm calling you about the situation you made in the security of Athens.
01:02:56 What do you mean?
01:02:59 You have to come to Agrinio.
01:03:01 Can you do that?
01:03:03 Can you tell me the reason?
01:03:06 Of course.
01:03:08 You'll be interrogated by the woman you reported and by a witness who came to the store.
01:03:14 I understand.
01:03:16 As you wish, Mr. Manager.
01:03:18 You didn't answer me. Will you come?
01:03:20 Should I take what you're telling me as a positive answer?
01:03:23 Your presence here is obligatory.
01:03:25 Today, anyway.
01:03:27 Today, anyway.
01:03:28 That's right.
01:03:33 You did the right thing.
01:03:35 And you'll be rewarded.
01:03:37 You have to come to the department at noon.
01:03:44 The manager wants you for an examination during the show.
01:03:47 With his witness?
01:03:49 With his witness.
01:03:51 With the man who reported.
01:03:53 With the one who came to the hotel?
01:03:56 I'm going to the hospital.
01:03:57 We have to talk.
01:03:59 We have to get along.
01:04:01 I'm afraid they'll understand us.
01:04:03 When you pulled me, my heart broke.
01:04:06 I went crazy.
01:04:08 That's the only thing that killed me.
01:04:10 The idea that I was looked at by your eyes.
01:04:13 Thank you, I love you.
01:04:15 I was just coming from the coffee shop.
01:04:17 I told Grigori I'd be there.
01:04:19 I'll take it.
01:04:21 Tell me that you don't need to go up to the stairs.
01:04:23 How?
01:04:25 Don't worry, I've done my part.
01:04:26 This is our chance.
01:04:28 So, you insist, Mrs. Anagnostos,
01:04:30 that on the day and time of the murder,
01:04:32 you took the witness
01:04:34 and went to your house to make the show
01:04:36 that you sing in the shops.
01:04:39 My boy,
01:04:41 you're awake.
01:04:43 Go.
01:04:45 Go and don't come back.
01:04:47 My gun, you bastard.
01:04:54 I left it here and I can't find it anywhere.
01:04:56 Are you sure?
01:04:58 Yes, my friend, it was here.
01:05:00 She took it, Panaritis.
01:05:02 She looked me in the eyes and said,
01:05:04 "Do you love her, Mitzah?"
01:05:06 Sous-titrage Société Radio-Canada
01:05:08 [Musique]

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