कलेला आध्यात्मिक जोड देणारे मूर्तिकार - किरण शिंदे | गोष्ट असामान्यांची भाग ५६
मुंबईत राहणारे किरण शिंदे हे मिनिएचर आर्टिस्ट आहेत. गणपतीची लघू आकारातील इको फ्रेंडली मूर्ती ते साकारतात. किरण यांना लहानपणापासूनच गणपतीची प्रचंड आवड होती. ही आवड त्यांनी आपल्या कलेच्या रुपात जपली. एक, दीड, नऊ, ११ इंच अशा लघू मूर्ती ते साकारतात. गणेश मूर्ती साकारताना किरण ती शास्त्रोक्त पद्धतीने साकारतात. म्हणजेच मूर्तीत गणेश यंत्र, त्रीयंत्र, मूलाधारचक्र स्थापित केलेलं असतं. एक मूर्ती साकारण्यासाठी तीन दिवस लागतात. विशेष म्हणजे मूर्तीवरील सर्व दागिने ते चॉकलेट आणि कॅडबरीच्या सोनेरी आवरणाच्या कागदाने तयार करतात. किरण यांची ही मिनिएचर कला पाहून अनेकजण त्यांच्याकडून घरची गणेश मूर्ती तयार करून घेतात, मात्र ती विसर्जित केली जात नाही.
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#ganeshotsav2023 #ganpatibappa #kiranshinde #miniatureartist #miniatureartist #ganeshfestival #ganeshfestival2023 #ganeshchaturthi #murtikar #lalbaug #goshtasamanyachi #MaharashtraNews #maharashtra #ganpatibappamorya #india
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NewsTranscript
00:00 Everyone sees God as a God, but that is a fear-filled devotion.
00:03 People should do devotion of love and devotion of devotion without fear.
00:06 I made the first Ganpati of the temple,
00:08 it must be of a size of at least one rupee.
00:10 And the makar used to sit on it was the belt of the matchbox.
00:13 People were eager to go to the temple,
00:15 they wanted to go to the temple as if it was their own home.
00:18 The stains of my God, as long as they are with me,
00:20 they will be there for 10 years or 5 years.
00:22 They should not turn black.
00:23 I had this thought in my mind that people should not forget my Ganpati.
00:26 I have been blessed with the title of a great artist.
00:31 The first reason is Ganpati,
00:33 the second reason is my mother, Gaudi.
00:34 Ganpati's idol is such that it is not enough to put your life in it.
00:38 Rest, it is a gift.
00:39 Namaskar, welcome once again to the special show of Lok Satta Online,
00:47 "Ghost Asamanyan".
00:49 You must have heard the saying, "Idols are small, but their glory is great".
00:53 The person we are going to meet today has created a unique identity for himself
00:57 by creating such small idols.
00:59 Kiran Shinde, who lives in Mumbai,
01:02 has created miniature,
01:04 that is, eco-friendly idols in the form of clothes.
01:08 They have been working on this for many years.
01:11 The special thing is that all the stains on this idol
01:13 have been made from the golden paper of chocolate.
01:17 So, is it or not, Bhannat?
01:19 Let's find out their journey.
01:21 Namaskar, my name is Kiran Vijayalakshmi Shinde.
01:23 It started from my childhood.
01:25 Just as Ganpati is in someone's mind and he comes to life,
01:29 there should be a thread connected to it since childhood,
01:32 because of which the spiritual god of the world of art
01:36 started to flow in me and art started.
01:38 It is more than that,
01:41 but this art has been going on for 25 years.
01:45 The first idol was created when I was a child,
01:48 I used to go to school, senior or junior,
01:52 and suddenly a Ganpati of a group came in front of me.
01:54 But at that time I didn't know that this is a god,
01:56 the name of this god is different,
01:57 or what is called by him,
01:59 what is the importance of this,
02:00 and after that I suddenly went home
02:01 and that idol stuck in my mind so much
02:04 that I wanted to make it
02:06 when I did not have the idea of what the world is.
02:12 And when I went home,
02:14 the wheat flour that is found for making chapati,
02:16 I made the first Ganpati of that wheat flour,
02:18 it must be of the size of 1 rupee,
02:20 and to sit on it,
02:22 it is made of clay,
02:22 that is, the clay of the matchbox.
02:24 I have such an idea that we are big Ganpatis,
02:26 I always see this in the group,
02:28 but that lavanya or that art
02:31 or that beauty is not seen in our home Ganpati,
02:33 because at home Ganpati is sitting in our traditional way,
02:36 or is given.
02:38 Then there are so many Ganpatis of the group
02:39 that people have some people
02:41 who go to see the Ganpati of the group
02:42 without leaving the Ganpati of the house.
02:44 So my first thought was that
02:46 people should get the Ganpati of the group
02:48 in small size and easily.
02:50 With this idea, I started making it.
02:52 And by the grace of Ganesha,
02:53 we can see that these statues,
02:55 if you see these statues only in the photo
02:58 or in this,
02:58 it seems that this is the Ganpati of the group,
03:00 but the small work in this,
03:02 the details in this,
03:03 now big statues are being put in clothes,
03:05 now new statues are being put in,
03:07 but it was not like that in the past,
03:08 in the past everything was in clay,
03:09 but now in such a small statue,
03:11 so much clothes are put in,
03:12 or repairing with dye,
03:14 I tried to do all these things,
03:16 so that people's wishes will be fulfilled,
03:18 that my father is like a group in this house,
03:20 that I do not have to go to the group.
03:21 I used to see that
03:22 now the dye that is used to paint the statues,
03:24 after dyeing they turn black.
03:26 So my thought was that
03:27 what is the method or what is the method
03:31 so that my God's dye,
03:32 as long as it is with me,
03:33 whether it is 10 years or 5 years,
03:35 it should not turn black.
03:37 Then I thought about it,
03:38 and suddenly one day we eat Cadbury,
03:40 Dairy Mill Cadbury.
03:42 I noticed the wrapper of Cadbury,
03:44 and it was like gold.
03:45 So after that I tried,
03:47 that yes, we made the God with its dye,
03:49 and I tried that,
03:51 and that effort by the grace of Ganesha,
03:53 decided to give me a lot of happiness.
03:55 And after that, now we can see that
03:57 these dyes are delicate,
03:59 they are of the wrapper,
04:00 that is, they need to be dried,
04:01 or they need to be cut sweetly.
04:02 But when these dyes go on Ganesha's body,
04:05 then it looks so open to him,
04:07 that it feels like it is a gold dye.
04:08 If you go to see one statue from the year,
04:11 it takes only 3 days to complete,
04:13 to make the statue,
04:15 and to complete it,
04:16 it takes a week to dry and put different clothes on.
04:18 But the process is such that,
04:20 now Ganpati is going to go to a person's house,
04:23 how is the atmosphere of that person's house,
04:25 the family deity of that house,
04:27 or who is connected to the devotion of those people,
04:29 even if Ganpati goes to us,
04:31 but some people have devotion to Rama,
04:33 some have devotion to Vithal,
04:35 then I cannot make my Ganpati Vithal,
04:37 because Ganpati is Ganpati,
04:38 and Vithal is Vithal.
04:39 What is such a Ganpati,
04:41 that he feels in Vithal?
04:43 I try to explain it with such a demand.
04:45 For example, if we see,
04:47 Mayureshwar is the name of Ganpati,
04:49 this is the peacock,
04:50 in the Girja,
04:51 this is the name of Ganpati,
04:52 so on his head,
04:53 we say,
04:54 Baba has kept this much on his head,
04:56 this is a person of love.
04:58 Like in Pandharpur,
04:59 on the head of Panduranga,
05:00 there is Shankar, the Shivling,
05:01 similarly,
05:02 Ganpati is so much a devotee for his mother,
05:04 that he has taken his mother on his head.
05:06 Now Mayur,
05:07 this is a symbol of happiness,
05:08 like when it rains,
05:09 the peacock dances differently.
05:10 So,
05:11 the peacock of his heart,
05:12 he has taken it on his hand,
05:13 he is so happy,
05:14 that he is dancing with my mother's name on his head.
05:16 My imagination was such,
05:18 that it is so beautiful,
05:20 that I cannot imagine it.
05:23 Sometimes I cannot believe,
05:24 that I have made Ganesha's form.
05:26 Now,
05:27 after a while,
05:28 people started coming,
05:29 and people started taking idols from me.
05:30 But,
05:31 this thing was in my mind,
05:32 that people did not make my Ganpati Vithal.
05:35 And in its true form,
05:36 Ganesha made it in my form,
05:38 in front of people,
05:39 that people said,
05:40 your idol is so small,
05:41 so beautiful,
05:42 that while making it,
05:43 our grandchild,
05:44 literally,
05:45 we were in so much pain,
05:46 our feelings were so attached to it,
05:48 that we do not feel like making Ganpati.
05:50 And,
05:51 the biggest miracle is this,
05:52 that the people,
05:53 to whom Ganpati Vyapad is given,
05:54 in some of their homes,
05:55 even today,
05:56 the idols of 10-15 years,
05:57 of my father,
05:58 are still in their home,
05:59 they have not made it.
06:00 Like,
06:01 in a person's house,
06:02 I am giving Ganpati,
06:03 after 10 years.
06:04 So,
06:05 the idols of 10 years,
06:06 are still in their home,
06:07 and whoever will pass this year,
06:08 will also stay in their home.
06:09 All this,
06:10 by the grace of Bappa,
06:11 or by the blessings of people,
06:12 is a result,
06:13 that,
06:14 what I was imagining,
06:15 in that imagination,
06:16 in the form of making it,
06:17 this Omkar gave.
06:18 And this Omkar,
06:19 made it in my form.
06:20 Now,
06:21 my name is Kiran,
06:22 but according to the Shastra,
06:23 Kiran means,
06:24 the rays of Asha.
06:25 But,
06:26 the rays of Asha,
06:27 like mine,
06:28 if someone is going to show the real rays,
06:29 then that is Ganpati Bappa.
06:30 Because of which,
06:31 I was able to make,
06:32 Ganpati Bappa.
06:33 Because of which,
06:34 I am the idol of the small group,
06:35 which the group,
06:36 will also show,
06:37 and will not feel so beautiful,
06:38 that I will show it with my own hands.
06:39 And,
06:40 that will enter the hearts of people,
06:41 and people's feelings,
06:42 will only rise with that,
06:43 that they love him so much,
06:44 that they will not forget him,
06:45 in the end.
06:46 So,
06:47 it was like this,
06:48 that I was going according to the Shastra,
06:49 and my practice was,
06:50 that people,
06:51 till now,
06:52 Ganpati is going,
06:53 but,
06:54 this Ganpati's wisdom,
06:55 or this Ganpati's,
06:56 imagination,
06:57 which is the subject of people,
06:58 that people say,
06:59 that,
07:00 if Ganpati sits in two feet,
07:01 then he can do anything,
07:02 like this.
07:03 But,
07:04 if you see it in the form of Bhakti,
07:05 then there is no restriction in Bhakti.
07:06 If Ganesh,
07:07 like Morya Goswami and Ganpati,
07:08 then for Morya Goswami,
07:09 Ganpati was their idol,
07:10 he was the idol of the devotees,
07:11 this is the tradition of all the devotees,
07:12 and the devotees.
07:13 So,
07:14 according to this,
07:15 when my journey started,
07:16 and I thought,
07:17 that I should do something about Ganpati,
07:18 so,
07:19 there is a book about people,
07:20 which I had started,
07:21 and,
07:22 suddenly,
07:23 by the grace of Ganesha,
07:24 there is a group of Lalbagh,
07:25 say,
07:26 King of Lalbagh,
07:27 say,
07:28 Ganesh Galdi,
07:29 so,
07:30 by their presence,
07:31 maybe,
07:32 they got to know,
07:33 that,
07:34 a person named Kiran Shinde,
07:35 he has a lot of experience,
07:36 in Ganesha,
07:37 and,
07:38 so,
07:39 after that,
07:40 by the grace of Ganesha,
07:41 and,
07:42 by the grace of Ganesha,
07:43 he came to me,
07:44 and,
07:45 on Kalas Marathi,
07:46 I started doing the serial,
07:47 Ganpati Vappa Morya,
07:48 and,
07:49 I have done all the work,
07:50 I worked as a researcher,
07:51 after that,
07:52 Jai Mallhar Chauh,
07:53 or,
07:54 Vithu Mouli Chauh,
07:55 all such,
07:56 serials,
07:57 I got a good fortune,
07:58 I got a good fortune,
07:59 Mudgal Puran,
08:00 there was a story,
08:01 that,
08:02 Mahesh Kothare,
08:03 had called me,
08:04 and,
08:05 there was the first interview,
08:06 that,
08:07 as a researcher,
08:08 we have to select everyone,
08:09 so,
08:10 there were 5 people,
08:11 5 very old,
08:12 and,
08:13 famous people,
08:14 and,
08:15 I was very young,
08:16 I was very young in front of them,
08:17 maybe,
08:18 my character was not good,
08:19 and,
08:20 at that time,
08:21 they asked,
08:22 3 questions about Ganesha,
08:23 that,
08:24 who was the greatest writer of Ganesha,
08:25 this was the third question,
08:26 so,
08:27 Mudgal Puran,
08:28 is the most important,
08:29 and the biggest,
08:30 book of Ganesha,
08:31 in which,
08:32 all the knowledge of Ganesha is there,
08:33 and,
08:34 after answering this,
08:35 they also knew,
08:36 that,
08:37 there is a book named Mudgal Puran,
08:38 and,
08:39 I was selected for this,
08:40 and,
08:41 my journey in this industry,
08:42 started.
08:43 At that time,
08:44 Lalbagh's King was 75 years old,
08:45 and,
08:46 at that time,
08:47 I thought,
08:48 that,
08:49 Lalbagh's King is world famous,
08:50 Lalbagh's King's love,
08:51 or,
08:52 his affection,
08:53 so,
08:54 in this way,
08:55 Lalbagh's King,
08:56 is the symbol of Shivrajya Vishak,
08:57 and,
08:58 so,
08:59 that year,
09:00 I thought,
09:01 that,
09:02 Ganesha,
09:03 should be worshipped,
09:04 as Shivaji Maharaj,
09:05 and,
09:06 in a very small place,
09:07 as I told you before,
09:08 that,
09:09 Ganpati is in our house,
09:10 so,
09:11 Ganpati,
09:12 Shivrajya Vishak,
09:13 will be seen in the crowd,
09:14 with his mother,
09:15 with his siblings,
09:16 with all the soldiers,
09:17 I did the show,
09:18 of Shivrajya Vishak,
09:19 that year.
09:20 So,
09:21 that story was,
09:22 that,
09:23 till now,
09:24 children are very fond of Ganesha,
09:25 and,
09:26 every mother,
09:27 thinks that,
09:28 her child should be taught,
09:29 to be a great teacher,
09:30 and,
09:31 so,
09:32 that was my mother's belief,
09:33 in that,
09:34 Ganesha decided,
09:35 that,
09:36 he will go to Ganpati,
09:37 after completing his studies,
09:38 after completing his studies,
09:39 and,
09:40 about that,
09:41 Ganpati will beat him,
09:42 but,
09:43 as they say,
09:44 without the wound of the stick,
09:45 no God can come,
09:46 so,
09:47 whatever he,
09:48 that I got beaten up,
09:49 by Ganpati,
09:50 may be,
09:51 that is the result,
09:52 of that,
09:53 in front of you,
09:54 and,
09:55 as per that,
09:56 by the grace of Ganesha,
09:57 I got this,
09:58 universal happiness,
09:59 that,
10:00 I am my mother's,
10:01 great treasure,
10:02 that,
10:03 as per the way,
10:04 Ganesha loves Gauri,
10:05 so,
10:06 she is my Gauri,
10:07 by whose grace,
10:08 I have become,
10:09 successful today,
10:10 today,
10:11 I am Kiran,
10:12 this,
10:13 universal happiness,
10:14 or,
10:15 in the form of Ganesha,
10:16 I am becoming successful,
10:17 or,
10:18 today,
10:19 a lot of art,
10:20 14th,
10:21 16th,
10:22 art,
10:23 all these,
10:24 are,
10:25 really,
10:26 worthy of being,
10:27 worshipped,
10:28 but,
10:29 I am saying,
10:30 that,
10:31 if,
10:32 a house,
10:33 is going to,
10:34 this Mangal murti,
10:35 then,
10:36 does it go there,
10:37 only as a murti,
10:38 it should,
10:39 be the real Mangal,
10:40 of the house,
10:41 in which it goes,
10:42 so,
10:43 as we see,
10:44 that,
10:45 the Ganpati,
10:46 who,
10:47 the devotees,
10:48 see,
10:49 or,
10:50 are happy,
10:51 or,
10:52 are,
10:53 in a good mood,
10:54 or,
10:55 are,
10:56 in a good mood,
10:57 then,
10:58 the Ganpati,
10:59 is,
11:00 the real Ganpati,
11:01 of the house,
11:02 in which,
11:03 it goes,
11:04 so,
11:05 as we see,
11:06 that,
11:07 the Ganpati,
11:08 is,
11:09 the real Ganpati,
11:10 of the house,
11:11 in which,
11:12 it goes,
11:13 so,
11:14 as we see,
11:15 the Ganpati,
11:16 is,
11:17 the real Ganpati,
11:18 in which,
11:19 it goes,
11:20 so,
11:21 as we see,
11:22 the Ganpati,
11:23 is,
11:24 the real Ganpati,
11:25 in which,
11:26 it goes,
11:27 so,
11:28 as we see,
11:29 the Ganpati,
11:30 is,
11:31 the real Ganpati,
11:32 in which,
11:33 it goes,
11:34 so,
11:35 as we see,
11:36 the Ganpati,
11:37 is,
11:38 the real Ganpati,
11:39 in which,
11:40 it goes,
11:41 so,
11:42 as we see,
11:43 the Ganpati,
11:44 is,
11:45 the real Ganpati,
11:46 in which,
11:47 it goes,
11:48 so,
11:49 as we see,
11:50 the Ganpati,
11:51 is,
11:52 the real Ganpati,
11:53 in which,
11:54 it goes,
11:55 so,
11:56 as we see,
11:57 the Ganpati,
11:58 is,
11:59 the real Ganpati,
12:00 in which,
12:01 it goes,
12:02 so,
12:03 as we see,
12:04 the Ganpati,
12:05 is,
12:06 the real Ganpati,
12:07 in which,
12:08 it goes,
12:09 so,
12:10 as we see,
12:11 the Ganpati,
12:12 is,
12:13 the real Ganpati,
12:14 in which,
12:15 it goes,
12:16 so,
12:17 as we see,
12:18 the Ganpati,
12:19 is,
12:20 the real Ganpati,
12:21 in which,
12:22 it goes,
12:23 so,
12:24 as we see,
12:25 the Ganpati,
12:26 is,
12:27 the real Ganpati,
12:28 in which,
12:29 it goes,
12:30 so,
12:31 as we see,
12:32 the Ganpati,
12:33 is,
12:34 the real Ganpati,
12:35 in which,
12:36 it goes,
12:37 so,
12:38 as we see,
12:39 the Ganpati,
12:40 is,
12:41 the real Ganpati,
12:42 in which,
12:43 it goes,
12:44 so,
12:45 as we see,
12:46 the Ganpati,
12:47 is,
12:48 the real Ganpati,
12:49 in which,
12:50 it goes,
12:51 so,
12:52 as we see,
12:53 the Ganpati,
12:54 is,
12:55 the real Ganpati,
12:56 in which,
12:57 it goes,
12:58 so,
12:59 as we see,
13:00 the Ganpati,
13:01 is,
13:02 the real Ganpati,
13:03 in which,
13:04 it goes,
13:05 so,
13:06 as we see,
13:07 the Ganpati,
13:08 is,
13:09 the real Ganpati,
13:10 in which,
13:11 it goes,
13:12 so,
13:13 as we see,
13:14 the Ganpati,
13:15 is,
13:16 the real Ganpati,
13:17 in which,
13:18 it goes,
13:19 so,
13:20 as we see,
13:21 the Ganpati,
13:22 is,
13:23 the real Ganpati,
13:24 in which,
13:25 it goes,
13:26 so,
13:27 as we see,
13:28 the Ganpati,
13:29 is,
13:30 the real Ganpati,
13:31 in which,
13:32 it goes,
13:33 so,
13:34 as we see,
13:35 the Ganpati,
13:36 is,
13:37 the real Ganpati,
13:38 in which,
13:39 it goes,
13:40 so,
13:41 as we see,
13:42 the Ganpati,
13:43 is,
13:44 the real Ganpati,
13:45 in which,
13:46 it goes,
13:47 so,
13:48 as we see,
13:49 the Ganpati,
13:50 is,
13:51 the real Ganpati,
13:52 in which,
13:53 it goes,
13:54 so,
13:55 as we see,
13:56 the Ganpati,
13:57 is,
13:58 the real Ganpati,
13:59 in which,
14:00 it goes,
14:01 so,
14:02 as we see,
14:03 the Ganpati,
14:04 is,
14:05 the real Ganpati,
14:06 in which,