"Hubungan Kami Bukan Semanis Kurma, Tapi Semasam Susu" - Waheeda
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Transcript
00:00 [MUSIC]
00:14 Hi! Assalamualaikum!
00:17 Wow!
00:18 We meet again!
00:19 We meet again!
00:20 We meet again in Borat Celebrity with me, Falik.
00:23 But this week, we're also with Putra Anwar!
00:26 Yes!
00:27 It's been a long time since we did Borat Celebrity!
00:29 Yes, Dina is on leave this week.
00:31 So, Putra will take over Dina's work.
00:34 So, Dina's work is simple.
00:36 What is Dina's work, Alik?
00:37 Laugh.
00:38 Oh, I can do that!
00:39 I can do that.
00:40 Wow!
00:41 This week's Borat Celebrity is our guest.
00:43 Why did I give a greeting?
00:45 There are some calls.
00:46 It's quite a Tajweed.
00:47 It's quite Mahras.
00:48 It's related, Alik.
00:49 I think...
00:50 Tell us!
00:51 It's related.
00:54 Because the song was like this.
00:56 How?
00:58 Tak kira masa...
01:00 ...wa sini.
01:02 We'll introduce Alik.
01:03 We're with Wahida!
01:05 Peace be upon you.
01:07 Peace be upon you, too.
01:08 How are you, Kak?
01:10 Alhamdulillah.
01:11 Alhamdulillah, right?
01:12 And today, we want to tell you...
01:14 ...that Wahida didn't come alone.
01:16 We accompanied her outside.
01:18 But she's with her beloved husband.
01:20 Ask him to come in.
01:21 Ustaz, you can hang out.
01:24 We have a lot of things to correct...
01:25 ...the secret with Wahida.
01:27 Be patient.
01:28 We have a few stories to throwback.
01:30 I heard that you're going to make a comeback.
01:34 Comeback.
01:35 You never know where you're coming...
01:37 ...and where you're going.
01:38 But for the month, we want to tell you.
01:41 We know Wahida...
01:44 ...with her song, Wah Sini.
01:46 It was her first single.
01:48 It was a hit.
01:50 It was a phenomenon.
01:52 But for the song, we'll tell you later.
01:54 The one who brought Wahida to the industry.
01:57 Who was the person in charge?
01:59 Yassin.
02:00 Yassin Sulaiman.
02:01 That's why when you see Wahida's song...
02:04 ...it was composed and written by Yassin Sulaiman.
02:07 He's a genius.
02:09 But where did you meet?
02:13 I was still studying.
02:16 I was still doing my A-Levels.
02:18 He was still at UM.
02:20 It just so happened that we had a mutual friend.
02:24 I was really interested in Brothers.
02:26 Usually, when kids are studying, they don't go far.
02:31 That was his time.
02:33 Even though I was bald at the time.
02:36 I had a bob cut.
02:37 I didn't have a moustache.
02:38 But I had a little bit of a G-Mutual.
02:40 So, I started to look at it.
02:42 Then Brothers said, there's a Chinese singer...
02:44 ...who sold a cassette.
02:45 So, I said, let's take Brothers.
02:46 This is a new group.
02:47 I don't really believe in the name...
02:49 ...of the group.
02:52 So, you had a stigma.
02:53 I had a little bit of a stigma.
02:55 But then I heard Temas Jati.
02:57 I was like, I don't know.
03:00 There's something about that song.
03:01 I don't know why.
03:02 I really like it.
03:03 So, I looked for Yassin.
03:04 That's why he's Yassin, right?
03:07 So, I looked for him.
03:08 And believe me, believe it or not...
03:10 ...in a group of Brothers...
03:12 ...I thought everyone was Yassin...
03:14 ...except Yassin.
03:15 That was also a stigma.
03:18 Because I was thinking...
03:21 ...he couldn't be Yassin.
03:22 He doesn't look like someone...
03:23 ...who can write music.
03:24 I understand.
03:25 That's a stigma.
03:27 I understand.
03:28 He's a good boy.
03:29 He's like a very nice guy.
03:31 So, I looked for everyone.
03:33 And then it turns out...
03:34 ...I found my friend.
03:36 Until one friend said...
03:38 ...he was also my senior at the time.
03:40 He said, I know Yassin.
03:42 Do you want to meet him?
03:43 I said, sure.
03:45 So, which one?
03:46 I told him I had a fan.
03:48 I gave him my phone number.
03:50 He said, alright.
03:51 So, that was when...
03:53 ...he was like, is this Yassin?
03:56 He doesn't look like him.
03:57 Right?
03:58 You can write music.
04:00 This is your song.
04:02 So, from there...
04:04 ...we just started being friends.
04:06 We'd hang out.
04:08 We'd chat and discuss music.
04:10 Until one point...
04:12 ...he said, he offered me...
04:13 ...to go to a concert.
04:14 Because he knew I sang.
04:17 He said, let's make an album.
04:19 We'll make the best concept.
04:21 So, I said, my dad wouldn't give me the chance.
04:24 I don't think my father would give me the chance.
04:27 We didn't think about making an album.
04:29 But one day, I tried with my father.
04:31 I asked him in the car.
04:32 I asked him, "What if you make an album?"
04:35 Astaghfirullahalazim.
04:37 Moderation, Baba. Moderation.
04:39 I understand.
04:41 But, fast forward.
04:42 I made a song for...
04:44 ...this humble singer, Adi Putra.
04:46 Again, I don't know.
04:48 I think you know.
04:49 Your son will always be...
04:51 ...in the same direction.
04:53 Even though he's the most evil.
04:55 But, I'm naïve.
04:57 But, somehow, he got a good reward.
04:59 Praise be to Allah.
05:00 And then, they know that I can play music.
05:04 So, I said, "Make a song for us."
05:07 I said, "I can't play without notes."
05:09 He said, "Try."
05:10 So, we tried. I tried.
05:12 I met his producer.
05:14 He brought me to Bumblebee Studio.
05:16 And then, he showed me his work.
05:18 That was the first time I met Terabay...
05:19 ...who made a song for Nafsha.
05:20 Okay.
05:21 His producer is there too.
05:22 So, he showed me his work.
05:24 He likes my work.
05:25 But, he likes me...
05:26 ...when it comes to producing.
05:28 Okay.
05:29 So, he said...
05:30 ...he saw me as...
05:31 ...I think I want to produce you.
05:33 Because, he said...
05:34 ...you can make music...
05:35 ...and I think you can sing.
05:36 Package, whatever.
05:38 So, instead of producing Adi Putra...
05:40 ...he wanted to produce me.
05:41 But, the thing is...
05:43 ...at that time, simply put...
05:44 ...the circle was not big.
05:46 So, we met at the same time.
05:48 We went to eat here and there.
05:50 We usually went to Hartamas.
05:52 The usual places.
05:53 Uncle Don first.
05:55 So, we met there.
05:58 Sometimes, I bumped into Yasin.
06:00 We were separated for a long time.
06:01 Then, we bumped into each other.
06:03 And, he was with another group.
06:04 So, long story short...
06:06 ...there were three people who wanted to produce after that.
06:08 Wow.
06:09 So, that was the guy from Bumblebee.
06:10 Then, I met Allahyarham Suryabuti...
06:12 ...through Yasin.
06:13 And, he wanted to produce too.
06:15 And then, Yasin found out.
06:16 He was like, "Wow!"
06:18 You wanted to cut off the road.
06:20 "You first. Now, you two."
06:23 So, we were thinking.
06:25 And, finally...
06:26 ...Imam asked my father first.
06:28 He said, "Astaghfirullah, I'm Malaysian."
06:30 But, at that time...
06:32 ...my son had started to be a musician.
06:35 So, my son was a bit older.
06:38 He wanted to finish his studies.
06:39 So, my father was like...
06:41 ...first, he asked...
06:43 ...how was your mother?
06:44 Was your mother okay?
06:45 Was your father okay?
06:46 Yasin, or whatever.
06:48 So, my father said...
06:50 ...what did his boyfriend say?
06:52 "Cheh, boyfriend!"
06:53 He got a mandate.
06:55 But, I guess, at that time, he said...
06:58 ...if it's in the direction of religion...
07:00 ...little did they know.
07:02 But, still.
07:04 It's not that bad.
07:06 He was still in the direction.
07:07 No problem.
07:09 So, maybe he trusted...
07:10 ...when his son was in the religion...
07:11 ...he trusted him more.
07:12 So, he said, "Okay, proceed."
07:15 But, he said, "Choose Yasin...
07:17 ...because we have to stay longer."
07:18 I understand.
07:19 Okay.
07:20 So, proceed.
07:21 That's the story.
07:22 I went on with Yasin.
07:23 But, before that, you were...
07:25 ...an active singer at the university?
07:27 Well, once in a while.
07:28 When I had to perform, I performed.
07:29 And, when I was doing my degree...
07:30 ...we had a band.
07:32 I was close with some lecturers...
07:33 ...who were young musicals.
07:35 And, we had...
07:37 ...when we had a show...
07:38 ...or something, we had a jam.
07:40 Just for fun.
07:41 Just for fun.
07:42 But, the rest...
07:43 ...since I was young...
07:44 ...I was given my music lessons...
07:45 ...since I was 5 years old.
07:47 So, I studied with an organ first.
07:48 Then, I studied piano.
07:50 And then, violin.
07:51 Okay.
07:52 I haven't said the violin yet.
07:53 Who influenced you to play music?
07:56 My family.
07:57 My mum forced me to play.
07:59 Then, my family played musicals...
08:03 ...since long ago.
08:04 My grandfather, my grandmother...
08:06 ...and generations of musicians.
08:09 But, no one really influenced me.
08:12 Except for one person.
08:13 I think, at that time...
08:14 ...you know Uncle Ayah Elusi?
08:15 Yes.
08:16 That's my uncle.
08:17 So, since I was young...
08:20 ...he was so...
08:22 ...he was the cutest.
08:24 He's still cute now?
08:26 Yes, he's still cute now.
08:27 You're my friend.
08:30 Back then, he was so bright.
08:35 And, I was the one who liked to come to him...
08:38 ...and sit in his lap.
08:39 While he was playing the flute.
08:42 He was a flutist.
08:43 So, that's it.
08:45 Yes.
08:46 If you look at his birthplace, it's in Johor.
08:49 Ayah Elusi was also born in Johor.
08:51 Because he and his brother, Uncle Rahman...
08:54 ...Apa Rahman Pui, Allah's blessing to him...
08:56 ...was also his son.
08:57 So, it was all musicals.
08:59 Uncle Rahman and my family...
09:02 ...had a group of Nasheed.
09:04 This is from your own family?
09:06 My own family.
09:07 My great-grandparents, great-grandparents...
09:09 ...my grandmother, my aunties, uncles...
09:11 ...had this group.
09:12 My mother joined.
09:13 Nasheed, who is Nasheed Sri Muni.
09:15 Oh.
09:16 -It's in the competition. -It's called Minyak Masak.
09:17 What?
09:18 No.
09:19 Actually, it's true.
09:20 -Yes, it's true. -It's a return.
09:22 But, Nasheed was the one who brought Minyak Masak.
09:25 So, this group can claim that name.
09:28 Maybe that's why they did it.
09:30 We have to ask.
09:32 Yes, we have to ask.
09:33 I want to know.
09:34 Do you have a business?
09:35 Now, I'm curious.
09:36 I'm curious.
09:38 Contact me.
09:39 But, when it comes to the competition...
09:43 ...when I was young, I remember...
09:44 ...we went to Angkasa Puli first...
09:46 ...to watch their rehearsal.
09:49 So, we used to wear a slindang.
09:51 With our hands like this.
09:53 Left and right.
09:55 Right?
09:56 But, did you expect to be as serious...
10:00 ...in the field of music?
10:01 No.
10:02 You went to the music industry.
10:03 You went to the competitions.
10:05 No.
10:06 Because, when Yasin showed us the song...
10:09 ...I thought, one song is done.
10:11 Even though we signed the contract.
10:13 When I thought about it, I thought...
10:14 ...how could you be so stupid...
10:15 ...not to think about it.
10:16 You signed the contract.
10:17 You didn't think about it.
10:18 You read it.
10:19 But, once I saw it...
10:20 ...when it was on, I also thought...
10:23 ...maybe it's like working in an office.
10:25 So, I punched in and punched out.
10:28 I understand.
10:29 You came at 8 and went home at 5.
10:31 When I saw it, I didn't punch in.
10:33 Other people punched in and punched out.
10:35 From there, you learnt a lot.
10:37 You learnt about public appearances.
10:40 You learnt about photo shoots along the way.
10:43 Then, you learnt acting.
10:45 Then, you learnt how to be a model.
10:48 How to teach.
10:49 You had to learn all those things along the way.
10:52 So, before that, you didn't have any exposure...
10:55 ...about what you had to do.
10:57 I had a dream that...
10:59 ...after I graduated, I wanted to apply for a job...
11:02 ...at John Hancock.
11:03 Don't ask me why.
11:04 It sounds like a good name.
11:05 Because I wanted a corporate company.
11:08 I was a business student, majored in marketing.
11:11 So, I imagined my friends would go for an interview.
11:14 I would also go for an interview.
11:15 We would both look for jobs and go for lunch.
11:17 Suddenly, I got into this.
11:18 I thought it was okay.
11:20 I punched in and punched out.
11:21 But, no.
11:23 I didn't care.
11:24 It's a different path.
11:25 It's different.
11:26 It's a different fortune.
11:27 It's very different.
11:28 If you work 8-5 hours a day...
11:30 ...and you have to go to the show.
11:31 It's office hours.
11:32 Yes.
11:33 I'm still expecting it to this day.
11:34 But, even my father...
11:35 I'm still expecting.
11:36 Yes.
11:37 But, my father said...
11:39 ...he looked at me and said...
11:40 ..."It's strange, Wah."
11:42 I mean, he said...
11:44 "You were a law student.
11:46 Then, you took up business.
11:48 Now, you're a singer."
11:49 I said, "Hey, you forgot.
11:51 You sent me to Music Fest."
11:53 Music Festival.
11:55 You went to Music Fest.
11:56 But, he said, "It's okay.
11:57 In this industry, I'm applying everything."
12:00 Because, we read contracts.
12:03 And then, we know how marketing works.
12:06 So, when we sit down with a recording company...
12:08 ...or management.
12:10 If you want to say something, we know where you're coming...
12:12 ...and where you're going.
12:13 And, we know about music.
12:15 So, I didn't want to run.
12:17 That's the thing.
12:19 Yes.
12:20 So, that's how it went.
12:22 For the first time, listening to the song, 'Wah Sini'.
12:26 Was it your soul that made you sing that song?
12:28 Or, did Yassin tell you to do something new?
12:32 No.
12:33 I appreciate that one.
12:34 Because, he let me listen to it.
12:36 At that time, there were no lyrics.
12:37 I'm a musician at heart.
12:39 So, when he heard it, he fell in love with the music.
12:42 I understand.
12:43 So, the music was good.
12:44 He just did the beat.
12:45 You guys know the beat, right?
12:46 The bassline and everything.
12:48 So, I was so into it.
12:50 When it came to lyrics, it was a different story.
12:52 But, it's okay.
12:54 It's just because the beat and the music...
12:56 ...were very attractive to me.
12:58 I'm talking about myself.
13:00 Attractive.
13:02 You captured the soul.
13:03 I captured it.
13:04 So, I told him, "I like this bassline."
13:06 "Do you like it?"
13:07 "Do you want to proceed?"
13:08 "Do you want this song?"
13:09 "I like this. Do you want it?"
13:10 "Okay, I'll proceed."
13:11 "I'll prepare it."
13:12 That's the right choice.
13:13 And, Farhin's bassline...
13:16 ...that came with the beat...
13:18 ...was Farhin's.
13:19 So, he worked with Farhin.
13:21 So, I told him, "Let's proceed."
13:23 But, when it came to singing...
13:25 ...when it came to lyrics,...
13:27 ...I know that many people struggle to sing.
13:31 I keep telling people.
13:33 They ask, "How do you sing?"
13:35 "It's so hard."
13:36 I told them, "This is a lazy song."
13:37 It's a lazy song.
13:38 It's a lazy song.
13:39 You're in the studio.
13:40 You don't need to control it.
13:41 Okay.
13:42 You just...
13:43 "Wherever you go..."
13:46 Right?
13:49 It's lazier.
13:50 So, just relax.
13:51 Don't control it.
13:52 People say that songs are...
13:54 ...stagnant.
13:55 They're just laid back.
13:57 Yes, just relax.
13:58 You don't need to pull it.
14:00 There's a part that you want to do it a little bit.
14:03 But, the rest is just like...
14:05 It's normal.
14:06 It's fun to come to your back-up.
14:08 "Wow, this is..."
14:10 It's like us.
14:12 It's like people around you.
14:14 I'm a budget.
14:16 Okay, sis.
14:19 If you didn't expect to be that serious in music...
14:23 ...in singing, would you expect to be an actress?
14:25 No.
14:26 No, really.
14:27 I didn't expect anything.
14:28 Because I expected...
14:30 Like I said, one song is done.
14:32 The recording is done.
14:33 I didn't think about anything.
14:34 I didn't think about...
14:35 ...whether I should promote it or not.
14:37 This is my song.
14:38 It's more like...
14:39 "This is Yas and Farhin's song."
14:41 So, I sang.
14:43 And, okay, it's nice.
14:45 I should've recorded it.
14:46 Okay.
14:47 I can apply for John Hancock's jacket.
14:50 Still?
14:51 You can still be an actress.
14:55 Back then, the recording company was called MIG.
14:59 So, no matter what, the talent and the artist...
15:02 ...has to act.
15:03 They have to make films too.
15:04 So, I'm grateful.
15:06 Because, actually, acting is like...
15:09 How do you say?
15:10 My...
15:11 One way to escape.
15:13 To me.
15:14 Because, look.
15:15 In real life...
15:16 We can't be...
15:18 Well, most of us wear masks all the time.
15:21 Right?
15:22 So, there's a certain decorum.
15:25 And, back then, people expected...
15:28 ...when you're wearing a veil and everything.
15:30 So, you're all...
15:32 I'm a good person.
15:34 Soft.
15:35 I'm sorry to disappoint you all.
15:37 Especially today, you're still not soft.
15:39 I bet you, who knows, he knows how tough I am.
15:42 But, when you're acting...
15:45 I said this before.
15:46 I said, "Sama, I've asked you before.
15:48 Why does Waidah do a lot of comedy?"
15:50 First, with the comedy genre, I just followed it.
15:53 But, secondly, because I said...
15:56 ...it's escapism for me.
15:58 There's too much reality.
16:01 You know, the ups and downs of life.
16:03 So, when she's acting, you get to be that...
16:06 You let go of everything.
16:09 You can show your craziness.
16:11 And then, I got a lot of characters.
16:13 Even though I'm the oldest compared to the younger ones.
16:16 Like, Fasha and all.
16:18 But, I got to be the second youngest.
16:20 So, because of that, I got that tomboy look.
16:24 Right?
16:25 That look.
16:26 So, at that time, I'm glad I was acting...
16:29 ...because it gave me that...
16:31 I understand.
16:33 A different perspective.
16:34 Yes.
16:35 And then, release.
16:36 She released a lot of things.
16:37 So, it's like, this is the time...
16:40 What?
16:41 YTJT, right?
16:44 What's that?
16:45 The ones who know, they know.
16:47 Little Short Form.
16:48 There's a lot.
16:49 I know PPR.
16:50 Do you know PPR?
16:51 Flat?
16:52 No.
16:53 Papa Roger.
16:54 Papa Roger.
16:55 What else?
16:56 In Singapore, it's PPP.
16:58 Papa Pichit.
16:59 Pichit?
17:00 Yes.
17:01 I heard of it.
17:02 Are you from Singapore?
17:03 No.
17:04 This is not the face of Singapore.
17:06 This is the most different face.
17:07 I look like a Moor.
17:08 Moor is okay.
17:09 Is it Johor?
17:10 Yes.
17:11 I was born in Pontian, Johor.
17:13 Born.
17:14 I grew up in KL.
17:16 I was born in Johor.
17:18 But basically, your parents are from Johor.
17:20 Yes.
17:21 My father is from Johor.
17:22 Yes.
17:23 Maybe we're relatives.
17:24 Right?
17:25 Yes.
17:26 Let's check the ceremony.
17:27 Let's check.
17:28 Who knows, maybe there's a comment below.
17:30 Who knows, maybe we'll meet.
17:32 Yes.
17:33 Budi from Johor.
17:34 No.
17:35 He's so romantic.
17:37 He's like an engineer.
17:39 We just want to tell you about Wazini.
17:42 It's a product that has a place in the hearts of fans.
17:46 It won the Malaysian Erama competition.
17:49 People say that even kids at that time...
17:53 ...sing Wazini.
17:55 I was still a kid.
17:57 It's the same.
17:58 I think kids can still remember the song.
18:00 I'm still a kid.
18:01 No.
18:03 Why not?
18:05 I'm still young.
18:07 I'm still young.
18:08 The song is well-known.
18:11 But after that, with Binafshah's album...
18:14 ...the first album, 'Waidan'.
18:17 It was not as well received.
18:20 Were you disappointed?
18:23 Or was it an experiment?
18:26 Honestly, I didn't care.
18:28 As musicians, we didn't care about sales or fame.
18:34 It was just an expression.
18:36 You were satisfied.
18:37 Yes.
18:38 But Binafshah...
18:40 ...has worked with Yassin a lot.
18:42 I got a chance to get one or two songs.
18:45 I'm grateful.
18:46 But Binafshah's song is Trabay.
18:49 Trabay made it.
18:50 So, what we shared...
18:53 I can't speak for Yassin.
18:54 But I think he made his own path.
18:56 As musicians, as music makers, we tell a story.
19:00 I always tell people...
19:05 ...not to think about whether people like it or not.
19:08 Whether there are followers or not.
19:10 Whether there are listeners or not.
19:12 Because everybody has an audience.
19:14 Right?
19:15 In fact, today I told everyone...
19:17 ...I told everyone who is into music.
19:19 Any art form.
19:20 But specifically, I mean musicians.
19:22 There are many things that I want to do.
19:24 They always say, "Our industry wants this."
19:26 "This is the trend."
19:27 I say, "Do you think our industry is the only one?"
19:29 The world is now a digital platform.
19:33 It's the internet.
19:35 It's international.
19:37 You have access to the whole world.
19:39 You don't know who your audience is.
19:43 And you have to try it as musicians.
19:46 If you like music, you have to listen to all of it.
19:49 I'm not saying you have to like everything.
19:51 But more than just what you hear here, you have to listen to it there.
19:56 And you'll be surprised.
19:58 There are all kinds of music that to us might seem like a song.
20:04 But you'll be surprised how the listeners and audience are.
20:08 So, I say, "Don't worry. Look."
20:10 "Ilmu daripada Allah."
20:12 "Turun naik kerja Allah."
20:14 So, "Kulilah memlekan mulki tu ciuman kantasya."
20:17 "Wa ta'an ziumatan ciuman."
20:19 You know that verse.
20:20 "Yang naikan dia, yang turunkan dia."
20:22 So, if you want to make music, work, anything, don't think about pleasing people.
20:31 First, you please your khalif.
20:33 Secondly, satiety. You have your own satisfaction.
20:36 You tell a story. Only then will you be sincere.
20:38 If you do it for other people, to impress people, believe me, they'll leave.
20:42 -Not long. -Not long is a problem.
20:45 They won't get there and feel it.
20:47 -Artists are like that. -That's right.
20:51 You can pick up when you hear a song that's like, "Where's his soul?"
20:55 -Right? -That's right.
20:56 -Do you guys listen to Queen? -Yes.
20:59 You guys listen to Freddie Mercury when he's belting.
21:03 -Yes. -Right?
21:04 -He's rocking. -He brings songs.
21:06 Especially like, "Who Wants to Live Forever."
21:09 -You feel it. -That's right.
21:11 -And then... -Do you listen to Queen?
21:14 -Of course. -You said you listen to all music.
21:16 When he said Queen, I imagined Freddie's...
21:20 -His... -His...
21:22 -His... -Right?
21:24 That big concert for Africa.
21:28 -That live. -Yes.
21:30 That was awesome. They were the best.
21:32 -Do you listen to AC/DC? -I listen to AC/DC.
21:35 -You're a hardcore fan. -Right?
21:37 -Of course. -You're a hardcore fan.
21:40 -Hardcore. -Black Sabbath.
21:42 -Don't. -Black Sabbath.
21:43 -Yes. -Do you listen to it?
21:45 When I grew up, I listened to Black Sabbath because of my brother.
21:47 But now, who doesn't listen to Ozzy?
21:50 -Yes. -Come on.
21:51 Ozzy Osbourne. Metallica.
21:53 This is mind-blowing.
21:55 He's the head of the band.
21:58 -Doesn't matter. -We listen to his music.
22:00 -You have to listen to him. -That's right.
22:04 He's awesome anyway. I'm sorry, despite whatever.
22:06 But he's awesome.
22:07 You guys have to know about rock music.
22:09 Rock music is all about...
22:11 I'm not saying rebel.
22:13 But I still find sincerity in a lot of rock music.
22:16 -That's where you find the soul. -Yes.
22:19 -He puts his soul in it. -That's right.
22:21 They tell stories.
22:22 You know, Korn, to me...
22:25 -Korn. -Korn.
22:26 -It's getting harder. -It's getting harder.
22:29 Don't blink 182.
22:31 -It's too much. -It's okay.
22:32 -Blink Biscuit. -That's outdated.
22:34 Blink 182 is outdated. Blink Biscuit was awesome.
22:36 -That's still there. -But it's still there.
22:38 Rolin was my jam every morning.
22:40 -Yes. -Of course.
22:41 I'm sorry, but Blink 182 was his era.
22:43 I understand.
22:45 -My younger brother's era. -You're still young.
22:47 -I don't understand. -What can you do?
22:48 -You can save that time for the fire manager. -That's right.
22:50 But until now, I think my husband can handle Blink 182.
22:53 -I can't handle Blink 182. -That's nice.
22:54 -I cannot. -Okay.
22:55 He's a bit too much for me.
22:57 -I understand. -He's the same as My Chemical Romance.
22:59 -He's still too much for me. -Yes.
23:01 -He's a slow rocker. -My Chemical Romance is mine.
23:03 What?
23:06 -You're talking about Korn. -I understand.
23:07 -Korn. -Okay.
23:08 But really, Korn.
23:10 I did my time.
23:12 You know that piece?
23:14 That was also my jam.
23:16 You see the words, right?
23:18 I am the one who chose my path.
23:20 I am the one who wouldn't last.
23:22 -That's what's soulful. -Right?
23:24 Most of us have rebelled.
23:27 -Yes. -Non-conformist.
23:29 To fight against the system, so to speak.
23:32 But rock, as I said, I've had people ask me,
23:36 "Can you rock, Wadaw? Not just for fun?"
23:39 I said, "Allah!"
23:41 I'm not saying that I'm a devil.
23:43 But if you listen to rock,
23:46 there are many things that uplift you.
23:49 They give you space.
23:50 They're honest. They're sincere.
23:52 They tell their story.
23:54 That's real musician.
23:56 I'm hoping that we'll get back to rock.
23:58 The band you mentioned,
24:01 people say that they're heavy metal rockers.
24:05 Can you scream?
24:07 Scream?
24:09 Wait, what's scream?
24:13 The one who makes a loud noise.
24:15 The one who doesn't know where to go.
24:18 The one who doesn't understand.
24:20 -I've heard that song. -That's BSC Paul Troy.
24:23 We haven't heard the story of Wahidah for a long time.
24:29 She's been depressed, upset,
24:32 or maybe she's in the industry.
24:35 If you can share with us,
24:37 where has Wahidah gone during that time?
24:41 Did she become a housewife?
24:43 I know that you do a lot of backstage work.
24:45 -I do. -Why don't you do it in the future?
24:48 The question is, "Where are you going?"
24:51 That's not a question.
24:53 That's a statement.
24:55 But I appreciate that. Thank you.
24:57 I appreciate that.
24:59 Like I said, I stopped because I wanted to know why I became Muslim.
25:03 So, I have to understand my book first which is the Quran.
25:06 So, I approached my book, the Quran, as if we had just entered Islam.
25:10 It took me about 10 years to understand Islam.
25:15 It's true that being a housewife is one thing,
25:17 but we want to raise our children and everything.
25:19 But praise be to Allah, Allah gave me the space and time to understand the Quran.
25:22 So, it was that.
25:24 She was focused on her studies.
25:26 And until now, praise be to Allah, the world of knowledge is growing for me.
25:33 That's one thing in my life that I don't want to let go.
25:38 I cannot let go.
25:40 But music never stops.
25:42 That's what you do backstage.
25:45 -That's one thing. -It's not about time.
25:47 Continue.
25:49 -It's not a link. -It's true.
25:53 Artists like you are smart.
25:57 You don't want to let go.
25:59 You still want to learn.
26:01 I can't.
26:03 It's part of me.
26:05 I'm still playing the piano.
26:07 I wanted to finish my violin.
26:09 My violin was on and off.
26:12 So, I picked it up and it was on.
26:15 But now, it's not in tune.
26:17 I'm hoping it will be in tune.
26:19 That's how it is.
26:20 In terms of music, it's not just making music.
26:22 It's playing.
26:24 -The instrument is important. -It's there.
26:26 You have to practice it.
26:28 As a musician, I've asked a doctor.
26:33 I had a health problem.
26:35 I went to see a doctor.
26:36 The doctor told me to go into psychology.
26:38 Which is good.
26:39 And then he asked, "How do you manage your stress?"
26:42 I told him, "If I don't play the piano, I'll play the violin."
26:45 -By music. -I have a corner.
26:48 That's my playground.
26:49 I have my guitar, violin and piano there.
26:52 So, I told him, "This is my stress management."
26:55 So, I never stopped.
26:58 -You can't stop. -No.
27:00 -It's related to blood. -Yes.
27:02 -It's related to blood. -That's right.
27:03 -Surroundings and husband are the same. -Husband too.
27:07 If he opens Queen when he gets in the car.
27:10 -Right? -He'll go back to his leg.
27:12 -He'll go back to his leg. -He'll want to know.
27:13 -Queen, AC/DC. -Yes.
27:15 If he passes by the car, you'll see them in the middle.
27:18 Bang!
27:19 -That's the music. -That's the music.
27:22 Our people will say, "What's wrong with you?"
27:27 -Zikir people. -Zikir.
27:32 -Nasheed. -Okay.
27:36 Waida, in the 10 years you've been quiet,...
27:40 ...before that, you were active in the art field.
27:44 -Sing, act. -Yes.
27:46 Did you feel like a Hindu in the 10 years?
27:49 -To do those things again. -No.
27:51 -No, right? -No.
27:52 -You were really focused on yourself. -Yes.
27:55 But, your husband, Ustaz, did he forbid you?
28:01 -Did he not give you? -No.
28:02 -He's a musician too. -Yes.
28:04 -You want to know. -No.
28:05 Waida, you just stay at home. Don't sing.
28:08 -Who knows? -He called me Waida.
28:12 My husband, when he's okay, he gets angry.
28:16 -Waida. -I see.
28:18 It's the same. My wife at home is like that too.
28:22 -She's full of things. -She's full.
28:24 -Like our mothers. -I do that too.
28:27 "Mama, Syarif Dayatullah bin Akhil."
28:30 -She's full. -If that's the case, it's serious.
28:35 When I'm called, when I'm given a full name, you better run.
28:40 You have to be careful.
28:42 No, it's just part of us. We're a musical family.
28:46 And then, not only that, my family...
28:50 Look, I'm giving you context.
28:52 In my family, if you follow the example of Ken,
28:55 -apart from us pushing Sarah Mara... -Ken is far away.
28:59 My immediate family, my first cousin, Aunty Sankar,
29:03 I'm the only one who's a niqab.
29:05 If niqab is an indication by our society,
29:09 that it's all about piety, so to speak,
29:12 I'm the only one who's a niqab.
29:14 So, I'm not saying that it's not good to be a niqab.
29:17 The point is, if people say that niqab and music
29:21 sometimes make you feel like it's weird, cringeworthy,
29:24 actually, with my family, I can't believe I joined.
29:27 My family is musical, right?
29:29 So, when we're gathering, the guitars are all out.
29:33 Karaoke is one side, guitar is one side.
29:35 -Jamming. -Jamming.
29:37 My brother has a drum set ready.
29:39 So, when I go to his house,
29:41 with the guitar and drum set, I will bring my piano.
29:44 So, everyone is like...
29:46 -With his... -Instruments.
29:49 Yes, every other instrument is there.
29:51 And then, from my mother to my father, to my cousins,
29:54 to my cousins, uncles, aunties, everyone is always on the mic.
29:59 And then, he's a BBE.
30:00 -I'm not talking about you. -BBE.
30:02 -There's that, right? -Yes.
30:04 -There's BBE. -There's also his shop-form.
30:06 -BBR, YTJT, BBE. -Not you.
30:09 So, when it's like, people say,
30:12 when the family is gathering,
30:14 when all the instruments are out,
30:16 everyone will move.
30:17 Yes, it's like a concert. There's a drum set, there's a piano.
30:20 -No. -Everyone is not niqab.
30:22 -It's different. -If I'm Wahidah's neighbor,
30:25 I'll listen, I'll enjoy the show.
30:27 My mother's neighbor, my brother's house is in the back.
30:31 He's Indian.
30:32 Sometimes, when I meet my mom, she'll say,
30:34 "Who sang that the other day? I heard this Hindi song.
30:37 Who was it? Or the Tamil song."
30:38 Sometimes, I sing a Tamil song, everyone will come out.
30:40 Right?
30:41 "Tulata Manamam Telum"
30:42 "Di Sipa Ni Varum"
30:44 "Bilam Ka Terkubur Riba Mili"
30:46 -Right? -I'll put it on my Twitter later.
30:48 Right? Stuff like that.
30:50 So, he can't...
30:52 He can't run. So, when Akil came in,
30:54 I think...
30:55 Because Akil's family also likes music.
30:58 They're also artists.
30:59 But maybe, they don't feel...
31:01 Like my family.
31:03 I understand.
31:05 But he fits right in.
31:07 Praise be to God.
31:08 That's what's good.
31:11 -Complete. -Complete each other.
31:13 Praise be to God.
31:14 -One head. -One head.
31:16 -That's right. -One vibe.
31:18 -One vibe. -One vibe.
31:20 But just listen to me.
31:21 Now, you also manage your own artists, right?
31:26 No, I don't manage artists.
31:27 I just want to give space.
31:28 I've made some songs for some people.
31:32 Some of them are not mainstream.
31:34 People who are not mainstream.
31:36 I want to bring in people from outside.
31:37 -New talent. -Yes.
31:39 But actually, it's not that.
31:41 It's just because there are a lot of...
31:43 I don't know if you guys know.
31:44 Maybe you guys know.
31:45 If we talk about bands, for example,
31:47 underground bands,
31:48 most of them are very talented.
31:50 -Very talented. -Right?
31:51 My brother is one of them.
31:53 All too fat.
31:54 My brother is in a band now.
31:55 He's from Woodford.
31:56 He's in an indie band.
31:57 He's a progressive rocker.
31:59 But it's okay. He also makes songs.
32:01 The point is, I also got the chance to listen to a lot of other bands.
32:05 Very talented but they don't have space.
32:07 -Right? -Right.
32:08 -There's no platform. -There's no platform.
32:09 Yes, there's no platform.
32:11 In our industry, we don't give chances.
32:13 And not only them.
32:14 There are other people.
32:16 For example, singers.
32:17 I mean, they can sing.
32:18 And they don't want fame.
32:19 They just like to sing.
32:20 And they sing.
32:21 When people like this sing, you can hear their sincerity.
32:24 And they don't care if people don't listen to them.
32:26 But they sing.
32:27 They don't get a chance.
32:29 They don't want to give a chance.
32:30 So, there are a lot of people out there who don't want to give a chance.
32:33 So, this is one of the reasons why I brought Sukuh Comeback.
32:37 Because in order to bring them in, I have to come back in.
32:40 Yes.
32:41 Slowly.
32:42 But Allah knows how.
32:44 Walk with Allah.
32:45 Go out with Allah.
32:46 Come back with Allah.
32:47 We'll see where Allah is.
32:48 But at least we start somewhere.
32:49 That's right.
32:50 We have to start somewhere.
32:51 It's also a struggle.
32:53 Yes.
32:54 Struggle.
32:55 Thank you.
32:56 Struggle.
32:57 To preserve the soul of music.
32:58 Life is a rock.
32:59 You're great.
33:02 You're smart.
33:03 Don't replace Dina.
33:04 Continue.
33:05 Your verse is smart.
33:06 I'll continue.
33:07 My verse is not that smart.
33:09 But, if you're talking about the new singers that you brought in, what are their genres?
33:15 Well, the genre of my songs is Wahida.
33:19 But, that's another one.
33:23 When I say Wahida, sometimes people ask for songs.
33:26 Some friends in the industry.
33:28 They ask, "Why do you sound Arab?"
33:30 I say, "I'm an Arab. Why do you ask?"
33:32 But, when they ask me about my music, my genre, I say, "No, my genre is Wahida."
33:39 Because I listen to almost all kinds of songs.
33:41 But, my basics are always classical music because I'm classically trained.
33:45 But, it comes from there too.
33:47 So, when I release a song, I don't know.
33:49 Sometimes, there are songs that people don't expect.
33:52 But, Wahida does it.
33:53 It's like Wahida didn't notice that Abang Yasin did that song.
33:58 He's just making it up.
34:02 Okay, let's talk about your comeback, Putra.
34:06 Last Thursday, you interviewed Wahida.
34:09 Oh, it's a new song.
34:10 It's not a new song.
34:11 It's an old song.
34:12 She breathed in a new breath.
34:13 What is it, Sindiran?
34:15 Oh, the beginning of the song.
34:17 Is it in Hindi?
34:21 This is different.
34:24 It's different, right?
34:25 But, why...
34:27 The key is high.
34:28 It's more like...
34:29 Okay.
34:31 Where are we going?
34:32 Why did you bring Sindiran back?
34:37 Not other songs?
34:38 Because the song is...
34:41 Like I said just now, when I make a song, I'm telling a story.
34:44 So, it's like...
34:46 Is it a sad song?
34:47 It's a song about depression.
34:50 Or questioning myself.
34:52 I'm the son of a conversation I had with myself.
34:55 We fought a lot by ourselves.
34:57 Melody Ahlan...
34:58 This is in Melody Ahlan's album.
35:00 Melody Ahlan is made while being happy.
35:02 And I feel so much love and gratefulness to...
35:06 My friends, my fans.
35:09 So, this song is for my fans, my friends, and my family.
35:12 And then...
35:13 I said I pray for you today.
35:15 Again, in that song, it's like...
35:18 Again, she feels so much love.
35:20 And she remembers her friends and family.
35:23 So, I brought the song towards the end.
35:25 My friends and family sang along.
35:27 It's like, "The world is lacking."
35:30 Towards the end.
35:31 But, Sindiran...
35:33 Sindiran is...
35:35 It's extra personal.
35:37 To me.
35:38 It's about...
35:40 You have a lot to say.
35:42 It's like a struggle too.
35:44 Not from the artistic side.
35:45 But from the human side.
35:49 Looking at humanity.
35:51 Because the song is about 3 T.
35:53 Wealth, throne, and women.
35:55 And we grew up watching that.
35:57 Right?
35:58 So, it's good in the country or abroad.
36:01 And as long as you're fed up.
36:02 You're sick of it.
36:04 So, when we're sick of it...
36:06 We'll let it out.
36:07 Yes.
36:08 We can't be like Korn.
36:09 He did that.
36:11 I'm going to say it.
36:14 "Sindiran must be Korn."
36:16 But it didn't reach the level.
36:18 It's okay.
36:19 I let it out.
36:20 We're a bit low.
36:22 But...
36:24 After that, I was hoping to release that song.
36:26 One of the reasons is...
36:28 The song...
36:30 Because we grew up watching...
36:32 There were social media back then.
36:33 It was papers.
36:34 I don't like to read papers.
36:35 Because every time I opened it...
36:37 The front page must be about news and war.
36:40 Right?
36:41 War, this and that.
36:42 So, I remember it reached a certain level.
36:45 There were so many.
36:47 Among others...
36:49 Palestine was really big at that time.
36:51 Again.
36:52 Because since I was 16 years old...
36:55 You see that thing every single day.
36:57 So, it increased.
36:58 Because Palestine was really in the middle.
37:00 Again.
37:01 So, I decided to make that song.
37:03 Because there are others who are like...
37:05 Leaders anywhere.
37:08 Whether in the country or not.
37:10 I thought that since I can't tell it to your face...
37:13 That you guys suck.
37:15 So, I'm just going to make this song.
37:17 This whole song is telling you guys to the face.
37:20 You guys suck.
37:22 And I saw how people were so eager.
37:26 You want power. You want power.
37:28 At the expense of the innocents.
37:31 There are many people who are difficult.
37:34 Old people who trust you and give their trust to you.
37:38 And then you just...
37:40 You can use them.
37:44 Leave them just like that.
37:45 They don't want to give you much.
37:46 That's why I said...
37:48 There's a chorus, a bridge in the song.
37:51 That part, every time I want to record that part...
37:55 Or to finish that part, I always cry.
37:58 Usually, it's a drama.
37:59 We musicians are like that.
38:01 We're soft-hearted.
38:02 We're soft-hearted.
38:03 Drama.
38:04 But that part, I imagined the faces of the elders, the kids...
38:10 You know, the struggles.
38:12 Like, "Please, you're going to help us, right?"
38:14 And they said, "Yes, we'll help you."
38:16 So, they don't give much.
38:18 But the last time, it was their window.
38:20 They don't give much.
38:22 And you've been watching that.
38:24 So, I thought, "This time, it's like..."
38:26 Okay, last time, I couldn't release it.
38:29 Because usually, the recording company and industry...
38:32 ...will look for a suitable song.
38:35 A song that can make money.
38:37 So, I'm like, "This song..."
38:41 "I miss it."
38:43 So, this time, since there's no recording company...
38:47 You're soft-hearted.
38:49 I'm soft-hearted.
38:51 You're soft-hearted.
38:54 I was going to say, "You're soft-hearted."
38:57 The important thing is, we're giving them money for the song.
39:00 And then, at the same time, there were many of my fans...
39:03 ...who asked for the album to be released.
39:05 We're not playing digitally.
39:07 So, we had to release it.
39:08 We had to find someone who has my CD.
39:11 I don't have my CD.
39:12 I want to upload it.
39:13 So, I had to upload it.
39:15 And then, someone said, "Which song is this?"
39:18 "I don't know this song."
39:19 So, I decided, "Okay, you know what?"
39:21 "Instead of releasing a new song for myself..."
39:25 "There's a stock in the vault."
39:27 "But why don't we release it in my album one by one?"
39:31 So, I stocked up a lot of songs for myself.
39:34 So, you have plans for new singles in the future?
39:38 Yes.
39:39 In fact, not only that.
39:41 Actually, I'm someone who likes to explore, experiment.
39:44 And also, maybe, the time for us...
39:46 It's not that we're changing.
39:48 But maybe, I would love to release a purely instrumental album.
39:52 Q was one of them.
39:54 He said that when he was first persuaded.
39:57 He said, "I want to release an instrumental album."
39:59 And then, Q said, "My team?"
40:01 "I'm going to tell."
40:02 He said, "No, you can't do that."
40:05 "There must be a voice."
40:06 "There must be a singer's voice."
40:07 So, I looked at him and said, "Don't you ever..."
40:10 "Ever say that to a musician ever again."
40:13 You've grown up.
40:17 If it happens.
40:19 But, praise be to God, we kept going.
40:23 Because, as I said, there must be words.
40:27 Because, I hold on to this.
40:29 Where the word stops, music begins.
40:31 And to me, there are things in life.
40:35 Why do I like to express things through music?
40:37 Because sometimes, the words don't reach.
40:39 Right.
40:40 And then, there are certain musical notes, notations...
40:44 ...or instruments that can reach what I'm trying to convey.
40:47 Right.
40:48 I agree.
40:49 You agree, right?
40:50 I agree.
40:51 We'll talk about that later.
40:52 So, Sindiran was exclusively played at Arena Sina last Thursday.
40:58 The first one.
40:59 The first one.
41:00 I think it's been released on all digital platforms.
41:02 Yes.
41:03 I think you can listen to it.
41:04 That's right.
41:05 Not CQ.
41:06 Not CQ, but IQ Team.
41:07 You can start listening to Sindiran, the latest version.
41:11 It's a new breath for you.
41:13 You can request it.
41:15 Yes.
41:16 Talking about your comeback, we understand that you're a singer.
41:20 Your start is also singing.
41:22 The beginning.
41:23 Do you have any plans to come back and act?
41:26 I met Prohazad.
41:30 He asked me, "Wahidah, don't you want to act?"
41:34 Maybe in a movie.
41:35 I said, "In front of the camera, I'm anxious."
41:40 Since when?
41:41 Since before.
41:43 I didn't know I was anxious.
41:45 Because every time I wanted to act or perform, people thought I was funny.
41:49 But, no.
41:51 You're anxious.
41:52 You're clutzy.
41:53 You want to be clutzy.
41:55 That's why people thought you were funny.
41:57 Then, I wanted to act.
41:58 It took a while to warm up in front of the camera.
42:02 But, I'm the type of person who thinks, "Okay, you have to just suck it up and do it."
42:07 I felt like that.
42:08 That's what I did.
42:10 But, after a while, I've reached this point.
42:13 Everybody is talking about it.
42:15 It's no longer a taboo, so to speak.
42:17 I just found out that I have anxiety problems.
42:21 I didn't know.
42:22 I think most of us, especially our own children, have anxiety problems.
42:29 So, I told Prohazad.
42:31 I don't know.
42:34 It's a bit difficult to act in a film.
42:37 But, I never say never.
42:39 So, he said, "Look at the camera. Can you act a bit?"
42:43 I said, "Yes, I can."
42:44 "Look at the script. Look at the story."
42:47 Because, I told my team and everybody.
42:51 I said, "This time, when I come back, you have to understand."
42:54 "It's not just about the world of art. Specifically, just focus on art."
42:59 "I also have to focus on my world of knowledge."
43:01 "I have my world of knowledge."
43:02 "I have my teachers and my friends."
43:06 "I also have my world of fortune."
43:08 "So, I'm coming with all these people around me."
43:12 "So, don't let me fall."
43:15 "I'll hit you in the face."
43:16 Recently, I went to my hour class.
43:22 There was a test.
43:23 I told him. I said, "I'm nervous."
43:26 "My teacher will know if I come back okay."
43:28 "I'm scared."
43:30 So, when he came in, he greeted me.
43:34 "Congratulations on your new release single."
43:37 I thought it was a bit of a relief.
43:40 He said, "I can't do it with anyone else."
43:43 "I have to impress you all the time."
43:45 I understand. That's the most important thing.
43:47 Yes.
43:48 Because he brought...
43:49 A teacher.
43:50 He asked me to pray for him.
43:51 I said, "I have a mission."
43:53 "So, please pray for me."
43:54 Since all of them were very welcoming, I suppose.
43:59 I mean, praise be to God. I'm grateful.
44:02 I said that to him.
44:04 Before we close this week's Serenity Talk, if it's not too much...
44:14 We want to learn.
44:18 We want to learn.
44:20 I think it's not wrong if...
44:22 Let's talk about Ustaz Akhil.
44:25 There are three things that made you fall in love with him.
44:30 What are they?
44:31 He doesn't have three.
44:33 I'm sorry.
44:34 Please, find them.
44:36 It means that he doesn't have three.
44:38 Ustaz, please come in.
44:40 He doesn't have three.
44:43 But, it's one of the things that made you fall in love with him.
44:47 That's the problem.
44:48 I fell in love with him at first.
44:50 I told you not to hate him.
44:53 Don't hate him.
44:54 You'll end up together.
44:56 That's why I don't hate him.
44:57 Why would you end up together?
45:00 Ustaz, that's not right.
45:03 It's okay.
45:05 Actually, as I've said to people, I've always been attracted to intelligence.
45:09 Brilliance.
45:11 Talent is an example.
45:14 It's not like he's good at singing.
45:17 There's something more.
45:19 But, I think it's intelligence.
45:20 I think that's right.
45:22 He has a head that...
45:24 He's someone who's intelligent to me.
45:26 Like the song 'Temah Jati' last time.
45:29 I didn't know who Yassin was.
45:31 But, I fell in love with the song.
45:33 It's not the singer's voice.
45:35 It's the song.
45:36 So, who wrote this song?
45:38 To me, it was the brilliance behind the songwriter.
45:41 So, I told him that I'm attracted to Yassin...
45:45 ...who wrote this song.
45:46 And, it has to be Yassin.
45:48 Except Yassin.
45:49 Where's the 'K'?
45:51 Except Yassin.
45:55 So, I think it's because of his brain.
45:58 Along with Ustaz Hakil.
46:02 Is he romantic?
46:05 When we're romantic, we'll say 'I love you' to each other.
46:10 Is it a love-hate relationship?
46:12 No.
46:13 He's a bit rough but romantic.
46:15 We're dealing with ACDC.
46:17 Yes, that makes sense.
46:19 So, if they're talking, I don't know how romantic it is.
46:23 Maybe it's a bit rough.
46:25 He's like this.
46:26 We say, "We're not sweet like dates. We're sour like milk."
46:30 Sour like milk.
46:31 That's inspired.
46:33 Right?
46:34 Sour like milk.
46:35 It's sourer than my favourite heart.
46:38 I'm still thinking.
46:40 Don't say that. He doesn't understand.
46:42 Actually, it's okay.
46:43 I don't know why I said that.
46:46 But, it just seems right.
46:48 It feels right.
46:49 It's like you're fighting against sweet dates.
46:52 Maybe because of that.
46:54 Sour like dates and I can only think of milk.
46:57 I don't know.
46:58 It works.
46:59 Sour like dates and still think of milk.
47:01 Drink it.
47:03 I mean, we're like...
47:05 I'm going to tell you.
47:07 I think he doesn't mind.
47:08 The way he gives a gift.
47:10 Okay.
47:11 It's like when he goes out of the station.
47:14 He buys a T-shirt or a curtain.
47:18 He goes home and watches TV.
47:21 He looks at the front.
47:23 "You like curtains, right?"
47:25 "Sure."
47:26 He opens the TV.
47:27 "Here."
47:29 He looks at his phone.
47:31 "Thank you for the gift."
47:33 "You're just throwing it away?"
47:35 "You're joking. Thank you. I love you."
47:37 That's right.
47:38 Romantic.
47:39 He's different from other people.
47:41 That's right.
47:43 You should learn from him.
47:44 I have to learn from him.
47:46 But, it depends on people.
47:48 Like myself, I like that one.
47:50 I can't be like, "I have a flower for you."
47:53 You're so naughty.
47:55 But, I agree.
47:57 If you get a flower everyday...
47:59 I don't get flowers.
48:01 Is it a bad thing to give flowers?
48:03 I eat the flowers.
48:05 What?
48:06 I'm not doing that again.
48:08 I eat the flowers.
48:10 You eat the flowers?
48:12 I share the plastic.
48:14 But, I never give them the plastic.
48:16 I eat the flowers.
48:18 You eat them.
48:20 Do you cook asam?
48:22 No.
48:23 I remember when we were still studying.
48:25 We gave roses to the students.
48:30 So, every time I get a flower, my friends would hang it...
48:33 ...until it's dry.
48:34 It's not there anymore.
48:36 It's gone.
48:38 "Where did your flower go?"
48:40 "In my stomach."
48:42 "Why didn't you eat it?"
48:43 "Michael Jackson ate it."
48:45 I always say, give me something useful.
48:51 Something that's not harmful.
48:54 But, do you really eat it?
48:56 Yes, I do.
48:57 That's enough.
48:58 You're wasting your stomach.
48:59 If you get a rose, you'll get a stomachache.
49:02 Don't eat the stomachache.
49:04 Why do you want to eat the stomachache?
49:06 It's a waste of time.
49:08 But, if you get a flower, you'll say, "She loves me."
49:11 "She doesn't love me."
49:12 "She loves the rose."
49:14 Or more like, "She doesn't eat it."
49:16 Thank you for your time and presence.
49:23 We hope that you'll continue to sing...
49:27 ...and create new songs.
49:30 Good luck.
49:31 Amen.
49:32 I'll be a medley.
49:33 You guys too.
49:34 God willing.
49:35 Thank you for coming back.
49:37 We miss you.
49:38 Thank you so much.
49:40 I'm a fan.
49:42 Goodbye.
49:44 Thank you.
49:45 Goodbye.
49:46 Bye.
49:47 I'm a fan.
49:49 [Music]