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Short filmTranscript
00:00:00A dream of love, a ray of sun, of hope, and then the empty dawn.
00:00:30Awakens the lonely heart broken.
00:00:40A warm embrace, a fleeting smile, a whisper, and then the dream has gone.
00:00:51With most of the words left unspoken.
00:01:02Each lonely day when I awaken, I do not miss the empty dawn.
00:01:14For I know that my heart has been forsaken.
00:01:23A dream of love was all I knew.
00:01:28A moment before the empty dawn awakened my lonely heart broken.
00:01:59Kill him.
00:02:05You having a dance?
00:02:07Five-eighths chord player.
00:02:28Five dollars, he doesn't last another minute.
00:02:42Cut him down.
00:02:43You stay out of this, Yank. We'll cut him down when he quits kicking.
00:02:59Here they come.
00:03:25Where have you been, Billy?
00:03:28I've been looking for you.
00:03:43You better ride with us.
00:03:44There ain't no yellow-legged Yankee boys going with us.
00:03:47I hear they got a new bank and an old marshal over at Gila City.
00:03:53That Pete's cheating at cards, you know it.
00:03:55Let's go.
00:03:58Let's go.
00:04:21The town looks quiet.
00:04:22Yeah, I bet the marshal's asleep.
00:04:25I bet you the man is asleep, Yellow Legs.
00:04:27You being a Yankee, that is.
00:04:29He ain't very sociable, is he?
00:04:31Been with us a week and ain't lost his temper once.
00:04:34I never did trust a man who didn't lose his temper once in a while.
00:04:36Come on, let's go.
00:04:37We ain't taking the bank today.
00:04:40You giving the orders now?
00:04:42It looks that way, don't it?
00:04:48Go on, Billy, get him in the back.
00:04:49No, I'll take you out of here my style.
00:04:51Come on, he's asking for it, boy.
00:04:53Any man that turns his back on you is just a daddling fool.
00:04:57I kind of like him.
00:04:59Never knowed a Yankee before.
00:05:13Hey!
00:05:14Me, me, go to sleep!
00:05:17Me, me, me, me, go to sleep!
00:05:32Your horse needs a shoe.
00:05:34There's a blacksmith shop.
00:05:36How long you figure that money's gonna keep?
00:05:38Till I tell you when.
00:05:40I'm kind of anxious to get my hands on it.
00:05:41Get over to Old Max.
00:05:43Take care of your horse first.
00:05:45I'm figuring on having a couple of drinks with you fellas.
00:05:48I sure hope this town has some pretty girls in it.
00:06:17Well, you get this far out in the brush, they're all pretty.
00:06:23Billy, take the horses around and let them stay.
00:06:30Are you talking to me?
00:06:33Well, your name's Billy, ain't it?
00:06:37I'll take the horses for you, mister.
00:06:41You look like an honest man.
00:06:47You know, uh, some folks is just born lucky, I guess.
00:06:53Doggone it, yellow legs, don't push yours.
00:07:06What's going on here?
00:07:08These don't look too pretty to me.
00:07:10I told you you ain't been out here long enough.
00:07:12Hey.
00:07:14That's more like it.
00:07:18Hey, hey, hey, wait a minute, wait a minute.
00:07:19Put that thing back up.
00:07:20That'll have to wait, Jim.
00:07:22Wait, wait for what?
00:07:24Church is about to start.
00:07:28Parson don't like to look at it during his sermon.
00:07:32Well, that ain't Sunday, is it?
00:07:35That's a matter of opinion in Gila City.
00:07:37We haven't seen the gallery in two years.
00:07:39Some folks hold it Monday.
00:07:41But these folks, they hold it Sunday.
00:07:43You gents looking for a drink?
00:07:45I'm looking right at it.
00:07:47What's in that bottle?
00:07:49Best we've got.
00:07:51Even the mayor drinks it.
00:07:53That'll have to do.
00:07:55Uh, tell me something.
00:07:57How about the bank, how they hold it?
00:07:59The bank's open, they're Monday folks.
00:08:01The bar's closed when the parson walks in.
00:08:03Well, that's good.
00:08:05The bar's closed when the parson walks in.
00:08:14Hi, mister.
00:08:16Hello, boy.
00:08:18Hey, that's what I call pretty.
00:08:36Who's she, the redheaded?
00:08:38We're told to dance all across the street.
00:08:40Imagine, coming in here like she was respectable
00:08:43and bringing her woods coat with her.
00:08:45Imagine.
00:08:47She wouldn't know his father if she saw him again.
00:08:49Poor boy.
00:08:51I imagine it's as close as she ever was to a parson
00:08:53and her holding a prayer book like she was respectable.
00:08:57If they're going to heaven, let you and me not go.
00:09:01Gents, bar's closed.
00:09:14Number 23.
00:09:19Rock of ages, clap for me
00:09:23Let me hide myself in thee
00:09:28Let the water and the blood
00:09:32From thy wounded side which flowed
00:09:35Be of sin the double cure
00:09:39Make my wrath and make me pure
00:09:43Could my tears forever flow
00:09:47Could my zeal no longer know
00:09:50These my sins could not atone
00:09:55What you all drinking?
00:09:56Don't do you no good. Bar's closed.
00:09:58On account of the church meeting.
00:10:00Whiskey.
00:10:01I give ransack, boss.
00:10:02You sure know how fast you pull a six-shooter.
00:10:05See how fast you can take the cork out of that bottle.
00:10:09I want to tell you something. He's fast.
00:10:10Them whole-legged six-shooters.
00:10:11This boy's a real coming boy.
00:10:13I want to tell you I taught him everything I know.
00:10:15That's the way.
00:10:21What's the matter?
00:10:22Trick, I guess you're just going to have to stand here
00:10:24And hook that bottle all the way through the sermon.
00:10:34Lord, I see you sent us some new faces today.
00:10:38Male.
00:10:40And female.
00:10:44Lord, I thank you.
00:10:46And folks, I welcome you.
00:10:50And I'll be dishing out the gospels in a minute.
00:10:53But first, I've got to say a word to you gents with your hats on.
00:11:00This here's the preach house, gents.
00:11:02And you'll take your hats off to the Lord.
00:11:06Mister, I never met a man who wouldn't take off his hat to the Lord.
00:11:11Let's get it off.
00:11:15You get on with your preaching.
00:11:25He's going to touch you by that hat, ain't he?
00:11:27He's going to.
00:11:29He's going to.
00:11:31He's going to.
00:11:33He's going to touch you by that hat, ain't he?
00:11:35He's never seen nothing like it.
00:11:37Don't even take it off to sleep.
00:11:39We'll have a moment of silent prayer.
00:11:57Yes.
00:12:00Oh, that money just sitting out there across the street.
00:12:04I've never known a man so hungry for money.
00:12:06You know, I think you're studying up to be a miner.
00:12:09Studying up to buy us an army.
00:12:11Do you remember?
00:12:12What do you mean about that?
00:12:13It's such a dream, Billy boy.
00:12:15We could set up our own republic out in this country.
00:12:18It's wide open. Nobody could stop us.
00:12:21They'd get bank money and the commissarials would sell us a hundred.
00:12:24Maybe two hundred slave Indians.
00:12:26We could put uniforms on them.
00:12:28Yeah, fix us up an army.
00:12:31I could drill them.
00:12:33Johnny come marching home again.
00:12:36Hooray, hooray.
00:12:38Johnny come marching home again.
00:12:41Left face, right face.
00:12:44Hey, strong.
00:12:46Johnny come march...
00:12:52Raise this arm.
00:12:55Raise it.
00:12:56Higher.
00:12:59Alright.
00:13:02Does it always pain you that way?
00:13:04Most always.
00:13:07That ball ought to come out of there.
00:13:09That's what I'm here for.
00:13:14Have you ever been in Springfield, Ohio?
00:13:17No.
00:13:20I swear I've seen you someplace before.
00:13:23Yeah.
00:13:25How long would this lay me up?
00:13:28Well, it's pretty close to the collar bone.
00:13:31A thing like that won't heal overnight, you know.
00:13:33What, a week?
00:13:36More like a month.
00:13:39Well, I got a little business to attend to.
00:13:42I don't think you can wait that long.
00:13:44Then stop wasting my time.
00:13:54Wait a minute.
00:13:57Missouri.
00:13:58That's where it was.
00:14:00A fellow just about your size.
00:14:02A Yellowleg sergeant.
00:14:03Somebody had tried to scalp him.
00:14:05A liquored up Johnny Reb with a Bowie knife.
00:14:08He cut the sergeant up pretty badly
00:14:10before he was scared off by something.
00:14:15You know, if you take off your hat
00:14:17you can make me out a liar.
00:14:19It's you, all right.
00:14:27You certainly went out of your way to look me up, didn't you?
00:14:31Take off the hat.
00:14:35I kind of got used to keeping it on.
00:14:37Why?
00:14:39You don't have anything to hide but a few battle scars.
00:14:41A lot of the boys came out of it with worse than that.
00:14:44I don't care.
00:14:46You don't have anything to hide but a few battle scars.
00:14:48A lot of the boys came out of it with worse than that.
00:14:51What did you do after the war ended?
00:14:53What would you do?
00:14:55I'd go after that Reb.
00:14:57I found him.
00:15:04Is that Reb in town?
00:15:12What are you waiting for?
00:15:14I'm waiting to get him along.
00:15:18See, I want him to know who I am.
00:15:20I want him to know he's going to get what he gave me.
00:15:23You sure you found the right man?
00:15:25Yeah, I'm sure.
00:15:27I left my teeth marched in his scalping hand.
00:15:30And I'm asking you, my friends,
00:15:33any man, woman or child
00:15:36that reckons that he wants to go to hell,
00:15:40I say let that man, woman or child
00:15:43stand up and be counted.
00:15:52Don't count them, Parson.
00:15:54Get up first.
00:15:58Why, you white-livered coyote,
00:16:00you mean to stand there and say you intend to go to that place?
00:16:03I sure do, Parson.
00:16:05Tell you something else.
00:16:07Any man in this room that don't get his feet right now
00:16:09and join me is going there pronto.
00:16:14Get out!
00:16:24Well, nice to meet you, ma'am.
00:16:27My name's Billy, Billy Kaplinger.
00:16:29Get out!
00:16:39Come on, Perky.
00:16:44Sure is a pretty girl.
00:16:50Ma'am, I want to thank you for your fortitude.
00:16:54We'll all close with a prayer now
00:16:58for those poor, misguided men.
00:17:02All that money just sitting there
00:17:05waiting on a yellow-legged Yankee.
00:17:07Never saw a man so patient.
00:17:09Thank you, ma'am.
00:17:40Let me know when that Yankee's patient runs out.
00:17:47This patient never does wear out.
00:18:09That pretty redhead just went in and holds it today's Sunday.
00:18:13What do you lovely creatures feel about that?
00:18:16I take it's Monday.
00:18:18Get your horse.
00:18:20Huh?
00:18:22Get your...
00:18:24Billy!
00:18:30Hey, Billy!
00:18:32Yellowleg's ready!
00:18:40Oh, shit!
00:18:58Something wrong with that Yankee shooting arm.
00:19:10Come on.
00:19:12♪
00:19:36Somebody gettin' dark.
00:19:38♪
00:19:44He's dead.
00:19:50It was them outlaws, Kit. They did some wild shootin'.
00:19:59No.
00:20:03It was me.
00:20:08They were the new bosses.
00:20:14Oh!
00:20:27Is she the dance hall woman?
00:20:29That's her, imagine.
00:20:31Comin' in here like she was respectable.
00:20:33Bringin' her woods cold with her.
00:20:35Imagine.
00:20:37I imagine it's as close as she ever was to a parson and her holding a prayer book like she was respectable
00:21:08That yellowleg sure has been trying to get herself drunk. Ain't quite making it though.
00:21:13Some men are like that. Give me two.
00:21:16Boy's leaning awful hard on him.
00:21:19Reckon the mayor will be able to talk that redhead into changing her mind?
00:21:23Ain't nothing going to change her mind. She got Doc Axon to take care of the body.
00:21:28Rented herself a wagon. She's going tonight. Going alone if she has to.
00:21:35Going alone if she has to.
00:21:58Come to change your mind, kid?
00:22:00We've decided to have a nice funeral for the boy right here in Gila City.
00:22:04The whole town will come. As mayor, I'll see to it.
00:22:08Mead will be buried in Siringo. Next to his father.
00:22:13Now, kid.
00:22:16Bury him here.
00:22:18You think I haven't heard all the whispering?
00:22:20You and your gossiping little wives with their pinched little faces and their noses in the air.
00:22:25Now, Miss Kidd.
00:22:26That dance hall woman with her freckle-faced woods cold.
00:22:30No telling who the father might be.
00:22:33They smelled brimstone every time I walked by.
00:22:37They hated us both, me and the boy.
00:22:40Well, he's dead now.
00:22:42And you can tell your wives that there was no sinning.
00:22:46And there'll be no funeral.
00:22:49I'm taking him to Siringo.
00:22:51You can't do that, Miss Kidd.
00:22:53It's smack in the middle of Apache country and there ain't nobody willing to go with you.
00:22:57Besides, there's not much of it left but the weeds.
00:23:01I've tried, kid. I've asked everybody.
00:23:07I'm not asking anybody to go with me.
00:23:12Poor kid. She's trying mighty hard to make folk believe about the boy's pa.
00:23:17You a single man?
00:23:19Married.
00:23:20I didn't know that, Cal.
00:23:22Well, almost married.
00:23:24Me and Emma.
00:23:26She wouldn't let me go with Kidd. Not that way.
00:23:28Not to mention the Apaches.
00:23:37I ain't never seen a town so full of cowards.
00:23:40I ain't never seen a town so scared of Indians.
00:23:47Evening, Chief.
00:23:52Evening.
00:24:14Kidd?
00:24:18I hate to think what all that sun will do to your face.
00:24:21Take this?
00:24:23No, thanks, Cal.
00:24:25Take it. I got no use for it. I can't sell it.
00:24:29We poured it all away from St. Louis.
00:24:32Come on.
00:24:51Get down from there.
00:24:55I said, get down!
00:24:57Somebody's got to dry this for you.
00:24:59Not you.
00:25:01I said, get down.
00:25:07Need any help, ma'am?
00:25:11Get out of here, Billy.
00:25:13Didn't mean to butt in.
00:25:17Your place.
00:25:21Get down.
00:25:31Get down.
00:26:01Bet she don't get 20 miles before she turns around.
00:26:05$50.
00:26:11Call him.
00:26:13What do you got?
00:26:16Size?
00:26:18You lose to four aces.
00:26:27We're leaving town.
00:26:29What's with your yellow leg?
00:26:31It's your horses.
00:26:33Billy and me like this town.
00:26:35We got a homey place here.
00:26:37If we stick around, you better leave alone, because we ain't leaving.
00:26:46It wasn't me that shot that boy.
00:26:48Yeah?
00:26:49Get up!
00:26:51Turk, it looks like you and me is going to go to Syringo.
00:26:54Billy, you're not picking a fight. You're beating me out of it.
00:26:59I'm just backing him up.
00:27:01Yeah, I kind of like the idea of going to Syringo with that redhead.
00:27:29Come on.
00:27:37Come on, what's the matter?
00:27:40Come on.
00:27:46I guess you don't mind a yellow leg all the year round, but I don't like it.
00:27:52But if I could handle a six-shooter like you, Billy boy...
00:27:56His back's pointing right at you.
00:27:58What's the matter? Scared?
00:28:00Scared he might hear your gun coming out of the holster and hurl it on you?
00:28:05That ain't no fit way to kill a man.
00:28:08Not even a Yankee.
00:28:28There she is.
00:28:59Yah! Yah!
00:29:17Morning, ma'am.
00:29:20You could kill your horse pushing him like that.
00:29:22Will you let me drive that wagon for you?
00:29:24I don't want your help.
00:29:26I don't want your help.
00:29:28Well, I'd be mighty proud to ride in that wagon with you, ma'am.
00:29:33Leave me alone.
00:29:41Both of you.
00:29:46Well, now, you know what ain't exactly safe out here for a woman?
00:29:50Well, it ain't exactly safe for you either.
00:29:53Any of you.
00:29:55Now get!
00:29:57Why don't you leave this woman be and let's head back?
00:30:05Yah!
00:30:14Guess that bank is probably just now opening up.
00:30:18Yeah, probably is, probably is.
00:30:20We'll follow along, see if she gets through.
00:30:25My doggies, that's a woman.
00:30:55Come on, let's go.
00:31:19Dressed kind of wet. Guess you'll be all right.
00:31:23Dressed kind of wet. Guess you're gonna have to dry it out.
00:31:26Shouldn't take long in this heat.
00:31:30I never did see a dance all girl to fussy about getting kissed.
00:31:36You stay away from me.
00:31:38What you gonna do to that rock?
00:31:40I'll break it.
00:31:42I'll break it.
00:31:44I'll break it.
00:31:46I'll break it.
00:31:48I'll break it.
00:31:50I'll break it.
00:31:52I'll break it.
00:31:54I'll break it.
00:31:56You stay away from me.
00:31:58What you gonna do to that rock?
00:32:00You gonna use it on me?
00:32:02Or a shotgun if I have to.
00:32:04Well, ma'am, I always did go for high stakes.
00:32:27Patches.
00:32:29They scalped him.
00:32:33Yeah, looks like they did.
00:32:41Come on, let's get back to that wagon.
00:32:57Hey, the coffee's ready.
00:33:07You see, that woman don't want us around here,
00:33:09so why don't we accommodate her by leaving?
00:33:11I'm not leaving.
00:33:13I'm not leaving.
00:33:15I'm not leaving.
00:33:17I'm not leaving.
00:33:19I'm not leaving.
00:33:21I'm not leaving.
00:33:23I'm not leaving.
00:33:25I'm not leaving.
00:33:39You desert?
00:33:44Hmm?
00:33:45Did you desert the Red Barn?
00:33:47I remember telling you I was in the Army.
00:33:50Figured you were a deserter.
00:33:52How'd you guess?
00:33:55Maybe I ought to take a cup of coffee before it gets cold.
00:34:00Leave her alone.
00:34:04You...
00:34:05You talking to me?
00:34:07Hey, Billy.
00:34:09I think Yellowleg's kind of taking a shine to that woman.
00:34:13All the time we thought he was feeling sorry about that boy.
00:34:16Shut up.
00:34:17Touchy, too.
00:34:18Yeah.
00:34:20He cares about that hat he keeps wearing.
00:34:23You know what I think he's got on him?
00:34:25What's that?
00:34:27Money?
00:34:28Well, there's one way we can find out.
00:34:32You ask him.
00:34:34Take your hat off Yellowleg's.
00:34:38He's scared of you, Billy.
00:34:40Yellowleg's.
00:34:43Take your hat off,
00:34:45and I'll shoot it off.
00:34:48Try it and I'll kill you.
00:34:53You know, Yellowleg's,
00:34:55there's something about you I just kind of like.
00:35:18Better mind your thinking, kid.
00:35:20Yellowleg's done got his claim staked out.
00:35:26If he ought to be back at that bank,
00:35:28that posse'll never follow us out, yeah?
00:35:30Not to Syringo.
00:35:38Well, we could set up our own little republic
00:35:40like that Edwards fell into down in Texas.
00:35:42You know, the Republic of Freedom?
00:35:44Take out you looking in that uniform
00:35:46with all that gold braid.
00:35:48You the kind of trigger-happy young fella I could use.
00:35:51You know something?
00:35:52I'd make you my military aide.
00:35:54Then we'd start making up a lot of laws,
00:35:56but not one of them would apply to us.
00:35:58You don't know.
00:35:59Never did.
00:36:00I'll tell you something.
00:36:01There's money in a thing like this.
00:36:03If it's run right.
00:36:05But we gotta start first with that bank
00:36:07back in Healers City,
00:36:09and then we'll figure out
00:36:11what to do with it.
00:36:13Back in Healers City.
00:36:15Turkey, don't you ever shut up.
00:36:17You nag like an old woman.
00:36:21Sure quiet out here, ain't it?
00:36:25Look, I don't blame you for feeling the way you do,
00:36:28but right now it might be a good idea
00:36:31if you could kind of make out like we was getting along.
00:36:39You always that stubborn or just hard to figure out?
00:36:44Lady,
00:36:46I'm just trying to help.
00:36:52Who are you trying to help?
00:36:56Riding shotgun on this wagon
00:36:58isn't gonna buy you a clean conscience.
00:37:05I'm beginning to wonder if you ever figured on going to Seringo at all.
00:37:08What are you trying to say?
00:37:10I mean, right here is as good as Seringo for the boy.
00:37:16You don't have to prove anything to me.
00:37:20Damn you!
00:37:25Look at them fighting.
00:37:27Yeah.
00:37:33You don't know me well enough to hate me that easily.
00:37:36You don't know me well enough to hate me that much.
00:37:42Hating's a subject I know a little something about.
00:37:45You gotta be careful it don't bite your back.
00:37:48I know somebody spent five years looking for a man he hated.
00:37:54Hating and wanting revenge was all that kept him alive.
00:37:59He spent all them years tracking that other man down.
00:38:03When he caught up with him was the worst day in his life.
00:38:09He'd get his revenge all right.
00:38:12Then he'd lose the one thing he had to live for.
00:38:33What was that for?
00:38:35Just checking my aim.
00:38:37Nothing like letting the Apaches know where we are.
00:38:43That ain't no fitting way to kill a man.
00:38:45Not even a Yankee.
00:38:50You going to bed?
00:38:52No.
00:38:54I'm going to bed.
00:38:56Good night.
00:39:02Go ahead and find us a place to camp.
00:39:05There might be some Apaches out there.
00:39:07Then you go find out.
00:39:15You'll need that sun, dear.
00:39:17I'll get used to it.
00:39:21We'll be living in Saringo. You can find your own way back.
00:39:32Come on.
00:40:02Come on.
00:40:32Come on.
00:41:02Come on.
00:41:32Come on.
00:41:55Jack, what you doing out here?
00:41:57Seen your guard?
00:41:59I want to show you something.
00:42:05I've been carrying this around with me for a long while.
00:42:08It's a genuine General's cap.
00:42:11I stole it over in San Antonio.
00:42:14I never did show it to anybody before.
00:42:23The man sure really looks like someone.
00:42:26He's a dirty boy.
00:42:30If you're waiting for me to salute you, you're going to wait a long time.
00:42:36I want to show you something else.
00:42:46See that part right there?
00:42:51It's not our regular map. It's kind of a valley.
00:42:54Not many people know it's there.
00:42:56We're going to buy ourselves some slave Indians.
00:42:58We're going to put uniforms on them, and we're going to drill them good.
00:43:02We'll be able to burn a fire path through this country from Tucson to Tucumcari.
00:43:07What do you say, boy? Huh?
00:43:11What do you think of that, huh?
00:43:13Oh, it's fine, Jack. Fine.
00:43:22Take over my guard for me, will you?
00:43:26Yes, sir.
00:43:57I never... never traveled with a lady before.
00:44:00It kind of appeals to me.
00:44:02Get out of my way.
00:44:04Maybe I will, and maybe I won't.
00:44:06I'm telling you to leave me alone.
00:44:09I don't want to... I don't want to trouble you any, Kit.
00:44:13I just want to be sociable.
00:44:17And never wear my guns when I make a social call.
00:44:27I always did like pretty things, and...
00:44:30and you're just about the prettiest I ever seen.
00:44:56Kit.
00:45:26Come on.
00:45:28Come on.
00:45:55Saddle up.
00:45:58Come on, get out of here.
00:46:02I'm going with you, Billy.
00:46:03You ain't going no place. Huh?
00:46:05You stand right here.
00:46:10Couldn't stand a chance out in that patch of country alone.
00:46:12Well, that's his lookout, ain't it?
00:46:28Come on.
00:46:58Come on.
00:47:28Come on.
00:47:58Come on.
00:48:19Turk!
00:48:22He's gone.
00:48:29Come on.
00:48:45They'll be going back to Gila City, both of them.
00:48:48I'll drive you back there in the wagon if you want.
00:48:50No, thanks.
00:48:53You still going to Seringo?
00:48:55You think you can stop me?
00:48:57Lady, I wouldn't even try.
00:49:27Come on.
00:49:57Come on.
00:50:28I, um...
00:50:30I'm sorry about losing the horse.
00:50:35Well, you don't have to talk to me, you know.
00:50:38It ain't worth the effort.
00:50:43Five years is a long time to turn your back on.
00:50:46Especially for a woman like me.
00:50:48That's what you're thinking, isn't it?
00:50:50Lady, I quit thinking when I turned my horse around.
00:50:53Oh, stop calling me lady. My name is Kit.
00:50:55I don't know you well enough to call you Kit.
00:50:58Don't think you're fooling me.
00:51:00You're not half as mad at me as you are at yourself.
00:51:06You going to talk all the way to Seringo?
00:51:09Huh?
00:51:25Grab that shotgun. Come on.
00:51:55Come on.
00:52:25They must have ambushed that stage down on the border.
00:52:56Help me!
00:53:09I sure wish I could take a bath.
00:53:12Well, nothing's stopping you.
00:53:26Come on.
00:53:32Come on.
00:53:37You want some more?
00:53:48You know...
00:53:50I can hardly remember what my husband looked like.
00:53:53We were only married a few weeks.
00:53:56We were on our way to Gila City when he was...
00:54:00He was killed in Seringo.
00:54:10When Meade was born, they wouldn't believe me.
00:54:17Gila City put a brand on both of us.
00:54:20But their jokes and their talk and their...
00:54:26Ugly little smiles.
00:54:39It's dark.
00:54:46We've got to have another horse.
00:54:49Them Apaches can't be far off. They got plenty of horses.
00:54:53You wait right here till I get back.
00:55:19Come on.
00:55:49Come on.
00:56:19Come on.
00:56:49Come on.
00:57:20Whoa.
00:57:29Kid.
00:57:31Pack up. We're moving out.
00:57:49This is far enough.
00:57:51I don't think I can stay awake another minute.
00:57:55You'll have to.
00:57:59Start digging.
00:58:01What?
00:58:03We're going to bury the wagon.
00:58:05From here on, our trail's got to look Indian.
00:58:08We're lucky those Apaches might still be out trying to find their stagecoach.
00:58:19Come on.
00:58:21Come on.
00:58:48Getting tired?
00:58:51Nope.
00:58:55I wasn't offering any. I just asked if you'd get tired.
00:59:22Yellowleg a name?
00:59:25No. It'll do.
00:59:32Where are you from?
00:59:34Ohio.
00:59:38Is it pretty back there?
00:59:40Used to be.
00:59:51Come on.
01:00:15What are you doing?
01:00:21Do, and I'll kill you.
01:00:52What is it?
01:00:58Apache.
01:01:06How could he miss?
01:01:08He didn't.
01:01:10Well, why didn't he kill us?
01:01:12Well, he's got a little score to settle up with me first.
01:01:16Start packing up.
01:01:46Let's go.
01:02:16Let's go.
01:02:40You can't forgive me for making you give up those five years, can you?
01:02:44I'll pick up his trail again.
01:02:46Hardly seem worth the trouble.
01:02:52Here you go.
01:03:14Thanks.
01:03:36He broke it.
01:03:44He broke it.
01:04:14What is he waiting for? Why doesn't he kill us?
01:04:17He will when he's ready.
01:04:25Why don't you kill us and get it over with? Come on!
01:04:28Stop leaving me alone!
01:04:30Shut up! Shut up!
01:04:32Why do you let him torture us like that?
01:04:34Shut up!
01:04:44Shut up!
01:05:14Shut up!
01:05:44Shut up!
01:06:15Come on.
01:06:30Our Apache friend's been awful quiet. Maybe he got bit by a snake.
01:06:44Do you want to go much further?
01:06:46What?
01:06:48Syringo.
01:06:51Syringo what?
01:06:53Do you think?
01:07:15Strange.
01:07:19I feel I know you better than any man I've ever known.
01:07:25Yet I hardly know you at all.
01:07:36What are you trying to do?
01:07:38I'm trying to help you.
01:07:41What are you trying to do?
01:07:43You're hurting me.
01:07:45What did you expect to find?
01:07:50I was only trying to make you more comfortable.
01:07:54I'm sorry.
01:08:11I'm sorry.
01:08:17There's...
01:08:19There's some things about me you don't understand.
01:08:23You killed the only person.
01:08:27I love you.
01:08:30I love you.
01:08:32I love you.
01:08:34I love you.
01:08:36I love you.
01:08:39I loved in this whole world.
01:08:43That's all I need to know about you.
01:09:08I love you.
01:09:39Next time I'll be waiting for him.
01:09:59Inside.
01:10:01Come on.
01:10:08Come on.
01:10:38Come on.
01:10:44Here.
01:10:46You got enough buckshot in there to stop an army.
01:10:49You gotta be on top of the block by sundown.
01:10:52So I'm gonna wait for him.
01:10:55Until I'm not back by morning.
01:10:58You're on your own.
01:11:00Wait.
01:11:03I...
01:11:05I just wanted to say...
01:11:15Thank you.
01:11:32I love you.
01:12:02I love you.
01:12:32I love you.
01:13:02I love you.
01:13:32I love you.
01:14:02I love you.
01:14:32I love you.
01:14:59Where is it by the mission?
01:15:03What was your husband's name?
01:15:05Mead Tilden.
01:15:07My son was named after him.
01:15:32I love you.
01:15:34I love you.
01:16:03I love you.
01:16:22I couldn't find it.
01:16:25It's bare.
01:16:29No, there ain't nobody named Tilden buried there.
01:16:41You're just the same as all the rest of them.
01:16:55Here it is.
01:17:17Mm-hmm.
01:17:19It must be one of the others.
01:17:49Mm-hmm.
01:18:19Mm-hmm.
01:18:49Cat!
01:18:53Cat!
01:18:54I found it!
01:19:04I found it.
01:19:06On her leg.
01:19:12Where's Jerk?
01:19:14I don't know.
01:19:17Where's Jerk?
01:19:19Right behind you.
01:19:21When that Billy gets a hold of an idea, he just won't let go of it.
01:19:24Especially if it's a red-headed woman.
01:19:39Well, there's no need to keep the lady out here in the sunshine.
01:19:43Let's step inside and talk things over.
01:20:14Sorry I can't offer you folks a drink.
01:20:18What'll you do with the money?
01:20:20This money, or what money you talking about?
01:20:27The only one thing that'd bring him down here, that's keeping one jump ahead of a posse.
01:20:32I ever saw a folk so scared, ain't ya?
01:20:38That doggie, she sure is pretty.
01:20:44Turkey. Go get that money.
01:20:49You crazy?
01:20:51Now go on, do what I told you to do. Go get the money.
01:21:06You know, I just ain't got the heart to kill him.
01:21:11Huh?
01:21:13How would you like to have your gun back?
01:21:17You want me to do it?
01:21:19I'll be much obliged.
01:21:30It's the minute he walks back through this door here.
01:21:33What about her?
01:21:36We'll decide that later.
01:21:39You and me.
01:21:44Well, I'm going for a little walk.
01:21:47I'll be around.
01:21:51The lady's gotta admit I got guts.
01:22:06You better get out of here.
01:22:08You can't.
01:22:10I waited five years, the waiting's over. Now keep out of it.
01:22:14What happened to me, it was an accident. I know that now.
01:22:18Even though I thought that I could never forgive you for it.
01:22:22But I could never love a man who was a cold-blooded killer.
01:22:29Love?
01:22:31Love.
01:22:35You don't even know me.
01:22:37No face under a hat.
01:22:41Did you ever wonder why I won't take this off?
01:22:54Want to talk about love?
01:22:56I've seen you.
01:22:58Want to talk about love?
01:23:00I've seen you with your hat off.
01:23:29What about me?
01:23:47What about my scars?
01:23:49Do you know how many men I've let kiss me and pinch me just because their filthy money gave them the right?
01:24:01Men with dirty shirts, smelly arms, money in their pockets.
01:24:11Can those scars be forgotten?
01:24:16Can I ask you to love them?
01:24:20A woman like that.
01:24:34Now don't that make a pretty picture?
01:24:38Where's Billy?
01:24:45Get out of the way.
01:24:46Don't do it!
01:24:49Don't do it!
01:25:19Don't do it!
01:25:20Don't do it!
01:25:46All this shooting and they ain't even touched him yet.
01:25:50Turkey.
01:25:55Billy, are you crazy?
01:26:13All right, yellow leg, this is it.
01:26:17You lose.
01:26:18Move out, Billy.
01:26:20Well, Billy, I ain't got time for you.
01:26:22But two horses in this town, you know as good as me that only two people are going to ride out of here alive.
01:26:50Billy.
01:26:57Turn around, Billy.
01:26:58You turn the coat on me, I'll raise you from a puppy.
01:27:04I ain't giving none of this money.
01:27:06No.
01:27:15Give me some slavings.
01:27:17I'll tread myself.
01:27:19Come here, Jim.
01:27:25Yellow leg.
01:27:26Yellow leg, listen to me.
01:27:27We can make ourselves a deal.
01:27:31I don't want that Billy with me.
01:27:32I want you.
01:27:33Look at you.
01:27:34I'll put you in that uniform.
01:27:39Come on.
01:27:40Listen to me.
01:27:41Why can't I yank a joint up with a rebel?
01:27:44Let me get the gun.
01:27:46There's all this money here.
01:27:47Look here, I'll give it all to you.
01:27:49Give it to me.
01:27:57I'll make a general out of you, General Yellow Leg.
01:27:59Think of how you'd look in one of these caps, isn't it?
01:28:13Come on.
01:28:34Listen, Yellow Leg.
01:28:35Like I told you up there.
01:28:38You're going to be in my army.
01:28:39I'm going to make a general out of you with gold braid on you.
01:28:42Remember that.
01:28:47You know where you left it, don't you?
01:28:49Chickamauga.
01:28:51Look at it.
01:28:53No.
01:28:54Oh, Yellow Leg, listen to me.
01:28:55I don't want that Billy around me.
01:28:57I want...
01:28:58Look at me.
01:29:00Yellow Leg, I'll make a general out of you.
01:29:01I'll give you one of these general's caps.
01:29:03Oh, you'd look good in a gold braid.
01:29:04Listen to me, Yellow...
01:29:09Don't.
01:29:12Don't.
01:29:17Get out of here.
01:29:22Don't do it.
01:29:43Billy!
01:29:51Billy!
01:29:52Shoot that Yellow Leg in the back like I told you to!
01:30:12Don't.
01:30:13Don't.
01:30:41Hi, Cap.
01:30:42We're trailing a couple of bank robbers.
01:30:44Looks like you've got one of them.
01:30:45Where's the other?
01:30:46Inside.
01:30:50Looks like they figured you didn't have guts enough to come here.
01:30:53You know how people are.
01:30:54As long as it's their money, the gates of hell wouldn't stop them.
01:30:58Sure.
01:31:00Parson, we're going to need a few of the right kind of words from you.
01:31:05We're burying a boy alongside of his dad.
01:31:07I'll say the right kind of words.
01:31:13Come on.
01:31:15Let's go.
01:31:42Come on.
01:31:44Thank you, old lady.
01:31:45Gentlemen, you're going to make great officers in my army.
01:31:48I'll soon have your uniforms for you.
01:31:50And gold braids.
01:31:52And we'll start training people.
01:31:54Thank you, sir.
01:31:57Now, Captain, if you'll say forward, yo, and dress these ranks, we'll go.
01:32:02Forward, yo!
01:32:04Johnny come marching home again. Hurrah! Hurrah!
01:32:08Johnny come marching home again. Hurrah! Hurrah!
01:32:11Hold it there. Give them those ranks.
01:32:14Forward, forward. Follow me men.
01:32:22Now, forward.
01:32:26We'll get us an army. We can earn this country, too.
01:32:29We'll find some slave Indians.
01:32:41The dream of love that once I knew
01:32:47Now lingers beyond the empty dawn
01:32:53No more is my longing for you
01:33:00No more is my longing for you
01:33:06No more is my longing for you