The Human Tornado -HD (1976)
Category
🎥
Short filmTranscript
00:00:00 [MUSIC]
00:00:10 [MUSIC]
00:00:20 [MUSIC]
00:00:30 [MUSIC]
00:00:55 [MUSIC]
00:01:05 [MUSIC]
00:01:15 [MUSIC]
00:01:40 [MUSIC]
00:01:50 >> Ladies and gentlemen, here he is, Mr. Doleman.
00:02:05 [APPLAUSE]
00:02:09 >> Yes, I have been rough.
00:02:11 And you know I'm also tough.
00:02:13 I'm bad and sometimes I get very mad.
00:02:16 I've been known to be mean.
00:02:19 But right now, y'all can look and see that I'm damn show clean.
00:02:23 [APPLAUSE]
00:02:32 >> I see a lot of lovely people in this house tonight.
00:02:36 Look at this big fat man here.
00:02:40 My, my, my, my, my, girls, look what y'all could get if you was lucky.
00:02:46 Well, I say one thing, he can lay heavy, but he'll never go deep.
00:02:50 [APPLAUSE]
00:02:59 >> I bet he tells the average girl, you may not know I'm in there,
00:03:03 but you damn sure know I'm on there.
00:03:07 >> I see this big fat lady with him.
00:03:09 My, my, my, my, my, young lady, you got the same damn thing them little skinny gals got.
00:03:14 But a damn sight more of it.
00:03:17 Is that your husband?
00:03:18 Ain't that a damn shame.
00:03:20 You need your little skinny man, baby.
00:03:22 You and that man get in the bed together and try to do y'all's thing would be a mission impossible.
00:03:28 [LAUGHTER]
00:03:34 >> I'm going to tell you like the bathtub told the toilet stool.
00:03:37 I get as much ass as you, but I don't have to take all that shit.
00:03:41 Young lady went out with her boyfriend the other night,
00:03:44 and he got in the bed with her and pulled out somebody like my little finger.
00:03:48 She looked at him and said, why you no screwing pencil, dick, pencil Peter, son of a gun.
00:03:55 I'll tell you what I will do for you.
00:03:58 You can't do nothing for me with a joint that small.
00:04:02 I'll give you $50 if you can hurt me.
00:04:06 He screwed her three times and hit her in the head with a rock.
00:04:09 [APPLAUSE]
00:04:11 >> There's some ugly motherfuckers in this house tonight.
00:04:14 If you don't believe it, look over here.
00:04:17 Baby, you are so ugly you stopped this motion picture from running.
00:04:24 Your lips look like you're wearing a turtleneck sweater.
00:04:27 I had a brother look just like you.
00:04:29 He stuck his head out the window, and his lips beat him to death.
00:04:32 [APPLAUSE]
00:04:34 >> My, my, my, that's what I call stretching a good thing a bit too far.
00:04:38 Two soldiers went to Vietnam, a black soldier and a white soldier.
00:04:42 Can you dig it?
00:04:43 And they come all the way back home, and the people in Louisiana said,
00:04:46 we're going to give you all anything that you all want.
00:04:49 They looked at the white soldier and said, young man, what do you want?
00:04:52 He said, well, I'll tell you all what I want.
00:04:54 I want me $10,000 and a Lincoln Continental to drive.
00:04:59 They said, we're going to get that for you.
00:05:02 Then they looked at the brother.
00:05:03 They said, brother, what would you like?
00:05:05 The brother said, well, y'all can give me a dollar and a half
00:05:09 from the head of my ding-a-ling down to my balls.
00:05:13 They said, brother, brother, don't you want no more than that?
00:05:17 He said, no, that's all I want.
00:05:19 So he pulled it out, and they put a dollar and a half at the head of it.
00:05:22 Then they put another dollar and a half on it, and another dollar and a half,
00:05:25 another dollar and a half, and another dollar and a half.
00:05:28 And one of those fellas looked at him and said, nigger, where is your balls at?
00:05:35 He said, in Vietnam.
00:05:37 [LAUGHTER]
00:05:39 [DRUMMING]
00:05:44 Young lady took her boyfriend out with her the other night.
00:05:47 You know, she got in the bed with him, and baby, he did his thing
00:05:52 before he could get on top of her.
00:05:54 And he looked at her and said, go in the kitchen and fix me some food.
00:05:59 She went in the kitchen and brought him a head of lettuce and a bowl of carrots.
00:06:04 He looked at her and said, why in the world did you bring me these carrots
00:06:08 and lettuce out here?
00:06:10 She looked at him and said, motherfucker, you fuck like a rabbit,
00:06:14 you might as well eat like one.
00:06:16 [LAUGHTER]
00:06:17 You might as well eat like a rabbit yourself.
00:06:19 And this is what I call a nigger that always want to get in the show.
00:06:22 [LAUGHTER]
00:06:25 This is the kind of nigger that'll fart in a bathtub and turn around
00:06:28 and bite the bubble.
00:06:30 [LAUGHTER]
00:06:33 [DRUMMING]
00:06:37 Ladies and gentlemen, tonight has been a pleasure.
00:06:40 Thank you for letting us be ourselves.
00:06:42 I ain't lying.
00:06:43 [APPLAUSE]
00:06:44 All right, ladies and gentlemen.
00:06:46 [APPLAUSE]
00:06:49 [ENGINE RUMBLING]
00:06:59 [CHATTER]
00:07:08 [DOOR SLAMS]
00:07:10 [CHATTER]
00:07:13 You really came at a bad time.
00:07:27 I'm very, very busy.
00:07:30 Relax, take off your fangs, and I'll see you later.
00:07:33 [MUSIC PLAYING]
00:07:36 I've invited you all here to inform you
00:07:45 that the money drive that was planned six months ago by our planning
00:07:49 committee to purchase a new boy's home
00:07:52 has been called abruptly closed.
00:07:54 [GROANING]
00:07:56 Oh.
00:07:59 But along with the bad news, there's always good news.
00:08:04 I'm going to allow the man that has caused all of this to happen,
00:08:08 your friend and mine, Brother Dolomite.
00:08:10 [APPLAUSE]
00:08:13 I'm so glad you could come.
00:08:25 As you know, I've had a lot of hard knocks
00:08:28 and a lot of trials and tribulations.
00:08:32 And I've had a lot of success.
00:08:37 And I think it's a shame for anyone successful
00:08:41 not to share it with others.
00:08:44 So today, I'm doing something that I've wanted to do for a long time.
00:08:50 I'm giving my home and its entirety to the gentleman that
00:08:56 started the drive for the boy's home.
00:08:59 [APPLAUSE]
00:09:02 Let us now talk to some of our distinguished guests.
00:09:05 [MUSIC PLAYING]
00:09:08 [MUSIC PLAYING]
00:09:11 All right, let's get this shit over.
00:09:33 I ain't got all day.
00:09:37 Dolomite, you're worth every damn cent I pay you.
00:09:42 Jethro, stop the car.
00:09:51 What is it now, Ma?
00:09:57 Look, Yonder, something's going on up there at that big house.
00:10:00 You're right, something is going on up there.
00:10:06 Ma, them people up there is having a party.
00:10:09 God damn, Jethro, them ain't no people.
00:10:12 Them's niggers.
00:10:13 Well, by God, you're right, Ma.
00:10:15 Them's niggers.
00:10:17 Well, they got to be niggers because it ain't Halloween, is it?
00:10:20 Come on, Jethro, step on it.
00:10:21 Well, where are we going to go?
00:10:23 We're going to find the sheriff.
00:10:24 We got time.
00:10:25 You ought to know about this.
00:10:26 You're right.
00:10:27 All right, all right, I owe you 30 minutes.
00:10:34 [laughing]
00:10:35 Wake up, Sheriff.
00:10:39 It's an emergency.
00:10:40 Oh, shit.
00:10:41 [gunshot]
00:10:42 Put your hands up.
00:10:43 Oh, shoot, Sheriff.
00:10:45 It's me, Charlie.
00:10:47 What the hell's the matter with you, Charlie?
00:10:51 Shit.
00:10:52 Well, I'm sorry, Sheriff, but there's big trouble brewing.
00:10:56 Trouble.
00:10:57 You got to be wrong, Charlie.
00:11:00 We don't lie none of that around here.
00:11:02 Yeah, well, the ones who's causing the trouble must not know that.
00:11:05 These niggers.
00:11:07 Where?
00:11:10 You know that big house that sets up on the hill?
00:11:13 That fancy nigger's house?
00:11:15 Yeah.
00:11:16 Well, there's a bunch more niggers up there.
00:11:18 You fooling me, boy.
00:11:21 Nah, I just talked to Jethro Goodloe.
00:11:24 Said there's a whole bunch of them up there just carrying on something awful.
00:11:30 That does it, Charlie.
00:11:32 That does it.
00:11:33 You go round up some of the men.
00:11:37 Ain't gonna be no niggers left up on that hill when we get through with them.
00:11:41 Motherfucker had a heart attack.
00:11:44 Oh, man. Come on, boy.
00:11:47 Oh, shit.
00:11:51 Hey, hold up, everybody.
00:11:54 Look like trouble's coming.
00:11:56 That's the Sheriff's car.
00:11:59 Oh, man, I wonder what the fuck he wants.
00:12:02 I don't know, but he sure is in a hurry.
00:12:06 All right, you men.
00:12:13 When we get up there,
00:12:18 I want you men to sprint around that house like horse shit.
00:12:22 Shoot the kill if you have to.
00:12:26 Shoot the kill if you have to.
00:12:28 Now, come on. Let's go.
00:12:31 Hey, we better go warn everybody.
00:12:35 All right, everybody, listen.
00:12:39 That Sheriff is coming. He's got a lot of men with him.
00:12:42 Everybody keep calm.
00:12:45 Out of the house. Out of the house.
00:12:48 Everybody out. Move. Move. Move.
00:12:51 Go. Go. Go.
00:12:55 Go.
00:12:57 All right.
00:13:08 All you niggers, put your hands on top of your nappy heads.
00:13:12 Who's in charge here, boy?
00:13:21 Sheriff, what are you doing?
00:13:23 I ain't done nothing.
00:13:25 I'll ask the questions. You just listen, boy.
00:13:29 Look, Sheriff, ain't no boys around here.
00:13:32 Just men. You dig?
00:13:34 Just say the word, Sheriff.
00:13:50 Maybe this cute little black finger here can tell me who that...
00:13:56 ...that nigger is around here.
00:14:00 How's about it, honey child?
00:14:07 Honey child.
00:14:09 I've always wanted a little piece of nigger tail.
00:14:34 Sorry, sorry.
00:14:36 Ben?
00:14:46 Charlie?
00:14:48 He made me do it.
00:15:00 Ben, are you for real?
00:15:04 He ain't no wife of mine.
00:15:08 Kill him, Charlie.
00:15:15 I said kill him.
00:15:18 Charlie!
00:15:20 No, Charlie!
00:15:23 (Gunshot)
00:15:25 (Gunshot)
00:15:29 So y'all don't believe I jumped, huh?
00:15:42 So watch this good shit.
00:15:46 (Music)
00:15:49 Mind what the friends own, or you niggers take off and leave me on top of that hill.
00:16:10 Oh, it's all in my ruse to win.
00:16:13 Got the snowball in hell.
00:16:16 That motherfucker caught me in the bed with his wife.
00:16:21 Now he want to try to take my life.
00:16:23 Go step on it and step on it quick.
00:16:26 Burn some rubber 'cause we gonna deal with that trick.
00:16:30 Die, nigger, die, die, nigger, die!
00:16:33 (Explosion)
00:16:35 (Music)
00:16:37 (Explosion)
00:16:39 (Explosion)
00:16:43 (Explosion)
00:16:53 Nigger, die, die, you ain't die, just put your foot in the tank.
00:16:57 Die!
00:16:59 Die, nigger, die!
00:17:01 (Explosion)
00:17:03 (Music)
00:17:05 (Explosion)
00:17:07 (Explosion)
00:17:12 Folks, we can't shake this gravy stopping, motherfucker.
00:17:23 So turn up in that cave.
00:17:25 I got a plan to make this son of a gun nigger's own grave.
00:17:29 (Explosion)
00:17:31 (Music)
00:17:34 (Explosion)
00:17:36 Move, back to top that hill as soon as I say let it go.
00:17:39 Let the motherfucker go!
00:17:41 (Music)
00:17:43 (Explosion)
00:17:53 Let the motherfucker go!
00:17:55 (Horn)
00:18:01 I'll stop this long head C-7 dilapidated sheriff now.
00:18:06 'Cause he just want to follow me anyhow.
00:18:09 He think he's bad and ain't got no class.
00:18:12 I'm gonna wrap this shotgun up his motherfucking ass.
00:18:16 (Explosion)
00:18:20 (Music)
00:18:31 While you niggers is running, we got a lot of running to do.
00:18:34 'Cause we going to California.
00:18:36 Hey, foe, come on, man.
00:18:39 We going to California.
00:18:41 (Laughs)
00:18:42 Watch out for snakes up there.
00:18:45 By the way, Jimmy, if a snake was to bite me on my leg, what would you do?
00:18:50 I'd suck your butt, Dolomite.
00:18:52 Well, foe, if a snake was to bite me on my ass, what would you do?
00:18:57 Dolomite, I guess you'd be a dead motherfucker.
00:19:00 I am tired.
00:19:10 We got to do something.
00:19:12 I got to hear there be some shoes or a ride or something.
00:19:16 The hell, Dolomite, how in the hell do we get a ride, man?
00:19:19 Just hitchhike. That's all. We hitchhike.
00:19:21 You know damn well ain't no of these hunkies gonna pick up boat niggers
00:19:26 out here on the highway by themselves.
00:19:28 We know better than shit.
00:19:30 I'm going to get a ride. I can get us a ride.
00:19:35 How in the hell you going to get us a ride, man?
00:19:39 You can get us a ride.
00:19:42 First car that comes by, you stop it.
00:19:46 We going to take the motherfucker. Can you dig it?
00:19:49 Let's go over the hill and hide, fellas.
00:19:51 Okay.
00:19:53 [Horse whinnying]
00:19:56 You want a ride, honey?
00:20:22 Yeah, my car broke down up the road and...
00:20:25 Well, I'll tell you what I'll do.
00:20:28 I'll give you a ride.
00:20:30 For a ride.
00:20:32 [Laughing]
00:20:34 What? Well, what are you doing?
00:20:38 Move over, motherfucker.
00:20:43 And don't say a fucking word.
00:20:47 [Door opening]
00:20:49 [Door closing]
00:20:51 By the way, where we going?
00:21:03 We are taking your car and you to sunny California.
00:21:08 Can you dig it?
00:21:10 California?
00:21:13 You heard it. Sweet dream.
00:21:16 My, my. I never thought anybody kidnap me.
00:21:20 Plus, take me to California.
00:21:22 This must be my lucky day.
00:21:25 Dreams do come true.
00:21:28 [Laughing]
00:21:41 Boy, oh boy. Good shoes for my feet.
00:21:44 Now I can go and get me something sweet to eat.
00:21:48 Doug, why don't you watch the fuel, man?
00:21:56 Pull over at the next station and gas up.
00:22:00 There's one right over there.
00:22:02 Sir, I've got to use the bathroom.
00:22:08 All right, I'm going to let you use it, but you better not try any shit.
00:22:12 I'm glad you stopping at this station, man, because I got to pee.
00:22:21 Me too.
00:22:23 [Gasping]
00:22:36 Get out!
00:22:38 [Screaming]
00:22:42 This is for ladies!
00:22:44 What do you think this is for?
00:22:47 [Screaming]
00:22:50 This is for ladies! Get out!
00:22:53 [Screaming]
00:22:59 Yes, Queen B, that's how it was.
00:23:02 I had to off me a motherfucker.
00:23:05 So me and the boys is on the run to California. Can you dig it?
00:23:09 So you have to do whatever.
00:23:11 That's how it goes sometimes.
00:23:13 Well, Dolomite, this is me.
00:23:15 And you know you're welcome to come here any time you want to.
00:23:18 You know what? You couldn't have come at a better time, because the club is jumping. We're doing great.
00:23:23 By the way, Hurricane Anne has been worrying the hell out of me about you.
00:23:32 The way you blew Anne's mind, baby, you must be a human tornado.
00:23:36 Okay, Queen B. Don't tell her I'm coming.
00:23:40 When I get there, I'm going to make her think I'm a human tornado.
00:23:45 I'll see you in a few days, baby.
00:23:48 Good evening, everybody, and welcome to Queen B.
00:24:01 Ladies and gentlemen, my name is Jimmy Lynch, and I am your local manager, bartender, and emcee.
00:24:07 Ladies and gentlemen, with a great big round of applause, introducing to some and presenting to others, Xavier Chatman and his company.
00:24:16 [applause]
00:24:18 [music]
00:24:20 [music]
00:24:22 [music]
00:24:24 (upbeat music)
00:24:27 (upbeat music continues)
00:24:30 (upbeat music continues)
00:24:33 (upbeat music continues)
00:24:37 (upbeat music continues)
00:24:40 (upbeat music continues)
00:24:44 (upbeat music continues)
00:25:10 (upbeat music continues)
00:25:14 (upbeat music continues)
00:25:17 (upbeat music continues)
00:25:20 (upbeat music continues)
00:25:24 (upbeat music continues)
00:25:27 (upbeat music continues)
00:25:31 (phone ringing)
00:25:53 - Hello?
00:25:55 - Hello, Joe, this is Vince.
00:25:57 - Oh, Vince, how are ya?
00:26:00 Hey, how's Florida, huh?
00:26:01 - Oh, Florida's fine, but I'm not so well.
00:26:05 I don't like your receipts, kid.
00:26:07 - What are you running down there, a funeral for her?
00:26:10 - Now look, look, boss, look, you see,
00:26:12 if this damn broad down the street,
00:26:14 you know, Queen B, boss, she's competition, this Queen B.
00:26:18 - That's Queen B.
00:26:19 Queen B, you've been telling me about Queen B.
00:26:21 - I'm not talking about Queen B.
00:26:23 - Queen B, you've been telling me about Queen B
00:26:25 for months now, Joe.
00:26:26 Joe, you're into this organization for a lot of money.
00:26:32 And now they are after me.
00:26:36 - Hey, Vince, Vince, Vince, listen to me, will ya?
00:26:38 I swear it's all gonna be taken care of.
00:26:40 Just give me a little more time.
00:26:42 - Boss, I have something he wants to say.
00:26:44 (upbeat music)
00:26:45 - Now look, boys, we ain't doing so good.
00:26:47 And my people are mad at me.
00:26:49 Now with Queen B's club taking in all the business,
00:26:51 my place is coming up like a funeral parlor.
00:26:54 And my backers in Florida ain't so happy about it.
00:26:57 They're pressuring me.
00:26:59 And this kind of pressure I don't need.
00:27:02 Something's gotta be done about it, right?
00:27:05 Okay, now Carl here is gonna act as my enforcer.
00:27:09 I want Queen B's place shut down.
00:27:13 - Jimmy, baby.
00:27:14 - Yeah, Queen?
00:27:15 - Ooh, oui.
00:27:17 - Two more nights like this?
00:27:20 And baby, we can make up for them two lousy weekends we had.
00:27:24 You know why?
00:27:25 - What's that, mama, what is it?
00:27:27 - John was really packing them in.
00:27:29 I should have had her here a long time ago.
00:27:31 - Right on, baby.
00:27:32 And you know I ain't seen this many niggas in here
00:27:35 since Dough the Mike was here.
00:27:36 And my catch action tonight was heavy.
00:27:39 If I was you, I'd hold over for a couple weeks.
00:27:42 - I heard that.
00:27:43 - Yes, sir.
00:27:49 (dishes clinking)
00:27:52 - Thank God we don't have to see this place until tomorrow.
00:28:00 Girl, my feet are hurting, they,
00:28:02 I feel like I wanna scream.
00:28:04 - Right on, Java.
00:28:05 - Oh, fix me a drink, baby.
00:28:07 How did we do tonight, Queenie?
00:28:12 - Not bad, baby.
00:28:13 In fact, you can look for a bonus with your check.
00:28:17 You deserve it.
00:28:18 - That's what I like to hear.
00:28:20 - Here, baby.
00:28:21 And as good as you look
00:28:22 at where you worked out there tonight,
00:28:24 you can go anywhere you want with me.
00:28:27 - Now what about your lady over here?
00:28:29 (laughing)
00:28:31 - All in, all in, quiet, baby.
00:28:33 (laughing)
00:28:35 (glass shattering)
00:28:41 - Oh, excuse me, I'm right on stage.
00:28:43 (laughing)
00:28:45 - That's okay, let me give you a hand, okay?
00:28:47 (laughing)
00:28:50 - What kind of shit is this?
00:28:52 (laughing)
00:28:54 (whistling)
00:28:56 (grunting)
00:28:58 (glass shattering)
00:29:01 - Everybody freeze!
00:29:05 (coughing)
00:29:14 (coughing)
00:29:16 - You're the hard-headed lady, huh?
00:29:26 Well, maybe this will teach you.
00:29:30 The boss wants you to learn.
00:29:33 (screaming)
00:29:37 (thudding)
00:29:39 (screaming)
00:29:41 (thudding)
00:29:47 (screaming)
00:29:49 - Queen!
00:29:57 - Oh, my God.
00:29:58 - Come on.
00:29:59 Come on, let's get out of here, come on.
00:30:05 - Go!
00:30:06 (phone ringing)
00:30:13 - Hello.
00:30:15 - Yeah, boss, we got 'em.
00:30:17 We didn't get that Jackson creep,
00:30:18 but we got two of the girls.
00:30:19 - Good.
00:30:20 Nice work, Paul.
00:30:33 (phone ringing)
00:30:35 - Hello.
00:30:37 - This is Cavaletti.
00:30:39 I got two of your girls.
00:30:41 Now, I want you to close that joint of yours down
00:30:44 and be over here tomorrow night.
00:30:46 'Cause if you don't, you'll never see 'em again.
00:30:49 - Hello?
00:30:53 Hello!
00:30:55 Motherfucker!
00:30:57 - Hang on!
00:30:58 (gun firing)
00:30:59 (crickets chirping)
00:31:03 (upbeat music)
00:31:05 (snoring)
00:31:07 (laughing)
00:31:09 (laughing)
00:31:14 - Oh!
00:31:15 - What the fuck is this?
00:31:17 (laughing)
00:31:19 - Oh, I can't believe it.
00:31:22 (laughing)
00:31:26 You've got to be mama!
00:31:31 (laughing)
00:31:33 - This place gives me the creeps.
00:31:40 - Yeah, me too.
00:31:41 - I don't know, I wonder why the boss
00:31:42 picked this place for the payouts.
00:31:44 - He likes the old lady.
00:31:46 Besides, he gets his nuts
00:31:47 watching her torture pretty broads.
00:31:50 (laughing)
00:31:53 - Oh, my little pretty!
00:31:55 (laughing)
00:31:58 Oh, you guys!
00:32:01 My pretty baby!
00:32:03 (laughing)
00:32:05 - Hope these girls in California
00:32:21 is good as this apple.
00:32:23 Boys, this is Los Angeles, California.
00:32:30 - California, oh, this is where the stars are!
00:32:34 - I said boys!
00:32:35 - Girls, give me a little money.
00:32:39 Here's $97, thanks for the use of your card.
00:32:49 The trouble we caused you.
00:32:51 - Oh, I'll take your money,
00:32:52 but you didn't cause me any trouble.
00:32:55 I've always wanted to come to California.
00:32:57 By the looks of things out here,
00:33:00 someone's gonna have to kidnap me to take me back.
00:33:03 (laughing)
00:33:05 - Don't call us again.
00:33:10 - Hey, taxi!
00:33:11 (tires screeching)
00:33:14 (car engine roaring)
00:33:43 - What the hell happened here?
00:33:45 - The club should be open, shouldn't it?
00:33:47 - Whatever happened,
00:33:49 somebody better have a damn good excuse for it.
00:33:53 Let's make it after Queen Bee's house.
00:33:55 - Hey, hey, where are you going?
00:34:05 Ain't nobody home.
00:34:07 - Well, where is everybody at?
00:34:11 - Don't know, ain't see nobody all day.
00:34:13 - Fellas, let's go into town
00:34:15 and check out some of the clubs.
00:34:16 I'm sure somebody there can tell us something.
00:34:18 Let's make it.
00:34:19 (upbeat music)
00:34:24 (whistling)
00:34:28 (upbeat music)
00:34:31 (upbeat music)
00:34:34 (upbeat music)
00:35:02 - I thought by now we could have done
00:35:04 Found Hurricane Annie.
00:35:05 Shit!
00:35:06 (upbeat music)
00:35:09 (upbeat music)
00:35:12 (upbeat music)
00:35:15 (upbeat music)
00:35:18 - Good evening, ladies and gentlemen.
00:35:19 My name is Fletcher Weatherspoon.
00:35:20 I'm your MC for the evening.
00:35:22 Club Sahara proudly presents for your listening pleasure
00:35:26 all the way from South America,
00:35:29 the very beautiful and talented Jeannie LaValle.
00:35:33 Give it to her, ladies and gentlemen.
00:35:34 (audience applauding)
00:35:37 (singing in foreign language)
00:35:47 - Good evening, gentlemen.
00:35:51 Welcome to Sahara Club.
00:35:53 May I help you, sir?
00:35:54 - Yes, brother man, you can help us.
00:35:58 I'm looking for some information.
00:36:00 - Oh?
00:36:01 (singing in foreign language)
00:36:05 That kind of money, brother,
00:36:08 you can get all the information you want.
00:36:10 - I'm looking for a young lady
00:36:14 that used to work here by the name of Hurricane Annie.
00:36:17 - Oh yes, Hurricane.
00:36:19 The gentleman right over there in the beige suit.
00:36:21 Well, maybe you helped yourself.
00:36:24 (singing in foreign language)
00:36:28 - Good evening, brother man.
00:36:31 I'm Dolomite.
00:36:32 - Oh, Dolomite, hey, I heard a lot about you.
00:36:35 How you doing?
00:36:36 - Very good.
00:36:37 I'm looking for a young lady by the name of Hurricane Annie,
00:36:41 and I hear that you may be able
00:36:43 to give me some information on her.
00:36:45 - Oh yeah, Hurricane, that's one of my pride dancers.
00:36:48 She's working over at the Bonanza Club on 73rd.
00:36:51 (upbeat drum music)
00:36:54 - How about that, ladies and gentlemen?
00:37:03 Come on, everybody, Hurricane Annie,
00:37:04 let's give her a great big hand.
00:37:06 Come on, make her happy, everybody.
00:37:08 - Don't put your head on the line.
00:37:11 - You must think I'm stupid, man.
00:37:13 - Can I serve you, sir?
00:37:14 - I am looking for Hurricane Annie.
00:37:16 - Hurricane Annie has just finished her act.
00:37:19 She's going to change her clothes.
00:37:21 If you'll come in and be seated,
00:37:22 I'll have her come over to the table.
00:37:24 Follow me, please.
00:37:25 - Let's have a great big hand for Miss Patty Williams.
00:37:32 (audience applauding)
00:37:35 ♪ Midnight in my bedroom ♪
00:37:43 ♪ And my love has done come down ♪
00:37:47 ♪ I feel so romantic ♪
00:37:49 ♪ But my man is nowhere around ♪
00:37:53 ♪ And I got the bedroom blues ♪
00:37:57 - Joel and Mike, I don't believe it.
00:38:00 Oh, baby.
00:38:01 - How you been, Annie?
00:38:07 - Why didn't you leave town
00:38:08 without telling me where you were going?
00:38:10 - Listen, Annie, I want you to meet three of my friends.
00:38:12 This is Doug, Bo, and Jimmy.
00:38:16 - Yeah, what's happening?
00:38:17 - Meet the Hurricane Annie.
00:38:20 - Okay, okay, okay.
00:38:22 - Well, how long you gonna be in town?
00:38:26 - Annie, Queen Bee told me to come at once.
00:38:30 I went by the club and it's closed.
00:38:32 - Queen's Place closed?
00:38:34 Well, that's news to me.
00:38:36 Did you try her house?
00:38:38 - Yes, and nothing.
00:38:40 - That's strange.
00:38:43 - I got a hunch.
00:38:45 - This is Cavaletti's place,
00:38:47 getting rich on niggers and dumb honking.
00:38:50 And I bet you 10 to 1, Queen and her girls is in there.
00:38:55 - You think they in there?
00:38:58 Well, let's go, baby.
00:39:01 (upbeat music)
00:39:10 (upbeat music)
00:39:14 (upbeat music)
00:39:17 [MUSIC]
00:39:27 [MUSIC]
00:39:53 Good evening and welcome to Cattelletti's 20 Grand.
00:39:57 [MUSIC]
00:40:04 Waitress, would you please give this to the piano player?
00:40:07 [MUSIC]
00:40:30 Alright, how about that? The Ben Ed Taylor Trio. Alright.
00:40:34 [APPLAUSE]
00:40:38 The Ben Taylor Trio. Do it.
00:40:42 [APPLAUSE]
00:40:47 Annie, it's you baby, it's you.
00:40:50 Ben, what it is?
00:40:51 Where you been? I ain't seen you lately.
00:40:53 Oh, I've been here and there, you know.
00:40:56 Ben, I want you to meet a good friend of mine, Dolemite.
00:40:59 Ben, the best singer the world has ever known.
00:41:02 Ben, the pleasure is mine.
00:41:06 Dolemite, you know I've heard quite a bit about you, man. Quite a bit.
00:41:13 I hope the things that you've heard have been good things, brother.
00:41:16 Nothing but.
00:41:19 Ben, we're looking for Queen. We understand she's in a jam.
00:41:23 You know where she is?
00:41:25 You know this job don't pay me to talk. It pays me to sing.
00:41:29 I say you know that.
00:41:32 Give it to me.
00:41:33 Oh, do you mean, have I seen the Queen?
00:41:40 Keep your eyes open, she's floating around here somewhere.
00:41:43 I gotta go, I got a show to do.
00:41:45 Okay, Ben.
00:41:47 Yeah, that's it.
00:41:50 There goes Queen now. Come on, let's go talk to her.
00:41:55 [Music]
00:42:10 Queen, what's happening? What in the world are you doing in a joint like this?
00:42:14 Honey, shit done got heavy.
00:42:16 Cavaletti sent some of his apes down, beat me like a dog.
00:42:21 And kidnapped TC and Java.
00:42:24 Kidnapped them? What you mean?
00:42:27 Kidnapped them and forced us to come and work for him.
00:42:30 And said if I didn't come and work for him, he'd kill them.
00:42:34 Cavaletti must be nuts to think he can get away with some shit like that.
00:42:38 Who the hell does he think he is?
00:42:41 That's what I want to know.
00:42:43 He must think he is the new Godfather of some kind of shit.
00:42:48 [Music]
00:42:53 He's pissed because I was making more money than he was.
00:42:56 Here he comes now, look.
00:42:58 The rice is melting, Queen. What's with the chatter?
00:43:02 Uh, those are just some friends of mine and they was looking for somebody.
00:43:06 Friends, huh? Now look, sweetie, since you work for us, you can't have any friends.
00:43:11 Now get back to work.
00:43:14 Well, folks, I want you to know the next act is about to start.
00:43:20 I want you to catch it. You'll love it.
00:43:24 [Music]
00:43:45 I'll take care of you now, sweetheart, but I have other things to do.
00:43:49 [Music]
00:44:03 But don't worry, I'll be back later.
00:44:05 [Music]
00:44:08 Yeah.
00:44:10 [Music]
00:44:12 [Laughter]
00:44:18 Mother, what are we going to do?
00:44:23 I don't know, girl.
00:44:26 But whatever it is, it's got to be quick.
00:44:30 [Music]
00:44:35 Girl, this is sick.
00:44:38 [Music]
00:44:48 Dola Mike, I've been waiting for you so long.
00:44:55 Baby, good things come to those who wait.
00:45:00 Oh.
00:45:02 [Music]
00:45:14 I see you didn't keep your promise.
00:45:17 Just look at you.
00:45:20 But baby, I've been busy.
00:45:25 Not too busy to eat, I see.
00:45:31 I want you to make yourself feel comfortable.
00:45:37 Because I've got something I want you to do.
00:45:41 [Music]
00:45:47 You're soft as a flu.
00:45:51 You're a faggot.
00:45:55 Romantic as a scream.
00:45:59 You're a little dark.
00:46:03 Sweet as the breeze singing through the trees.
00:46:10 There's a wonder in you that I love.
00:46:18 I've never felt love like this in all of my life.
00:46:26 Oh, oh, this is wonderful.
00:46:30 I want you to feel my love.
00:46:34 Bright as the day.
00:46:37 Spring-born.
00:46:41 And true as the moon.
00:46:46 Damn, baby, I got some shit we can do better than this.
00:46:50 You're beautiful as the wave of the down-shower bells.
00:46:57 There's a wonder in you that I love.
00:47:05 I've never felt love like this in all of my life.
00:47:13 This is wonderful.
00:47:15 It's so nice to have you for my wife.
00:47:21 You're bright as the April spring-born.
00:47:29 And true as the new moon above.
00:47:36 You're sweet as the breeze singing through the trees.
00:47:44 There's a wonder in you that I love.
00:47:50 You're bright as the April spring-born.
00:47:58 And true as the new moon above.
00:48:05 You're sweet as the breeze singing through the trees.
00:48:13 There's a wonder in you that I love.
00:48:19 It's wonderful.
00:48:21 It's wonderful.
00:48:23 It's you that I love.
00:48:27 It's wonderful.
00:48:29 It's wonderful.
00:48:31 It's you that I love.
00:48:35 [MUSIC PLAYING]
00:48:41 [PHONE RINGING]
00:48:43 We checked your mug shot against our file, Sheriff.
00:48:46 We don't have a thing on him.
00:48:49 But I can tell he's in these parts.
00:48:54 I'm going to find that nigger if it's the last thing I do.
00:48:59 Well, good luck to you.
00:49:01 We'll do everything we can to help you.
00:49:05 I'd appreciate that very much.
00:49:10 Oh, by the way, Sheriff, what do you want him for?
00:49:16 He murdered my wife.
00:49:18 I'm sorry.
00:49:23 I'll put my best man on it.
00:49:24 [PHONE RINGING]
00:49:35 [PHONE RINGING]
00:49:37 Detective Pete Blakely here.
00:49:53 Blakely, it's Ryan.
00:49:55 I've got a special assignment for you.
00:50:00 I've got one too, Captain.
00:50:02 It's just about to slip through my hands.
00:50:04 Now look, my vacation just started two hours ago.
00:50:07 I know, Pete.
00:50:08 And I am sorry.
00:50:10 But this is serious.
00:50:12 Maybe a promotion.
00:50:14 How serious?
00:50:15 It's a 187.
00:50:16 Have you got an ID, Captain?
00:50:19 Yes.
00:50:21 Male Negro, 200 pounds, 6 foot.
00:50:26 Maybe a scar on his left shoulder.
00:50:28 We do have a mug shot.
00:50:30 Oh, that's just great.
00:50:32 But do you have a name or an ID?
00:50:34 Yes, he goes by the name of Dolomite.
00:50:36 Dolomite.
00:50:38 [SCREAMING]
00:50:41 [SCREAMING]
00:50:44 [SCREAMING]
00:50:47 [FOOTSTEPS]
00:50:49 [ENGINE STARTING]
00:51:14 [TIRES SCREECHING]
00:51:16 [TIRES SCREECHING]
00:51:23 [TIRES SCREECHING]
00:51:27 [ENGINE STARTING]
00:51:35 [HORN HONKING]
00:51:42 [TIRES SCREECHING]
00:51:44 [GUNSHOTS]
00:52:08 Well, it looks like they knew I didn't have nobody to help me.
00:52:12 They just misused me.
00:52:14 They misused the girl.
00:52:16 Well, tell me what we're going to do.
00:52:21 Queen B, we've got to get TC and Alice away from Cavaletti.
00:52:26 Well, this is a big city.
00:52:29 Where do we start?
00:52:30 That's easy.
00:52:32 We find Cavaletti and make him tell us where they are.
00:52:37 Oh, no, it's not that easy.
00:52:39 Everywhere that Joe go, he has his army with him.
00:52:43 Oh, baby, armies can come large or small,
00:52:46 but we're known for kicking ass, and we can handle them all.
00:52:50 [LAUGHTER]
00:52:52 [PHONE RINGING]
00:52:54 Hello?
00:52:56 Queen, stop what you're doing this minute.
00:52:59 Cavaletti wants you and your bitches over here within the hour.
00:53:02 Oh, just a second, please.
00:53:05 This is from Joe. Pick up on the phone.
00:53:08 Would you tell Joe that all the girls are on their monthly,
00:53:27 and they will not be able to be over there tonight?
00:53:31 Now you listen to me, Queen.
00:53:34 What's the matter now?
00:53:35 She ain't coming.
00:53:36 What do you mean she's not coming? Give me that phone.
00:53:39 Queen B, you better get your ass over here, and I mean on the double.
00:53:44 On the one condition that you turn my girls loose.
00:53:47 Look, B, you're in no position to bargain with me.
00:53:50 Now you get your hot ass over here, or I'll massacre those black bitches.
00:53:55 I'll give you just one hour.
00:54:03 Well, you better do it, motherfucker.
00:54:07 I guess you heard all of that.
00:54:14 That's all I needed to know, that the girls are still alive.
00:54:19 Now I can work with that cranny dodging motherfucker.
00:54:24 So here's what we do.
00:54:25 Hey, B! Hey, brother B!
00:54:27 Brother Q-B, what's happening?
00:54:30 I want to talk to you, man.
00:54:31 Oh, I don't have time, fellas. I got a lot to do. I'll talk to you later.
00:54:34 Later on will be too late, man. We need to rap right now.
00:54:36 That's right, brother man, right now.
00:54:38 Oh, some heavy shit, huh?
00:54:40 Dig it.
00:54:41 Okay, sock it to me.
00:54:43 Capiletti's men blew away my brother this morning.
00:54:47 Oh, no. You mean Jeff is dead?
00:54:49 That's why we come to you, man. We need your help.
00:54:51 Okay, I'll tell you what. We'll get together this afternoon and see what we can map out, all right?
00:54:55 Say, look here. I got information on a house in Pasadena, man, where the motherfuckers torture people.
00:55:01 Oh, torture chambers? God damn, I haven't heard no shit like that in years.
00:55:06 Listen, did you get any information on the guys that laid your brother away?
00:55:10 Yeah, the motherfuckers was black.
00:55:13 Yeah, brothers.
00:55:15 Mannix, what's new on the sheriff case?
00:55:18 Well, I got to see some mug shots, G.
00:55:21 It's on the Dolomite file. You've got everything we have.
00:55:25 The sheriff's case is nothing compared to what I've come up with.
00:55:28 Another 187. This time the thing apparts to Mr. Capiletti.
00:55:33 Capiletti?
00:55:34 That's right.
00:55:35 Do you have grounds?
00:55:36 Well, shall we set some brotherly information?
00:55:38 Good. Give me the information and I'll assign somebody else to the case.
00:55:43 I don't want you biting off more than you can chew.
00:55:46 You concentrate on the sheriff case.
00:55:48 Get Dolomite.
00:55:51 You mean you're assigning me to help some oaky sheriff solve a murder case which we know nothing about?
00:55:56 And for two years I've tried to nail Joe Capiletti.
00:56:00 And finally I get this asshole by his balls and you want to assign somebody else to the case?
00:56:04 Now, damn it, Pete. You will do as you're told.
00:56:07 Good.
00:56:09 I remembered the other day I was told my vacation started today.
00:56:12 And I'm taking it.
00:56:14 Son of a bitch.
00:56:19 What brings you this way, my friend?
00:56:22 I've got news for you.
00:56:24 Hey, you know I'm looking for news.
00:56:30 I heard through the grapevine that you was trying to get Queen's girls back from Capiletti, right?
00:56:35 So?
00:56:38 I got some real strong info from some friends of mine.
00:56:43 So what's happened?
00:56:45 Info like that don't grow on trees.
00:56:47 It costs money, you know.
00:56:49 I got a sick eye.
00:57:11 Hold it.
00:57:13 Information first.
00:57:16 Well, Capiletti's got this house in Pasadena.
00:57:19 It's a real chamber of hearts.
00:57:21 Like he really fucks people up over there, man.
00:57:24 Where is he at?
00:57:26 I haven't found that out yet.
00:57:28 Well, how do you find out?
00:57:31 Well, if somebody was to get Capiletti's main woman, then they might find out where the house is.
00:57:37 Where does Capiletti keep his main woman?
00:57:41 Well, Capiletti usually keeps her at his pad.
00:57:46 She's a nice bitch.
00:57:48 I heard that she's a comfrey, you know, a real nymphomaniac.
00:57:53 Where's Capiletti's house?
00:57:55 In Pasadena, baby.
00:58:02 [doorbell rings]
00:58:05 May I help you?
00:58:12 Yes. Is this the Capiletti's residence?
00:58:16 Yes, it is. What can I do for you?
00:58:18 My card first, madame.
00:58:21 Frank Hart Delmonico Nicodemus?
00:58:28 Yes. Are you Mrs. Capiletti?
00:58:31 Yes, I am.
00:58:33 Mrs. Capiletti, I am a connoisseur of the world's most interesting nude stuff.
00:58:40 I am not interested. If you'll just...
00:58:42 Miss Capiletti, if you would wait just a moment and gaze upon this exquisite work, I'm sure you'll be interested.
00:58:52 Ah, madame.
00:58:56 I see you like my work.
00:58:59 Miss... Miss Capiletti?
00:59:03 Miss Capiletti, you do like my work.
00:59:10 But I've got something better for you.
00:59:13 Ah, you'll like it.
00:59:18 Big, black, strong man.
00:59:22 Ah, ah, ah.
00:59:27 You'll enjoy it. Miss Capiletti. Miss Capiletti.
00:59:34 [Music]
00:59:39 [Music]
00:59:44 [Music]
00:59:48 [Music]
00:59:54 [Music]
01:00:01 [Music]
01:00:10 [Music]
01:00:14 [Music]
01:00:24 [Music]
01:00:36 [Music]
01:00:40 [Music]
01:00:47 [Music]
01:00:54 [Music]
01:01:03 [Music]
01:01:07 [Music]
01:01:13 [Music]
01:01:20 Where is Capiletti hiding, my girl?
01:01:25 [Crying]
01:01:28 Where is Capiletti hiding, my girl?
01:01:32 Where is Capiletti hiding, my girl?
01:01:38 Where is Capiletti hiding?
01:01:43 Where is Capiletti hiding, my girl?
01:01:47 Where? Where is Capiletti hiding, my girl?
01:01:50 Miss, where is Capiletti hiding?
01:01:53 [Music]
01:01:58 [Music]
01:02:02 [Music]
01:02:06 [Music]
01:02:10 [Music]
01:02:14 [Music]
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01:03:02 [Music]
01:03:07 [Music]
01:03:12 [Music]
01:03:17 [Music]
01:03:22 [Music]
01:03:26 They had the house on the hill in Pasadena.
01:03:31 Have a seat.
01:03:32 No, thanks.
01:03:33 Some coffee?
01:03:34 No, thanks. I've had my breakfast.
01:03:36 I just came here to find out what you got on that dole of my boy.
01:03:39 It's been a while since I heard from you.
01:03:41 I want to know what's happening.
01:03:43 Oh, when we get something, I'll let you know.
01:03:48 I've got my best man on the case.
01:03:50 He made no contact with me yet.
01:03:53 Well, this particular man works better by himself.
01:03:56 He's my undercover man for the ghettos.
01:03:59 You mean to tell me you sent a nigger out to find another nigger?
01:04:04 Boy, that's the most ridiculous thing I've ever heard of.
01:04:07 Sheriff, we don't have any niggers here.
01:04:10 Just damn fine police officers.
01:04:13 Some of the best in the country.
01:04:15 Now, if you can't respect that, and if you can't accept my choice of assignment,
01:04:20 you can get your ass out that door.
01:04:23 And if you don't like that, you can go to the chief.
01:04:26 I'll do just that, Captain.
01:04:28 And when I find him, I'll bring his head to you.
01:04:31 Since you love niggers so much, you can mount Dolemite's head on your mantelpiece.
01:04:38 Good day, Captain.
01:04:42 Fuck you!
01:04:45 Sweetheart, call Queen.
01:04:51 Tell her to bring everybody that works for her to my party tonight.
01:04:54 Tell them to be ready at 8. I'll have them picked up.
01:04:57 Right.
01:04:58 Hello?
01:05:03 Joe wants you to scrounge up all the girls you can and bring them over here tonight.
01:05:07 We'll send someone after you.
01:05:10 Yes, ma'am. We'll be there.
01:05:13 Well, looks like we've all been invited to the party.
01:05:19 But this time, this will be the party to end all parties.
01:05:35 Okay.
01:05:37 We know that Cavaletti has an army compared to us.
01:05:41 We outnumbered in people, but not in skill.
01:05:46 Just remember, if anybody come out alive,
01:05:51 he should be one of us.
01:05:53 Now, how did you say this word?
01:05:56 Well, tonight is Cavaletti's birthday party.
01:06:01 He'll have all his big shit friends there.
01:06:06 So if we get them all at one time, it's got to be tonight.
01:06:11 Right on.
01:06:12 Has anybody heard from Dolomite?
01:06:29 Howard Jackson.
01:06:31 Is that the damn little nigga that taught me martial arts?
01:06:39 In person.
01:06:41 Lord, things is looking better.
01:06:43 Looking better? With that little shit,
01:06:46 I'll take my dick and beat his goddamn ass to death.
01:06:49 We'll see about that, brother.
01:06:54 Did you hear about the new contract?
01:06:58 What is it?
01:06:59 It's Queen B, Annie, and Dolomite.
01:07:02 Who's doing the job?
01:07:03 Red and Fingers.
01:07:05 Well, that's why.
01:07:06 With those three out of the way, the boss will have no problems.
01:07:08 Right.
01:07:09 Okay, we'll be right out.
01:07:21 All right, girls.
01:07:25 Let's get the show on the road.
01:07:28 All right.
01:07:29 We'll see you there.
01:07:44 We'll wait till the party's started.
01:07:46 Then we'll crash it.
01:07:48 [music]
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01:10:50 You should have stayed down there the first time.
01:10:54 [music]
01:10:58 [music]
01:11:02 [music]
01:11:04 I didn't forget about you.
01:11:14 We'll make it a twosome.
01:11:18 [laughing]
01:11:22 [music]
01:11:30 [music]
01:11:32 Now don't move.
01:11:34 Or bye-bye.
01:11:36 [music]
01:11:38 [laughing]
01:11:42 [music]
01:11:59 [music]
01:12:01 [music]
01:12:07 [music]
01:12:13 [music]
01:12:24 [music]
01:12:26 [coughing]
01:12:34 No!
01:12:38 No!
01:12:40 Please!
01:12:42 Don't kill me!
01:12:44 [punching]
01:12:46 [punching]
01:12:48 [punching]
01:12:52 [punching]
01:12:54 [punching]
01:13:02 [punching]
01:13:04 [punching]
01:13:06 [laughing]
01:13:12 Don't kill us!
01:13:14 [laughing]
01:13:16 [laughing]
01:13:18 [laughing]
01:13:20 Don't kill us!
01:13:22 [laughing]
01:13:24 [laughing]
01:13:26 Don't kill us!
01:13:28 [laughing]
01:13:30 [laughing]
01:13:32 [coughing]
01:13:36 We can't go here.
01:13:40 We can't leave the room.
01:13:42 We can't be here.
01:13:44 [laughing]
01:13:46 [laughing]
01:13:48 [coughing]
01:13:50 Are you alright, Jo?
01:13:52 Oh, yeah. Thanks for you, Dolomite.
01:13:54 Don't touch me. There's a live grenade between my legs.
01:14:00 Be very careful. Don't move. Don't move.
01:14:02 He keeps the key over in his left pocket.
01:14:04 [music]
01:14:06 Careful.
01:14:14 Careful.
01:14:16 [gasping]
01:14:26 [explosion]
01:14:28 Java, are you alright?
01:14:40 [music]
01:14:42 [music]
01:14:44 Mules have kicked me
01:14:48 and didn't even bruise my eyes.
01:14:50 Rattlesnakes have bit me
01:14:54 and hauled off and died.
01:14:56 Yeah, I've fought my way
01:14:58 in here 'cause I'm
01:15:00 rotten ready.
01:15:02 So, girls, let's go
01:15:04 and get that motherfucking
01:15:06 cavalier.
01:15:08 [music]
01:15:10 [music]
01:15:12 Hold it, Dolomite.
01:15:26 Let me in.
01:15:28 [music]
01:15:30 [screaming]
01:15:38 [music]
01:15:40 Captain. Yeah, Pete here.
01:15:42 Yeah, I know about that.
01:15:44 Listen, hold on to your hat and get a
01:15:46 pencil and pad and take this down. I got some
01:15:48 news here that'll make you blow your mind.
01:15:50 Yeah. Look,
01:15:52 not only do I get Cavaletti,
01:15:54 but the sheriff gets his man, too.
01:15:56 That's right.
01:15:58 Dolomite is over to Cavaletti's right now.
01:16:00 There's a war going on between them.
01:16:02 Guess who else is over there?
01:16:04 Red and Fanger are two pals
01:16:06 from the East, the hitmen.
01:16:08 Remember them?
01:16:10 Right.
01:16:12 What's the address, Mugger?
01:16:14 Twenty-five dollars, baby.
01:16:16 I got enough
01:16:18 shit on you to send you down for twenty years.
01:16:20 Now give me the address.
01:16:22 Woodland Hills, Pasadena.
01:16:24 [music]
01:16:26 [doorbell]
01:16:28 [music]
01:16:30 Hey, Joe.
01:16:36 [music]
01:16:38 Joe, hold it.
01:16:40 [music]
01:16:42 Well, it's about time you got here.
01:16:52 Come on, put your things in there
01:16:54 and come join the party.
01:16:56 [music]
01:16:58 [music]
01:17:00 [music]
01:17:02 [music]
01:17:04 [music]
01:17:06 [music]
01:17:08 [music]
01:17:10 [music]
01:17:12 [music]
01:17:14 [music]
01:17:16 [music]
01:17:18 [music]
01:17:20 [music]
01:17:22 [whistling]
01:17:24 Say, white boy, come out here in the light
01:17:26 'cause tonight is the night.
01:17:28 Come out here and you can see
01:17:30 some genuine American Indian
01:17:32 turquoise jewelry.
01:17:34 I got to sell this shit and sell it quick.
01:17:36 I got to get out of town.
01:17:38 Wait a minute, white boy, fool, wait a minute.
01:17:40 I'm selling this shit cheap.
01:17:42 I'm gonna let you take the shit home to your lady.
01:17:44 She might give you some pussy tonight, if you know what to do with it.
01:17:46 Wait a minute, fool.
01:17:48 We'll take that thing.
01:17:50 [grunting]
01:17:52 [grunting]
01:17:54 [grunting]
01:17:56 [grunting]
01:17:58 [grunting]
01:18:00 [music]
01:18:02 Hey, everybody.
01:18:04 Got a special surprise for you.
01:18:06 Cavaletti just hired a new man, and he's one of the boys.
01:18:08 And for this evening's
01:18:10 entertainment, he's going to
01:18:12 demonstrate to us how he became
01:18:14 Central America's champ at
01:18:16 Noom Chopsticks.
01:18:18 [music]
01:18:20 [applause]
01:18:22 [applause]
01:18:24 [applause]
01:18:26 [applause]
01:18:28 [applause]
01:18:30 [applause]
01:18:32 [applause]
01:18:34 [applause]
01:18:36 [applause]
01:18:38 [applause]
01:18:40 [applause]
01:18:42 [applause]
01:18:44 [applause]
01:18:46 [applause]
01:18:48 [applause]
01:18:50 Catering service here, sir.
01:18:52 Sir.
01:18:54 [applause]
01:18:56 [applause]
01:18:58 [applause]
01:19:00 [applause]
01:19:02 Where you want this stuff?
01:19:04 [applause]
01:19:06 [applause]
01:19:08 [applause]
01:19:10 [applause]
01:19:12 Looks like you're having a real
01:19:14 nice party.
01:19:16 Mm-hmm.
01:19:18 Sure am, boy. Put the stuff in the kitchen.
01:19:20 Too bad you weren't invited, boy.
01:19:22 Yeah, it is.
01:19:24 [laughter]
01:19:26 Say, baby, let's you and me
01:19:28 go take a swim.
01:19:30 [laughter]
01:19:32 I don't have a suit on, sugar.
01:19:34 Suit? It's a private pool.
01:19:36 [laughter]
01:19:40 Mm-hmm. In that case,
01:19:42 what are we waiting for?
01:19:44 Let's go.
01:19:46 Hey, that
01:19:48 young lady that was with the guy
01:19:50 with the glasses, is she a friend of yours?
01:19:52 Oh, yes. She's one of my girls.
01:19:54 [grunts]
01:20:10 [screams]
01:20:12 [breathing heavily]
01:20:14 [grunting]
01:20:16 [grunting]
01:20:18 [grunting]
01:20:20 [grunting]
01:20:22 [grunting]
01:20:24 [splash]
01:20:26 Hey, Mama, what it is, queen?
01:20:38 You got red.
01:20:40 I can't believe it.
01:20:44 Now I have to kill both of you as myself.
01:20:46 All right, ladies,
01:20:48 this way. Come on, move!
01:20:50 That's far enough.
01:20:54 Turn around.
01:21:00 [gunshot]
01:21:06 [gunshot]
01:21:08 [gunshot]
01:21:10 Wait a minute, little shit, you about to hit me.
01:21:36 [screams]
01:21:38 [grunts]
01:21:44 [gunshot]
01:21:52 [gunshot]
01:21:54 [grunts]
01:21:56 [grunts]
01:21:58 [grunts]
01:22:00 [grunts]
01:22:02 [grunts]
01:22:04 [grunts]
01:22:06 [screams]
01:22:08 [screams]
01:22:10 [screams]
01:22:12 [gunshot]
01:22:16 [gunshot]
01:22:26 [grunts]
01:22:28 [grunts]
01:22:30 [gunshots]
01:22:32 [screams]
01:22:34 [screams]
01:22:42 [screams]
01:22:46 [screams]
01:22:48 [screams]
01:22:54 [screams]
01:22:56 [grunts]
01:22:58 [screams]
01:23:08 [screams]
01:23:12 [screams]
01:23:14 [screams]
01:23:16 [screams]
01:23:20 [grunts]
01:23:24 [gunshot]
01:23:26 [grunts]
01:23:30 [gunshot]
01:23:38 [screams]
01:23:40 [gunshots]
01:23:42 [grunts]
01:23:46 [screams]
01:23:48 [grunts]
01:23:50 [screams]
01:23:52 [screams]
01:23:54 [screams]
01:23:58 [screams]
01:24:00 [gunshot]
01:24:02 [grunts]
01:24:04 [grunts]
01:24:08 [grunts]
01:24:10 [grunts]
01:24:12 [grunts]
01:24:14 [grunts]
01:24:16 [grunts]
01:24:18 [gunshots]
01:24:20 (gunshots)
01:24:22 (gunshots)
01:24:25 (upbeat music)
01:24:29 (screaming)
01:24:50 - You a bad motherfucker, this I can see.
01:24:54 (yelling)
01:24:56 But it's now time for you to bring your ass to me.
01:25:01 (thudding)
01:25:04 (yelling)
01:25:19 (yelling)
01:25:21 (thudding)
01:25:23 (yelling)
01:25:30 (yelling)
01:25:33 (yelling)
01:25:35 (upbeat music)
01:25:38 (thudding)
01:25:40 (upbeat music)
01:25:44 (thudding)
01:25:47 (yelling)
01:25:49 (upbeat music)
01:25:52 (upbeat music)
01:25:54 (upbeat music)
01:25:57 (upbeat music)
01:25:59 (upbeat music)
01:26:02 (yelling)
01:26:06 (upbeat music)
01:26:09 (upbeat music)
01:26:13 (yelling)
01:26:19 (upbeat music)
01:26:27 (upbeat music)
01:26:30 (upbeat music)
01:26:32 (gunshots)
01:26:48 (upbeat music)
01:26:50 (upbeat music)
01:26:53 (groaning)
01:27:05 - Y'all take care of Jimmy.
01:27:15 I'm gonna get that motherfucking Cabaletti
01:27:20 if it is the last thing I do.
01:27:22 - Jimmy.
01:27:26 Jimmy.
01:27:28 - Pack your things, we're getting out of here fast.
01:27:33 - What's the matter, honey?
01:27:34 - Don't ask questions, damn it, just get to it.
01:27:38 - Can you hear me?
01:27:40 It's your brother, Bo.
01:27:42 (groaning)
01:27:45 Talk to me, man.
01:27:47 (sobbing)
01:27:49 Jimmy.
01:27:55 You're gonna die on me, man.
01:28:00 Come on, now get your shit together.
01:28:05 Come on, now.
01:28:07 Come on, Cab.
01:28:08 He just playing.
01:28:11 He just playing.
01:28:16 Come on, stop acting, man, get up.
01:28:19 He just, Bo!
01:28:21 My brother, man.
01:28:26 (sobbing)
01:28:31 - He's gone.
01:28:37 - Come on.
01:28:40 Come on.
01:28:42 He's gone.
01:28:46 Come on, let's go.
01:28:47 - Going somewhere, Cabaletti baby?
01:28:50 - I got my daughter.
01:28:52 - Let me go.
01:28:54 (grunting)
01:28:57 - Police, police, everyone.
01:29:14 Police, police, everyone.
01:29:16 Police, police, everybody.
01:29:20 (gunshot)
01:29:21 Police, nobody move.
01:29:23 (gunshot)
01:29:33 Come here.
01:29:35 Where's Cabaletti?
01:29:38 Where is he?
01:29:39 (grunting)
01:29:41 Hold it, out, out.
01:29:46 Out.
01:29:49 I got money, a lot of money.
01:30:02 Here, here in this bag.
01:30:04 You can take it.
01:30:06 Take all you want.
01:30:07 Let me get the fuck out of here.
01:30:10 Please.
01:30:13 - Beg, little pepper, you like a big dog.
01:30:17 Give you a little bit, now,
01:30:18 but damn if you don't want it all.
01:30:20 I'll take that money and I'll use it well.
01:30:24 'Cause you got a one-way ticket straight to hell.
01:30:28 Now get in the car and move.
01:30:30 - No, don't do it.
01:30:31 - Don't do it, goddammit.
01:30:33 - What is it, Pete?
01:30:35 - It's Cabaletti.
01:30:36 He's about to get his nuts blown off.
01:30:38 - And by your boy, Sheriff.
01:30:40 Cover him.
01:31:04 (laughing)
01:31:07 - Oh, thank God.
01:31:08 He's our little mama, a customer.
01:31:11 - You got that right, you decrepit old witch.
01:31:17 But this time it's him.
01:31:19 Now move.
01:31:19 What goes around comes around.
01:31:28 Now it's your turn to die, you no-business-born,
01:31:32 insecure, rat-sleeping, mother-fucker.
01:31:36 And if you don't die,
01:31:37 you're gonna wish to hell you had it.
01:31:40 (screaming)
01:31:42 - Oh, for a minute.
01:31:54 (laughing)
01:31:56 - Where is Dolomite?
01:32:11 Where is Dolomite?
01:32:12 Where is that son of a bitch, Dolomite?
01:32:16 Where is he?
01:32:17 (shouting)
01:32:19 (guns firing)
01:32:21 (guns firing)
01:32:39 (guns firing)
01:32:42 - Son of a bitch.
01:32:51 (laughing)
01:32:55 (guns firing)
01:32:57 Your career is over, stud.
01:33:09 (grunting)
01:33:11 (laughing)
01:33:17 (laughing)
01:33:19 - This motherfucker think I'm dead.
01:33:42 But he don't know I am the human tornado.
01:33:46 (laughing)
01:33:49 (laughing)
01:33:51 (upbeat music)
01:33:54 (laughing)
01:33:56 (upbeat music)
01:33:59 (laughing)
01:34:01 (upbeat music)
01:34:04 (upbeat music)
01:34:06 (upbeat music)
01:34:09 (upbeat music)
01:34:11 (upbeat music)
01:34:14 (upbeat music)
01:34:16 (upbeat music)
01:34:19 ♪ He's a human tornado ♪
01:34:44 ♪ Fields has kicked me and didn't bruise my eye ♪
01:34:49 ♪ Rattlesnakes has bit me, Lord, I just fall, fall, and die ♪
01:34:53 ♪ My hands up alive and it's filled with rage and sea ♪
01:34:58 ♪ I don't want no dilapidated sea-slapping ♪
01:35:01 ♪ Fidget-toted, pulsated, row-legged ♪
01:35:02 ♪ Son of a gun's a-messin' with me ♪
01:35:05 ♪ I've been known to rise up ♪
01:35:07 ♪ But I'll cool down later ♪
01:35:10 ♪ After that, go to school ♪
01:35:12 ♪ I'm the human tornado ♪
01:35:14 ♪ The human tornado ♪
01:35:19 ♪ He's a human tornado ♪
01:35:24 ♪ I picked up a rock and killed the giant goliath ♪
01:35:28 ♪ I walked on a knee, roped a spit, rolled on a fire ♪
01:35:32 ♪ I walked a line ♪
01:35:34 ♪ Elephants and macarafs on their knees ♪
01:35:38 ♪ I don't want no dilapidated sea-slapping ♪
01:35:40 ♪ Fidget-toted, pulsated, row-legged ♪
01:35:42 ♪ Son of a gun's a-messin' with me ♪
01:35:44 ♪ I've been known to rise up ♪
01:35:46 ♪ But I'll cool down later ♪
01:35:49 ♪ After that, go to school ♪
01:35:51 ♪ I'm the human tornado ♪
01:35:55 (upbeat music)
01:35:58 (roaring)
01:36:00 (whooshing)
01:36:03 [BLANK_AUDIO]