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00:13:20Please take a seat.
00:13:29Mrs. Proszka, please take one pill three times a day.
00:13:37I'd like to be released for at least three days.
00:13:42I have nothing to do with the kids.
00:13:45My sister left and I have no one to leave them with.
00:13:50Thank you.
00:13:59Regina Sołoniewska?
00:14:02Editing department?
00:14:03No, I'm in the nail salon now.
00:14:05What did they bring you again?
00:14:14I just want this to be the last time.
00:14:16The last time?
00:14:18What am I supposed to do?
00:14:19Maybe suffocate them?
00:14:20Poison them?
00:14:21Cut their veins?
00:14:22Maybe you can help me with something?
00:14:25Here you go.
00:14:32I thought they were going to murder you.
00:14:34Hysteria isn't easy for me.
00:14:37I have two children.
00:14:39And a wedding.
00:14:40And a prison.
00:14:41And my sister's account is unemployed.
00:14:44How many days off?
00:14:46Excuse me, sir.
00:14:47Mr. Engineer, I'm sorry, Mr. Director.
00:14:50I wanted something to eat.
00:14:52Please take your coat off.
00:14:54Why? It's stupid.
00:14:56Mr. Director.
00:15:11Please breathe.
00:15:12Breathe.
00:15:15More.
00:15:18Take a deep breath.
00:15:19No.
00:15:20Calmly.
00:15:21Hold your breath.
00:15:25Thank you.
00:15:27Thank you.
00:15:28There won't be a release.
00:15:30But I advise you to limit your smoking.
00:15:34Maybe we should limit the release, huh?
00:15:37This is my garden, Mr. Director.
00:15:40Here you go, Mr. Director.
00:15:43In the last quarter, the absence of a patient has increased by 30%.
00:15:47As far as I know, there were no epidemics in the plants.
00:15:52I'll prescribe you some syrup.
00:15:53And you should limit your smoking.
00:15:57The good is beautiful, Mrs. Klaro.
00:15:59But on your own account.
00:16:01And this is about the interest of the plant.
00:16:03In that case, you can give me a release.
00:16:09Here you go.
00:16:10A table spoon.
00:16:12Before bedtime and in the morning.
00:16:15Thank you for your advice.
00:16:25Here you go.
00:16:26Good morning, Mrs. Director.
00:16:29I have a fever again.
00:16:31I'm injecting it here.
00:16:35It would be useful to have a few days off.
00:16:38I can prescribe you to go to the hospital.
00:16:40They will examine you there.
00:16:42They will give you an injection, a probe.
00:16:43Here you go.
00:16:45Why go to the hospital right away?
00:16:48It would be useful to warm up under the feather.
00:17:07Thank you.
00:17:08Thank you.
00:17:09Thank you.
00:17:10Thank you.
00:17:37It's a pity, because it was very good.
00:17:41What?
00:17:42Elka?
00:17:45Elka Borkówna?
00:17:46Not Borkówna, but Elka.
00:17:48Hi, Adam.
00:17:50Hi.
00:17:52I haven't seen you for a hundred years.
00:17:54Well, did your wife send you shopping?
00:17:57No, I sent myself.
00:18:01Well, maybe we'll go to the company.
00:18:03Okay, why not?
00:18:10Where will we have a drink at my house?
00:18:12You know, like at Cavalera.
00:18:14Maybe at my place.
00:18:15But no.
00:18:17At my place, the same.
00:18:19You have a cart, Adam.
00:18:20We can go and talk.
00:18:22Wait.
00:18:24We'll postpone it for later.
00:18:26Okay.
00:18:27Hey, Tadziu.
00:18:40What?
00:18:47Say something.
00:18:50How do you feel as the youngest director in the voivodeship?
00:18:55Someone has to be the youngest.
00:18:57Probably.
00:19:01But you weren't as confident in yourself as you are now.
00:19:05What do you think I am now?
00:19:10I don't know.
00:19:17You look shy.
00:19:20But people are afraid of you.
00:19:22Why?
00:19:24Maybe it's good that they're afraid.
00:19:27Maybe.
00:19:29You've changed your hair color.
00:19:31Oh, yes.
00:19:34Do you know how I know that?
00:19:38No.
00:19:40You look like Abel.
00:19:42They even asked me to protect you
00:19:44when you throw people out of the gate.
00:19:49Let's go for a walk.
00:20:11Do you remember how it was in the second year?
00:20:18In the third.
00:20:20Do you remember how it was in the second year?
00:20:28In the third.
00:20:40You're going to throw people out of the gate.
00:20:43We don't throw people out.
00:20:45Sometimes people speak, sometimes people speak.
00:20:49Don't worry, Widlarz.
00:20:51It wasn't like that for Gajda.
00:20:53It wasn't.
00:20:55There was no plan, no bonus.
00:20:58You know who you paid to.
00:21:01Are you picking a fight with me again?
00:21:03You'll hit the table.
00:21:06What about those dismissals?
00:21:08When will they live?
00:21:09You'll get a reward.
00:21:11They will, but they'll have to share it differently.
00:21:13Mr. Widlarz, last year the board of directors
00:21:15didn't approve me for an apartment.
00:21:17So what?
00:21:18How long do I have to suffer?
00:21:20Let me bless you all.
00:21:23One for the gate, two for the apartment,
00:21:25three for the bonus.
00:21:27Are there any other requests?
00:21:29Yes.
00:21:30Tell us the truth.
00:21:32They're in a hurry, waiting for me.
00:21:35All right.
00:21:37The plan is in jeopardy.
00:21:39Absence.
00:21:40No professionals.
00:21:42Discipline like at a fair.
00:21:44Are you talking about all of us?
00:21:46A handful is enough to make everyone dirty.
00:21:49Mr. Stockholm wants to make things right.
00:21:52And he has the right.
00:21:53It's a duty.
00:21:55It depends on how.
00:21:58That's what we're dealing with.
00:22:02What are you looking for?
00:22:04Professionals.
00:22:05I need them, Mr. Director.
00:22:08That's great.
00:22:10But where do I get them from?
00:22:12You have to encourage them.
00:22:13Apartments, equipment.
00:22:15Apartments.
00:22:16A list of waiting for a few years in advance.
00:22:18Equipment?
00:22:19I don't even have the usual documents.
00:22:21Here you are.
00:22:23What's this?
00:22:24A list of permissions.
00:22:26So many people?
00:22:28How am I supposed to do this?
00:22:30Engineers.
00:22:31I told you I'm only interested in production.
00:22:34What did I do with the idea of the plant?
00:22:37After consulting with the managers and directors.
00:22:40Excuse me.
00:22:47Yes.
00:22:49Yes, I understand.
00:22:51Turn off the whole team.
00:22:53Right now.
00:22:55I can't do anything but stop my colleague Gajda.
00:22:58Yes, yes, yes.
00:22:59I'll be there in a minute.
00:23:02I'm sorry, I have to go.
00:23:04Excuse me.
00:23:22Is the director here?
00:23:23He is.
00:23:24At Redman's.
00:23:27I've been looking for you for a few hours.
00:23:29Do you know what engineer Redman is doing?
00:23:31What?
00:23:32At the Aschipi plant.
00:23:33He's preparing a blacklist.
00:23:39At my order.
00:23:41Do you want to lead to an explosion?
00:23:44Here you are.
00:23:46Do you know these people?
00:23:47They're lazy.
00:23:48Useless.
00:23:49We can't afford the luxury of keeping such people.
00:23:53Well, there are different ones here.
00:23:56Karaś, Luśniak, Bąkowski.
00:24:01I understand.
00:24:03But Soloniewska?
00:24:05Do you know what conditions she's living in?
00:24:07Bachowiak has a deal with the office of employment.
00:24:09There's no shortage of work.
00:24:14Yes, but it's worse than the paid one.
00:24:17And she has twins to take care of.
00:24:19She's been working here for five years.
00:24:21Are you talking about her?
00:24:23I can make an exception.
00:24:28You know what?
00:24:30I hate stupid judgments.
00:24:33Oh, no.
00:24:35The council won't accept it.
00:24:37It's not a capitalist factory, comrade Stoklos.
00:24:41It's not, it's not, it's not.
00:24:44If I were the owner of the fable, maybe I'd allow myself to make gestures.
00:24:47But honest professionals pay for both sides.
00:24:51They're finally parasitizing the crew. Do you understand, CIS?
00:24:54Not all of them.
00:24:56At least half of them are people with good will, but without qualifications.
00:25:00That's it. And good will alone doesn't make a plan.
00:25:03You have to be able to do it.
00:25:07This is a factory, comrade CIS, not a voluntary institution.
00:25:13Thank you for your advice.
00:25:17Can I take this list?
00:25:19Of course.
00:25:24It's just a copy.
00:25:33Sit down.
00:25:38It's the same.
00:25:39It's the same.
00:25:47You didn't tell me we were going out.
00:25:50Here.
00:25:52We're not going out.
00:25:54Do you like the dress?
00:25:56I like you.
00:26:07Come, I'll show you the flat.
00:26:09Come.
00:26:13There's the bathroom.
00:26:32There's the coffee room, but we're not going in there.
00:26:39Come.
00:26:52You must have had a drink there.
00:26:55No, she's waiting for you.
00:26:58Do you have a big flat?
00:27:00I don't have a sub-flat at all.
00:27:03What? Director Fabella doesn't have a flat?
00:27:06You know, I'm not in a hurry.
00:27:10It's a nice room, Grandma is caring.
00:27:13Grandma? How old is Grandma?
00:27:16I don't know, probably 100 years old.
00:27:19They say she was a teacher for the tsar.
00:27:25Besides, you don't live here either.
00:27:28I'm not a director.
00:27:29I was a doctor.
00:27:36I don't know if you remember, but I didn't graduate.
00:27:43I had family complications.
00:27:52Something like that, sir.
00:27:56I didn't.
00:27:58Why?
00:28:01The director has problems.
00:28:04A long list of vacations.
00:28:07Bad moods at work.
00:28:11Black magic, Tasia.
00:28:13I'll see you off.
00:28:16Do you want to make a wish?
00:28:18Yes, please.
00:28:22Put your left hand three times to yourself.
00:28:27Thank you.
00:28:43It's you.
00:28:46Rabbit? Not bad.
00:28:51It's a truffle wallet.
00:28:53A larger truffle wallet.
00:28:58And this one?
00:29:00A fake blonde.
00:29:03She pretends to be friendly and thinks about betrayal.
00:29:06Don't count on him.
00:29:08Who should we count on?
00:29:10Traitors themselves.
00:29:14Such a life.
00:29:19This blonde is with you.
00:29:22You can trust her.
00:29:25I think so.
00:29:28I think I know who it is.
00:29:33And this Karo wallet...
00:29:38Does it have Paweł's name on it?
00:29:50Wrong.
00:29:57This black one...
00:30:02Do you know how to wear a brunette?
00:30:07My wife was a brunette.
00:30:10It doesn't matter anymore.
00:30:15Seriously.
00:30:16Troubles because of a brunette.
00:30:19Run away from the brunette.
00:30:24To the blonde.
00:30:27To the brunette.
00:30:58You can turn it off.
00:31:03Are you still so shy?
00:31:28I love you.
00:31:29I love you too.
00:31:57Perfect.
00:31:59Thank you.
00:32:00Thank you.
00:32:28Paweł wants to meet you.
00:32:30Come in.
00:32:43This is my son Paweł.
00:32:46Hi Paweł.
00:32:48And this is uncle Adam.
00:32:50He will live with us.
00:32:54He will move in tomorrow, right?
00:32:56But I won't have to play the violin for uncle.
00:32:59He goes to a music school.
00:33:01He is talented but very lazy.
00:33:03You won't have to, Paweł.
00:33:04Do you know my dad?
00:33:11Paweł, you haven't finished your lessons yet.
00:33:13Go to your room.
00:33:29Yes.
00:33:47Highly qualified electricians.
00:33:51Mechanics.
00:33:53Precise turntables.
00:33:54Electricians.
00:33:58Have you finished?
00:34:01Equipment according to the highest standards.
00:34:07And please add that we provide accommodation.
00:34:11We provide?
00:34:13Yes.
00:34:15And please make sure that the announcement is made as soon as possible.
00:34:17Thank you.
00:34:23You didn't call me.
00:34:37I'm preparing a statement for them.
00:34:48So many people?
00:34:51You seem to realize the situation.
00:34:53Yes.
00:34:54All statements are to be delivered when the payment is made.
00:34:59Please allow me, director.
00:35:01I have experience in these matters.
00:35:03Maybe we should distribute it to the councils?
00:35:06Release the parties?
00:35:08To avoid fermentation?
00:35:10No.
00:35:11The crew will accept it.
00:35:12You can be calm, Wachowiak.
00:35:15Thank you very much.
00:35:17You're welcome.
00:35:29Do you have any warnings for individuals?
00:35:32It depends.
00:35:34Gralak is three years out of retirement.
00:35:37Sołoniewska is raising two children on her own.
00:35:39The living conditions are terrible.
00:35:43Go for it.
00:35:44And what about the utility for the plant?
00:35:47Responsibility and legalization.
00:35:50And I have people.
00:35:54Do they know?
00:35:56So far only rumors and guesses.
00:35:59It will only benefit Fabel.
00:36:02I have no doubts about it.
00:36:04Besides, you can think about it.
00:36:06Stokłos may change his mind.
00:36:09Talk to people, Wacek.
00:36:18May I?
00:36:34It's a little burnt, isn't it?
00:36:36I'm not on the blacklist, Mr. Kadrowy.
00:36:38No, Mr. Muniak, you're only on the white list.
00:36:40It's a prize and a bonus.
00:36:43Don't you know?
00:36:45Everyone is talking about it,
00:36:47and Sołoniewska is on the moon.
00:36:49She's preparing a speech school,
00:36:51a half-factory in Bruges.
00:36:53Maybe I'm exaggerating, but not too much.
00:36:58Mr. Kadrowy, is it true?
00:37:03Maybe me too?
00:37:09After all, it's not allowed to be alone with children.
00:37:11No, it's not allowed.
00:37:13No one will be fired.
00:37:15It's just a change of job.
00:37:17The employment office has a proposal for everyone.
00:37:20Does that mean I have to be fired?
00:37:23You can work for me.
00:37:25And for a hundred years.
00:37:28What's the matter? I'm sorry, I'm in a hurry.
00:37:30Am I on the blacklist?
00:37:32I don't remember.
00:37:36Don't let go of the ladle.
00:37:38Chemist and cleaner.
00:37:39Not from the cream.
00:37:41What cream?
00:37:44Sołoniewska has to pay for the laundry.
00:37:46Take her to retirement, Mr. Kadrowy.
00:37:48I'd take her to the whole marina.
00:37:50Be careful, they'll take you.
00:37:52They've probably already fried the leaves for you.
00:37:54What do you say, Mr. Wachowiak?
00:37:56For all of you.
00:37:58What a joke.
00:38:00Thank you.
00:38:01Cheers.
00:38:08It was supposed to be a flat.
00:38:10You promised me.
00:38:12We haven't split the money yet.
00:38:14But you did.
00:38:16Like a dog on a trash can.
00:38:18What are you talking about, woman?
00:38:20I know what I'm saying.
00:38:22And you know whose children I have.
00:38:24And you ran away.
00:38:26Did I tell you to go to bed?
00:38:28I've never had anything to do with this nonsense.
00:38:31Even though he's my brother.
00:38:33But you promised to help me.
00:38:35What am I going to do now?
00:38:37If they throw me out of work.
00:38:39They won't throw you out yet.
00:38:57You're not ready yet?
00:38:59What?
00:39:03Have fun, Elu.
00:39:06Adam, you promised you'd go to Tomaszewski's with me.
00:39:11Explain it to me.
00:39:13I'm sorry, I'm sitting on the papers.
00:39:18Wednesday, cinema.
00:39:20Thursday, a visit to Jelinka's.
00:39:22Then a trip to the woods.
00:39:25Saturday, theatre.
00:39:28That's enough, isn't it?
00:39:30You know I couldn't.
00:39:32I've had enough of it.
00:39:34He can be Fabel's son-in-law to me.
00:39:37Are you throwing me out?
00:39:39Adam, stop it.
00:39:41But I really need a man.
00:39:43I think Paweł also needs something from you.
00:39:45For decency, you could ask him to play for you on the violin.
00:39:49He'll get better.
00:39:51When?
00:39:53When I put things in order at the factory.
00:39:55Stop it, Elu.
00:39:57I'm going all in.
00:39:59I've had enough of this.
00:40:01If someone can't or doesn't want to work in Fabel,
00:40:03let him sweep the streets or cut down the lawns.
00:40:06You're sitting on your papers.
00:40:09The factory in the factory.
00:40:13And the house in the house.
00:40:15OK?
00:40:17No, first...
00:40:19No, first you're going to pay for it.
00:40:26Listen, Adam.
00:40:28People are not screws in your machine.
00:40:30I've heard you're starting to insult everyone one by one.
00:40:35Including your man?
00:40:43Adam, get up. Let's go.
00:40:47Do you hear me?
00:40:49We're going to Tomaszewski's.
00:40:51Adam.
00:40:55You'll see that you'll regret it.
00:41:11Uncle.
00:41:13Uncle fought with Mom?
00:41:17Yes.
00:41:19Listen, Paweł.
00:41:21Can you play me something on the violin?
00:41:48OK.
00:42:02I'll listen to it.
00:42:08Yes, I'll be right there.
00:42:18OK.
00:42:45I told you to turn it off.
00:42:46Yes or no?
00:42:47I was counting on you, Mr. Engineer.
00:42:51We are the ones who are being punished for the interruption.
00:42:53The bonus is still in Italy.
00:42:56The master wanted it well.
00:42:59With good intentions, the hell is broken.
00:43:02Augustine, do you know how much it costs to replace the connections?
00:43:04Plus a few hours of interruption.
00:43:08The interruption will be shortened, we will stay after the fire engines.
00:43:11And the costs?
00:43:12You will make a contribution to the master, right?
00:43:14Why to the master?
00:43:15Everyone is equally guilty.
00:43:17Augustine, at least, because he wanted to turn off the power.
00:43:20We would have done it, Director.
00:43:22I answer.
00:43:24You can deduct from my earnings.
00:43:27You will not pay until the end of your life.
00:43:29We will stay until it is done.
00:43:31I can't do it.
00:43:33I have to go now.
00:43:34Of course.
00:43:37You are the master, I am not.
00:43:38Everyone is equally guilty.
00:43:40The plan is threatened, and the whole line is here.
00:43:43It had to be done, you see.
00:43:45They could have held out.
00:43:47But they failed.
00:43:48And now they are cutting the bonus.
00:43:50Enough nonsense.
00:43:51I'm sorry, Director.
00:43:52We are going for the tools.
00:43:53And we are taking on this scum.
00:43:57It could have been foreseen.
00:43:59Let's make a protocol to write us off.
00:44:02I warned the master.
00:44:03Oh, calm down.
00:44:05In this situation, I can't sign the protocol.
00:44:07I will sign.
00:44:13Did you see that?
00:44:14Another delay in delivery.
00:44:16For the third time.
00:44:17To the arbitration.
00:44:18Please prepare the letter.
00:44:19But one that fits them perfectly.
00:44:21Yes, Director.
00:44:23It would be better to call Comrade Czyżewski.
00:44:26Let me connect.
00:44:40To Comrade Czyżewski.
00:44:43Director Stokłos will speak.
00:44:49May I?
00:44:50A moment.
00:45:03But let's stop arguing, Comrade Czyżewski.
00:45:06And let's not touch the plan.
00:45:08Yes.
00:45:10Yes, of course.
00:45:11Perfect.
00:45:12Goodbye.
00:45:14I am also arranged with Czyżewski.
00:45:16But before that, I wanted to talk to you.
00:45:19What is it?
00:45:21A list.
00:45:22What list?
00:45:24A list of those we can't fire.
00:45:27Who can't?
00:45:29I represent the board here.
00:45:32Listen.
00:45:34For me, the only criterion is the usefulness for the establishment.
00:45:37There are no vacancies in philanthropy in my employment plans.
00:45:41Is that enough?
00:45:43This is not your private business, Stokłos.
00:45:46You hit me.
00:45:48I am from the village.
00:45:52I didn't mean to.
00:45:54A trifle.
00:45:58I was chosen to represent the interests of the crew.
00:46:02And who do I represent?
00:46:07Let's compromise.
00:46:09In a few cases, I engaged my authority.
00:46:13Who are you talking about?
00:46:20Gralak, Szymańska, Nacimkiewicz.
00:46:24Have you forgotten Sołoniewska?
00:46:27No, I haven't.
00:46:29Sołoniewska, too.
00:46:31Although I haven't slept with her, nor am I her relative.
00:46:35Listen.
00:46:37I'm most afraid of dry, angry dogs and compromises.
00:46:51Have you heard of the occupation strike?
00:46:54I'm busy.
00:46:56I'm busy, too.
00:46:58It's a pity.
00:47:00We'll manage.
00:47:03What do you hear, Mr Stokłos?
00:47:06I have a meeting with the directors in 10 minutes.
00:47:12You know what?
00:47:14If it were my private factory, I'd entrust it to you.
00:47:21I'd be content with my profits.
00:47:24Such a director would be gilded in capitalism.
00:47:28Let me tell you.
00:47:30What's wrong with wanting to end this mess?
00:47:34What's wrong with having a firm hand?
00:47:37I do.
00:47:39I have a father, grandfathers, great-grandfathers.
00:47:42What can you do to me?
00:47:44Me?
00:47:46Nothing.
00:47:48I'll sit and wait for you to soften.
00:47:52I can't make exceptions.
00:47:55The bidding will begin.
00:47:58You won't understand.
00:48:05Yes.
00:48:09I thought we'd get along.
00:48:12Well...
00:48:14I'm an old,
00:48:16a social activist,
00:48:18a war veteran.
00:48:20If it's a war, it's a war.
00:48:23No.
00:48:25I'm not fighting you.
00:48:27I don't want a war.
00:48:29I'll tell you more.
00:48:31It's all the same to me.
00:48:38I'm talking about people.
00:48:41So am I.
00:48:43But fairly.
00:48:45Fairly?
00:48:47Exactly.
00:48:49But fair doesn't mean equal.
00:48:53Mouths are the same, stomachs too.
00:48:57But work isn't worth the same.
00:49:01We'll hire new, better ones.
00:49:04Let the unions fight for their interests.
00:49:07How much can the Szymańska you're talking about produce?
00:49:12Minimally.
00:49:14As much as Kodna cried.
00:49:16A good expert will stand by the same machine,
00:49:19earn for himself, for a new machine
00:49:22and for help for people like Szymańska.
00:49:26Let there be something to share in this country.
00:49:31That's what I'm fighting for.
00:49:33If we kept all those you're talking about,
00:49:37we'd all eat a soup from a pot.
00:49:40Equally.
00:49:42For everyone equally.
00:49:47Is that what you mean, comrade leader?
00:49:56Let's go.
00:50:14What now, comrade leader?
00:50:18Are you paying the unions?
00:50:20We are.
00:50:22Then we'll defend you.
00:50:24I'm going to work.
00:50:26Go on.
00:50:30What's this, a telephone book?
00:50:36How much is a hundred?
00:50:38Well...
00:50:40Half a litre for a griffin.
00:50:45Arczyński, Józef, Narzędziowy, 100 zl.
00:50:50What's Rogalski's reward for?
00:50:53Equally, like the others.
00:50:57I don't know about you, gentlemen,
00:51:00but I think the reward should be less, but higher.
00:51:06I'll ask the leaders for new lists.
00:51:09There should be two thirds less candidates.
00:51:12The reward can't be less than 500.
00:51:15There will be noise in the departments.
00:51:18People are used to equality.
00:51:20They don't want to fight.
00:51:22We have to avoid it.
00:51:24At least at the beginning.
00:51:26The reward must be decisive.
00:51:30I fully support it.
00:51:35They'll be jealous.
00:51:42If worse is better, that's good.
00:51:45Call for my order.
00:51:47Thank you, comrade leader.
00:51:52Will you make it?
00:51:56Listen...
00:51:58When I was a student,
00:52:00I used to carry suitcases at the station.
00:52:03Two for each hand.
00:52:05Two for each belt.
00:52:07One time you can carry 100 kilos.
00:52:10Adam.
00:52:11Yes?
00:52:12We should have some vodka.
00:52:15You know I don't drink.
00:52:17I don't drink either.
00:52:19That's why we should have a drink.
00:52:22Let him speak. You'll see.
00:52:25He's bragging.
00:52:27He'll be afraid.
00:52:30Where is he?
00:52:35Stokłos?
00:52:39You can spit in my face if I don't get him.
00:52:45In life, like in sports,
00:52:48you have to be strong.
00:52:51And be popular.
00:52:53I'm not waiting for applause.
00:52:56Do you think I'm doing wrong?
00:52:58No, you're doing well.
00:53:00But I don't know if you're the smartest.
00:53:02That's a strange thing to say.
00:53:04Sometimes, Adam,
00:53:07the smartest thing to do is to do stupid things.
00:53:12Or the other way around.
00:53:14Wait, wait.
00:53:17I drank a little. Don't worry.
00:53:26I want to help you, Adam.
00:53:29I know you're right.
00:53:32But you're wrong.
00:53:34So, do I have him or not?
00:53:36You have to decide that yourself.
00:53:41The Director of Brothers is a political position.
00:53:46Do you know what it's like in politics?
00:53:50I wish I were you.
00:53:53I'm not afraid to go down.
00:53:56Sometimes, you can go down,
00:53:59and sometimes, you can go up.
00:54:01To the health of our young people,
00:54:03our dear audience.
00:54:05One hundred years!
00:54:07One hundred years!
00:54:09Long live our young people!
00:54:12Which one is it today?
00:54:15The nineteenth.
00:54:17Damn it.
00:54:19I have to go.
00:54:21See you later.
00:54:23Long live our young people!
00:54:26Long live our young people!
00:54:36One hundred years!
00:54:38One hundred years!
00:54:40Long live our young people!
00:54:42One hundred years!
00:54:44Long live our young people!
00:54:46They were here yesterday.
00:54:48Let's celebrate them today.
00:54:50Others do it, too.
00:54:52What do you think of this restaurant by the lake?
00:54:55I'll take a look at the whistles,
00:54:57and we'll be ready.
00:54:59It won't take more than an hour.
00:55:01Here you are.
00:55:03Don't be in such a hurry.
00:55:05I have an appointment at the bridge.
00:55:07Call her.
00:55:11Call her, Elżunia.
00:55:13Ela.
00:55:16I was waiting for a good word yesterday.
00:55:18I've been waiting.
00:55:20I think you'll find enough work for tonight.
00:55:22Go away.
00:55:33Hello, brothers.
00:55:35I didn't notice you.
00:55:37Good morning.
00:55:39Don't bother.
00:55:45Hi, Muniak.
00:55:47What's that in your hand?
00:55:49A fan, dear comrade secretary.
00:55:52I wanted to pet it,
00:55:54but my friend...
00:55:56Irritation?
00:55:58No.
00:56:01Irritation?
00:56:03No. Just a walk.
00:56:06Is everything all right?
00:56:08It would be better
00:56:10if Wroclaw didn't delay the deliveries.
00:56:12A third week late.
00:56:14I talked to them yesterday.
00:56:16They've already sent you.
00:56:18Well, they have difficulties with the deliveries, too.
00:56:20A cat for a dog, a dog for a cat,
00:56:22and so on, and so on.
00:56:24A life story.
00:56:30What's that in your hand?
00:56:32A fan, dear comrade secretary.
00:56:34I wanted to pet it,
00:56:36but my friend...
00:56:38Irritation?
00:56:40No. Just a walk.
00:56:42A third week late.
00:56:44I talked to them yesterday.
00:56:46They have difficulties with the deliveries, too.
00:56:48A third week late.
00:56:50A cat for a dog, a dog for a cat,
00:56:52and so on, and so on.
00:56:54A life story.
00:56:56A third week late.
00:56:58What's the matter, sir?
00:57:00You have a ring on your finger,
00:57:02and others say it's a big cat.
00:57:04They want to scare us.
00:57:06By what? Who?
00:57:08By throwing us out of the gate,
00:57:10like in capitalism.
00:57:12You just fell down,
00:57:14and they're waiting for you.
00:57:16I don't have to worry about work.
00:57:18In every factory there's a kiss on the hand.
00:57:20You're an expert.
00:57:22That's right.
00:57:24No one will throw out a valuable one,
00:57:26but everyone wants to live.
00:57:40Everyone wants to live,
00:57:42comrade Czyszewski.
00:57:44Not everyone has the same abilities and character.
00:57:46Otherwise we'd have
00:57:48a hundred Klosses.
00:57:50We're here to produce.
00:57:52You can do it well and cheaply,
00:57:54not counting on people.
00:57:56But we count on people.
00:57:58And those who count on us,
00:58:00on social interest.
00:58:02If we want to produce
00:58:04well and cheaply,
00:58:06we have to create
00:58:08a proper collective
00:58:10and set the rules.
00:58:12And the unnecessary
00:58:14have to go.
00:58:16There are worse and better
00:58:18on this list.
00:58:20Rather bad and worse.
00:58:22Gentlemen,
00:58:24I'm responsible for the production.
00:58:26Instead of a hundred,
00:58:28a dozen,
00:58:30half is enough for me.
00:58:32But experts and better paid.
00:58:34We're listening to you,
00:58:36comrade Stokłos.
00:58:38You know my position.
00:58:40I have nothing to add.
00:58:44We demand from director Stokłos
00:58:46that the independent factory
00:58:48work better.
00:58:50The results are there.
00:58:52The plan was made this month.
00:58:54Barely.
00:58:56Exactly.
00:58:58And where there are requirements
00:59:00and responsibility,
00:59:02there are also permissions.
00:59:04You don't need these people,
00:59:06comrade Stokłos.
00:59:08No.
00:59:10You want better, right?
00:59:12Your rights.
00:59:14And the rest?
00:59:16We'll take them.
00:59:18Of course.
00:59:20The department has offers for everyone.
00:59:22We can't impose
00:59:24on the director
00:59:26our staff policy.
00:59:28Because then
00:59:30everyone will blame us.
00:59:32You know,
00:59:34director Stokłos,
00:59:36this whole operation
00:59:38is under your pressure.
00:59:40I don't want you
00:59:42as a partner.
00:59:44I thought so.
00:59:46I'll sign it for you.
00:59:48Here.
00:59:50Thank you.
00:59:52Thank you.
00:59:54Salt and pepper on the nail.
01:00:04And something else.
01:00:06Here.
01:00:08What is it?
01:00:10Skatr.
01:00:12You'll like it.
01:00:14It's a mistake, I'm sure.
01:00:16Explain it to the staff.
01:00:18I have to sign it.
01:00:34I don't want it.
01:00:36I gave it to you.
01:00:38And the rest is your business.
01:00:40And you don't want a pension either?
01:00:44Name?
01:00:46Marczyk.
01:00:52I'll find a job like that everywhere.
01:00:54Look what they do.
01:00:58Żewacka, Bułę, Domaniaka.
01:01:00I understand.
01:01:02But Biejętryka?
01:01:04They're best friends with the maestro.
01:01:06And me?
01:01:08Nozad.
01:01:10Mr. Maestro.
01:01:12I trusted you many times.
01:01:14It's too late now.
01:01:16But, Mr. Maestro...
01:01:20A statement too?
01:01:22What for?
01:01:24They always defend such a woman.
01:01:26She blinks with her eyes,
01:01:28turns her back, and she's fine.
01:01:30I see.
01:01:38You're late.
01:01:40What did I tell you?
01:01:42I've had enough of all this.
01:01:44And Manik, too.
01:01:46He said his leg won't stand here
01:01:48if you don't leave with the kids.
01:01:50I will.
01:01:52Listen, sister.
01:01:54I'm not you.
01:01:56I want to marry.
01:01:58If Manik lets me go,
01:02:00I'll strangle you.
01:02:10Mom!
01:02:14Mom!
01:02:26What do you want?
01:02:28Nothing. I just dropped by.
01:02:30Can I come in?
01:02:32No.
01:02:36Listen, Regina.
01:02:38Why do you care about all this?
01:02:42I've talked to a colleague
01:02:44who works in the PZL.
01:02:46You'll get a better job
01:02:48and a much higher salary.
01:02:50What about the apartment?
01:02:54The apartment...
01:03:00What am I supposed to do with it?
01:03:02In the field?
01:03:06In the field?
01:03:18A stump, a hedge,
01:03:20a log, a blind spot.
01:03:22And what?
01:03:24The rest is already divided.
01:03:28What am I supposed to do with it?
01:03:30We don't have any specialists.
01:03:32The only condition is the apartment.
01:03:34We don't have an apartment.
01:03:36We still have the M3 on the ground floor.
01:03:38We could put at least one there.
01:03:40Wait a minute, Wacek.
01:03:42This apartment will be for Sołoniewska.
01:03:48You've changed your mind?
01:03:50Yes. I've resigned from the board.
01:03:52But not for nothing.
01:03:56Let's start from the beginning.
01:03:58Apart from the M3,
01:04:00let's start with the specialists.
01:04:04Apartment No. 4.
01:04:08Apartment No. 22.
01:04:10Have you gone mad?
01:04:12What about our list?
01:04:16I'm not a district office.
01:04:18Let's start with Fabel.
01:04:20What do you think, comrade Widlarz?
01:04:22I don't know.
01:04:26The board doesn't give directions
01:04:28in such matters.
01:04:30You fought for independence, Adam,
01:04:32so...
01:04:34But do you agree with me or not?
01:04:38We'll talk about it at the executive.
01:04:52Let's go.
01:05:12You were driving for Lepka.
01:05:14I asked you to be on time at 3 o'clock.
01:05:16It's not my fault.
01:05:18What?
01:05:20Roma stopped you.
01:05:22Mrs. Elżbieta.
01:05:24She's a secretary.
01:05:26How many times have you driven with her?
01:05:28A lot.
01:05:30How many?
01:05:32Two, maybe three.
01:05:34I don't know.
01:05:40Fabel?
01:05:42Shall we eat something together?
01:05:44Yes.
01:05:46Maybe we should
01:05:48have a snack first.
01:05:50OK.
01:06:16Mom said
01:06:18we'll live like savages.
01:06:20What's this?
01:06:22I was afraid to eat it.
01:06:26Why?
01:06:28You're afraid to tell me, aren't you?
01:06:30I'm not afraid of anything.
01:06:32Just like you.
01:06:34A village ram told me about you.
01:06:36That you'll lead people
01:06:38to the right and left.
01:06:40And his dad was thrown out of the factory.
01:06:42Maybe I'm
01:06:44a village ram.
01:06:46Look.
01:07:00You must be crazy.
01:07:02Pavel, to your rooms.
01:07:14OK.
01:07:36Don't smoke before eating.
01:07:38Look.
01:07:42Do you like it?
01:07:44Yes.
01:07:52When are you going to share the flat?
01:07:54We already did.
01:07:58We have to buy new furniture for the fourth room.
01:08:02I saw a fantastic set in Cepel.
01:08:04Beautiful.
01:08:06It's very expensive.
01:08:08We'll pay for it.
01:08:10No, we won't.
01:08:14Adam.
01:08:16A guy in the village
01:08:18refuses to buy a morgue.
01:08:20And you think you don't deserve anything?
01:08:22We live somehow.
01:08:24Yes.
01:08:26It's a paradise for you.
01:08:28But it's too tight for me.
01:08:30Have you seen
01:08:32how others live?
01:08:34Mr. Director.
01:08:36You didn't take me to your flat.
01:08:42Well.
01:08:44Let's finish.
01:08:46I don't care about the saints.
01:08:50I thought I'd marry a man
01:08:52in a serious position
01:08:54who grew up to it.
01:08:56But you are...
01:08:58I know.
01:09:00A village ram.
01:09:06So what?
01:09:08When should I move out?
01:09:28I don't know.
01:09:30I don't know.
01:09:32I don't know.
01:09:34I don't know.
01:09:36I don't know.
01:09:38I don't know.
01:09:40I don't know.
01:09:42I don't know.
01:09:44I don't know.
01:09:46I don't know.
01:09:48I don't know.
01:09:50I don't know.
01:09:52I don't know.
01:09:54I don't know.
01:09:56I don't know.
01:09:58I don't know.
01:10:00I don't know.
01:10:02I don't know.
01:10:04I don't know.
01:10:06I don't know.
01:10:08I don't know.
01:10:10I don't know.
01:10:12I don't know.
01:10:14I don't know.
01:10:16I don't know.
01:10:18I don't know.
01:10:20I don't know.
01:10:22I don't know.
01:10:24I don't know.
01:10:42I heard something about you.
01:10:44Yes?
01:10:46If you don't make it to the factory,
01:10:48they'll transfer you to the central management.
01:10:54Please, Adam.
01:10:56Do it for me.
01:10:58I don't want you to fail.
01:11:00I can't. I have to make it.
01:11:08Can I ask you a favor?
01:11:10No, thank you.
01:11:12This lady is with me.
01:11:14So what?
01:11:16I don't think she'll change her mind.
01:11:18Get the hell out of here.
01:11:20You're drunk.
01:11:22This isn't a factory.
01:11:24You can't touch me.
01:11:28Get out of here.
01:11:30Adam, you don't have to.
01:11:32You'll get out soon.
01:11:34The water's warm.
01:11:36Are you going to jump or should I help you?
01:11:38So what?
01:11:40Do you have Peter Stokłos?
01:11:42This isn't a factory.
01:11:44You don't have to sign anything.
01:11:46You're a man.
01:11:48You don't have to sign anything.
01:11:50He can't swim.
01:11:52Save him.
01:11:56Save him.
01:12:20Okay.
01:12:50Did you get it?
01:12:52I fell from my chair.
01:12:54Don't talk.
01:12:56I fell because I'm pretending.
01:12:58I'm giving out flats to strangers.
01:13:00I'm afraid to say it's old.
01:13:02I'll beat you up.
01:13:04Beat me up?
01:13:06I won't let you.
01:13:08I'm not afraid.
01:13:10I'm not afraid of you.
01:13:12I'm not afraid of you.
01:13:14I'm not afraid of you.
01:13:16I'm not afraid of you.
01:13:18I'm not afraid of you.
01:13:20I won't let you.
01:13:22There's nothing to laugh about.
01:13:24A new number for Stokłos.
01:13:26A flat for a guest with me.
01:13:28He's hiring specialists.
01:13:30At our expense.
01:13:32I wonder what other number he'll come up with.
01:13:34But we made a plan.
01:13:36I thought the Prime Minister would run away again.
01:13:38No, no.
01:13:40He's a good host.
01:13:42And you're from the counties.
01:13:44Blind?
01:13:48He told me
01:13:50if I send you a cart again
01:13:52I'll quit my job.
01:13:54Didn't he tell you
01:13:56we'll both quit?
01:14:00Is he always so strict?
01:14:02Do something with them.
01:14:04We'll be late for the theatre.
01:14:08One moment.
01:14:12You should wait a bit.
01:14:14Don't drag it, Adam.
01:14:16Wait a bit
01:14:18before people realize
01:14:20it's for their own good.
01:14:22What do I tell Vanad?
01:14:24The Central Board isn't easy.
01:14:26Your relations with the crew are more important.
01:14:28We're supposed to produce
01:14:30and not love each other.
01:14:36Stokłos, speaking.
01:14:40Yes, indeed.
01:14:42We're on our way.
01:14:44What is it?
01:14:46The gal in the theatre will be here in 15 minutes.
01:14:48Don't forget.
01:14:50Let's go.
01:15:14¶¶
01:15:44¶¶
01:16:14¶¶
01:16:16¶¶
01:16:18¶¶
01:16:20¶¶
01:16:22¶¶
01:16:24¶¶
01:16:26¶¶
01:16:28¶¶
01:16:30¶¶
01:16:32¶¶
01:16:34¶¶
01:16:36¶¶
01:16:38¶¶
01:16:40¶¶
01:16:42¶¶
01:16:44¶¶
01:16:46¶¶
01:16:48¶¶
01:16:50¶¶
01:16:52¶¶
01:16:54What losses?
01:16:56Not much.
01:16:58It could have been worse if the detonators exploded.
01:17:00Before the guard came,
01:17:02they took out all the barrels.
01:17:04Whose brigade?
01:17:06Augustyniak's, but others helped too.
01:17:08Prepare a full list of those people for tomorrow.
01:17:10Yes, sir.
01:17:22What happened to Diabla?
01:17:24We have a witness.
01:17:26She was cooking something on the machine
01:17:28and fell asleep.
01:17:32Sołoniewska.
01:17:34I...
01:17:36I didn't sleep for two nights.
01:17:38The child was on fire.
01:17:40I don't know how it happened.
01:17:42Did you read the fire-fighting manual?
01:17:46Was it written there
01:17:48that you can't use a stove in a paint shop?
01:17:50It was, wasn't it?
01:17:52I gave up my flat for you.
01:17:56You'll pay for the losses.
01:17:58You'll pay for your entire life.
01:18:00What? A flat?
01:18:02See for yourself.
01:18:04I don't believe it.
01:18:32I don't believe it.
01:18:34I don't believe it.
01:19:00She's here.
01:19:02She's here.
01:19:06So?
01:19:08When are you going to come out?
01:19:14Do you hear me?
01:19:18How long are you going to stay here?
01:19:22You're crazy.
01:19:32Didn't you see engineer Rettmann?
01:19:34No, why?
01:19:50Didn't you see engineer Rettmann?
01:19:52Isn't the headmaster coming?
01:19:56He's afraid.
01:20:02He's afraid.
01:20:28Didn't you see Rettmann?
01:20:32Why aren't you working?
01:20:34Ten o'clock.
01:20:36They're burying Faloniewska.
01:20:56I'm looking for the chief engineer.
01:20:58Do you know where he is?
01:21:00No.
01:21:02Just a moment, chief engineer.
01:21:04What?
01:21:06You already know.
01:21:08The widower has spoken.
01:21:10General joy, isn't it?
01:21:14Maybe you think
01:21:16it's because of me, this woman?
01:21:18No.
01:21:20So what?
01:21:22Go ahead.
01:21:24Take pity on the farewell
01:21:26of the hated satrap.
01:21:28I'm following you.
01:21:30Yes, you are.
01:21:32But how many of you were there?
01:21:34More than you think.
01:21:36You had bad luck with her.
01:21:38She had worse.
01:21:40How could you know
01:21:42that she...
01:21:46Maybe I should have foreseen.
01:21:50It's hard to foresee an accident in a machine.
01:21:52And what about a man?
01:21:54You were right.
01:21:58You made a mess.
01:22:00We'll remember that in the fable.
01:22:04Yes.
01:22:06I wanted well.
01:22:08What did I want?
01:22:10Maybe I should have done differently.
01:22:14Thank you.
01:22:16Thank you very much.
01:22:20More coffee?
01:22:22No, thank you.
01:22:28I don't feel guilty.
01:22:32No one blames you, Stokłos.
01:22:36In Warsaw, you'll have a chance
01:22:38to spread your wings.
01:22:40I envy you
01:22:42this passage to the capital.
01:22:46A drop at a time.
01:22:48So that you don't forget us there.
01:22:50Thank you.
01:22:52And...
01:22:56Who takes my place?
01:23:00He won't believe you.
01:23:02Vanad.
01:23:10Did Ludwig Vanad agree?
01:23:12Something went wrong
01:23:14in the central office,
01:23:16so I'm taking him here.
01:23:22For a souvenir.
01:23:28I wasted my talent.
01:23:30Don't you think so?
01:23:34A boxer.
01:23:38He went too far
01:23:40and fought back.
01:23:42But he didn't lose the fight.
01:24:22To be continued...
01:24:52To be continued...
01:25:22To be continued...
01:25:52To be continued...
01:25:54To be continued...
01:25:56To be continued...
01:25:58To be continued...
01:26:00To be continued...
01:26:02To be continued...
01:26:04To be continued...
01:26:06To be continued...