Money Heist S5 ep1,2,3,4
Transcript
00:00:00Oh, Alicia, you have no choice but to take the blame.
00:00:12Who's going to take the blame?
00:00:14For the CNI, Priyadur. For the police, you.
00:00:16What are you doing, officer?
00:00:18I'll be out in two minutes.
00:00:22You have to take the blame.
00:00:24We're all with you.
00:00:26Policeman!
00:00:28Welcome to the Bank of Spain.
00:00:30The government has taken the order.
00:00:32Our National Intelligence Agency, the Chief of Police,
00:00:34and the Ministry of the Interior.
00:00:36Everyone knows about this.
00:00:38Where the hell is this helicopter going?
00:00:40Maverick's official magistrate,
00:00:42has started an investigation against the ECSC.
00:00:46The warrant has been issued against him.
00:00:48Yes!
00:00:50Professor, Lisbon is with us.
00:00:54Open your ears and listen.
00:00:56For Nairobi...
00:00:58For Nairobi...
00:01:00For Nairobi...
00:01:02For Nairobi...
00:01:049-1-1, do you read?
00:01:069-1-1, do you read?
00:01:079-1-1, do you read?
00:01:25The game is over, Professor.
00:01:279-1-1, do you read?
00:01:33Don't be a smart-ass or I won't take another second to shoot you.
00:01:36You know what, my husband is dead.
00:01:39I'm a corrupt police officer.
00:01:41I'm a criminal in the eyes of the people.
00:01:43All because of you.
00:01:44And after all this, if I'm not shooting you,
00:01:46that's because I have to raise my child.
00:01:48My patience is weak.
00:01:51If this arrow breaks, I'll happily shoot you.
00:01:53I'll shoot you.
00:01:55This is where you live.
00:01:57This is where you belong.
00:01:59This is the worst place in Madrid.
00:02:01But now, a rat like you will hide here.
00:02:03What are you going to do to me?
00:02:05Tell me your plan.
00:02:07So I can send you to jail.
00:02:09I'll try my best to get you arrested for terrorism.
00:02:13And spend the rest of your life in a cell.
00:02:16Listen carefully.
00:02:18Your punishment is the key to my freedom.
00:02:23Come on.
00:02:41Do you see all these people?
00:02:43They're so beautiful.
00:02:45And you and me.
00:02:47What's the matter?
00:02:48Well, our father-son pair is not very compatible.
00:02:50We've forgiven you for that.
00:02:51For what?
00:02:52For being born.
00:02:53Your mother and I had a very good relationship.
00:02:55But you got in the way.
00:02:57We wanted to travel with her.
00:02:58We wanted to see the world.
00:03:00We wanted to love her in beautiful places.
00:03:02But your entry ruined everything.
00:03:04You came into our lives like a volcano.
00:03:06And you ruined all our beautiful dreams.
00:03:09I don't know, Dad.
00:03:10But everyone has children.
00:03:11Wow, look at this.
00:03:13The food is ready.
00:03:15Waiter!
00:03:16Bring this first.
00:03:17We'll see the rest later.
00:03:19Rafael.
00:03:20Rafael.
00:03:21Look, we're here to start a new life.
00:03:24We're not here to die, are we?
00:03:30You're right, Dad.
00:03:31What's past is past.
00:03:32There's no point in living in the past.
00:03:34We have to move on.
00:03:38I'm glad we're here.
00:03:39Just the two of us together again.
00:03:41Really.
00:03:42Oh, Tatiana.
00:03:50You said we were going to start a new life.
00:03:52But this?
00:03:53This is a new start.
00:03:54The three of us together.
00:04:02I'm going to the washroom.
00:04:06Is he okay?
00:04:07He's just a little upset with us.
00:04:08He didn't know you were coming.
00:04:10Then he probably didn't even know about the theft.
00:04:12Oh, my dear.
00:04:13The special things you get in life
00:04:14suddenly disappear like that.
00:04:17What's the next move?
00:04:19After Plan Paris?
00:04:21After that, we'll start Plan Rome.
00:04:23No.
00:04:24Rome?
00:04:25Really?
00:04:26You're amazing.
00:04:27What's amazing?
00:04:28Hey, what's wrong with you?
00:04:30Professor,
00:04:31have you fallen in love with Rome?
00:04:33No, not at all.
00:04:34And after Plan Rome, what?
00:04:35Plan Venice?
00:04:36I was just talking about Rome.
00:04:38I don't want to talk about Rome.
00:04:40I don't want to talk about Rome.
00:04:42I don't want to talk about Rome.
00:04:44I don't want to talk about Rome.
00:04:45I'm talking about the burnt Rome
00:04:46that Nero destroyed.
00:04:48Nero?
00:04:49I don't think that's right.
00:04:50Go on.
00:04:51If one of our men was caught
00:04:52and we freed him
00:04:53and sent him to the bank under his nose,
00:04:56he'd be so humiliated
00:04:57that he'd want to crush us.
00:04:59And then he'd pull out his last weapon.
00:05:01You mean us.
00:05:02Get ready to attack.
00:05:04I need to talk to you about this.
00:05:05Time's up.
00:05:06I need backup.
00:05:07I need the best police officers in the country.
00:05:08From the east, west, north, south.
00:05:09Right now.
00:05:10That's a great idea.
00:05:11Get them together and drop them off at the market.
00:05:12I heard Pikachu is cutting people's pockets there.
00:05:13Only the army can handle him now.
00:05:14This is a matter of national security.
00:05:15Let the police handle him.
00:05:16This is a matter of national security.
00:05:17I'm sending the army in.
00:05:18Either they win or they die.
00:05:19Martinez.
00:05:20Get the military to talk to me.
00:05:21One battalion or two.
00:05:22Who knows?
00:05:23And they'll kill him with both their hands
00:05:25because killing hostages isn't such a big sin.
00:05:27And then what?
00:05:29How much gold did you melt?
00:05:30About 60 tons.
00:05:31Turn off the machines, Palermo.
00:05:32We need to get out of here.
00:05:33We still have 31 tons to go.
00:05:34We need to clear the entire vault.
00:05:35The plan has changed since we landed.
00:05:36Now getting out is our priority.
00:05:37The more gold we melt,
00:05:38the safer we'll be from there.
00:05:39That'll be our last hope.
00:05:40Fuck.
00:05:41If your plan fails,
00:05:42my Rome will fail.
00:05:44It's been 3-4 hours.
00:05:45The world is on fire.
00:05:46And a helicopter is hovering in the sky.
00:05:51Where the fuck did the helicopter go?
00:05:52It's going south-west from Bogotala.
00:05:53It'll take us 11 minutes to get there.
00:05:54I can give the fighter jets permission
00:05:55to shoot it down in no time.
00:05:56No.
00:05:57We want that pilot alive.
00:05:58Got it?
00:05:59That helicopter will land somewhere.
00:06:00We'll get it wherever it lands.
00:06:01Okay.
00:06:02Pier 21.
00:06:03Pier 21.
00:06:04This is Bravo 03.
00:06:05Land right now.
00:06:06This is the last warning.
00:06:07Land right now.
00:06:08Don't touch me.
00:06:09My wound is in a very delicate place.
00:06:10Stitch his wound and mouth shut
00:06:12so he can shut up.
00:06:13Only a surgeon will touch me.
00:06:14And that too in a hospital.
00:06:16What did you do, Manila?
00:06:17You came here on one condition.
00:06:18That you'll hide your identity.
00:06:20Only as a hostage.
00:06:21He was standing in front of me with a rifle.
00:06:22Arturo doesn't do anything with a rifle.
00:06:24He doesn't do anything with a bazooka.
00:06:25But you broke the rules.
00:06:26Maybe I saved your life.
00:06:27You should be thanking me instead.
00:06:29If we get caught,
00:06:30you'll raise Cincinnati.
00:06:32That was the deal.
00:06:33Your identity was hidden.
00:06:34But you ruined it all.
00:06:35For my son,
00:06:36there's no one left.
00:06:37Manila did what was right.
00:06:38No.
00:06:39He promised to take care of Cincinnati.
00:06:40But he broke that promise.
00:06:41Arturo is never wrong.
00:06:42No matter what he does.
00:06:43If he asks you to hold a gun,
00:06:44if he asks you to touch him,
00:06:45or if he asks you to sleep with a woman,
00:06:46it's always someone else's fault.
00:06:49Look.
00:06:50If I can't find my son,
00:06:51it's my fault.
00:06:53I came here because I had to.
00:06:55So stop talking nonsense
00:06:56and get to work.
00:07:05Attention, comrades.
00:07:06There's a change in the plan.
00:07:07I repeat, there's a change in the plan.
00:07:08Take the remaining cells
00:07:09and start the extractor pump.
00:07:10Come on, hurry up.
00:07:12Don't just stand there.
00:07:13Let's go.
00:07:14If we get eight more hours,
00:07:15we'll melt all the gold.
00:07:16More than that,
00:07:17we have to get out of here.
00:07:18We needed 90 tons to get out of here alive.
00:07:19Will we be able to do it in 60?
00:07:20Lisbon is in the bank.
00:07:21We could be attacked at any time.
00:07:22We won't be able to stop it.
00:07:23So either we take the gold and leave,
00:07:24or we lose everything.
00:07:25Got it?
00:07:26Did you already know
00:07:27that saving Lisbon
00:07:28would ruin our plan?
00:07:29I didn't know that.
00:07:30Why would you know?
00:07:32We never agree to this decision.
00:07:33If someone has to leave jail
00:07:34because the plan is ruined,
00:07:35let them stay in jail.
00:07:36And this applies to everyone.
00:07:38I'm not taking this decision.
00:07:39You used to take this decision.
00:07:40And now you're doing the right thing.
00:07:42We're changing our plans every second.
00:07:45And because of that,
00:07:46people are losing their lives.
00:07:53Lisbon to Professor, do you copy?
00:07:56Lisbon to Professor, do you copy?
00:08:03Lisbon to Professor, do you copy?
00:08:04Lisbon to Professor, do you copy?
00:08:35If you have so much time,
00:08:36make arrangements for my bath.
00:08:37And for these clothes, too.
00:08:40As you wish, Mrs. Professor.
00:08:48How did you get into Raquel Bank?
00:08:52How will we get out with you?
00:08:58How will you get the gold?
00:09:02Okay, so tell me now.
00:09:04Or I'll shoot you.
00:09:07Inspector, I've been threatened to shoot many times.
00:09:09Really? Then don't threaten me.
00:09:17You're very brave.
00:09:24Now start talking.
00:09:26Before I make more holes.
00:09:27Okay?
00:09:28You're selling the gold.
00:09:30Why?
00:09:34We're going to melt it.
00:09:36Two meters in size.
00:09:38To get it out easily.
00:09:41I knew it.
00:09:43Which way are you going to get it out?
00:09:45There's only one way.
00:09:47And that's through the gutter.
00:09:49It'll come out covered in dirt.
00:09:55You think I'm stupid, don't you?
00:09:58The underground police are already watching the gutter.
00:10:00Tell me the truth.
00:10:01It'll come out easily.
00:10:04So if...
00:10:06If you're going to get it out through the gutter,
00:10:09then what are you doing here?
00:10:11What are you doing here?
00:10:13Major Sarkarstha, this is Colonel Dabai.
00:10:14I'm in charge of the bank of Spain.
00:10:15Tell me, Colonel.
00:10:17I want you to lead the team attacking the bank.
00:10:18I get it. I'm on leave right now.
00:10:20Sarkarstha, this is not the right time to leave the enemy and go.
00:10:23You know my background, don't you?
00:10:24Yes, that's why I called you.
00:10:25Afghanistan, Yemen,
00:10:27Afrika Horn robbers,
00:10:28Boko Haram.
00:10:29Colonel, do you know what's common in all these missions?
00:10:31What? Mosquitoes?
00:10:32These were all undercover missions in foreign countries.
00:10:34Without being a witness.
00:10:35Why would I stick my nose into the internal affairs of a country
00:10:37where people all over the world are watching?
00:10:39First, this is an order.
00:10:40Second, for our country.
00:10:41Isn't that enough?
00:10:42They're attacking the country's treasures
00:10:43and you swore to protect the country.
00:10:44Look, I'll tell you a few things, Colonel.
00:10:45Actually, there are only three things.
00:10:47First, during this conversation,
00:10:49I didn't get a chance to tell you
00:10:50that I'm sitting on the pod to lighten up.
00:10:51And maybe it's too late.
00:10:53Second, I'll be there in 40 minutes.
00:10:54And third, I'll go there with my team.
00:10:56Afghanistan, Yemen, and Maliwani.
00:10:58I want all of them.
00:11:04Who does he look like?
00:11:07Like him.
00:11:20Hand me over to the police.
00:11:22Khanta, if I hand you over to the police, you'll run away.
00:11:24If I hand you over to the police, you'll run away.
00:11:25If I hand you over to the police, you'll run away.
00:11:26If I hand you over to the police, you'll run away.
00:11:29So tell me, which way are you going to get the gold out?
00:11:31If you kill me, you won't be able to prove your innocence.
00:11:33Tell me, which way?
00:11:34What will you give them?
00:11:35My love for bullets?
00:11:36Gold.
00:11:37You've gone mad.
00:11:38Okay, go to hell.
00:11:49Maybe now you'll understand what I'm saying.
00:11:50Maybe now you'll understand what I'm saying.
00:11:53You don't have to understand.
00:11:55I will never betray my gang.
00:11:57Never.
00:11:59Listen to me carefully.
00:12:00This plan can't fail at any cost.
00:12:02Not even after I die.
00:12:03So don't even think about it.
00:12:04Throw me down.
00:12:06Or shoot me.
00:12:07Load your guns.
00:12:08Shoot me.
00:12:09Don't stop.
00:12:10Shoot me.
00:12:11Shoot me.
00:12:13I will shoot you.
00:12:17As soon as they find out about the Muris,
00:12:18we'll be in big trouble.
00:12:19And someone will have to take responsibility for it.
00:12:21Either we share the punishment for this mistake
00:12:23or we kill someone else.
00:12:24Who? Our own officer?
00:12:25No, the president.
00:12:26Shut up.
00:12:27Of course, our officer.
00:12:28An old officer.
00:12:29A traitor. Alicia Sierra.
00:12:30She ran away.
00:12:31Obviously, she worked for the professor.
00:12:32How did you find out?
00:12:33I don't know.
00:12:34And I have to find out.
00:12:35And it's certain that there was a traitor here.
00:12:36We can't prove it without evidence.
00:12:37Evidence?
00:12:38Do you have any evidence?
00:12:39Evidence can be made when needed, right?
00:12:40Do I have to teach you this too?
00:12:41Martinez, show me Alicia's email as soon as possible.
00:12:42We have to prove that she was the one
00:12:43who spoke to Prieto and Oseman
00:12:44and talked about Aguililla.
00:12:45Make a fake tracking signal of her phone.
00:12:46Show it to the national court.
00:12:47Make solid evidence of her and the Muris' start guard.
00:12:49I'll have to get help from the operators.
00:12:50The operators will do what the CNI tells them to do.
00:12:52Antonian, sir,
00:12:53you go to the forensic lab and stop Nairobi's autopsy.
00:12:55We'll get a report from the army doctors.
00:12:56And we'll say that she was only shot once.
00:12:58Gandia.
00:12:59We'll say that when Sierra shot at Nairobi,
00:13:00she was wearing a jacket.
00:13:01That means everything was a lie.
00:13:03And maybe we'll be safe by doing all this.
00:13:05Colonel, we're breaking the law.
00:13:06More than them.
00:13:07And I trust the law.
00:13:08That's why I'm going.
00:13:09Where are you going?
00:13:10Law enforcement?
00:13:11I'm going.
00:13:12I'm going.
00:13:13If you stop, I'll report you for cheating.
00:13:14Who are you going to report?
00:13:15You're the biggest traitor here.
00:13:16You found Professor's hideout.
00:13:17You could have stopped him from running away.
00:13:18But you didn't.
00:13:19Don't act like a ghost.
00:13:20Don't blow your brains out.
00:13:21I came out of a coma.
00:13:22I have your phone recordings.
00:13:24You were drunk.
00:13:27You called Murillo.
00:13:28He was with you like a madman for 15 years.
00:13:30He was arrested right in front of your eyes.
00:13:32But you didn't help Priyadhu
00:13:33because you were with Asteen.
00:13:34Isn't that right?
00:13:35Answer me, dear angel.
00:13:37I don't want to give you an explanation.
00:13:39Then go ahead and negotiate.
00:13:40Otherwise, you'll go to jail
00:13:41before Rio, Denver, and Helsinki.
00:13:42Okay, let's promote you.
00:13:43You're an inspector.
00:13:44How does that sound?
00:13:45If you do a good job, you might even become a commissioner.
00:13:47Okay, I'm ready to negotiate.
00:13:48But I'll do it my way.
00:13:49And I won't do anything illegal.
00:13:50I won't do anything illegal.
00:13:51It's your job to negotiate.
00:13:52It would be better if you leave the rest to us.
00:13:54Colonel.
00:13:55Come quickly.
00:13:56The helicopter is about to land.
00:14:04The ground support team is seven minutes away from the helicopter.
00:14:06Hurry up.
00:14:07I want a full blockade on the road.
00:14:08I want a full blockade on the road.
00:14:25How are you, Mazreez?
00:14:34Here are the clothes.
00:14:35Here's your towel.
00:14:36And this...
00:14:37This is Helsinki's underwear.
00:14:39Come on, you're kidding.
00:14:41Thank you.
00:14:42Sorry, I was being rude.
00:14:43I wanted to check your reaction.
00:14:45Hmm?
00:14:46And?
00:14:47How was my reaction?
00:14:49You were very relaxed.
00:14:51I know they'll crush us.
00:14:54But I don't know why,
00:14:55but I find this moment very romantic.
00:14:56Really?
00:14:58How?
00:15:01He dug a 12-meter tunnel to get me out of the National Court.
00:15:04Then he took me around the city in a fighter helicopter.
00:15:08And then he took me to the Bank of Spain
00:15:10in front of 3,000 police officers.
00:15:14That's cute.
00:15:15Yeah.
00:15:17There's a different kind of romance in theft.
00:15:19Really?
00:15:21How?
00:15:22It's like this.
00:15:24There can be only one moment here.
00:15:27And the hormones inside want to do everything today.
00:15:30They don't want to leave anything for tomorrow.
00:15:32This is more romantic than shopping on the weekends.
00:15:35I found out when I kissed him before my first robbery.
00:15:40My heart is racing.
00:15:41Let's do it.
00:15:43Go inside.
00:15:45No one will take the money.
00:15:46Hands up!
00:15:47Hands up!
00:15:48Hands up!
00:15:49Hands up!
00:15:50To get the money.
00:15:52You've done a great job.
00:15:53Put the money in this.
00:15:54Hurry up.
00:15:56Get out of here.
00:15:57And in the midst of all this...
00:15:58Come on, come on, come on.
00:15:59Hurry up.
00:16:00You can see happiness in his eyes.
00:16:03Take out the money.
00:16:04Come on, come on, come on.
00:16:05Put it in.
00:16:06Come on, come on, come on.
00:16:07Hurry up.
00:16:09Get food for both of them in the bag.
00:16:11Make noise on the bike.
00:16:14Think of yourself as the most powerful.
00:16:17Hold on tight to the bike as it accelerates.
00:16:20Then cross the border and get to Portugal.
00:16:30And then stop anywhere.
00:16:31Because it's very difficult to tie the love of a lifetime.
00:16:46You want to live it fully before the time runs out.
00:16:48And this fear makes every moment special.
00:17:01You're not talking about Rio, are you?
00:17:11My ex...
00:17:13He was killed during a robbery.
00:17:19I was there.
00:17:22After that, I never found love like his again.
00:17:28Because that was my true love.
00:17:31I'm sorry.
00:17:45So Mozart is your favorite composer?
00:17:46Yes, I like him a lot.
00:17:47I'm a big fan of his.
00:17:48And of Robert Schumann, too.
00:17:49Tell me when I play Schubert.
00:17:51We'll see when the time comes.
00:17:52I mean, we'll hear.
00:17:54Why didn't you tell me your son likes Schumann?
00:17:56He's so cute.
00:17:57I'm just going to the washroom.
00:17:58One more champagne?
00:17:59Of course, darling.
00:18:04Are you flirting with my wife?
00:18:05What are you saying?
00:18:06Do you think we're stupid?
00:18:07You've been flirting with her ever since she came here.
00:18:09I was just being friendly with her.
00:18:10This is flirting.
00:18:11Maybe you misunderstood my gesture.
00:18:12Look me in the eye and answer me.
00:18:13Do you think she's pretty?
00:18:15It's not that.
00:18:16Yes or no, Raphael?
00:18:17I think she's very cute.
00:18:19Do you want to be in a relationship with her?
00:18:21We're your parents.
00:18:22If you lie, we'll get caught.
00:18:23If things were different at the time,
00:18:24and you didn't even have a relationship with her,
00:18:26then maybe I would...
00:18:28It's so strange, isn't it?
00:18:29A youngster like you
00:18:30wants to be in love with my wife.
00:18:32What a riddle, isn't it?
00:18:33Have you seen how strange life can be?
00:18:35It's a riddle.
00:18:36That's enough.
00:18:37We're a good father who wants to work with his son,
00:18:40but if it's a theft,
00:18:41some smart people will go against us.
00:18:43I will never steal with you.
00:18:44Do you understand?
00:18:45I'm an engineer.
00:18:46I know.
00:18:47I'm in electronics.
00:18:50And I'm also a master's degree in cybersecurity.
00:18:53That too, from MIT, Massachusetts.
00:18:55We paid the fees.
00:18:58What do you think? Why did you buy it?
00:19:03You...
00:19:04You're so...
00:19:06You're so selfish.
00:19:08What kind of life do you want?
00:19:09Where you just work, meetings, e-mails?
00:19:11Where you work day and night,
00:19:12spend your whole life,
00:19:13and in return you get a one-month leave,
00:19:14which is nothing in the name of freedom.
00:19:15You'll understand what freedom means
00:19:16when you go to jail.
00:19:18No one goes to jail in my job,
00:19:19nor does anyone want to die.
00:19:21Rafael, death is a word
00:19:22that includes everything,
00:19:23which has no existence.
00:19:25And once you die,
00:19:26no one will even remember
00:19:27that you were ever alive.
00:19:28So that's why you wanted to meet me, right?
00:19:30That's why you were showing me so much love?
00:19:32And you'll love me,
00:19:33who doesn't care about my death?
00:19:34All I want is that you don't die
00:19:35before you're buried.
00:19:37I guarantee you freedom.
00:19:39No matter what,
00:19:40I won't let anything happen to you.
00:19:42In today's world,
00:19:43we're thieves who are truly free.
00:19:46And if we have to pay the price of freedom,
00:19:48we'll pay it.
00:19:57There's no Bermuda Triangle in Madrid
00:19:59that we can make disappear
00:20:00a 11-ton helicopter.
00:20:01On top of that,
00:20:02Marseille will be on radar satellites,
00:20:03NATO missiles,
00:20:04and as soon as Marseille
00:20:05drops Lisbon into the bank,
00:20:08there's no chance of survival.
00:20:09Sir, the helicopter is about to land.
00:20:10Where is it landing?
00:20:11It's landing in the village,
00:20:12near Budala Khara.
00:20:13I think it's a cattle farm.
00:20:14It's landing.
00:20:15I'll send the info.
00:20:18Send the coordinates, quick.
00:20:1940 degrees, 33 minutes,
00:20:2047 seconds north,
00:20:213 degrees, 12 minutes,
00:20:2234 seconds west.
00:20:26Let's go.
00:20:50You risked Marseille's life
00:20:51to save your lover.
00:20:52Maybe that's what happened to Benjamin.
00:20:55Come on, come on, come on.
00:20:56Come on, come on, come on.
00:20:57We'll shoot if no one comes down.
00:20:58No one will come down.
00:20:59Sit on the ground.
00:21:00I own this farm.
00:21:01You two, keep your hands down.
00:21:02I said, sit down.
00:21:10There's no one here.
00:21:11There's no one here.
00:21:12There's no one here.
00:21:13Listen to me carefully.
00:21:14No criminal fights for a remuneration.
00:21:16He fights in anger,
00:21:17over and over again.
00:21:18They killed my wife.
00:21:19Shut up.
00:21:20And keep quiet.
00:21:21Get up and stand up.
00:21:22Who's going to pay for my wife
00:21:23that your officer killed?
00:21:24Who's going to pay?
00:21:25It wasn't the police.
00:21:26It was someone else.
00:21:27Shut up.
00:21:28Who's this guy?
00:21:29I think he's in trouble.
00:21:30He dropped my wife off in a helicopter.
00:21:31In full speed.
00:21:32Idiot.
00:21:33Just one?
00:21:34In the helicopter?
00:21:35Yeah, just one.
00:21:36And in the car?
00:21:37Police?
00:21:38How many people were in the car?
00:21:39Two, right?
00:21:40No, just one.
00:21:41They both left.
00:21:42But there was only one man inside.
00:21:43Which car was it?
00:21:44It looked like a junk car.
00:21:45At that time,
00:21:46they had only one clue.
00:21:47It was a red Volvo.
00:21:48When they were taking Lisbon
00:21:49out of the National Court,
00:21:50they must have seen his photo
00:21:51on CCTV.
00:21:52Ask him if it was an old Volvo.
00:21:53Red.
00:21:54Was it a red Volvo?
00:21:55The car was red.
00:21:56I don't know about the model.
00:21:57Volvo.
00:21:58Yeah, Volvo.
00:21:59It's headed towards Albuquerque.
00:22:00And this will be the climax
00:22:01of our game.
00:22:02Because after this game,
00:22:04everything will change.
00:22:05I got him.
00:22:06I'm sure he's there.
00:22:07All units, listen up.
00:22:08Suspect, red Volvo 240.
00:22:09Car number 15318.
00:22:10Listen up, Captain.
00:22:11I'm listening.
00:22:12Yes, Colonel.
00:22:13You go after that car.
00:22:14Yes, copy that.
00:22:15Miranda, you stay here.
00:22:16Come on, you guys come with me.
00:22:17Come on.
00:22:18Move.
00:22:23Get me to the team.
00:22:43Yes, team.
00:22:44What's the report?
00:22:45Suspect's car was 2km away.
00:22:46We have to stop that car at any cost.
00:22:47Attention.
00:22:48Suspect's red Volvo car
00:22:49is 1500m away.
00:22:50Come on, come on.
00:22:51Attention.
00:22:52Suspect's red Volvo car
00:22:53is 1000m away.
00:22:54He's a professor.
00:22:55He might have a smoke bomb.
00:22:56He can do anything.
00:23:00Suspect's red Volvo car
00:23:01is 500m away.
00:23:03We can see the car.
00:23:04We're ready to fire.
00:23:06We have to stop that car.
00:23:07Stop that car at any cost.
00:23:08Fire at the car.
00:23:09Fire.
00:23:15Get out of the car.
00:23:17Get out of the car.
00:23:18Get out of the car.
00:23:19Get out of the car.
00:23:20Get out of the car.
00:23:22Explosive.
00:23:23Sit down.
00:23:24What's going on?
00:23:25He has my wife.
00:23:26Is he a professor?
00:23:27He kidnapped us
00:23:28as we were leaving the salon.
00:23:31There's a woman
00:23:32who says he was kidnapped
00:23:33outside the salon.
00:23:34I'm just telling you to make a report
00:23:35or we won't get our compensation.
00:23:36Shut up, old man.
00:23:37And mind your own business.
00:23:38And then you have to show them
00:23:39that you're going to work in the fields.
00:23:41Come on.
00:23:42Let's go feed the sheep.
00:23:44And then disappear.
00:23:45We're screwed again, colonel.
00:24:15Let's go.
00:24:21Aren't we going to steal all this gold?
00:24:24This is stolen gold.
00:24:25We can't steal it again.
00:24:26This gold belongs to our ancestors,
00:24:27to the common people.
00:24:29If you want to steal it,
00:24:30give it to them.
00:24:31It's a precious treasure.
00:24:32Treasure, treasure.
00:24:33Our Cincinnati will make a statue
00:24:34just like this,
00:24:35but he's leaving it now.
00:24:36Come on, Denver.
00:24:37Let's go.
00:24:44Let's go to the professor.
00:24:45Hurry up.
00:24:46Hurry up.
00:24:47This is a check-up call for the professor.
00:24:49Hurry up.
00:24:58Hello, Nathal.
00:24:59Hi, Zakia.
00:25:01Our Paris plan is a success.
00:25:02Now we'll start the plan in the room.
00:25:03We'll leave in an hour.
00:25:05No one's going anywhere.
00:25:09This might be the last time I'm talking to you.
00:25:13And we've found a secret location.
00:25:15What if someone finds out
00:25:16about the secret location?
00:25:20Then it's all over.
00:25:21Hi, Lisbon.
00:25:23Hello, Tokyo. Helsinki.
00:25:24Hi.
00:25:25All those who have cities in their names
00:25:27and now they're not destined to go to those cities.
00:25:29Who said that?
00:25:30This is Inspector Sierra.
00:25:31He's in charge of this investigation.
00:25:32Yeah, something like that.
00:25:33How are you, Raquel?
00:25:34This must be very emotional for you, right?
00:25:36First, the poor girl was arrested.
00:25:38Then half the world was flying.
00:25:39A free ride like a little bird.
00:25:40Then all of a sudden, boom!
00:25:43It's all over.
00:25:45But we both know what it's worth.
00:25:47And now it's time to pay for it.
00:25:49It's going to cost a lot, Dad.
00:25:50Because when it's time to pay,
00:25:51you won't be here.
00:25:52You won't be having lunch in a fancy hotel.
00:25:55You'll be behind bars.
00:25:56And everything you've built all your life
00:25:59will be destroyed.
00:26:01Or maybe you'll be covered in blood.
00:26:05Just like your dad.
00:26:08Some things in life are worth a lot, Rafael.
00:26:12Revolution.
00:26:14Freedom.
00:26:15Ideals.
00:26:16Any last wishes, Professor?
00:26:31I'm sorry, Raquel.
00:26:36I'm so sorry, Raquel.
00:26:39I'm sorry, Palermo.
00:26:43I'm so sorry, Helsinki.
00:26:47I'm sorry, Manila.
00:26:51I'm so sorry, Bogota.
00:26:55I'm so sorry, Stockholm.
00:26:57I'm sorry, Denver.
00:27:02I'm so sorry, Tokyo.
00:27:05I'm so sorry.
00:27:06That's enough.
00:27:08Professor, don't give up.
00:27:11No big war has a big enemy.
00:27:14And friends,
00:27:15I can sit here and listen to you cry for hours.
00:27:17And I can talk about your best moves.
00:27:19Like that rat drink in the gutter.
00:27:21That was fun.
00:27:22But we have more important things to discuss here.
00:27:24Over and out, friends.
00:27:39There must be a plan.
00:27:40Professor always has a plan.
00:27:41Not this time.
00:27:42No plan B.
00:27:43He had a solution to everyone's failure.
00:27:45He was so careless that he didn't make a plan B.
00:27:47How can he make such a mistake?
00:27:48You have no plan A, Tokyo.
00:27:49There's only one way to get the gold.
00:27:50No plan B.
00:27:51Plan A can save us.
00:27:55California, USA
00:28:00I know that he's up to no good.
00:28:01But we don't know when we are going to lose him.
00:28:05Army.
00:28:08Soldiers,
00:28:09Look, it looks like a whole army.
00:28:15Sound a brake at the first moment
00:28:16every 150 kilometers
00:28:18at which Sapno's car is方
00:28:19and he knows that the road ahead is just a dead end.
00:28:24Come here.
00:28:25Come here.
00:28:28All of us have to face that moment someday.
00:28:32The moment when you realize that your brother is just a guest for a few days.
00:28:38The moment when you realize that you won't get to see your kid again.
00:28:46That you won't be able to hug your friends.
00:28:49And your love.
00:28:50Baba?
00:29:20I don't care if Monday's blue, Tuesday's grey and Wednesday too, Thursday I don't care
00:29:44about you, it's Friday, I'm in love, Monday you can fall apart, Tuesday, Wednesday break
00:29:52my heart, Thursday doesn't even start, it's Friday, I'm in love, Saturday wait, Sunday
00:30:02always comes too late, Friday never hesitate, I don't care if Monday's black, Tuesday, Wednesday
00:30:10break my heart, Thursday doesn't even start, it's Friday, I'm in love, Monday you can hold
00:30:29me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Tuesday
00:30:50break my heart, Thursday doesn't even start, it's Friday, I'm in love, Monday you can hold
00:31:16me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday
00:31:43you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in
00:32:11love, Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's
00:32:41Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday you can hold
00:33:07me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday
00:33:35you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in
00:34:03love, Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's
00:34:33Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday you can hold
00:35:03me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday
00:35:33you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in
00:36:03love, Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's
00:36:32Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday you can
00:37:02hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love,
00:37:32Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday,
00:38:02I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday you can hold me,
00:38:29it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love, Monday you can
00:38:58hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love,
00:39:28Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love,
00:39:58Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love,
00:40:28Monday you can hold me, it's Friday, I'm in love, Monday you can hold me, it's Friday, I'm in love,
00:40:58Monday you can hold me, it's Friday, I'm in love,
00:41:28Monday you can hold me, it's Friday, I'm in love,
00:41:58Monday you can hold me, it's Friday, I'm in love,
00:42:28Monday you can hold me, it's Friday, I'm in love,
00:42:57Monday you can hold me, it's Friday, I'm in love,
00:43:26Monday you can hold me, it's Friday, I'm in love,
00:43:56Monday you can hold me, it's Friday, I'm in love,
00:44:26Monday you can hold me, it's Friday, I'm in love,
00:44:56Monday you can hold me, it's Friday, I'm in love,
00:45:25Monday you can hold me, it's Friday, I'm in love,
00:45:54Monday you can hold me, it's Friday, I'm in love,
00:46:24Monday you can hold me, it's Friday, I'm in love,
00:46:53Monday you can hold me, it's Friday, I'm in love,
00:47:17Monday you can hold me, it's Friday, I'm in love,
00:47:47Monday you can hold me, it's Friday, I'm in love,
00:48:16Monday you can hold me, it's Friday, I'm in love,
00:48:46Monday you can hold me, it's Friday, I'm in love,
00:49:15Monday you can hold me, it's Friday, I'm in love,
00:49:44Monday you can hold me, it's Friday, I'm in love,
00:50:13Monday you can hold me, it's Friday, I'm in love,
00:50:42Monday you can hold me, it's Friday, I'm in love,
00:51:11Monday you can hold me, it's Friday, I'm in love,
00:51:40Monday you can hold me, it's Friday, I'm in love,
00:52:10Monday you can hold me, it's Friday, I'm in love,
00:52:39Monday you can hold me, it's Friday, I'm in love,
00:53:09Monday you can hold me, it's Friday, I'm in love,
00:53:38Monday you can hold me, it's Friday, I'm in love,
00:54:08Monday you can hold me, it's Friday, I'm in love,
00:54:37Monday you can hold me, it's Friday, I'm in love,
00:55:06Monday you can hold me, it's Friday, I'm in love,
00:55:35Monday you can hold me, it's Friday, I'm in love,
00:56:04Monday you can hold me, it's Friday, I'm in love,
00:56:33Monday you can hold me, it's Friday, I'm in love,
00:57:02Monday you can hold me, it's Friday, I'm in love,
00:57:32Monday you can hold me, it's Friday, I'm in love,
00:58:02Monday you can hold me, it's Friday, I'm in love,
00:58:31Monday you can hold me, it's Friday, I'm in love,
00:59:00Monday you can hold me, it's Friday, I'm in love,
00:59:29Monday you can hold me, it's Friday, I'm in love,
00:59:58Monday you can hold me, it's Friday, I'm in love,
01:00:27Monday you can hold me, it's Friday, I'm in love,
01:00:56Monday you can hold me, it's Friday, I'm in love,
01:01:25Monday you can hold me, it's Friday, I'm in love,
01:01:55Monday you can hold me, it's Friday, I'm in love,
01:02:24Monday you can hold me, it's Friday, I'm in love,
01:02:53Monday you can hold me, it's Friday, I'm in love,
01:03:22Monday you can hold me, it's Friday, I'm in love,
01:03:52Monday you can hold me, it's Friday, I'm in love,
01:04:21Monday you can hold me, it's Friday, I'm in love,
01:04:51Monday you can hold me, it's Friday, I'm in love,
01:05:20Monday you can hold me, it's Friday, I'm in love,
01:05:50Monday you can hold me, it's Friday, I'm in love,
01:06:20Monday you can hold me, it's Friday, I'm in love,
01:06:50Monday you can hold me, it's Friday, I'm in love,
01:07:20Monday you can hold me, it's Friday, I'm in love,
01:07:50Monday you can hold me, it's Friday, I'm in love,
01:08:19Monday you can hold me, it's Friday, I'm in love,
01:08:48Monday you can hold me, it's Friday, I'm in love,
01:09:18Monday you can hold me, it's Friday, I'm in love,
01:09:48Monday you can hold me, it's Friday, I'm in love,
01:10:18Monday you can hold me, it's Friday, I'm in love,
01:10:48Monday you can hold me, it's Friday, I'm in love,
01:11:18Monday you can hold me, it's Friday, I'm in love,
01:11:47Monday you can hold me, it's Friday, I'm in love,
01:12:17Monday you can hold me, it's Friday, I'm in love,
01:12:46Monday you can hold me, it's Friday, I'm in love,
01:13:16Monday you can hold me, it's Friday, I'm in love,
01:13:45Monday you can hold me, it's Friday, I'm in love,
01:14:15Monday you can hold me, it's Friday, I'm in love,
01:14:44Monday you can hold me, it's Friday, I'm in love,
01:15:13Monday you can hold me, it's Friday, I'm in love,
01:15:43Monday you can hold me, it's Friday, I'm in love,
01:16:12Monday you can hold me, it's Friday, I'm in love,
01:16:42Monday you can hold me, it's Friday, I'm in love,
01:17:12Monday you can hold me, it's Friday, I'm in love,
01:17:41Monday you can hold me, it's Friday, I'm in love,
01:18:10Monday you can hold me, it's Friday, I'm in love,
01:18:40Monday you can hold me, it's Friday, I'm in love,
01:19:10Monday you can hold me, it's Friday, I'm in love,
01:19:40Monday you can hold me, it's Friday, I'm in love,
01:20:09Monday you can hold me, it's Friday, I'm in love,
01:20:38Monday you can hold me, it's Friday, I'm in love,
01:21:07Monday you can hold me, it's Friday, I'm in love,
01:21:37Monday you can hold me, it's Friday, I'm in love,
01:22:06Monday you can hold me, it's Friday, I'm in love,
01:22:36Monday you can hold me, it's Friday, I'm in love,
01:23:06Monday you can hold me, it's Friday, I'm in love,
01:23:35Monday you can hold me, it's Friday, I'm in love,
01:24:04Monday you can hold me, it's Friday, I'm in love,
01:24:33Monday you can hold me, it's Friday, I'm in love,
01:25:03Monday you can hold me, it's Friday, I'm in love,
01:25:32Monday you can hold me, it's Friday, I'm in love,
01:26:01Monday you can hold me, it's Friday, I'm in love,
01:26:30Monday you can hold me, it's Friday, I'm in love,
01:26:59Monday you can hold me, it's Friday, I'm in love,
01:27:28Monday you can hold me, it's Friday, I'm in love,
01:27:57Monday you can hold me, it's Friday, I'm in love,
01:27:59Monday you can hold me, it's Friday, I'm in love,
01:28:01Monday you can hold me, it's Friday, I'm in love,
01:28:03Monday you can hold me, it's Friday, I'm in love,
01:28:05Monday you can hold me, it's Friday, I'm in love,
01:28:07Monday you can hold me, it's Friday, I'm in love,
01:28:09Monday you can hold me, it's Friday, I'm in love,
01:28:11Monday you can hold me, it's Friday, I'm in love,
01:28:13Monday you can hold me, it's Friday, I'm in love,
01:28:15Monday you can hold me, it's Friday, I'm in love,
01:28:17Monday you can hold me, it's Friday, I'm in love,
01:28:19Monday you can hold me, it's Friday, I'm in love,
01:28:21Monday you can hold me, it's Friday, I'm in love,
01:28:23Monday you can hold me, it's Friday, I'm in love,
01:28:25Monday you can hold me, it's Friday, I'm in love,
01:28:27Monday you can hold me, it's Friday, I'm in love,
01:28:29Monday you can hold me, it's Friday, I'm in love,
01:28:31Monday you can hold me, it's Friday, I'm in love,
01:28:33Monday you can hold me, it's Friday, I'm in love,
01:28:35Monday you can hold me, it's Friday, I'm in love,
01:28:37Monday you can hold me, it's Friday, I'm in love,
01:28:39Monday you can hold me, it's Friday, I'm in love,
01:28:41Monday you can hold me, it's Friday, I'm in love,
01:28:43Monday you can hold me, it's Friday, I'm in love,
01:28:45Monday you can hold me, it's Friday, I'm in love,
01:28:47Monday you can hold me, it's Friday, I'm in love,
01:28:49Monday you can hold me, it's Friday, I'm in love,
01:28:51Monday you can hold me, it's Friday, I'm in love,
01:28:53Monday you can hold me, it's Friday, I'm in love,
01:28:55Monday you can hold me, it's Friday, I'm in love,
01:28:57Monday you can hold me, it's Friday, I'm in love,
01:28:59Monday you can hold me, it's Friday, I'm in love,
01:29:01Monday you can hold me, it's Friday, I'm in love,
01:29:03Monday you can hold me, it's Friday, I'm in love,
01:29:05Monday you can hold me, it's Friday, I'm in love,
01:29:07Monday you can hold me, it's Friday, I'm in love,
01:29:09Monday you can hold me, it's Friday, I'm in love,
01:29:11Monday you can hold me, it's Friday, I'm in love,
01:29:13Monday you can hold me, it's Friday, I'm in love,
01:29:15Monday you can hold me, it's Friday, I'm in love,
01:29:17Monday you can hold me, it's Friday, I'm in love,
01:29:19Monday you can hold me, it's Friday, I'm in love,
01:29:21Monday you can hold me, it's Friday, I'm in love,
01:29:23Monday you can hold me, it's Friday, I'm in love,
01:29:25Monday you can hold me, it's Friday, I'm in love,
01:29:27Monday you can hold me, it's Friday, I'm in love,
01:29:29Monday you can hold me, it's Friday, I'm in love,
01:29:31Monday you can hold me, it's Friday, I'm in love,
01:29:33Monday you can hold me, it's Friday, I'm in love,
01:29:35Monday you can hold me, it's Friday, I'm in love,
01:29:37Monday you can hold me, it's Friday, I'm in love,
01:29:39Monday you can hold me, it's Friday, I'm in love,
01:29:41Monday you can hold me, it's Friday, I'm in love,
01:29:43Monday you can hold me, it's Friday, I'm in love,
01:29:45Monday you can hold me, it's Friday, I'm in love,
01:29:47Monday you can hold me, it's Friday, I'm in love,
01:29:49Monday you can hold me, it's Friday, I'm in love,
01:29:51Monday you can hold me, it's Friday, I'm in love,
01:29:53Monday you can hold me, it's Friday, I'm in love,
01:29:55Monday you can hold me, it's Friday, I'm in love,
01:29:57Monday you can hold me, it's Friday, I'm in love,
01:29:59Monday you can hold me, it's Friday, I'm in love,
01:30:01Monday you can hold me, it's Friday, I'm in love,
01:30:03Monday you can hold me, it's Friday, I'm in love,
01:30:05Quadrants 3 and 9, now!
01:30:07Come on, move forward!
01:30:09The enemy is here!
01:30:13As you can see, there's been a huge explosion on the roof of Bank of Spain.
01:30:16The explosion has caused a ruckus among the people.
01:30:18No one knows what kind of explosion it was and why it happened.
01:30:20It looks like the army has started its operations.
01:30:22The army is on the move.
01:30:23Professor, our hideout is safe.
01:30:25Tell me about the situation at the bank.
01:30:26Polermo, they've blown up the roof.
01:30:27Rogota, Rio and I are going to the last floor.
01:30:29The whole of Helsinki is trapped.
01:30:30Lisbon, where are you?
01:30:31On the second floor.
01:30:32Tokyo, where are you?
01:30:34We're going to the roof.
01:30:35Denver, Manila and I will attack from behind.
01:30:37Don't open the door.
01:30:38And Helsinki?
01:30:39They'll kill you.
01:30:40The enemy is on the roof!
01:30:42We'll all stay together and cover each other.
01:30:46If he doesn't go out, Helsinki will go up.
01:30:47Go out!
01:30:48Do we have to go out or not?
01:30:49There are more than 100 snipers on your side.
01:30:51They won't let you attack from behind.
01:30:52They'll just headshot you.
01:30:54Professor, you're going to kill Helsinki.
01:30:55There's only one way to save him.
01:30:56We have to attack from behind.
01:30:58We'll go through the broken roof.
01:30:59And I'll show you how to get there alive.
01:31:01The hostiles are coming.
01:31:05Keep your eyes open.
01:31:06Keep your eyes open.
01:31:13Don't let them get away.
01:31:20The enemy is on the roof!
01:31:21Get back!
01:31:23Get back!
01:31:25Let's go!
01:31:28Hurry!
01:31:29Get back!
01:31:30Get back!
01:31:32Now!
01:31:35Stop!
01:31:36Stop!
01:31:56We always thought we were fighting a war.
01:32:01Maybe because we didn't know what a real war was like.
01:32:05Fredericksburg Castle.
01:32:06The security is well-equipped there.
01:32:08You'll have to go through two metal detectors to get in or out.
01:32:11There will be some armed guards there.
01:32:12And all this will happen before you reach the party.
01:32:14It's going to be a beautiful evening.
01:32:15Magnificent cars, suitboots,
01:32:16intoxicating cham,
01:32:17home to music,
01:32:18and 12 kilos of gold.
01:32:19And Tatiana will play her magic there.
01:32:21And we'll enjoy her magic just like that.
01:32:23What do you say?
01:32:24Because the most difficult job of the robbery must be done.
01:32:27You must have finished it a day earlier.
01:32:29Me?
01:32:30No doubt.
01:32:31Because you're the only one among us
01:32:33who looks like a dead piano tuner.
01:32:38What's this?
01:32:39It's a magnetic card reader.
01:32:41A machine that makes fake cards.
01:32:43That's right.
01:32:44Maybe it's hidden inside.
01:32:45It's usually used to make copies of ATMs or credit cards.
01:32:48Tatiana will feel dizzy all of a sudden.
01:32:50I'm afraid of the stage.
01:32:51I need fresh air.
01:32:52And then you'll be alone with that historic piano.
01:32:55Obviously, you'll need help.
01:32:57I'm going out.
01:32:58Can you help her?
01:32:59Sure.
01:33:00If you want to make a copy of a card from this machine,
01:33:02you'll have to keep the card at least 10 centimeters away from the machine.
01:33:04That too, for at least 30 seconds.
01:33:05That's easy.
01:33:06Because they hang the card around their neck.
01:33:07Please move this.
01:33:08This is important.
01:33:09Okay.
01:33:10There's no sorrow that doesn't come from the piano.
01:33:13Thank you.
01:33:14Then we'll find your trolley,
01:33:16where we'll hide the fake gold.
01:33:19It's coated with barium sulphate.
01:33:21They won't know anything even if they go through the X-ray machine.
01:33:23They'll take you until the fake gold gets to the right place.
01:33:32After that, we just have to deal with Hans.
01:33:33Hans?
01:33:34Hans is the security guard of the gold room.
01:33:35He's always at the door.
01:33:36And he's a ghost.
01:33:37He doesn't have a wife.
01:33:38He doesn't have a child.
01:33:39He doesn't have a dog.
01:33:40And he has a father, Sanki.
01:33:41The thing to think about is,
01:33:42what could have happened to him?
01:33:44I don't know.
01:33:45Maybe it was a long-distance relationship.
01:33:46Why go so far?
01:33:47He has a father, Sanki.
01:33:48And his father?
01:33:49His father is Sanki.
01:33:50He's being treated at home.
01:33:51He can't recognize anyone.
01:34:03Bring Christophe.
01:34:04Okay.
01:34:09Rafael.
01:34:11Bring the briefcase.
01:34:24Thank you.
01:34:26We're inside.
01:34:32Let Christophe in.
01:34:34Go to the music, Christophe.
01:34:36To the music.
01:34:39Christophe has left.
01:34:41Camera?
01:34:42I'm checking the system.
01:34:43Music.
01:34:45Music.
01:34:47Done.
01:34:48Hacked.
01:34:49Music.
01:34:51Think about it.
01:34:52What shock would Hans get?
01:34:53He's got a gun.
01:34:54He's got a gun.
01:34:55He's got a gun.
01:34:56He's got a gun.
01:34:57He's got a gun.
01:34:58He's got a gun.
01:34:59He's got a gun.
01:35:00He's got a gun.
01:35:01He's got a gun.
01:35:04He's got...
01:35:06Music.
01:35:08Music.
01:35:09Music.
01:35:10Did aircraft strike music assamble and WHY Am I
01:35:20Come on, let's tap touch.
01:35:31I'm not going to tell you anything.
01:35:35I have no idea what's going to happen to us when we enter.
01:35:40What was that?
01:35:43No one knows what's in the secret room.
01:35:56What a beauty!
01:36:01Come on, let's go.
01:36:03All the safes are locked.
01:36:07Come on.
01:36:08And this is the key to open them all.
01:36:10Very good. Which safe is this?
01:36:12It's full of junk.
01:36:13I'll have to code it. I'll hack it.
01:36:18These safes are stuck to the wall.
01:36:19It's not going to move.
01:36:20There's no safe here. The wall will move.
01:36:22My God, I've never seen such a superb security system.
01:36:28He's found his father.
01:36:29Listen, don't take too long.
01:36:30You only have one minute.
01:36:32No one can hack it in one minute.
01:36:34Check all.
01:36:35It's an emergency.
01:36:36We need at least three minutes.
01:36:37Come on.
01:36:38It won't be done in three minutes, Dad.
01:36:39If you can't hack it in the next three minutes,
01:36:41you'll be ready to grind all your life.
01:36:43Wake up.
01:36:44No tea.
01:36:45Open the electronics door.
01:36:46Handle it for the element.
01:36:47Take it from him.
01:36:48Come on.
01:36:49Hurry up.
01:36:50We know where the gold is.
01:36:51We just have to decode it.
01:36:52How much longer?
01:36:53I don't know.
01:36:54Check all.
01:36:55Two more minutes.
01:36:58It's done.
01:37:01Come on.
01:37:14Excuse me.
01:37:15It's my father.
01:37:16What did he say?
01:37:18I don't know.
01:37:19I'm just asking.
01:37:20What did he say?
01:37:21The president of the Fredericksburg Foundation
01:37:23wants to call the police.
01:37:25What did he say?
01:37:26He said...
01:37:29He said...
01:37:30What?
01:37:33He said...
01:37:34I don't know.
01:37:40Did you see how he got in?
01:37:42He's moving.
01:37:43Come on.
01:37:44Andres.
01:37:45He's going to check KBI.
01:37:46You stay here.
01:37:51Excuse me.
01:37:53It's done, Jacob.
01:38:10We're coming out.
01:38:23The blood is boiling.
01:38:24The blood is boiling.
01:38:31He must be in your room.
01:38:32Right, darling?
01:38:44That was fun.
01:38:45And now we're going to give you the most important lesson.
01:38:49Give this to me.
01:38:53What lesson?
01:38:54No.
01:38:55Dad.
01:38:57Dad!
01:39:02What did you do?
01:39:03I taught him a lesson.
01:39:04A lesson?
01:39:05I can't believe it.
01:39:06You threw 12 kilos of gold into the water.
01:39:08That was 15 million euros.
01:39:09Is this what you're teaching him?
01:39:11Clearly.
01:39:12A thief always thinks of what's his,
01:39:14which he never had.
01:39:16Now you'll realize you're one of us.
01:39:19So next time,
01:39:20don't forget to call your father Sankey.
01:39:25Come on.
01:39:26Let's go have some fun.
01:39:27We're here to listen to Dadiana's music.
01:39:35It's a thief's dream
01:39:36that after stealing,
01:39:37when he leaves,
01:39:38people applaud him,
01:39:40smile at him,
01:39:41take pictures of him,
01:39:42and fall in love with him.
01:39:48And most importantly,
01:39:49don't let anyone doubt him.
01:39:52We'll take a small boat
01:39:53and sail to Sweden
01:39:54to celebrate Dadiana's concert
01:39:56from Kosovo.
01:39:57What's wrong with him?
01:39:58It's his attitude.
01:39:59I don't know if he's hungry,
01:40:00angry,
01:40:01or just hungry.
01:40:05Darling, are you ready?
01:40:06Of course, my love.
01:40:20Yes!
01:40:25Very good.
01:40:49Because they can't learn
01:40:50anything from us.
01:40:52But I learned.
01:40:57If you want anything in life,
01:40:59you have to steal it.
01:41:00It doesn't matter who it is.
01:41:05That's the way of the world, darling.
01:41:20Let's go!
01:41:26Don't worry, Motu. We're here.
01:41:29Easy, easy, Motu.
01:41:38Arteche!
01:41:39Arteche!
01:41:40I can't hear anything, Major.
01:41:41Call the doctor.
01:41:43His pulse is dropping.
01:41:47He's breathing heavily.
01:41:48We'll have to stop the bleeding first.
01:41:49Don't worry, Motu.
01:41:50We'll get you out of here.
01:41:51Are you listening to me?
01:41:53Up, up, up.
01:41:55Answer me.
01:41:56What was that explosion?
01:41:57No, no, no.
01:41:58A rocket hit us.
01:41:59Give me the report.
01:42:00Shut up, Colonel.
01:42:01Some of our men are wounded.
01:42:02Colonel, we have to surround them.
01:42:03We have to save this area.
01:42:08Hang in there. It'll hurt a little.
01:42:09Are you ready?
01:42:10Three, two, one, go!
01:42:12We need that robot.
01:42:13We'll attack them from the front.
01:42:16We're coming up.
01:42:17Listen to me.
01:42:18We're going to do what we used to do in school.
01:42:20Keep quiet and line up.
01:42:21We'll do what we say.
01:42:22Matias, get our weapons.
01:42:23We're going up.
01:42:24Okay.
01:42:26Move forward!
01:42:30Palermo, I'll cut your leg.
01:42:32Palermo, cut it.
01:42:33Hey, hey, look at me.
01:42:34I'm not going to cut your leg.
01:42:35Got it?
01:42:36I'm not going to cut it.
01:42:37Palermo, it's my attitude.
01:42:38It's my bad habit.
01:42:40Anyway, the doctor said to cut it.
01:42:42You know all this, Palermo.
01:42:44You'll learn from this.
01:42:45Stop pretending, Motu.
01:42:46We'll get you out of here.
01:42:47Easy, easy, Motu.
01:42:48I'm with you.
01:42:49I won't let anything happen to you.
01:42:50I'm with you, Motu.
01:42:51I'm with you.
01:42:53He's right.
01:42:55This is a marble statue.
01:42:56It must be at least two tons.
01:42:59We can't move it, Palermo.
01:43:05I'll cut it.
01:43:11No, Bogota, find a weapon
01:43:12that can remove this statue.
01:43:14We need something like an iron rod.
01:43:21There's someone behind us.
01:43:22The snipers should think
01:43:23that all the hostages are running away.
01:43:24Tell them to take off their masks
01:43:25as soon as they come out.
01:43:26You only have one minute.
01:43:27Come on, it's time for the Punjab people to shine.
01:43:28Okay?
01:43:29We have to act perfectly.
01:43:30We should get the hostage.
01:43:31Got it?
01:43:32Sweet.
01:43:33Hurry up.
01:43:34I missed it.
01:43:35Wait, my back hurts.
01:43:36We're almost there.
01:43:37Give me that bandage, Bogota.
01:43:38Don't sleep, Motu.
01:43:39Don't sleep.
01:43:40Hang in there, Motu.
01:43:41Come on.
01:43:42No.
01:43:43Don't sleep, Motu.
01:43:44Don't sleep.
01:43:45I'm with you.
01:43:46You'll be fine.
01:43:47Palermo.
01:43:48Open your eyes, Helsinki.
01:43:49Look at me.
01:43:50Don't sleep.
01:43:51You can't leave me like this.
01:43:52Don't sleep.
01:43:53Look at me, Helsinki.
01:43:54No, Motu.
01:43:55Don't leave me.
01:43:59Palermo.
01:44:00The beam's working.
01:44:02Give me the cover.
01:44:03Thank you, friend.
01:44:04Lizbeth, hurry up.
01:44:05We need cover fire.
01:44:08We're going out.
01:44:09Are you ready?
01:44:10They'll kill us.
01:44:11No one's going to kill anyone.
01:44:12But if you mess with us, we'll kill you.
01:44:14And don't be afraid.
01:44:15Half of you are going to take off your masks.
01:44:17Remember, they should think you're a hostage.
01:44:19You'll take off your masks.
01:44:20You'll take off your masks.
01:44:21And you'll take off your masks.
01:44:22Now let's go, everyone.
01:44:23Put on your masks.
01:44:26Professor, one robot.
01:44:27He's ready to attack from the ground floor.
01:44:31Come on, hurry up.
01:44:34They're ready to attack.
01:44:35Why did you let the governor go?
01:44:36Is there a trick to this?
01:44:37We hid the mic in the governor's handcuffs.
01:44:39If we cut the electric wave detectors first,
01:44:40we might be able to do something.
01:44:41And we'll get some help.
01:44:42We'll send him out.
01:44:43I'll tell you why.
01:44:47Then?
01:44:49Now he's in our hands.
01:44:51Talk to Pakistan.
01:44:52You're the sexiest woman in the world,
01:44:53but you're not as sexy in your head.
01:44:54Let me fight this war with my head.
01:44:56I'll fight it later.
01:44:57Okay.
01:45:00Benjamin, call your men.
01:45:01We have to start the attack.
01:45:02Alicia.
01:45:03Masalia, go get the stuff.
01:45:04A napkin for the kid.
01:45:05Whatever you need.
01:45:06Will you give him milk?
01:45:07Or should I get a bottle?
01:45:08No, I'll give him milk.
01:45:09But you get the bottle.
01:45:10And get something for his leg.
01:45:11He might have forgotten I shot him.
01:45:12The bullet reminds me,
01:45:13you give your bullets to Masalia.
01:45:15For safety.
01:45:16It's important for everyone.
01:45:29Thank you.
01:45:32Professor, we're on the roof.
01:45:33Tokyo, it's very important
01:45:34that the snipers don't see you with the weapon.
01:45:36So put all the weapons in one bag.
01:45:37Tie one end of the rope to the bag
01:45:38and the other end to yourself.
01:45:39You have to get to the roof
01:45:40and sneak through the hostages.
01:45:42Maddias, we need your help.
01:45:43As soon as I give the order,
01:45:44you have to shoot the snipers.
01:45:46Then take the bag to Tokyo.
01:45:47Got it?
01:45:51Valermo, Stockholm and I will take our positions.
01:45:53Lisbon, throw the smoke bomb.
01:45:54Five.
01:45:55Four.
01:45:56Three.
01:45:57Two.
01:45:59One.
01:46:00Good luck.
01:46:01Throw it!
01:46:02Smoke bomb!
01:46:04Cover!
01:46:07I can't see anything.
01:46:17Tokyo, now.
01:46:20Don't shoot.
01:46:21I'm out. I'm a hostage.
01:46:22Don't shoot.
01:46:23There are hostages on the roof, sir.
01:46:24They're taking their masks off.
01:46:27If one of you goes near the hole, shoot him.
01:46:28Okay, Colonel.
01:46:30Get the robot.
01:46:31Send him in through the main gate.
01:46:32He can't fight the army and the hostages at the same time.
01:46:33That's the right time.
01:46:34I understand, Colonel.
01:46:36I understand, sir.
01:46:39We're on the roof, sir.
01:46:43Get inside.
01:46:44Now!
01:46:45We're close to the hole.
01:46:46We have to get out of here.
01:46:47Hurry.
01:46:48Hurry!
01:46:54Are you all right?
01:47:03Hold on.
01:47:04I'm waiting for your order, Palermo.
01:47:06Order, Palermo. Hurry up, Palermo.
01:47:08Wait here. We're taking the girl out.
01:47:10We don't have much time.
01:47:11We'll take her out once.
01:47:12Then we'll get her out on our own.
01:47:14Make some noise.
01:47:15Don't go near her until I say so.
01:47:25Everyone, get ready.
01:47:26Ready, sir.
01:47:27Hurry up.
01:47:28Get ready.
01:47:29Hurry up.
01:47:30Hurry up.
01:47:31Hurry up.
01:47:32Hurry up.
01:47:33Hurry up.
01:47:34Get ready.
01:47:35Get ready.
01:47:36We're ready, sir.
01:47:41Colonel, we're ready.
01:47:44Wait a minute.
01:47:46Hello, who is this?
01:47:47Talk, Professor.
01:47:48First of all, keep your mouth shut,
01:47:50because you don't want anyone to hear this.
01:47:52So, Colonel, do you have a gun?
01:47:54It's a fallout gun.
01:47:55That's why it's so loud.
01:47:56That's why you don't see anyone's problems,
01:47:58neither resignation nor responsibilities.
01:48:00You're a dishonest officer with all these qualities.
01:48:02Yes, I am, but I'm losing my mind talking to you.
01:48:04So, tell me clearly.
01:48:05What do you want?
01:48:07Play the audio.
01:48:08He didn't save anyone's life,
01:48:09but he took it without mercy.
01:48:10It would be better for you
01:48:11if he dies as soon as possible.
01:48:12That would be good for us,
01:48:13and I'll attack him in the name of his death.
01:48:15I'll kick his ass.
01:48:16I'll kick his ass.
01:48:17And that's why I want everyone to think he's a murderer,
01:48:19and nothing else.
01:48:20What do you want?
01:48:21A war I don't want at all.
01:48:22You're talking nonsense.
01:48:23Colonel Tamayo,
01:48:24you've sent eight of your soldiers into the bank.
01:48:26I've got ten gold coins in there.
01:48:27Now this war is equal.
01:48:28I don't want any more enemies.
01:48:30Do you really think this recording can stop me?
01:48:32You've started a war
01:48:33that has no rules or principles.
01:48:35I'm showing you your future.
01:48:37Either you stop this war,
01:48:38or I'll tell the world
01:48:39that you gave false evidence against Alisa
01:48:41and transferred the ransom money to her account.
01:48:43After all this,
01:48:44I'll transfer ten million to your account,
01:48:46and believe me,
01:48:47the whole world will think you're a traitor.
01:48:50Yes, Mickey.
01:48:58Hold this.
01:49:03I didn't know you were so cowardly.
01:49:06You don't have the president's number,
01:49:08and you don't have the responsibility to answer to the government.
01:49:11Shut up, get out and eat your chocolate and leave me here.
01:49:19Rocio!
01:49:49I just wanted to be with him, but as soon as I left the monastery,
01:49:53I swear, I felt like everything was going to fall apart.
01:49:56Why did you feel that way?
01:50:00Because you were with another woman,
01:50:02with a child, like a happy family.
01:50:05And I felt so childish.
01:50:08Why childish?
01:50:09Because I've loved this man all my life.
01:50:10Don't make fun of me. This isn't the time for jokes.
01:50:12This isn't a joke, baby.
01:50:14This isn't a joke. We might die because the situation is getting worse.
01:50:16That's why I said everything, so that no one can take me to Malala after I die.
01:50:18No, listen to me, okay?
01:50:20No one's going to die here, okay?
01:50:21Aah!
01:50:24No!
01:50:25Come on, say it.
01:50:26No one's going to die.
01:50:27Very good. Okay.
01:50:28Aah!
01:50:32Tina, that's her name, right?
01:50:33Yes, you're right.
01:50:34You're right.
01:50:35Aah!
01:50:36Aah!
01:50:37No!
01:50:38Pull him out!
01:50:40Professor, we've got the H.E.D.P. out.
01:50:43Aditya, fire at my command.
01:50:45Yes, Professor.
01:50:46Tokyo, Manila, Denver. Get ready.
01:50:47Get ready.
01:50:48You stay with me, okay?
01:50:50Maddias, fire.
01:50:51Aah!
01:50:52Aah!
01:50:53Aah!
01:50:54Aah!
01:50:55Aah!
01:50:56Aah!
01:50:57Aah!
01:50:58Aah!
01:50:59Aah!
01:51:00Aah!
01:51:01Aah!
01:51:03Aah!
01:51:04Aah!
01:51:05Aah!
01:51:06Aah!
01:51:07Aah!
01:51:08Aah!
01:51:09Aah!
01:51:10Aah!
01:51:11Aah!
01:51:12Aah!
01:51:13Sir, he's heading towards H.E.D.P.
01:51:14Give me an order to shoot him.
01:51:15We can't give you such an order.
01:51:17Go for it.
01:51:18We can't do anything, sir.
01:51:20Give me an order to finish him off, quickly.
01:51:22There are hostages on the inside, too.
01:51:23I can't give you an order.
01:51:24Aah!
01:51:25Aah!
01:51:26Aah!
01:51:27Aah!
01:51:28Aah!
01:51:29Aah!
01:51:39Aah!
01:51:40Aah!
01:51:41Aah!
01:51:42Aah!
01:51:44Aah!
01:51:45Aah!
01:51:46They're coming this way.
01:51:47This is the time to attack.
01:51:48Tokyo.
01:51:49They're trapped in the bushes.
01:51:50Wait for my order.
01:51:52Tokyo.
01:51:53Tokyo.
01:51:54Tokyo.
01:51:55Tokyo.
01:51:56Tokyo.
01:51:57Tokyo.
01:51:58Tokyo.
01:51:59Tokyo.
01:52:00Tokyo.
01:52:01Tokyo.
01:52:02Tokyo.
01:52:03Tokyo.
01:52:04Tokyo.
01:52:05Tokyo.
01:52:06Tokyo.
01:52:07Tokyo.
01:52:08Tokyo.
01:52:09Tokyo.
01:52:10Tokyo.
01:52:11Tokyo.
01:52:12Tokyo.
01:52:13Tokyo.
01:52:14Tokyo.
01:52:15Tokyo.
01:52:16Tokyo.
01:52:17Tokyo.
01:52:18Tokyo.
01:52:19Tokyo.
01:52:21Go!
01:52:22Hurry!
01:52:23Finish him!
01:52:32Hurry!
01:52:50Shit.
01:53:01Shit, man.
01:53:02It's been an hour and they're already breaking their bonds?
01:53:04Why are they coming here?
01:53:04Are they here for a honeymoon or what?
01:53:06Teo, if he was here,
01:53:07what would you two do without them?
01:53:09You've got a lot of statues here.
01:53:11They're my friends.
01:53:12And my bodyguards.
01:53:13They protect Hillsing and me.
01:53:16Shit.
01:53:18This guy was supposed to stay inside this room.
01:53:19I don't know if I'll need these things after I die or not.
01:53:21I see.
01:53:26What do you think? What will happen?
01:53:28After you get shot in the head.
01:53:31Is there a world after you die?
01:53:33To be honest, no.
01:53:35Really?
01:53:36Not at all.
01:53:38Do you really think so?
01:53:40Is everything over after you die?
01:53:41No, not everything. I can't forget it.
01:53:47What do you want people to remember you as?
01:53:50I don't know. Maybe I want people to think...
01:53:53...that after I die, they'll remember me as...
01:53:55...someone who was always there for me.
01:53:57But someone who was really there for me.
01:53:59I don't know, like friends do.
01:54:01Like some people say, I have a lot of friends.
01:54:03So what?
01:54:04You don't have to have a lot of friends.
01:54:05It's important to have good friends.
01:54:07Don't you think that fat bear will miss me every Christmas?
01:54:14I still remember when you said...
01:54:16...I'll go.
01:54:18Where will I go?
01:54:20To save my boyfriend from death?
01:54:22Oh, you're crazy.
01:54:33Maybe something is left.
01:54:36Actually, I think...
01:54:39...we keep thinking about what we'll remember before we die.
01:54:43That's why whenever I feel restless, I recall those good memories.
01:54:47And I want to spend the rest of my life...
01:54:49...remembering those memories.
01:54:53That's called a perfect plan.
01:54:58What's that? Who's that?
01:55:00What do you think?
01:55:01Shut up, like you don't know anything.
01:55:01Keep going, keep going, Professor.
01:55:03My name is Dr. Robert.
01:55:09Who's in charge here?
01:55:10I'm Major Sagastha.
01:55:11Sagastha, you're done for.
01:55:13Drop your weapons right now.
01:55:15Why don't you come and take it yourself, you son of a bitch?
01:55:17Sagastha, what's going on?
01:55:18Send the other team. I've trapped them here.
01:55:19You've been imposed.
01:55:20They can come in from the main door.
01:55:22Sagastha, you'll have to back me up.
01:55:26We can't send the other team in.
01:55:28They've been a pain in the neck.
01:55:29Rony, and you sent us in?
01:55:31Over and out.
01:55:37What do you think, Arteche?
01:55:38We're surrounded from both sides.
01:55:39We'll have to clear one side.
01:55:43Sagastha, you have seven seconds.
01:55:44Randhir, can you activate the museum's safety lock?
01:55:46Yes, sir.
01:55:47There's a fingerprint reader in the room.
01:55:48You have seven seconds.
01:55:51Okay, on the count of four, wait for my order.
01:55:56Five seconds.
01:55:59Four.
01:56:02Three.
01:56:04Two.
01:56:05Okay, we'll put our weapons down.
01:56:07Put your hands behind your head.
01:56:08Lay down on the floor quietly.
01:56:09Okay.
01:56:12Everyone, put your weapons down.
01:56:15I think this is their trap.
01:56:16Okay.
01:56:17Open fire.
01:56:20Hide.
01:56:30No!
01:56:32Sagastha.
01:56:39Oh, God. What's going on out there?
01:56:40Grenade. We have to get back to the museum.
01:56:42Keep an eye on the museum's group.
01:56:44Oh, God.
01:56:46What's going on?
01:56:47Keep moving forward.
01:56:50It's hard. I can't see anything.
01:56:52Oh, God.
01:56:57Will you run?
01:56:59Or will you fight?
01:57:01Will you work hard?
01:57:04They're in the museum's safety lock.
01:57:05How is that possible?
01:57:07There's nothing like that in the map.
01:57:08We'll have to get back to the museum's group.
01:57:10We're surrounded from both sides.
01:57:12Will you work hard?
01:57:14Hurry up.
01:57:16Come on.
01:57:25Hide behind me.
01:57:27Will you run?
01:57:29Or will you fight?
01:57:37Will you run?
01:57:39Or will you fight?
01:57:44Will you run?
01:57:46Or will you fight?
01:57:52Will you run?
01:57:54Or will you fight?
01:57:56Tokyo.
01:57:58A little bird told me
01:58:00that Nairobi hell is waiting for you.
01:58:02Will you run?
01:58:05Or will you fight?