• 5 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:06Two in Los Angeles.
00:13The other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that.
00:25And now they work for me.
00:27My name is Charlie.
01:30And I'm going to take care of them.
02:00And I'm going to take care of them.
02:30Let go of her!
03:00How long ago did this kidnapping take place, Miss Johnson, isn't it?
03:15Oh, yeah, Helga Johnson.
03:17They took Sylvia about, oh, an hour ago.
03:21And you didn't get a look at the vehicle at all?
03:24Oh, it might have been some sort of panel truck.
03:27Or maybe one of those recreational vehicles.
03:31What color was it?
03:32Brown.
03:33No, no, maybe it was green.
03:35You know, I couldn't tell it was behind the trees.
03:37Well, could you tell what kind of masks they were wearing?
03:40Halloween masks.
03:41Miss Johnson, have you reported all of this to the police?
03:45Oh, yeah, I went directly to the Waverly Park Station.
03:48And then I ran here.
03:50I can't hire you to help the police, yeah?
03:53Yes, of course.
03:54Uh, wait a minute.
03:55Did you say you ran here from Waverly Park?
03:58Oh, yeah, I run everywhere.
04:00Waverly Park is what, four miles or something from here?
04:06You know, I am very worried about Sylvia.
04:09I mean, she is my partner.
04:11She is also my friend.
04:14What is Horizon's End?
04:16Oh, that's my health spa.
04:20Watch.
04:22The Sartorius Maximus are just a teeny bit flabby.
04:26If you come to Horizon's End, I could help you.
04:30Well, where is it?
04:32In Venice.
04:33Well, listen, maybe I'll drive down there one weekend.
04:36Drive?
04:37No, no, no, the body is dying from driving.
04:40No, no, you must run to Horizon's End.
04:43Wait a minute, wait a minute.
04:44Venice, California?
04:46South of Santa Monica.
04:47Oh, well, I'll think about it.
04:49Look, I've got an idea.
04:50Why don't we all go down to Waverly Park?
04:52You can show us where you were when they took Sylvia
04:54and maybe we can get a line on what's happening, huh?
04:57Good idea, Sabrina.
04:58Keep in touch now.
05:00Oh, we will.
05:01I'll get the car.
05:03Oh, I suppose, since time is so important,
05:06must we use the auto?
05:08Yes, I fear we must.
05:10Besides, I am not too concerned about the condition of my Sartorius.
05:15This is where they took Sylvia.
05:18Oh.
05:21What's that over there?
05:23Oh, the race.
05:24It starts at 11 o'clock.
05:27What race?
05:28Oh, yeah, Mr. Twilliger's marathon.
05:31What's Twilliger's 20?
05:33Mr. Twilliger is paying 20 girls $1,000 each
05:36if they will compete in a 15-mile run.
05:38$1,000 a piece?
05:40Provided they finish the race.
05:42And the winner gets $5,000.
05:44But, of course, we must all wear Mr. Twilliger's clothes.
05:47Uh, Twilliger manufactures women's sports clothes, doesn't he?
05:50Twilliger's togs.
05:52Well, you were obviously planning to compete in the race with Sylvia.
05:55Of course. V signed up weeks ago.
05:58You know, hundreds of girls wanted to run.
06:00Mr. Twilliger was very selective.
06:03Are we looking at some sort of motive for Sylvia's kidnapping?
06:07You mean the $1,000 she'd have gotten if she'd finished?
06:10Yeah, plus the $5,000 if she won.
06:12Well, that's a pretty big if,
06:14$5,000 for $6,000 is pretty much of a reach.
06:17Yeah, that's true, but we gotta start someplace.
06:19Maybe we ought to talk to Twilliger.
06:21Wouldn't hurt.
06:23Oh, excuse, I must go and sign up.
06:33Right. Right.
06:35Thank you.
06:37All right.
06:39Well, we're gonna get started as soon as we can.
06:45Thank you.
06:51You get all the coverage you can.
06:53Sure.
07:15Excuse me. Excuse me. Excuse me.
07:20Well, well, girls, you're all looking real good.
07:23Real good.
07:25Let me have a look at you.
07:27Come over here, girls. Come over here.
07:30What are you gonna use?
07:32I've got the gun right here.
07:34I gotta catch him with it.
07:36Yeah.
07:38Now, look, we...
07:44Secretive type.
07:48Okay, remember, we're risking a lot here today.
07:51Y'all love Ernie?
07:53We're fond of you, Ernie.
07:55Okay, you know me, never pushy.
07:57If this works, we'll love you, Ernie.
07:59Let's not negotiate. I'll settle for fond.
08:08Here we are.
08:14All right, all right, I can handle it.
08:16Now, will you just do your part?
08:20I've gotta go now.
08:22Uh, Mr. Trullinger?
08:24Yes?
08:25We wondered if you might answer a couple of questions.
08:27Oh, you nice people from the media?
08:29No, not exactly.
08:31We're private investigators.
08:33Oh, well, I'm sorry, but I am rather busy.
08:35This'll just take a moment, Mr. Trullinger.
08:37Well, be quick about it, then, will you?
08:39Because I gotta get this whole thing started in about a few minutes.
08:41Yes, sir.
08:43Is it fair that one of the girls in your Trullinger's 20 has been kidnapped?
08:46What is this, some kind of a gag?
08:48Oh, no, sir, it's no gag.
08:50Her name was Sylvia Lavin, and two men wearing Halloween masks took her.
08:54Come on, give me that.
08:56She hasn't signed in yet.
08:58No, sir. Well, do you know any reason that she might have been kidnapped?
09:01What would I know about her? I don't even know the girl.
09:03We're not accusing you of anything, Mr. Trullinger.
09:06We just thought that you might be able to give us some information.
09:08Yeah, well, I can give you some information.
09:10I put $25,000 into this stunt, and I'm not looking for no trouble.
09:13Uh, excuse me, we're not trying to cause you any trouble.
09:16Yeah? Well, that ain't the way it feels.
09:18Mr. Trullinger, have there been any other incidents?
09:21I mean, have any of these girls been bothered or threatened?
09:24Or have any others failed to sign in besides Sylvia Lavin?
09:27Give me that.
09:29Yes, Sally Cole hasn't signed in.
09:31But that's no big thing. You know, we don't start for another 40 minutes.
09:35Now, I'm about to be interviewed, and you're all about to disappear, okay?
09:39Don't rain on my parade.
09:47Yes, I'm Mr. Trullinger. I believe you're looking for me.
09:50Yes. Did you notice?
09:53The more we question him, the less civilized he became.
09:56Yeah, I get the feeling that Mr. Trullinger grew up on a real rough street somewhere.
10:00I think I'd better have Charlie put Mr. Trullinger's name through the computer.
10:03It might come up with some angle.
10:05That's a good idea.
10:09Oh, God!
10:39Oh, Jesus.
11:10Miss Cole? Miss Sally Cole?
11:13What do you want?
11:15In the van.
11:17Please, this is a robbery. I have no money.
11:20Listen, I...
11:22Hey!
11:24Hey!
11:54Oh, my God!
12:24Oh, my God!
12:54Oh, my God!
13:18Oh, daughter of mine, Allah forgive me,
13:21what is this... this confusion?
13:23Most noble father, I have told you this is part of being an American.
13:26Running in the streets, half-dressed.
13:28Oh, noble father, I want to be a part of America.
13:31I want to learn of its people and its customs.
13:33But how can I be a benevolent and protective father
13:36if you're not at my side always?
13:38Oh, father of mine, I cannot be at your side always.
13:41Please do not question my motives.
13:43After all, I did not question you when you bought Rodeo Drive in Beverly Hills.
13:47Did I buy Rodeo Drive?
13:50Did I buy...
13:52Son of a camel, how would you know?
13:54Oh, come, father, I must dress. Come.
13:59Watch her every moment.
14:07It seems to me, Mr. Twilliger,
14:09you're not even remotely interested in promoting health through sports.
14:12What?
14:14I mean, isn't this just a stunt so that you can get some publicity for your company?
14:17Well, that's not true.
14:19I noticed you've routed your marathon right through a movie studio,
14:23hoping to get some free publicity, huh?
14:25Listen, I'm putting a lot of bucks into this, right?
14:28And that gives you the right to exploit these young women?
14:31Exploit these young women?
14:33Why, uh, nobody's twisting their arm, right?
14:35Wrong.
14:37You're twisting their arms, Mr. Twilliger.
14:39Their financial arms.
14:41The lady's a diver.
14:43Mm-hmm. With very big teeth.
14:46You are badly misinformed.
14:48Now, let me tell you. There.
14:50You see that girl over there with her father?
14:52The, uh, dark man wearing the tent? Do you know who that is?
14:54That's Haseer Haseer.
14:56He owns half the oil in Arabia, and that's his daughter.
14:59Between them, they've got more bucks than I could lift in a lifetime.
15:02And do you know why she wants to be a Twilliger's 20th?
15:05I can't imagine.
15:07She wants to be an American.
15:09A real grassroots, involved American.
15:13But he wants her to marry the other half of Arabia's oil.
15:16But she figures that somebody's gonna notice her
15:18if she's a Twilliger's 20.
15:20And she figures that being a Twilliger's 20
15:22is being an American.
15:26That's all I have to say to you.
15:28Here comes Boss.
15:32Hi, Bosley. Hi.
15:34Did Charlie's computer come up with anything on Twilliger?
15:36Yeah, very interesting.
15:38Twilliger is tangled with the Better Business Bureau in several cities.
15:40Any arrests?
15:42One. No conviction.
15:44That's not exactly a heavy piece of information.
15:46I think whatever's going on has something to do with this race.
15:48Or Twilliger's 20.
15:50Quite possible.
15:52I don't know. Maybe a couple of us should give it a run for its money, so to speak.
15:54You mean become one of Twilliger's 20?
15:56Well, like I said,
15:58I really think it has something to do with the race.
16:00And the best way to get a look at it
16:02is to get in the race.
16:04I think she's got a point.
16:06I agree. Okay.
16:08Why don't you two take Sylvia's place and the girl who hasn't signed in yet.
16:10What's her name? Cole? Yeah.
16:12Hold it, hold it. How come all of a sudden we're the ones running?
16:14Well, you thought of it and you agreed.
16:16Is that reasonable? Perfectly.
16:20Terrific.
16:22Reasonable?
16:24Reasonable.
16:26Mr. Twilliger?
16:28Oh, I thought we said goodbye earlier.
16:30Oh, well, we decided to stick around
16:32and help you with your problem.
16:34Oh, well, my problem is that you're sticking around.
16:36No, see, we want to replace the two girls that didn't show up.
16:38Sylvia Lavin and Sally Cole.
16:40I'm sorry, but you're late.
16:42They've already been replaced.
16:44Now, you wouldn't kid a girl, would you, Mr. Twilliger?
16:46Now, would I kid you? Now, look here.
16:48Right here, here. Sylvia Lavin, Sally Cole.
16:50Replaced by the Crafts, this is Joanne and Mary.
16:52Uh, that's them right over there.
16:58Where did they come from so suddenly?
17:00I don't know, and I don't care.
17:02They've got legs and they can run.
17:04And you two I'm a little tired of talking to.
17:06Goodbye again.
17:10Goodbye.
17:20You think we could persuade the Crafts sisters
17:22to let us run in their place?
17:24I thought exactly.
17:26Let's go.
17:40Hi.
17:42Hi.
17:44Guess what?
17:46What?
17:48My friend and I are in a position to do you guys a big favor.
17:50Such as?
17:52Well, we'd like to run for you.
17:54You earn about a thousand others.
17:56No, we don't want the money.
17:58You each can have our thousand.
18:00Oh, yeah?
18:02Why would you do that?
18:04Well, we have our reasons.
18:06I'd like to hear them.
18:08Well, let's just say we'd like to run.
18:10Right.
18:12Let's just say I don't believe you.
18:14What kind of a scam are you trying to pull anyway?
18:16Well, no scam.
18:18Look, we'll put it in writing if you like.
18:20We work up the sweat and you pick up the two thousand.
18:22Yeah, well, what about the five thousand?
18:24Oh, you mean the first place money.
18:26Right.
18:28We figure at least one of us can win.
18:30Well, possibly.
18:32But then again, you might lose.
18:34Maybe not even finish.
18:36And just personally speaking,
18:38I really don't think your Sartorius Maximus
18:40can go the distance.
18:42Personally, I think you two should take a hike.
18:46I think she means no deal.
18:48Their loss?
18:52What was that all about?
18:56Just a couple of flakes.
18:58Real stubborn types?
19:00Mm-hmm.
19:02Chris,
19:04I wonder how we could get
19:06some of Twillige's dogs.
19:08Maybe the little mouse
19:10could help us.
19:12What mouse?
19:14The one under her table.
19:16Oh, that mouse.
19:22Look at that.
19:24Wow!
19:26What kind of mouse is that?
19:28Where?
19:30Right over there.
19:32Well, I don't see it.
19:34Where is it?
19:36It might not even be a mouse.
19:38It has spots.
19:40Right behind the tree.
19:42Right over there.
19:46Before I leave you, friends,
19:48let me give you this thought.
19:50He who exploits his fellow man
19:52or fellow woman exploits all of us
19:54and must pay the penalty.
19:56I'm Millicent Crail for KBEX.
19:58Cheery type.
20:00Well, she's got a point,
20:02but I do get the feeling
20:04she would love to see something go wrong
20:06with this little affair.
20:08Something already has gone wrong.
20:10Miss Sylvia Lavin and Sally Cole,
20:12they're missing.
20:14Millicent could really make news
20:16out of that if she knew.
20:18Maybe she already knows.
20:20I don't think so.
20:22I think she'd have said something.
20:24These days, newscasters have to be dramatists.
20:26You think she set up for a zinger?
20:28Yeah, it's quite possible.
20:30I mean, stations will do anything today to get a rating.
20:32You know, I think that this Millicent
20:34and our Mr. Twilliger both need a closer look.
20:40Hey, the happy runners.
20:42You two opening a boutique?
20:44No, we had to grab quick while Twilliger's lady
20:46was looking for a spotted mouse.
20:48You think you ought to ask her what she's talking about?
20:50No, let's not.
20:52Look, did you persuade the Craft sisters
20:54to let you drive the car?
20:56No, I didn't.
20:58I don't think they're very attractive.
21:00Stubborn, too.
21:02Too stubborn.
21:04You ought to run a computer check on them, Bosley.
21:06You mean their being here was coincidentally fortuitous?
21:08I love the way you use words, Bosley.
21:10What do you think?
21:12Very chic.
21:14Yeah, what about mine?
21:16You'll jog your way into the hearts of millions.
21:18Okay, look, you'll change clothes in the car,
21:20and then we'll sneak into the race
21:22You ready? Here we go.
21:49Sweet George.
21:51Sweet George.
21:57Hurry, hurry, let's get started.
21:59I'll meet you in bed.
22:01Oh, yeah, fine.
22:03All right, ladies, time to get started.
22:05Please step over here and get your numbers.
22:07Number one.
22:09All right, ladies.
22:11Now, you're going to leave at five-second intervals.
22:13The timing device is over there between the flags.
22:15The winner, of course,
22:17will be determined by the total elapsed time.
22:19Now, we're providing you with little, uh,
22:21waste, uh, packets here
22:23for you to carry dextrose or water
22:25or salt pills or, uh, whatever.
22:27All right?
22:29All right, get your numbers.
22:31Number two, please.
22:33All right, number three, get ready.
22:35Here I am.
22:37Good, good. Number four.
22:39Right here.
22:41I'll do that.
22:43Okay?
22:45If we pull this off, we're on easy street.
22:47We will, Harry.
22:49We will, Harry.
23:17All right, ladies.
23:19Here we go.
23:21Five, four,
23:23three, two, one.
23:25Go!
23:27Five, four,
23:29three, two, one.
23:31Go!
23:33Five, four...
23:35Five, four,
23:37three, two, one.
23:39Go!
23:41Five, four...
24:05Five, four...
24:29Four, three,
24:31two, one.
24:33Five, four,
24:35three, two, one.
24:37Go!
25:03Four, three,
25:05two, one.
25:07Go!
25:33Go!
25:53You think the gate guard's gonna buy this,
25:5520-A and 20-B?
25:57Well, if he says anything, tell him you're part of an entry.
25:59You know, like in a horse race.
26:01Well, he doesn't know from entries.
26:03Then what do we do?
26:05You're in running clothes, out running.
26:07According to this map, you exit the studio
26:09via the Peacock Gate there, see?
26:11I'll meet you there.
26:13Bosley, now you're gonna check with Charlie,
26:15see if his computer came up with anything on the Kraft sisters.
26:17I mean, it just doesn't make sense that they'd pop up like that.
26:19He said that he'd call me the moment he got anything on them.
26:21Also, if he gets anything on Miss Crail,
26:23our lady newscaster.
26:25Okay.
26:27Whoa!
26:29Is that the Grim Reaper or a man in a shawl?
26:31Or a very ugly lady in a shawl.
26:33Well, if you gotta be run down,
26:35better buy a limo, huh?
26:37Be careful, all right?
26:39Okay.
26:41All right, bye-bye.
26:43All righty, see you later.
26:45See you later.
26:59Okay, you ready?
27:01What is it?
27:03The green van. What about it?
27:05Well, Helga said that the two masked men
27:07were in some sort of, uh, panel truck
27:09or recreational vehicle.
27:11Do you think she meant a van?
27:13She said it was brown or green.
27:15There are hundreds of them on the street.
27:17But there are two men in it,
27:19just like the kidnappers.
27:21And this kind of moving zoo attracts all kinds of guys.
27:23But I'll tell you what,
27:25we'll keep our eye on it, okay?
27:27Okay.
27:57Okay.
28:27Hiya.
28:29Have a pass.
28:57It'll take them about ten minutes
28:59to run through the studio.
29:03Look at that.
29:05They're letting him drive straight through.
29:07It wasn't easy to tell us in an 80.
29:09Rank has its privileges.
29:11Hmm.
29:13Let's get it done with.
29:15Let's get it done with.
29:17Let's get it done with.
29:19Let's get it done with.
29:21Let's get it done with.
29:23Let's get it done with.
29:25Let's get it done with.
29:39What is it?
29:41The green van again.
29:43So?
29:45Well, the guy in the right seat, he had something over his face.
29:47Something on his face?
29:49Yes.
29:51You mean like a mask?
29:53I don't know.
29:55Was it a Halloween mask?
29:57I don't know.
29:59I just got to look for a split second.
30:01Oh, no.
30:03Don't worry, Chris.
30:05I got the license number.
30:07It was 9LO167.
30:09Okay.
30:11Okay.
30:13Now, listen, don't let the jogging
30:15jar that out of your mind.
30:17Hold on to that number.
30:19All righty.
30:23All righty.
30:53All right.
31:23Hi.
31:25Any news about Sylvia?
31:27Not yet, but we're working on it, Helga.
31:29I knew you were so choice.
31:31Maximus seems to be firming up already.
31:33I'll tell you something.
31:35I really heard.
31:37Oh, but you're sculpturing your bodies with paint.
31:39You will be proud.
31:41Proud.
31:47Yeah.
31:49Yeah.
31:51Yeah.
31:53Yeah.
31:55Okay.
32:15Uh-oh.
32:17Here they come.
32:21Ready?
32:23Millicent Crail,
32:25still following the progress
32:27of Twilliger's 20.
32:29As you can see,
32:31the pace has taken its toll.
32:33Let's talk to some of them
32:35and, well, just see if, uh,
32:37any of the anguish in their labors
32:39on Mr. Twilliger's behalf
32:41has dampened any of their enthusiasm.
32:43Pardon me. Can I have just a minute, please?
32:45What are your names,
32:47and why are you in this race?
32:49Well, I'm June,
32:51and this is Jan, and this is Jane.
32:53Hi. Hi.
32:55We're represented by Ernie Flack.
32:57He's the best agent in Hollywood.
33:05I got the gun right here
33:07The gun's my heart
33:09I'm gonna shoot you with my heart
33:11I got the gun right here
33:13The gun's my heart
33:15And our hearts will never part
33:17Do-ah, do-ah
33:19Do-ah, do-ah
33:21Do-ah, do-ah
33:23Do-ah, do-ah
33:25Do-ah, do-ah
33:27Do-ah, do-ah
33:29I got the gun right here
33:31The gun's my heart
33:33I'm gonna shoot you with my heart
33:35I got the gun right here
33:37The gun's my heart
33:39And our hearts will never part
33:41Do-ah, do-ah
33:43Do-ah, do-ah
33:45Do-ah, do-ah
33:47Do-ah, do-ah
33:49The audition's over.
33:55Well, it seems Mr. Twilliger
33:57isn't the only opportunist out here today.
33:59Sort of a running gong show.
34:01Excuse me. Hi.
34:03I'd like you to meet George.
34:05You're probably wondering why we're here.
34:07Well, George and I represent the Snake Pit Restaurant
34:09on the corner of Pico and Mason,
34:11and guess what our specialty is.
34:13You guessed it. Filet of crotalis,
34:15which is a breaded filet of snake.
34:17Our prices are reasonable, and...
34:19Oh, cut. Cut.
34:21Oh, God.
34:23And I wanted to be a newscaster.
34:25Don't you think you'd better hit the road?
34:27Thank you.
34:43Yeah, Charlie, we expect him any minute.
34:45All right.
34:47Charlie.
35:13Hey, here they come.
35:43You do not look well.
35:45Oh, I'm sculpting my body with pain.
35:47Did you hear from Charlie?
35:49Yep. Uh, there's nothing on Millicent.
35:51She seems straight.
35:53Nothing new on Twilliger,
35:55but the Craftsisters.
35:57What about them?
35:59Well, it seems that they were in the Navy,
36:01and they spent a little time in the old brig.
36:03Oh, I see.
36:05Well, I'm sure they'll be back soon.
36:07I'm sure they'll be back soon.
36:09I'm sure they'll be back soon.
36:11They spent a little time in the old brig.
36:13For what?
36:15They worked in naval supply,
36:17and there was a little misappropriating
36:19and selling of Navy materials.
36:21They worked with two Chief Petty Officers,
36:23Tolan and Caster.
36:25Did you get descriptions of them?
36:27Sure did. Caster's tall, 6'4", dark hair,
36:29wears glasses, Tolan's tall, about 6'0", dark hair,
36:31both almost about 40.
36:33What's the matter? Why do you look like that?
36:35I'll tell you why.
36:37We just saw two guys fitting those descriptions,
36:39or a panel truck, as Helga would say,
36:41and Kelly thought she saw them putting on a mask.
36:43Well, good. Did you get a good look at their faces?
36:45No, no, no, but she got the license number.
36:47Well, that'll help facilitate a fast check.
36:49Now, what was it?
36:51Okay, uh, do you remember?
36:53Yeah, I remember.
36:59What's she doing?
37:01She's jogging her memory.
37:03Oh.
37:059-L-O.
37:07O.
37:097.
37:119-L-O-1-6-7.
37:13That's it, that's it.
37:15Hey, here come the Craft Sisters.
37:17Now, the one in front from the description we got
37:19must be Mary, and the one in the rear
37:21must be Joanne.
37:23The same girl still in between them.
37:25You'd think they would have spread out by now.
37:27Who is the girl in the middle?
37:29I don't know. Foreign, obviously.
37:31And that limousine has been tagging them
37:33ever since this whole thing started.
37:35Okay, well, we'll hang close to you.
37:37Aw.
37:39Happy running. Thanks. Bye, girls.
38:05Shit.
38:35Shit.
39:01Think it's about time we dispose of our passengers?
39:03Yeah.
39:33Shit.
39:59End of the line, ladies.
40:03Hurry!
40:33Come on.
40:41You ladies look scared.
40:43Are you scared?
40:45Well, we'll make a little deal with it.
40:47You can come out of this without any bruises
40:49if you do what we say, understand?
40:51Now, we just want you to stay here.
40:53Just stay put for about an hour or so.
40:55Then you can yell your heads off.
40:57Somebody passing by will hear you.
40:59But you've got to wait an hour.
41:01If you start yelling before that, we'll be back.
41:03All right, nice talking to you, ladies.
41:05Go.
41:31Shit.
42:01Shit.
42:31Shit.
42:53They'll be out of sight for a while.
42:55Well, we can pick them up
42:57at the other side of the maintenance yard.
43:01Hello?
43:03Sabrina, the license number of the green van,
43:059-L-0-1-6-7?
43:07Yeah, you got something?
43:09Yes, Kelly's instincts paid off.
43:11That's the number of a green van
43:13registered to George Tolan.
43:15You mean like in Tolan and Caster?
43:17No doubt.
43:19I suggest while Chris and Kelly
43:21are watching the Kraft sisters,
43:23you and Bosley look for that van.
43:25It's probably the key to our two missing girls.
43:27All right, we'll do it, Charlie.
43:29Stay with it.
43:57Hey!
44:27Now what's wrong?
44:29The Kraft sisters.
44:31They're stopping the Arabian girl.
44:33I don't like that.
44:35I don't either. Come on.
44:37Pull over!
44:43Pull over!
44:45Help!
44:47No!
44:49No!
44:51Pull over!
44:57Pull over!
45:09Okay, just hold them right there!
45:27Pull over!
45:47Hold it!
45:49Out! I said out!
45:51All right, move over here.
45:53I want to see you.
45:55All right, we're looking for a Sylvia Levin
45:57and a Sally Cole.
45:59If you know where they are, I think you better tell us.
46:01Okay, okay, I'll take you to them.
46:19In other words, angels,
46:21it was all a simple case
46:23of kidnapping for ransom.
46:25Not so simple, Charlie.
46:27The Arabian girl's father's always been extremely protective.
46:29Casper and Toland decided
46:31the only chance they'd have to make their move
46:33was during the race,
46:35when she'd be out of her father's sight for a few minutes.
46:37Unfortunately, by the time
46:39they'd figured that out, it was too late
46:41for the Kraft sisters to get entered in the race.
46:43So they had to detain Sylvia Levin
46:45and Sally Cole
46:47and put the Kraft sisters in their place.
46:49Strategically placed.
46:51We want one behind so as to separate her
46:53from the other runners.
46:55We found Sylvia and Sally where Casper and Toland left them.
46:57Scared, but no harm done.
46:59Bosley?
47:01Yes, Charlie.
47:03Where are you going?
47:05What?
47:07Well, you haven't said a word,
47:09and you keep drumming your pencil on the desk.
47:11Are we keeping you?
47:13Well, actually, I do have another engagement.
47:15Oh?
47:17I don't suppose you'd care to tell us about it.
47:19Oh, I don't mind if I do.
47:21I've got a date to go jogging with our client.
47:23Helga?
47:25Most charming lady.
47:27But, Bosley,
47:29she's hardly your type.
47:31I mean, you hate walking to the car,
47:33and, well, Helga, after she won the race,
47:35she ran all the way back to Venice.
47:37Well, I know, but she told me
47:39that if I would improve my sartorius maximus,
47:41she would make it worth my while.
47:43What's she gonna do
47:45to make it worth your while, Bosley?
47:47Oh, she wouldn't say.
47:49Uh-huh.
47:51I have a feeling she's going to sculpt your body in pain.
47:53Those were her exact words.
47:55Frankly, I'm fascinated.
47:57Oh, good luck, Bosley.
47:59Be careful.
48:01Whoa.
48:03Bye, Bos.
48:05Well, if you'll excuse the cliché, angels,
48:07I've got to run.
48:09Oh, Charlie.
48:17Oh, Charlie.
48:19Oh, Charlie.
48:47Oh, Charlie.