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Short filmTranscript
00:00Once upon a time, there were three little girls who went to the police academy, two in Los Angeles,
00:13the other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:27My name is Charlie.
00:30My name is Charlie.
00:32My name is Charlie.
00:34My name is Charlie.
00:36My name is Charlie.
00:38My name is Charlie.
00:40My name is Charlie.
00:42My name is Charlie.
00:44My name is Charlie.
00:46My name is Charlie.
00:48My name is Charlie.
00:50My name is Charlie.
00:52My name is Charlie.
00:54My name is Charlie.
00:56My name is Charlie.
00:58My name is Charlie.
01:01My name is Charlie.
01:03My name is Charlie.
01:05My name is Charlie.
01:07My name is Charlie.
01:30All passengers for flight 419 to Chicago will now board at gate 43.
01:52Will Mr. Rowan please call the flight deck.
02:00All passengers for flight 709 may now board at gate 60.
02:19Use the left ramp for meeting all incoming flights.
02:30Use the right ramp for meeting all incoming flights.
03:00Good day. This is the Townsend Agency.
03:13Since we do not toil on Sundays, this machine will record any messages you might wish to leave.
03:19Wait till the sound of the tone and then leave your name, time of day, and any message.
03:24Either I or one of my associates will get back to you as soon as possible.
03:28Charlie, this is Tom Norton.
03:32It's 1045. I'm in a hurry and I can only say this once.
03:37So listen good.
03:39There's an acquaintance of mine I owe a favor to.
03:42He asked me to find him a guy here in town to muscle someone a little.
03:46I did what he asked.
03:48Trouble is, it turns out my acquaintance didn't want just muscle.
03:53He wanted a killing.
03:54And I found out it's apparently a girl who works for you, Charlie.
03:58And I told him I didn't want any part of any killing.
04:04At least, leastwise if it concerns you, Charlie, I owe you, Charlie.
04:10And that's the reason I don't...
04:13No. No, please, no.
04:16Oh, God, please!
04:25I hope he wasn't too close a friend of yours, Mr. Goff.
04:31I'm very precise in my work.
04:34I don't like sudden decisions, but I had no choice.
04:38You understand?
04:40I understand.
04:42Be at the Fremont Hotel. Call me when she's dead.
04:46Remember, time.
04:49Trouble is, it turns out my acquaintance didn't want just muscle.
04:54He wanted a killing.
04:56And I found out it's apparently a girl who works for you, Charlie.
05:00And I told him I didn't want any part of any killing.
05:04At least, leastwise if it concerns you, Charlie.
05:07I'm sorry.
05:09I'm sorry.
05:11I'm sorry.
05:13I'm sorry.
05:15I'm sorry.
05:16I'm sorry, Charlie.
05:18And I told him...
05:20I didn't want any part of any killing.
05:24At least, leastwise if it concerns you, Charlie.
05:28I owe you, Charlie.
05:30And that's the reason I don't...
05:32No.
05:34No, please, no.
05:36Oh, God, please!
05:40Oh, boy.
05:42Well, I came in 15 minutes ago, I heard that, and I called you.
05:45Did you call Charlie?
05:47I tried, but I can't reach him, he's out sailing today.
05:50Norton, Tom Norton.
05:52Do you have any idea who that is, Bosley?
05:55No, I looked through the files and the name just doesn't show up.
05:58This is crazy.
06:00One of us is due to be killed, we don't know why, when, by whom.
06:04Where do we start? We've got nothing to go on.
06:07Wait a minute, now listen.
06:10I owe you, Charlie.
06:12And that's the reason I don't...
06:13No.
06:15No, please, no.
06:17Oh, God, please!
06:19I have a friend who works at the police lab,
06:21maybe he can tell us what kind of background noise that is.
06:24Well, that beat's sitting around here and waiting.
06:26Let's go.
06:43Come on.
07:13Charlie.
07:15This is Tom Norton.
07:17It's 10-45.
07:19I'm in a hurry, I can only stay...
07:21You say this was a local call?
07:23Well, that's what we figure.
07:25What do you think?
07:27Los Angeles airport.
07:29Wait a minute, how do you know that?
07:31Jet prop noise.
07:33Turbo jet.
07:35Turbo jet.
07:37Turbo jet.
07:39Turbo jet.
07:41Turbo jet.
07:43Sir, get us another turbo prop set,
07:45regular reciprocating engines,
07:47which would be inner city commuter-type aircraft.
07:50Since it's mixed in with heavy jet noise,
07:52it's got to be LAX.
07:54Probably outside,
07:56near the international terminals.
07:58Thanks, Eddie.
08:00I won't forget it Sunday.
08:02Neither will I.
08:04I probably won't, anyway.
08:10Now where?
08:11To look for what?
08:13Well, a phone booth Norton calls from.
08:15Even if we find it, what will it tell us?
08:17Maybe nothing.
08:19We've got to start somewhere.
08:41Okay, where do we start?
09:02Well, the phone booths inside the terminal are the new open compartment type.
09:06Yeah?
09:07But on the tape, there was a sound of a metal door opening and closing,
09:10which means a mysterious Mr. Norton was probably calling from an outside type booth.
09:15Which would explain the heavy noise level on the tape.
09:18Hey, there are phone booths in those parking lots over there, huh?
09:21Okay, let's go.
09:22Wait a minute, wait a minute.
09:24Why don't you let me do this?
09:26I mean, one of you is a target, and everything has been happening so darn fast,
09:30we haven't really stopped and thought about that.
09:32I mean, one of you could step out of this car right now, and that's it.
09:36So why don't you just let me carry the ball this time?
09:39Bos, you could do it alone, but it would take time.
09:42Maybe more time than we've got.
09:44What I'm trying to say is that I have grown rather attached to you three.
09:49Feelings mutual, Bosley, but it's still team play.
09:53Look, besides, I'm not one for hiding in corners while some freak is out there with a gun.
09:59You know one thing about professional head men, they don't like complications.
10:03They want one shot, neat and clean, then a fast exit.
10:06So from now on, we'll all walk close together, we'll shift positions, we'll never give them a clear shot.
10:12Right, like Chris said, it beats hiding in corners.
10:15Sure does.
10:16Bos, why don't you call Charlie, see if he's home yet, and don't worry about us.
10:19Okay.
10:36Oh, fuck.
11:07Done?
11:08Not yet, Mr. Gorman.
11:10Why'd you call me?
11:11It's getting a little complicated.
11:15What's she doing here?
11:17I don't know.
11:18And who are those two? They've been with her ever since I picked her up coming out of the Townsend office.
11:23Probably work with her.
11:28What are they doing?
11:30I'd say they're looking for Norton's body.
11:37He must have told them where he was calling from.
11:41If he told them that, he could have mentioned your name.
11:45It's getting messy.
11:47I think we'd better call it off, Mr. Gorman.
11:49I think we'd better not.
11:52Because it could be your right.
11:54Maybe Norton did mention our names, and if he did, we'd better know, and we'd better do something about it.
11:59I don't like it.
12:01Maybe you should do it yourself.
12:04Jellick, if I had the stomach for this, I wouldn't have hired you to kill her.
12:12Every hour that goes by, she's going to come closer to figuring it out.
12:17So you do it, and you do it quick.
12:22Some guys can hold their liquor, and some can't, huh?
12:25Yes.
12:26All right.
12:27See you later.
12:28So long.
12:29Yeah.
12:30Let's get this thing open.
12:31Take care.
12:32Bye.
12:33Bye.
12:34Bye.
12:35Bye.
12:36Bye.
12:37Bye.
12:38Bye.
12:39Bye.
12:40Bye.
12:41Bye.
12:42Bye.
12:43Bye.
12:44Bye.
12:45Bye.
12:46Bye.
12:47Bye.
12:48Bye.
12:49Bye.
12:50Be careful.
12:51Wait a minute.
12:52Here.
12:54Why I want you to go easy, easy, easy.
13:04He's dead.
13:05Seriously?
13:06Identification.
13:07I got a wallet.
13:12Norton, Thomas A.
13:14I'll call the police.
13:21Operator, I'd like to report a homicide.
13:23Would you please give me the police?
13:25It's an emergency.
13:26Well, it was a clean shot, close range, right through the heart.
13:30I found this.
13:32Right.
13:33We're the Townsend Agency.
13:35Yes, we'll stay here until the officers arrive.
13:38Thank you.
13:39Flight 717, Sovereign Airlines, 1035 from Chicago today.
13:44On the tape, Norton said it was 1045.
13:47He met someone on that flight.
13:49Ten minutes later, he was killed.
13:51Maybe it was a guy who asked him to find the hit man.
13:54Or maybe it was the hit man himself.
13:56Or both.
14:18Shh.
14:19Shh.
14:20Shh.
14:21Shh.
14:22Shh.
14:23Shh.
14:24Shh.
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14:55Shh.
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15:00Shh.
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15:23Shh.
15:24Shh.
15:25Shh.
15:26Shh.
15:27Shh.
15:28Shh.
15:29Shh.
15:30I'm sorry, Lieutenant King.
15:31That's probably enough.
15:32I'm so sorry.
15:33That's probably enough.
15:34I know, I know.
15:35I'm sorry.
15:36He, he, he, he can't understand.
15:37Hey.
15:38Hey.
15:39Whoo-hoo.
15:40Hey.
15:41You OK?
15:42I'm, I'm okay.
15:43Come on.
15:44he'll get back to us in a couple hours.
15:46Listen, maybe there'll be a name on that list
15:47that we can tie into Norton somehow.
15:50Maybe.
15:51If we can figure how Norton ties up with Charlie.
15:54Well, I left a message for Charlie
15:56to call us the minute he gets back from sailing.
15:59Listen, I've got a weekend house guest I left at home,
16:01and I think for her safety,
16:03I better check her into a hotel.
16:05I don't want her accidentally getting
16:06in front of a gun pointed at me.
16:09Well, we'll all pick her up.
16:10Yes.
16:11Let's go.
16:41Come on.
17:11Come on.
17:33Hello?
17:34Charlie.
17:36Charlie, there was a message on the answering
17:38machine this morning.
17:40A very urgent message.
17:42I guess it was from a man by the name of Tom Norton.
17:47Oh, you do know him.
17:48Well, that's terrific.
17:49Listen, could you help us all out?
17:51Would you please tell us who he is?
17:53I mean, rather, who he was.
17:56He's dead.
17:58You want me to go to a hotel?
17:59Just for a day or so.
18:01And you won't tell me why?
18:02Well, I can, but I'd rather not.
18:04You're angry with me.
18:05Are you mad at me or something?
18:07Of course not, Sam.
18:08Why do you want me to leave?
18:10Kelly, look, I'm not trying to be difficult.
18:12Really, I'm not.
18:13It's just that I'm a little sensitive these days.
18:16You know, since mom died, I've been really alone.
18:18I've looked forward to it.
18:20I'll get it.
18:21Kelly, you're my best friend.
18:23You always have been.
18:24And this is a very important time for me right now.
18:26And well, I want to share it with you.
18:29OK, Bosley, we'll be right out.
18:32Charlie called.
18:33Did he get a line on Norton for us?
18:35Yeah, he did.
18:36And I think maybe we ought to, you know, hurry.
18:41Yeah.
18:42Look, I'm not going anywhere till somebody
18:44tells me what's going on.
18:46OK, Sally, look, we'll tell you on the way to the hotel.
18:49Get your coat.
18:49OK.
19:13What'd Charlie tell you about Norton?
19:15Norton apparently was a small-time hustler.
19:18But he got mixed up with some heavyweights
19:19on a bank heist that went sour.
19:22He was accused of shooting a guard.
19:24But Charlie proved that he wasn't involved in the killing.
19:27And he got off on a lesser charge.
19:29Norton did time.
19:31But he was very grateful to Charlie.
19:33Which explains his phone call to Charlie.
19:35Would somebody please tell me what's going on?
19:38Bosley, this is Sally Miles.
19:39How do you do?
19:40You'll tell me.
19:41We'll tell you.
19:42Let's go now, Bosley.
20:18Let's go.
20:43So someone is trying to kill one of you,
20:45but you don't know who?
20:47That's the picture.
20:48Charlie suggested we check out Norton's house in the canyon.
20:52So why don't you help her settle in,
20:53and then we'll come back and pick you up.
20:55OK.
20:56Meanwhile, I'll call Lieutenant Kane
20:57and see if he got the passenger list for flight 717 yet.
21:01Yeah, and we'll be back in what?
21:03An hour and a half?
21:05All righty, see you later.
21:08Yes, I heard right.
21:09Miles, Sally Miles.
21:12They're going inside now.
21:15How would I know how much has been said?
21:19You want a what?
21:21Look, Gorman, I told you I don't like complications,
21:23sudden changes of plan.
21:25I'm a direct man.
21:26I like to deal with problems in a direct manner.
21:30All right, all right.
21:32We'll proceed your way.
21:34But for your own sake, it better work.
21:46Yeah, Charlie.
21:47We're at Norton's house now.
21:49Sabrina and Chris are checking it out.
21:55OK.
21:57That was Charlie.
21:58He's sending all the material he has
21:59on Norton over at the office.
22:01Did you find anything in Norton's house?
22:02Well, a lot of dust in this address and phone book.
22:05Maybe it'll give us something.
22:06Let's get back to Kelly, huh?
22:07Yeah.
22:46Hey.
22:47What is it?
22:49I have a feeling I saw that car earlier at the hotel.
22:52Take a look at that.
22:56You know what? Come to think of it,
22:58I think I saw him behind us before.
22:59Mm-hmm.
23:01You think he's tagging us?
23:02I don't know.
23:03You got a pencil?
23:04Yeah.
23:05Pen, anything?
23:06Pencil.
23:07Thank you.
23:10694 IJZ.
23:13Let's see if it's a Z.
23:15IJZ.
23:26Bob, will you look out?
23:28Oh!
23:29Oh!
23:42Oh!
23:43No!
23:56Oh my god!
23:58Oh my god!
24:04Oh my god.
24:06Oh.
24:08Everybody OK?
24:11Ozzie, are you OK?
24:13Boy, I whacked my head good.
24:16Well, I guess the killer made his move, huh?
24:19Yeah, but which one of us is he trying to kill?
24:22We still don't know.
24:28No.
24:40Well, we've made some progress.
24:42Since Kelly wasn't in the car with you,
24:44it looks like we've eliminated her as a target.
24:48Charlie, the license number we got off the car that
24:50tried to force us off the road, did you get anything on that?
24:53It was a rental car.
24:54The police found it abandoned half an hour ago.
24:57Well, I figured once he knew we got a look at it,
24:59he'd dump it.
25:00Chris, Sabrina, I could get you police protection.
25:04For how long, Charlie?
25:05Forever?
25:06No good.
25:06We got to play this one out.
25:08But I do think Chris and I should split up.
25:10Split up?
25:11Why?
25:12Well, until we know which one of us he's after,
25:15we're never going to know why.
25:17Perhaps Sabrina's right, Chris.
25:18If we can learn the reason someone wants one of you dead,
25:22then we have a fair chance of stopping it.
25:24OK.
25:26How do we handle it?
25:27Both of you go home.
25:28The moment either of you see or even feel something is wrong,
25:32call in.
25:33Now, Bosley, you stay there in the office
25:36to coordinate communications between all of us.
25:39Good idea, Charlie.
25:40Oh, by the way, I got the file on Norton
25:43that you sent over, his friends, accomplices,
25:46and material relative to his life in prison, et cetera.
25:50Also, I got the related material on Sovereign Airlines
25:54passenger list that Lieutenant Cain sent over.
25:57Plus the phone and address book we took from Norton's house.
26:02I'll see if I can tie any of those pieces
26:04together from here.
26:05All right.
26:06Now, remember, we'll all stay as close as the nearest phone.
26:09Chris or Sabrina's life may depend on it.
26:17Yeah.
26:24Yeah.
26:55No problem.
27:13I'm with the hotel.
27:14Registration desk, please.
27:18Hello.
27:19Listen, I dropped a couple of young ladies
27:21off to your hotel about, uh, 20 minutes ago.
27:24And one of them left her wallet in my cab.
27:26I tried to return the wallet, but I may
27:28have gotten to the wrong room.
27:30I can't be sure about that.
27:31Her name is Miles, Sally Miles.
27:36Room 411?
27:38Thank you.
27:40Is a room on either side of her unoccupied by any chance?
27:44Room 409 is unoccupied.
27:46Yeah, I may have gone to that room by mistake.
27:49Thank you.
27:50Thank you very much.
27:58Kelly, why are you still pacing?
28:01Chris and Sabrina told you, you're off the hook.
28:04I know, but one of them is still on the hook.
28:07You care a lot about them, don't you?
28:09Quite a lot.
28:10Oh, Kelly, I really picked a poor time
28:14to drop in on you, didn't I?
28:15Sally, I'm very happy to see you.
28:18And I'm glad things are getting better for you.
28:21I know how close you were to your mother.
28:23Oh, Kelly, it was terrible.
28:26Losing her was the coolest thing that's ever happened to me.
28:30And then all of a sudden, being faced
28:32with the responsibility of all that money and everything,
28:36it's just all been too much to handle.
28:38I know that.
28:40But you got to think of what's ahead of you, the good things.
28:42I'm trying.
28:43I know.
28:44Kelly, I can't wait for you to meet him.
28:46He's a stockbroker.
28:48He's intelligent.
28:49He's educated.
28:50He's cute.
28:53I'm looking forward to it.
28:54You are like the only family I have left.
28:56And I want you to be pleased.
28:58Sally, I will be.
29:00I guess I'm still that insecure little dingaling
29:03you befriended in summer camp all those years ago.
29:06I guess I'm still looking for your approval.
29:08You don't need it.
29:13You're your own person now.
29:15I've always admired you.
29:17I think I wanted to be just like you.
29:19You know, I told John that I was going to ask you to get
29:21me a job working with you.
29:24I don't think it's your kind of work, Sally.
29:28I know.
29:29I was just kidding him.
29:31Oh, Kelly, thanks.
29:32Thanks for being such a good friend.
29:34Sure.
30:47Put the window down.
30:50The window.
30:51Put the window down.
30:52Put it down.
30:55Hey, what?
30:56OK, put your hands on the wheel.
30:58On the wheel.
31:01Why are you following me?
31:02To yes, to revolver.
31:04What?
31:07What, don't you speak English?
31:08No, inglesko, no.
31:10No.
31:12OK, OK.
31:13What's your name?
31:14Oh, my name is John.
31:15What's your name?
31:17Stashu Woznoski.
31:19Stashu?
31:20Stashu Woznoski.
31:22Woznoski.
31:23Woznoski.
31:25Oh, the heck with it.
31:27OK, OK.
31:28What you got in the backseat?
31:29What is that?
31:40A grill.
31:40A pretty grill.
31:44Grill.
31:45Pretty grill.
31:47Oh.
31:49Oh, I'm, I'm really sorry.
31:52See, this, someone was trying to grill pretty.
31:55Oh, you're not going to hurt him.
31:56I, I'm, I'm, I'm, he's just, uh.
32:08Groupie American's got double chin.
32:15Ah.
32:18Ah.
32:19Ah.
32:20Ah.
32:21Ah.
32:43Ah.
32:47Ah.
32:48Ah.
32:51All right, now we know which of you is the target, but we don't know the why of it.
33:12Sabrina, think carefully.
33:14Is there anything new or different that's happened to you lately?
33:18Some new person you've met, some change in your lifestyle?
33:21Something that might be significant somehow?
33:24No, Charlie.
33:25I keep thinking about that tire.
33:26Now, the bullet missed me, but it hit the tire.
33:29So somebody shoots at you and accidentally hits the tire.
33:31I think he meant to hit the tire.
33:34You lost me.
33:35Well, it doesn't make sense.
33:36A professional hit man who hits a guy in a phone booth in a public place with no problem
33:40misses me at close range, but he hits the tire of my car, so I can't follow him.
33:47Hey, hey, now, this is interesting.
33:50What?
33:51Sovereign Airlines, flight 717 from Chicago to L.A.
33:55Now, besides the passenger manifest, Lieutenant Cain sent over a list of people who took out
34:01flight insurance, rented cars, et cetera, et cetera.
34:04Well, now, when you take out flight insurance, the passenger has to put his home telephone
34:09number on the policy.
34:11Now, here, John Gorman, home number in Chicago, area code 312, KL54761, and in the address
34:21book that we took from Norton's house, here is the same number, but this time it's listed
34:26under the name Wilson Flicker.
34:29Wilson Flicker?
34:30Does that ring a bell for anybody?
34:33Not me.
34:34Bosley?
34:35No, no bells, Charlie, but get this.
34:39Wilson Flicker, or John Gorman, or whatever you want to call him, was Tom Norton's cellmate
34:45in prison.
34:46Here's his picture.
34:48Now, that is interesting.
34:50Well, maybe Kelly would remember the name Flicker.
34:54Maybe you ought to give Kelly a call at the hotel.
34:56Yeah.
34:57Bye-bye, Charlie.
34:58I'll get the number.
35:07Hello?
35:08Hi, Sally.
35:09Sabrina.
35:10Is Kelly there?
35:11Uh, Sabrina, she's not here.
35:12She's not?
35:13No, I was kind of tired, so Kelly took a cab home.
35:17She said she'd call you as soon as she got there, though.
35:19How long ago did she leave?
35:20Oh, about 15 minutes.
35:21Okay.
35:22Thank you, Sally.
35:23Bye-bye.
35:25Not there.
35:26I'll try again in a few minutes.
35:51Five dollars, ma'am.
35:52Before you kill her, you've got to find out what she's learned.
36:02Go on, man. You've got to.
36:05What's been said has been discussed. Who can be identified?
36:10Millions of dollars are at stake.
36:13And if Norton mentioned our names before you killed him, even our lives may be at stake.
36:20Now, these are questions that have to be asked, Jellick.
36:24Then why don't you ask them?
36:31Because you may have to get rough with her. I'm... I'm not...
36:36I'm not good at that sort of thing.
36:58Miss Johnson. Miss Johnson.
37:01I beg your pardon?
37:02Miss Emily Johnson.
37:03Well, I'm sorry. You must have the wrong address.
37:07I have the right address, Miss Garrett. Step inside.
37:12Inside.
37:37What is it you want?
37:57All right. What cab company would most likely service the Pacifica Hotel?
38:01Well, there were some tower cabs out front while we were there.
38:05Do we have the number?
38:07I think I've got it right here.
38:19Your friend, Sally Miles.
38:22Did she give you anything before you left the hotel?
38:26Like what?
38:28A picture, a snapshot.
38:30Of who?
38:31A friend or someone close.
38:34Oh, no photos of friends or of anyone.
38:43Did she give you anything before you went to the hotel?
38:46Nothing.
39:15What is it you're looking for?
39:16Stay right there.
39:30Thank you. Appreciate your help.
39:32Cab dropped her off about five minutes ago.
39:34Why isn't she answering?
39:36Maybe she decided to drive over here.
39:38No, she told Sally she was going to call us when she got home.
39:42Well, she could have changed her mind.
39:43I don't know. I don't like it.
39:45Car forced us off the road, but none of us were hurt,
39:47and those bullets all missed me at my house.
39:49You're saying those are diversions, Bree?
39:51I'm saying I think we ought to get over to Kelly's fast.
40:10Hello?
40:40Your phone rings a lot.
40:54I have a lot of friends.
40:56Maybe too many friends.
41:04You and Sally Miles, what did you talk about?
41:09We're old friends. We talked about a lot of things.
41:13Who did you talk about mostly?
41:16Her fiancé, maybe?
41:19Her mother.
41:23It's really too bad.
41:25You're a very pretty girl.
41:29I don't ordinarily notice those things,
41:31but you're very pretty.
41:52Hey, Sabrina!
41:53What?
41:54You know that list from Lieutenant K
41:55with the names of people from the flight
41:56who had rental cars reserved?
41:58Yeah.
42:00The car over there was rented by Norton's friend,
42:02Mr. John Gorman,
42:03otherwise known as Wilson Flicker.
42:07Boss, he's gonna run!
42:26Let's get out of here.
42:29Hey, empty guns!
42:42Okay, friend, the next one's for real.
42:47Go for it.
42:49It's your choice.
42:52Let's go.
43:03Okay, what's happening here?
43:05Let's get out.
43:36John?
43:42What's going on?
43:46John, answer me!
43:52Sally, his name isn't John.
43:55It's Wilson Flicker.
44:01I helped send him to prison five years ago
44:04for embezzlement.
44:05Kelly, what are you saying?
44:07You wanted me to meet him?
44:09Well, that's the last thing he wanted.
44:12That's what all this has been about.
44:14John,
44:17tell me this is some kind of misunderstanding.
44:22Tell me something.
44:26Sally,
44:28do you have any investment deals pending
44:31with your stockbroker fiance?
44:36Well, we, uh,
44:39we discussed his handling
44:41some of the business deals I have pending.
44:48Five years ago,
44:49he was engaged to another young woman of means.
44:52That engagement cost her $2 million.
44:56Worthless stocks of some sort, as I remember.
45:00You remember too well.
45:02I know.
45:04It almost got me killed.
45:14Sorry.
45:30You all right?
45:31Yeah, I'm fine.
45:37Funny, huh?
45:39Years later,
45:40and it's still just like it was in summer camp.
45:43You're still taking care of me.
45:45So what are friends for?
45:47Oh, Kelly, you're so dear to me.
45:50Likewise.
45:52There's just one thing.
45:53What?
45:54Next time you think about getting engaged,
45:56let me check him out first.
46:00Deal.
46:01Okay.
46:02Well, Kelly,
46:22I assume your friend's wedding plans
46:24were quickly canceled.
46:26Very quickly, Charlie.
46:27It could have been much worse.
46:29Right, she could have married him.
46:32Listen, Charlie,
46:33since we did work on Sunday,
46:35I assume that we have a few days off
46:37to rest and rehabilitate?
46:39Well, Chris, I'd like to help you,
46:41but I'm afraid there's another case
46:43that needs our immediate attention.
46:45Ah, right you are, Charlie.
46:47And I have the material right here.
46:50The case concerns the disappearance
46:52of some rather valuable art pieces.
46:55And the insurance company has promised us
46:58a most generous stipend if we recover them.
47:01The way I figure it should come to...
47:05Bosley?
47:06Uh, yes, Charlie.
47:08You've stopped talking.
47:09What is it?
47:11Oh, uh, well, I, uh,
47:13think it's Sunday again, Charlie.
47:16I don't follow you, Bosley.
47:17Explain.
47:28© BF-WATCH TV 2021
47:58© BF-WATCH TV 2021