• 5 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:06Two in Los Angeles.
00:13The other in San Francisco.
00:16And they were each assigned very hazardous duties.
00:22But I took them away from all that.
00:25And now they work for me.
00:27My name is Charlie.
01:28Well, I think we're done here.
01:30Thank you.
01:32Thanks for everything.
01:34You're welcome.
01:36Bye-bye.
01:38Bye-bye.
01:40Bye-bye.
01:42Bye.
01:44Bye.
01:46Bye.
01:48Bye.
01:50Bye.
01:52Bye.
01:55Yes?
01:56Miss Hatter, this is Walt downstairs.
01:58I've got three young ladies down here.
02:00They say Mr. Rollins is expecting them.
02:03They say they're from a detective agency.
02:05So early? Mr. Rollins won't be in before ten.
02:10But he's expecting them, so you might as well send them up.
02:25Oh, you must be the ladies from the Townsend Associates.
02:29Yes. I'm Sabrina Duncan.
02:31This is Chris Monroe.
02:33Hi.
02:34This is Kelly Garrett.
02:35Hello.
02:36I'm Edna Hatter.
02:38Someone should have told you that Mr. Rollins doesn't come in before ten.
02:42And neither does anyone else in the office force.
02:45Oh, we often get more work done without a crowd.
02:47Yeah.
02:48I'm Edna Hatter.
02:51Oh, we often get more work done without a crowd.
02:53Yeah.
02:54I mean, like you, I imagine.
02:56That's true.
02:57And checking security is really more effective in private.
03:00I imagine it is.
03:02You know, your boss, Mr. Townsend, told Mr. Rollins
03:05that you three are the best security experts in the business.
03:09Well, Charlie does exaggerate now and then, but we do know our job.
03:15Now, if you could show us the safe.
03:17Oh, why, yes. It's right over here.
03:23Here it is.
03:25We purchased it just two years ago.
03:28Uh-huh. We're familiar with this model.
03:31Some of them do have flaws.
03:33Flaws?
03:35A safe is just like a new car, Miss Hatter.
03:38Most operate perfectly, but every now and then you get a lemon.
03:42Oh, dear.
03:43Just how much money do you usually keep in here?
03:46Oh, $20,000, $25,000.
03:49Would you open it, please, so we could examine the works?
03:52Of course, of course.
03:59Mr. Rollins and I are the only two who have the combination.
04:03Oh, that's a plus right there.
04:09Fine.
04:10Uh, Kelly, you and Chris examine it carefully, okay?
04:14Yeah.
04:16And you, Miss Hatter, would you show me where this door leads?
04:19Ah, why, that's Mr. Rollins' private bathroom.
04:23Ah, perfect way for a thief to enter if there's a window.
04:26Gracious, I wouldn't know. I've never been in there.
04:30Well, I certainly think we should examine it.
04:33Well, if you think so.
04:45Hello.
04:51Miss Duncan. Miss Duncan, why did you close the door?
04:56Security, Miss Hatter. Strict security.
04:59Hurry up, angels. It's fast approaching time. We flew away.
05:03Well, this is not at all necessary.
05:05Open the door.
05:08I demand you open the door.
05:15Well, Charlie said he would call at 10 o'clock sharp, and it's already half past. That's not like him.
05:20Nope, it's not like him to be late.
05:22I know it. When it comes to a work conference, you can set your clock by Charlie's call.
05:28Hi, I'm sorry I'm late.
05:29Hi.
05:30I had a flat tire. Honest, I had a flat tire.
05:34No, I believe it.
05:36I'm sorry I missed Charlie's call.
05:38We are still waiting for Charlie's call.
05:41What? He said he'd call at 10 o'clock. It's 10.30.
05:45Ah, there he is.
05:50Charlie?
05:51Bosley, I'm sitting here with Detective Sergeant Dirksen.
05:54Now, I want to speak to you privately before the angels get there. It's very important.
06:00That's why I called you a half hour early.
06:02What?
06:03Now, you're not to mention this to the girls when they get there.
06:06Just when do you expect them?
06:08Well, Charlie, I expect them at the time you said earlier.
06:12I understand.
06:13Now, Dirksen's men should be there soon, too.
06:17They have warrants for the angels on suspicion of robbery.
06:21Robbery?
06:22That's right.
06:23Someone called Jack Rollins, who owns the sports arena, and pretended to be me.
06:29Now, Rollins and I are old friends. He swore it was my voice.
06:33Whoever it was, he convinced Rollins he should have his security system checked by my operators.
06:39Then three girls showed up, said they were from our firm, and cleaned the safe of $25,000.
06:45Well, Charlie, they were impostors. We both know that.
06:48We do, but the police don't.
06:50Now, a woman named Edna Hatter, who works in the office, opened the safe for them.
06:55The police showed her a picture of the real angels, and she swears they were the ones.
06:59It's on the basis of that that the police plan to arrest the angels and hold them for questioning.
07:04Knowing those three, they'd go undercover to escape arrest and try to find out who was behind this.
07:12Oh, you're right, Charlie. They certainly would.
07:15But if anyone can keep them there, you can, Bosley.
07:18Charlie, believe me, I will keep them under lock and key if I have to.
07:24Good. The sergeant's letting me remain free since no one made a positive identification of me.
07:30But I did promise my cooperation.
07:33Charlie, you can count on my cooperation 100%.
07:43How could the police pick us up?
07:45I mean, they know us. They've worked with us.
07:47Well, they have an eyewitness who says we robbed her. What's her name, Hatter?
07:50Edna Hatter.
07:51Yeah.
07:52They can't convict us, Chris. We have alibis.
07:54Then why are we running?
07:56Well, Charlie obviously wants us to find our impersonators before they do us any more damage.
08:01You know how it is when stories hit the papers.
08:03People read that you're accused, and then they find it hard to forget when your name is cleared.
08:07Yeah, but we have to clear it up before it hits the papers.
08:10And we'll need a safe place to stay.
08:12Well, Bosley gave me the key to an apartment Charlie keeps downtown.
08:15There's an underground parking lot, and I think there's even a freight elevator we could use.
08:19Oh, that's charming.
08:20Yeah, very. It's the Rochester Club.
08:22The Rochester Club?
08:24Uh-huh.
08:25That's one of the last men's-only clubs left in the city.
08:28I hate those places.
08:29Oh, come on. They'll never think to look for us in the Rochester Club.
08:32They'd look for us in the Rams' dressing room before they'd look for us in the Rochester Club.
08:38Settle in, and we'll go talk to Miss Patter.
08:40Hatter.
08:41Hatter, Hatter, Hatter. All right.
08:43All right.
08:48Oh, it's a pleasure, my little chickadees, a pleasure.
08:53Thank you.
08:57Did you get it?
08:58Oh, come on.
09:09How much?
09:11Ten thousand.
09:13Ten thousand?
09:14I gotta pay Asher 20.
09:16Mickey, what can I say? There was only 25,000 in the safe.
09:20The girls each got five. That was the deal.
09:22And I didn't even take a commission.
09:24And for Sam Punch, that's a first. Believe me.
09:27I know.
09:29I know, Punch. I just need more, that's all.
09:33Maybe Asher will settle for half.
09:35Oh, sure. Instead of breaking both my legs, he'll just break one.
09:39What if I talk to him?
09:40Oh, yeah, that's a new one.
09:41Send your agent to negotiate your life.
09:43No.
09:45Asher might take this ten if I can promise him the rest within 24 hours.
09:49But isn't that cutting it a little too thin, Mickey?
09:52Look, if I can set this up,
09:54you can take the ten to Asher and buy me another day of breathing.
09:57But you're only getting yourself in deeper.
10:00Hey, relax, Punch.
10:04I gotta set up another job for my angels.
10:12Mr. Fredrickson?
10:15Charlie Townsend.
10:17Yes, yes, that's where we met.
10:19I'm very glad you remember.
10:22Look, Bob, I don't usually call people at home in regards to business,
10:26but this is rather delicate.
10:28Well, one of my three female operators was shopping in your boutique.
10:33And she noticed that I was wearing a suit.
10:35And she said,
10:37One of your female operators was shopping in your boutique.
10:40And she noticed that your security system was awfully lax.
10:46I'd like to send the three girls over tomorrow and check everything out.
10:50Then you can consider their recommendation.
10:54No, I'm glad to, Bob. Glad to.
10:59I'll have the girls there first thing in the morning.
11:03Talk to you later.
11:08Okay, agent, go see my bookie.
11:11And don't get me a contract. Get me out of one.
11:30That was a lucky hit. I had you going.
11:33Uh-huh.
11:38Forget that. I can't. I'll lose my point.
11:41The point of your job. It's up to you.
11:50Yeah.
11:53Sam Punch outside. He's the agent for that mimic.
11:57Okay.
11:59Same old back.
12:01You owe me 15 now, Toby.
12:03That last game didn't count.
12:05Around here, I'm the only one that does accounting, babe.
12:13Hiya, Mr. Asher.
12:16Punch. Got a quarter?
12:19Yeah, I think so.
12:22Here you go.
12:25Uh, I came to talk about Mickey.
12:27Oh, yes. The man with a thousand voices.
12:30One very short life. That's what happens to Welch's.
12:33Oh, Mickey's not a Welcher? No, sir.
12:37No? Mickey Biggs. Details.
12:40Details.
13:00Biggs. Mickey.
13:02Lost four $5,000 bets on four losing baseball teams.
13:05Last bet in June.
13:07Promise payment on three occasions.
13:09Failed to show.
13:11Warned twice. Leaned on once.
13:13Recommendation?
13:15Right off debt.
13:17Make example of debtor.
13:19No. I mean, look, you don't have to worry.
13:22Believe me. Honest.
13:25Here. Here's 10,000.
13:28Now, Mick said he'll have the other 10,000 by this time tomorrow night.
13:31I'm telling you, this kid is on to something sure.
13:34Something good. Something big. What do you say, huh?
13:37I say a sure thing. Don't come along in my line real often.
13:41Yeah, well, you're not in my line either.
13:43But, oh, Mick, he's got one.
13:45Can I tell him you'll give him the extra day?
13:49Sure. You could tell him that.
13:56After you tell me something.
13:58When a deadbeat comes up with 10 grand...
14:00and says he can make 10 more the next day...
14:02I want to know how.
14:04I want to know all about this so-called sure thing.
14:07So you better start talking, flesh peddler.
14:10Or I'm gonna be taking 10% of you...
14:12out of your hide.
14:33Excuse me. Miss Hatter?
14:35Why, yes. Who are you?
14:38Uh, Ashley, I'm here to get a story.
14:41Oh. A reporter. Would you like to come in?
14:45No, Ashley, if you don't mind staying out here for a few minutes...
14:48I have a couple of questions. It won't take long.
14:51I understand that you're a reporter.
14:53Yes, I'm a reporter.
14:55And I'm here to get a story.
14:57Oh. A reporter. Would you like to come in?
15:00I have a couple of questions. It won't take long.
15:02I understand that you identified a photograph positively...
15:05that the police showed you of the three ladies that robbed you.
15:08Oh, yes. They showed me a picture of the Townsend people.
15:12And they were the same ones, all right.
15:14I see. And did they tell you it was the Townsend people...
15:16before you saw the photograph?
15:18Why, I... I don't remember.
15:21Is that important?
15:23Very. You see, if they had told you it was the Townsend people...
15:25and then showed you the photograph...
15:27they could have put that idea in your mind...
15:29and given you a notification.
15:31Oh. Oh, no. There is no mistake.
15:34I'm very good at faces.
15:36Why, when those three walked into the office...
15:39I recognized the blonde one right off.
15:41You recognized her? What do you mean?
15:43Well, she must also be a model.
15:46She's on that Restful Mattress commercial...
15:49they show every night on the Late Show.
15:52I guess she's a model in her spare time.
15:55Are you absolutely positive?
15:57I am. I see that commercial every night.
16:04Miss Hatter.
16:06Am I the girl on the mattress commercial?
16:09Okay. No.
16:13You do look a lot like her, though.
16:16I am the girl you identified from the photograph.
16:19And so are they.
16:21Hi, Miss Hatter. Look, could you just look at us very closely?
16:24Because, you see, we were all three in that picture.
16:26But we're not the girls who were in your office now, are we?
16:33Oh, yes, you're the ones.
16:38You've come to get me.
16:40No, no, no, no, no.
16:41You want to silence me?
16:43No, no, no, Mrs. Hatter.
16:44We just want you to see that you've made a mistake.
16:46Hatter, really.
16:47Don't touch me.
16:48You want to kill me.
16:49No, we don't.
16:50Don't touch me.
16:51Help! Help! Help!
16:54No, no.
16:55Get out of here!
16:56Help! Somebody help me!
16:59Help!
17:02You're gonna kill me!
17:04Help!
17:24Good morning. Um, can I help you find something?
17:39Uh, we'd like to see the manager, please. I'm Mrs. Brown. I'm the acting manager.
17:43Uh, how do you do, Mrs. Brown? I'm Sabrina Duncan. This is Chris Monroe.
17:47Hi. This is Kelly Garrett.
17:48We're from Townsend Associates. Oh, yes. Uh, Mr. Fredrickson said that
17:53you'd be in this morning. He asked us to give you our full cooperation.
18:00Tell me, do you have much of a shoplifting problem?
18:03Oh, hardly any. Harry's been with us for two years, and he can spot just about anything.
18:09Yes, but if he should become ill and a new man were put in his spot,
18:13or if he were bought off, you know those things do happen.
18:16Well, uh... The point is,
18:20we would like to see just how alert your salespeople are if you didn't have Harry to rely
18:26on. Kelly and Chris here will see just how much they can get away with if you alert Harry that
18:31this is just a test. Well, I suppose I could do that.
18:36Then I'd like you to show me where you keep your cash receipts.
18:40Very well.
19:02Harry won't interfere. Good.
19:04We, uh, keep the cash receipts in the office. Fine.
19:08Happy shopping, angels.
19:26Can I show you something? Oh, um...
19:31I love these diamond bracelets. Are they expensive?
19:35Around 5,000 apiece. But they're really stunning.
19:42Let me show you.
19:46Power. Yes, they are.
19:53But I'm not sure I like these, uh, diamond necklaces.
19:57Do you have any gold chains I could see? Why, yes, we have a large selection.
20:05So...
20:29This really is quite lovely.
20:31For $10,000.
20:40Oh, these are lovely.
20:55Anyone realize they're being robbed? No.
20:58Tell her saleslady that it's all right for her to wear the coat outside.
21:02We'll go out and we'll wait five minutes before coming back in.
21:04We want to see how long it takes your salespeople to realize things are missing.
21:09I'll take care of it.
21:12Chris, we have to run. Oh, um, I'll come back for this one later.
21:16Okay. Kelly?
21:20Harry! Harry, stop them!
21:24Harry! Harry, stop them! They took our cash! Stop them!
21:34Stupid! I don't want this!
21:54Stop it!
22:00Stop it!
22:23Stop it!
22:39Here's that mattress commercial, Kelly.
22:41Oh, thank you, Tommy. We really appreciate it.
22:44Well, this is a first. I've had friends come down here to look at some of our better shows,
22:48but never at a commercial.
22:49Oh, we like station breaks, too.
22:52Let me put this cassette in here.
22:53Thank you.
23:03Showtime.
23:08Hey, no wonder you wanted to see this. She looks just like you, doesn't she?
23:15And you know what? She does look a little bit like you.
23:19She does? In an odd sort of way.
23:33Um, is there any way we could find out her name?
23:36Sure, that commercial was shot right here. Her name would be in the file.
23:40And her address?
23:42No, but you could go and see her agent, uh, Sam Punch, I think his name is.
23:47All right, thank you.
23:48Be right back.
23:51Maybe you ought to go see this Sam Punch.
23:54Good idea.
23:56Something just occurred to me. If I go see this Mr. Punch, I better put on a bit of disguise.
24:01If he's involved in this scam, he'll recognize me the minute I walk through the door.
24:06It's a good thought.
24:07Do you really think I look like that?
24:09I don't know. It's hard to say. We've never seen you in a mattress garden.
24:27Mr. Punch?
24:28I understand you handle people for commercials and things like that.
24:48I might be able to help you.
24:51How did you happen to come to me?
24:53I worked with a girl once who said you were a very good agent.
24:57Janet Ames.
24:58You got her a mattress commercial, I believe.
25:01Oh, sure.
25:02Jan.
25:03Yeah.
25:04Great gal.
25:06I was hoping to see her again.
25:08You wouldn't happen to have her address, would you?
25:10Sure.
25:11Great.
25:12In the meantime, give me your background, sign with me, and I'll see what I can...
25:18Hello, Punch.
25:19What?
25:20Where?
25:22Yeah, yeah.
25:23All right.
25:24You told me.
25:25Where are you?
25:26The both of you?
25:27All right.
25:28Stay there and wait for me.
25:29You were looking for Janet's address?
25:30Not now, kid.
25:31I got to split.
25:32One of my clients, they have a problem.
25:33Oh, it'll only take a minute.
25:34Later.
25:35Tomorrow, maybe.
25:36Yeah.
25:37You come back tomorrow, and we'll have lots of time.
25:38All right.
25:39Thanks.
25:40Bye.
25:41Bye.
25:42Bye.
25:43Bye.
25:44Bye.
25:45Bye.
25:46Bye.
25:47Bye.
25:48Bye.
25:49Bye.
25:51Hello?
25:54Well, now, you're positive that this is Sabrina Duncan.
25:56No.
25:57That's when I sent for you.
25:59No purse.
26:00No identification.
26:01But the three who hit the boutique matched the description of the three who robbed the
26:04sports arena.
26:17What's he doing?
26:18Oh.
26:19He's from our lab.
26:20If you can't identify the lady, we'll have to take a set of fingerprints.
26:26Oh, well, there'll be no need for any fingerprints, Sergeant.
26:31That's Sabrina Duncan.
26:34Okay, Fred, back up.
26:37Thanks very much, Mr. Bailey.
26:40Well, I'm going to have to post a guard outside the room until we can move her to a prison ward.
26:45Oh, I understand, of course.
26:46But look, Sergeant, can I ask you a small favor?
26:50I'd like to spend just a few minutes with her, if I could.
26:55We were very close friends.
26:57You know?
26:58Sure.
26:59Let's go, Fred.
27:00Thanks.
27:17Boy, what do you know?
27:19I've got this dry feeling in my throat, and this is empty.
27:22Do you know where the water fountain is?
27:25It should be full.
27:27Never mind, I'll take care of it.
27:29Thanks.
27:30Thanks very much.
27:46Hmm.
28:02Okay, nice score.
28:05Got a quarter, Mickey?
28:06Oh, I'm afraid not, Mr. Asher, but maybe you can send your boy here out for some change.
28:11Well...
28:13That should buy a lot of games.
28:15About $10,000 worth.
28:18I guess that makes us dead even, right, Mr. Asher?
28:22A man that lives as close to the edge as you do, Mickey,
28:25shouldn't toss that word dead around too easy.
28:30Well, uh, get your rough life, sweetheartish bogey-wichay.
28:39See you around, Mickey.
28:41See you around, Mr. Asher.
28:42Sure.
28:48Hey, uh...
28:50What gives? I thought we were square.
28:52We will be.
28:55After you agree to make one more telephone call to Charlie Townsend.
28:59Oh.
29:00Well, how, uh...
29:02How'd you know about that?
29:04Never mind.
29:06Real smart act you put together, Mickey.
29:08You're a bright boy, but you're still strictly a small-timer.
29:12You go twice for petty cash with a gimmick that could open up a bank vault.
29:16Now, me?
29:17I got the perfect spot for this routine of yours.
29:20I'm afraid that can't be done, Mr. Asher.
29:22You see, one of the girls got hurt today, and she...
29:24So you get another girl.
29:26Don't you ever say can't to me.
29:28Okay.
29:30From now on, I give the orders.
29:33And all you do is nod.
29:38Okay.
30:00Hello.
30:01Hi.
30:02What you doing?
30:03Look at that. You got a new outfit and a new suitcase.
30:05You gonna lope?
30:06Well, that's not a bad idea.
30:08It sure beats being cooped up in this chauvinistic place.
30:11Did you see that agent?
30:12Uh-huh.
30:13And I almost got your look-alike's address,
30:15then he got a phone call and had to rush out.
30:17He told me to come back tomorrow.
30:18Well, what'd you do, go out shoplifting to boost your spirits?
30:21Close.
30:22I used Charlie's credit card and bought us all some new clothes.
30:25Oh, well, great. That'll teach him to do this to us again.
30:28Yeah, well, who cares if we look great in here?
30:32Well, I hope nobody followed you.
30:35I don't think so.
30:37It's me.
30:38Sounds like Bosley.
30:39Who is it?
30:40It's me, Bosley.
30:41Bosley!
30:43Hello, fugitives.
30:44Hi, guys.
30:45Ah, welcome to cell block 11.
30:47Yeah, I've never been here before. It's very nice.
30:49The lobby is lovely.
30:50Well, we wouldn't know.
30:51We've been riding up and down in the freight elevator
30:53with the empty garbage cans.
30:55Did you talk to Charlie?
30:56Yeah, I talked to him this morning.
30:58He said the most important thing is to locate those three girls
31:01and whoever it is that is impersonating Charlie with the telephone calls.
31:05That's the only sure way to clear the company's name.
31:08Hey, hey, hey!
31:10Bosley!
31:11I mean, we could have figured that out all by ourselves.
31:14We've already got a lead on one of the girls.
31:16Oh, good, then we've got a lead on two of them.
31:18I believe the one that's impersonating you is Carol Brewster.
31:22That's her address and all the background that we have.
31:26Where'd you get this?
31:27Fingerprints.
31:28Fingerprints?
31:29Yeah, Brewster and the other two robbed a boutique this morning,
31:32and then she was hit by a car during the getaway.
31:35She's in the hospital right now in a coma with a police guard.
31:38Well, then we're off the hook.
31:40I mean, if they have her fingerprints, they know it's not Bree and they know we're not involved.
31:43Right.
31:44Wrong.
31:45Why?
31:46Because the police didn't take her fingerprints. I did.
31:49After I positively identified her as being Sabrina Duncan.
31:53Wait a minute. You told the police that she was me?
31:56Yes.
31:57Because Charlie feels that if the police close in now, they'll probably scatter,
32:01or at least the top man would get away.
32:04But if they think that you three are still being blamed,
32:07then they'll feel safe and they won't have their guard up.
32:11Good old Charlie.
32:12First he lets us live among the wolves, then he throws us to them.
32:15Ah, well, I don't know. Maybe it's a good idea.
32:18I mean, maybe the only way to solve this thing is for one of us to get into the gang.
32:23Well, that girl in the hospital is a dead ringer for you, Bree.
32:27Well, Kelly did a kind of a disguise thing when she went in to talk to Sam Punch,
32:32so I could do the same thing, only I'd have to just take it one step farther.
32:36Right. I mean, you can't look too much like yourself or else they'll know who you are really.
32:40Right. I'll just have to do a continuing impersonation of me.
32:47Which is a much tougher job than my one visit to Punch's office.
32:51Yeah, but Bree, at least you got one thing going for you.
32:54I don't know what.
32:56You're looking awful a lot like Sabrina Dungan.
33:04Hi.
33:06Hiya.
33:09Uh, not now, honey. It's a busy time. Why don't you come back, uh...
33:14I gotta be dreaming.
33:15I gotta be dreaming.
33:19I mean, we're standing here talking about a certain type of gal, and in she walks. Punch!
33:27Yeah, she could be Carol's double.
33:30Carol.
33:33You talking about Carol Brewster?
33:36Yeah.
33:37Yeah? Well, yeah, I ought to look like Carol. I'm her sister, Sandy.
33:41Oh, well, uh, that explains it.
33:44Yeah, well, listen, let me tell you what's happened here.
33:46You see, I came in to visit Carol for the weekend, only I go to her apartment.
33:50She's moved away.
33:52Yeah, well, uh, she's, uh, staying with some friends.
33:55Yeah? Well, you know, I figure, what's going on here?
33:58So I look, and I remember that Mr. Punch is, uh, is Carol's, um, agent, you know?
34:03So I say, what could I do? I could go to talk to Mr. Punch, and he'll tell me where Carol is. Yeah?
34:07Yeah, well, uh, Sandy, is it?
34:09Yeah, Sandy. Sandy, Carol's sister.
34:11Yeah, I got a little bad news. Why don't you sit down here?
34:14What's the matter? Has something happened to Carol?
34:16No, she's fine. She had a slight accident. She's in the hospital, but she's all right.
34:20In the hospital? Well, where? I should go to her right now.
34:24No, no. No, no. Um, I think the best thing you can do for your sister is to listen very carefully to what I'm about to tell you.
34:31Sure.
34:32Now, she's getting medical help, but she's going to need the best legal help, and that's very, very expensive.
34:38Legal help?
34:39Yeah, now, I'll make sure that she gets it, but you can help raise the money to pay for that.
34:44Now, I'm sure you'll want to do everything that you can.
34:47Oh, anything. I would do anything.
34:50Anything?
34:51Anything.
35:06Hi, Mickey.
35:07Hi.
35:08Hi.
35:09Hello.
35:10Hi.
35:11Oh.
35:14Well, can't you even say hello?
35:16Hello.
35:17Sorry.
35:19I thought you had Carol out of the hospital at first.
35:22She's the image of Carol.
35:24Well, naturally. This is Sandy Brewster. She's Carol's sister.
35:27Hiya.
35:30No wonder. I'm Janet Ames.
35:32Hi, Janet.
35:33This is Annie Collins.
35:34Annie.
35:35She's taking Carol's room, and she'll be taking Carol's place on our next job.
35:40Oh, I see.
35:41Another one?
35:43Mickey, you said just two.
35:46Yeah, I know, I know, but I got a partner now, and he's calling the shot.
35:51Look, he says one more job, a big one.
35:58We might all make enough money to buy our own nightclub.
36:01Oh, in that case, maybe another one wouldn't hurt.
36:04Really?
36:05I don't know.
36:06I mean, it all seemed so easy until... until Carol got hurt.
36:10Hey, accidents happen anywhere.
36:12Even Boy Scouts get hit by cars.
36:16Look, this big job won't have any risks. Believe me.
36:19Hey, Mickey, uh, where is it?
36:22Well, I, uh...
36:26I gotta check with my partner. I'll let you know tomorrow.
36:29Who's your partner?
36:30Uh, well, honey, uh, you're better off not knowing this guy, and that's a fact.
36:34All right.
36:35Well, look, uh, get settled, get acquainted, and I'll... I'll see you all tomorrow.
36:39Yeah, well, good night now.
36:41Yeah.
36:42Thanks a lot.
36:49Did you find another girl?
36:50Oh, yeah, yeah, a great one.
36:52Good.
36:53Now you can make a phone call to George Simmons.
36:55I left his number here on the table.
36:58Who is he?
36:59Top man in charge of the Gann Corporation.
37:02Gann? That's a think tank.
37:05Right.
37:08I've been wanting to bust into their safe for years.
37:10Why? What makes you think a place like that keeps a lot of cash?
37:13They don't.
37:14But the papers they keep in that safe I can sell for a million.
37:20It's bad luck to whistle in a dressing room.
37:22Even I know that.
37:25I'll make that call and do it at the fights.
37:27Uh, look, will this, uh, George Simmons know who Charlie Townsend is?
37:32They used to play golf together.
37:34I'll set it up for tomorrow night.
37:36I'll give you the game plan tomorrow afternoon.
37:55Not a bad group.
37:56They're crummy, man.
37:58Especially that creep inside you trying to cut in on the Gann job.
38:03Now, who said I was cutting them in?
38:05I'm using his gimmick, that's all.
38:08After they get that safe open,
38:10Mick and his three chickadees are gonna get cut down on the spot.
38:14I gotta get some use out of those security guards I've been paying.
38:18Right.
38:25All right, these are the floor plans of the Gann Corporation.
38:28Now, there are heavily guarded checkpoints throughout the entire building.
38:32And do we bluff our way through all of them?
38:34You won't have to.
38:35George Simmons, the top man, will meet you at the entrance.
38:37And he'll escort you right to the conference room.
38:39Well, I thought we were after a safe.
38:41You are. That's where the safe is.
38:43Now, they keep all their important papers in the conference room.
38:46And the top secret ones, they keep in the safe.
38:49And those are the ones we're after.
38:51What do we do with George Simmons?
38:53You won't have to do anything with George Simmons.
38:55As soon as he opens the safe,
38:57get him to unlock the side door they never open.
38:59My partner and I will be outside, and we'll take care of Mr. Simmons.
39:03We finally gonna get to meet your partner?
39:05Yeah.
39:06Tonight at 7, if you remember to open the side door.
39:10Right.
39:11Hey, hey, hey, wait, Mickey, Mickey, one thing.
39:14Could you do Charlie Townsend for us, huh?
39:17Oh, yeah, that's not very hard.
39:20He's, uh...
39:22He's really very polished, warm, and friendly.
39:28I entertained at a charity affair he attended last month.
39:37That's right, Charlie, he actually sounded like you, even better.
39:40Oh, that's because the telephone filters some of the charm
39:43I remember him from that charity party, though.
39:45He sat at our table for a while and was very chummy.
39:48Well, that was because he was trying to learn how to do your voice.
39:52Mm-hmm.
39:53He's given no hint who this partner of his might be.
39:56No, but there's definitely somebody pulling the strings.
39:59Well, it's nice to know they'll both be on the scene tonight.
40:02It's our big chance to get everyone involved.
40:04I'll phone George Simmons and tell him that first call was a fake.
40:08And then I'll call Charlie Townsend,
40:10I'll phone George Simmons and tell him that first call was a fake.
40:13I'll ask him to have those secret papers moved out of the safe.
40:17Then I'll ask him to go along with the original plan.
40:20Once Mickey Biggs and his partner are inside, you three can take them.
40:24We three?
40:25Uh, Charlie, you know, I'm the only one that's in the gang.
40:28And you're forgetting that Bosley is a very ingenious switch artist.
40:32I'd never send you into a situation like this alone, Sabrina.
40:35But if those bogus angels can impersonate you,
40:38why can't you all impersonate them?
40:41Well, it's a good idea.
40:43If it works.
40:49Oh, boy. Oh, boy.
40:52Not in the weather it's down...
40:53But I think it's over here. I'm sorry.
40:55Why did you park so far away?
40:57I'm sorry. I don't know the neighborhood.
40:59Then why didn't you let me drive you to find those slats?
41:02You go with me. I buy what you like. I don't buy what I like. I'm sorry.
41:05Where is it?
41:06Look, I'm sorry.
41:07I thought it was on this block. Maybe it's one block over.
41:10Which way?
41:12Oh, would you look at that? I'm all out of gum and I'm nervous.
41:15Gum helps to calm me down, okay?
41:17I'm gonna get some more and I'll be right back.
41:19You just wait for me right here. Wait for me.
41:21Gum. Gum.
41:24That girl is weird.
41:31All right, ladies. Hold it right there.
41:34What is this?
41:36Chris, Kelly, it's me. I'm sorry. I'm the Judas.
41:39Who the devil are you?
41:41Look, angels, there's no use in bluffing.
41:43The only reason I arranged this meeting was to turn you in.
41:46I couldn't allow you to keep going on your rampage.
41:48He's nuts. We don't even know him.
41:51Look, I understand how you feel and I'm sorry. I don't blame you.
41:55All right, we're going downtown. Put him in the car, Mike.
41:57Oh, this is false arrest.
42:00Well, that's all three of them.
42:02We want to thank you for your cooperation, Mr. Bosley.
42:05Yeah.
42:07You know, there's room for you in the front.
42:10No, no, thanks. I think I'll just take a little walk.
42:13I'd like to be alone.
42:15Well, we'll be in touch.
42:17Yeah. Okay.
42:31Oh, hello.
42:33Hi.
42:35You must be Charlie Townsend's group.
42:37You make us sound like rock singers.
42:39I'm George Simmons.
42:41I'm Sabrina Duncan. This is Chris Monroe and Kelly Garrett.
42:43We have identification, if you care to see it.
42:45Oh, no, no, I believe you.
42:47Although, I must admit, I also thought that first call was from Charlie.
42:50Well, they had a pretty clever thing going.
42:52Did you take the important papers out of your safe?
42:54No.
42:56Charlie had a pretty clever thing going.
42:58Did you take the important papers out of your safe?
43:00Oh, yes, yeah.
43:02I put them in my own office safe.
43:04Okay. Do your security people know what's going on?
43:06No. No, Charlie seemed to feel there might be a leak.
43:09He said you three could handle it alone.
43:11Hope so.
43:13Shall we get on with it?
43:15All right, fine.
43:17It's all right, John.
43:27Come on.
43:42No guards?
43:44Oh, no, there's no need. I'm the only one who has a key.
43:56Well, there it is. That's the target.
43:59Impressive.
44:01Well, I believe our job now is to convince you to open it.
44:04Yes, I believe that's exactly what the fake caller asked me to do.
44:07Could you open it for us, please?
44:09Oh, sure, sure. There's nothing in it now, you know, except old Pentagon memos.
44:13Great. Okay, look, um, I think this is the part
44:16where Kelly and I try to convince you to open that door,
44:19and Chris checks the dial on the safe.
44:21Right.
44:25You know, this door hasn't been opened in years.
44:27It only leads to the alley.
44:29I'm sure they're aware of that, Mr. Simmons.
44:31If you'll just open it for us, please.
44:33All right.
44:36You know, this door hasn't been opened in years.
44:38It only leads to the alley.
44:40I'm sure they're aware of that, Mr. Simmons.
44:42If you'll just open the door and let them in,
44:44and please don't try to be a hero, all right?
44:54Mickey!
44:56You did a good job, kid.
44:58Pat her on the back later, kid. Stand easy, Simmons.
45:00Let's get into that safe. Toby, get in there and start throwing out boxes.
45:03Okay, drop the gun or you're a dead man.
45:05And you stand easy, too, mister.
45:07Thanks.
45:09Drop it.
45:11You're not Annie. That's right.
45:13This time Charlie's in in the first team.
45:15My, my, my.
45:17You ladies are really quite remarkable.
45:19Oh, good.
45:21You certainly got here at the right time.
45:25They sure did.
45:27Now, you take that gun out of my spine,
45:29or those guards are gonna blow your pretty head off.
45:31Don't be ridiculous.
45:33They work for me.
45:35He's not kidding, Mr. Simmons.
45:37Y'all just better do what he says.
45:43I-I-I don't know.
45:45Shoot! Shoot!
45:53Why don't you get up real slowly now?
45:59Real slow.
46:05And, Mr. Simmons, why don't you go over to that telephone
46:07and call some guards who do work for you?
46:11Hey, uh, what about me?
46:13I mean, I didn't even come in here with a gun.
46:15They made me come in.
46:17Say it like Charlie, Mickey.
46:19You sound a lot more convincing.
46:29Well, well, well.
46:31Don't you all look industrious.
46:33Mm, it feels so good to relax.
46:35And walk in front doors again.
46:37I'm thinking about writing an article
46:39about how Charlie Townsend
46:41kept three women in the Rochester Club.
46:43I think we should all pose for pictures.
46:45Oh, I wouldn't if I were you,
46:47not after that mattress commercial.
46:49Well, let's do it.
46:51Let's do it.
46:53Let's do it.
46:55Let's do it.
46:57I wouldn't if I were you,
46:59not after that mattress commercial.
47:01Thanks.
47:03You know what I'm gonna do?
47:05I'm gonna have Bosley endorse the article
47:07since he was the only witness.
47:09Oh, saved by the bell.
47:13Charlie?
47:15Don't take things for granted, pal.
47:17Let me talk to them angels.
47:19What?
47:21Charlie, darling,
47:23thank you so much for the calla lilies.
47:25Terribly, terribly lovely.
47:27You deserve them, sweetheart.
47:29Who else is there?
47:31Uh, I'm here, Charlie.
47:33After all, tomorrow is another day.
47:35Sabrina, are you there?
47:37No.
47:39No impressions from you?
47:41No, I've been doing myself for two days already.
47:43And very well, too.
47:45As a matter of fact, Charlie,
47:47I do think it's my turn.
47:49I do do Sidney Greenstreet, you know.
47:51My dear Mr. Spade,
47:53I'm going to have to keep a very close eye on you from now on.
47:55Do you understand that, Spade?
47:57All right, Bosley.
47:59Your turn.
48:01Oh, Charlie, I...
48:03Very funny, Spade.
48:05Very funny.
48:11Very funny.
48:13Oh, come on now, Bosley.
48:15Oh, save your breath, Charlie.
48:17Sidney just left.
48:19Darling.
48:23Darling.
48:53You
48:55You
48:57You
48:59You