• 4 months ago
Transcript
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09:28Angels, your next assignment involves a major art theft that took place three days ago.
09:34Five million dollars worth of bronze and gold statuary
09:38that was being transferred from Los Angeles Harbor to the Wellington Museum.
09:42You'll get the details later.
09:44Meanwhile, I have just heard from Sabrina.
09:47You're in a state of what, a euphoria, Charlie?
09:49Well, not quite.
09:51No?
09:52I believe the honeymoon is over.
09:55Uh-oh. Trouble in paradise?
09:57No, the oncoming patter of tiny feet.
10:00You're kidding.
10:01Oh, that's crazy.
10:03She's quite thrilled with the whole thing.
10:05Oh, by the way, has Miss Wells arrived yet?
10:08Wells?
10:09Tiffany Wells, your new partner.
10:11Charlie, I thought we were down to a trio.
10:13Which reminds me, where is Bosley?
10:16He'll be arriving shortly.
10:18I hope you'll like Miss Wells.
10:20Her father's an old friend of mine, Lieutenant of Detectives in Boston.
10:24She graduated from the police academy there, top in her class.
10:28Sounds interesting.
10:30Yes, she's something special.
10:32As you'll see when you meet her.
10:34That must be her now.
10:41Hello.
10:42Is this the Townsend Agency?
10:45Yes.
10:46Oh, goody.
10:48I had such a hard time finding it.
10:50I got lost three times.
10:52Angels, did I hear someone come in?
10:55Oh, yes, Charlie.
10:57Well, then, by all means, introduce yourselves.
11:01Uh, right, right.
11:03Would you mind if I had a pop?
11:05What?
11:06A pop.
11:07You know, soda pop.
11:09Oh, no.
11:11Oh, well, sorry I asked.
11:14I mean, I don't mind if you have a soda pop.
11:17Oh, you're a peach.
11:19Um, where is it?
11:21In the icebox.
11:23You keep your linen in the icebox?
11:26Linen?
11:27Yes, you know, towels, napkins.
11:31Could we start all over?
11:33Yeah, start over over here.
11:38Chris, Kelly, Tiffany Wells.
11:41Hi.
11:42We thought that she...
11:43Oh, right, our new linen service.
11:45Oh.
11:46Oh.
11:47Well, I couldn't find the refrigerator,
11:49so I'll have to take a rain check on the pop.
11:52I'll see you later.
11:53Okay, bye-bye.
11:54Thank you very much.
11:55Bye-bye.
11:56Should we take this again from the top?
12:01I'm Tiffany Wells.
12:03Chris Monroe.
12:04Hi.
12:05Kelly Garrett.
12:06Hi.
12:07Come on in and sit down.
12:10Would you like some coffee?
12:12Sure.
12:23You're staring.
12:24Is there something wrong?
12:26Oh, no.
12:27Oh, no.
12:28You're right, Charlie.
12:29I think she is something special.
12:31I think so, too, Charlie.
12:32I'm glad you approve, angels.
12:38That's Charlie?
12:40Welcome, Tiffany.
12:42I think I'm going to have a nervous breakdown.
12:45Oh, no, no.
12:46Don't worry.
12:47You're going to be just fine.
12:49Did, uh, Charlie say that he and your father
12:52were old friends?
12:53Very old friends.
12:54You ever see Charlie?
12:58No, I never did.
13:00Well, your father,
13:01he must have told you a lot about him.
13:03He must have described him to you.
13:05Didn't he, Tiffany?
13:06Uh-uh-uh.
13:07Kelly?
13:08Oh, he did better than that.
13:10Dad gave me a picture of the two of them together.
13:13Would you like to see it?
13:15Tiffany!
13:16Quiet, boss.
13:17Of course we'd love to see it.
13:19If you want to make two great friends for life,
13:21show us this picture.
13:22Come on.
13:23Hurry.
13:26We had a long time for this.
13:28That's for sure.
13:29Ooh.
13:30Like I said, they're very old friends.
13:35How would you like a dead lizard
13:37dropped on your dress?
13:38I'm sorry,
13:39but my father wouldn't tell me anything about Charlie.
13:42All he'd do is give me this dumb picture.
13:44Sorry, angels.
13:45One of these days, Charlie.
13:47One of these days.
13:48Well, now that the introductions are over,
13:50let's get back to that art theft.
13:52I'm sorry, Charlie.
13:53I'm sorry.
13:54I'm sorry.
13:55I'm sorry.
13:56I'm sorry.
13:57I'm sorry.
13:58I'm sorry.
13:59What's art theft?
14:00What art theft?
14:01We'll fee you on that later.
14:03Bosley has your tickets.
14:04Our client will meet you on the ship.
14:06Contact Captain Steubing as soon as you board.
14:09Ship?
14:10What ship?
14:11The one that will take you to the Caribbean.
14:13The Caribbean?
14:14It sails in two hours.
14:16All right.
14:17Don't just stand there.
14:20We'll see you at the boat.
14:26We like her, Charlie.
14:28Bon voyage.
14:41Hi. Welcome aboard.
14:46Hi. Welcome aboard.
14:48Hello. Welcome aboard.
14:50Welcome aboard. Captain Stubing.
14:52Yes. Hello. I'm Chris Monroe.
14:54This is Tiffany Wells and Kelly Garrett. Hello.
14:56The Bosley people. Welcome aboard.
14:58This is Julie McCoy, our cruise director.
15:00Hi. Hello.
15:02Hi. Nice little boat you got here.
15:04We like it. I think they call it a ship.
15:06Oh, well.
15:08Even better.
15:10It's sea talk. You'll get used to it.
15:12Well, listen, as long as it doesn't have any holes in it,
15:14I think we're gonna have a wonderful time.
15:16Just port holes and they're all on the sides.
15:18Good planning. We try.
15:20Oh, by the way,
15:22Mr. Bosley's waiting for you in cabin 2A.
15:25Where is that?
15:27Cabin 2A. Cabin 2A is, uh,
15:29slightly forward.
15:31I could take you there.
15:33This is Gopher.
15:35He's also slightly forward.
15:37Oh, man.
15:39Well, you ladies will be having dinner with me tonight.
15:41Eight bells.
15:43Thank you, Captain. Thank you.
15:45Two, then.
15:47Thank you, sir.
15:49Eight bells means 8 o'clock.
15:51How do you know that?
15:53How do you know that?
15:55Well, like Bosley said, we're very clever.
15:57He didn't say where we were having dinner, though.
15:59When you dine with the captain,
16:01you dine at the captain's table.
16:03I had that one figured out.
16:05Well, it's an easy one.
16:07Gopher?
16:09Ah, cabin 2A. Why don't I just, uh...
16:11Thank you.
16:13Okay, follow me.
16:15Thank you very much.
16:17Enjoy your cruise.
16:19Bye.
16:23Hello. Welcome aboard.
16:25Hello.
16:27Hi.
16:29I'm Paul Hollister. This is Wes Anderson.
16:31What do you do here?
16:33Well, as the ship's cruise director,
16:35it's my job to make sure you have a marvelous time.
16:37That's something we do just fine.
16:39Oh, this we call, uh,
16:41companion land.
16:43On land, it's called a corridor,
16:45but, uh, it's a...
16:47Oh, here we are.
16:49It's, uh...
16:51Oh.
16:53Ah, hi, girls.
16:55Hi. Hello.
16:57Well, very nice, but not particularly nice.
16:59Oh.
17:01Oh.
17:03Oh.
17:05Oh.
17:07Oh, very nice, but not particularly...
17:09nautical.
17:11Well, you didn't give us much time to get nautical.
17:13Uh, thank you.
17:15Ah, thank you. Thank you.
17:17Bye.
17:19You know, speaking of time, uh...
17:21Oh, yes. It's passing.
17:23Uh, girls, this is our client, uh, Mr. Avery.
17:25Hello. How do you do?
17:27Eastern International Insurance. Sit down, girls.
17:29Uh, you and Mr. Avery
17:31will be traveling together.
17:33Separate cabins, of course.
17:35Uh, Mr. Avery is the chief investigator
17:37for Eastern International.
17:39He's what they call a retriever.
17:41What are you trying to retrieve, Mr. Avery?
17:43Five million dollars' worth
17:45of, uh, Grecian bronze
17:47and gold statuary my company insured.
17:49Hmm. I take it, then, that we are going
17:51to help Mr. Avery retrieve these things.
17:53That's the idea. Uh, here's a list
17:55of all the stolen pieces
17:57and a description of exactly how
17:59they were taken. You can read that at your leisure.
18:01And I also have, uh,
18:03catalog pictures of each piece,
18:05which I'll give to you later.
18:07In the meantime, I'll show you a picture
18:09of the fellow
18:11who lifted the
18:13merchandise. Uh, and I do mean
18:15lifted, as you'll understand when you read
18:17the details of the robbery.
18:19Paul Hollister.
18:21Hmm.
18:23Too bad he's a thief.
18:25Very handsome fellow.
18:27Mr. Hollister is sort of a modern-day
18:29soldier of fortune.
18:31If you'll excuse the cliche.
18:33He, uh,
18:35was a fighter pilot in the Navy.
18:37Uh, was wounded in, uh,
18:39Vietnam.
18:41Decorated twice and honorably discharged.
18:43Later, he became sort of a
18:45freelance international photojournalist
18:47with some of your better magazines.
18:49He was in Vietnam
18:51when the refugees were trying to get to Saigon.
18:53He took these photos.
18:55That is
18:57very good work.
18:59Mr. Hollister was deeply sympathetic
19:01with the Vietnamese.
19:03As a matter of fact, he, uh,
19:05fought with them on the streets of Saigon.
19:07And then later, when everything fell apart
19:09and the Communists overran the country,
19:11he barely escaped the country with his life.
19:13Along with this fellow.
19:15Wes Anderson.
19:17Former Peace Corps worker.
19:19He also fought with Hollister on the streets.
19:21And the two have been friends ever since.
19:23Tell me, how could Hollister have been that involved,
19:25that caring,
19:27and become a thief?
19:29I don't know.
19:31I do know he's been involved in some
19:33brilliantly conceived thefts in the last few years.
19:35And
19:37Mr. Hollister has yet to serve
19:39one day in prison.
19:41So you want us to find Hollister?
19:43Hardly.
19:45You see, he is a passenger on the ship.
19:47He and Wes Anderson.
19:49Um,
19:51um,
19:53I'm confused.
19:55It's really not very complicated.
19:57You see, Paul Hollister stole the shipment
19:59of bronze and gold statuary
20:01when it was being transferred
20:03from a Greek freighter, the Lady Scotia,
20:05to the New Wellington Museum in Los Angeles.
20:07Now, either we retrieve
20:09the pieces or, uh,
20:11Eastern Insurance will have to pay Mr. Wellington
20:13five million dollars.
20:15Wait a minute.
20:17If you know Hollister took the stuff
20:20and you know he's here,
20:22why don't you just have him arrested?
20:24I'm afraid I, uh, I can't prove
20:26he did do it.
20:28Even though I have very strong circumstantial evidence.
20:30Such as the fact
20:32that he was a last-minute
20:34cabin passenger on the Lady Scotia.
20:36However, even if we did have the proof,
20:38we're much more interested in saving ourselves
20:40five million dollars than in seeing
20:42Mr. Hollister in prison.
20:44In other words, utilitas ante ustedia.
20:46May I beg your pardon?
20:48My mother teaches Latin.
20:50Oh, yes.
20:52Utilitas ante
20:54ustedia.
20:56That's, uh,
20:58expediency before justice.
21:00That's right. That's good.
21:02Expediency before justice.
21:04That's very well put.
21:06You see, I'm, uh,
21:08I'm not really interested in
21:10Paul Hollister's, uh, moral
21:12character.
21:14I just want the merchandise.
21:16Okay. Where do we start?
21:18Well, you three have to have dinner
21:20with Captain Steubing tonight, so I suggest one of you
21:22bring Mr. Hollister as a guest.
21:24Uh, you said we three.
21:26Where are you gonna be, Boz?
21:28Uh, well, Mr. Bosley will be watching
21:30this lady.
21:32Eleanor Case.
21:34Well-educated,
21:36uh, art history degree.
21:38She worked for various museums before
21:40she went on to the more lucrative field of
21:42fencing stolen art.
21:44And, like Mr. Hollister,
21:46she has never spent
21:48a day in prison.
21:50Where is she now?
21:52She's in Los Angeles.
21:54She and Paul Hollister met two nights ago
21:56when I believe she then agreed to
21:58fence the stolen merchandise.
22:00So you'll stay in Los Angeles and watch Miss Case
22:02and we'll watch Mr. Hollister.
22:04And you'll be in St. Thomas
22:06before me.
22:08I've got to get back to the office. Happy sailing.
22:10Bye, Boz.
22:15Bye, Boz.
22:17Bye!
22:19Bye!
22:21I'll see you tomorrow!
22:23Bye.
22:25I'll see you in Texas.
22:27Bye!
22:29Bye.
22:31Bye!
22:33Bye!
22:35Bye!
22:37Bye!
22:39Bye!
22:41Bye!
22:43Oh, Lord, have mercy.
23:08Friends of mine.
23:09Close friends?
23:11Well, maybe one of them.
23:13Which one?
23:14Which one do you like?
23:15I can't make up my mind.
23:17Neither can I.
23:19I think I could get interested.
23:29Guess what?
23:30You just lost interest.
23:32You're very perceptive.
23:34Oh, I suppose you want to punch me out, huh?
23:37No.
23:39I want to go change my pants.
23:41Then I want to punch you out.
23:49Lovely day, ladies.
23:57Ah, band at 2 o'clock.
23:59What?
24:00What?
24:01Paul Hollister.
24:08Sure is a crime he's a thief.
24:10Isn't that redundant?
24:12I think so.
24:16Anyway, we've got to decide which one of us begins a relationship with Paul Hollister.
24:28I think the decision's already been made by Mr. Paul Hollister himself.
24:34Interesting.
24:36How some people remind us of other people.
24:40You noticed?
24:41Well, we're all victims of habit, my friend.
24:45It's time for a drink.
24:49I'm sorry.
24:50I'm sorry.
24:51I'm sorry.
24:52I'm sorry.
24:53I'm sorry.
24:54I'm sorry.
24:55I'm sorry.
24:56I'm sorry.
24:57I'm sorry.
24:58I'm sorry.
24:59I'm sorry.
25:00I'm sorry.
25:01I'm sorry.
25:03Good luck.
25:06Thanks.
25:12Hi.
25:13Hi.
25:14I just saw you pouring something green.
25:16Yes, but you can have any color you like.
25:18I like green. It matches my suit.
25:20I like it too.
25:23Hi.
25:25Hi yourself.
25:26I'll have the same.
25:27Oh, certainly.
25:29Bad habit.
25:31Drinking?
25:32Staring.
25:34It's a habit I got into as a kid.
25:36I hope you'll forgive me.
25:38You'll forgive me for hoping you'd be staring?
25:42I like that quality.
25:44What's that?
25:45Frankness. No games.
25:47Frankly, I really should get back to my friends.
25:49Listen, how about dinner?
25:52If you'd like to join me at the captain's table, eight bells.
25:56Very nautical.
25:57But nice.
26:26Thank you.
26:56Thank you.
27:19A small salutation, if I may.
27:26May the night of this voyage be as delightful as this has been.
27:32Thank you.
27:45See anything you like?
27:48I don't see anything I don't like.
27:50Me either.
27:53Tell me about you.
27:55I already told you, ex-navy pilot, photojournalist.
27:59And now?
28:00Now?
28:02I'm taking a cruise on the high seas and looking at a very pretty lady.
28:07Who still hasn't told me what she does.
28:11Would it matter?
28:13Not likely.
28:16Good. Let's leave it that way.
28:18Now I'm really curious.
28:20I think I like you curious.
28:23Take me for a walk?
28:26My very thoughts.
28:31I don't think so.
28:33Captain.
28:34Yes?
28:35Would you excuse us?
28:36Oh, by all means.
28:37See you later.
28:52Something wrong?
28:54No, nothing.
29:13I'm still curious.
29:16Well, let's just say I'm a lady who lives on her instincts.
29:20We all do that.
29:22Let's let it go at that.
29:23We can't.
29:24Why?
29:26I want to know who I'm getting involved with.
29:32Are you getting involved?
29:34Are you?
29:36Maybe.
29:38Well, that's good.
29:40I don't want to do it alone.
29:42So tell me all about yourself, Miss Monroe.
29:45Well, I like living well, and that's expensive.
29:49So I do what I have to do to survive.
29:52I'm in stocks, bonds, jewelry.
29:55Anything with a price.
29:58Sometimes my methods are socially acceptable.
30:04And sometimes they're not.
30:08You're amused.
30:09Intrigued.
30:10Good.
30:13Why don't we leave it that way?
30:15I really should get back to my friends.
30:17If you would like to continue this conversation,
30:21I'm in cabin 11-C.
30:40I'll keep that in mind.
30:47Okay.
31:14Hi.
31:15Back so soon?
31:16Yes, it got a little heavy.
31:17You mean he got rough?
31:20No, he got very gentle.
31:22That got a little rough.
31:24Hmm.
31:25You look happily distressed.
31:29Yes, as I said, pity he's a thief.
31:36You see those three?
31:41What about them?
31:43When Paul saw them, he got very uptight.
31:46I'll check with the purser. He probably has their names.
31:49By the way, what approach are you using with Mr. Hollister?
31:53The old, uh, it takes a thief to catch a thief.
31:56I figure if I reluctantly confess to a lifestyle that is illegal,
32:00but very classy, he'll, uh, take me in his confidence.
32:05Hmm.
32:06I'll see you later in the cabin.
32:08Don't stay up too late.
32:10Thanks, Mom.
32:13See you in the cabin.
32:31What the hell are you doing here?
32:33Mr. DeMargeron is concerned.
32:36He's supposed to wait in Los Angeles.
32:39He's also impatient and, well, a little suspicious.
32:43I told you, we wait at least three weeks before we move the merchandise.
32:47Mr. DeMargeron accepts that premise.
32:49It's just that, well, we'd like to know where the merchandise is.
32:52I mean, all of a sudden, you disappear on us.
32:54We went back to where the boxes were hidden.
32:56They'd been broken into and, well, they were empty.
32:59I took out the pieces to make sure none of them were damaged.
33:02All right?
33:03All right. Where are they now?
33:05Now, you listen.
33:07Mr. DeMargeron hired me to move that merchandise.
33:09He's been looking over my shoulder ever since this operation began.
33:12I don't like people looking over my shoulder.
33:14Now, you tell him. I'll move the merchandise when I think it's safe.
33:18In the meantime, I'm enjoying a little vacation on the high seas.
33:23I don't want to see you three again until I'm ready.
33:25Mr. Hollister, you need to learn some manners.
33:38Oh!
33:48Okay, gentlemen, the party's over.
33:53Why don't we call it a day?
33:55This isn't the end of it, Hollister.
33:57Ready, you.
34:00Whoever you are.
34:02Come on.
34:05Phew!
34:07Well, uh, you're so pretty, I think I'll forgive you.
34:10Forgive me?
34:12For interfering. Just wondering if you'd get any big good sport.
34:15Uh, weren't you going to introduce me to the lady?
34:19I'm not sure I know the lady.
34:21She seems to change from moment to moment.
34:24I haven't changed.
34:26You're just getting to see a little more of me, that's all.
34:29Ah.
34:31West, say hello to Chris.
34:33Hi. Hi. How are you?
34:35Still interested?
34:37Very much.
34:39Mind telling me why you carry a gun?
34:41You want to tell me who those three were?
34:43That's a dull story.
34:45I have a very patient nature.
34:47Maybe we should, uh, both drop the questions.
34:51Till we get to know each other better.
34:54I'm looking forward to that.
35:02Oh!
35:05¶¶
35:14¶¶
35:24¶¶
35:30Well, angels, Bosley is still following the elegant Miss Eleanor case
35:35all over Los Angeles.
35:37How goes it on the salty bride?
35:39Well, Chris is keeping a close watch on Paul Hollister,
35:42and there are three rather unpleasant fellows watching him.
35:45Our client is impatient,
35:47and Tiffany and I are getting marvelous suntans.
35:49Good.
35:51Now, the three fellows watching Hollister, do you want me to check them out?
35:54Please, Charlie. They're registered with the pursers
35:56John Caden, Joseph Stack, and Edward Warwick.
35:59I'll get right on it.
36:01When do you reach St. Thomas?
36:03Oh, in about four pounds.
36:05Four pounds?
36:07Charlie, the food is incredible. I'm gaining two pounds a day.
36:10So you'll be there day after tomorrow.
36:12Oh, he's very good at math.
36:14Yes, Charlie loves figures.
36:16I love working for you, Charlie. Bye.
36:18Goodbye.
36:22He is going to check them out?
36:25Don't you ever relax?
36:27Not as well as you two, apparently.
36:33Relax? This is my first case. Do I look relaxed?
36:37Yes.
36:46I feel like a drink. How about you?
36:48Hmm. Two minds that think like one.
36:58Where's who out of those three?
37:03I don't know. Who cares?
37:06I care.
37:08You worried about Paul?
37:10Well, they did look pretty mean last night.
37:12Well, Paul can take care of himself.
37:15You've known him a long time, huh?
37:17Mm-hmm.
37:19Didn't he tell me anything about you two?
37:22No.
37:24Mm-hmm.
37:26Didn't he tell me that you met during that mess in Vietnam?
37:32Yeah.
37:34Those were good days.
37:36Good days?
37:38Yeah.
37:40We had reasons for living, reasons for fighting.
37:43They were good days.
37:45And now?
37:47Now the day's easy.
37:49But sometimes...
37:52it's kind of meaningless.
37:56But we'll fix that soon.
37:59Fix it? How?
38:02You know, if a lady who carries a gun doesn't tell anything about herself,
38:06you sure do ask a lot of questions.
38:10Well, you know how it is when a lady's interested in a fella.
38:13She wants to know all about him.
38:15Where he's been, who he's been with.
38:18If he's been married.
38:21No, Paul never married.
38:24There was a girl once, just like you.
38:29She worked with me and my wife in the Peace Corps.
38:34But, uh...
38:36But what?
38:41Well, they were both killed during the fighting in Saigon.
38:45It's awful.
38:47Yeah.
38:51Yeah.
38:53Sure changed him.
38:57I see.
38:59I hope so.
39:01Because...
39:05Well, Paul's the kind of guy who feels things very deeply.
39:09I'll keep that in mind.
39:39I love you.
40:10Oh, miss, may I have a phone at my table?
40:13Ah, yes, sir.
40:33Thank you.
40:36Thank you.
40:44Uh, Charlie.
40:45Bosley?
40:46I'm still with her.
40:47Well, stay with her.
40:49I just got some responses from Interpol
40:51on the two fellas you'd seen talking to her.
40:53They're both known dealers in stolen art.
40:56A Mr. Wales and a Mr. Jergensen.
40:59So, Paul Hollister pulls a robbery.
41:02And goes to Miss Case,
41:04who, in turn, goes to a couple of dealers in stolen art.
41:08You know, it's beginning to track.
41:10So it would seem.
41:12I think it's time that I took a closer look at Miss Case.
41:16I'll check back later.
41:28Miss Case?
41:29Yes?
41:30I hate to impose,
41:32but I would like to speak with you for just a moment.
41:35You're not selling magazines, are you?
41:37No.
41:38As a matter of fact, I'm not selling, I'm buying.
41:41I think we can do business.
41:43May I?
41:46That's a very novel approach, Mr., uh...
41:49My name is not important.
41:51In fact, in my line of work,
41:53anonymity is sometimes a prerequisite for survival.
41:57What is your line of work?
41:59Let us say that I just toil in the same vineyards as yourself.
42:03Really?
42:06It has come to my attention
42:08that you are the representative
42:10of certain pieces of art that are for sale.
42:14I can't imagine where you got that information.
42:17Well, you have been in the company of gentlemen
42:20who do deal in such object art.
42:23I keep company with several gentlemen.
42:26Yes, and I can certainly see why.
42:29But I happen to be more interested
42:32in what was discussed with two gentlemen in particular,
42:36a Mr. Wales and a Mr. Jurgensen.
42:39Are you saying that they told you
42:41that I mentioned these objects of art?
42:44Are you saying you didn't?
42:46I'm saying I find this conversation tedious.
42:50Well, that sounds like my cue to leave.
42:54Yes, it does.
42:56Some other time, perhaps.
42:59I don't think so.
43:02Good day.
43:20¶¶
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45:26¶¶
45:55¶¶
46:10Hello.
46:12Hi.
46:14¶¶
46:30You see the beach?
46:32Lovely.
46:34Should we?
46:36Let's go.
46:38¶¶
47:04I'm not pleased, Rock.
47:07Mr. DeMarger and I would have been more insistent with Hollister,
47:11but he's no good to you if he's dead, is he?
47:14That young woman he's taken up with, who is she?
47:18Her name is Monroe, Chris Monroe.
47:20That's all I could find out.
47:22Find out more, everything about her and her two friends,
47:26and get Hollister now.
47:28I suppose he doesn't want to come.
47:30Bring him anyway.
47:32¶¶
48:01Hollister, you stay real calm.
48:04Somebody wants to talk to you out in the parking lot.
48:06Now you just turn around and follow this big fellow here, huh?
48:09Come on.
48:11¶¶
48:23Kelly, look over there.
48:27¶¶
48:31Aren't those the same three guys from the boat?
48:33They certainly are.
48:35¶¶
48:40Put him in the car.
48:43Now, Chris!
48:47Lady, you've pushed your luck far enough.
48:49Now you want to keep breathing, you back off.
48:52I appreciate the thought, Rock.
48:54Do as he says.
48:56You make a move, he gets it, you understand?
49:03Let's go.
49:13What's that all about?
49:17We just lost our prime suspect.
49:20Terrific.
49:34¶¶
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