Salon De Te La Moderna - Cap 101
Transcript
00:00It can't be! It can't be!
00:02Help! Help!
00:06Matilde, let's go inside.
00:08I'll make you some food.
00:10I'm sure it will ease your nerves.
00:12I saw Mrs. Carla.
00:14She had stayed with Cesar to go with us.
00:16She was a few meters away from me
00:18when I realized that Lieutenant Lorenzo
00:20and other police officers were following me.
00:22And I had to run away.
00:24I didn't know what to do.
00:26I didn't know what to do.
00:28They were following me for a few days
00:30and I had to make a decision.
00:32I turned around
00:34so that...
00:36so that he could escape.
00:38I'm not going to say anything
00:40but I'm not doing it for you, I'm doing it for Mr. Fermin.
00:42Sounds good.
00:46To be honest,
00:48it's not the first time I see her.
00:50Carla.
00:52A few days ago I saw her
00:54on the floor of the staircase.
00:56We have to be happy
00:58because Cupid's plan works
01:00and I want to continue.
01:02Well, it's true that it's working
01:04but we could also take it
01:06with a little more calm, right?
01:08No, no, no. We have to continue until the end
01:10because now I'm living a life
01:12without lies, without falsehoods.
01:14Do you think you can do everything?
01:16Because here, apart from a partner,
01:18you have someone you can always count on.
01:20You know that, don't you?
01:22I can't imagine
01:24having a better friend than you.
01:28What are you up to with Sarbita?
01:30What?
01:32I've seen you talking to him
01:34once or twice or more than twice.
01:36No, no, me nothing.
01:38Sarbita nothing, no.
01:40We talk from time to time to pass the time
01:42and because she works next door but...
01:44that's it, nothing more.
01:46And these tickets?
01:48They're to see a movie.
01:50Sometimes an apology is not enough.
01:52I'm very grateful but...
01:54I have a business to open
01:56and sometimes an apology is not enough.
01:58How did you start, the bookseller and you?
02:00I didn't know that.
02:02Me neither.
02:04But we were talking about the wedding gift
02:06from Antonia and Pietro.
02:08Yes, yes, but the wedding is to Trini's liking
02:10so start telling us.
02:12What were you doing yesterday?
02:14Where were you going
02:16with a suitcase?
02:18Lieutenant, I don't know anything.
02:20But Miss Ines,
02:22we have the border police on alert.
02:24It's a matter of time until we see him.
02:26I can't get it out of my head
02:28the farewell yesterday.
02:32I'm very sorry.
02:34It won't happen again.
02:36If I didn't like the farewell, I would have told you.
02:38It was very pleasant for me.
02:40Stop treating me with condescension.
02:42I know what I saw and I saw Carla.
02:44But where are you going at this hour?
02:46I'm going for a walk.
02:48Why can't I take it anymore?
03:02Reviewing your business list?
03:04Yes.
03:06I'm organizing my agenda
03:08to meet with them.
03:10I don't want my work to accumulate.
03:12Yes, sometimes it's hard to concentrate.
03:18I have my head in another matter.
03:22And I see you're tired.
03:24You didn't sleep well last night.
03:28Everything you can sleep in these circumstances.
03:34My love,
03:36allow me.
03:42I can't be like this with you.
03:44Really, everything I told you
03:46was to clear the air.
03:48Forgive me.
03:50I didn't want to bother you.
03:52I know.
03:54I should also apologize to you.
03:58My reaction was a bit exaggerated
04:00and the slap I gave was more.
04:06With respect to what
04:08you said.
04:12It's impossible, my love.
04:14Carla's body has been identified.
04:16And I believe you.
04:18I know you've seen something,
04:20but there has to be
04:22a logical explanation.
04:24Carla can't be.
04:26Don't talk to me like that.
04:28And don't treat me like a child.
04:32And tell me I didn't see something
04:34when I'm sure I did.
04:36My vision hasn't played a trick on me.
04:38Carla was there.
04:40My love, I believe you.
04:42There has to be a rational explanation
04:44to all this.
04:48I'm late for school. I don't have time for breakfast.
04:50No, no, no.
04:52You can't leave with an empty stomach.
04:54I'm not hungry.
04:56Well, I'd like some milk.
05:02Matilde?
05:04Yes?
05:06No, nothing.
05:08Clarita,
05:10I know you and I know you want to ask me something.
05:12Come on, ask me.
05:14Since when
05:16does a garcés turn his back
05:18to ask for something?
05:20Do you remember the letter
05:22we received from Pablo and Aunt Concha?
05:24Yes.
05:26And how pretty it was.
05:28Pablo and Aunt
05:32say they really want to see us.
05:36And the two of us?
05:38Matilde
05:40would like to go to Jerez.
05:44She misses us a lot.
05:50That's what I wanted to tell you.
06:00To Jerez?
06:02To spend a few days
06:04with Pablo and Aunt Concha.
06:08But...
06:12But you're going to miss class again
06:14and it's a very long trip
06:16to do it alone.
06:18Please.
06:20But aren't you okay with us?
06:22It's not that.
06:24I miss you a lot.
06:26I miss you a lot.
06:36Very well.
06:38Very well.
06:40I'll prepare the trip.
06:42I'll talk to Aunt, okay?
06:46Thank you.
06:50Come on, finish your milk.
06:52We're going to school.
06:56Come on.
07:00I'll go with you.
07:08Honey.
07:10I'll take your things.
07:12No, I don't need them today.
07:14I'll work at La Moderna.
07:26I love you.
07:56You and I are more
07:58We want to fly
08:00What's ours is a trip
08:02to the sun
08:06Forever you and I
08:10Dreaming in a room
08:14We are seagulls
08:16That stop us
08:18In La Moderna
08:20Love is possible
08:22Forever you and I
08:26A single heart
08:30We are brave
08:32If you don't understand
08:34In La Moderna
08:36There is a better world
08:38La Moderna wrote
08:40Our love poem
08:56Sleep well
08:58You slept well in your new bed
09:00Yes
09:02I'm not surprised that the seagulls
09:04were always so beautiful
09:06How comfortable the mattresses are
09:08Yes
09:10And to have the seat so close
09:12You don't have to go down the stairs at night
09:14And they have so many windows
09:16that it looks like we were in a hotel
09:18It's true
09:20It's true
09:22It's true
09:24It's like being in this hotel
09:26Let's not get used to it
09:30Tell the workers
09:32not to rush
09:34We have to tell the workers
09:36if we need something at home
09:38I don't think
09:40I have forgotten anything
09:42It helps you to not have so much
09:44It all comes in handy
09:50Antonia!
09:52What do you think about all this mail?
09:54They're from my family. They're telling me which train they're going to take,
09:58or which hotel they're going to stay in.
10:04How excited are you to meet them?
10:06Well, yes. I'm a bit nervous. I haven't seen them in a long time.
10:11Are they all coming?
10:12I don't know if they're all coming, because some of them haven't answered me yet.
10:16The ones from people you're going to see at the wedding, Antonio.
10:19All the relatives, all the staff from La Moderna.
10:23Well, not all of them. I haven't invited Mrs. Alajara, and neither has Teresa.
10:28You haven't invited Teresa?
10:29No, no. It's not that we have anything against her, neither Pietro nor I,
10:33but we agreed that they were going to be the closest, and she's not.
10:39Good morning.
10:40Good morning. What are you doing here? Shouldn't you be at the office?
10:43I don't have good news.
10:45Pietro, what happened?
10:47It's the sandwich, Antonio.
10:49The one we reserved a few days ago?
10:50Yes. It seems they didn't take a good note of the date.
10:53But I saw perfectly how you wrote it down.
10:56I know, I know.
10:58It's just that this morning I went around to confirm a matter of the cake,
11:03of how they would come to pick it up, and it turns out that they noticed it wrong.
11:09Well, what a relief that you noticed in time, Pietro.
11:12No, Marta. The problem is that the sandwich shop is always busy on the day of the wedding.
11:18There's no room for us.
11:20But then where are we going to celebrate the wedding?
11:22I don't know, Antonio. I don't know.
11:23We have to find another place.
11:25And that it's not so expensive, because we can't pay for a banquet hall.
11:31Where are we going to find a place now, three days before we get married?
11:34If it's that I'm more and more aware that a fool has not looked at us,
11:37but he has looked at us and looked back.
11:43Well, and here you have your canvas, Miguel.
11:46Double, as you asked me.
11:48Now, if it's not an indiscretion ...
11:50Elia, if I had to forgive you all your indiscretions, it would not be enough.
11:54Yeah, but you're always coffee, you're not canvas.
11:56And now you ask me for double.
11:58Can you tell me what makes you so nervous?
12:00It's ... it's the love I feel for Trini.
12:03I, with my feelings, I'm like that, I can't control them.
12:06I'm so in love with Trini that ...
12:08that even tachycardias give me.
12:10Wow, I didn't know you were so passionate, Miguel.
12:13Sure, this must be so much time hidden there in the priesthood,
12:16accumulating, accumulating, accumulating, and suddenly there is a day that, boom, explodes.
12:20Yes, it does, yes.
12:21Acholón, but acholón.
12:23And well, what do you tell me about Cañete?
12:25This virtue that he has as Celestino.
12:27Because you have to be careful when you see that yours with Trini ...
12:30Yes, you should have noticed it all, Elia.
12:33It's just that mine with Trini seems a bit sudden,
12:36but my feelings come from afar.
12:38Well, man, I must have guessed something, but I haven't really noticed.
12:41Sometimes I say no.
12:42And look, I have a good eye for these things.
12:44Very good, yes.
12:45Yes, yes.
12:46Well, thank goodness Cañete noticed and saw him coming, huh?
12:49You have to see what a heart of gold.
12:50If it is that ...
12:51What an honor to have him as a friend.
12:57Mr. Ruiz, Elias.
12:59Mr. Peñal, can I help you with something?
13:02Yes, I was looking for Matilde, I don't know if you've seen her.
13:06No, I haven't seen Mrs. Peñal in all day.
13:09Are you sure?
13:11Because he told me that he was going to come here to work at La Moderna
13:14to finalize his last details of the project.
13:16Well, he hasn't arrived yet, I can assure you that.
13:20Well, I must have misunderstood.
13:23Well, since I'm here, I'd like to be able to talk to Pietro
13:26to find out how many guests are going to be exactly
13:28for the celebration of his farewell at Madrid Cabaret.
13:31Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
13:34I, as in charge of the celebrations of the marriage link
13:37between Pietro and Antonia,
13:39I am able to solve the guest list
13:42and to receive and give any information that is necessary.
13:58Excuse me, Mr. Fermin.
14:00Can I ask you what is it that interests you so much?
14:03Because since he arrived, he hasn't taken his eye off the newspaper.
14:07Well, the news in general.
14:09It's just that everything that's happening is so exciting that...
14:14Do they say anything about the elections?
14:17It's just that this morning I came very quickly.
14:19I wanted to finish the accounts.
14:20The truth is that I couldn't even read the headlines.
14:22Yes, yes, yes, here it is, here it is.
14:24The results of the elections to constituent courts.
14:30Let's see.
14:31It seems that there have been no big surprises.
14:38No, there haven't been, no.
14:40Well, everyone says they have won.
14:43Or they feel they have won.
14:46Well, these are things of politicians.
14:50In the end, everyone interprets it in their own way.
14:52In cases that no one will ever accept that they have lost.
14:55Yes, the important thing is that the people, with their votes, have spoken.
14:58Look, there is a 90% coincidence between the results of the elections and the provisional government that we had.
15:06And well, despite everything that is happening in the country,
15:10there is a certain excitement for the new times that are coming.
15:14Well, you never know when something that excites you is going to happen.
15:17Right?
15:21Good morning.
15:23If you allow me.
15:29And well?
15:31Can you tell me why you are here? Because I don't remember calling you.
15:36Yes, I wanted to talk about how the wedding of Pietro and Antonia affects the squad of shifts.
15:43Because there are many employees who...
15:45I'll leave that to you, Teresa.
15:47I am convinced that it will be the best solution for everyone.
15:51As you wish.
15:53One moment.
15:55One moment.
15:57Well, since you are here, we are going to talk about more urgent issues.
16:00How is the refrigerator that I asked you to inaugurate for the gramophone store?
16:06There are only a few hours left and I would not like them to be delayed because of us.
16:11Everything is on point, there will be no delay.
16:14I hope so.
16:15And is there anything else you want to tell us?
16:18I don't know, the last time I spoke to you, I had the feeling that you wanted to tell us something, Mr. Fermin.
16:23What is it that you wanted to tell us, Teresa?
16:28Nothing, nothing, you can wait.
16:30I'm going to take care of the refrigerator for the inauguration.
16:33I don't want there to be any problem.
16:35Very well.
16:43Look, Mrs. Lázara, there is also a review in the newspaper of the last premiere of the circus.
16:50Well, I've heard that this woman is a prodigy.
16:52Yes.
16:53And I was thinking of going to one of the performances of these days.
16:57Oh yeah?
17:00And well, if you feel like it and want to accompany me ...
17:07Really?
17:10Well, I would love to be able to see Margarita Sirgui much more in her company.
17:13Well, then ...
17:15But no ...
17:17No, it won't be possible, Mr. Fermin.
17:19Mr. Fermin, I have to reject the invitation.
17:22Excuse me.
17:23Wow.
17:24And that?
17:26Why?
17:27Well, for ...
17:29For many reasons.
17:31You have to take care of La Moderna.
17:33The inauguration of your niece's store is taking place.
17:36And I have to remind you that you are Pietro's wedding godfather.
17:39No, no, no, no.
17:40Well, I'm sure if I get organized, I'll find a gap in the agenda.
17:44So ...
17:45Yes, yes, yes, Mrs. Lázara, I insist.
17:47If you want, Sirgu will wait for you.
17:53Well, fine, I accept, but ...
17:55But on one condition.
17:57I'll take care of the tickets.
17:59I don't want to take up any more time.
18:01Perfect.
18:02As you prefer.
18:17There it goes, I can't believe it.
18:19I forgot one of the most important.
18:22Oh, yes, I'm a nail and flesh.
18:24Mr. Fermin.
18:25What?
18:26Mr. Fermin.
18:27That apart from being my boss, he is the godfather of the wedding.
18:30I forgot to tell him that I was invited.
18:32Well, gentlemen, I'll leave you.
18:35Elias, please, if you see Matilde, tell her to call me.
18:38Yes, of course, I'll tell her.
18:40By the way, how are you?
18:42Because after what happened yesterday in the gallery ...
18:45Fine.
18:46Are you very well?
18:49Fine.
18:51Fine.
18:52No, it's just that I also know something about these things.
18:54Because my grandfather, Jeremías III,
18:56the whole town laughed at him,
18:58that everyone accused him of being crazy.
19:00Because whenever he crossed a bridge, he saw a ghost.
19:02And a lady.
19:03Yes.
19:04Until it was proven to be true.
19:06Was it proven that there was a ghost?
19:08No, Miguel, it was proven that my grandfather was a little crazy.
19:12Good morning, gentlemen.
19:15Elias, how many things do you have to learn from Don Fermín
19:17to be quiet, for example?
19:19Good morning.
19:40Tomorrow my friends have organized a mass for you.
19:45For my soul?
19:46How kind.
19:49Thank you for the detail, I can't miss it.
19:52I have to leave home at six.
19:55And the service?
19:58I will order them to accompany me.
20:00And if there is time, I will give them the afternoon off.
20:04Therefore,
20:06you have the house empty for you.
20:14I will destroy you.
20:16This has only just begun.
20:30But hey, Uncle Fermín.
20:34Thank you very much for all the soda you have prepared.
20:38The truth is that everything looks great.
20:41It is the luck of having the owner of the model as a partner.
20:45So,
20:46let's toast
20:48to the new business, which we hope will give us a lot of joy.
20:52Well, it has already given us the first joy,
20:54because this call has been a success.
20:57By the way, Don Fermín, I'm curious.
21:00What is your opinion on the election result?
21:03Well ...
21:04Yes, tell us, because I already know the decision.
21:06Well, I'm very happy,
21:07because I think this result can bring us universal suffrage.
21:10It seems to me that you are going a little fast, Miss Ceria.
21:14Well, I have to tell you that
21:16I am very happy that the situation has calmed down.
21:19Many hoped that the world was going to collapse
21:22with the change of regime.
21:24And it's not like that.
21:25But you know what?
21:27You can't be afraid of change.
21:29Because that means turning your back on the future.
21:31And the future is already here.
21:33I'm here too.
21:35Inés, you came.
21:37I couldn't miss it.
21:39I love the party.
21:40You can tell how dedicated you are.
21:42Well, our dedication, but also the help of Uncle Fermín.
21:45Without him it would not be possible.
21:50Wow.
21:51It seems that someone has been invited.
21:53Congratulations, ladies.
21:55I'm sorry to contradict you, but I was invited.
21:58Your other partner got me an invitation.
22:02Thank you, Don Fermín.
22:03And now, if you allow me,
22:05I would like to toast with you for your new business,
22:07to which I wish you a great future.
22:10Thank you.
22:12I already apologized to you,
22:14but I don't mind apologizing every time I need to.
22:17I behaved...
22:18What I did was a little thing.
22:20Yes, it was.
22:21But don't think about it anymore.
22:22It seems that the one who is behaving like a little girl
22:25is you.
22:26If you'll excuse me.
22:33Take the report.
22:35Don't pay too much attention to me.
22:37You already know what I'm talking about.
22:39It says ignorance.
22:41But I have written down a couple of suggestions.
22:44You will find them ridiculous.
22:46You already know that my knowledge of finance is little,
22:48not to say null.
22:50I'm sure all your suggestions will be very sensible.
22:53You master these subjects better and better.
22:56I have good teachers.
22:58And from what I see,
22:59a great mind for finance.
23:01You just had to activate it.
23:03Well,
23:04you haven't told me anything about the elections yet.
23:08What do you think?
23:09Me?
23:10You have to accept the democratic game.
23:13And therefore the result, whatever it is.
23:16I trust that this will help to achieve stability
23:19and prosperity for our country.
23:22You seem very optimistic, Fabio.
23:24Although I don't know if so much as to consider going back to politics.
23:28No, no, no.
23:29I'm sure
23:31not.
23:32Although,
23:33returning to diplomacy...
23:35Look,
23:36I already have my doubts there.
23:39And why do you tell me that?
23:41I haven't had time to tell you,
23:43but they have contacted me to...
23:46to test me with a diplomatic position.
23:49And the destination is tempting.
23:51London.
23:53And are you going to think about the proposal?
23:57Well,
23:58by the smile I see on your face,
24:00I see that you have already done it.
24:02And once again, dear Barbara,
24:04you are right.
24:05Yes, I have thought about it.
24:07London is a destination that I have always aspired to.
24:09You know it.
24:10Imagine it.
24:11London.
24:26You have to be optimistic, Inés.
24:27Everything will be fine.
24:28But being optimistic would be a way to deceive myself.
24:31No, no, no.
24:32It's not that.
24:33I've been consulting with an expert and he has confirmed
24:35that with discipline and sacrifice,
24:37miracles can be achieved.
24:39Well, then I see it complicated.
24:41Because I understand singing, but I don't know how to pray.
24:44Don't worry, Inés.
24:45There are solutions.
24:47I thought my sister's optimism was inexhaustible,
24:49but yours is not short.
24:52If you don't mind, I'm going to get a drink.
24:57Do you have a special power?
24:59Uh-huh.
25:00It makes me feel good when I talk to my sister.
25:03Then you have the opposite effect.
25:05Because it's Vermi and he gets angry.
25:08Before, when I saw you,
25:09I thought I was going to throw the glass in your face.
25:12Don't think about it, I've thought about it.
25:14But then I thought it might be better to kick your ass.
25:18Laura, your glass.
25:19Thank you.
25:22Gentlemen, I ask you for a moment of silence.
25:26First of all, thank you for attending the inauguration
25:29of this new gallery store.
25:32I said store, in singular,
25:34maybe I should have used the plural.
25:36Because it will not only be a gramophone store,
25:39as it has been so far,
25:40but also a photographic studio
25:43and sometimes an advertising agency.
25:46As you can see, a multidisciplinary business,
25:49as are the two new partners
25:52with whom I have the good fortune to count.
25:55My niece, Laurita Balbuena,
25:58and the illustrious photographer Celia Silva.
26:01So, please, I would like us to welcome
26:03these two new and young businesswomen
26:06with a big round of applause.
26:12Excuse me, I'll be right back.
26:20Here you go.
26:22And now, if you come with me,
26:24I can show you where they sell at a good price.
26:29Here you go.
26:31Thank you.
26:36No, I didn't expect it, really.
26:38I didn't know that my name
26:40was among those who fought for the embassy in London.
26:45Have you already given an answer?
26:47No, not yet.
26:49What do you advise me?
27:02Well, if you are so excited to be an ambassador in London,
27:06then take the job.
27:10Although, if I tell you so, I would be lying to you.
27:15Lying?
27:16Yes, lying.
27:18Because, actually, I would like you not to take it.
27:24Because if you do, you're going to break my heart.
27:28Because if you do, you're going to break my heart.
27:32I no longer understand in my life
27:34if it's not with you by my side.
27:37Every morning I wake up with you.
27:46The one who was lying was me.
27:48I would never accept that position
27:50because I would not want to separate from you for anything in the world.
27:53Fabio, you don't have to make that sacrifice for me.
27:56No, no, I wouldn't leave you alone.
27:58Especially not at this moment,
28:00with Carla's loss and in charge of the Morcuende company.
28:05You don't know how grateful I am.
28:14Well, now that we have solved this matter,
28:18the best thing would be for us not to fail.
28:20The mass in honor of Carla is about to begin.
28:23Yes, let's go.
28:26I know what I've said now may seem frivolous,
28:29but after the mass we're going to have dinner at a restaurant.
28:32The reservation is already made. I won't accept a no for an answer.
28:35At a dinner?
28:37But I'm in a bad mood.
28:40So what?
28:41Even so, you'll be the most beautiful woman in the whole restaurant.
28:47Let's go.
28:56Let's go.
29:27SEPTEMBER
29:40Esperanza, Antonia told me that you might have solved
29:44the problem with the snack bar.
29:46Oh, that's what I'm thinking now.
29:49This thing with that godmother is very tiring.
29:52It never ends.
29:53With the snack bar.
29:55I haven't been able to buy Antonia a gift yet.
29:58And I haven't even been able to talk to Mr. Fermin.
30:00We have to agree on a lot of things.
30:02Calm down, because there are three days left.
30:04Oh, don't make me nervous.
30:05Think of something else.
30:07But how can I think of something else,
30:08if all you do is ask me about the wedding?
30:10And why do you want me to ask you?
30:12Because of the selection results?
30:14Oh, no, not that.
30:15Because we can't even vote.
30:17Besides, we, being poor,
30:20what else do we have?
30:22Burn one, burn the other.
30:24Live to work and work to live.
30:27Well, to survive.
30:29You look more like vinegar than crystals.
30:33Good afternoon.
30:34You tell me.
30:36I came to have a coffee,
30:37but seeing that you are so responsible,
30:41I didn't want to miss the opportunity to come closer
30:43and thank you.
30:45What was missing?
30:46And what's that about thanking us?
30:49It seems to me that you are as funny as Tunante.
30:53Well, Tunante is not an insult,
30:55because you belong to the Tuna, right?
30:57Yes, that's right.
30:58So, Tunante, why are you thanking us?
31:02For having the cleanest crystals in the gallery.
31:05It's been hurting my eyes to look at them.
31:08Well, since you haven't told us how you see the crystals,
31:12I'll tell you how I see you.
31:15You're a smartass who wants to take advantage of Marta, of course.
31:19It's just that all the Tuna are the same.
31:21I'm sorry, but I think you're mistaken.
31:23No, no, you're the one who doesn't know.
31:25You must have been deaf from all the talking.
31:28Let's see, you have nothing to do here with the girls, right, Marta?
31:31Nothing.
31:33Well, you already have a lesson learned today.
31:36In a sea that is not yours, you cannot fish.
31:40As far as I know, the sea has no owner.
31:42And I don't like fishing, but if I had to do it,
31:46I would do the same with a beautiful mermaid.
31:49A jellyfish is what you're going to fish.
31:51But I would set her free,
31:53because the mermaids must swim freely
31:55so that we can all hear her voice
31:58and enjoy her beauty.
32:01Vinegar.
32:03What did you say?
32:05That if what you want is to clean the crystals in the library,
32:07use vinegar.
32:09And now, please, if you'll excuse us,
32:11we would like to continue cleaning.
32:13Here some of us are not the owners' daughters,
32:15and if we don't work, they fire us.
32:19She has thrown the hook somewhere else.
32:22Air.
32:25Ah.
32:37Hello.
32:38Here is the latest edition of the newspapers,
32:40as Teresa asked me.
32:42Well, thank goodness, because the clients are
32:44dying for the newspapers
32:46with this election thing.
32:48So, how many more?
32:50Well, look, more for us.
32:52A little more and we'll be on today's cover.
32:55A couple that has been lying for a long time
32:57finally caught in their trap.
32:59As if we had no experience in lying.
33:01Lucky that Cañete is able to sell any slut.
33:04Saved at the last moment.
33:06Well, let's look at the good side.
33:08Now everyone has found out about our relationship
33:11and they have believed it.
33:13Well, yes.
33:14And with the good view of Esperanza and Elias.
33:16My goodness, even on the radio
33:18the news runs faster.
33:20Well,
33:21phase one of the Cupid plan
33:23successfully completed.
33:25Mr. Fermin.
33:26Yes?
33:27Just now I was commenting
33:29with trinity the success
33:31that the inauguration of the new store has had.
33:33Congratulations for the part that touches you.
33:35Exclusive merit of my niece and her friend Celia.
33:37But yes, yes, it has been a success.
33:39Now we just have to wait for the business to be too.
33:42Well, here is the new edition of the newspaper,
33:45in case you are interested.
33:46Yes, yes.
33:47I'm interested, although I don't think the news
33:49that I would like to confirm comes to the newspapers.
33:53I don't know if I'm explaining myself.
34:01Let's toast to the success of the inauguration.
34:08It has gone very well, hasn't it?
34:11Well, yes, the truth is that
34:13more people have come than we expected.
34:15That store is going to be a success, girls, I assure you.
34:18On the first day we have already sold two radios and several records.
34:20And I haven't stopped taking pictures in the studio
34:22all morning.
34:24Of course, we have been so busy
34:26that I have not been able to go through the printing.
34:28To see the brochures of La Moderna
34:30and I have to give them to the guy tomorrow.
34:32Well, you'll see, everything was fine.
34:33Yes, I know.
34:35But I would have liked to check at least one.
34:37It's just that it's not like working blind.
34:39As if you were taking pictures without looking through the visor.
34:42I don't think the guy ignores your services
34:44because he doesn't like how a brochure has turned out.
34:46Don't worry, I won't give up.
34:48Because I need my job as an advertiser.
34:50The salary is good for us to invest in promotion
34:52or in store items.
34:54Laura, we have already talked about it.
34:56If at some point you are very overwhelmed
34:58to have to combine your work in La Moderna
35:00with the day-to-day of the store ...
35:02No, don't worry, that's not going to happen.
35:04Yes, but if it happens, let me know and period.
35:06You are the important thing,
35:08not the money we are going to make or stop making.
35:10Thank you, Celia.
35:12You are the best partner you can have.
35:14And we are also going to toast
35:16because I finally wanted to go out.
35:18That?
35:20Yes, well, thank you very much for the effort.
35:22I couldn't miss the inauguration.
35:26And in passing I give a little work to my spies.
35:34No, I don't think he's explaining to me.
35:36Anyway, a certain rumor has reached my ears.
35:38And since I'm not at all a friend of gossip,
35:40I'm going to face it directly.
35:42Is there anything you want to tell me, Trinidad?
35:48Well, I would have to be a little more specific
35:50with this rumor,
35:52because she knows that gossip is very treacherous.
35:56And there are people who have a lot of imagination.
36:00Well, it has come to my ears that you two are a couple.
36:02Is that true?
36:04Oh yes, yes, yes, yes, yes.
36:06We are a couple.
36:08Yes.
36:10Recent.
36:12I am grateful, I am grateful, Mr. Fermin,
36:14for having put in front of me
36:16the most beautiful of all women.
36:18You didn't know it,
36:20but when I gave Trinidad the job
36:22in this room,
36:24I made a decision that changed my destiny.
36:26It will be less, Mr. Ruiz.
36:28It will be less.
36:30Anyway, since I'm not a friend of gossip,
36:32I just wanted to confirm the news,
36:34congratulate you,
36:36and hope you are happy.
36:38We are.
36:40Trinidad is an excellent worker
36:42and a better person.
36:44And I can tell you positive things about you.
36:46Now, I'm going to dare to give you just one piece of advice.
36:48Go slowly, please.
36:50No rush.
36:52Little by little.
36:54Well, little by little.
36:56Or fast, right? Because it's also good, right?
36:58I mean, every relationship is a world
37:00and each world has its own speeds.
37:04In the case of feelings, I don't know
37:06if you are good consultants,
37:08but anyway, you are adults
37:10and sensible and will act in the most convenient way.
37:16Well, I'm going, I'm going, I'm going,
37:18I'm going to the lab.
37:20I'll be back later.
37:22And I'm going back to the library.
37:24Good afternoon.
37:26Mr. Ruiz, please stay a moment
37:28because now that we are alone,
37:30I would like to talk seriously with you.
37:32Well, what do you have to tell me?
37:34Alone?
37:36You are not a kind of Don Juan, are you?
37:38One of those who seduces women
37:40as entertainment.
37:42Me?
37:44I am a man of a single woman.
37:46My heart has been occupied by Trini for a long time.
37:48Well, not for so long,
37:50because I still remember that not long ago
37:52I courted Teresa.
37:54Ah, that.
37:56Well, but that was something temporary.
37:58Temporary? I don't think my client
38:00is a passenger.
38:02I assure you that nothing serious happened.
38:04He just got into a relationship.
38:06He was a magician.
38:08She can confirm it herself.
38:10We were not made to be a couple.
38:12And how do you and Trini know?
38:16Because she is the woman of my life.
38:18That a man does not know.
38:20Trinidad is the person
38:22I want to spend the rest of my life with.
38:26And you are a good person.
38:28Well, I'm just going to say something
38:30that I already warned you when Teresa ...
38:32I appreciate my workers a lot.
38:34A lot.
38:36So I hope Trini is happy
38:38and that she takes care of her.
38:40If so, she will have a friend in me.
38:42But if it is not so ...
38:44Let's hope she doesn't have to see me
38:46ever angry, Mr. Ruiz.
38:48Let's hope.
38:50Don Fermin, let's hope.
38:58What do you mean by giving work
39:00to your spies?
39:02It's just that going to the galleries
39:04I felt that several people
39:06were following me.
39:08Inés, what are you saying?
39:10Have they done anything to you?
39:12No, no, just follow me.
39:14But I know very well who gave them the order.
39:16Lieutenant Lorenzo.
39:18Oh my God, that man doesn't give up.
39:20No, and I don't know how to make him understand
39:22that I have no idea where César is right now.
39:24But let's see, are you okay? Are you afraid?
39:26Of course I'm afraid.
39:28I don't know, I understand that feeling
39:30spied on is not a very pleasant feeling,
39:32the truth.
39:34No, it's not.
39:36But I'll have to hold on until all this passes.
39:38Or not. Maybe we can ...
39:40I don't know, talk to Uncle Fermin.
39:42But what would we gain from that?
39:44I don't know, maybe he can intervene
39:46and stand up to him.
39:48No, look, I prefer to keep him at a distance
39:50because that way there is less concern for him and for me.
39:52Are you sure, Inés?
39:54Right now.
39:56Besides, I'm already quite nervous.
39:58I'm waiting for the results of the stomach tests.
40:00I'm going to prepare something to eat.
40:16You are very quiet today, Salvita.
40:18Not to mention that that plumber has a great ally in you.
40:20He's never going to get dirty.
40:22Because he doesn't even touch the dust from the shelves.
40:24Eh?
40:26Yes, yes, the plumber.
40:28Do you have any ideas, Salvita?
40:30Yes, the plumber, I'll pass.
40:32No, the plumber, the one who sees you from afar.
40:34You.
40:36What do you mean? That I don't like to work?
40:38No, you don't need to say that.
40:40But there is one thing that you do like a lot.
40:42The modern one.
40:44You've been using it a lot lately.
40:46It has very good coffee.
40:48And besides, you always tell me
40:50that I don't fall asleep at work, right?
40:52Well, I'll have to do something.
40:54Something tells me that it's not precisely because of the coffee.
40:56Because I read that you go to that tea room a lot.
40:58Rather, I would say that it is ...
41:00because of Marta.
41:02I didn't know that hobby of yours.
41:04The gossip, Miguel.
41:06Look at the observation capacity.
41:08From this same glassware
41:10I have been able to see how you looked for it yesterday
41:12and how you have looked for it today.
41:14That means that yesterday
41:16I left the glasses very clean.
41:18And more than I'm going to leave them from today
41:20because before they gave me an advice to do it.
41:22With vinegar.
41:24I give you another advice.
41:26I don't think you have much future with Marta.
41:28Doesn't it seem that the girl is very happy
41:30when she sees you?
41:32At least this is what I perceive from here.
41:34You don't give Marta's for lost.
41:36That if there is something good about being in this bookstore
41:38is that the girl makes me happy in the mornings.
41:40Well, let's see if you take note of her.
41:42That she is very hardworking.
41:44Let's see if by looking at her so much, something stays with you.
41:48The account of the 6, Teresa.
41:50Any news with Mrs. Lázara?
41:52Why do you ask me that?
41:54Have you seen anything?
41:56What I have seen is that you are still going back to the matter.
41:58Do you still believe that it was she
42:00who planned everything to stay locked up all night
42:02with Don Fermín?
42:04Man, I have it clear as water, come on.
42:06And she doesn't try too hard not to cut it.
42:08And I don't know if I'm going to cut it.
42:10I don't know if I'm going to cut it.
42:12I don't know if I'm going to cut it.
42:14I don't know if I'm going to cut it.
42:16I don't know if I'm going to cut it.
42:18And what I have seen this morning, come on,
42:20I have realized that she is able to use all her charms
42:22in order to seduce Don Fermín.
42:24But...
42:26Have you caught them in a committed situation?
42:28Well, not committed.
42:30But everything will work out, you'll see.
42:34The trick is that she had us.
42:36Well, I've had her in my sights for a long time.
42:38And that's why she wants to kill you with me.
42:40Well, she doesn't go and tell me,
42:42well, she puts me in front,
42:44to deceive me, Mario.
42:46But, Santa, what did she say?
42:48What were you talking about?
42:50Why would she say something like that?
42:52None of your business.
42:54Well, I'm going to turn you around.
43:00Well, in that thing about Mario,
43:02she was right, because, come on,
43:04how stupid I was.
43:06Now they don't catch me in another one, huh?
43:08In matters of love, it's already fermented, but well.
43:10Take it.
43:14Well, I'm still counting on you, right?
43:18Are you counting on me?
43:20Well, you see, I need an accomplice.
43:22Someone who is an eyewitness
43:24in all this matter of Mrs. Lázaro and Don Fermín.
43:26Ah, that. Yes, yes, of course.
43:38Oh, by the way,
43:40is it true, that rumor that goes around among colleagues
43:42that you have made of Celestino,
43:44between Trini and Miguel?
43:46Ah, well, yes.
43:48It is seen that ...
43:50Well, the thing goes with me,
43:52I didn't even realize it.
43:54But when it comes to seeing love between two other people,
43:56I catch it first.
43:58Teresa, for God's sake,
44:00do me a favor to help me.
44:02But hey, what voices are these?
44:04What's wrong with him?
44:06I need to talk to Don Fermín as soon as possible.
44:08Since his office has been closed,
44:10well, if it's a work matter,
44:12you know you have to tell me first.
44:14No, it's not about work.
44:16It's about Antonio and Pietro's wedding.
44:18Look, what day are we on and we still don't have a place to celebrate the invitation.
44:20Uff, that's a lot of work.
44:22You see.
44:24And of course, you will understand that being the godmother,
44:26I have to talk directly
44:28with the godfather, Don Fermín.
44:30Come on, even in the Vatican
44:32they give hearings with the Pope more easily.
44:34Well, being Mrs. Lázaro in the way,
44:36I don't know how I can help you.
44:38And when do you think
44:40I can catch Don Fermín
44:42without the vampire in the way?
44:44Well, daughter, I don't know.
44:46I don't know.
44:48Well, here I am.
44:50Oh, Cañete, now that I'm seeing you,
44:52I had to tell you something.
44:54Oh, what was it?
44:56Oh, wait, I look at it in my godmother's notebook,
44:58I have it all here.
45:00Oh yes, accommodate an assistant in the church.
45:02You told me you were going to help me, right?
45:04Do I still trust you?
45:06Yes, I already told you that yes, Esperanza.
45:08You don't need to ask me again.
45:10Man, I ask you, of course I ask you.
45:12Because you are a man and those things are easily forgotten.
45:14So, accommodate an assistant,
45:16Cañete,
45:18I give you the cross.
45:20Are you okay at 8?
45:22At 8 for what?
45:24Man, to think between the two of us where we sit people.
45:26Of course,
45:28that's a matter of great responsibility.
45:30Because it's not the same to sit
45:32friends,
45:34work, than family.
45:36Or for example,
45:38where do you sit the godmother?
45:44Don Salvador, good afternoon, how are you around here?
45:46Good afternoon.
45:48I'm on my way, I'm not going to entertain you much.
45:52I wanted to take advantage of the fact that I was here
45:54to ask you about the progress of my son Salvita.
45:58Great progress, Don Salvador.
46:00Salvita is making great progress.
46:04He is a perfectionist,
46:06tenacious, he is a boy
46:08inexhaustible.
46:10With telling him that I had to take this pen
46:12out of his hands to rest a little,
46:14just now he was talking to me
46:16that he wants to clean the glasses with vinegar.
46:18Vinegar?
46:20Are you kidding me, Miguel?
46:22No, no, no, it seems that vinegar is the best.
46:24That's not it.
46:26He's telling me that in the few days
46:28he's been with you, Salvita has become
46:30like this, from night to morning.
46:32In a formal and hardworking boy.
46:34Incredible, right?
46:36He's a boy who puts a lot of effort into it.
46:38Well, what I was missing to hear,
46:40that they take me for a fool.
46:42Salvita, it is clear that I have to take you
46:44to another bookshop where the manager
46:46does not have to lie to me in order to get rid of you.
46:48Well, Don Salvador,
46:50you will excuse me.
46:52Maybe I haven't chosen the best words.
46:54You know that hyperboles are my favorite literary figures.
46:56Well, look, Miguel,
46:58I'm leaving.
47:01I have to make a decision.
47:06Did you have to exaggerate so much?
47:08Because I don't want to go to another bookstore.
47:10I have to stay in this one, near the modern one, near the ...
47:14Look, I'm going to look for my father
47:16to see if I can fix what you were spoiling.
47:22Whenever you open your mouth, Miguel ...
47:24Miguel, you ...
47:30And will you bring me some souvenirs?
47:32Of course.
47:34Pablo and Aunt Conchita have told me
47:36that they will take me to the beach of La Caleta, in Cádiz.
47:38I will bring you all the shells I find.
47:40How nice.
47:42Hi, Clarita.
47:44Hi, Susana.
47:46Hi, Marta.
47:48Marta, you don't know what.
47:50I'm going to Jerez to see Pablo.
47:52Why are you going to Jerez?
47:54Pablo is going to teach me how to ride a motorcycle.
47:56He told me.
47:58Well, he'll be there to teach you how to ride a motorcycle,
48:00having a leg like he still has.
48:02Let's go see the works.
48:04Come on.
48:12Is that true? He's going to Jerez?
48:14Yes.
48:16Clarita misses Pablo and Aunt Conchita a lot.
48:18So she's going to spend a few days there.
48:20I don't.
48:22I wouldn't miss his wedding for anything in the world.
48:26I see they're already set up.
48:28I really like to see this house alive again.
48:30Well, it's a provisional thing.
48:32It's a detail of Don Braulio's children.
48:34And what are you doing here?
48:38Well, it's for Petra, the neighbor.
48:40Sabrina's wife?
48:42Yes.
48:44She told me that today she was leaving for Puerto Real, in Cádiz.
48:46And it's the same train that goes through Jerez.
48:48So I asked her if it would be okay
48:50if Clarita came with her.
48:52It's very sudden and I don't know.
48:54But it's for the best.
48:56Well, it's fine, because the girl isn't going alone.
48:58It's a very long trip.
49:00If it weren't for Petra, I'd take her.
49:02Now she's staying with her, and then Iño comes
49:04and picks her up to take her to the station.
49:06And will Aunt Conchita be notified?
49:08Yes, she'll be waiting for her there.
49:10Matilde, I'm going to Jerez for ten days.
49:12Because Marta says she doesn't believe it.
49:14Of course, you're going for ten days.
49:16Ten days.
49:18If I go back, I'll have a light belt and everything.
49:20Ten days?
49:22Aren't you going to miss a lot of school days?
49:24I know.
49:26But Clarita needed it.
49:28And...
49:30And what?
49:32I couldn't deny it, Antonia.
49:34Can't you see how happy she is?
49:36Yes, and now I'm very happy to see her so happy.
49:38What's wrong?
49:40You can tell me whatever you want.
49:42You know that, right?
49:44Oh, come on.
49:46I think this obsession
49:48you're having with the fabric
49:50is not good, I'm telling you.
49:52It's double.
49:54Honey, I think you should look at the medicine books
49:56that you have in the library
49:58to see if so much fabric is good.
50:00And that would be the last book I would look at in that library.
50:02Because I see myself in the street, Trini.
50:04Honey, don't be so dramatic.
50:06With the time you've been working there
50:08and the consideration Don Salvador has for you.
50:10Oh, my love, it's just that
50:12I had never seen Don Salvador with that bite of a dog.
50:14And between this and the stripes,
50:16well, I'm going to the street.
50:18No, honey, no, you'll see that it's not.
50:20You'll see how, for now,
50:22we've raffled off all the bumps
50:24that life has put in front of us.
50:26I haven't raffled off Salvita much, let's say.
50:28Rather, I've collided with him face to face.
50:30You'll see how good it's going to be.
50:32You know why? Because we're together.
50:34And you and I get along.
50:36And there's no one who beats us.
50:38Yes, yes, you and I have been together since love.
50:40And in lies.
50:42And in sickness, too, because these nerves
50:44are going to end my health.
50:46I wish Antonia and Pietro
50:48had the marriage you and I have.
50:50Because, look, you know what?
50:52I'm more in love than the first day.
50:54I'm also more in love. Nervous, but very in love.
50:56Oh?
50:58A kick?
51:00Oh, no, how can it be a kick? They're gases, honey.
51:02Come on, come here, come here, you're dumber.
51:04Oh, oh.
51:06Oh!
51:08What's wrong?
51:10I lost the button.
51:12What are you looking at?
51:14Nothing, the button, it fell.
51:16The button.
51:18Both buttons.
51:22Is it because of what they say happened in the gallery
51:24that you saw...
51:26Mrs. Carla.
51:28Yes. Do you think I'm out of my mind?
51:30How could I think that? Don't be silly.
51:32Well, Antonia, I know it's impossible.
51:34But I swear, it was so real.
51:36A guitar and a flamenco suit.
51:38I'll bring you all that.
51:42No, Clarita, I'm fine with some chestnuts.
51:44Besides, you're not going to take
51:46such a big suitcase to bring a lot of things back.
51:48But, well, I don't want to bore her
51:50with my things.
51:52It's just that
51:54I haven't seen her so happy in a long time.
51:56I don't know.
51:58It breaks my heart.
52:00I owed it to her.
52:02I don't know, I think I failed Clarita.
52:04How can you fail your sister?
52:06You fell for her.
52:08But I feel like I haven't helped her
52:10get used to this new situation.
52:12And I feel guilty, I can't help it.
52:14Guilty? But she did everything she could.
52:16And in your situation, with everything you've been through,
52:18I wouldn't have done it better.
52:20If I had done it better,
52:22Clarita would have been more affectionate with me.
52:26I don't know, I have to go.
52:28Thanks for everything.
52:30See you.
52:32Bye.
52:36Hey, Clarita.
52:40I have to go.
52:42You go to Petra's house.
52:44Do you remember where it is?
52:46Yes, it's that one up there.
52:48Then Iñigo will come to pick you both up.
52:50I'm going to Moderna to do some management,
52:52but I'll do everything I can to get to the station on time.
52:54Okay?
52:56But if it wasn't possible,
52:58I want to tell you
53:00that I'm going to miss you a lot.
53:04Can you give me a kiss?
53:18I'm going to miss you a lot too.
53:28Bye.
53:32Thank God I got to the station.
53:34I didn't want that train to leave
53:36without saying goodbye to Clarita.
53:38You already said goodbye.
53:40Or at least that's what Clarita told me
53:42when I went to pick her up.
53:44Yeah, but it's not the same.
53:46Besides, I promised her that I would do everything I could
53:48to get to the station to say goodbye to her.
53:50Look, it's hard here at home with you,
53:52but I'm sure she would have liked
53:54to see you there saying goodbye.
53:56She's a woman and sometimes a girl.
53:58Well, I'm sure
54:00that as soon as you set foot on the train,
54:02she would have missed you a lot.
54:06Not even half as much as I miss her, really.
54:08What's wrong?
54:10Look, you're dramatic in the Garcés family.
54:12Really.
54:14Don't worry. She's not going to be alone.
54:16She's going to be with her aunt and her brother.
54:18I'm not going to be alone either.
54:20I'm going to be with you.
54:26Listen.
54:28Do you hear that?
54:30What?
54:32The silence.
54:36I don't know if you know,
54:38Mrs. de Peñalver,
54:40but we're alone at home.
54:44I don't know what you're thinking,
54:46but I remind you that I'm a married woman.
54:48Well, if it's not a problem for you,
54:50it won't be for me either.
54:52Wait for me.
54:54I have a surprise for you.
55:22Come on.
55:26Come on.
55:28I'll go with you.
55:32Honey.
55:34Don't you take your things?
55:36No.
55:38I won't need them today.
55:40I'm going to work at La Moderna.
55:48Matilde?
55:52Matilde?
56:00Honey.
56:02Is something wrong?
56:04I was calling you.
56:06It's Carla.
56:08Carla has been here.
56:16Fabio already knows what he has to do.
56:18But I can't insist more.
56:20What's wrong with me, Mom?
56:22Maybe you're being too soft with him.
56:24I'm sorry to disappoint you,
56:26but I've done my best.
56:28From now on...
56:30From now on, we'll have to take less correct paths.
56:32Everyone has a price.
56:34Carla has moved my notebook
56:36and left it on the terrace.
56:38Maybe she was your sister.
56:40Don't believe me.
56:42Carla is dead.
56:44I can't stop thinking what will happen
56:46if they tell her she can't sing again.
56:48Here are the results of the tests.
56:50I'm sure they'll be favorable.
56:52Yes, we all are.
56:54Yes, I think it's great that you're so convinced,
56:56but I don't think anyone understands
56:58what I'm going through.
57:00My God.
57:02No one can stop it, Antonia.
57:04You're going to be my wife.
57:06I'm going to make you happy.
57:08Look, I'd like to participate in the wedding gift,
57:10but if you're not invited,
57:12you don't have any obligation.
57:14Well, what's the big deal?
57:16I don't have a lot of money,
57:18so I insist on participating.
57:20How much is it?
57:22If a miracle doesn't happen,
57:24we'll be left without an invitation.
57:26What am I going to tell the people
57:28who come from Andalusia to see us?
57:30Pietro, at least don't feed her or give her a baby.
57:32For once, I ask you not to see me
57:34as your cleaning boss,
57:36but as a maid.
57:38Because I'm here to talk to you about Godmother, Godfather.
57:40Amave.
57:42Three days before the wedding,
57:44but that's terrible.
57:46That's why I thought of you.
57:48Today is the farewell of Antonia and Pietro,
57:50and what are we going to do, shout their protagonism?
57:52Well, it's true, I don't know, you're right.
57:54Well, I'll think of something.
57:56I don't know, I'll tell you one thing.
57:58We're going to do it before your wedding.
58:00Are you sure?
58:02Yes, yes.
58:04By the way, I've already bought the tickets
58:06to go see Margarita Sirgoza.
58:08Here's yours.
58:10I can't wait to see the function.
58:12Why don't you keep them?
58:14Because they are separate locations.
58:16You are in the patio of Butacas,
58:18it is the best entrance I have been able to get.
58:20I'm in the henhouse.
58:22In the henhouse?
58:24I thought it was about going together.
58:26If I didn't find out
58:28that you had just been dating,
58:30I would think you were married.
58:32And how have you been looking at each other for a long time?
58:36What's wrong? Why are you so nervous?
58:38How did you notice?
58:42That Antonia was something more
58:44than a co-worker.
58:46I mean, how ...
58:48How did she know
58:50that what she felt for her
58:52was ...
58:54was love, Mr. Fermin?
58:56But I don't know, it's like someone
58:58wants to drive me crazy.
59:00Someone? Who, honey?
59:02Well, Mrs. Carla.
59:04Or rather, her ghost.
59:12♪ ♪