Big Jake
Transcript
00:00:001909, the Edwardian Golden Age.
00:00:18Genteel civilization had come to England, the continent, and the eastern United States.
00:00:22New York rivaled London and Paris as one of the great metropolises of the world.
00:00:29Albert Einstein had expounded his theory of relativity back in 1905.
00:00:34And science had brought us the wonders of the modern world.
00:00:44Culture and refinement had arrived on the east coast of America.
00:00:47Caruso was singing Pagliacci at the Met.
00:00:49Arturo Toscanini was conducting.
00:00:52The Barrymores were performing.
00:00:54And the Ziegfeld Girl was the rage.
00:00:571909, in the western part of the 46th United States, was not so refined.
00:01:04The surviving Indian warriors were now being rounded up by the U.S. Army.
00:01:11In Washington, William Howard Taft, 300 pounds of pure Republican, was president,
00:01:15and life was comfortable.
00:01:18In other parts of the country, men were fighting each other and the elements.
00:01:26In the New York department stores, a lady could buy maxis and boots and live in style.
00:01:31Out west, they didn't think about style, just living.
00:01:39Eastern empire builders had secured their fortunes.
00:01:42The Morgans, Vanderbilts, Carnegies.
00:01:45There were empires in the west, too, such as the great McCandles Ranch.
00:01:51But these huge ranches were held together only by having enough men and guns.
00:01:57Notre Dame teams were playing football, with then-newt Rockne catching the forward pass.
00:02:06In the Arizona territory, another team, the Arizona Rangers,
00:02:09were busy just trying to keep the peace.
00:02:12Anna Pavlova, prima ballerina of the Russian ballet, was dancing Swan Lake.
00:02:21The dancehall girl in the Klondike Gold Rush Saloon was somewhat different.
00:02:27By 1909, still photographs had come to life.
00:02:30Motion pictures had been born with the great train robbery.
00:02:37While that make-believe drama was on the movie screens,
00:02:40nine men crossed the Rio Bravo into Texas.
00:02:48The turbulent years between the Civil War and the turn of the century
00:02:52brought out the best in some people,
00:02:54but in others, it brought out the worst.
00:02:57Example, O'Brien, a half-breed Apache born of a Chiricahua mother and Irish father,
00:03:02a professional gunfighter, one of the last of his kind.
00:03:06Pop Dawson, rode with the James boys in Kansas and Missouri,
00:03:10said to have murdered more than a dozen men, one for as little as seven dollars.
00:03:17Trooper, name unknown, a backshooter, considered a coward,
00:03:22reputed to have been a cavalry soldier sometime in the past,
00:03:25but not to the personal knowledge of his confederates.
00:03:28William Fane, younger of the Fane brothers,
00:03:30favors a shotgun, a greener, for its bloody killing effect at short range.
00:03:36James William Duffy, at age 14, killed his first man,
00:03:39who was an admirer of his prostitute mother, dead shot with a rifle.
00:03:44William DeVries, young Billy, not quite 21.
00:03:48This raid was thought to have been his first outlaw act.
00:03:51Walt DeVries, his older brother by 20 years,
00:03:55he looks more like an Iowa farmer than a professional killer.
00:03:59John Goodfellow, maybe the worst of them, an indiscriminate killer,
00:04:03women, children, no consequence at all,
00:04:05prefers to work close, favors a razor-edged machete.
00:04:10John Fane, sometimes peace officer and bounty hunter,
00:04:14served with distinction during the Spanish-American War,
00:04:17professional soldier thereafter, now between wars.
00:04:21Currently, banks, trains, killings,
00:04:24and responsible for organizing the infamous McCandles Raid.
00:04:42Morning, Pancho.
00:04:44Good morning.
00:04:51♪
00:05:21♪
00:05:51♪
00:06:19Time to get up, Mr. Jeff.
00:06:21Hmm.
00:06:24Delilah, I'm naked.
00:06:25I seen you naked the day you was born and many times thereafter.
00:06:29Ride is coming.
00:06:38Is you getting up?
00:06:39Yes, ma'am.
00:06:51Grab his head. Grab his head.
00:06:53Hold him. Hold him. Hold him.
00:06:55Hold him. Hold him. Hold him.
00:06:58Chico!
00:07:00That boy.
00:07:03Chico!
00:07:04Chico!
00:07:06Hey, hey! Come on!
00:07:11Now, I know you'd like to see Miss Stubby ride that bronc again,
00:07:14but go fetch me them eggs like I asked you to.
00:07:17Go ahead now. Hurry up.
00:07:21♪
00:07:31Huh.
00:07:33Strange is coming.
00:07:51Mr. Jeff, I'll be a little late.
00:07:53You make sure you have a half a dozen or so fresh eggs for him, Moses Brown.
00:07:56I've already done that, woman.
00:07:59Miss Martha.
00:08:00I'll take care of that boy.
00:08:04Yes, ma'am.
00:08:07Why, this is ridiculous.
00:08:09Breakfast, Miss Martha, nice and hot.
00:08:11Thank you, Delilah.
00:08:12But it's hot.
00:08:13Just a minute, Delilah.
00:08:15Bert, this is 1909.
00:08:18Bert, this is 1909.
00:08:20There just can't be rustlers.
00:08:23Can be, Miss McCandles.
00:08:25I'm 42 years old and I fought in the Lincoln County War.
00:08:28It's just not that long ago that...
00:08:31Why, it's just 15 years ago himself, Mr. McCandles hung...
00:08:35Your breakfast is getting cold, Miss Martha.
00:08:39There's some lovely flowers in the garden, Delilah.
00:08:42I wonder, would you ask Maria to cut them for me?
00:08:45Yes, ma'am.
00:08:48You were saying, Bert?
00:08:50I'm just saying, Miss McCandles,
00:08:52we're close enough to that Mexican border to...
00:08:56Spit.
00:08:58Yes, ma'am.
00:08:59That close.
00:09:00And we're losing a lot of cattle.
00:09:04Let me think about it.
00:09:05All right, ma'am.
00:09:06Oh, Bert.
00:09:13There are some men riding in.
00:09:15We could use some short help.
00:09:16If you like the look of them.
00:09:18Yes, ma'am.
00:09:46Time again.
00:10:46A ranch sure is a deserted looking place during a roundup.
00:11:03Can I help you, men?
00:11:06We heard you was hiring.
00:11:07I was, but you're late.
00:11:12Too late?
00:11:14Right so.
00:11:16Now, this place surely does bespeak of a great deal of money, don't it?
00:11:24Anything else I can do for you?
00:11:27Trouble with money, though,
00:11:29is that there's always somebody wants to take it away from you.
00:11:32I said, is there anything else I can do for you, mister?
00:11:35Still, that's the only problem with it.
00:11:38And ain't that the awful, bloody truth?
00:11:40Billy, you stay close to me here, real close.
00:12:10Run, little Jake, run.
00:12:31Where's McCandles?
00:12:32You want that kid alive?
00:12:34Don't you be a damn fool.
00:12:40Hey, sonny.
00:13:10Hey, trooper.
00:14:10Why, he means you better.
00:14:24Breed.
00:14:28He's no good to us dead.
00:14:32I can wait.
00:14:36Fane, I don't like the name Breed.
00:14:40I'll try and remember that.
00:14:44Give me that. Come here, little one.
00:15:11All right.
00:15:25Lay down, come on, let me down.
00:15:41Get the doctor, then find my son.
00:15:53And himself, your husband?
00:15:55I have no husband.
00:16:00Take him to my bed.
00:16:04Please be careful with him.
00:16:40Oh, Mexico.
00:16:51There ain't nothing they can do to us here.
00:16:53The Mexicans can.
00:17:07Jeffrey McCandles, can you hear me?
00:17:11This fool doctor says you're going to die.
00:17:13But I say you are not.
00:17:23I taught you better manners than to make a liar out of your mother, Jeffrey McCandles.
00:17:33He's just sleeping, Martha.
00:17:35I know that.
00:17:41Delilah, there's a big red strong box in the attic.
00:17:47I want it.
00:17:49Yes.
00:18:11We are seeking permission from the Mexican government at the highest possible levels, Mr. McCandles.
00:18:17When we receive that permission, we are prepared to enter Mexico with howsoever many troops as are acceptable to the Mexican government.
00:18:25And to deliver the ransom, wherever and to whomever directed.
00:18:31I am told that there is one million dollars in that box.
00:18:36Buck?
00:18:38What about you?
00:18:40Speaking for the Rangers or for myself?
00:18:42For yourself.
00:18:44I get ten of my best men with me.
00:18:46I'd like to go after the boy myself.
00:18:48If you say so, Martha, I'll take that box.
00:18:52I am grateful to you both.
00:18:54But I don't think this is a job for the Rangers, Buck.
00:18:58Nor for the Army, sir.
00:19:01It is, I think, going to be a very harsh and unpleasant kind of business.
00:19:07And will, I think, require an extremely harsh and unpleasant kind of man to see to it.
00:19:31No, sir.
00:19:33No, sir, I ain't.
00:19:35I haven't butted into anybody's business since I was 18 years old.
00:19:39At which time, it almost got me killed.
00:19:41I ain't going to start that again.
00:19:45What's the matter?
00:19:51Oh, what do you have to go and do that for?
00:19:54Oh, what do you have to go and do that for?
00:19:58You got any last words, Scotsman?
00:20:00Aye.
00:20:02Give me my bonnet.
00:20:04My head's cold.
00:20:20All right, now, let's get on with the hanging.
00:20:23Howdy.
00:20:25Got you kind of surrounded, haven't they?
00:20:33Is this your business, mister?
00:20:35What, is he a murderer or a horse thief?
00:20:37He's a sheep farmer.
00:20:39Phew, that's where that horrible odor comes from.
00:20:45That's right.
00:20:47How about the boy? You going to hang him, too, or just the boy?
00:20:52You going to hang him, too, or just beat him up some more?
00:20:54Mister, you shouldn't butt into something that's none of your business.
00:20:56You really shouldn't.
00:20:58I think you're right, friend.
00:21:00A man shouldn't butt into anything that ain't his own affair.
00:21:04Sheep farmer?
00:21:06You want to sell them sheep?
00:21:08Yes, sir.
00:21:10Well, let's see.
00:21:12I'll give you $100 now, and $300 when I get them to market.
00:21:16That's highway robbery.
00:21:19Well, maybe you think you're going to get a better offer for them today.
00:21:23I'll take it.
00:21:25With one proviso.
00:21:27What's that?
00:21:29I'll go with the sheep.
00:21:31Good.
00:21:33You're working for me.
00:21:35You go ahead.
00:21:37You go right ahead.
00:21:39If there's anything I enjoy more than hanging a sheep,
00:21:43it's hanging somebody who sticks his nose into my business.
00:21:45Go on.
00:21:48You try to cut that rope.
00:21:50No, you got me scared.
00:21:54You do it.
00:21:58Dog!
00:22:02Get him off! Get him off!
00:22:04Dog!
00:22:06Just who in the hell do you think you are?
00:22:08Jacob McCandles.
00:22:12Oh, I, uh...
00:22:15I thought you were dead, Mr. McCandles.
00:22:17Not hardly.
00:22:19You gonna cut him down?
00:22:31Now his hands.
00:22:39200 miles south,
00:22:41Bar M.C.
00:22:44Foreman's name's Gonzalez.
00:22:46Tell him I sent you.
00:22:48Take the boy with you.
00:22:50Thank you, sir. Come along, son.
00:22:56You follow him.
00:22:58I'll hunt you down and kill you.
00:23:00Every mother's son of you.
00:23:02Come on, Dog.
00:23:14Mr. McCandles!
00:23:18Hola, Chihuahua.
00:23:20Para usted, señor.
00:23:43Come on.
00:24:14Here you are, Mr. McCandles.
00:24:16Thanks, Joe.
00:24:22Hank!
00:24:24She's in there, Mr. McCandles, waiting.
00:24:26What happened to your spurs?
00:24:28Oh, they don't work
00:24:30on these newfangled velocipedes.
00:24:32Oh.
00:24:34Well, see that they get my gear out of that car.
00:24:36Yes, sir.
00:24:39Martha?
00:24:44It's been a long time.
00:24:46It's good to see you.
00:24:48How are you?
00:24:50I'm fine.
00:24:52How are you?
00:24:54I'm fine.
00:24:56How are you?
00:24:58I'm fine.
00:25:00How are you?
00:25:02I'm fine.
00:25:04How are you?
00:25:06It's good to see you again.
00:25:08You've changed, Jacob.
00:25:10Not you.
00:25:13You're as young and lovely as ever.
00:25:20I called you, Jacob,
00:25:22because your grandson has been kidnapped.
00:25:24You didn't know you had a grandson?
00:25:26You have, by your son Jeffrey,
00:25:28and Jeffrey has been badly wounded by the kidnappers.
00:25:30Well, he lived.
00:25:32This is the ransom note.
00:25:34The blood on it is Jeffrey's.
00:25:36Well, he lived.
00:25:38Yes.
00:25:40I will not contemplate otherwise.
00:25:54Do we have...
00:25:56Do you have a million dollars?
00:25:58Yes, and many times that.
00:26:00Hank!
00:26:02Yes, ma'am.
00:26:04Can you bring the safe, please?
00:26:12Put it on the table.
00:26:14That's all.
00:26:16Yes, ma'am.
00:26:26Is this the way you want it?
00:26:28Yes.
00:26:30They're very dangerous men.
00:26:32They've already killed ten people.
00:26:34Many of them you knew.
00:26:36Juan and his family.
00:26:38Tina and the little boy?
00:26:40Moses Brown.
00:26:42Oh, Mose.
00:26:44Lousy cook.
00:26:46Jacob, as I said,
00:26:48they're very dangerous and violent people,
00:26:50and I don't think we've got any other choice
00:26:52than to give them what they've asked for.
00:26:54I agree.
00:26:56But you know that, pay or not,
00:26:58we run the risk of never seeing the boy again.
00:27:02I understand.
00:27:04Well, follow the map until met.
00:27:06That's easy.
00:27:08I'll need food for a week,
00:27:10water for ten days, three pack horses,
00:27:12and a good mule.
00:27:14Waiting for you outside.
00:27:16Martha, you didn't happen to think
00:27:18of my greeners,
00:27:20the double barrels.
00:27:28Oh.
00:27:30You brought Betsy.
00:27:32Pays to be careful.
00:27:34Well, now let's see if I've forgotten anything.
00:27:36Oh, I'll need a piece of clothing
00:27:38that the boy has worn recently.
00:27:44His?
00:27:46Yes.
00:27:58Hank, who picked the mule?
00:28:00I did. Pack it.
00:28:02Yes, sir.
00:28:04Don't forget the rest of the gear.
00:28:06No, sir.
00:28:14Hello, Buck.
00:28:16Oh, you old horse thief.
00:28:18I thought you was dead for sure by now.
00:28:20That'll be the day.
00:28:22Thinkin' of takin' a trip?
00:28:24Well, a million dollars is a lot of money, Jacob.
00:28:26I thought we might go with you.
00:28:28In those?
00:28:30Faster than a horse, it'll go farther and last longer.
00:28:32It's 1909, Jacob.
00:28:34Meaning, in my ways, old-fashioned.
00:28:36Meaning, I'm offering my help if you'll have me.
00:28:38Well, thanks, Buck,
00:28:40but I'll go it alone.
00:28:42Well, suit yourself, Jacob.
00:28:44What about me?
00:28:46James?
00:28:48Good morning, Daddy.
00:28:50It's been some time since I've seen you.
00:28:52Ten years, I think.
00:28:56Nine years and four months.
00:28:58But you're welcome to come along, son.
00:29:00I am moved by your faith in someone
00:29:02you haven't seen since he was 16 years old,
00:29:04Daddy.
00:29:06Daddy?
00:29:08Daddy.
00:29:12Daddy.
00:29:16Well, son,
00:29:18since you haven't learned to respect your elders,
00:29:20it's time you learned to respect your betters.
00:29:26Daddy.
00:29:40Hey, if you weren't my father...
00:29:42Go ahead. I give you leave.
00:29:48You're going with me.
00:29:50I hope you can use that hog leg better than you can fight.
00:29:52Does that suit you?
00:29:54Daddy?
00:29:56You can call me Father.
00:29:58You can call me Jacob.
00:30:00You can call me Jake.
00:30:02You can call me a dirty son of a bitch.
00:30:04But if you ever call me Daddy again,
00:30:06I'll finish this fight.
00:30:22Tequina?
00:30:24Señor?
00:30:26Tell Sam Sharp knows I want to see him.
00:30:28Tell him the same place as the last time
00:30:30and all he needs is his saddle.
00:30:32Get yourself a good horse.
00:30:36Oh, Tequina.
00:30:38Si?
00:30:40Bring a horse back.
00:30:42Seguro, señor.
00:30:46Where's your brother?
00:30:48He ought to be here with you.
00:30:50He'll be here.
00:31:10Watch out for that bureau!
00:31:20I tried to tell you about them horses, Jacob.
00:31:22Now you take these here automobiles...
00:31:24Jacob, this is your son, Michael.
00:31:26Father.
00:31:28Good to see you again.
00:31:30He's a mite skittish, isn't he, Father?
00:31:38The little fella's still alive, Michael.
00:31:40He'll be all right.
00:31:42He'll be all right.
00:31:44He'll be all right.
00:31:46He'll be all right.
00:31:48The little fella's still alive, Mother.
00:31:50Are you sure?
00:31:52I saw him.
00:31:54The kidnappers were in the Chilicote flatlands
00:31:5620 miles from Coya May Pass five hours ago.
00:31:58Using the automobiles, I believe the rangers
00:32:00can get to the pass long before the kidnappers
00:32:02and set a trap for them.
00:32:04You want to chance it, Mother?
00:32:06Buck?
00:32:08No matter what happens,
00:32:10I think they'll kill the boy sooner or later.
00:32:12I've got the best riflemen in Texas with me.
00:32:14That means in the world.
00:32:16I think maybe we can kill every one of those animals
00:32:18before they hear the shots that did it.
00:32:20I think it's worth a gamble.
00:32:22That's very daring.
00:32:24Yes.
00:32:26Yes, I'll chance it.
00:32:28What do you think, Jacob?
00:32:32Suit yourself, Martha.
00:32:38I was asking your opinion, Jacob.
00:32:42No.
00:32:44You changed your mind.
00:32:46You made your decision alone.
00:32:48You live it alone.
00:32:50I was wrong.
00:32:52You haven't changed, have you, Jacob McCandles?
00:32:54Not one bit.
00:32:58Do it!
00:33:04You still want me to take this box in?
00:33:08Yes.
00:33:10If they fail, it falls to you.
00:33:14You're coming along?
00:33:16No.
00:33:18I'll go with them.
00:33:24Doc?
00:33:26Let's go.
00:33:44Let's go.
00:34:14Let's go.
00:34:44Let's go.
00:35:14Let's go.
00:35:44Let's go.
00:35:46Let's go.
00:36:12I hear him.
00:36:16I hear him.
00:36:22Sam?
00:36:24Good morning, Jacob.
00:36:34I brought the saddle.
00:36:36There's your horse.
00:36:40Going hunting, Sam.
00:36:42Hunting for what?
00:36:44I don't hunt Apaches.
00:36:46I don't hunt my own people.
00:36:48You remember that, Jacob.
00:36:50They kidnapped my grandson, Sam.
00:36:54I don't know what color they are.
00:36:56And I don't care.
00:37:02I have no gun.
00:37:06Close or far?
00:37:08Close. My eyes.
00:37:10No good.
00:37:14Me too.
00:37:44No good.
00:37:46Me too.
00:38:14Let's go.
00:38:44Let's go.
00:38:58Keep going.
00:39:06Any sign of the kidnappers, son?
00:39:08Couldn't see anything moving for miles.
00:39:10Good.
00:39:12There's a narrow pass at the end of the valley.
00:39:14I think it's a good place for us to trap them.
00:39:18I'm for it.
00:39:22Buck, not knowing where the kidnappers are,
00:39:24we can't chance that pass.
00:39:26They're young fools.
00:39:28And I'm an old one.
00:39:30But we're gonna get that boy.
00:39:42Let's go.
00:40:12We'll hide these machines
00:40:14up at the end of the canyon.
00:40:16This is a good place for the ambush.
00:40:36Jump!
00:40:42Jump!
00:41:00Stop these damn things!
00:41:02Get out!
00:41:06Take cover!
00:41:12Take cover!
00:41:22Good place for an ambush, all right.
00:41:24And we're it.
00:41:42What happened to that crazy bicycle?
00:41:44I think he crossed into that canyon.
00:42:04Buck, let's get him out of here.
00:42:06Come on.
00:42:12Jump!
00:42:14Jump!
00:42:42Jump!
00:43:08They've had enough, John.
00:43:10I don't think they'll follow us anymore.
00:43:12Let's sting them a little more.
00:43:14And they'll come through with the money.
00:43:32That crazy kid!
00:43:34Yeah.
00:43:36The horses!
00:43:38The horses! Move it!
00:43:54Grab that kid!
00:44:04Stop!
00:44:06Get him!
00:44:14Damn it, Pop.
00:44:16The next time I tell you to tie that kid up,
00:44:18don't be worried about hurting him.
00:44:36Come on.
00:45:02Get out of here, Eve.
00:45:06Go!
00:45:20Buck.
00:45:36Buck.
00:45:58A boy?
00:46:00We don't know.
00:46:03My son, Michael?
00:46:06We don't know.
00:46:08There was an explosion southeast of here.
00:46:18Well, do you have any water?
00:46:22No.
00:46:24Well, I'll give you half of ours.
00:46:28As soon as I can, I'll telegraph
00:46:30that you're walking in.
00:46:32Going south is gonna be some time
00:46:34before you get to a telegraph station.
00:46:36I'm gonna have to take one of your mounts,
00:46:38send for help. Some of my men are hurt bad.
00:46:40No, I'll need them.
00:46:42Anything else?
00:46:44No.
00:46:46Oh, you've been more than generous,
00:46:48Mr. McCandles.
00:46:50I think so, Buck.
00:46:52Fifteen years ago,
00:46:54I'd have killed you for risking my grandson's life.
00:46:56If I find him now,
00:46:58I'll still kill you.
00:47:02You going along?
00:47:04Now, the last time
00:47:06I asked you that question,
00:47:08you said no,
00:47:10and you said it in a loud and clear voice.
00:47:12Now, I'm asking you a question.
00:47:14You coming along?
00:47:16You're damn right I am, Father.
00:47:22Throw a blanket on him.
00:47:24I can ride without a blanket.
00:47:26I'm not worried about your butt.
00:47:28It's his back.
00:47:32Come on.
00:47:47There's something down there. Is that it?
00:47:57That's it.
00:47:59Well, here,
00:48:01you take the mule down the long way.
00:48:03I don't want to lose him even by accident.
00:48:05You go with him.
00:48:07I'm going down there.
00:48:09You'll go where you're told.
00:48:17Do this, do that.
00:48:19I'll do as I damn well please.
00:48:21You do what your father tells you.
00:48:23Every time he tells you,
00:48:25keep this thing alive.
00:48:27Maybe even save the boy's life.
00:48:29Otherwise,
00:48:31you're going to get yourself killed.
00:48:33Don't matter to me,
00:48:35but you'll probably get him killed, too.
00:48:37That does.
00:48:55Come on.
00:49:25Oh, Father,
00:49:27am I glad to see you.
00:49:29You ain't dead?
00:49:31No.
00:49:33No broken bones?
00:49:35I don't think so.
00:49:37Take off your glasses.
00:49:39My what?
00:49:41Your goggles.
00:49:47That's for scaring me
00:49:49out of ten years of my life,
00:49:51which I can't spare.
00:49:53I had to be still.
00:49:55I didn't know who was moving around up there.
00:49:57You hurt?
00:49:59No.
00:50:07That's for risking my grandson's life.
00:50:09You do that again,
00:50:11and I'll break every bone in your body.
00:50:13Father,
00:50:15the next time...
00:50:19Yeah?
00:50:21Yeah.
00:50:23The next time,
00:50:25I won't take off my goggles.
00:50:39You all right?
00:50:41Was.
00:50:43For an old mule,
00:50:45he's got quite a kick, don't he?
00:50:47I think he was using brass knuckles.
00:50:49Better mount up
00:50:51before we lose him.
00:50:53I wonder what the hell he has
00:50:55in store for us next.
00:51:19♪
00:51:41You know, that's a dirty habit,
00:51:43if you ask me.
00:51:45No, he asked you.
00:51:49Pa?
00:51:50Yeah?
00:51:51You need to wear glasses, do you?
00:51:55Just to see with.
00:51:58Pa?
00:52:00Hmm?
00:52:02They say that Ma booted you out because you had a weakness for the ladies.
00:52:06Is that true?
00:52:09I mean, no offense, but I find that hard to believe.
00:52:15What do you find hard to believe?
00:52:17James.
00:52:19Cut it out.
00:52:21I mean, maybe before you got old, you was quite a lady.
00:52:28What's the matter with your leg?
00:52:30Nothing.
00:52:31You've been favoring it all day. What's the matter with it?
00:52:35I got hit by some buckshot, that's all.
00:52:38Take down your pants.
00:52:39Are you on the level?
00:52:42You gonna take down your pants or do I have to do it for you?
00:52:45You and who else?
00:52:47Dog.
00:52:52Boy, what a beautiful pattern.
00:52:54He must have been real close to you.
00:52:56Will you shut up?
00:52:58That's a deep one.
00:52:59Sam, you know what he did?
00:53:01Forgot the duck?
00:53:02He stuck his butt up, that's what he did.
00:53:05Boy, when you're in that kind of a gunfight, keep your butt down, that's a thing to remember.
00:53:10There's always some bastard on the other side that's got enough of a sense of humor to shoot you there instead of in the head every time.
00:53:18How about a shot of whiskey?
00:53:20Yeah, where is it?
00:53:40I'll be right back.
00:54:06Is that them?
00:54:07Yep.
00:54:09Maybe eight hours ahead of us.
00:54:11All of them?
00:54:12Yep.
00:54:14They're not trying to cover their tracks, that's for sure.
00:54:18Sam, I got a hunch we're being followed.
00:54:21Near or far?
00:54:23Well, far, I feel it more than I know it.
00:54:27I'll go see.
00:54:29Where'd you get those saddles?
00:54:33Found them.
00:54:38All right, you two, grab yourself a saddle, hurry it up.
00:54:42Wouldn't want to lose you children.
00:55:09We're being followed.
00:55:11You were right.
00:55:12How many?
00:55:13Three or four.
00:55:14Did you see them?
00:55:15No, but I got close enough to hear them.
00:55:17They're still a couple hours behind.
00:55:19A couple hours, huh?
00:55:20You better cool off that horse, Sam.
00:55:22We'll take a break here.
00:55:32Give me a swig of that water.
00:55:34Feed your horses first.
00:55:35I'll take them.
00:55:36I'll take them.
00:55:58What kind of a gun is that you got hanging around your belly, Michael?
00:56:02It's a Bergman, 1911.
00:56:041911?
00:56:05It's only 1909.
00:56:07Pre-production model, Father.
00:56:09We own some stock.
00:56:10Why is it so funny-shaped?
00:56:12The shells load into a magazine, Father.
00:56:15The magazine into the handle of the gun.
00:56:17Gas-operated, you see.
00:56:19Gas-operated?
00:56:20It shoots real fast.
00:56:22Well, Michael, can you shoot?
00:56:24Proficiently, Father.
00:56:26Well, as many times as you can before this hits the ground.
00:56:31Like maybe once?
00:56:36Well, Michael, you were supposed to shoot.
00:56:39With this?
00:56:40It's a gun, isn't it?
00:56:42Well, yes, of course.
00:56:43Well, shoot it.
00:56:45But, Father...
00:56:55Boy, you need a keeper.
00:56:57I wouldn't come out just yet.
00:56:59Sam, I want to offer my personal apologies.
00:57:01You can get up now.
00:57:03I'm not coming out.
00:57:04Not till you say I can shoot back.
00:57:06He fired his six shots.
00:57:08Ha!
00:57:09Stop, interrupt!
00:57:15Put that thing away!
00:57:19That damn mule!
00:57:22If he busts up that box, Michael, you'll...
00:57:25Ouch!
00:57:28Until you're used to the safety on this...
00:57:30Being dry, you better help your father.
00:57:32Oh.
00:57:35Father, I...
00:57:37Proficient, eh?
00:57:51Now, what was it you were trying to tell me?
00:57:55That there were eight shots in that gun.
00:57:57Oh, thanks.
00:57:59Give me a hand here.
00:58:00Father, I...
00:58:02Give me a hand here.
00:58:03Father, there has been a misunderstanding.
00:58:07When I said that I could shoot proficiently, I meant with this.
00:58:10With that?
00:58:11Yes, sir.
00:58:14Make a target.
00:58:17That tall tree there.
00:58:19The edge of the small broken branch.
00:58:21Son, that's over 400 yards.
00:58:24Nearer five.
00:58:26Well, if you can shoot that far...
00:58:28A quarter of a mile straight along the edge of my nose is a mountain buck.
00:58:32Shoot it.
00:58:34I don't kill to make a point, father.
00:58:38Michael, there's two reasons to kill.
00:58:42Survival and meat.
00:58:44We need meat.
00:58:46Oh, it's too late.
00:58:48That's good shooting.
00:58:51Not bad.
00:58:53Father?
00:58:54You want to try a shot?
00:58:56Scope's set for 500 yards.
00:58:58Son, I couldn't see that far.
00:59:01Sam!
00:59:04Give me a hand packing that mural.
00:59:07Michael, let me see that mural.
00:59:10Sam, let me see that mural.
00:59:12Michael, let me see that mural.
00:59:15Michael, let me see that handgun.
00:59:22That sure is something.
00:59:45Damn.
00:59:46Something wrong, father?
00:59:47Well, I can sleep cold.
00:59:50Eat raw meat, even raw fish.
00:59:52But come evening, I sure miss my hot coffee.
00:59:56Open me up a can of them peaches.
00:59:58Hey!
00:59:59Quite an improvement.
01:00:01I'll bet you could almost get that fancy gun out of that fancy holster...
01:00:05Before some fast gentleman with an old-fashioned six-gun blew a hole in you.
01:00:10You know what I think?
01:00:12Look.
01:00:13A spring.
01:00:14A spring at the bottom of the holster.
01:00:16It might work.
01:00:19Sure spent a lot of time with this thing.
01:00:21Michael, do you really think that little Jake is still alive?
01:00:25What did you call him?
01:00:26He called him little Jake, father.
01:00:28Mom insisted.
01:00:30Well, I'll be damned.
01:00:32You didn't know he was named after you, did you?
01:00:34No, I didn't.
01:00:36Well, I guess it's kind of hard to keep in touch.
01:00:38I mean, you run out on your family that way.
01:00:41You never hear that at home.
01:00:43You're short on ears and long on mouth.
01:00:50Well, you ever learn to can it, James?
01:00:53Well, you sure are respectful of his feelings.
01:00:55I'll say that for you.
01:00:57Me?
01:00:58He was right.
01:00:59Yeah.
01:01:02That's the trouble.
01:01:05Oh, thanks.
01:01:09What's the boy like, Michael?
01:01:12He's like you and James, Pa.
01:01:14Like me and James?
01:01:24Still four or five of them?
01:01:26Yep, but they haven't closed in yet.
01:01:28They're being real quiet.
01:01:31How close?
01:01:32Maybe another hour.
01:01:34There's one closer, though, right behind your head.
01:01:38I don't know whether he's with them or not.
01:01:40He sits his horse out there about 200 yards.
01:01:43He waits.
01:01:45He listens.
01:01:46I wonder what he wants.
01:01:48I could kill him, Jacob.
01:01:50Real easy.
01:01:52In cold blood?
01:01:54Oh, you're squeamish, are you?
01:01:56Oh, but twice.
01:01:58Oh, you're squeamish, are you?
01:02:00Well, between your brother's love of pretty toys
01:02:03and your high moral tone,
01:02:05I hope you don't get killed before this thing's over.
01:02:08We'll wait.
01:02:09You won't have to.
01:02:10He's coming in.
01:02:13James, come on.
01:02:29Hello, the camp.
01:02:31Can I come in?
01:02:33Come on in.
01:02:35And welcome.
01:02:48Well, I was hoping for a cup of coffee,
01:02:52but you're running a cold camp here.
01:02:54Yep.
01:02:55How about a peach?
01:02:57No, that hurts my teeth.
01:02:59Well, I got hooked on these when I was a yonker.
01:03:03Could never get my fill.
01:03:07Hell, mister, you don't need that.
01:03:08I'm not a damn fool.
01:03:09I know you got three or four men out there watching me.
01:03:12Can I move my hand?
01:03:14Go ahead.
01:03:20That's my bona fides.
01:03:23Well, I hope that boy don't catch cold.
01:03:27That would cause me great annoyance and displeasure.
01:03:31Mister, that just scares the hell out of me,
01:03:34the thought that you might be annoyed.
01:03:36Glad to hear that.
01:03:38Now, did you come here to give me a message
01:03:41or just to pass the time of day?
01:03:44From here, you go to Escondera.
01:03:46You wait there till you hear from us.
01:03:48You've been following us two, maybe three days.
01:03:51Why did you wait so long?
01:03:54I haven't been following you.
01:03:56I've been waiting right here, just like the map says.
01:03:59Oh?
01:04:02Hey.
01:04:04Is that the money?
01:04:09Open her up.
01:04:10I'd like to look at it.
01:04:16Help yourself.
01:04:18Just as soon as you bring in the boy.
01:04:26Who are you?
01:04:27They say I work for the McCandles.
01:04:30The boy mean anything to you?
01:04:32Never laid eyes on him.
01:04:34But I'm being paid to bring him back alive or you dead,
01:04:38each and every one of you.
01:04:40I'd rather bring the boy back.
01:04:43That's easier.
01:04:45But when it comes right down to it,
01:04:47it don't matter to me.
01:04:49I'll earn my pay one way or the other.
01:04:53Now, how about you?
01:04:56Are you the big chief or one of the little Indians?
01:04:59Oh, just a little Indian, just a messenger boy.
01:05:02Well, you've delivered the message, that's all.
01:05:05There's more.
01:05:07I'm in here alone.
01:05:08You've been followed like think.
01:05:10You best stay right on your toes.
01:05:12You'll be real tough.
01:05:14Real loose.
01:05:15What you got in that box is too big to keep a secret.
01:05:18And the thing is this.
01:05:20You got to deliver that box to us.
01:05:22You got to put it right in our hands.
01:05:25You understand?
01:05:26Good intentions won't buy you nothing but that boy's corpse.
01:05:30It's just as simple as that.
01:05:32Somebody takes that box away from you,
01:05:35we won't be understanding, we won't wait, we won't try again.
01:05:39I'll just send that boy's body back to you in a basket.
01:05:43You understand?
01:05:48Mister, I said, do you understand me?
01:05:52I understand.
01:06:14Jacob.
01:06:19What's the matter?
01:06:21I make big mistake.
01:06:24In that stand of trees,
01:06:27there's two men.
01:06:31They'll have heard where we're going.
01:06:34They'll have heard where we're going.
01:06:37They'll have heard where we're going.
01:06:40They'll have heard where we're going.
01:06:42Kill him.
01:06:44Dog, go with him.
01:06:55Bring in the horses and get that stuff packed.
01:07:13Yah!
01:07:15Yah!
01:07:18Yah!
01:07:40Well?
01:07:42I'm getting old.
01:07:44Two men, I killed one.
01:07:46Damn.
01:07:48It means they'll...
01:07:50It is Escondero for sure.
01:07:53Escondero, where have I heard that name before?
01:07:55Boomtown.
01:07:56Oil.
01:08:14Well, that cuts it.
01:08:16Yah.
01:08:17Must be a celebration.
01:08:24I'll be loaded with strangers.
01:08:44Yah.
01:09:08Ain't this a little showy, Pa?
01:09:10You mean that big red box and all the guns out?
01:09:14No secrets.
01:09:16Never knew one to be kept.
01:09:18They've all heard what's in that red box.
01:09:21And they all want it.
01:09:23What we're doing by this ostentious display
01:09:26is telling them they can't have it.
01:09:29Hell, we may be saving some poor miscreant soul's life
01:09:33by doing this.
01:09:35Maybe even our own.
01:09:39Well, unpack the piggy bank and the rest of our gear.
01:09:41Hey, Chamaco.
01:09:44You haven't lost the bios.
01:09:56Man, when they fiesta in this town,
01:09:59they really fiesta.
01:10:01What's the matter with you?
01:10:04Ooh.
01:10:12He's the one who got away, Jacob.
01:10:14Want me to get him?
01:10:16No.
01:10:18I'll keep an eye on him.
01:10:20Probably a lot more.
01:10:22Dog.
01:10:27What's this?
01:10:29Feels like it's full of rocks.
01:10:31We need a big private room with a big soft bed.
01:10:34One big room and one big bed for all of us.
01:10:37Money doesn't grow on trees.
01:10:40Give us a room.
01:10:42The dog is all right, but we do not allow Indians.
01:10:45He's with me.
01:10:47No Indians.
01:10:54No Indians?
01:10:56I'll sleep in the barn.
01:10:59The Jacob McCandles?
01:11:01That's right.
01:11:03My apologies, Mr. McCandles. I thought you was dead, sir.
01:11:05Dead?
01:11:07Next man says that to me, I'm gonna shoot, so help me.
01:11:10Dog.
01:11:29Hurry it up.
01:11:31Put it over there in the corner.
01:11:34Oh, don't tell me it's that heavy.
01:11:37It sure is.
01:11:39I never knew money could weigh so much.
01:11:41What time is it?
01:11:43Can't believe I got two sons who don't own a watch.
01:11:47There are windows to throw it out of.
01:11:49We're near dark.
01:11:51Yep, 5 o'clock.
01:11:53Man.
01:11:55Take a look at Babylon.
01:11:59They're gonna have themselves a real party tonight.
01:12:05I wish I could dance me a jig with a pretty lady.
01:12:08Why not?
01:12:11Oh, because of the box.
01:12:13Yeah, and the men who followed us in.
01:12:15We're walking into trouble.
01:12:17What do you do when cockroaches get in the woodwork, Michael?
01:12:21Smoke them out.
01:12:23That's right.
01:12:25Why not wait until they make a move?
01:12:27Because waiting's good for them and bad for us.
01:12:30You get impatient, nervy, careless, maybe dead.
01:12:34I've seen it.
01:12:36Besides, you two children haven't had the experience for that sort of thing.
01:12:40And I don't have the patience.
01:12:42So we're gonna invite them here tonight.
01:12:44Now, Father, I think that...
01:12:46You think?
01:12:48Michael, your thinking's already cost us some lives.
01:12:51I intend to hang on to mine.
01:12:53Your father got us this far because he knows what he's doing.
01:12:56So for the next 24 hours, why don't you both just keep your mouths shut and listen to him?
01:13:02That's more words than I spoke since I know you.
01:13:05Gentlemen, agreed?
01:13:08All right, Sam. I want you to go down and take a look at the horses.
01:13:12Make yourself seen around the stables.
01:13:15And tonight, James, you go out and have yourself a real good time.
01:13:20And when I leave this room, Michael, you'll be the sitting duck.
01:13:24With only you between them and that box,
01:13:27they'll think it's gonna be like taking candy away from a baby.
01:13:30Tonight, Sam, there's gonna be a disturbance out on the street.
01:13:34I want you to come over the roof and into the window.
01:13:38But you tell him not to shoot me, not even by accident.
01:13:41Yeah, remember...
01:13:42I heard him.
01:13:43Father, you know what you're letting yourself in for.
01:13:47There's a little 8-year-old boy somewhere out there.
01:13:52Scared, lonely, and probably wondering what's happened to his world.
01:13:57We came here to find him and take him home, alive if possible.
01:14:03That's what I intend to do.
01:14:06He's right about one thing.
01:14:09He'll be all alone down there.
01:14:11No sweat.
01:14:14All right, Sam, you better pick up another shotgun, a greener if possible.
01:14:20Now, I'm gonna take myself a nap.
01:14:23You wake me up, 9 o'clock for sure.
01:14:26Now, you two young fools be careful tonight,
01:14:30because if you get yourself killed,
01:14:32your mother'd never let me hear the end of it.
01:14:44Thank you.
01:15:07Por favor, amigo.
01:15:14Por favor.
01:15:22Pardon me.
01:15:23Are you of these oil drillers?
01:15:25Yep.
01:15:26Well, could you tell me which one is the orneriest in your outfit?
01:15:31Oh, that's easy.
01:15:32Mr. Sweet.
01:15:34Lad of Portlake, gentlemen.
01:15:36Right over there with the beard.
01:15:40Thank you.
01:15:48Mr. Sweet.
01:15:49Yes?
01:15:50May I?
01:15:55You shouldn't have done that.
01:16:01You were right.
01:16:10You're a little over-massed, aren't you?
01:16:13Do you want some help?
01:16:15No.
01:16:19You better quit being unfriendly, mister.
01:16:28Sam's made it, Pa.
01:16:30Well, it's about time.
01:16:32Hold it a minute, friend.
01:16:34I think there's been a mistake.
01:16:36Have you ever been to Nacogdoches?
01:16:39Nacogdoches?
01:16:42No.
01:16:43Strange.
01:16:45Pardon me.
01:16:56But I ain't never been to Nacogdoches.
01:16:58Damn it, mister.
01:16:59I believe you.
01:17:02You're next.
01:17:04Please sit down, sir.
01:17:05Thank you.
01:17:06Say, I was looking at...
01:17:08Do I read right?
01:17:09Oh, yes, sir.
01:17:10Geno and Hot Showers.
01:17:12Imported all the way from St. Louis.
01:17:14The only one of its kind between Dallas and Mexico City.
01:17:19I highly recommend it, sir.
01:17:21Oh, thank you.
01:17:22Thank you.
01:17:23Thank you.
01:17:24Thank you.
01:17:25Thank you.
01:17:26Thank you.
01:17:27Thank you.
01:17:28Thank you.
01:17:29I highly recommend it, sir.
01:17:31Donde?
01:17:32Over there.
01:17:34Muchisimas gracias.
01:17:35Gracias.
01:17:52Hey, how about it?
01:17:53Let's get out of here.
01:17:54After we finish this dance.
01:17:56Yes, ma'am.
01:18:00Tengo una vaca dulciera.
01:18:03No es una vaca cualquiera.
01:18:06Me da leche condensada.
01:18:09Ay, que vaca tan salada.
01:18:11Tolón, tolón.
01:18:13Tolón, tolón.
01:18:14Tolín, tolín.
01:18:16Oh, man.
01:18:19Hey, I have one of these in every barbershop in the world.
01:18:22Bastante, maestro.
01:18:26Be through in a minute, mister.
01:18:28Take your time, mister.
01:18:34Man, I smell as sweet as lilies in the valley right now.
01:18:38I'm in no hurry, friend.
01:18:40You just take your time.
01:18:50There's a canteen at the far edge of town named Sanchez.
01:18:53You know it?
01:18:54Si, señor.
01:18:55You go there and buy me a bottle of tequila.
01:18:59Nowhere else, mind you.
01:19:00Now, they have a brand special for me.
01:19:02Now, that's what I want.
01:19:03You go fetch it.
01:19:05Si, señor.
01:19:09Well, I guess I'm finished.
01:19:12You stay right where you are.
01:19:15Unless you want to hurry things, take your choice.
01:19:20No hurry, no hurry at all.
01:19:23But I could use those clothes over there.
01:19:25I'm getting a little cold.
01:19:26If you don't shut up and stay where you are,
01:19:29you'll get a lot colder.
01:19:38Here.
01:19:39Protect yourself with this.
01:19:52Thank you.
01:20:23Why didn't you buy me a drink now?
01:20:25I thought we were leaving.
01:20:26Later.
01:20:28Am I too heavy?
01:20:29No, not at all.
01:20:37Hey, you.
01:20:38That fancy holster on.
01:20:40Yeah, you.
01:20:41You got more woman.
01:20:43Sorry.
01:20:44I'm sorry.
01:20:45I'm sorry.
01:20:46I'm sorry.
01:20:47I'm sorry.
01:20:48I'm sorry.
01:20:49I'm sorry.
01:20:50I'm sorry.
01:20:51I'm sorry.
01:20:54That's my woman.
01:20:57All right, friend.
01:21:03Hey, don't turn your back on me while I'm talking to you.
01:21:07My apologies, sir.
01:21:08If I have a...
01:21:09Shut up!
01:21:10Yes, sir.
01:21:14Well, you sure don't row very easy, Sonny.
01:21:17You know something?
01:21:19You are a coward.
01:21:21Yeah.
01:21:23Yeah, you're a coward.
01:21:25A live coward.
01:21:27Now let's hear you say it.
01:21:29All right.
01:21:30I'm a coward.
01:21:32Hey, I think I finally said something to rile the boy.
01:21:36You sure did.
01:21:50Well, friend, that's it.
01:21:54No hard feelings.
01:22:01The hell there ain't.
01:22:07I'm sorry.
01:22:08I'm sorry.
01:22:09I'm sorry.
01:22:10I'm sorry.
01:22:11I'm sorry.
01:22:12I'm sorry.
01:22:13I'm sorry.
01:22:14I'm sorry.
01:22:15I'm sorry.
01:22:16I'm sorry.
01:22:17I'm sorry.
01:22:19Sam!
01:22:26Anybody hurt?
01:22:29What's the matter?
01:22:30Shotgun blast broke the lock, Jacob.
01:22:33Newspaper clippings.
01:22:37I killed a man for newspaper clippings.
01:22:41Where's the money, Father?
01:22:49Where is it, Daddy?
01:22:51You think I stole it?
01:22:54You think I stole it, Michael?
01:22:56Tell the Indian to go for a walk.
01:23:00Go for a walk, Sam.
01:23:01You sure, Jacob?
01:23:02Sure.
01:23:03Take the dog with you.
01:23:04Go with him, dog.
01:23:19Now what?
01:23:21Where's the money, Daddy?
01:23:23You go to hell.
01:23:38James?
01:23:40Now, boys, you know that's...
01:23:43That's no way to treat your own daddy.
01:23:46Jerks!
01:24:09Come on in.
01:24:27Can I come in now?
01:24:29Come on in.
01:24:34Well, there ain't no money.
01:24:36There never has been.
01:24:39That's right, never has been.
01:24:41It was your mother's decision and mine
01:24:44that we take the boy and not pay for him.
01:24:48My mother's decision?
01:24:49I don't believe you.
01:24:52There were seven McCandles people killed, one crippled.
01:24:55Your own brother shot, maybe crippled, maybe even dead.
01:24:59And my grandson kidnapped.
01:25:01I ain't gonna pay him for that.
01:25:03Neither's your mother.
01:25:05Thought I knew her.
01:25:06Not hardly.
01:25:08Can't be done, Pa.
01:25:09They'll kill little Jake for sure.
01:25:11Not if we kill them first.
01:25:13Here he is.
01:25:37They are, Jacob, just like new.
01:25:39Quiet, dog.
01:25:54What are you snooping around for?
01:25:57I ain't snooping. I've come to get you.
01:26:01Well, your horses are saddled out in back, so let's go.
01:26:04Where to?
01:26:06I'll take you there. That's all you need to know.
01:26:09Except if you don't have the money.
01:26:11Or if I ain't back within 18 minutes from now.
01:26:15Or if somebody tries to follow us to the meeting place.
01:26:18Or tries to keep us from leaving after we get the money, we'll kill that little boy.
01:26:23Well, I ain't gonna give you the money till I get the little boy. Now, how you gonna do it?
01:26:28We'll have a rifle on him.
01:26:30With a real fine sharpshooter behind him.
01:26:33For one of them fancy new telescopic sights.
01:26:37From the time you set eyes on him until one hour after we've a moose, you won't know where our man is.
01:26:43And we won't be able to tell him not to shoot, even if we were so inclined.
01:26:47If something goes wrong, that little boy's dead.
01:26:50Sure as shooting.
01:26:53Well, uh, give us a couple of minutes to pull ourselves together.
01:26:59Well, the front's being watched. I'll be out in back myself.
01:27:1018 minutes. Means they're close by.
01:27:13James, give me back my watch. Don't you ever return things you borrow?
01:27:18Full of pictures.
01:27:20Yeah.
01:27:22Michael, the sharpshooter's yours. Kill him.
01:27:26How?
01:27:27Well, get lucky. Or better still, pray that I get lucky and make him miss the first shot.
01:27:33I'll give you about ten seconds to see his powder flare, locate him, and keep him from shooting again.
01:27:41Nothing to it.
01:27:52Well, let's get going.
01:27:56Where's the other one? There's supposed to be four of them.
01:28:00He's dead. We had to pay a price to keep that box for you and your friends.
01:28:05I was told to bring in all of you or none of you so that we could keep an eye on you, understand?
01:28:11No loose ends.
01:28:12Well, he's dead.
01:28:15I want to see his body.
01:28:25All right. He's laid out with the rest of them down at the jailhouse.
01:28:31Jailhouse?
01:28:32Right over there.
01:28:38Jailhouse.
01:28:39Come on, let's go see him. We haven't got all night.
01:28:41Never mind.
01:28:44Anything for it.
01:28:55Let's go.
01:29:25Let's go.
01:29:41You judges are getting a little nervous, ain't you?
01:29:44Let's go.
01:29:55Let's go.
01:30:16Sam?
01:30:17Wish it were a little lighter.
01:30:20Uh-huh.
01:30:21If it's four grain right now, it'd be in our favor.
01:30:24Lightning might help.
01:30:26Might hurt, too.
01:30:54Hey, what's that?
01:31:17Too late to do him any good.
01:31:20There's another one inside. He's dead, too. Then I can watch one.
01:31:25Say, you ain't looking too good. Sight of blood bother you or something?
01:31:28Only my own.
01:31:30Oh.
01:31:31Well, this is where everybody stops.
01:31:33Except you.
01:31:36You take that box and along.
01:31:42You'll be met at the other end.
01:31:53Well, Sam, they say the elk in Montana are as big as buffalo this year.
01:32:02You gotta go hunt them when this is over.
01:32:05I look forward to that.
01:32:09I wish they were a buffalo.
01:32:12Yeah.
01:32:14Times change.
01:32:16Give me that mule.
01:32:34James?
01:32:35I see him.
01:32:43Doc?
01:33:27Doc?
01:33:56Doc?
01:34:17Good to see you made it.
01:34:19Yeah, we've had a full day.
01:34:33Guess he don't like anybody behind him.
01:34:35Neither do I.
01:34:44All right, that goes for you, too, fatty.
01:34:46Yeah, where I can see you.
01:34:57You must figure I'm a real dangerous man.
01:35:02Will, come on down.
01:35:12I told you to move, fatty.
01:35:19Doc?
01:35:22Get him off of me!
01:35:25On your doggone!
01:35:28Get him away!
01:35:32Get him off of me!
01:35:34On that doggone!
01:35:37Beat it!
01:35:41I wouldn't do that.
01:35:43Call your dog off.
01:35:45Get him off!
01:35:46Dog.
01:35:53Now call off yours.
01:36:02The box.
01:36:25Open it up.
01:36:27The boy.
01:36:30The boy.
01:36:50Stay.
01:37:01Open it up.
01:37:05Take that hood off.
01:37:07Like to see what I'm buying.
01:37:31I just saw something in your eyes I don't like.
01:37:34I saw a foolish thought.
01:37:37You understand me.
01:37:40Anything happens, anything at all, your fault, my fault, nobody's fault.
01:37:44My little brother will blow that kid's head right off.
01:37:48It's as simple as that.
01:37:50No matter who else gets killed, that boy dies.
01:37:53The shotgun misses him, it don't matter.
01:37:55You already know about the rifle on him.
01:37:57That won't be as messy as a shotgun at three feet.
01:38:00But that boy will be just as dead.
01:38:02You understand me?
01:38:06Say it.
01:38:08I understand.
01:38:13Now open it up.
01:38:27That's the stuff that dreams are made of.
01:38:55What's a million dollars look like, John?
01:39:03Now you understand.
01:39:06Anything goes wrong, anything at all.
01:39:08Your fault, my fault, nobody's fault.
01:39:11It don't matter.
01:39:12I'm gonna blow your head off.
01:39:14It's as simple as that.
01:39:16What'd he say?
01:39:18I can't hear him.
01:39:20No matter what else happens,
01:39:23no matter who gets killed,
01:39:25I'm gonna blow your head off.
01:39:30Something wrong, John?
01:39:39Kill the boy!
01:39:43Dog!
01:39:55Come on, little Jake!
01:39:59Run!
01:40:07Give me that shotgun!
01:40:33No!
01:40:39Will?
01:40:44Will?
01:40:47He's dead.
01:40:53I want his shotgun.
01:41:00Hurt?
01:41:01Yeah.
01:41:05Put your finger there.
01:41:17You hurt?
01:41:18No.
01:41:19I'm scared.
01:41:22So am I.
01:41:24Well, don't let them know it.
01:41:55Jake?
01:42:01Yes, sir?
01:42:09Ever fire a gun?
01:42:11No, sir.
01:42:13Well, use it if you have to.
01:42:15Yes, sir.
01:42:17Now, when I start firing,
01:42:19you hightail it out there and find James.
01:42:21Yes, sir.
01:42:28Oh!
01:42:54Ready?
01:42:55Yes, sir.
01:42:56Go!
01:43:03Boys outside! Kill him!
01:43:25You hear that?
01:43:27They got the boy.
01:43:29What the hell they did?
01:43:30That's my Derringer.
01:43:39James! Uncle James!
01:43:43Oh!
01:43:49Jake, get out of here!
01:43:50Hide!
01:43:51The stables!
01:43:53That sound like a Derringer?
01:44:21I wouldn't.
01:44:24Ulster it.
01:44:33Raise your hands.
01:44:37The other's broke.
01:44:39That'll do just fine.
01:44:42Now turn around.
01:44:45Real slow.
01:45:01I hear you killed two good men in a fair fight tonight.
01:45:04Is that right?
01:45:06No.
01:45:07Three, counting you.
01:45:40Oh!
01:45:57That sound like a boy screaming?
01:46:02Wonder how he's gonna get it.
01:46:04With a bullet or a machete like the Indian did.
01:46:09Oh!
01:46:38Oh!
01:46:41Oh!
01:46:49Oh!
01:47:04Oh!
01:47:18I wouldn't.
01:47:30Oh!
01:47:45You come close, mister, but no cigar.
01:47:51Oh!
01:48:03Who are you?
01:48:05Jacob McCandles.
01:48:12I thought you was dead.
01:48:16Not hardly.
01:48:24Michael, that's the second time tonight you've saved my life.
01:48:29The first time I was a little slow.
01:48:31You mean that?
01:48:33It was nothing.
01:48:34Jacob here took care of that, didn't you?
01:48:36Yes, sir.
01:48:38Sir?
01:48:39Yes, sir?
01:48:40Are you my grandfather?
01:48:42Yes, sir, I sure am.
01:48:48James?
01:48:49Dad?
01:48:51Sounds better.
01:48:53Let's go home.
01:48:58Good idea.
01:49:28Oh!