• 4 ay önce
Sueños de libertad - 100
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00:00We would need to have some time, just you and me.
00:11Maybe this is what she needed to hear from you, from the very first moment.
00:15He cheated on her and had a child with another woman.
00:18He told her and she decided to forgive him.
00:20The father's formulas were written in many invoices and receipts and it turns out that many of them have the name of Mario Garcés.
00:27But what is clear is that you needed to please Begoña so that she would forgive you.
00:30And that's why you got Mercedes out of the sanatorium.
00:33And now that you've got her compassion, you send her back to the barracks.
00:37If I haven't told you Jaime's story before, it's because I couldn't even imagine it with you.
00:41That's it, Marta, I don't want you to tell me anything else.
00:45Joaquín, it was just a kiss.
00:47Listen to me, it was just a kiss.
00:49Leave me alone, please, leave me alone.
00:51He gave me the kiss, I swear.
00:53The tumor has grown and can't be operated on.
00:57You want me to go back to the sanatorium?
00:59They'll know how to take care of you there.
01:00You're a liar.
01:02Because you promised me you wouldn't leave me alone.
01:23Dreams of freedom.
01:25The heart doesn't wait.
01:27It's asking for another chance.
01:31Dreams of freedom.
01:33Although the past hurts.
01:36To start again.
01:38To love whoever I want.
01:40To scream it's my truth.
01:42To live without fear and without looking back.
01:53Dreams of freedom.
02:02Dreams of freedom.
02:06Dreams of freedom.
02:20You must have a sore neck if you've slept here.
02:25Do you want me to make you a coffee?
02:28Toast some bread.
02:30Do you want me to cut you some sausage?
02:32No, no, no, no.
02:34Breakfast in the canteen.
02:36I have to go to the factory today.
02:38Besides, all this is going to be full of painters in a moment.
02:43I see you have no intention of us talking.
02:48What do you want to talk about?
02:50Have you forgotten something you have to tell me?
02:53I've told you everything that happened to Ernesto.
02:57It's enough then, Gemma.
02:59Joaquín, I understand your disappointment.
03:01Huge.
03:02But I swear, what happened didn't mean anything to me.
03:05It was silly.
03:07Not to you.
03:09But to me, yes.
03:10To me, it meant a lot to know
03:13that you were seeing another man, Gemma.
03:15And that you had crossed some lines that can't be crossed.
03:18For God's sake, it was just a kiss.
03:20With whom you have laughed at me, Gemma.
03:22At me and our marriage.
03:25You and your airs of grandeur.
03:27I'm sorry.
03:28Joaquín, tell me what I have to do for you to forgive me.
03:31I'm fed up, Gemma.
03:32I'm fed up now.
03:33I'm fed up with you thinking that everything can be fixed with an apology.
03:37What you have to do first is not to offend.
03:40Well, not that you've never made any mistakes.
03:43I'm sorry.
03:44No, no, no, no.
03:45Not there.
03:46I've never, never made a mistake like that.
03:49Never.
03:50I would never think of being with another woman.
03:53Because I respect you.
03:55I respect you and what we have.
03:58You're absolutely right.
03:59You're an honest person.
04:00And you're an impeccable person.
04:02I don't have your strength.
04:03But at least you could think about why this happened.
04:06I'm sorry.
04:07Well, maybe a woman is looking for attention outside the house that she doesn't have.
04:11But how can you be so cynical?
04:13What are you reproaching me for now?
04:15My lack of attention towards you.
04:17If you're the one who's always sharp and sharp with me.
04:20But now I'm not.
04:21I'm just trying to get closer to you.
04:22I try to be reconciling.
04:23I try to solve this.
04:25Yeah, yeah.
04:26Because it's good for you, Gemma.
04:27It's good for you so I can forgive you later.
04:29But in a few days, you'll be the same again.
04:31And please don't go down that path.
04:33What you've done is your fault.
04:35And only yours.
04:37And what do you mean by that?
04:40I think it's pretty clear, right?
04:45You've destroyed our marriage.
04:54Joaquín.
04:57Joaquín.
05:18Is everything ready?
05:20It seems so.
05:23You have no idea how sorry I am for Mercedes.
05:25What a miserable life.
05:26And now that she had a little hope,
05:28she has to go back to that place.
05:30It's a shame, yes.
05:32But what choice do we have?
05:34She's a sick woman and needs special care.
05:36And that sanatorium is a good place.
05:38Take care of her.
05:39But it's a place where her daughter won't be.
05:41A place she hasn't chosen.
05:45Right now, I've realized how lucky we are.
05:49We still keep our heads above our shoulders.
05:51And we have the will to choose what to eat or how to dress.
05:53Others can't say the same, can they?
05:58Jesús.
06:00Take good care of your wife.
06:03Begoña needs all the help she can get right now to get through this.
06:07That's why I'm going to accompany her to the sanatorium.
06:09I'll be back at the factory at noon tomorrow.
06:11As if you're not coming back.
06:12Now you have to be where you're most needed.
06:15No, don't look at me like that.
06:18There are no big responsibilities today at the factory.
06:21The most important thing is that Rosa is leaving.
06:23And we have to find a replacement.
06:25Again?
06:26We knew it was something temporary.
06:29Well, maybe this time it won't last any longer.
06:31Let's see, choosing a new secretary isn't an easy task, but...
06:35But leave it in my hands.
06:36Okay.
06:37But don't hire anyone until I give you a good look.
06:40Okay?
06:41Don't worry.
06:46We're ready.
06:52Mercedes.
06:55It's been a pleasure to meet you.
06:59Take care.
07:02Thank you.
07:03Pretty.
07:08See you soon.
07:17Come on, Mercedes, I'll help you up.
07:19No!
07:21No!
07:27Mom.
07:28Come here.
07:29Mom.
07:30Mom.
07:33It's not easy for me to let you go either.
07:38I also need you by my side and...
07:40I want to make up for lost time.
07:42So?
07:45One thing is what one wants.
07:48And another is what it has to be.
07:51I don't understand you.
07:54Mom, you need some care that I can't give you, no matter how much I want to.
07:58But that doesn't mean I'm going to ignore you.
08:01On the contrary, I'm going to call you every day.
08:04And I'm going to see you at least once or twice a week.
08:07But you're coming alone.
08:09I don't want to see him.
08:11Don't worry.
08:13I'll go alone.
08:15And we're going to ask your doctor for permission to let us out of the building.
08:19We can go to that stream that can be seen from your window.
08:21Yes?
08:23Get my feet wet.
08:26I've always wanted to get my feet wet.
08:28That stream.
08:30We're going to get our feet wet and we're going to pick a lot of flowers to decorate your room.
08:35Let's go.
08:36Let's go.
08:38Let's go.
08:44Be careful.
08:48Be careful.
09:19Good morning. Come in.
09:20It's upstairs.
09:21It's the two rooms that are without furniture.
09:23I'll go with you right now.
09:29Yes?
09:33Ernesto, you've crossed a line that I've never crossed before.
09:36I'm sorry.
09:37I'm sorry.
09:38I'm sorry.
09:39I'm sorry.
09:40I'm sorry.
09:41I'm sorry.
09:42I'm sorry.
09:43I'm sorry.
09:44I'm sorry.
09:46Ernesto, you've crossed a line that I will never forgive you.
09:49Don't you dare call this house ever again.
09:53What do you mean?
09:55Because this afternoon I'm going to report you for theft.
09:57So pay attention to the consequences.
10:01Never again, miserable.
10:10Here you have them.
10:12Have they already left?
10:13Yes.
10:14A moment ago.
10:16Poor Begoña was desolate.
10:20Poor woman Mercedes, right?
10:22What a miserable life.
10:25They take away her daughter,
10:27they take her to that remote place of theirs
10:30and with lost reason.
10:32And so alone.
10:34And we, who have everything,
10:36including the will intact,
10:39we complain about a simple broken pipe.
10:42A simple broken pipe.
10:46By the way,
10:48how is the repair of your house going?
10:50Only the painters are left.
10:52It seems that they are on their way.
10:55And I think that this morning they can paint everything.
10:58Well, it seems that things have gone fast.
11:00Thank goodness.
11:01The works are known when they begin,
11:03but never when they end.
11:05I really want to go back home.
11:08So uncomfortable? Have you been here?
11:10No.
11:12You know I haven't.
11:13I don't know.
11:14But I know that one's home is one's home.
11:17Tonight I'm going to sleep in my bed
11:19and with my pillow,
11:20which I do miss.
11:22What do you mean tonight?
11:24Shouldn't you wait?
11:26What am I going to wait for?
11:28Woman, it seems to me hasty
11:30that sleeping in a freshly painted room
11:34is not healthy at all.
11:36It's not healthy to breathe those smells.
11:39Yes.
11:40That's true.
11:42When the painters finish,
11:43I'm going to open the windows
11:45so that it ventilates before nightfall.
11:47Would you like more coffee?
11:48Yes, please.
11:49I'll bring it to you later.
12:06How did you wake up today?
12:08How did I wake up?
12:09At seven in the morning,
12:10I wanted to go for a walk
12:11in the garden of the lords.
12:12Oh, my God.
12:13Did your father fix your heart
12:15or did he put it in a vase?
12:18Oh, girl, what a joy to see you laugh like that, really.
12:20With how bad you've had it.
12:21Yes.
12:22But as they say,
12:23God squeezes but doesn't drown.
12:25Yes.
12:26In the end, everything's been fixed.
12:30And when I say everything,
12:33it's...
12:34everything.
12:36Miss,
12:37don't you have something to tell me?
12:48Don't tell me you fixed it with Marta.
12:50Yes.
12:51But when?
12:52Yesterday.
12:55Oh, Carmen, please,
12:56don't give me that look.
12:58No, no, I just remembered
12:59about Dr. Berenguer.
13:00Oh, no, no, no.
13:01Dr. Berenguer is no longer a problem.
13:03He and Mrs. Marta have reached an agreement
13:06so that each one can make their own life.
13:09Ah.
13:10How modern, right?
13:12Well, practical, more or less.
13:14Since they have to live in front of the gallery,
13:17well, what less than doing it
13:18in the most honest way possible,
13:20without cheating.
13:22Man, that without cheating,
13:24they're cheating everyone, come on.
13:26But not themselves,
13:27that's the main thing.
13:29Yeah.
13:30Man, it's a little hard for me
13:31to understand these things so modern.
13:33But it's me, huh,
13:34that I don't have so many wrinkles.
13:35Look.
13:37Excuse me,
13:38I remind you that your husband and your friend
13:40are going to have a child together
13:41and you take it
13:42as if it were the most normal thing in the world.
13:44It's also true.
13:47I guess it's easier to understand
13:48what happens to one, right,
13:49than what happens to others.
13:51Of course.
13:52Why don't we have no choice?
13:53Well, yes.
13:54Why don't you delay your departure a bit
13:56so you make sure
13:57that they get out in good condition
13:58and it's not dangerous?
13:59I don't want to abuse your kindness.
14:02But you're my family,
14:03this is your house.
14:04Yes, the family can be loved a lot
14:06and also be a burden.
14:08It's not the case, Dina.
14:11I'm going to miss you a lot.
14:15I'm working here all day.
14:16Yes, I know,
14:17but I had already gotten used
14:18to our talks until late
14:20trying to fix the world.
14:22Well, now you'll have to get used
14:24to sleeping at night
14:25like any neighbor's son.
14:29Wait, Dina.
14:34Give me a few more days.
14:37I know you've forgiven me
14:38about Catalina,
14:39but you've got yourself
14:40in deep trouble.
14:41I know you.
14:42Yes, I'm in deep trouble.
14:44Let me show you
14:45that I'm still the same Damián I've always been,
14:47the one you trusted
14:48when you needed him,
14:49the one you relied on
14:50when you needed him.
14:52We all have the right
14:53to learn from our mistakes.
14:56And I guarantee you
14:57that there's nothing left
14:58of the man who cheated on his wife.
15:00Nothing.
15:03I thank you with all my heart
15:04for your offer,
15:05but I think I should go home
15:08with my children.
15:11Of course.
15:13And that's how the story ends.
15:19La Reina's Perfumery?
15:21Yes, I'm talking to the store.
15:22How can I help you?
15:24Claudia?
15:25Yes, she's here.
15:26From whom?
15:28Right now.
15:29Just a moment.
15:32Claudia.
15:33Yes, she's here.
15:34From whom?
15:36Right now.
15:37Just a moment.
15:39Claudia.
15:40Yes, she's here.
15:42Claudia.
15:43Someone's calling you.
15:44Who?
15:45Your mother.
15:51Mom.
15:52What a surprise.
15:55I told you I couldn't go.
15:59Why not, Mom?
16:00Because...
16:01The Sundays are very busy
16:02and I've been the last one to arrive.
16:07Well, Mom, yes,
16:08I'll talk to them,
16:09but I'm telling you
16:10that I have to take Amanda to Frijeparrao.
16:13Yes.
16:15Okay, I'll ask them.
16:18I'll tell you later.
16:21Bye.
16:25Poor thing.
16:26He told her he was going to communion
16:28and I told him I wasn't going.
16:29And she said,
16:30what communion?
16:31Yes, my cousin's communion.
16:33My mother's sister's.
16:35She'll be so happy to see you
16:36after all this time.
16:38That's the problem, Carmen.
16:39She can't see me because she's still...
16:41Come on, don't exaggerate.
16:43But she's still like a stick.
16:44Yes, but mothers realize these things very quickly.
16:47No, no, she'll be less.
16:49No, really.
16:50I'm telling you,
16:51my mother has a gift
16:52to know what's going through my head
16:53without me saying anything.
16:54Come on.
16:55I swear, really.
16:57Look, I'm remembering one day
16:59that my neighbor Teo
17:00convinced me
17:01to go buy a bottle of wine.
17:03This story promises, you'll see.
17:05We were both on our way to the winery.
17:09And?
17:11Claudia, what's wrong?
17:13I don't know, something's not right.
17:15Let's go think.
17:17Come on, let's go.
17:18Hurry.
17:21Baeza is a city
17:22with immeasurable views,
17:24but very cold.
17:25Especially when you're alone.
17:28I watch couples walk
17:30through the Plaza de Santa María
17:31holding hands,
17:32one covering the other's arms.
17:34And I can't stop thinking
17:36how happy it would be
17:37if you were here with me.
17:39If I could put my hands
17:40in your pockets.
17:41If I could feel
17:42the warmth of your company.
17:47There's a package for you.
17:49Ah, good, good.
17:51Is it what I was expecting?
17:55Everything okay?
17:56Yes, everything's fine.
17:57Yes? What's that you just hid?
17:59What?
18:00What you just hid
18:01under the book.
18:03Ah, this, nothing, nothing.
18:05It's a letter from my father, nothing.
18:07A letter from your father?
18:08Yes.
18:09Let me read it.
18:10No, nonsense.
18:11It doesn't matter.
18:12I don't care.
18:13I want to read a letter from my father.
18:14Let me read it.
18:16Give it to me.
18:21Mario Garces.
18:22That's why you asked me
18:23about him yesterday, right?
18:26One moment, Joaquín.
18:28Maybe it's better
18:29if you don't read it.
18:31What are you saying?
18:36No, no, doctor.
18:37It doesn't affect me at all.
18:38And have you maintained
18:39sexual relations?
18:41How can you think that?
18:43No, no, no, no.
18:44That was a specific thing
18:45and I haven't gone back to...
18:46Come on.
18:47Claudia, calm down.
18:48The doctor isn't asking you
18:49to judge you.
18:50On the contrary.
18:52I'm just trying to find out
18:53why you're bleeding.
18:55Is it serious, doctor?
18:56Yes, it is.
18:57It's serious.
18:58It's serious.
18:59It's serious.
19:00It's serious.
19:01It's serious.
19:02It's serious.
19:03It's serious.
19:04Is it serious, doctor?
19:06It's not abundant.
19:07You can bleed a little bit
19:08in the first months of pregnancy.
19:10It appears when there's an infection.
19:12An infection?
19:13I try to be very clean, doctor.
19:16But it has nothing to do with it, woman.
19:19The other option is that
19:20there's a small trauma
19:21in the uterus.
19:22And then?
19:24You have to be vigilant
19:25to rule out
19:26that there's no problem.
19:28You're going to have to rest.
19:30My God, with the mess
19:31in the store today,
19:32you're going to have a good time
19:33and you?
19:34Of course.
19:35Don't worry about that.
19:36Besides, today
19:37there's the order
19:38for the urinal.
19:39That's a lot of fabric.
19:40Well, if it's necessary,
19:41we can ask Elvira
19:42or Chusa for help.
19:43Well, tomorrow
19:44I'll reincorporate
19:45and start the day.
19:46Girls,
19:47I don't think you understand.
19:50It's not about
19:51resting just today.
19:54Today and tomorrow.
19:56Until we prove
19:57that things are
19:58as they should be,
19:59it can be three days
20:00or three weeks.
20:04Padre's file
20:05had a double bottom.
20:08It was there
20:09where I found
20:10that letter
20:11along with
20:14these I have here.
20:16Holy God.
20:19It can be seen
20:21that Mario missed
20:22Padre's company.
20:24It's clear
20:25they were good friends.
20:27Luis,
20:30do you think this is
20:31the kind of thing
20:32you'd do to a friend?
20:35Are you insinuating something?
20:39You know too much.
20:40No, Joaquin.
20:44What you're suggesting
20:45is outrageous.
20:46Outrageous
20:47is to think
20:48this isn't
20:49a love letter.
20:50The only thing
20:51this letter proves
20:52is that Mario
20:53was dazzled
20:54by Padre's personality,
20:55not the other way around.
20:56Luis,
20:57do me a favor
20:58and be reasonable.
20:59Would you keep
21:00a letter
21:01that wasn't important
21:02to you?
21:05No, Joaquin.
21:06No.
21:07Padre wasn't one of those men.
21:08He was married.
21:09He had three kids.
21:10He loved us madly.
21:11So what?
21:12One thing doesn't change the other.
21:14Let's see.
21:16I don't know.
21:17It could have been a slip-up.
21:19Yes.
21:20Yes, a moment of confusion.
21:22An unimportant nonsense.
21:25Do you remember
21:26seeing something strange
21:27between them?
21:28Because I barely
21:29treated Mario a couple of times
21:30when I came back
21:31from the hospital.
21:33I don't know, Luis.
21:34I don't remember.
21:35I don't know.
21:36And after these letters...
21:38Lie to your wife.
21:40Tell her
21:41you have another business meeting
21:42and you'll be back.
21:43I just need the air
21:44you give me
21:45in two days
21:47to be able to breathe
21:48for the rest of the year.
21:49Do you think this
21:50is something
21:51that doesn't matter?
21:52And even if it was just
21:53a slip-up,
21:54you have to value
21:55what it is
21:56because it implies
21:57a lack of honesty
21:58and a deception
21:59that deserves it.
22:00And I'm sick of it.
22:01I'm sick of people lying to me.
22:05What's wrong with you now?
22:07Gema.
22:08Gema what?
22:09She's been seeing someone else.
22:11What?
22:12Yes, and I thought
22:13this wasn't going to happen to me.
22:14Luis,
22:15please keep these letters
22:16where no one finds them
22:17and it would be very unpleasant
22:18if someone found them
22:19here in your house.
22:21Mother.
22:23Mother.
22:29No.
22:30No.
22:31No.
22:32No.
22:33No.
22:34No.
22:35No.
22:36No.
22:37No.
22:38I told the doctor
22:39I can't have to come back
22:40to the store so often.
22:41Claudia,
22:42that's what I'm missing now.
22:43What do you mean,
22:44you're missing now?
22:45Doña Marta
22:46is going to ask
22:47where I am
22:48and what I'm doing.
22:49You haven't told her
22:50yet that you're in bed,
22:51have you?
22:52When are you going to do it,
22:53Claudia?
22:54It's almost time.
22:55I'm not feeling well, doctor.
22:56What is Doña Marta
22:57going to think of me?
22:58Let's do this. I'm going to write you a report for Mrs. Marta,
23:03in which I recommend that you rest for a picture of extreme fatigue, okay?
23:08A fatigue? And we're not going to fool her, are we?
23:11That's exactly why. That way we don't get any under our sleeve.
23:15And if she has any problems, tell her to come see me.
23:19Thank you very much, doctor. Really.
23:22Come, I'll go with you.
23:25What's wrong? Why are you standing there like a fool?
23:28What happens if I continue bleeding?
23:31Well, it doesn't have to happen again.
23:35So now calm down and rest. Don't worry about that.
23:39I'll see you tomorrow.
23:43Thank you very much, doctor. See you tomorrow.
23:46Have a nice day. Thank you very much, doctor.
23:54See you tomorrow.
24:02Well, where do we start?
24:04No, son, you don't have to help me.
24:06My children will do it when they come from the factory.
24:08It's not a bother to you anymore. I promised to help and the three of us will take turns.
24:12Well, if you insist.
24:15So, let's get to work.
24:17The idea is to take those boxes, and these here, and take them to the junkyard.
24:21Okay.
24:23I want to find something and put it here to protect it.
24:29I don't want it to break. It's about Gervasio and my son Valentín.
24:34It's about things that...
24:36Well, some of them would have to go to the junkyard, but I'm incapable.
24:41It's normal, uncle.
24:43When I look at these books,
24:46it seems to me that I see my son reading in front of the fireplace,
24:50with a loud voice.
24:52He was a great reader.
24:53He was.
24:55He loved to read me the chapters that he liked the most.
24:58And he even put voices to the characters that appeared in them.
25:03It's such a waste to end up in a junkyard.
25:06If you want, I can build you a shelf, so you have them all in sight.
25:10I thank you very much, son.
25:12But I don't know if it will be a good idea.
25:16They would remind me that she is no longer with me.
25:19I can't imagine what she has suffered for everything that happened.
25:23It was very hard.
25:25And it still is.
25:27There is no day that I don't ask myself what responsibility I had in all that.
25:31Why do you say that?
25:33Because a large part of what children do
25:35is the result of the education they receive from their parents.
25:38I don't stop asking myself what I did wrong or what I didn't do.
25:42Aunt, you can only take responsibility and love your children madly.
25:46So don't be so unfair to yourself.
25:48And I'm sure that if you took care of your son, you would tell him the same.
25:54Somehow he told me.
25:57In a letter that he wrote to me from Brazil.
26:01A letter?
26:03Yes.
26:05He wrote to me shortly after he fled there.
26:09Among many other things, he made it clear
26:13that he was responsible for Clotilde's death.
26:18But he also told me that he regretted it a lot.
26:24He regretted it, Andrés.
26:28He regretted it.
26:31And he never tried to go looking for you?
26:34Many times I was about to call the Rio de Janeiro embassy,
26:39but I never dared to do it.
26:43Out of fear.
26:45Of what?
26:47That they would ask me a lot of questions.
26:50And that I wouldn't know what to answer.
26:53And that they would finally find out that he was responsible for Clotilde's death
26:57and that they would know where I was.
26:59He was protecting you.
27:03Yes.
27:05It may seem like a demon to you.
27:08But at that moment, it was what I did, it was what I decided.
27:13He is my son.
27:17And despite everything he did,
27:20I still love him.
27:24You can't imagine how much I wish I could hear his voice again.
27:30I would give anything.
27:34Anything.
27:38Even my own life.
27:49Thank you, son.
27:52Thank you.
27:57Good morning.
27:58Good morning.
28:00I was about to call your house.
28:02As it was late and you weren't coming, I was worried.
28:06I passed by Toledo to pick up the glasses that were missing.
28:11And how was the night?
28:13Good, very good.
28:15Did you sleep?
28:18Yes, like a baby.
28:22And I have to go.
28:25Of course, why not?
28:26Because I haven't slept all night.
28:30Well, I'm sorry.
28:33Look, if there's something I've learned in all these years wearing this white robe,
28:37it's that it's not worth worrying about things that have no solution.
28:42Jaime, don't start.
28:43No, I'm serious, Luz.
28:45That's it.
28:46I have a tumor and it can't be operated on.
28:50What's the point of going around?
28:53Well, because we are people.
28:55And there are things that are hard to fit.
28:57Look, yesterday I already cried everything I had to cry.
29:02I have little time left and I don't want to waste it with regrets.
29:06I want to make the most of it.
29:08And what did you want to do?
29:11I don't know.
29:13To be here with you.
29:15That you receive me every morning with that smile.
29:18That's enough for me.
29:20Jaime, I don't know if I'm capable of doing as if nothing happened.
29:23Luz, we are doctors.
29:25We know what it is to look death in the face.
29:27I see.
29:28But when death affects someone you care about, it hurts too much.
29:32Do you know what I'm left with?
29:34With what?
29:35With what you just said.
29:37That I care about you.
29:42Luz, you are the best thing that has happened to me in this last stage of my life.
29:46No, don't say that.
29:48Life is worth it precisely because it is not eternal.
29:53Let's take advantage of every minute.
29:57If they leave us.
30:00I don't understand you.
30:02Well, I'm a little worried that Luis can tell my political family that he saw us spend the night together.
30:08Luis won't.
30:09He won't say anything. He's not a gossip.
30:11No, I'm sure he won't.
30:13But you were together for a while, weren't you?
30:16And what does that have to do with it?
30:18I don't know, maybe he feels hurt in his pride and decides to take revenge by telling what he saw.
30:25No, don't worry about that.
30:28I know him well and he knows how to keep a secret.
30:31Great, then.
30:33That's it. What a mess.
30:36And now to work.
30:38Do you mind taking the glasses to the factory?
30:41Of course.
30:42Thank you.
30:57I love you.
31:15Well, son.
31:17How have you been with Dino?
31:19Fine.
31:20We have taken some things from Uncle Gervasio and Valentín to Trastello.
31:23Very good, son.
31:25I've been thinking about the conversation we had all the way back.
31:29And what did you talk about?
31:31Come on, sit down and tell me.
31:40Father, how hard must it have been for your son, whom you love madly, to make such a terrible mistake?
31:48Yes, it's a tragedy.
31:51It was such a shame to hear him say that he would do anything to know about him.
31:57I can understand it, because I would also like to know about my son if I didn't have him close to me.
32:03It's a feeling that you will discover when you are a father.
32:07He never asked for it.
32:09Why?
32:11So that he would realize what he did.
32:13Especially after such a savage act.
32:15Well, we didn't even know where he had gone.
32:19Until he sent the letter that you killed them from Brazil.
32:21Ah yes, the letter.
32:23But well, Brazil is a very big country.
32:26There are many ways to find someone.
32:28And it's easier if it's a foreigner.
32:30Well, we didn't think about it.
32:33We just wanted to let it go and move on with our lives.
32:38It's strange that knowing my brother, I would like to let it go.
32:41Your brother had just lost his wife in a tragic way.
32:44Do you think he was looking for anyone?
32:46Well, I can understand that at that time he couldn't.
32:48But how did he recover?
32:51I didn't let him.
32:54Every time the opportunity arose to do it, I took that idea out of his head.
32:58Why?
32:59Because I didn't want your brother to go back to the dark under any circumstances.
33:06When Clotilde died, Jesus was paralyzed.
33:10He hardly had the strength to get out of bed, not even to attend to his daughter.
33:14And I seriously thought I could lose the trial.
33:18And now?
33:20Why don't we look for him now?
33:22You haven't heard anything I've told you.
33:24I think it would be good to go with him to close this story.
33:27For Jesus and for Osmerino.
33:29It's okay, son, it's okay.
33:31Let's say we look for him.
33:32That by chance we find him.
33:34And we report him for his crime.
33:37Do you know what that would mean for us?
33:39Again with these things?
33:40Again and all that is needed.
33:42We send an innocent to jail and that is a crime that we are all accomplices.
33:47You too.
33:48You know it and you have shut up.
33:52There are many reasons not to meddle in certain matters.
33:56And let the Most High judge your cousin for what he has done.
34:01Yes.
34:02It is better to appeal to the Most High than to stir up certain things that may not interest you or Jesus.
34:08That's good.
34:11Yes.
34:19Gema, is the food there?
34:22Gema?
34:23Sorry.
34:24What's wrong with you?
34:25You've been turning your head since you got here this morning.
34:29Nothing, I'm just a little tired.
34:31He told us he would know, he has had us all around.
34:34Yes.
34:35The truth is that it is a real headache, especially for you.
34:40You've had to stay at home with everything on your shoulders.
34:43I apologize.
34:44Do you want?
34:45No, thank you.
34:46Apologies?
34:47Why me?
34:48For not staying and not helping you.
34:50But don't worry.
34:51Tonight I'm going and tomorrow, hand in hand, we'll take care of everything.
34:54Is he coming back tonight?
34:56Tomorrow we'll have breakfast together.
34:58But woman, if there is no hurry.
35:00Relative.
35:01That in this house I am in debt.
35:03No, in debt, nothing.
35:04It's his family.
35:05Besides, it doesn't seem prudent to me either.
35:07Because he doesn't know the smell of paint there is at home.
35:09Especially in his bedroom.
35:10Yes, I've been there.
35:11And I've opened the windows to ventilate well.
35:13It's not worth it.
35:14The plague is going to last a couple of days.
35:16Listen to me.
35:17Why don't you stay a little longer here?
35:20Until you're sure he comes home so he doesn't get sick.
35:22Daughter, I don't know.
35:24What's wrong?
35:25Is there someone who is hurrying him to leave?
35:27No, quite the opposite.
35:28Damian has been very kind.
35:30And he has offered me the house as long as I need it.
35:32See, because he also seems a little rushed.
35:34Yes, that's what he told me, yes.
35:36Then pay attention to those of us who care about you.
35:39Take it as a vacation.
35:41What do you think?
35:42There will be time to go back to the usual.
35:47The truth is yes.
35:48It's very good, huh?
35:59Hey.
36:00Cheer up, you have to be strong.
36:04I disappointed her again, Jesus.
36:06Let's see, what fault do you have that the doctors believe that it is convenient to wait at least 15 days to go visit her?
36:11I promised her that I would go see her every week.
36:13Even a couple of times.
36:15Do you want her well-being?
36:16Please, what kind of question is that? Of course.
36:18Then you have to do what the doctors believe is best for her, don't you think?
36:21No, the best thing for her is to be accompanied.
36:23Of course.
36:24But you already know that your mother is not a casual patient.
36:27You have to take somewhat different measures because of her condition.
36:30This is being very hard.
36:33But you are showing an enviable strength, my life.
36:35But what strength, Jesus, if I have barely been able to contain my tears in front of her?
36:39Well, that's normal.
36:41The strange thing would be the opposite.
36:44It's hard to separate from a mother.
36:46I still remember the day my mother died.
36:50I thought I was going to cry so much.
36:54But there I was, carrying her coffin.
36:58You had never told me about that.
37:01Well, there are things that are hard to talk about.
37:05Cariño is right.
37:06It's been a very difficult day.
37:08And I think it would be good for us to take a break
37:11and see the other side of life, the one that is a little more pleasant.
37:15What do you think if we go to the hermit, to that abandoned woman?
37:18What was her name?
37:20Valterra.
37:21Valterra.
37:22That's it.
37:24We'll have some sandwiches and we'll go there to contemplate the views, I don't know.
37:29Without talking, if you want.
37:32Don't you have to go to the factory?
37:34No.
37:35Today I have to be where I'm needed.
37:39I'm not going to leave you alone.
37:42I wasn't planning on staying at home.
37:44I wanted to go back to the dispensary.
37:47Ah.
37:48But so soon?
37:50If you're still with Valeciente.
37:51No, the wound is already healed.
37:53And there is no risk of infection.
37:56A little routine will do me a lot of good.
38:00Well, if you think it will help you.
38:03But I hope you take it easy and that you go little by little.
38:05And if you see that you can't, don't force it.
38:07Yes, yes, don't worry.
38:08Thanks for everything.
38:12You're welcome.
38:14I'm going to get my suitcase.
38:15Very well.
38:17Are you here?
38:18Yes.
38:19How is Mercedes doing?
38:21More calm.
38:22I'm glad.
38:23Do you want me to wait for you and I'll bring you to the dispensary, my love?
38:26Uh, no.
38:27I'm going for a walk, it's a wonderful day.
38:29Of course.
38:33I have the car at the back door.
38:35If you want, we can go together.
38:36We'd better not be there.
38:38They gave me Mr. Garcés' phone number at the topographer's school.
38:41I call him Perfumes de la Reina.
38:44Yes, yes, yes.
38:45The Essences of the Queen.
38:48Yes, Vera, we want to do some works in the facilities.
38:52And I know that Mr. Garcés was working here a few years ago.
38:55There are some doubts we have about the land,
38:57which may be a problem for you.
38:59Yes, I know.
39:00But I don't think it's a problem for me.
39:02I don't think it's a problem for you.
39:04There are some doubts we have about the land,
39:06which he may be able to clarify.
39:09Yes.
39:10My name is Fermín González.
39:12Do you have to sign?
39:14My phone number is 258513.
39:19Very well.
39:20Thank you very much, ma'am.
39:27Come in.
39:30I'm handing out glasses and I'm looking for Ricardo Perea.
39:35Well, he just went out to eat at the canteen ten minutes ago.
39:40I'll go get him. Sorry.
39:41Luz.
39:43I'm glad you came because I wanted to talk to you.
39:46With me?
39:48Yes.
39:50Do you have a minute?
39:51Of course.
39:57Please, sit down.
40:05I...
40:07I wanted to apologize for the argument we had the other day.
40:11No, it's okay.
40:13Yes, it is.
40:14Because I shouldn't have dressed like this when I saw you with Jaime.
40:19I see.
40:21I was a fool.
40:23And in the end, it's your life and...
40:26and you can do whatever you want with it.
40:31I'm glad you see it that way.
40:35And I'm sorry if you saw something that hurt you.
40:38Look, whether it hurt me or not,
40:42you can do whatever you want with your life.
40:45We're adults. I just have to respect it.
40:49That's exactly what I wanted to talk to you about.
40:52Of course. You know you can talk to me about whatever you want.
40:55This cannot transcend, Luis.
40:57What?
40:58What?
41:00If someone in the Queen's family finds out that Jaime and I have something that goes beyond the dispensary,
41:07it would be very complicated.
41:09Of course.
41:11A lot of people could be hurt.
41:15I have no intention of telling anyone, Luz.
41:19But that means that Jaime and you...
41:25I'm not going to lie to you.
41:29I think we're both starting to feel things.
41:32I don't want to seem insensitive to you, but I need to be frank.
41:37And I... I appreciate it.
41:39But I also want to be frank with you, Luz.
41:42I don't think leading a clandestine life is the best way to handle life.
41:49I'm very aware of that.
41:53But right now, I don't want to or can't let him.
41:56I have to be by his side.
41:58In that case, I just hope things don't get complicated.
42:05I hope so, Luis.
42:07I have to continue with the delivery.
42:09Yes.
42:11And I'll go back to work.
42:29Yes, tell me.
42:31Yes, yes, I'm Fermín González.
42:36Nice to meet you, Mr. Cortés.
42:43Yes, come in.
42:45Excuse me, may I?
42:47Tassio, come in and close the door, please.
42:51By the way, is Rosita leaving? I've seen all her things packed.
42:54Yes, it was temporary.
42:56New candidates are coming today.
42:59Well, I've called you because I have something to give you.
43:06Me?
43:07Yes.
43:08And I hope you're as excited to receive it as I am to give it to you.
43:13This is the first shotgun my father gave me when I was a kid.
43:18And I want you to have it.
43:20So that one day you can give it to your son.
43:29Honey.
43:32I love you.
43:34I love you.
43:36I love you.
43:38I love you.
43:40Honey.
43:43It's beautiful.
43:46Thank you very much, Mr. Damián. I appreciate it.
43:48But...
43:50But...
43:52Don't you like it?
43:56I'm not saying I don't like it.
43:58The only thing is that I don't understand anything.
44:00Are you going to take me hunting now and show off to me?
44:03Yes, I'm going to do it.
44:05As long as we're discreet.
44:07You see, Tassio, I can't publicly recognize you as a son, but I would like you to give me the opportunity to treat you as such.
44:15I want to get to know you, Tassio.
44:18Get to know your tastes, your hobbies, your concerns.
44:23I don't know, you could do it for me.
44:26And for you.
44:29Well, the truth, Mr. Damián, is that the only thing I've ever hunted has been a frog and pure stone.
44:35Well, that has an easy solution. I can show you how to shoot it.
44:40In fact, we could go right now.
44:42You know, it's a wonderful day to go up to the sea.
44:44We could go through the sale of the sack.
44:48Don't you know it?
44:49No.
44:50No? Well, you're going to love it.
44:51It's a waste of time.
44:54What do you think?
44:56Well, it would be wonderful.
44:58But the truth is that I have a lot of work in the factory.
45:01Well, that's no problem.
45:02I'll talk to Joaquín and tell him that I need you for other nurseries.
45:05Well, if that's the case, I have no choice but to say yes, Mr. Damián.
45:09Perfect. So we'll meet in half an hour at the factory entrance.
45:14Perfect. I'll get changed and I'll be there.
45:16Son.
45:21Did you call me son?
45:24Don't you leave the shotgun?
45:32Yes.
45:49Hello.
45:50Hello, son.
45:55Wasn't that the shotgun your grandfather gave you?
45:57Yes.
45:59And you leave it at Tassio's hands so he can clean it?
46:03He's not going to clean anything. He's going to come hunting with me.
46:06That he takes him hunting?
46:08I don't see any problem. You do.
46:11Man, you will understand that it seems strange to me that you share your free time with an employee, don't you think?
46:17Tassio is a loyal man and with whom I have many things in common.
46:21And I don't think I have to give you explanations about who I go in with, who I go out with.
46:25And sit down, since we have to review these contracts. This one is very badly written.
46:39Come in.
46:43Hello.
46:44Hello.
46:47Are you alone?
46:48Are you alone?
46:50Yes. Jaime has gone out to attend to an emergency in saponification and Luz is handing out glasses among the workers.
46:55Wow. And you? Do you have a lot to do?
46:59The truth is yes.
47:01Well, in that case I'm leaving. I don't want to bother you on your first day at work.
47:04No, no, but calm down. Jaime and Luz know that I need time to adapt.
47:08How can I help you?
47:11Well, actually I just wanted to see you.
47:14Talk to you.
47:16I imagine how difficult it will be a day like today.
47:21The truth is that it is.
47:23Begoña, I know that lately we have had misunderstandings.
47:27But I want you to know that I am here for what you need.
47:30You don't know how grateful I am for your words.
47:33Don't thank me for God.
47:36How are you?
47:38Well, look, with a feeling of terrible guilt.
47:41I know. Because my mother is again in the sanatorium, alone.
47:45No more objective than waiting for someone to take pity on her and pay her a visit from time to time.
47:49I know it's hard.
47:51But think how happy I was with you these days. And you with her.
47:55It has been very selfish, Andres.
47:56He only thought of me and how much he needed to have her close.
48:00I was enjoying his company so much, his moments of lucidity, when he told me about my childhood.
48:08I didn't want to see the risk I posed for her.
48:11Don't say that.
48:12It's the truth.
48:14The day he escaped, he could have died.
48:16But it didn't happen. We found her safe and sound.
48:18Well, yes, thank God. But it would have been a misfortune and my fault.
48:23All you did was enjoy your mother. And that's your sin.
48:27You'll have to pray to a father of ours and to Saint Mary.
48:31Andres, don't laugh at me, please.
48:33I just wanted to make you smile.
48:36It's going to be hard for you today, I assure you.
48:38It seems like a lie that you don't know me.
48:41There's nothing I like more than difficult challenges.
48:46See? I did it.
48:53You shouldn't stop doing it.
48:55What?
48:57Smile.
48:59How's Maria?
49:02She's excited about the baby you're expecting.
49:05A lot.
49:07I'm looking forward to it too.
49:09I've always wanted to be a father.
49:11And a good one, if possible.
49:13You will be.
49:14There's nothing else to do with Julia.
49:18I'm glad you didn't go to the clinic.
49:21That you didn't listen to me.
49:23And that I didn't have to listen to you.
49:25That you didn't listen to me.
49:27And that Pinto Yonolite, if that's what I want most, is here.
49:31But she's here.
49:55You argue a lot, it's true.
49:57But the loyalty you feel for each other is very hard to find.
50:00No, mother, it's not like that.
50:01Does that mean you'll let me go to the field with you more often?
50:04Would you like that?
50:05Of course I would.
50:06I'm scared to death.
50:08Well, but Carmen told me you're not in danger.
50:10I'm not, but the baby is unknown.
50:13I swear nothing happened to that man.
50:15Please, you have to believe me.
50:16It's okay, Gemma, it's okay.
50:17He wants to make a report about us.
50:19The Queen's people.
50:21You know, a report that's just gossip to open a section of social echoes.
50:25And have you had a good time?
50:27Very good.
50:28I'm glad for you.
50:29And for him.
50:30I haven't seen him so relaxed in a long time.
50:32My father was a reference for me.
50:34And I need to know certain things, clarify them.
50:38Come on, the idea is to transmit an image of a solid and united family.
50:43You know I've loved you for a long time.
50:46It just can't be.
50:47Yes, it can be.
50:49Of course it can be.
50:51If it's what we want, it's yours.