Igra sudbine 1137 Epizoda - Igra sudbine 1137 Epizoda
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00:00♪♪♪
00:30I don't want to know what you know.
00:32I don't know anything.
00:33Nothing? If you start working for me, I'll destroy you.
00:36Is that clear?
00:37What's the matter with you? Stop making me angry.
00:40Come on, admit what I promised you.
00:42I know, I know.
00:45I told you I'd take you to Belgrade, didn't I?
00:49Why don't you all come with me?
00:53You'll see how you'll deal with your things.
00:55I'm in love, you know?
00:57You know?
01:00I'm in love.
01:05Ido, thank you for the offer.
01:09Top.
01:10But I have to go.
01:12You know, Belgrade isn't far away.
01:14I'm here.
01:15So, it's okay.
01:16Sit here.
01:17You're not going anywhere.
01:19I told you so many times to let you drive,
01:21but you don't come,
01:22since you're staying in Đajđe.
01:24Okay.
01:25Okay, come on.
01:26That's right.
01:27What can I tell you?
01:28You won.
01:29I'm staying.
01:30I'm staying.
01:31That's right, bro.
01:32That's right.
01:33Now, if I may,
01:34tell me the number of the room.
01:36You can't come with me,
01:37you can't explain anything to me,
01:38just tell me the number,
01:39and I'll go to the room.
01:40That's it.
01:41There's no number, Trivanović.
01:43There are no vacant rooms.
01:45It's the season.
01:46I'm sorry.
01:48What do you mean, there are no rooms?
01:50Where am I going to sleep?
01:51Do you think I'm going to sleep outside?
01:53Come on, please.
01:54You're going to sleep outside.
01:55What kind of man would I be
01:56to let my wife sleep outside?
01:58Come on.
01:59Come on, Mido,
02:00every time I hear you,
02:01what do you think of me?
02:03Okay,
02:04what did you think,
02:05where am I going to sleep?
02:06Look,
02:07since I still have to keep an eye on you,
02:09you're going to sleep with me.
02:11With you?
02:12With me.
02:13Where, with you?
02:14In the room?
02:15Come on, Farid,
02:16we're going to sleep together,
02:17what's wrong with you?
02:19Wait, Mido,
02:20you don't know,
02:21I have a disease.
02:23What?
02:24I snore very,
02:25very,
02:26very loudly.
02:27What?
02:28Come on.
02:29Look, Trivanović,
02:31I also sleep very,
02:32very,
02:33very,
02:34loudly
02:35at home.
02:48I don't know what you're talking about.
02:51We're talking about Luka Kanačko.
02:53I heard you were together.
02:56And what bothers you,
02:57the fact that we had something,
02:59or the fact that I didn't tell you
03:01when we saw each other in Milan,
03:02and you, my poor doll,
03:03how you fell in love?
03:06It only bothers me
03:07because
03:08your relationship with him
03:09will cost me.
03:12Well, dear,
03:13I'm sorry you're married.
03:15You don't have to be sorry for me,
03:17but I want you to withdraw
03:19the decision
03:20to raise the purchase price.
03:22You're on your own.
03:24I don't get it.
03:26Well, nothing,
03:27then you'll have to
03:28take care of me.
03:30You see,
03:31some things have changed.
03:33I'm not the kid
03:34you met anymore.
03:36Is that so?
03:37Interesting.
03:38What have you grown into?
03:41Into a very influential
03:42businesswoman
03:43who can ruin your end
03:45with one call.
03:47If I withdraw the deal,
03:49you won't be able to go out,
03:50not to this one,
03:51but to any space
03:52here in Milan.
03:53Why are you threatening me?
03:55Well,
03:56do whatever you want.
03:58You're very brave, Laura.
04:00Take care.
04:01And one more thing,
04:03stay away from Luka.
04:05Why did you come back to Belgrade?
04:24What am I going to do here?
04:26I feel like I'm a burden to you.
04:29You know it's not like that.
04:31I don't know.
04:32I don't know it's not like that,
04:33because you spend
04:34your days talking about Laura,
04:36Paolo, Luka,
04:37and not just the two of us.
04:39Well, I'm sorry.
04:40I mean, you know
04:41that I'm afraid
04:42that the project
04:43won't succeed
04:44and all this with Luka
04:45and what happened
04:46with his affairs.
04:47You see,
04:48you and I are good.
04:49You and I are good?
04:50Yes.
04:51Aleksa,
04:52I'm trying.
04:53You're getting crazy
04:54about that topic,
04:55as if the difficulty
04:56will evaporate
04:57if I don't mention it.
04:58No, no,
04:59that's not quite true.
05:00It's just that
05:01we can both agree
05:02that this is
05:03all unexpected
05:04and unplanned,
05:05but far from
05:06not happening to me.
05:08Is that clear to you?
05:09I don't know.
05:10I don't know if it's clear to me,
05:12because you don't act like that.
05:16I mean,
05:17you can't even imagine
05:19how I felt.
05:22Admit that I was a little
05:24soulless,
05:27but I just want to see
05:29what we're going to do.
05:32Can we?
05:35But together,
05:37let's think about
05:38what we're going to do.
05:39Okay?
05:41Aleksa, come on.
05:43Can we?
05:45Okay.
06:02I don't know how you think
06:03about professionals.
06:04I don't understand.
06:05About team building
06:06in Cannes Capital.
06:07Aha, so I did understand
06:08well,
06:09I'm just checking.
06:10And what do you say?
06:11I say
06:12that it doesn't matter.
06:13But why?
06:14It would be great.
06:15I'm not an HR.
06:16I don't know,
06:17find someone
06:18who does training
06:19for companies,
06:20not some life coach,
06:21anyone but me.
06:22I'm begging you, Milena.
06:25What do I have to do with it?
06:27You have a chance
06:28to help your friend,
06:30which is what I do.
06:32Of course,
06:33but this time
06:36you could get to know
06:38the kingdom of Andrija Bošnjak.
06:40Yes, that's what I was thinking about,
06:42Bobo.
06:43Okay, jokes aside,
06:44you could evaluate
06:45all those women
06:46around him
06:47and then give me some advice.
06:48What kind of advice do you need?
06:50Except to protect yourself.
06:52How can I stand up
06:53to them?
06:55Look, Bobo,
06:56you're shit at evaluating.
06:57Come on, seriously,
06:58I don't think
06:59that's a good idea.
07:01Please,
07:02try it.
07:03If it doesn't work,
07:04it doesn't work.
07:07Okay,
07:08but I can spend
07:09only two hours
07:10of my life
07:11on women,
07:12not a minute more.
07:14You won't regret it,
07:15believe me.
07:18I'm so tired.
07:19Thank you.
07:20Cheers.
07:29Mido,
07:30if you already
07:31accepted me
07:32as your son-in-law...
07:33Take it easy, Trivanović,
07:34take it easy.
07:35Accepting is a process.
07:36Okay,
07:37a process.
07:38If that process
07:39started,
07:40if we look at it
07:41in reality,
07:42it's somewhere
07:43at the beginning,
07:44right?
07:45Why wouldn't I
07:46accept you
07:47as my son-in-law?
07:48Because
07:49you're not
07:50my son-in-law.
07:51You're not
07:52my son-in-law.
07:53You're not
07:54my son-in-law.
07:55You're not
07:56my son-in-law.
07:57You're not
07:58my son-in-law.
07:59But I really
08:00wouldn't sleep
08:01next to Ljubinka
08:02in her room.
08:03Where would I sleep?
08:04I mean,
08:05you have a big,
08:06big bed,
08:07nice.
08:08You could,
08:09take it easy,
08:10take it easy,
08:11Trivanović.
08:12We're not
08:13in that phase yet.
08:14We're not?
08:15No, no.
08:16When are
08:17we going to be...
08:18We're not even
08:19close.
08:20Not even close?
08:21Are you crazy?
08:22No, no,
08:23I'm a little tired.
08:24Tired?
08:25Okay,
08:26I'm taking you
08:27Is there any way we can speed up the process a bit?
08:31Hey, look, if you're not naked, then you're stupid!
08:35What's wrong with you?
08:36You can only sleep in the room next to Ljubinka when you're registered.
08:41What? When I'm what?
08:42When you're registered, Trivanović, when you're registered.
08:45Do you understand? Fingers crossed.
08:47Come on, get in now.
08:48No, no, wait, wait.
08:49What is it?
08:50It's stupid, I mean, you and I, look at us, we're such losers.
08:54What?
08:55In the same bed.
08:56Come on, stop it.
08:57What's wrong with me?
08:59We sleep next to each other.
09:01Or, head up, legs down.
09:05Whatever suits you.
09:06Then your legs will stink.
09:08No, they don't stink.
09:09No?
09:11They stink right now, look.
09:13Well, my neighbor can't move.
09:16We're not going to the middle.
09:17No.
09:18Did you serve in the army?
09:19You didn't serve?
09:20Of course I didn't.
09:21What do you care? I'm a panda, man.
09:23Well, then you'll have a quick break in Trivanović.
09:26It's better for you to have a quick break in me,
09:28than in the whole army.
09:30A quick break.
09:31A quick break, a quick break.
09:32Now we'll see.
09:33Come on, Tix.
09:34Come on, Tix, let's go.
09:35Come on, stand behind me.
09:36Come on, stand still.
09:37Come on, like a soldier.
09:38Come on, behind me, left.
09:39Left!
09:40Left!
09:41Right!
09:42Come on, Trivanović, like a soldier.
09:44Left!
09:54A few hours later
10:01Whenever you're ready to talk, I'm all ears.
10:10I had a tough meeting.
10:16That Milena of yours seems to push you over the line.
10:20I hope you know what you're doing.
10:25And if you want, if you can,
10:30can you tell me what was so terrible in Senes?
10:35We talked about this before.
10:40I don't want to talk about it.
10:45We talked about you and me.
10:50I hope it's nothing terrible against us.
10:55No, no.
11:00On the contrary.
11:05She was quite supportive of us.
11:11That's wonderful. Why are you crying then?
11:19We talked about me betraying Luka.
11:24And you betrayed Jovan.
11:27Easy, easy, easy.
11:30Wait, how did one of those wonderful statements
11:33lead us to the hell we went through?
11:38I feel guilty that I moved here when Luka was at his worst.
11:43But that's how we decided, that's how we said it would be best.
11:47We were only thinking about us. That's selfish.
11:51Poor Luka.
11:54Poor Luka?
11:57Poor Luka?
12:00Come on, please, remember what he did to you.
12:05You were very thoughtful.
12:08You were very brave.
12:10You didn't betray him.
12:12You're aware of that, aren't you?
12:15And you?
12:17What about me?
12:20Are you aware that you betrayed Jovan because of me?
12:25I would betray him again.
12:30I have no problem
12:32with you, me or the way I treated you.
12:37It all sounds terrible.
12:41Come on, please, just try to imagine
12:46what Jovan and Luka did to us.
12:52Try it.
12:55If it wasn't like that, you wouldn't be here now,
12:58and I wouldn't have, as you say, erased Jovan.
13:05That's true.
13:09Is it easier for you now?
13:29Yes?
13:32Look at the time.
13:35I don't have anywhere to sleep.
13:37Nonsense.
13:39You came to me from this big house.
13:42Why don't you go outside to the pool to sleep?
13:45You saw how nice the beds are.
13:48To the pool?
13:50To turn me into a cat when I sleep.
13:56Where is there such a thing?
14:00Maybe it's a bug, to freshen me up,
14:04or a stethoscope to warm me up.
14:07No, it's not like that.
14:09No, I'm here in Kosmaj.
14:12Where is there romance?
14:14And you, pretty, alone.
14:19All right.
14:22You can go to sleep.
14:25No, I can't.
14:39Here you go.
14:46Thank you.
14:52Thank you.
15:12Mido.
15:14Mido.
15:15What?
15:16I can't breathe, you know?
15:18Why?
15:19I can't breathe.
15:21Open the window,
15:23and this Kosmaj air comes in.
15:26Do you feel this, you fool?
15:28I feel my lungs beating down,
15:31you know, in my stomach.
15:33Come on, cry a little.
15:35You're so brave.
15:38You have to sleep in the morning.
15:40You have to get up early to see how you will show up at work.
15:44Come on, let's sleep slowly.
15:47Come on, be good.
15:49Just a little hand, a little hand.
15:51Easy, easy.
15:56What was that?
15:58What are you doing?
16:00Something is tickling me.
16:02What are you doing with that gross move, Mido?
16:05It's hard.
16:06What is hard?
16:07It's so hard, something is tickling me.
16:10How hard?
16:11Like a bubble, like a stone,
16:13like when you lie on a stone bed.
16:17That's...
16:19That's my gun.
16:21What are you talking about?
16:23A gun?
16:24A gun in a bed?
16:25Are you crazy?
16:26What's wrong with you?
16:28What can I do, Mido?
16:29I'm carrying it.
16:30We will never separate from it.
16:31I will separate it.
16:32No, no, no, no.
16:33No one will separate me.
16:35I want...
16:36Let go of my hand.
16:37Are you crazy?
16:38To die without a grain of bread?
16:40Leave my gun.
16:41Mido, I won't be able to sleep.
16:43Let go.
16:44Let go, you fool.
16:45You won't be able to sleep.
16:46You have to sleep.
16:48You have to get up in the morning.
16:50I told you a hundred times, get up.
16:52You will give me a gun in a bed.
16:55Come on, we have to sleep, come on.
16:57But how, when I don't have a fucking gun?
17:06You will give me a gun in a bed.
17:08Mido, I...
17:10We need to resolve this.
17:15Fuck.
17:17My rubber.
17:23Don't let the dove go by chance.
17:26I'll shoot him.
17:29But how?
17:30When you have a gun?
17:46I'll shoot him.
17:48I'll shoot him.
18:08What are you doing?
18:15What are you doing?
18:28What's wrong with you?
18:29Turn around.
18:31Look at him.
18:45What the fuck is this?
18:55Wait, this is a nightmare.
18:59Mile.
19:03Wait, wait, wait, wait.
19:06Wait, wait, wait, wait, wait, wait.
19:09Wait, wait, wait, wait, wait, wait.
19:12Wait, wait, wait, wait, wait.
19:19He will wake up.
19:26Oh my God.
19:30Mile.
19:33Mile.
19:35Mile, wake up.
19:38Did you want to wake me up?
19:41Yes, I wanted to wake you up.
19:44But I didn't dare to judge you at all.
19:47Mile.
19:49Do you love me?
19:50Mile.
19:52Maldives, Mile loves disco.
19:56Who?
19:57Kola.
19:59Shabba disco.
20:00Mile.
20:03And beautiful women.
20:06And a girl's life.
20:09I can't take it anymore.
20:14You know what? Maybe it's better this way.
20:23I can't take it anymore.
20:25Shut up.
20:26I'm not even sure if I love you.
20:39Move aside.
20:56Milo.
21:00Milo.
21:02What is it now?
21:04Are you sleeping?
21:05What are you talking about?
21:06You see I'm not sleeping.
21:07How can I sleep when I'm talking?
21:09Are you mentally out of your mind?
21:11I'm not mentally out of my mind.
21:13Here's my colleague.
21:15Do you know Seljanovic?
21:16No.
21:17He talks in his sleep.
21:19So he sleeps and wakes up at the same time.
21:22You can't tell me about that Seljanovic.
21:25I won't be able to sleep right now.
21:27What did you do before that?
21:28What before that?
21:29What did you do before that?
21:30I didn't sleep.
21:31Let me go.
21:33I was dreaming.
21:35What were you dreaming about?
21:36I was dreaming about you.
21:38I was dreaming about how I would kiss you.
21:41That's what I was dreaming about.
21:43Ok, Milo.
21:44Look, if I bother you, I can sleep in the pool.
21:48Really?
21:49No, you won't.
21:50You go to sleep.
21:51Don't move from here.
21:52Go.
21:53So you can kiss me.
21:55So you can pull me there.
21:56I know you.
21:57No, no, no.
21:58What would I do?
21:59What would you do?
22:00I mean, if you want.
22:02I know everything, but I love her.
22:05You love her, right?
22:06Ok, ok.
22:07I know you love her.
22:08And you will love her even after the registration.
22:11Ok, can I say something?
22:14Go ahead.
22:15About her.
22:16I like her.
22:17You can't do anything.
22:19You can't do anything.
22:20You can't do anything.
22:22Do you know what a whore is?
22:25Have you ever heard of that?
22:27I don't know what a whore is.
22:28You don't know what a whore is?
22:29A whore.
22:30If you don't shut up, let me sleep.
22:32Ok, wait.
22:33Before you shut up, can you tell me what a whore is?
22:39A whore.
22:40Listen.
22:41A whore is a thing for making a mess of such horses and people as you are.
22:48Without humanity, without character, without anything.
22:54For horses or for people?
22:57For people, for people.
22:58People like you.
23:03Go to sleep.
23:04I can't sleep.
23:05Go to sleep.
23:06Why can't you sleep now?
23:07I told you, Mido.
23:08If I don't have a gun for everything, I can't sleep.
23:11I'm used to being harassed.
23:13Oh my God.
23:14When you give birth to me, why don't you let me suffer?
23:21Here's your gun.
23:22Don't talk to me.
23:24Go to sleep now.
23:25Thank you, Mido.
23:26You're welcome.
23:27Thank you when you come home.
23:29It's easy to get out of here.
23:32Thank you.
23:38Now I have to...
23:56What is this?
23:57Ice like a snake.
23:58Look.
23:59Again.
24:00Trivanović.
24:01Trivanović.
24:02Get up.
24:03Wake up.
24:04Wake up, Trivanović.
24:05Do you hear me?
24:06Come on, Zoran.
24:07Come on.
24:08I'll call you.
24:09I'll call you.
24:10Come on.
24:11Come on.
24:12Get up.
24:13Get up.
24:14Wake up.
24:15Wake up.
24:16Wake up.
24:17Wake up.
24:18Wake up.
24:19Wake up.
24:20Wake up.
24:21Wake up.
24:22Wake up.
24:23Wake up.
24:24Wake up.
24:25Wake up.
24:26Come on, wake up.
24:27What time is it?
24:28It's 6 o'clock.
24:29We slept.
24:30You see?
24:316 o'clock?
24:32I can't.
24:33I have to.
24:34I haven't closed my eyes yet.
24:36You can't.
24:37You have to.
24:38You have to.
24:39Come on.
24:40Come on, this horse.
24:41Mido, please.
24:42Half an hour more.
24:43Please.
24:44Who?
24:45Is it going to sleep?
24:46Until half past seven?
24:47Do you hear me?
24:48Come on, wake up.
24:49Wake up.
24:5015 minutes more.
24:51Do you want it to blow on you?
24:52No, no, no.
24:53Just 15 more minutes.
24:54Do you want to feel the pain on your back?
24:58Pain? No, no, no, no. I don't want to.
25:01I'm waking up.
25:02That's right.
25:03I'm waking up.
25:04Gymnastics starts in the morning.
25:06What do you think about that?
25:08Do you mean like in school?
25:11No, like in the army.
25:13Let's see how many push-ups you can do.
25:15I don't know. I've never counted.
25:18Five maybe.
25:19You haven't?
25:20Let's see now.
25:21What now?
25:22Let's see how many push-ups you can do.
25:25Come on.
25:26Come on.
25:27That's right.
25:28Come on, come on.
25:29One.
25:30Don't bend over.
25:31One.
25:32Don't bend over.
25:34You have to do a hundred.
25:36Come on, come on.
25:37Two.
25:38That's right.
25:39You're getting better.
25:40Come on.
25:41Come on.
25:42Three.
25:43Come on.
25:44Legs lower.
25:45Chest.
25:46Come on.
25:47Six.
25:48Bravo, master.
25:49Bravo.
25:50Five.
25:51I would have said you're so strong.
25:53Five.
25:54Bravo.
25:55Let's do one more.
25:57Yes.
25:58Okay, okay.
25:59So you still think it's a good decision to continue working with MIDE and Maldives, right?
26:09Yes, I told you yesterday.
26:13Okay, okay.
26:15I mean, you didn't overthink what I think you think.
26:21You think it's all right, right?
26:25When have I been like that?
26:27Well, you've never really.
26:29Aleksa, it's not up to you at all.
26:33It's up to me.
26:34I'm just listening and thinking if that would be a good decision.
26:39I'm begging you.
26:40If you think I've made a mistake, that something's not right with what I'm planning,
26:46I'm begging you to tell me.
26:48Don't hold back.
26:49Tell me everything.
26:50Well, cut it, cut it.
26:53Be careful.
26:54Expansion, offer, assortment, financial injection in our business.
26:57These are all good things.
27:00Okay.
27:01Is there a but?
27:02And what's after the but?
27:05Nothing.
27:06Nothing.
27:07If it goes well, great.
27:08If we don't like it, well, we'll get out of the deal.
27:11We'll call it a day.
27:12And that's it.
27:13And that's it.
27:15Aleksa?
27:17What's going on?
27:18Is everything all right with you?
27:20I'm sorry.
27:21I just have too much work here.
27:23My head is all over the place and I can't focus completely.
27:26Wait, don't cut me off.
27:29I feel something's not right.
27:32Can I ask you to tell me what?
27:34What?
27:36Lenka is pregnant.
27:39What did you say?
27:41Are you crazy?
27:43Why are you letting me talk about pigs, lambs and giving birth?
27:48You're skipping the main thing.
27:52I don't know what to tell you.
27:54What do you mean you don't know what to tell me?
27:56What's there to know or not to know, Aleksa?
28:01What are you planning next?
28:04I'm sorry, I have to go.
28:05Someone's calling me.
28:06Aleksa?
28:10What's there to know or not to know?
28:14At least that's one way to get to know everyone.
28:18Come on, kids.
28:20Lenka is pregnant.
28:23You can't start.
28:24I have to finish my coffee.
28:26Take it easy.
28:30Oh, God.
28:31Coffee.
28:32Can I?
28:33Yes, yes.
28:34Let's see.
28:36Stop.
28:37Leave it.
28:38It's going to fall.
28:39Take another one.
28:40I can do that.
28:41Which one?
28:42The second one.
28:43The brown one.
28:44Come on.
28:46That's good.
28:48Come on.
28:49You're free.
28:50Let's see.
28:51You can.
28:53Now.
29:02We won't be able to push that team building alone.
29:05Too many negative emotions.
29:07I agree.
29:09That's why I listened to your advice.
29:12What advice?
29:14Remember, you said it would be good to have an expert.
29:18Yes, yes.
29:20Well, I found a great psychotherapist.
29:24I'm not sure we need a man.
29:27No, women and men.
29:28I'm not sure we need a man.
29:30No, women and men.
29:51Why are you so quiet since this morning?
29:55Milo, I have to ask you something, but you have to answer me honestly.
30:00I always tell the truth.
30:03Do you remember anything that happened last night?
30:19I have good news.
30:20What is it?
30:21Tell me, I'm so nervous.
30:23The idea to bring a mediator for the team building has been adopted.
30:28I don't remember adopting anything.
30:31We were left alone, so I came to inform you.
30:34Actually, to ask you if you agree.
30:37I think you should have asked me first.
30:51God bless you, son-in-law.
30:53You're a good woodcutter.
30:54You've chosen a good job.
30:56You just need to fix your stove.
30:58It will help you.
30:59I'm so angry.
31:01Come on, listen to me.
31:02Listen to me.
31:03Your stove and everything else is more important now.
31:05I want you to meet your future father-in-law.
31:08Neposava!
31:11Oh, Neposava!
31:21NEPOSAVA
31:31Oh!
31:33Good day.
31:35Good day.
31:37Where is my company from?
31:39You don't know?
31:41Obviously not.
31:44I was invited to lead the team building.
31:51NEPOSAVA
31:59Good morning.
32:01Ready?
32:02Yes.
32:03Good morning.
32:08What?
32:09What happened?
32:13NEPOSAVA
32:20NEPOSAVA
32:26But not all of it.
32:27I'm sharing a third with a neighbor.
32:30And there's another neighbor.
32:32So I have a gun, all of it.
32:34Half for Fira and a third for us.
32:36Okay.
32:37Can you steal something from a criminal when you're so good?
32:42NEPOSA
32:50NEPOSA
32:55Okay.
32:57But anyway, I hope that woman will save me from you.
33:02Do you mean us from you?
33:04I don't think so.
33:05You don't save from me.
33:08But you are for observation.
33:11NEPOSA
33:20NEPOSA