Igra sudbine 1134 Epizoda - Igra sudbine 1134 Epizoda
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00:00I don't understand, what's so funny?
00:10I didn't expect this kind of treatment from you.
00:13Do you enjoy this?
00:16Honestly, I liked you more before.
00:18You liked me more before?
00:20So you enjoy hurting people, is that it?
00:22Well, it also depends on who deserved it.
00:25Ok, I deserved it, but I'm interested in how I deserved it.
00:28Honestly, I expected worse.
00:31Jovana, please, stop.
00:33You're not a child.
00:35You know when something is done,
00:37because this is done.
00:39It's done when I say it.
00:41That's why it's done.
00:43That's why it's done.
00:44Because it's done when you say it, that's why it's done.
00:46Do you really think it's possible?
00:48You pick yourself up and go whenever you want,
00:50when it suits you.
00:51I don't have the strength.
00:52I can't do anything.
00:53Nothing by force.
00:54You can't get anything by force.
00:56Yes.
00:57Ok, you can do that.
00:58What can I do?
01:00You just chose a harder way,
01:02and you will pay for it.
01:05And what will I pay you?
01:0830,000 euros.
01:10I will pay you 30...
01:15Wait a minute.
01:20You are the owner of the business space.
01:24I will pay you now.
01:27Oh, Luka.
01:30Wait a minute.
01:54How could you do this to me?
01:57I don't want to talk to you.
01:59Don't let me teach you how to be smart like when you were a kid.
02:02I'm not a kid anymore, mom.
02:04And you can't do anything to me.
02:05Just look at me.
02:07I love him.
02:08I love Trivanović.
02:10And what will we do?
02:11You can't stop me.
02:13All my life I wanted to make you a lady,
02:15and you stuck to the first fool who gave you a little attention.
02:18I think that's why I have a lot of attention.
02:22I think that's why I have a lot of attention.
02:25Don't talk to me like that.
02:28I will run away from home.
02:29And what will you do?
02:31I will catch you and tie you up in front of the apartment.
02:34Lepošala, come out.
02:36Leave me alone with the kid.
02:38I don't want to argue.
02:39Really?
02:40Okay.
02:41Then we will all stand and be quiet until you get tired and leave.
02:47You two are the same.
02:50And I really wonder how you will solve this problem.
03:03Boss.
03:04Yes.
03:05Thank you for being here all my life.
03:07I'm just going to...
03:08And that's it.
03:09Did I tell you that I don't want to see that nonsense about you anymore?
03:12Did I tell you that?
03:14I agree, boss.
03:15Everything you say.
03:16If you can just...
03:17Here.
03:18Listen.
03:19I'm just going to...
03:20And when I get back, tell me everything.
03:22Did I tell you that if I see you with Ljubinka again,
03:27or even close to her...
03:28Boss, I will kill you.
03:29Listen to me carefully.
03:30Or even close to Kostmaj,
03:32even if I drag you down,
03:34I will personally lock you up
03:36and throw the key into the Danube.
03:38Boss.
03:39Is that clear?
03:40It's clear.
03:41I just have to...
03:42I have to go.
03:43If you understand me.
03:44Come on.
03:45Thank you.
03:46Just...
03:47Can I have a kiss?
03:49No, you can't.
03:51I'm giving you both my hands.
03:53Thank you.
03:54Right?
04:01I have to go, boss.
04:02Get out.
04:03I can't wait.
04:04Get out.
04:05I'm going.
04:13And don't knock on my door.
04:17Not there.
04:20Right there.
04:21Thank you.
04:27How could you do that?
04:29And why did you do it?
04:30Come on.
04:31What did I do, dad?
04:33Come on, please.
04:34Don't be crazy.
04:35Come on.
04:36I'm fine and normal
04:37when you keep me locked up here in Selendri.
04:39To live alone,
04:40without a single friend in the world.
04:43Come on, tell me, is that life?
04:45Easy, easy.
04:46I'm begging you.
04:47You know very well
04:48how much I've tried.
04:49You and mom understand
04:51that I love Trivanović,
04:52that he's the only person in the world
04:54who cares for me.
04:55He's a good person.
04:57Daughter,
04:58I'm just saying
04:59that you need some experience.
05:00You don't have any experience.
05:01Why do you think I'm crazy?
05:03I would never say that.
05:06Let me just tell you
05:08that Trivanović often comes to my room
05:10and you don't know that.
05:15He follows me around.
05:18What are you talking about?
05:20He comes...
05:21You know what I mean.
05:24Don't...
05:25Do you think I'm stupid?
05:27Well, I'm not.
05:28I'll tell you.
05:29I'm not, dad.
05:30I'm stupid because I'm not a kid
05:31so that I give myself to a man
05:33for whom I don't even know
05:34what his intentions are.
05:35Now it's easier for me.
05:36I knew I could trust you.
05:38Come on, calm down.
05:39Come on, please.
05:40I'm sorry.
05:41Come on, please.
05:42I'm proud of you.
05:44I'm begging you.
05:45Come on, I love you.
05:46Come on, I'm sorry.
05:48I'm proud of you.
06:05Hi, friend.
06:06Hey.
06:07Hey.
06:14What's up?
06:15I have to talk to you.
06:16Did you have a problem again?
06:18No, I didn't.
06:19You didn't go to work, did you?
06:20No, I didn't.
06:21Okay, what is it?
06:22Tell me.
06:23You know who came here?
06:25Who?
06:26Andrija came?
06:27Andrija came.
06:28There's no way.
06:29It's Andrija.
06:30Okay, come on.
06:31I can't play with you.
06:32Tell me what it is.
06:33Tell me.
06:34It's him.
06:36What does she want?
06:38She wants you to evaluate me.
06:40What the hell are you talking about?
06:42Who?
06:43Jovana.
06:44Send her to her own space.
06:47You know Andrija doesn't want to tell you who it is.
06:49I'm telling you.
06:50Jovana sent her.
06:51And what does she want in the end?
06:55She's evaluating me.
06:56I'm telling you.
06:58She wants 30,000 euros.
06:5930,000 euros?
07:00Don't panic.
07:01We'll figure it out.
07:02We'll figure it out.
07:03We'll figure it out.
07:05What happened between you two?
07:07Why is she acting like that?
07:08Nothing.
07:10What happened?
07:18Why are you looking at me?
07:19Why?
07:23Ljubinka.
07:26I thought of something.
07:28What?
07:29Are you going to punish me?
07:30No.
07:33We're going to Belgrade.
07:36Are you kidding me?
07:37I'm not kidding.
07:39What are we going to do there?
07:41Look.
07:43They'll open that bakery for you.
07:45That place near Pancete.
07:47A great cafe.
07:48We made a deal.
07:49We'll get rid of the job.
07:51But, I'm begging you.
07:53You can't say anything about this.
07:56Not even a word.
07:57Do you promise?
07:58I promise.
07:59But I wanted to ask you something.
08:04What about Privanović?
08:13Look.
08:16I'll let you see her.
08:19Because I can see that you're thinking like an adult woman.
08:34I'm sorry.
08:42Alex, is everything okay?
08:44It's not. That's why I'm calling you.
08:46Just be brief.
08:47Yes, I'm sorry for the inconvenience.
08:50How can I help you?
08:52We found out that Jovana is behind all this.
08:56How?
08:57It doesn't matter now.
08:59What can I do?
09:00I don't know.
09:01I just know that she won't raise the price.
09:04The only thing I can do is to let Andrija know.
09:07Yes, of course.
09:08That would be great.
09:10I'm sorry for the inconvenience.
09:12Thank you very much.
09:22It's okay.
09:31I'm sorry for the inconvenience.
09:36When are you going to stop with your nonsense?
09:42Do you hear me, you two?
09:45Why two, boss?
09:47Well, I see you two a lot.
09:50Yes, boss, but there's only one for nonsense.
09:54Bravo, bravo, sir.
09:55That's right.
09:56You can be proud of me.
09:57That's it.
09:58I'm just a collateral damage to you.
10:01That's right.
10:03I'll leave you to talk to each other like two sad old ladies.
10:06Come on, talk to each other.
10:07It's not a joke.
10:10What is it, Seljanović?
10:11I would like to know, boss, why did you call me to be responsible?
10:14Because I'm not guilty at all.
10:17How are you not guilty?
10:18I'm not guilty.
10:19How are you not guilty, Seljanović?
10:20Half of my ideas come from you.
10:22They're yours.
10:23What ideas?
10:24My idea was, boss, to make him fall in love with that piano prima donna.
10:28You should be ashamed.
10:29First, the girl is not a prima donna.
10:31You should be ashamed.
10:32She's a concert maestro.
10:34What do you mean, maestro?
10:35She's not fixing the piano, she's playing it.
10:38She's fixing it.
10:39Okay, enough.
10:40Here's what we'll do.
10:41Seljanović, you get an assignment, a very serious one,
10:44to take care of this colleague of yours.
10:47Because it's evidently unaccountable.
10:50Unaccountable, boss.
10:51I say the same thing.
10:52With all due respect to the colleague,
10:54I've noticed that a long time ago.
10:57Great.
10:59Vuk Branković is in his room.
11:02Are you still doing that?
11:04Come on, take it easy,
11:06go back to the kitchen,
11:08and do it.
11:09Okay?
11:12Why me, boss?
11:15Why you?
11:16Why me?
11:17Well, here you are.
11:19It's obvious that I can't be alone with this madman,
11:22not even in prison.
11:23Sorry.
11:24Come on, take it easy.
11:25Let's go.
11:27Let's go.
11:28Let's go.
11:49Laura.
11:51Yes?
11:53We need to talk.
11:57Okay.
12:01What happened last night, that was...
12:04That was a mistake.
12:05That was a mistake, yes.
12:09I know where I'm taking this.
12:11Yes.
12:12And I wouldn't dare to repeat it.
12:15Yes, yes.
12:16And I wouldn't dare to repeat it.
12:20This is all a game for you, right?
12:22No, I'm saying this because this is not a game for me.
12:25This is a project of my life.
12:27And I can't...
12:29Yes, but you have to play a little, right?
12:31No, I can't.
12:32I don't have the luxury to play.
12:34I can't.
12:38You're so predictable.
12:45I'm so predictable.
13:03Is this yours?
13:07Where did you get this?
13:10I don't know.
13:11We're trying to be quiet all the time.
13:16Is it because of Senka?
13:19Una.
13:20Yes?
13:22You're new in the company.
13:25You give yourself too much space.
13:28No, I was right.
13:31The acquisition should have been done long ago.
13:34It's not about that at all, whether you're right or not.
13:36It is.
13:37It's a job.
13:38And why should I promote a PR ad if the job is not done?
13:42Okay, if you put it that way.
13:45Yes, you're right.
13:48But Senka is an experienced financial director.
13:54It was a little inappropriate, you know?
13:58But I don't understand why.
14:00I just asked her nicely to do her job.
14:02Why are you defending her so much?
14:03You didn't ask her.
14:06Listen.
14:09If I behaved like that towards the employees,
14:14they would all leave long ago.
14:18Can we argue because of Senka?
14:21If it's so easy for you.
14:24What do you want to say?
14:26You know what I want to say.
14:27We're constantly avoiding the right topic.
14:29I don't understand. Tell me what's going on.
14:34You're looking for reasons to argue.
14:36Why would we argue?
14:38So we wouldn't fall in love.
14:40That's it.
14:47Come in.
15:06One martini, please.
15:08And for the lady, the same.
15:10Thank you.
15:14Is that her?
15:17Wait, were you at Andrija's and mine to look for a job?
15:20Yes.
15:23Okay, so what are you doing here?
15:25I work here.
15:27It's such a small world.
15:29I can't believe we're meeting here.
15:31Unbelievable. So what do you do?
15:33I didn't have a job in Belgrade,
15:35so I came here to try it out.
15:37It's going well.
15:39There's a place for everything here.
15:41There is, yes, but the competition is much bigger.
15:44Do you work as an expert or something else?
15:46Now I'm working on the production of fashion collections.
15:50It's not a promising job in Belgrade.
15:53Milano is an ideal place for that.
15:56It's a shame it's not ideal for love.
15:59You know you're absolutely right.
16:01What? You have a boyfriend?
16:03Yes.
16:05Let's cheer for our boyfriend.
16:09Cheers.
16:10Cheers.
16:14So, what's your problem?
16:17I fell in love.
16:19And, of course, it's complicated.
16:22Yes.
16:24Why?
16:25I'm working with him,
16:27so I'm at the start of a thin ice.
16:30Some Italian?
16:33He didn't imagine it.
16:34It's a domestic collection.
16:36Really?
16:50Pretty owl.
16:53You won't believe what I found out.
16:55I won't if you don't tell me.
16:57I saw Mido's tattoo.
16:59I know when he was in the army.
17:02At least one good news today.
17:04Come on, give me a kiss.
17:06Come on.
17:25Here it is.
17:2812...
17:2912,986.
17:31That must be the number.
17:33Come on, Mido.
17:35He's older than an old Greek.
17:37It's no wonder he's using the bank instead of the safe.
17:40That suits us.
17:41You're philosophizing again.
17:43No, no, no, please.
17:45Don't send me any negative energy.
17:47We have to send positive energy into space
17:50so we can, of course, wait for Mido again.
17:53You're right.
17:54Let's go.
17:56I hope this is it.
17:58What do you hope for?
18:00He served in the army twice.
18:02Okay.
18:051,2...
18:061,2...
18:081...
18:099...
18:107...
18:12No, no, no.
18:13It's 7,8.
18:14I'm not stupid.
18:15Come on, concentrate.
18:17Let's do it again.
18:18You're annoying me.
18:19Let's do it again.
18:20Do you hear me?
18:253,2...
18:263,2...
18:273,2...
18:283,2...
18:293,2...
18:303,2...
18:313,2...
18:323,2...
18:333,2...
18:40Hello, Mido.
18:41Listen, you can let Trivanović come to my lover's place.
18:46It's a good idea.
18:55Hey.
18:56Hello.
18:57Are you okay?
19:00I'm coming in a minute.
19:09Wait a minute.
19:10Did you want to go back?
19:11No.
19:12Are you okay?
19:13Come on, sit down.
19:15Sit down.
19:16Slowly.
19:20Are you okay?
19:21I'm fine.
19:22I'm fine.
19:23I'm fine.
19:31Should we call a doctor?
19:33What do you think?
19:35Maybe it's a virus.
19:39Wait a minute.
19:40Did you eat something bad?
19:42We have to check...
19:43I didn't eat anything, Alex.
19:45It's not a virus.
19:46Okay, but what is it?
19:47We have to see what's wrong.
19:49I'm tired.
19:53I'm tired.
20:02And...
20:03Click.
20:05Bravo!
20:06We did it!
20:19So?
20:20Who's that guy you fell in love with?
20:23He's a great guy.
20:25But he won't do it.
20:26He's really bad.
20:28What's his name?
20:30Luka.
20:42Wait, wait, wait.
20:43Are you sure?
20:44Did you hear me well?
20:46What do you think?
20:47Trivanović is a good guy.
20:49Yes, yes, you heard me well.
20:51I made a mistake with him.
20:52But you wanted to kill him yesterday.
20:54If necessary, I will kill him again.
20:57But for now, I won't.
20:59Okay, and where did that come from?
21:03Let the young people fall in love.
21:06Well, it's a pity you didn't call me a little earlier.
21:09Why?
21:10What happened?
21:11Because I sent them to the farmhouse.
21:14Him and his Seljanović.
21:16They talk a lot, brother.
21:18No, no, no, no.
21:19No way, no way.
21:20Please, let him go right now.
21:22Well, since I locked him up because of you,
21:24I'll easily let him go because of you.
21:27Thank you, Nebojsa.
21:28You can't go against love.
21:30Love?
21:32Oh, Mido, Mido.
21:33You're very romantic.
21:35I'm not.
21:37I'm just in love with my Ljubinka.
21:39I have her.
21:41So you're going to give her to Trivanović?
21:43Not right away.
21:44It will have to be proven.
21:46Let him go right now, please.
21:49Okay, Mido.
21:50It's a deal.
21:51And good luck.
21:53Thank you, Nebojsa.
21:54You're going to enjoy it, Mido.
22:00You'll need it.
22:01I'm sorry.
22:15Do you want to say something?
22:19How are you?
22:20How are you?
22:21I'm fine.
22:22I'm fine.
22:23I'm fine.
22:24What?
22:25It's not clear.
22:26I'll show you how I'm fine.
22:27If you don't want to talk to me,
22:29how am I?
22:31I'm like this.
22:32I'm like this.
22:33Do you see how I am now?
22:35Okay, let's do some more tests.
22:37I've already done three tests.
22:39That's it.
22:40I'm tired.
22:41It's okay.
22:43Okay.
22:45What are we going to do now?
22:46What are we going to do now?
22:48Doesn't this suit you?
22:50No, no.
22:51I didn't say that.
22:52Lenka, I didn't say that.
22:53Lenka, I didn't say that.
22:54Lenka, I'm in shock.
22:55I'm in shock.
22:56Come on, please.
22:57Slowly and calmly.
22:58Okay, come on.
22:59Just stop talking.
23:01Stop talking.
23:02Okay, okay.
23:03But we have to...
23:04We just have to think about everything
23:06and see what we're going to do.
23:18How is it possible that the safe is empty?
23:20I knew it.
23:21I'm a curse.
23:22A curse.
23:23And it's a curse to walk this earth.
23:26That's our Mido.
23:27Our Mido.
23:28That Mido of yours.
23:29He's a pervert.
23:30He's a truck driver.
23:31Someone told me on the highway
23:33that the safe is only there
23:35to cover your eyes.
23:38He's smart.
23:39He's smart.
23:40And what are we?
23:41We're stupid.
23:42What did we do?
23:43We just wasted time.
23:44And there's no money.
23:45Do you understand?
23:51What if he...
23:52If he sees that there's no safe
23:54he'll start suspecting us.
23:56We have to get him back to sleep.
23:58And you'll do that.
24:00I'll do that.
24:02Mrvica will do that.
24:03Mrvica will do all the dirty work.
24:05I'll do that.
24:07Because it's your responsibility.
24:09You gave me the wrong information.
24:11So be strong now.
24:12I'll be strong.
24:13Be strong, Mrvica.
24:14You be strong, Mrvica.
24:27You're so beautiful.
24:43So you're in love with some Luka.
24:46Yeah, you know him.
24:48A lot of people from Serbia call themselves that.
24:50What's his name?
24:52Kanački.
24:56Really?
24:57Tell me, when did it all happen?
24:59Literally a few days ago.
25:03And?
25:04And everything started all over again.
25:07Yes.
25:08That's how it is with him.
25:10Everything starts all over again.
25:14Wait.
25:15I don't understand.
25:16You know him?
25:19Seriously?
25:21Tell me something about him.
25:24The only thing I can tell you is that you need to be careful.
25:28Why?
25:30Because he's the worst type of man.
25:34He doesn't seem like that to me.
25:36At first he doesn't seem like that at all.
25:38He seems very sensitive and naive.
25:41And deep down he's a deviant.
25:45Well, I like that the most.
25:53Thank you.
26:04Thank you.
26:10Trivanović.
26:12You're free to go.
26:16What's wrong?
26:17Why are you frowning?
26:21I'm not frowning, boss.
26:24I don't know. Is it a curse?
26:27A curse? What's not clear to you?
26:29You're free to go.
26:30Hey! Like a bird on a branch.
26:32Go.
26:33Take care of Ljubinka.
26:38Is this a joke?
26:39No, no. It's not a joke.
26:41Do you know what's not clear to you?
26:43He's a bit like a curse to me because of Ljubinka.
26:48And then...
26:49That's it!
26:50Like a lovebird.
26:51Look, Mido felt sorry for some unknown reason.
26:56He fell in love with you and said he'd let you go.
26:59And that you and his daughter Ljubinka should continue to love each other.
27:03That's it.
27:04Mido!
27:06Mido!
27:07Yes, Mido.
27:08He felt sorry for me.
27:11And he fell in love.
27:13And that's not surprising to me.
27:16Love has a price.
27:19You have to respect it.
27:21Love is a big obligation.
27:24Okay. I don't look at it that way, boss.
27:27You'll look at it. Just take it easy.
27:29Look.
27:30It's a big obligation.
27:32You have to feel it.
27:34It's a sacrifice.
27:36Love isn't just a thing.
27:38Okay. I get it.
27:39We have to give it a little.
27:42What's not clear to you?
27:44Let's go.
27:45What's there?
27:46They expect you to dedicate yourself to Ljubinka.
27:50Do everything you need to do.
27:52Now you've turned Trivanović off.
27:57But listen.
27:58Mido is my friend.
28:00And I expect respect for him and his daughter Ljubinka.
28:03Is that clear?
28:04Yes.
28:05Let's go now.
28:06Tomorrow.
28:08To Kosmanj.
28:12What about me, boss?
28:13What about you?
28:14Me?
28:15No, you're not going to Kosmanj.
28:17You're going to Kosmanj.
28:19To Ljubinka.
28:20You love each other.
28:21And you're free.
28:22You can go to the cinema.
28:24And you'll see her.
28:25I'm free, boss.
28:26That's right.
28:28Let's go.
28:29Bravo, boss.
28:30Let's go now.
28:31Thank you.
28:32You're welcome.
28:33Thank you, boss.
28:34All the best.
28:35You'll need luck.
28:37Let's go.
28:39You're free.
28:41Fly, falcons.
28:43Let's go.
28:49Here's my fly.
28:51Go to the other one.
28:55How do you think we'll figure out what to do?
28:57Look, hard work isn't a small thing.
29:00What do you mean, hard work isn't a small thing?
29:02What are you talking about?
29:03We can't just...
29:05You want me to have an abortion?
29:06No, I didn't.
29:07Yes, you wanted to say that.
29:08I know you wanted to say that.
29:10I didn't say that.
29:11So what?
29:12I just wanted to say that we need to find a doctor,
29:14to check what phase she's in,
29:15and to be sure.
29:16I can't believe you're avoiding responsibility
29:18in a situation like this.
29:19This is unbelievable.
29:20No, that's not true.
29:21I'm rational and calm here.
29:22You're...
29:23Of course I'm not calm.
29:24I'm under stress.
29:25Thank you.
29:37Why didn't you leave him?
29:39If he sees him, we're in big trouble.
29:41I forgot that Mido's doors are locked.
29:45Of course they're locked,
29:47when she has a boss.
29:49I know, but I couldn't get in.
29:51Don't be a genius.
29:53How could you forget that you have Ljubinka's key?
29:56I don't know.
29:57I got carried away by the fact
29:59that I returned Ljubinka's key.
30:14I really don't know why you acted like a crow.
30:17And now I'm a crow.
30:19No, I didn't say that you're a crow,
30:20but that you're like a crow.
30:21Do you want to fight?
30:22Listen to me carefully.
30:23Answer me nicely when I ask you.
30:25Why did you stop reciting poetry
30:27like a woman,
30:28about me,
30:29nicely,
30:30when you started talking,
30:31and then when Gala came in?
30:32Why?
30:33Well...
30:34What is it?
30:35What is it?
30:36Holding someone's head?
30:37It's not good for anyone.
30:38You know?
30:52Bravo!
30:54Hey, I see you're in a good mood this morning.
30:58In a good mood?
31:00Hey, I made you some tea.
31:02Okay, I'll have some of your coffee.
31:04I'm excited,
31:05and I'm nervous.
31:07Tell me you're nervous.
31:10I started building today.
31:22Tell me.
31:24What?
31:25Tell me what.
31:26Aren't you glad you don't need anything from me?
31:29Me?
31:30I'm always polite,
31:32I'm always nice,
31:33you know me.
31:35Come on, tell me what you need.
31:37Well, I thought you'd give me the key to Mido's room.
31:41Again?
31:52There is no more village,
31:56there is no more my love from Etna,
32:01there is no more.
32:03Come on, don't philosophize,
32:04don't talk, come on.
32:06What if I lead to the abyss of love?
32:13I told you not to philosophize, come on.
32:22Where are you?
32:23Please tell me there is no problem again.
32:26I don't know if I would call them that.
32:29Do you know what it was?
32:31It looks a bit difficult.
32:51I don't know if I should give it to him or not.
33:00No.
33:01Don't give it to him.
33:03Listen to me slowly.
33:06Go to my room,
33:08unlock the door
33:10and leave it a little open.
33:21Well, girls, the time is up.
33:24Let's hear who wrote what.
33:27She wrote what she wrote, there is no going back now.
33:30Let's say you, Bobo, first.