Igra sudbine 1123 Epizoda - Igra sudbine 1123 Epizoda
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00:00Welcome to the club, parents, brothers.
00:15Andrija, it's not the time to be sad.
00:20Believe me, it's not.
00:22We are not here all day.
00:24Mirjana is not here.
00:26I know it's a standard behavior, but I haven't seen her all day.
00:32You know what, maybe you should call the police, just in case.
00:36I've already called the police. They're already looking for her.
00:39Do you know what she said to little Tarja?
00:42What did she say?
00:43Wait, wait, here she is.
00:45See, I told you she would come.
00:47Here she is. She says, I'm fine, but you have to find me.
00:53I'm here.
00:55What does this mean, you have to find me?
00:58I don't know.
01:00Maybe she's sending you something.
01:03You should answer her.
01:05Bye, see you.
01:23Hey, did you just decide to...
01:37Jovana, Jovana, stop it.
01:40Why, what did I do?
01:42You know very well.
01:45Stop making up stories.
01:47And tell me, please.
01:50What's your idea to call the police?
01:53Andrija, it's not my fault that you decided to surround yourself with women you've hurt.
01:59But you're the only one making a problem.
02:01You think so.
02:03And everything you've done, you'll get back.
02:06I mean, maybe you're great in business, but your private life is creaking, and you know it.
02:12And you still insist on getting into my private life, right?
02:16Your private life. Didn't we tell you...
02:18Tell me, I told you.
02:21And to leave Una alone.
02:25I warned you.
02:31Una, Boba, Senka, me.
02:37These are all women who will one day drink your blood.
02:41Andrija.
02:48Oops.
03:18I'm sorry.
03:30I hope I wasn't too harsh on Aleksija and you last time.
03:34What do you mean harsh? I mean, I don't know...
03:37I don't know, what do you mean?
03:39I mean, because of those price calculations.
03:41What?
03:42I just didn't want it to turn out that I'm not doing the job right,
03:45and I want to steal the money that doesn't belong to me.
03:48What do you mean, steal? No, no.
03:51How do I put it, I'm not tired of your stubbornness.
03:56You like stubborn women?
03:58Well, I like women who know what they want.
04:02Great.
04:03Great.
04:05Anyway, the lesson was helpful for you and for me.
04:09Yes, for me not to get carried away,
04:11and for you to tell us everything on time.
04:15Exactly.
04:16Yes, you see how well I understand you.
04:20You know what?
04:22I'll make you something,
04:25something world-famous.
04:28You'll see.
04:30I'm sorry.
04:38I'm telling you nicely, I'm worried about that relationship.
04:41I'm just not calm.
04:43I don't think you should compete with Bob.
04:46That's not healthy.
04:48Bob is his business partner and that's all.
04:50I'm not competing with him.
04:52I'm just trying to build trust in my own husband.
04:57And then she shows up at 10 p.m. in our house and that's it.
05:02It would be best if you didn't interfere in their relationship.
05:06You don't think he'll choose between you two, do you?
05:09No, no.
05:10And I would never ask him for that.
05:14I can't help but wonder what he wants from him.
05:18Well, you said yourself that Bob had a hard time at work.
05:22Maybe he's just looking for support.
05:26And she got it.
05:29Right away.
05:31He went to the office in the morning
05:35and started solving her problems.
05:40Your husband is a good director.
05:42He would allow his employees to suffer.
05:45You should be impressed.
05:47You know, he talked a lot about him as a man.
05:51I know.
05:53I know, and I wouldn't want him to reject her.
05:56I know I'm judging you for a good man, but...
06:01He was in a hurry.
06:04In a hurry?
06:06Yes, he rushed to the office in the morning and...
06:10Aha.
06:11Okay.
06:12Then we could talk about love.
06:15What kind of love?
06:19What kind of love?
06:22No, I'm not in love.
06:24I'm not in love, but...
06:26I don't trust her.
06:28I don't.
06:31You know what?
06:32Please, let's talk about how I can solve this, and...
06:37Okay.
06:38There is one solution.
06:40Get used to the fact that Andrija is in a business relationship with Bob.
06:44That's all.
06:46Explain it to yourself.
06:50Well, I'm trying.
06:53It's just...
06:55I don't think it's just a business relationship.
07:12How are you going to make it world-famous?
07:16I'm very interested in that.
07:19Excuse me.
07:21Someone is calling.
07:26I'm here.
07:28Excuse me.
07:35It's her.
07:37I'm just calling to see how you are.
07:39I'm good.
07:41I'm in Milan.
07:43Business is going well.
07:46So...
07:48Just that.
07:49To ask how it is.
07:51Yes, sure. You called to ask how it is.
07:53Well, maybe I have something that will cheer you up.
07:57Things between her and Andrija are not going well.
08:01Yes, yes. You see, I'm not interested in that at all.
08:04Are you sure?
08:05Sure. I don't know what I'm doing here.
08:08I started a fashion collection that I invested a lot in, so that's my priority now.
08:15As you wish.
08:17So, are you interested in me?
08:20Ivana, what are you talking about?
08:22I could take you back to Milan for the weekend.
08:25What do you think?
08:27I don't think there's a need, because I'm here on business.
08:31I don't know where I'm going.
08:34I wouldn't dare to see you.
08:36That's all I wanted to say.
08:38Bye.
08:47Bye.
09:04Why do you think their relationship is not just business?
09:07Do you have any proof of that?
09:09No, no.
09:11Let's be clear, I don't think they are in some kind of intimate relationship.
09:16I just think they are strangely close.
09:23I think I know why you have that impression.
09:27Why?
09:28You and Andrija don't have an intimate relationship.
09:32What does that have to do with this?
09:36Wait, you think he needs to make up for the lack of that?
09:43That?
09:44No, no, no.
09:45I just think you are making up for your relationship with them.
09:50I don't understand.
09:54Andrija is close to you, but they are also close to her.
09:58Both relationships imply a lack of sex.
10:01That's why you are making up for them.
10:03That's why you think they are close in a different way.
10:07No.
10:08I think there's a big difference.
10:11Maybe in practice, but not in your imagination.
10:15Your brain connects similarities in relationships,
10:18and that can be confusing sometimes.
10:23I don't know.
10:26I need time to process that.
10:31You have to admit that your husband has a sense for female friendship.
10:35And that's all.
10:37That sounds pretty simple.
10:40We decided to complicate things,
10:42and that's how we torture ourselves without achieving anything.
10:48That's true.
10:50Pretty much.
11:03Come on, Mido.
11:05Cheers.
11:10Oh, sir.
11:12Oh, look, look, look.
11:14Where are you, sir? Sorry if I'm bothering you.
11:16You're the one who's bothering me.
11:18How can you bother anyone?
11:20Especially me.
11:22Listen.
11:23Can I do something for you?
11:24You can.
11:25I wanted to take a shower.
11:27I don't work, and we're in the shower booth.
11:30What are you talking about?
11:31My life.
11:32Mido, something's broken.
11:34Yes.
11:35That's impossible.
11:36Yes, my life.
11:37Something's broken, so I came to ask you to help me fix it as soon as possible.
11:43As soon as possible?
11:45Let's go.
11:46Right now.
11:47Mido Pljanovic will help you.
11:49Thank you.
11:50He was alive.
11:51You're welcome.
11:54I have an idea.
11:57What?
11:59What do you think about going to his party?
12:24It's over, Mido.
12:49Hello.
12:50Mirjana,
12:52I know where Mia is, Mirjana.
12:55Hello?
12:56I know where Mia is.
12:58Well, I know...
13:00Mia is on the river, Mirjana.
13:02There, on the river, on...
13:03Well, on the river, on that place, there...
13:06On that place, there, on the river.
13:08I found that place.
13:22I just can't believe
13:24that something happened to Mia.
13:26I'm alive, I'm not going to die
13:28until I find out what it was.
13:31Oh, yes, Vala.
13:32Suddenly, some heat hits me,
13:34or some river hits me all of a sudden.
13:37You'll see.
13:43Why are you so surprised?
13:45Well, it's a bit of a strange situation.
13:47A bit of a strange situation,
13:49that they're calling you for dinner?
13:50Well, people go out for dinner, I don't know.
13:52Yes, but it seems to me
13:53that you just ran away from something.
13:56Ran away?
13:57I mean, I don't know, maybe I am.
13:58I don't know what that has to do with this.
14:00So, you are.
14:02Don't surprise me.
14:03Everything...
14:04Whatever it is, it's in the past.
14:06Did a girl call you?
14:10Yes.
14:11Although...
14:13She's wrong.
14:15There were a lot of wrong people.
14:18There were a few of them.
14:21Well, maybe I could correct your mistake.
14:26Luka, look.
14:27Let's solve one thing right now.
14:29Come on.
14:30I'm a bad cover for a man
14:32who wants to heal a broken relationship.
14:35Don't play with fire.
14:42Okay, where are you taking me for dinner?
14:47I don't know.
14:53Now I remember that I told her about the river,
14:56but why the starfish?
14:58Why did she run away?
14:59Mirjana, it's our child.
15:02She just wants to send us something in her own way.
15:06Our child is smart.
15:09How do you understand her message?
15:13I understand everything.
15:15She grew up without us.
15:17She just wants to go back to where it all started.
15:21To her beginning.
15:23That's how I understand it.
15:25To the river.
15:26Our child wants to reunite us.
15:29Well, yes.
15:30Well, then...
15:33Let's go to the river.
15:35Come on.
15:45Let's go.
16:00It's so hot.
16:03Let's close this window.
16:05What window?
16:06I'm used to it.
16:08I'm used to driving a truck all the time
16:10around Africa, America, Canada.
16:12It's not a problem for me.
16:14It's just that...
16:15It's so hot.
16:16Come with me.
16:17Come on.
16:18Here you go.
16:19Here you go.
16:21Come on, let's go.
16:22I'm sorry.
16:23I'm sorry.
16:24Come on, come on.
16:25Just a moment.
16:26If I can get through.
16:27Come on, come on.
16:28I'm sorry.
16:29I'm afraid I won't be able to forgive you.
16:31Come on, don't worry.
16:32I can, I can.
16:33It's not that bad.
16:34Come on, come on.
16:35That's it.
16:36Thank you.
16:42Thank you.
17:08What are you doing?
17:09Nothing.
17:10You?
17:11What do you mean, nothing?
17:12When you tried to enter Mido's room.
17:15Oh, I was...
17:16Today I was a little slow.
17:18I wanted to...
17:19to talk to Mido.
17:21But I see he's locked up.
17:23I really don't know why that man is locked up every day.
17:26It's like he has Ali Baba's blessing in his room.
17:29I don't know.
17:30I'm not sure either.
17:31There must be a reason why he's locked up.
17:33But...
17:34I can't make it to talk to you.
17:36To ask you about this mess.
17:38I mean...
17:39I'm sorry about Trivanović.
17:41And I'm sorry you don't play the piano.
17:44I really miss him.
17:48Listen.
17:49I know Dad wanted me to marry you.
17:52But...
17:53My heart beats only for Trivanović.
17:56And that wouldn't be fair.
17:57I'm sorry.
17:58Please.
17:59Oh, God.
18:00Why are you apologizing for your sincerity?
18:02I understand you.
18:03I'd really like you to find a man.
18:05A real man.
18:07I mean, I didn't think I was a chance for you.
18:13But...
18:14You and Trivanović.
18:15Do you have any plans?
18:16How is it going?
18:18We don't.
18:20I mean...
18:21He can't come to Kosmaj anymore.
18:24And I don't know what to do.
18:26I have to figure out what to do.
18:28But I really don't know.
18:30Oh, God.
18:31I'm so sorry to hear that.
18:33I'm so sorry.
18:34You'll always have allies and good friends in me.
18:37And someone you can count on.
18:39Trust me.
18:41I love you.
18:46Now we'll see
18:48what's going on here.
18:50First, the master will visually examine you.
18:53Do you understand?
18:54Wait.
18:55Wait.
18:56Vido.
18:57Do you understand what you're doing?
19:01Oh, God.
19:02What are you asking?
19:04Are you asking if he'll come to the grave?
19:06He won't.
19:07Listen to me.
19:08This thing behind your head
19:11is called a battery.
19:13Okay, okay.
19:20I think
19:23this is good now.
19:26This battery is good now.
19:29Wait.
19:30Which one do you mean?
19:32The bathroom or your battery?
19:35Oh, look, look, look.
19:37She's asking me.
19:39Slowly.
19:41We're getting a little messy, aren't we?
19:44Well, okay.
19:45What's missing, Mom?
19:47What's missing?
19:48A better battery.
19:49Great.
19:50Thank you so much.
19:52Thank God.
19:53You're so kind.
19:54You're so kind.
19:55You're so kind.
19:56I want to hug you.
19:57No, please.
19:58Let the devil in.
19:59How's your battery?
20:02Oh, thank you for asking.
20:06It's good.
20:07It's good.
20:08I think it'll be even better.
20:10I'm so glad.
20:12Look, I put this number in for you.
20:16Just in case I find it.
20:18I've installed it.
20:19Now you can cry as much as you want.
20:22Don't worry.
20:23You shouldn't have.
20:24Great.
20:25Great.
20:26Thank you.
20:27You're welcome.
20:28We'll be happy.
20:29Great.
20:30Bravo, bravo.
20:35Please come to KOSMA.
20:38I've missed you so much.
20:41I can't come, honey.
20:43Do you realize there's no chance I'll show up?
20:45Because the boss is following me.
20:47He's following every step I take.
20:50I just want to tell you that we can't go on like this.
20:53We have to come up with a plan.
20:55I'll come up with a plan.
20:58Okay, honey.
20:59If you can, come up with a dangerous plan.
21:03You know what I just remembered?
21:05What?
21:06That I'll pack my bus
21:09and come to Belgrade to you.
21:13No, honey.
21:14Please don't come.
21:16I'm begging you.
21:17Don't come because of me.
21:20But we really have to meet.
21:25We have to meet.
21:26I understand you.
21:27I understand you.
21:28But you have to understand me too.
21:30If you come, your dad will follow you.
21:33He'll come to my boss.
21:35Don't worry.
21:36We'll tell him everything.
21:37And I'll get a refusal.
21:38I'm begging you, honey.
21:39Don't do this to me.
21:42Look, honey.
21:44I came up with an idea.
21:46I have a great idea.
21:48I expected this.
21:50I came up with an idea.
21:52You know what I'm going to do?
21:54I'll come one night.
21:55When everyone falls asleep,
21:57you won't fall asleep.
21:58That's a deal.
21:59Everyone except me.
22:00Okay.
22:01I'll come.
22:02And then we'll meet.
22:04Wait, when are you going to call me?
22:06I'll call you exactly when.
22:07Just to reduce the traces.
22:10You know, when I come to you,
22:14you'll know that I'm in love with you.
22:18I'll do this, honey.
22:29I miss you so much.
22:34That means you miss me too.
22:41Great.
22:45I have to ask you.
22:46Do you train?
22:47I'm looking at you.
22:49You're a muscle.
22:51You look great.
22:52I don't train.
22:53I don't train.
22:54I don't do anything.
22:55It's from driving a truck.
22:57You know?
22:58Really?
22:59Uh-huh.
23:00Uh-huh?
23:03Are they big trucks?
23:05Big?
23:06You can't believe it.
23:08Do you know how many trucks there are?
23:10When I drive a truck,
23:11I don't see myself at all.
23:12Six of them.
23:13What are you talking about?
23:14When you drive it through the desert,
23:16through Africa,
23:17at 45,
23:18it has 26 wheels.
23:20Six tires.
23:21When it breaks,
23:22the others work.
23:23It goes.
23:24It goes like a magnet.
23:25That's weird.
23:26Could you prepare it?
23:27What?
23:28The muscles.
23:29You can do it.
23:30You can't.
23:31Come on.
23:35Congratulations.
23:37It's like a bubble.
23:38Like a stone.
23:39Pop it, pop it.
23:40Do I have to warn you?
23:41Don't pop too much,
23:42because I don't approve
23:43of my actions.
23:45Come on.
23:46Run to me.
23:47Look, look.
23:48What are you doing?
23:49That's weird.
23:50It was terrible.
23:51Terrible.
23:52Terrible.
23:53I saw it.
23:54I filmed it right away.
23:55What?
23:56You.
23:57You.
23:58You have
23:59a thousand wives.
24:00Who?
24:01You.
24:02Who?
24:03A thousand?
24:04I'm more than a thousand.
24:06I'm more than a thousand.
24:07Those were the driver's adventures.
24:08I don't count them.
24:09You don't count them.
24:10I don't count them at all.
24:11Why black, white, yellow,
24:12small, tall, fat,
24:13all pretty.
24:14Who would you like?
24:15Big eyes,
24:16big eyes when he looks at you.
24:17Yes.
24:18I would go slowly.
24:20Wait, wait.
24:21You can't go yet.
24:22Listen, I have
24:23I have a suggestion.
24:24Because I'm really
24:25infinitely grateful
24:26that you came right away.
24:27Thank you.
24:28No, no.
24:29You solved the problem right away.
24:30Yes, I showed it.
24:31You solved the problem right away.
24:32I wanted
24:33to invite you
24:34because I have
24:35I have a bottle
24:36of top-notch
24:37top-notch white wine
24:38I brought it from Belgrade.
24:39But I can't
24:40I can't open up
24:41the situation
24:42to make that wine.
24:43I don't have anyone
24:44to make it for me.
24:45So I thought
24:46if you want
24:47to come back in the evening
24:48let's pour some wine
24:49let's have a chat
24:50maybe some cheese and olives
24:51let's have a chat
24:52let's drink
24:53I mean
24:54if you agree
24:55if you're up for it.
24:56I agree.
24:57Mido agrees
24:58like a board on a pilaf.
24:59How do you like it?
25:00You see,
25:01I don't know
25:02I don't know
25:03I don't know
25:04is it good or bad in flavor?
25:06Let's see
25:07where to pour that bottle of wine!
25:08I said
25:09not to complicate here
25:10later
25:11here
25:12the best
25:13Not here
25:14No, no, no
25:15the idea
25:16you mentioned
25:17is to pour it
25:18on tops
25:19don't try it
25:20and that's good
25:21to drink it
25:22just here
25:23that isn't
25:24a good idea
25:25I can't
25:26look
25:27look
25:28look
25:29look
25:30so
25:31we're going
25:3250%
25:33You don't have to worry about a thing.
25:35Juk! Juk!
25:37Don't worry, it's all right.
25:39This is wine, it's been stolen.
25:41I'll fix it.
25:42See you.
25:43Bye.
25:45Juk!
26:03Juk! Juk!
26:26Excuse me.
26:28You're finally here.
26:30I don't have any money.
26:32You're always busy, 15 minutes late.
26:34I told you it's important.
26:36All right, what happened?
26:38The owner of the studio called.
26:42He wants to see you urgently.
26:44Why?
26:45Where is she paid?
26:48I don't know.
26:49I'll find out tonight.
26:51I'm really worried.
26:54Don't worry.
26:55I'm sure it's a minor issue.
26:57No, it doesn't seem that way.
26:59There's nothing to worry about.
27:01We paid the bill.
27:02Kira is paid.
27:04It's all right.
27:05But I have something else to tell you.
27:09You'll have to finish it tonight.
27:12What is it?
27:13I'm going to dinner with Luka.
27:18Laura.
27:20You're thinking about him again.
27:22We had a deal
27:24not to do that.
27:25I'm not doing anything.
27:27He invited me to dinner.
27:28I can't reject him now.
27:31I'm not going to be a traitor.
27:33Are you normal?
27:34Why are you acting like that?
27:39You know well
27:40my opinion on all this.
27:59THE END
28:04Move!
28:05Here.
28:08Tell me, what did you do?
28:10I can't tell you.
28:11I pulled some moves
28:13and I'm still figuring out
28:15how it's going to develop.
28:16Do you really think
28:17I'm going to sit on my ass?
28:19That I'm going to sit like your guests
28:21who you talk to all day?
28:23What are you talking about?
28:24It's important that we have a plan.
28:25That's the most important thing.
28:26I know.
28:27But I don't know anything concrete.
28:29I can't tell you anything concrete
28:30so you wouldn't be in danger.
28:32You're overreacting.
28:33If you don't succeed,
28:35I'm going to pull your pants off.
28:49Yes?
28:52Bobo, hello.
28:53Hello.
28:56It's wonderful to see the director
28:58back in his chair.
29:00You should know that I like it.
29:02I need to take a break from problems.
29:05You're talking about a man
29:06who's solving the tone of papyrology.
29:09Come on, problems at work are zero
29:12compared to private problems.
29:14I agree.
29:27Dobrice, I really like harmonica.
29:29Please, if you're going to mention harmonica,
29:32violins and drums,
29:33don't do that.
29:35I've heard that it plays harmonica
29:38better than piano.
29:42Look at you.
29:43You don't understand anything.
29:44You don't understand anything.
29:45What don't I understand?
29:46Listen.
29:57Stop whistling like a god.
30:00Try my brain.
30:01Seljo,
30:02do you know that some people say
30:05that only bad people don't like music?
30:08That's music.
30:09It looks more like our music video
30:11than music.
30:12Oh, God.
30:13What are you talking about?
30:15Those who sing don't mean evil.
30:18You're not singing, buddy.
30:20You're whistling.
30:22You're whistling.
30:23You're whistling.
30:24You're not singing, buddy.
30:25You're whistling.
30:40Yes?
30:43Good evening.
30:46Good evening.
30:47Here I am,
30:48exactly as agreed.
30:50In a second.
30:51Exactly as agreed.
30:52On a glass of wine.
30:53Yes, yes, yes.
30:57Here?
30:58Thank you.
30:59Here you are.
31:00Thank you.
31:13He moved you to the shadows
31:15so that I couldn't hear you
31:17talking nonsense.
31:18Horrible.
31:20Yes.
31:21Do you know what that means?
31:23That means
31:24that he started a counteroffensive.
31:28But let me tell you,
31:29I'll figure out
31:30how to get to him.
31:31He won't be able to do that.
31:33I don't doubt that.
31:46Yes.
31:48If he's in my village,
31:51he'll remember the parrots,
31:54the cat in the cradle,
31:55Mara,
31:57and Mlada.
31:58Where are you, kids?
31:59Where are we?
32:00Have you seen where we're going?
32:01We need to find something.
32:02We found it.
32:16You look really pretty.
32:18Really?
32:19Yes.
32:20Is that because of work, or...?
32:22It's because of work,
32:23and because...
32:24I'm sorry, I have to hang up.
32:26I'm sorry, too.
32:27Bye.
32:29Tell me when you're done.
32:32Bye.
32:46Is everything okay?
32:51I think you need to know something.
32:53What?
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