Erkenci Kus HD - Episode 21 (English Subtitles) EARLY BIRD
Category
🎥
Short filmTranscript
00:00:00Mm-hmm.
00:00:31How old are you?
00:00:33Are you saying I'm old?
00:00:35No, not now. I'm saying you're ahead.
00:00:38I'm saying you're way ahead.
00:00:40Anyway, we'll talk about this later.
00:00:43Okay, Mr. Mevki.
00:00:45But let's talk later, Mr. Mevki.
00:00:50This is the profit I made from the fillings.
00:00:5320 liras.
00:00:55Mr. Mevki, you managed to surprise me again.
00:00:58You're full of surprises.
00:01:00Look, I'm going to put this on top.
00:01:04Here he comes, Mr. Halil.
00:01:14Welcome, Mr. Halil.
00:01:16Thank you, auntie.
00:01:18Nihat, what's up? Why did you call me? What's the hurry?
00:01:21Halil, here's your debt.
00:01:25What debt? What debt?
00:01:27The debt that Sanem pays in a cab.
00:01:31I'm not taking this, Nihat.
00:01:34It's Sanem's debt. Sanem pays in a cab.
00:01:36What do you mean, it's Sanem's debt?
00:01:38Isn't this debt my debt?
00:01:40Here, take your debt.
00:01:42I'm not taking it.
00:01:44You've done this to me when I was a kid.
00:01:46Don't make me crazy.
00:01:48Take this debt.
00:01:50That's enough.
00:01:52I'm not taking it.
00:01:54I'm really sorry about the fillings.
00:01:56I'm going to pay my father's debt when his daughter comes.
00:01:58I'm going to pay my daughter's debt when her father comes.
00:02:00Nihat, I've made a deal with Sanem.
00:02:02She'll come and pay her debt, okay?
00:02:04Oh my God, we're screwed.
00:02:13Is he crazy or what?
00:02:15He's really going.
00:02:19Mevgube.
00:02:21You know how much Sanem scared Halil.
00:02:24Sanem is the opposite of him.
00:02:27He's dirty.
00:02:29I think he's a little upset with you about that.
00:02:32Maybe.
00:02:34Anyway, let's put this in the safe so it doesn't get lost.
00:02:38Let's put it in.
00:02:40Mr. Rahmi.
00:02:42Yes, sister?
00:02:44Send me two cups of tea with your brother-in-law, kid.
00:02:46Oh my God.
00:02:48Take me around.
00:02:50Take me around, coachman.
00:02:52Take me to Mr. Can's room, take me to Mrs. Deren.
00:02:54Let's be guests.
00:02:55Let's go have tea and coffee there, okay?
00:02:57Take me around, coachman.
00:02:59Coachman.
00:03:01Coachman.
00:03:03What's wrong with you? Are you okay?
00:03:05I'm fine. I'm fine, Sanem.
00:03:07I'm fine, I'm peaceful.
00:03:09I'm peaceful.
00:03:11Everything is clear.
00:03:13It's like I'm watching life closely.
00:03:15I mean, it doesn't even make sense for someone to fly.
00:03:19Black fly.
00:03:21Black flies fly.
00:03:22There are black flies in the summer.
00:03:24In the summer, they are dry and warm.
00:03:26In the winter, they are cold and rainy in my country.
00:03:29You're scaring me.
00:03:31What fly, what bug?
00:03:33Don't be afraid, Sanem.
00:03:35This serum is really good for me.
00:03:37I always want this serum.
00:03:39I'm so afraid it's going to run out.
00:03:41Let the world be a serum.
00:03:43I want to put it on my arm and travel.
00:03:45Let it be a serum everywhere.
00:03:47Come on, give me a serum.
00:03:49Don't you have any more?
00:03:50Give me a serum.
00:03:52Come on, give me a serum.
00:03:54Give me a serum. It's about to run out.
00:03:56Okay, calm down.
00:03:58Ayhan brought one.
00:04:00Serum.
00:04:02I love serum.
00:04:04I want it to be a serum everywhere.
00:04:06I'll go and wear it when it's over.
00:04:08Shame on you.
00:04:10Sanem, where are you?
00:04:12Kerim is looking for you everywhere.
00:04:14Kerim? Why is Kerim looking for me?
00:04:16Are you going to look for a place for tomorrow's shoot?
00:04:18Don't I have to go with Can?
00:04:20He said you were going to go together.
00:04:22Did he say that?
00:04:24Let it be.
00:04:32Leyla.
00:04:34Is tomorrow's shoot ready?
00:04:36Mr. Emre, I'm preparing it right now.
00:04:38Okay. These finance reports need to be organized.
00:04:41If it doesn't arrive tomorrow,
00:04:43we'll have to postpone tomorrow's meeting.
00:04:45Of course, Mr. Emre.
00:04:51Leyla?
00:04:53Are you okay?
00:04:55You look a little pale.
00:04:57It doesn't matter, Mr. Emre.
00:04:59Something's on my mind.
00:05:01It doesn't matter.
00:05:03Tell me if it's on your mind.
00:05:05Ms. Aylin just called me to her room.
00:05:07What do you mean?
00:05:09What is she doing with you?
00:05:11She asked me to organize some reports.
00:05:13I'm your assistant.
00:05:15So I said I couldn't help her.
00:05:17But did I do something wrong?
00:05:18Did I make a mistake?
00:05:20I don't know, Mr. Emre.
00:05:22If you want, I can help Ms. Aylin.
00:05:24No, no.
00:05:26You did the right thing.
00:05:28If it wasn't for you, I wouldn't be here.
00:05:30As you can see,
00:05:32I don't share you with anyone.
00:05:34Thank you.
00:05:36Then I'll prepare these and put them on your desk.
00:05:38Okay, thanks.
00:05:40Good luck.
00:05:42Thanks.
00:05:48I'm waiting for you.
00:05:59I'm fed up with you.
00:06:01You made me do two accounts.
00:06:03Mom, you didn't get the seriousness of the matter.
00:06:06I sent my picture to all the agencies,
00:06:08all the billboards.
00:06:10I sent my picture to the top of those skyscrapers.
00:06:12The phone called me for advertising.
00:06:14It will come.
00:06:16It will come. I'm waiting.
00:06:18Oh, my child.
00:06:20Oh, my baby.
00:06:22Oh, my heart-broken, heart-broken child.
00:06:25Do you think it happens with a couple of pictures?
00:06:28Look, we opened the store.
00:06:30You have beautiful customers.
00:06:32What are you going to do?
00:06:34I'm going to be famous.
00:06:36What are you going to do?
00:06:38Who made you famous?
00:06:40Mom, you really break my heart.
00:06:42What am I missing from Kıvırcık, Kasap Osman?
00:06:44Besides, everything is for Sanem.
00:06:45Oh, my child.
00:06:47I'm sorry that you're going to be disappointed.
00:06:49You're going to be disappointed the next day.
00:06:51I'm going to be more sorry than you.
00:06:53Mom's heart.
00:06:55Don't look at me when I yell.
00:06:57My child, I'm sorry, too.
00:06:59The phone rang.
00:07:01Hello.
00:07:03Yes, Muzaffer Kayabel.
00:07:05For advertising.
00:07:07Of course.
00:07:09Really?
00:07:11Come on, they're calling for advertising.
00:07:12Of course, sir.
00:07:14Of course, 1.95 meters.
00:07:16My height is 1.95 meters.
00:07:18Yes, it goes up to 2.05 meters when it is self-confident.
00:07:21Yes, sir.
00:07:23Of course, sir.
00:07:25I'm coming in a few hours, but I might have a couple of fans behind me.
00:07:27I can't stop them either.
00:07:29I'll be there in a few hours.
00:07:31Thank you.
00:07:33For God's sake, what are your fans?
00:07:351.95 meters is two meters.
00:07:37You're so skinny.
00:07:39How do you speak to people?
00:07:40We're going to exist somehow.
00:07:42We've taken so many photos.
00:07:44Now this neighborhood will see that I'm famous too.
00:07:48Come on!
00:08:00Why don't I go to the place with you? I'm going with Kerim.
00:08:03We don't have many alternatives anyway.
00:08:05We don't have time, we don't have a budget.
00:08:07You'll just choose the place to go with Kerim.
00:08:10Kerim will take you, you'll go with Kerim.
00:08:13It says in my contract that I have to go to the place with you as an intern.
00:08:16I'll either go with you or I'll never go.
00:08:26Okay, you're right.
00:08:28Let's act according to the rules, of course.
00:08:30Let's go together.
00:08:33Let's go.
00:08:38Neighborhood!
00:08:39Here is a value that is out of the reach of our neighborhood.
00:08:43Muzaffer Kaya.
00:08:44Cemil, let's put this in the vitrine and let it go around the neighborhood.
00:08:47Yes.
00:08:48The angry young men of our neighborhood.
00:08:50Here you go.
00:08:51Muzaffer Kaya.
00:08:52Yes.
00:08:53My God, the beautiful women of my neighborhood.
00:08:55Here you go.
00:08:56I have information information behind it.
00:08:58Age, height, weight.
00:08:59Serap, where are you, girl?
00:09:01I have a signed photo.
00:09:02Here you go.
00:09:03Hide it under the pillow.
00:09:04It will be valued in the future.
00:09:08Welcome, brother.
00:09:09Thank you, baby.
00:09:17What's going on, brother?
00:09:18What do you mean, what's going on?
00:09:19I'm giving different poses, son.
00:09:20I'm an advertising star now.
00:09:22Not like you.
00:09:23I'm not an advertising star of such abidig, gubidig, organic, morganic, unobvious things.
00:09:29I'm a collapsing star that smells of Anatolia's spring.
00:09:34We can say I'm a collapsing star right now.
00:09:40My brother, good luck.
00:09:41Of course it will be good.
00:09:43I wonder if there's something in me that's not good.
00:09:46You're going to come with me right now.
00:09:48Come with me.
00:09:49Get out.
00:09:52Stop, brother.
00:09:53Who am I going to leave the shop to?
00:09:54How?
00:09:55Are you an amateur, kid?
00:09:56What do you mean, who am I going to leave the shop to?
00:09:58Don't you have an apprentice?
00:09:59You're going to leave it to the apprentice.
00:10:00The butcher will manage the apprentice.
00:10:02Didn't I help you in the advertising sector?
00:10:04Didn't I motivate you?
00:10:06Didn't I give you a game?
00:10:08Didn't I make your sparkle shine?
00:10:10Although I don't need these on my own.
00:10:13I'm the invisible part of the fridge.
00:10:15Know that.
00:10:16Muzo, I really have work to do.
00:10:18No, wait a minute.
00:10:19Please.
00:10:20We've come to the point where I really dream.
00:10:22I can't shine under the stage lights right now.
00:10:25You need to applaud me too.
00:10:28Besides, someone has to tell Sanem about this.
00:10:31Please, you need to help a little.
00:10:33Is all this going to be about the cheese ad?
00:10:36Are you sure?
00:10:37Did we say cheese, son?
00:10:38We said collapse.
00:10:39We said regional.
00:10:40Is it because it's on a regional channel?
00:10:42Is it because it's on a local channel that my advertising star is not being taken seriously?
00:10:46Is it because of the collapse?
00:10:47Muzo, I really have work to do.
00:10:49Look, take off that apron.
00:10:51Take off the apron and come with me.
00:10:52Take off the apron.
00:11:01Wait a second, please.
00:11:24Take it off.
00:11:27It should have been visible.
00:11:29One second.
00:11:39If I had given it to you...
00:11:40I took it like it was an answer.
00:11:53What happened?
00:11:55Well...
00:11:56It's too hot.
00:11:57The weather is too hot today.
00:11:58Is the air conditioner on?
00:11:59Air conditioner?
00:12:00It's cold today.
00:12:02It's too cold today.
00:12:03There's a snowstorm.
00:12:05Should I turn it off?
00:12:06No, don't turn it off.
00:12:07Let the air conditioner stay on.
00:12:08I'll turn on the windows.
00:12:11Let's turn on the radio.
00:12:12Let's not sit quietly like this.
00:12:14Congratulations, Sanem.
00:12:15You're trying to prove that you can stay alone like a normal person with me.
00:12:21Exactly.
00:12:23You're pretty normal right now.
00:12:25I can't hear you at all right now.
00:12:28Sanem, what are you doing?
00:12:29Sanem, what are you doing?
00:12:30Open your eyes.
00:12:31What are you doing?
00:12:32Sanem, you're not turning on your voice.
00:12:33You're turning it off.
00:12:34Exactly.
00:12:35What are you doing right now?
00:12:36Don't push me, Sanem.
00:12:37Let me go.
00:12:38You tell me.
00:12:39I'm not worthy of you.
00:12:40I'm going to play a song that's worthy of you.
00:12:41I'm going to find a nice channel for you.
00:12:42Let me go.
00:12:43Okay.
00:12:44Okay.
00:12:45Whatever comes out is my luck then.
00:12:46Let it be the song of my life.
00:12:47Let it be.
00:12:50Look.
00:12:52Please give me a chance.
00:12:54Give me a chance for something.
00:12:55Look, this is beautiful.
00:12:56It's pretty good.
00:12:57It's pretty good, isn't it?
00:13:21It's pretty good.
00:13:51Look.
00:14:14My dear Osman, don't be so overwhelming.
00:14:16You're the one who'll help a little.
00:14:17I just put that photo up there.
00:14:19Look how beautiful the photo is.
00:14:20Bro, I have a job, I have power. Where are you dragging me into?
00:14:23No, you will come.
00:14:24Just like I helped you with your acting career,
00:14:27you will help me too.
00:14:28You won't be able to question this.
00:14:30Muzo, look, I'm really questioning my friendship with you.
00:14:33Let me get back to work, bro.
00:14:35What the hell?
00:14:36What kind of friendship are you questioning?
00:14:38Did I question you when you got in trouble for getting engaged to Salem?
00:14:43I questioned you. I questioned you when you looked at me.
00:14:45But then I turned to myself and made a self-criticism.
00:14:48You question yourself and improve yourself.
00:14:51Don't get involved with me. Help me.
00:14:52What are you doing here?
00:14:54Mr. Muzaffer got an offer from a local channel for a cheese commercial.
00:14:58He took me with him.
00:14:59Really, Muzo? Come here.
00:15:02I'm so proud of you.
00:15:04God damn it.
00:15:05You see, you're two brothers.
00:15:07One of you doesn't hear anything.
00:15:09The other one is proud of me.
00:15:11Why? Because he's not just a life coach.
00:15:13He's also an acting coach.
00:15:16Am I an acting coach?
00:15:18Now I'm an acting coach.
00:15:19Wow.
00:15:20Look, a new milestone in my career, bro.
00:15:22No, Ayhan. It's not a milestone. It's a semicolon.
00:15:25After this hour, this sentence won't end.
00:15:27It will always continue.
00:15:28From now on, fame, fame, commercial, wherever it is.
00:15:31Let the neighborhood hear it too.
00:15:32An advertising star is born from the spring of the neighborhood.
00:15:35His name is Muzaffer Kaya.
00:15:37Hit wherever you hit.
00:15:38After this hour, everyone will hear the name Muzaffer.
00:15:42Come on.
00:15:43The picture I printed in Ozalit,
00:15:46the picture I signed is wandering the streets.
00:15:48Such fame is impossible.
00:15:56It's all mud.
00:16:14My chief.
00:16:16Muzaffer Kaya.
00:16:18You're coming to the station with us.
00:16:19Really?
00:16:20I really thought about it.
00:16:22I said I'd go to the station with my own will,
00:16:25but I couldn't find the opportunity because of work and power.
00:16:28But I also told Mela Tablo.
00:16:30Mela Tablo is the hairdresser of our neighborhood.
00:16:32If you look at number 38 across the street, I'll go there too.
00:16:36Cemil brother.
00:16:38I'm going to the station with Muzaffer Kaya.
00:16:40I'm going to the station with Muzaffer Kaya.
00:16:43Cemil brother, we're on fire.
00:16:45The armed forces are after us right now.
00:16:48My mother.
00:16:48Mevkir Baba.
00:16:50Nihat Baba.
00:16:50What happened?
00:16:51Nihat Baba.
00:16:52Muzaffer.
00:16:54What happened?
00:16:54What happened, kid?
00:16:56Come here.
00:16:56Wait a minute, officer.
00:16:58Officer, this kid is the kid of our neighborhood.
00:17:00What did he do that you're doing this?
00:17:02What did he do? What happened?
00:17:03Yes, yes, what happened?
00:17:04Madam, the person is a soldier fugitive.
00:17:10What?
00:17:13Please don't stop us from doing our job.
00:17:15Muzaffer, you're a soldier fugitive.
00:17:17Kid, did you run away?
00:17:19They didn't call me, mom.
00:17:20There was someone who said come, but I didn't go.
00:17:22I can't explain myself.
00:17:23Officer, one second.
00:17:24At least say goodbye to your neighborhood.
00:17:27Tell Sanem not to wait for me.
00:17:29I don't think she'll wait.
00:17:31Tell my mother, don't tell me anything.
00:17:35Penye Beyaz.
00:17:38Yuzu.
00:17:39Yuzu, I'll wait for you.
00:17:42Thank you, my country.
00:17:54What am I telling you?
00:17:56This neighborhood needs excitement and action, doesn't it?
00:17:59That's it.
00:17:59The king of action.
00:18:01Why do you say that, Melihat?
00:18:03His mother is not with him.
00:18:04The woman is already crazy, she'll go crazy.
00:18:06The kid is gone, you know.
00:18:08He'll cry, he'll cry a lot, shame on him.
00:18:11Well, then, let's go.
00:18:13What do you think?
00:18:32Is this it?
00:18:37This is it.
00:18:41Neighborhood, tradesmen.
00:18:43The house where the girls will stay.
00:18:45The road where the car will pass.
00:18:47Everything is okay.
00:18:49Did you like it? Shall we go back now?
00:18:51Where?
00:18:52To the office.
00:18:52We can't go back.
00:18:54We have to visit other neighborhoods, too.
00:18:56Which one didn't you like?
00:19:00Sevimsiz.
00:19:02This is not the place I imagined.
00:19:04Let's walk around a little more.
00:19:06Let's look at the neighborhood.
00:19:09You say you'll make me work.
00:19:13I mean, let's do our job.
00:19:38Let's go.
00:19:40Let's go.
00:20:08Let's go.
00:20:38Let's go.
00:21:04Mr. Can, why did we stop now?
00:21:06Now, let me tell you something.
00:21:08I...
00:21:10It's like we found the ideal neighborhood.
00:21:12How?
00:21:14Because after all, here is a tailor,
00:21:16a grocery store, a bakery,
00:21:18a butcher, a hairdresser,
00:21:20an interior designer.
00:21:22All the shops written in your scenario
00:21:24are available here.
00:21:26For example, let's knock on the door of a random house.
00:21:28Mr. Can, why are you knocking? My mother is not at home.
00:21:30There's no one at home.
00:21:32What?
00:21:34What's going on?
00:21:36Ms. Mevkuba.
00:21:38Mr. Can, welcome.
00:21:40Nice to meet you, Can.
00:21:42We're looking for a place.
00:21:44Before looking for a place,
00:21:46let's have a cup of tea
00:21:48to motivate us.
00:21:50Of course, we won't bother you.
00:21:52Of course.
00:21:54Mr. Can, I don't think it's necessary.
00:21:56Let's not bother my mother.
00:21:58Let's keep looking for a place.
00:22:00Mom!
00:22:02Leyla,
00:22:04were you going out?
00:22:06Yes, I was.
00:22:08I want to ask you something.
00:22:10How long will this family stay here?
00:22:12I don't know,
00:22:14but it seems like it will stay here forever.
00:22:16I heard three months,
00:22:18but I haven't confirmed it yet.
00:22:20What? Three months?
00:22:22Oh, my God.
00:22:24How are we going to stand this three months?
00:22:26Don't exaggerate.
00:22:28She's not such a bad woman.
00:22:30Güliz, I was wondering
00:22:32how much percent of this
00:22:34is your acting job.
00:22:36Ninety percent.
00:22:38I guessed it.
00:22:40Speaking of acting,
00:22:42it's a good coincidence
00:22:44that we're acting on the same set as Osman.
00:22:52Look, Güliz,
00:22:54I'm going to talk to you,
00:22:56but don't get me wrong, okay?
00:22:58You're a very clumsy person.
00:23:00You're really very clumsy.
00:23:02I think you should forget Osman
00:23:04and move on to your next adventure.
00:23:06Why?
00:23:08Why are you so obsessed with him?
00:23:10Because Osman is a very good person.
00:23:12He has a very pure heart.
00:23:14Yes, he's very handsome,
00:23:16he's very funny,
00:23:18he has a very attractive smile.
00:23:20Yes, that's why it's not your style.
00:23:22That's why this job is not going to happen.
00:23:24Please, look,
00:23:26you're going to upset this kid in two days.
00:23:28Don't do it, please.
00:23:30Leyla, I feel like I'm going to propose.
00:23:32We're going to the movies.
00:23:34You even made a contract.
00:23:36No, he doesn't know yet.
00:23:38But I organized it.
00:23:40I mean, in my head.
00:23:42We know how good you are at organizing.
00:23:44I'm talking nonsense here,
00:23:46right, Güliz?
00:23:48What I say comes from one ear,
00:23:50it comes out of the other, right?
00:23:52Honey, it didn't even enter my ear.
00:23:54Okay, Güliz.
00:23:56Do whatever you want.
00:23:58But let me tell you from the beginning.
00:24:00If you break Osman's heart in half a day,
00:24:02you'll find me in front of you.
00:24:04Don't say he didn't wake up.
00:24:06Come on.
00:24:12Oh, are you going to shoot a commercial
00:24:14in our neighborhood now?
00:24:16And did Sanem write you?
00:24:18Why don't you tell me, kid?
00:24:20Well, things just happened.
00:24:22These things happen all of a sudden.
00:24:24It's always like this.
00:24:26Unbalanced, inconsistent, uncertain.
00:24:28But what can we do?
00:24:30We love it. We endure it.
00:24:32Yes.
00:24:34It's very important for a person to love his job.
00:24:36Very, very, very.
00:24:38Ms. Mevkub, when we come to the shoot tomorrow,
00:24:40can you cook for us?
00:24:42I mean,
00:24:44can you open your garden for us?
00:24:46Let's do a mini catering or something.
00:24:48Oh, mini catering.
00:24:50Of course I'll do it.
00:24:52Of course I'll open my garden.
00:24:54Super.
00:24:56And this neighborhood is already
00:24:58perfect for shooting.
00:25:00There's something like this.
00:25:02Our heroes are four young women
00:25:04at the age of Sanem.
00:25:06They pack their bags in their bedroom
00:25:08and leave the house.
00:25:10In short, I need to find four bedrooms.
00:25:12Okay, we have it.
00:25:14You can use the girls' bedrooms, right?
00:25:16Yeah, great.
00:25:18If you use Mr. Can,
00:25:20you can use Leyla's bedroom.
00:25:22Right?
00:25:24Mom, did I write it?
00:25:26They can take a shower if you want.
00:25:28Yes, Ms. Mevkub is very right.
00:25:30Why are you upsetting Mr. Can?
00:25:32I don't understand.
00:25:34Can I see your bedrooms?
00:25:36Mom!
00:25:38Mom!
00:25:40Mom!
00:25:42Mom!
00:25:44Mom!
00:25:47Can.
00:25:57Can.
00:26:05Albatros.
00:26:08Why is he still here?
00:26:10He was here until now.
00:26:12He will be here from now on.
00:26:17You also write novels.
00:26:19Yes, I do.
00:26:23You didn't give up.
00:26:25I didn't.
00:26:30What can I say?
00:26:32Now that I see you here,
00:26:34in my room,
00:26:36I don't think we should use this place.
00:26:38Let's not ruin it.
00:26:40Because it's a very nice room.
00:26:42We'll find another room.
00:26:44Okay.
00:26:46It's up to you.
00:26:48Let's go.
00:26:56There is an A.
00:26:58Deniz Hamak.
00:27:00C.
00:27:02What is C?
00:27:06Aunt Cavidan.
00:27:08I can't find her scent.
00:27:10I write it down so I don't forget.
00:27:14Aunt Cavidan.
00:27:18I have one too.
00:27:20Aunt Cavidan.
00:27:22I found it in the wish tree.
00:27:24You can keep it.
00:27:26You are so stupid.
00:27:28You are so thoughtless.
00:27:30Did you take my wish from the wish tree?
00:27:32Am I stupid?
00:27:34Are you calling me stupid?
00:27:36Think about your own actions.
00:27:38I don't want to think.
00:27:40Enough.
00:27:42It's my fault.
00:27:44I'm looking for other meanings in your actions.
00:27:46Maybe.
00:27:48You are right.
00:27:50You don't love me.
00:27:52You can't love like this.
00:27:54You can't play with love.
00:27:56You can't run away from it.
00:27:58You can't break it.
00:28:00Whatever the hell is between us,
00:28:02it's nonsense.
00:28:04Can.
00:28:06You can relax now.
00:28:08I don't believe you love me.
00:28:10I love you.
00:28:12Congratulations, Sanem.
00:28:14You won the war.
00:28:16Can.
00:28:18Can.
00:28:20Can you wait a second?
00:28:24Can, please.
00:28:40Can.
00:28:48Sanem, can you move?
00:28:50Can, don't go like this.
00:28:52Sanem, can you move?
00:28:54Please.
00:28:56Please.
00:28:58Can.
00:29:08Can.
00:29:10Can.
00:29:28Can.
00:29:30Can.
00:29:32Can.
00:29:34Can.
00:29:36Can.
00:29:38Can.
00:29:40Can.
00:29:42Can.
00:29:44Can.
00:29:46Can.
00:29:48Can.
00:29:50Can.
00:29:52Can.
00:29:54Can.
00:29:56Can.
00:29:58Can.
00:30:00Can.
00:30:04I'm so sorry, Muzaffer.
00:30:06I don't know what color our neighborhood was,
00:30:08but it was a color after all.
00:30:10When Aysen found out,
00:30:12she was so sad and cried.
00:30:14She didn't cry.
00:30:16They caught her unprepared.
00:30:18Even Sanem was so sad.
00:30:20Don't make me talk.
00:30:22She's not sad.
00:30:24Mom isn't in her room. She'll go to the beach. She's changing her clothes.
00:30:29Leyla, you talked to your brother about Mr. Can, didn't you?
00:30:33I did, dad. I did.
00:30:35He's trying to learn the job. He's trying to get in the boss' shoes.
00:30:38It's not what you think it is.
00:30:40Oh, God.
00:30:41Is there no way he's trying to learn the job today?
00:30:44Is that how he behaves with the boss?
00:30:46With all the insults and bad words?
00:30:48That's right. That's not how he should behave.
00:30:51Anyway, I'll talk to him about that.
00:30:52Okay.
00:30:54But sometimes, if it wasn't for me, our family ties would fall apart.
00:31:00Yes, you're right. I'm right, too.
00:31:02We're both right. But, praise be to God,
00:31:04they're giving away the girls, and we're collecting them.
00:31:07Oh, my God, Mevki.
00:31:09What does that mean? I'm on your side, aren't I?
00:31:11I'm on your side, too.
00:31:12Dad, you're always on Sanem's side.
00:31:15Yes.
00:31:19Yes, I'm a bit weak for that.
00:31:21But I love you very much, too.
00:31:23I love you, too.
00:31:25I'm on your side, aren't I?
00:31:27I mean, I'm dying.
00:31:31Oh, bon appetit. Thank you, dear.
00:31:33Bon appetit, dad.
00:31:35I was in London at the time.
00:31:37For three or four months. You were a student, too.
00:31:39Yes, I was a student, but it was almost impossible for us to meet.
00:31:42Because I was a student with a scholarship,
00:31:44I was studying day and night.
00:31:46I was very ambitious at the time.
00:31:47Those were the days.
00:31:49Now you're saying, my ambition is gone.
00:31:51I mean, now that I've grown up, we don't say that.
00:31:53I think I'm a more success-oriented human model.
00:31:57You're very successful, really.
00:31:58I mean, if it wasn't for you, I'd be at the agency, really.
00:32:01You're very kind, too. Welcome.
00:32:07Did I tell you how I got into the agency?
00:32:10No, come on, tell me.
00:32:12Now, I just came back from London. I'm a new student.
00:32:16I went to the agency, I met your father.
00:32:18I'm telling you this in detail.
00:32:20I'm telling you how much of a right decision he'd make if he hired me.
00:32:23I'm really thinking about it right now, and I'm at the bottom of it.
00:32:26Can you imagine my self-confidence exploding?
00:32:28You're a new student, you don't know anything. What's going on?
00:32:31Your father was a very nice guy, of course.
00:32:33So, he stopped and said, okay.
00:32:36Come tomorrow, let's start then.
00:32:38But my father likes self-confident people.
00:32:42I mean, he also likes people who do their job with love.
00:32:45You're very special to him, you know that.
00:32:47It's the same for me, too.
00:32:48He really puts a lot of effort into it.
00:32:52Can, it's been such a good night.
00:32:54We haven't had a long chat like this in a long time.
00:32:57Yes, yes, it's been great.
00:32:59I mean, I need to relax, too.
00:33:02It's been good.
00:33:03Yes, you look very down tonight.
00:33:06Do you want to tell me?
00:33:07I don't really care because I talk all the time,
00:33:09but I actually listen very well.
00:33:11No, I don't really want to tell you.
00:33:16I think we're fine. We're doing fine.
00:33:18I think we're very good. We're very good.
00:33:21I've at least overcome my family's trauma today.
00:33:25That's enough for me.
00:33:27What should we do?
00:33:28Should we have another drink?
00:33:30Let's drink. Let's drink.
00:33:32Let's drink next time.
00:33:33I mean, if it won't be a shame, let's get up.
00:33:35No, it won't be a shame. Why should it be a shame?
00:33:38We'll drink next time.
00:33:40Can we settle the bill?
00:35:15Yes.
00:35:21Did I make you wait long?
00:35:23About four hours.
00:35:28Welcome.
00:35:30Thank you.
00:35:37Is there anything you want to tell me?
00:35:41Yes.
00:35:45Do you want to hear about my dream?
00:35:51Maybe you won't believe me,
00:35:53but I've seen this moment in my dream before.
00:35:56That's why I'm not sure if I want to hear about it.
00:36:15Why don't you want me?
00:36:22Because I love you.
00:36:38Why are you avoiding me?
00:36:43Because I love you.
00:36:46Why don't you want to be with me?
00:36:51Because I love you.
00:36:56I even love you more than I love myself.
00:37:15I love you more than I love myself.
00:37:46What are you doing to me, Sanem?
00:37:48What am I doing?
00:37:51If you could know, if you could tell me...
00:37:57We're getting wet.
00:38:01I think I can look at you like this
00:38:04all day long.
00:38:10I'm really excited.
00:38:13I mean, I'm already out of my mind.
00:38:25Maybe it'll pass if we kiss one more time.
00:38:27You know, like a spark.
00:38:29Good idea.
00:38:38Come on.
00:38:39Come on, come on.
00:38:44Are you hungry?
00:38:45Yes, I'm very hungry.
00:38:46Shall I cook for you?
00:38:47I'll do it. For example, I'll make raw meatballs.
00:38:49No, no. I'll do it. I'll do it. It's my turn.
00:38:53So, you're telling me not to put my life at risk?
00:38:57I will. I mean, I'd love to, but I...
00:39:00I want to spend this night together,
00:39:03and after that, I'll do it.
00:39:05I'll do it.
00:39:06I'll do it.
00:39:07I'll do it.
00:39:08And after that, I'll do it.
00:39:11Don't make me feel cold. I'll make you something dry.
00:39:21Where is Sanem?
00:39:22Why are you looking at me? How would I know where Sanem is?
00:39:25I mean, who could she be with, since the three of us are here?
00:39:28Don't look at me. How would I know where she is?
00:39:31I think, even if the three of us don't know where Sanem is,
00:39:36we can guess who she is with.
00:39:38With whom?
00:39:39I know. I know.
00:39:42How do you know?
00:39:43I know. With the letter H.
00:39:45Sanem is a man.
00:39:49Then, I'll run away. Because I can't come like this.
00:39:52I can't come. I don't know. I can't stop. I can't talk.
00:39:56Osman.
00:39:59I'm actually curious about you.
00:40:01How long have you known each other? How much do you know each other?
00:40:04And how did you react when you first heard? Yes, I'm listening.
00:40:06Leyla, how would I know what you heard and what you knew?
00:40:09Osman, let's do this. Now, tell me what you know.
00:40:11Tell me how much you know. And I'll tell you what I know. Yes.
00:40:16You first.
00:40:17You.
00:40:17You first.
00:40:18Hello.
00:40:20Osman, I'm here.
00:40:22Hello. Welcome.
00:40:23Thank you.
00:40:25Güliz, what are you doing here?
00:40:27Thank you, Leyla.
00:40:28I'm going to the elections for a very important role.
00:40:31It's a double role. I have to work.
00:40:33Thanks to Osman, he agreed to help me.
00:40:36So, shall we go, Osman?
00:40:38Come on.
00:40:39Wait a minute.
00:40:40You couldn't find anyone in a huge company to hire you, to be your partner.
00:40:45You came and asked Osman. Is that right?
00:40:47No one agreed. Osman agreed.
00:40:51But, let's go. If you want. Come on.
00:40:55Leyla, we should have left you.
00:40:57No, Osman. You're going straight to our house.
00:41:01I'll go on my own.
00:41:02Okay, then. See you, Leyla.
00:41:04Come on, Osman. Let's go.
00:41:06Good night.
00:41:07Come on, Osman.
00:41:08Come, Osman. I'll take you home now.
00:41:11He's such a quick person.
00:41:31Thank you.
00:41:40Welcome.
00:41:41Thank you. I put my dress in the dryer. It'll dry soon.
00:41:45That's great.
00:41:46I mean, you're all alone now.
00:41:49That's great.
00:41:52I think you should leave it like that for a while.
00:41:54I mean, leave it in the dryer so it doesn't dry out.
00:41:58I'm making pasta and salad. I guess you'll like it.
00:42:01I love it.
00:42:02Great, great.
00:42:05Creamy?
00:42:06What?
00:42:36Your check-up was good.
00:42:38My check-up was better.
00:42:44I'll finish the salad, then.
00:42:46Okay.
00:43:04I have to tell you something. That knife is a bit sharp.
00:43:06I'm afraid you'll cut your hand.
00:43:08Because I don't want to cut you. I can't.
00:43:10Okay.
00:43:12No, you leave it. Leave it. I swear I'll leave it.
00:43:14I'll take care of everything, okay?
00:43:16Because this knife...
00:43:20I forgot to ask you what you want to drink.
00:43:22I mean, I'll offer you a drink, but...
00:43:25I think you'll say something like the bad king.
00:43:27I can't do that.
00:43:29By the way, why did you call me the bad king that night?
00:43:38What happened? Why are you upset?
00:43:40If I start telling him,
00:43:43I'll have to tell you everything.
00:43:45Tell me. We have time.
00:43:47I'll listen to you.
00:43:48I want to know everything about you anyway.
00:44:10If you find out everything, you won't want me by your side.
00:44:15Look.
00:44:18I don't even care what you've been through in the past.
00:44:23Why did you say something like that?
00:44:26I mean, it can't be like that.
00:44:28Okay? It's not possible. Let me tell you from the beginning.
00:44:31Why are you saying things like that?
00:44:32You're not even looking at me.
00:44:35You're not even looking at me.
00:44:36You're not even looking at me.
00:44:38I mean, why is your face like that now?
00:44:40Why are you in a bad mood?
00:44:45Maybe we're not suitable for each other.
00:44:51I told you.
00:44:54I told you to think and feel.
00:44:59I told you to listen to your heart.
00:45:03If we only think about the present and the future...
00:45:06Yes.
00:45:08I want to tell you everything anyway.
00:45:11I want to, but...
00:45:12Okay, let's do it this way.
00:45:13I know you're obsessed with little things.
00:45:17Don't be obsessed with them.
00:45:18We'll talk about it later.
00:45:20Let's talk about it later, okay?
00:45:23I mean, Sanem.
00:45:26I want the spell of this night to be broken.
00:45:29I want us to enjoy this night.
00:45:32Since we've bothered you with this, don't get involved.
00:45:35Don't tell me. Never mind.
00:45:36But...
00:45:37No, Sanem. I'll listen to you later.
00:45:40I mean, I always listen to you.
00:45:41You can tell me when you're ready, okay?
00:45:46There's no rush, okay?
00:45:47Tonight, it's just the two of us and the present.
00:45:51Okay?
00:45:52Okay.
00:45:54Great.
00:46:03I...
00:46:07I'll have a glass of wine.
00:46:10Slowly.
00:46:11Slowly, Sanem. Okay.
00:46:14Slowly.
00:46:17One glass.
00:46:18One glass, okay.
00:46:20So, you'll lift me up to dance, you'll jump on my arms.
00:46:23Don't get involved with what's to come.
00:46:25There's no second glass. One glass.
00:46:27Okay, I got it.
00:46:28I...
00:46:30Let me see if my dress is dry.
00:46:32It was fine.
00:46:33Huh?
00:46:35Should I have stayed?
00:46:57Are they really lovers?
00:46:59I mean, they're not lovers like we think they are.
00:47:04I'm telling you, it's a mess. Don't you get it?
00:47:06What are you questioning?
00:47:07I'm done.
00:47:09I'm done.
00:47:11Okay, we'll make a plan and take action, okay?
00:47:15Maybe we're late.
00:47:16Maybe my brother is telling me that he's an agent and that he's working with me.
00:47:20Emre, calm down. Come, sit down. Let's talk.
00:47:24Sit down.
00:47:27He can't tell you anything.
00:47:29He'll ruin everything he tells you. He'll be scared.
00:47:32He wanted to tell you a lot.
00:47:34He needs to be sure of himself first.
00:47:36Now, what we need to do is...
00:47:38...sink Sanem in.
00:47:40Make her tell another lie.
00:47:42Make her unable to confess.
00:47:43Pull her to the bottom so much that she can't open her mouth.
00:47:46We have no other choice.
00:47:49How?
00:47:51Thank you.
00:47:53What did you do to the ring?
00:47:56Which ring?
00:47:56The ring you bought to give me, but Sanem imitated.
00:48:00I gave it to you.
00:48:01What does it have to do with us? I don't understand.
00:48:03I gave it back to you.
00:48:05I put it in the drawer at the top of the bed. Didn't you see?
00:48:08What do you mean? Why don't you tell me?
00:48:11What did you do to the debts? Why didn't you sell the ring?
00:48:14I'm still in debt to the throat.
00:48:18I'm not proud enough to sell the ring, Emre.
00:48:21I still can't believe it.
00:48:23I can't believe he gave me the ring I thought he'd propose to me...
00:48:27...to sell it to me.
00:48:29Unbelievable.
00:48:31I can't believe it.
00:49:01A YEAR LATER
00:49:18I'll say something.
00:49:20How did you finish this big bottle in the blink of an eye?
00:49:24I'm so good, really.
00:49:27Let me show you how much grams I can touch.
00:49:29I don't mean to say that the Mayan drink touches me, but...
00:49:33...why did I say it like that?
00:49:35I don't know why you said it like that.
00:49:38I mean, I don't know at all.
00:49:40It's dark all of a sudden.
00:49:42I...
00:49:44You're talking like an imam.
00:49:46I can memorize all of your gestures, you know?
00:49:50Like a photographic memory.
00:49:51Memorize?
00:49:53What do I do, for example? Tell me.
00:49:55For example...
00:49:56When I say something nice to you, you get embarrassed right away.
00:50:01You do this right away.
00:50:04And when I'm being silly, you look at me strangely.
00:50:12Like this.
00:50:14When I want to show you something, you do this with your hands.
00:50:18Like this.
00:50:18Anything else?
00:50:20If Ogün is handsome, I think you're handsome every day.
00:50:25I mean... Yes.
00:50:27If you're on a cool day, you do this.
00:50:29You send me a message when you get a call.
00:50:34When you feel cool, you take off your glasses like this.
00:50:40You take it off like this.
00:50:42Then, if you're going to look at something carefully...
00:50:45...if you have glasses in your eyes, you put them on your forehead.
00:50:49Yes, I do that when I'm annoyed.
00:50:50Really?
00:50:51I do it to distract myself.
00:50:53I do it.
00:50:53I see.
00:50:54You're really observant.
00:50:56Come, I'll hug you.
00:51:00Okay.
00:51:01Your turn.
00:51:02I can't remember things like you do.
00:51:05But there are things that I remember.
00:51:07For example?
00:51:08For example, when you smile.
00:51:11The world lights up when you smile.
00:51:14When you get excited, you talk fast.
00:51:17Very fast, right?
00:51:19Then, when you're thinking, you touch your hair.
00:51:22Yes.
00:51:24And of course, when you drive me crazy.
00:51:28Your smell.
00:51:30Your amazing smell that smells everywhere.
00:51:33Your smell that follows me everywhere.
00:51:37Should we run away? Should I kidnap you?
00:51:39Should we run away right now? What do you say?
00:51:41Where?
00:51:41Wherever you want.
00:51:42Galapagos, for example.
00:51:43Or wherever you haven't seen in the world.
00:51:46I haven't seen anywhere. I haven't gone abroad at all.
00:51:49Come on, not at all.
00:51:50Because grocery shopping doesn't require a trip abroad.
00:51:53Choose a place. Any place you want to be with me.
00:51:57This place.
00:51:58Yes.
00:52:00Right here.
00:52:05This place is enough for me.
00:52:18Okay, okay.
00:52:21I'm sorry. I overreacted.
00:52:24Don't worry. We'll cover your debts, okay?
00:52:33Emre, you have to give me that ring.
00:52:36Why?
00:52:37Because Sanem lied to Elilcan about that ring.
00:52:40We'll make her lie again.
00:52:41I don't know how we'll do it, but I'll find something.
00:52:43Halil, that ring is very dangerous. If my brother finds out...
00:52:46Emre, please, trust me for once.
00:52:48Tomorrow, in Sanem's neighborhood.
00:52:50Everyone has a soft spot.
00:52:52I'll investigate, I'll find something.
00:52:54I'll get closer to the agency.
00:52:56I'll find something, I promise.
00:53:02I'm so bored.
00:53:04I want to get rid of lies, deceit, plans...
00:53:07...all of these.
00:53:12We'll get rid of them together.
00:53:14First, we'll shut Sanem up.
00:53:15Then, we'll separate her from Can.
00:53:18I won't let anything happen to your brother. I promise.
00:53:25I hope so.
00:53:34Come on, drink this.
00:53:36It's hot, drink it while it's hot. It'll do you good.
00:53:38Thank you.
00:53:42I think tea is a very nice thing.
00:53:49What time is it?
00:53:51I don't know, but I think it's very late.
00:53:53Are you kidding me?
00:53:55Why does time pass so fast when I'm with you?
00:53:58I don't have time to listen to my mom.
00:54:01Let me go, Emre.
00:54:01No, don't go. Please, stay.
00:54:04Don't go.
00:54:05Don't go, stay, please.
00:54:06Don't go.
00:54:08There's no reason for me to go.
00:54:10That's what I'm saying.
00:54:11I thought my mom would kill me.
00:54:13She won't do anything.
00:54:14I'm already here.
00:54:17I've spent half of the night here.
00:54:20Don't tell me not to go. I really can't go.
00:54:24Okay, but I'll leave you here.
00:54:26Take this, don't make me cold.
00:54:28Take this, you'll drink it.
00:54:30Okay?
00:54:32Tea is very nice.
00:54:37Come on.
00:54:40Come.
00:54:42I'll get off here.
00:54:43My mom won't see me now.
00:54:45Aren't you going to tell your mom?
00:54:47Tell her what?
00:54:49Tell her about us.
00:54:50About us?
00:54:51What kind of a girl are we?
00:54:54We're very, very in love.
00:54:56I feel bad when I hear it.
00:54:58If I tell my mom, she'll be shocked.
00:55:00Actually, I don't want to tell her now.
00:55:04I mean, it's time for me to tell her.
00:55:06I don't want her to think that I don't love her.
00:55:10I mean, I should tell her when it's time, okay?
00:55:13Okay, as you wish.
00:55:15See you tomorrow.
00:55:16See you.
00:55:17I don't think I can kiss you because this is your neighborhood.
00:55:20Yes, of course.
00:55:21We're in our neighborhood.
00:55:22I'm getting out of the car.
00:55:40I mean, she wanted you to tell her that you love her.
00:55:43You've gone that far.
00:55:44Exactly.
00:55:45I can't find a word to say.
00:55:47I can't find a word to say, either.
00:55:48I can't, either. Whatever you say, it doesn't matter.
00:55:51I mean, I feel weird things.
00:55:53I can't stay away from her. I always want to be with her.
00:55:56Things like that.
00:55:57Be happy, my brother.
00:55:59Be happy.
00:56:00Go all the way.
00:56:01Wherever you go.
00:56:03After all, she told you not to tell her.
00:56:06She told you not to tell her.
00:56:09She told you not to break the spell. Don't tell her.
00:56:11Of course, I'll tell her one day.
00:56:13Let some time pass.
00:56:15Let her believe how much I love her.
00:56:17I'll be honest with her.
00:56:18Besides, I haven't lied to her since now.
00:56:21Can't I?
00:56:22I mean, go all the way, my brother.
00:56:24Go all the way with your love.
00:56:26If she goes all the way, Emre won't interfere with your relationship.
00:56:28That's what he said.
00:56:30I guess that's how he behaves.
00:56:31I mean, go all the way.
00:56:34Spend time with her.
00:56:35He said it wouldn't take long.
00:56:37Is that what your relationship is about?
00:56:39Let's see when I get this man.
00:56:42What's wrong with you, brother?
00:56:45I'm so attached to Mr. Emre.
00:56:47I wish I wasn't so attached to him.
00:56:49He's so ambitious.
00:56:52If he hears about this, he'll be ruined.
00:56:54He's not a man, he's a man.
00:56:56Oh, God.
00:56:58Whatever.
00:56:59I'll act like I want to.
00:57:01I haven't acted like that in a long time.
00:57:04I'm leaving.
00:57:08There's...
00:57:10There's a silence.
00:57:12I feel a strange feeling.
00:57:15What's missing?
00:57:17The letter.
00:57:19Should we write a letter or something?
00:57:22Let's write it together.
00:57:23I understand him so well right now.
00:57:26I've already turned into a letter.
00:57:30I don't care if he's alive or not.
00:57:31I want him to be around me all the time.
00:57:34I'm leaving.
00:57:36See you.
00:57:38See you.
00:57:39See you.
00:57:44What time is it?
00:57:46What time is it?
00:57:47Six thirty.
00:57:48What time did this girl come?
00:57:50Five o'clock.
00:57:52You're crazy. I'm going to sleep.
00:57:54Go to sleep. I'm like a sleepwalker.
00:57:56I don't know what I said or did.
00:58:04SEPTEMBER
00:58:12Good morning.
00:58:13Good morning, my beautiful girl.
00:58:18Mom, I think the tray is ready.
00:58:19I'll take this if you want.
00:58:22Mom.
00:58:25Why are you staring at the eggs like you're hypnotized?
00:58:28Dad?
00:58:29Mom is making crispy meatballs for today's set.
00:58:31Don't confuse her. She's counting the minutes.
00:58:33When Mevki told me that, I felt so bad.
00:58:36When you cut the meatball, the yolk of the egg drips down to the plate.
00:58:40Don't eat it, just lie down next to it.
00:58:43Dad, you're exaggerating.
00:58:45Don't think of this as a normal TV show.
00:58:48We're filming Sanem's story.
00:58:50That's why we're exaggerating.
00:58:52Your brother is a writer, so what?
00:58:54His mom is cooking in the kitchen.
00:58:56I'm going to buy a hose.
00:58:57I'm going to wash the whole neighborhood.
00:58:59When they come, it should be clean everywhere.
00:59:02Okay, fine, but you're exaggerating.
00:59:05Mom, I'm taking these.
00:59:10Good morning.
00:59:11Good morning, my beautiful flower.
00:59:14Although it's noon for you.
00:59:21Where were you going without waking up?
00:59:25I went to Ayla, of course. Who else would I go to?
00:59:28Mevki, the eggs?
00:59:31God!
00:59:32Where was I?
00:59:34She made me forget, see?
00:59:35It's okay, they're fine. Don't worry.
00:59:39Are you sleepless, my flower?
00:59:41You're late.
00:59:42Or are they bothering you?
00:59:45I went to Güliz.
00:59:47I didn't even realize the time had passed...
00:59:49...while we were chatting and having tea and coffee.
00:59:51She's such a sweet girl.
00:59:53Where does Güliz live? Which neighborhood?
00:59:57I'm curious.
01:00:01It's very close.
01:00:02It's very close, just over there.
01:00:05Good God!
01:00:06They met Osman yesterday...
01:00:08...and I thought they'd spend time together.
01:00:11I got it wrong. I guess it was another day's plan.
01:00:15I wish you'd invited me too.
01:00:16It would be fun to chat with girls.
01:00:17I mean, they wouldn't run away. Would they?
01:00:20They wouldn't run away.
01:00:21Okay, you must be hungry. Come on in.
01:00:23I'll make the tea. Come on.
01:00:25Come on, sister. Come on, mom.
01:00:27Come on.
01:00:28Let's go, Nihat.
01:00:29Here, Mevki. Drink this.
01:00:31Come on.
01:00:35Will we see each other again?
01:00:36Of course we will. You must be hungry.
01:00:39Let's go.
01:00:58Ayhan. What am I going to say now?
01:01:02Hello? Yes, Ayhan?
01:01:04Hello, Ceycey. How are you?
01:01:06I'm fine.
01:01:07I'll come to your neighborhood for the shoot today.
01:01:09That's great. I'm in our neighborhood too.
01:01:12I mean, if you want, I can help you with the shoot.
01:01:16No, Ayhan. Don't help me.
01:01:19Don't even look into my eyes, okay?
01:01:20Because I get nervous when I see you.
01:01:22How can you talk to me like that?
01:01:24What are you saying, son?
01:01:26Look, this is our neighborhood.
01:01:27I won't let you in if I want to.
01:01:29Okay, then. You can help me.
01:01:31We'll take care of it together.
01:01:33Okay, bye-bye.
01:01:37I'm in love. How can I give up? It's hard.
01:01:44I'm in love too, but I don't realize it.
01:01:47I don't realize it, but I realize it.
01:01:58Here you go, sister.
01:01:59Give it to me, dear.
01:02:04Here, Ceycey.
01:02:06What is this? What's going on?
01:02:07We met with the mayor, Halil.
01:02:09What did you do?
01:02:11Why are you seeing each other?
01:02:12The devil will see his face.
01:02:13Who knows what he said to you. Why did you see each other?
01:02:15What do you mean, why did we see each other?
01:02:17You took a huge debt to get the grocery back.
01:02:20I guess we couldn't be dependent on each other as parents.
01:02:23That's why we got the money from catering.
01:02:26And the money we got from my mother's fillings.
01:02:28But Halil didn't take it.
01:02:30He just said, give it to Sanem, give it to Sanem.
01:02:33I told you, there's no need.
01:02:36What do you mean, there's no need?
01:02:37It's been a long time between me and your mother.
01:02:42Dad, I talked to her, I took care of it.
01:02:44I pay my debt to her every month.
01:02:46Mom, dad, at the end of the month...
01:02:48...we support each other with Sanem.
01:02:50Don't worry about that, please.
01:02:52Really. I'll even support Sanem in other matters.
01:02:55Right, sister?
01:02:57Well done, my children, well done.
01:02:59But this is also support from us.
01:03:01Yes.
01:03:02No, I won't take it.
01:03:04Take it, kid.
01:03:05Mom, I said I don't want it, please.
01:03:14Good morning.
01:03:25Güliz.
01:03:27She sent a really funny message about last night.
01:03:30I'll answer it now, don't be shy.
01:03:34Give it to me.
01:03:37Good morning.
01:03:41I missed you.
01:03:44You're really excited, Güliz, this morning.
01:03:47Kind of.
01:03:48Very nice.
01:03:52Okay, okay, you pay the debt yourself.
01:03:54But take this with you.
01:03:56Maybe you want something, you can spend it.
01:03:58You can buy it yourself.
01:03:59Dad, I don't need the money.
01:04:01I have a cup of tea, I'm paying it to my sister.
01:04:04You know that, right?
01:04:05Yes, yes, she's paying it to me.
01:04:06Let's see what I'm going to pay her.
01:04:11I'm waiting for you where I left you last night.
01:04:16You'll pay it, you'll pay it. Come on, I'm off.
01:04:18Wait for me, I'll come and get my bag.
01:04:19Wait, wait.
01:04:20I said I can't wait, I have to go, Haci.
01:04:22My daughter, Zarf.
01:04:23I won't take it.
01:04:25Mevki, Sanem didn't take it either.
01:04:26What are we going to do now?
01:04:28It's in our hands, what are we going to do with the money?
01:04:29We'll take care of the money somehow, but Nihat...
01:04:32...we have another big problem.
01:04:35She's up to something, it's definitely about Mr. Can.
01:04:38We'll open our eyes wide today and solve this.
01:04:41There's no other way.
01:04:42Okay, Mevki.
01:04:44Let's solve it.
01:04:45Whatever the problem is, let's solve it.
01:04:47I'm not hungry anymore.
01:04:59I'm not hungry anymore.
01:05:25Good morning.
01:05:26Good morning.
01:05:27I bought you a cup of tea.
01:05:28I love tea with semolina.
01:05:30Do you want to share?
01:05:32Let's share.
01:05:41Aysun, that's enough.
01:05:42For God's sake, that's enough.
01:05:44I'm going to lose my mind.
01:05:45You've ruined yourself.
01:05:48God, this kid didn't even go to school.
01:05:50He's a soldier, what can he do? He'll come back.
01:05:52It's not like that, Melahat, it's not like that.
01:05:55What does he eat and drink there?
01:05:56All alone, without his mother.
01:05:59He eats and drinks everything.
01:06:00He looks like a peanut.
01:06:01He acts like a lion.
01:06:02God, let him learn how to stand on his feet.
01:06:05Yes, yes.
01:06:06Yes, she's right. Mevki is right.
01:06:08You'll see, Aysun.
01:06:09When Muzaffer comes, he'll be a grown-up.
01:06:12He'll mature.
01:06:14The girl will have a lot of new friends.
01:06:16There will be memories, right?
01:06:18You don't understand.
01:06:20You don't understand.
01:06:21Especially you, Mevki.
01:06:23I've lost my girls, Mevlam.
01:06:25Aysun, do they look like me to you?
01:06:27Do they look like me?
01:06:28What do you want to say to my girls?
01:06:30Don't come to my place, Aysun.
01:06:32Mevki, for God's sake.
01:06:33Do you know what you're saying because of the pain of a woman?
01:06:36No, I don't know. I don't talk like that.
01:06:41Is Cakal here?
01:06:43Why did he come to our neighborhood again?
01:06:47Hello, ladies.
01:06:50Look at him. He was walking around here recently, you know?
01:06:53He's got a piece of paper and a pen in his hand and he's scribbling something.
01:06:56Aysun, he's been scribbling in front of your stores lately.
01:07:01Girl, don't let anything happen to him, okay?
01:07:03I called him.
01:07:05What did you do?
01:07:06Well, what can I do?
01:07:07When Biricim left, I asked him to help me with all the work,
01:07:10the stores, the house.
01:07:12He accepted, thank God.
01:07:14For God's sake, for God's sake.
01:07:16Get your head straight, Aysun.
01:07:18Get your head straight, Aysun.
01:07:19His nickname is Cakal.
01:07:21Couldn't you find a partner other than him?
01:07:23I did, but I couldn't find one.
01:07:24I'll give you my account number.
01:07:26For God's sake.
01:07:27You don't understand anything.
01:07:29Aysun, Mevki is right.
01:07:31Did you find help from Cakal?
01:07:34Girl, haven't you been managing everything by yourself all these years?
01:07:37What has changed?
01:07:38It's not like that, Melahat.
01:07:39I used to have no shop.
01:07:41I used to come to the laundry shop and stay there all day.
01:07:43I had a lot of work to do.
01:07:45I can't say that Biricim is a good man,
01:07:48but did you bring anything?
01:07:50I can't stand it.
01:07:52Even when the woman is in pain, she torments her.
01:07:54The only person missing in the neighborhood was Cakal.
01:07:56Thanks to him, it happened.
01:07:58I mean, bravo.
01:07:59He chose such a good partner for himself, he deserves it.
01:08:02I'm going to leave. I'm going to get angry.
01:08:03Where? I'm going to hurt myself and others.
01:08:06Don't go, girl.
01:08:07For God's sake, I'm going.
01:08:09Go, go.
01:08:15I'm leaving.
01:08:16Goodbye.
01:08:33Why did you leave your hand?
01:08:35Are we going to be handcuffed?
01:08:39I mean, everyone should know.
01:08:40I don't think so.
01:08:41I don't think the employees or Mr. Emire should know.
01:08:44I won't let you down, you know that.
01:08:46You're right, me too.
01:08:47But I'm afraid.
01:08:49If only a little more time passed, please.
01:08:51Okay, fine.
01:08:53Then I'll leave it to you, Ms. Sanem.
01:08:55Good luck.
01:08:56Thank you, Mr. Can.
01:09:09Here you go.
01:09:10Thank you, Rami.
01:09:11Thank you, Rami.
01:09:12God bless you.
01:09:14Oh, Nihat.
01:09:15Mevkibi.
01:09:16How are you?
01:09:17Did you miss me?
01:09:18I hope you're having fun.
01:09:20I'm having fun.
01:09:21No, Nihat.
01:09:23No, Mevkibi?
01:09:24You were having fun just now.
01:09:25But now you're gone.
01:09:26You're a joker.
01:09:27Come on, Mevkibi.
01:09:29There may have been some mischief in the past.
01:09:31But we forgot about them.
01:09:32We didn't.
01:09:33Okay, Mevkibi?
01:09:34Are you mad at me?
01:09:35You haven't changed at all.
01:09:36I'm not mad at you.
01:09:37Sit down.
01:09:40Peace be upon you.
01:09:42Peace be upon you.
01:10:07What's wrong with you?
01:10:08I'm going to solve it.
01:10:09Please trust me.
01:10:10Hüseyin.
01:10:11Yes, brother.
01:10:12What are you talking about?
01:10:13Why are you all here?
01:10:14Nothing, Nihat.
01:10:15We were just chatting.
01:10:16He says there's a commercial shoot today.
01:10:17He says there's a commercial shoot?
01:10:18Yes, he says so.
01:10:20Listen to me, jackal.
01:10:22This commercial shoot is run by my daughters.
01:10:25If you try to cause trouble,
01:10:28I'll cause trouble for you.
01:10:30I'll cause trouble for you.
01:10:31I'll kill you.
01:10:32I swear.
01:10:33Now, Mevkibi.
01:10:34Wait a minute.
01:10:35We're here, too.
01:10:36We're here to know each other's rights.
01:10:38Don't get me involved.
01:10:39I'll beat you now.
01:10:41Okay, brother.
01:10:42I'm done here.
01:10:43Let's go, Mevkibi.
01:10:44Come on, let's go.
01:10:51Son, be careful.
01:10:52Don't make anyone think about it.
01:10:54We're going to make money.
01:10:55I'm saying money.
01:10:56There's going to be a shoot.
01:10:57I'll get everyone in the neighborhood.
01:10:58Relax.
01:10:59Give me the money, girl.
01:11:02I'll tell you later.
01:11:03Come on, Isar.
01:11:04Come on, go.
01:11:06Good morning, Ms. Deren.
01:11:08Good morning, Deren.
01:11:09Good morning, Can.
01:11:10You still look in great shape, as always.
01:11:13Can, we're very busy this week.
01:11:15I think we should have a meeting with the creatives.
01:11:17Let's see what we have and what we don't have.
01:11:19Okay, let's meet in a bit.
01:11:21Okay.
01:11:22Mr. Can, I'll bring your tea right away.
01:11:24Okay.
01:11:28Can, I'm sorry.
01:11:29I'm sorry.
01:11:30I'm sorry.
01:11:31I'm sorry.
01:11:32I'm sorry.
01:11:33I'm sorry.
01:11:34I'm sorry.
01:11:36Sanem.
01:11:37You know you have two prizes for this contest.
01:11:39The first one will be Advertising as You Are.
01:11:41We're discussing that now.
01:11:42You'll be in charge at every stage of your job.
01:11:44You'll be in charge of everything.
01:11:45You've a lot to do today, don't forget.
01:11:47The second one is cubescripting.
01:11:49Do you accept that job?
01:11:50I've been waiting to hear that answer.
01:11:53My internship is in the scriptwriting department.
01:11:54I can't believe it.
01:11:54Of course I accept it.
01:11:56I'm a pretty decent actress now, right?
01:11:58Fine, I'm very happy but I don't like that much tensile phone call topic, Sanem.
01:12:02Fine.
01:12:03I don't like you.
01:12:04Okay.
01:12:05You don't like me.
01:12:06Yes.
01:12:07Besides, an intern is already a troublemaker.
01:12:10You're going to bring tea and coffee, take photocopies.
01:12:12You're going to do all the work you've done.
01:12:14And you're going to write on it.
01:12:15No one said it was easy.
01:12:17They didn't.
01:12:18Okay, then.
01:12:19Here you go.
01:12:20Thank you.
01:12:21The intern is an old troublemaker.
01:12:22Good luck.
01:12:23I'll get to work then.
01:12:24You will.
01:12:25Nihat, if only we didn't have to deal with this jackal.
01:12:32No, no.
01:12:33It's okay.
01:12:34Thank you.
01:12:35You did a good job.
01:12:36At least he doesn't shout and bite.
01:12:37Halil is here.
01:12:38Peace be upon you.
01:12:39Peace be upon you, Halil.
01:12:40Welcome.
01:12:41Thank you, Nihat.
01:12:42I brought your order.
01:12:43If you need anything, let me know.
01:12:44I'll bring it right away.
01:12:45Okay?
01:12:46I have to go urgently.
01:12:47Okay.
01:12:49Halil!
01:12:50Halil!
01:12:51Close the door.
01:12:52Yes, auntie.
01:12:53Close the door.
01:12:54Close the door.
01:12:55You ran away last time.
01:12:56We're going to talk to you.
01:12:57Sit down.
01:12:58I'll make you some tea.
01:12:59Rami, make your brother some tea.
01:13:00Sit down, Halil.
01:13:01Come.
01:13:02Halil.
01:13:03Halil.
01:13:04Halil.
01:13:05Halil.
01:13:06Halil.
01:13:07Halil.
01:13:08Halil.
01:13:09Halil.
01:13:10Halil.
01:13:11Halil.
01:13:12Halil.
01:13:13Halil.
01:13:14Halil.
01:13:15Halil.
01:13:16Halil.
01:13:17Halil.
01:13:18Let's count.
01:13:19I don't care.
01:13:21I know Salim.
01:13:22I know who Salim is.
01:13:23I told you.
01:13:24He's good.
01:13:25Deal with it.
01:13:26My brother, Sanem doesn't buy either.
01:13:27She says she doesn't care and says she'll pay the money on the spot.
01:13:30What are we going to do?
01:13:31She's her daughter.
01:13:32What more do you want?
01:13:33Halil.
01:13:34Do not talk nonsense.
01:13:35My daughter will pay the money on the spot.
01:13:37We'll stand like this as her parents, right?
01:13:39Anyway, here is the debt.
01:13:40Take it.
01:13:41Take it.
01:13:42No matter how much, tell us the remaining debt.
01:13:44Take it.
01:13:45No, I can't say.
01:13:46I said Halil.
01:13:51Don't look at me like that.
01:13:53Why are you avoiding my eyes? What are you hiding from us?
01:13:56Put that hand down.
01:13:57What are you hiding from us?
01:13:58Tell me.
01:13:59It's like you're reading my mind.
01:14:04Don't do it.
01:14:05Halil.
01:14:06Say whatever is inside.
01:14:10Look, Mevki is my wife for all these years.
01:14:13If you don't tell me, you won't get out of here.
01:14:17Tell me, get rid of Halil.
01:14:19Tell me, Halil.
01:14:21What the hell?
01:14:22Okay.
01:14:23For God's sake.
01:14:25I'm not from a rich family.
01:14:27I've never seen a family like this.
01:14:29Tell me, Halil.
01:14:30Tell me.
01:14:31Tell me.
01:14:32Because I can't take this envelope.
01:14:34You don't owe me anything.
01:14:36Saren came and said they're all broken.
01:14:38I don't know why I'm texting you like this.
01:14:47Don't look at me like that.
01:14:56Nihat is right.
01:15:00Nihat is right.
01:15:02Come here.
01:15:03Sanem found the 40,000 liras we couldn't find.
01:15:06How did she find it?
01:15:07Mevki.
01:15:08Okay, you can go.
01:15:10She's right.
01:15:11Go.
01:15:12God.
01:15:13Mevki.
01:15:14Mevki.
01:15:15Mevki.
01:15:16Don't do this, Mevki.
01:15:17I'm so scared when you're like this.
01:15:20Stop.
01:15:21Stop, Mevki.
01:15:22I'll get you a cold soda.
01:15:23Stop, stop, stop.
01:15:37Go.
01:15:54Don't do anything without asking me.
01:15:56We'll plan together.
01:15:58Okay, you got it.
01:16:01This is for the debtors.
01:16:02I'm going to the company. Come after me.
01:16:06Don't draw attention, okay?
01:16:25Yes, friends, we are ready.
01:16:28Since it's a budget-free job, it would be great if we could do it with minimum expenses.
01:16:32Even the big brand doesn't have a budget.
01:16:35The company's budget for social media is over.
01:16:38They have already allocated a small budget for the internet.
01:16:40We wanted to show our goodwill because it's our first job as an agency.
01:16:44Is it appropriate for you, Mr. Volkan?
01:16:46Of course, it's appropriate, Ms. Deren.
01:16:49I don't understand budget issues.
01:16:51I don't understand.
01:16:52I don't understand.
01:16:53What does it matter to me?
01:16:54You're welcome.
01:16:56Come in, Sanem.
01:16:57Let's start the first meeting as screenwriters.
01:16:59Come, come here.
01:17:00Come.
01:17:01I don't think it's going to last long.
01:17:03I'm so excited about my first job.
01:17:06Don't worry, you'll get used to it.
01:17:08Just work hard.
01:17:09This is a heavy job.
01:17:10Concentrate.
01:17:11Okay.
01:17:12Yes, friends.
01:17:13We chose the places with Sanem.
01:17:15Sanem also chose the actors.
01:17:17Deren and I will have to go over an ad again.
01:17:19I mean, where will the plans be shot?
01:17:21What kind of world will it be like?
01:17:24Okay.
01:17:25I know what you mean, Sanem.
01:17:30Are we going to start with the 80s?
01:17:32Yes.
01:17:33In the 80s, four women set off from a neighborhood...
01:17:36...with an old car to realize their dreams.
01:17:38Years later, they return to that neighborhood...
01:17:41...and this time, they send their own daughters.
01:17:44The neighborhood is the same, the car is different...
01:17:46...and the four young women on the road are different.
01:17:49Sanem, this ad doesn't have a budget.
01:17:52But the important thing for the customer...
01:17:54...is that the person who writes the ad...
01:17:56...has a dream.
01:17:57So, tell us about your dream...
01:17:59...and we'll do our best.
01:18:00Okay.
01:18:01Yes.
01:18:02Now, your neighborhood's plan is here, Sanem.
01:18:05Oh, it's so interesting to see our neighborhood like this.
01:18:09Did you like it?
01:18:10This is our grocery store.
01:18:12Then, let's decide on the places now.
01:18:14Which scene will we shoot in which place...
01:18:16...and then we'll start the preparations.
01:18:18For example, our grocery store's street is very nice.
01:18:49That's it.
01:18:51Yes, guys, I think we talked about everything.
01:18:53Everything should be done according to what we talked about.
01:18:55Yes, you're right.
01:18:56Deren, tell Aylin...
01:18:58...because Aylin is an advisor in this business.
01:19:00So, you know.
01:19:01Okay.
01:19:02Okay.
01:19:03Okay.
01:19:04Okay.
01:19:05Okay.
01:19:06Okay.
01:19:07Okay.
01:19:08Okay.
01:19:09Okay.
01:19:10Okay.
01:19:11Okay.
01:19:12Okay.
01:19:13Okay.
01:19:14Okay.
01:19:15Okay.
01:19:16Okay.
01:19:17Be okay with this.
01:19:18We're gonna be okay soon.
01:19:19How are we gonna be okay?
01:19:21The obvious.
01:19:22Okay.
01:19:24See you.
01:19:27Man, I am dead bored.
01:19:30It's not about being bored.
01:19:32Here, take them.
01:19:34You can keep them.
01:19:38Now, you'll have to copy these files, I need half-an-hour, Sanem.
01:19:41Half-an-hour?
01:19:42Yes, half a hour.
01:19:43Good morning to you, too.
01:19:50Sanem, give me a cup of coffee.
01:19:52Okay.
01:19:53And a painkiller for headache.
01:19:55Okay.
01:19:56And I have a stress ball. Bring it to me.
01:19:59And I have one more stress ball. Bring it to me.
01:20:01I can't take it anymore.
01:20:04Of course, Mrs. Eren.
01:20:05What are you laughing at?
01:20:13Nothing.
01:20:15You were with Mr. Can last night, weren't you?
01:20:18Yes, for work.
01:20:20We talked about work.
01:20:22Work?
01:20:23What was he doing last night?
01:20:25You don't understand.
01:20:26You don't understand the drama of a delivery man.
01:20:28Mrs. Eren's stress balls.
01:20:30Then the photocopies, the cartridges.
01:20:33Where is the ink?
01:20:34Then Mr. Can.
01:20:35Sign this.
01:20:36Sign it.
01:20:37Make a list.
01:20:38I don't know.
01:20:39Make a list.
01:20:40I really can't keep up anymore.
01:20:51Mevkivem.
01:20:52I'm so sorry when you're like this.
01:20:54But Mevkivem.
01:20:55Come on, Mevkivem.
01:20:56Drink a little more of that gas.
01:20:58Let the sugar rise.
01:20:59Come on, Mevkivem.
01:21:00Drink, drink, drink.
01:21:03Oh, my dear Mevkivem.
01:21:05Nihat.
01:21:06Yes, Mevkivem?
01:21:07Mr. Halil said I paid all of Sanem's debt.
01:21:10Did he say that to me?
01:21:12No, Mevkivem.
01:21:13He didn't say that to you.
01:21:14He said that.
01:21:15Oh.
01:21:16He heard me right.
01:21:18So where did he find all this money?
01:21:20Isn't this girl a delivery man?
01:21:21How did he find her?
01:21:22I don't know, Mevkivem.
01:21:23He found her.
01:21:24He found her, but he didn't tell us.
01:21:25How can I know?
01:21:26This girl just started this job.
01:21:27They don't give this much money, Mevkivem.
01:21:29Look into our eyes.
01:21:30This girl lied to us, Mevkivem.
01:21:32Oh, I'm going crazy, Nihat.
01:21:33I'm going crazy.
01:21:34No, no, don't go crazy.
01:21:35Don't go crazy, Mevkivem.
01:21:36Calm down.
01:21:37I'm going to call Sanem right now.
01:21:38I'm sure this girl has an explanation, Mevkivem.
01:21:40Stop, stop.
01:21:41Stop.
01:21:42For God's sake.
01:21:43If she had an explanation, why would she lie to us?
01:21:45Why would she say she's paying in installments, Nihat?
01:21:47Huh?
01:21:48Hello?
01:21:49Yes, dad.
01:21:50My daughter, how are you?
01:21:51Thank you, dad.
01:21:52How are you?
01:21:53I'm fine.
01:21:54We're at your mother's...
01:21:56Hello.
01:21:58Sanem, I'm giving you 30 seconds to tell the truth.
01:22:00No, no.
01:22:01I'm giving you 3 seconds to get out of 30 seconds.
01:22:03What's going on?
01:22:04What's the truth?
01:22:05Look at me.
01:22:06How did you pay off all of Toplancı Ali's debt?
01:22:08Look, don't lie to me.
01:22:09Look into my eyes and tell me.
01:22:10Look.
01:22:11It's getting very difficult from here.
01:22:12Three.
01:22:13What did she say?
01:22:15Sanem, the meeting is starting.
01:22:17Two.
01:22:18Sanem, to the meeting.
01:22:20One.
01:22:21Sanem, the meeting is starting.
01:22:23Oh, mom, they're calling me to the meeting.
01:22:25Mom, I have to go to the emergency meeting.
01:22:27I have to hang up.
01:22:28I'm sorry, okay?
01:22:29Sanem, don't look at my face.
01:22:33Can you see, Nihat?
01:22:34She covered my face.
01:22:35Did she?
01:22:36Well, wouldn't I ask for her account from Sanem?
01:22:39Wouldn't I make a fuss about it?
01:22:41Okay, okay.
01:22:42Okay, Ekrem, calm down.
01:22:43Look, you're going to get excited again.
01:22:44Then you're going to get worse.
01:22:45Calm down.
01:22:46Calm down, dear.
01:22:47Nihat.
01:22:48Yes?
01:22:49You wait at the grocery store.
01:22:50I can't stop without learning the truth of this business.
01:22:54Come on.
01:22:55Mr. Mevki.
01:22:56Mr. Mevki.
01:22:57Oh, my God.
01:23:03Oh, the card fell here.
01:23:05I'll take this and put it back.
01:23:08I do everything.
01:23:11The card fell, so I put it like this.
01:23:13Okay?
01:23:14Okay.
01:23:17You've always eaten crackers on the seats.
01:23:20There's always a cracker left here.
01:23:22I always take care of these.
01:23:26Ceycey.
01:23:27Yes?
01:23:28What are you doing?
01:23:29Where are you?
01:23:30I'm not doing anything.
01:23:32Oh, I'm resting.
01:23:33I'll be out in 20 minutes.
01:23:34Okay?
01:23:35I have an attitude like I'm taking care of very important things.
01:23:37That's how I do my body language.
01:23:38Then I go and have coffee.
01:23:40What are you doing?
01:23:41What can I do?
01:23:42I took coffee to Ms. Derin.
01:23:43When I see Ms. Aylin, I get goosebumps.
01:23:45Sanem.
01:23:46When I see Ms. Aylin, I don't scream anymore.
01:23:48Do you know?
01:23:49How?
01:23:50I don't scream anymore.
01:23:51I've calmed down.
01:23:52I've found my own ways.
01:23:53I'm a calm person now.
01:23:54I really don't panic at all.
01:23:56Can I tell you something?
01:23:58Don't say it.
01:23:59I will.
01:24:00No, as if you're going to give me a secret.
01:24:02No need.
01:24:03Everyone knows.
01:24:04What is it?
01:24:06I became an intern text writer.
01:24:11You became an intern text writer.
01:24:12Why couldn't I be?
01:24:13Why don't they make me an intern text writer?
01:24:15Why couldn't I be?
01:24:16I've been looking after their feet here for years.
01:24:18Why don't they make me?
01:24:19I want to be an intern too.
01:24:20I'll be an intern.
01:24:21I'll go and talk to the management.
01:24:23What?
01:24:24What do you mean?
01:24:25Okay, I'll go and talk to them.
01:24:26What will you do?
01:24:27What's up?
01:24:28The management came to you.
01:24:29It was a bit like Ovalokçu.
01:24:30What are you going to tell me?
01:24:31Mr. Can.
01:24:32Here's the thing.
01:24:33I'm not going to say anything.
01:24:34I'm going to drink a lot of coffee.
01:24:36I have things to do.
01:24:37I'll take care of them.
01:24:38Goodbye, Mr. Can.
01:24:39Yes.
01:24:43Hello, Mr. Can.
01:24:44Hello, Sanem.
01:24:45Can you bring me a cup of tea?
01:24:47Of course.
01:24:49Thank you.
01:24:50Goodbye.
01:24:51Goodbye.
01:24:52Goodbye.
01:24:53Goodbye.
01:24:54Goodbye.
01:24:55Goodbye.
01:24:56Goodbye.
01:24:57Goodbye.
01:24:58Goodbye.
01:24:59Goodbye.
01:25:00Goodbye.
01:25:01Goodbye.
01:25:02Goodbye.
01:25:03Goodbye.
01:25:04Goodbye.
01:25:05Goodbye.
01:25:06Goodbye.
01:25:07Goodbye.
01:25:08Goodbye.
01:25:09Goodbye.
01:25:10Goodbye.
01:25:11Goodbye.
01:25:12Goodbye.
01:25:13Goodbye.
01:25:14Goodbye.
01:25:15Goodbye.
01:25:16Goodbye.
01:25:17Goodbye.