hanane2M
hanane2M
  • 4 months ago
Transcript
00:00♪♪
00:30¿Pero no presupongas nada romántico?
00:32Nadie va a hablar con la Guardia Civil por ahora.
00:35Es que si lo hubiéramos denunciado en su momento,
00:37nos hubiéramos ahorrado todo esto.
00:39¿Pero qué es lo que quieres?
00:40¿Qué quieres, ver a mi hija en un calabozo?
00:42Si el juez lo determina así, sí.
00:46¿Y si no me quiere volver a ver?
00:48Pero no digas enormidades.
00:50Martina sabe de sobra el amor que le tienes.
00:52El amor que no le he sabido demostrar.
00:55Y entendería que quisiera poner tierra de por medio.
00:59¿A qué se debe esa obsesión por el señorito Curro?
01:02¿No te has enterado de que Martina se ha escapado del sanatorio?
01:05¿Acaso sospechas que guardé relación con esa huida?
01:10¿Alguien lo ha visto?
01:12Entiendo que sí.
01:13Pero si quieres puedo interrogar a mis criadas por obviedades.
01:18Ninguna de las doncellas sospecha la ausencia del señorito.
01:21Yo mismo me he encargado de subirle la comida al señorito Curro
01:24para que parezca que sigue comiendo como de costumbre.
01:26También me he encargado de deshacerle la cama todas las mañanas
01:29y desordenarle un poco el cuarto.
01:31Tu generosidad para conmigo ha sido infinita.
01:34¿Me estás echando de la promesa?
01:36No. Jamás.
01:39Tú sabes que las puertas de mi casa estarán siempre abiertas para ti.
01:43Pero no puedo pretender que abandones tu vida para hacerte cargo de la mía.
01:47Es el último favor que te pido, amiga.
01:50Quiero que sepas que me opongo totalmente a la decisión de la Márquez.
01:54También me da pena irte y perder la oportunidad de conocernos en la ciudad.
02:04Una pena que Cruz quiera separar nuestros caminos justo ahora que empezaban a unirse.
02:11Si os he hecho venir es para deciros que seguimos adelante con lo de las mermeladas.
02:16¿Entonces Virtudes ha cambiado de opinión?
02:18Mi hija ni pincha ni corta. Esto es una cosa nuestra.
02:22Cruz y tú tenéis que hacer las paces.
02:24Esa mujer me odia, como también odiaba a Tomás.
02:29Solo se portó bien al principio, como estrategia para conseguir lo que quería, que era casarse con usted.
02:34Virtudes, digas lo que digas, vamos a vender mermeladas hasta conseguir la última peseta
02:38que necesitas para recuperar a tu hijo y te puedas ir a vivir con él.
02:41Bien dicho, Lope. Así que vamos a dejar de perder el tiempo hablando y...
02:46coge un cucharón y ponte a rellenar tarro.
02:50¿Recuerdas el revuelo que se montó por la mujer que no estaba invitada a la dichosa merienda?
02:56Sí.
02:57Pues...
03:00Esa mujer, la duquesa de Carril, es mi madre.
03:07Piénselo bien, ¿qué sentido tiene que yo quiera invitar a nadie a una merienda de la señora Margarita?
03:13Tienes razón. Esto ha tenido que ser alguien que quisiera arruinar esa merienda.
03:20Aunque todos insistan en mirar para otro lado, yo...
03:24tengo la firme determinación de averiguar qué pasó con la quinta invitada a la merienda de doña Margarita.
03:31Dime, Vera.
03:33¿Qué sabes tú de la duquesa de Carril?
03:40¿La duquesa de Carril?
03:42¿Yo qué sé qué puede pasar con esa señora?
03:44Vamos, Vera. No te hagas la tonta.
03:46Estoy diciendo la verdad, señor Arcos. No sé por qué me pregunta a mí por ella.
03:50Pues porque la duquesa de Carril se presentó en la promesa a la merienda de doña Margarita.
03:54Y nadie sabe cómo recibe esa invitación.
03:57¿Y debería saberlo yo? ¿Que soy una simple doncella?
04:00Sí. Una doncella que estuvo presente en la merienda.
04:05Sí. ¿Y?
04:07Pues que no me creo que no oyeras nada.
04:11Porque la duquesa de Carril comentaría algo sobre su invitación si todo resultó ser tan raro.
04:15No. No dijo nada. Al menos no delante de mí.
04:18¿Segura?
04:20Se lo garantizo, señor Arcos.
04:22Lo único que sé es que esa duquesa recibió una invitación, como todas las demás,
04:26y que la señora Margarita no quiso decir nada durante la merienda para evitar situaciones incómodas.
04:31Ya. Pues alguien tuvo que enviar esa invitación, puesto que la duquesa la recibió.
04:36Como usted bien sabe, yo me dedico a limpiar y a planchar. No a mandar invitaciones.
04:41Ya. Y dudo mucho que alguna vez realices una tarea de tanta responsabilidad.
04:49Mira, ¿tú sabes si Santos y la duquesa de Carril se conocían de antes?
04:55Que yo sepa, ¿no? ¿A qué viene esa pregunta?
04:58No, a nada.
05:00Algo habrá venido, ¿no?
05:02Solo estaba reflexionando en voz alta.
05:04Fue Santos el encargado de enviar esas invitaciones.
05:09¿Cómo en quién las envió Santos?
05:12Lo que he dicho.
05:16Bueno, en todo caso, señora Arcos, no sé por qué le da tantas vueltas al asunto.
05:20A mi parecer no es un asunto tan importante y la señora Margarita y el señor Baeza decidieron dejarlo correr.
05:25Te he pedido yo tu opinión.
05:27Y para que lo sepas, el asunto sí es muy grave.
05:30Es que no pasó nada, pero podría haber pasado.
05:32No comprendo por qué.
05:34¿Y tú qué vas a comprender?
05:37Imagínate que la duquesa de Carril hubiera estado a malas con algunas de las invitadas.
05:43Ya, bueno, pero eso no pasó.
05:45Pero podría haber pasado.
05:47Y eso lo habría arruinado todo.
05:49A ver si te enteras de una vez que las cosas no se hacen en esta casa así.
05:53Supongo que tiene usted razón, señor Arcos.
05:55Ojalá pudiera ayudarla, pero no sé nada de esas invitaciones ni de esa duquesa.
06:00Anda, quítate de mi vista, que ya he perdido bastante tiempo contigo.
06:03Vamos.
06:07Vamos.
06:37Vamos.
06:39Vamos.
06:41Vamos.
06:43Vamos.
06:45Vamos.
06:47Vamos.
06:49Vamos.
06:51Vamos.
06:53Vamos.
06:55Vamos.
06:57Vamos.
06:59Vamos.
07:01Vamos.
07:03Vamos.
07:05Vamos.
07:07Vamos.
07:09Vamos.
07:11Vamos.
07:13Vamos.
07:15Vamos.
07:17Vamos.
07:19Vamos.
07:21Vamos.
07:23Vamos.
07:25Vamos.
07:27Vamos.
07:29Vamos.
07:31Vamos.
07:33Vamos.
07:35Vamos.
07:37Vamos.
07:39Vamos.
07:41Vamos.
07:43Vamos.
07:45Vamos.
07:47Vamos.
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07:51Vamos.
07:53Vamos.
07:55Vamos.
07:57Vamos.
07:59Vamos.
08:01Vamos.
08:03Vamos.
08:05Vamos.
08:07Vamos.
08:09Vamos.
08:11Vamos.
08:13Vamos.
08:15Vamos.
08:17Vamos.
08:19Vamos.
08:21Vamos.
08:25Vamos.
08:27Vamos.
08:29Vamos.
08:33Vamos.
08:35Vamos.
08:37Vamos.
08:39Vamos.
08:41Vamos.
08:43Vamos.
08:45Vamos.
08:47Vamos.
08:49Vamos.
08:51Vamos.
08:53Vamos.
08:55Vamos.
08:57Vamos.
09:01Vamos.
09:03Vamos.
09:05Vamos.
09:07Vamos.
09:09Vamos.
09:11Vamos.
09:13Vamos.
09:15Vamos.
09:17Vamos.
09:19Vamos.
09:21Vamos.
09:23Vamos.
09:25Adriano is not a starving man.
09:27He rents an important part of our lands.
09:29We have to get along with those people.
09:31Well, we can get along with them in the distance.
09:33We don't need to have them close,
09:35suffocating us.
09:37Cruz, get off your pedestal.
09:39Because you always take me the opposite way.
09:41Not always.
09:43In fact, I have listened to you
09:45regarding my friend María Antonia.
09:47And I agree that it is time to abandon the promise.
09:49You are right.
09:51In that we have gone to one.
09:53This recital would not only serve to celebrate
09:55the return of Manuel,
09:57but also as a farewell to María Antonia.
09:59Don't look for more reasons.
10:01It is clear that you have got in your head
10:03to celebrate that recital.
10:05María Antonia deserves something more than a simple goodbye.
10:07She came to help me when I needed her the most.
10:09And I am very grateful.
10:11Right?
10:13Yes, yes, yes. Of course.
10:15Well, very well. No more talk.
10:17We will invite some friends
10:19and we will hire some musicians.
10:21Come. I'm going to let Petraffa know
10:23so we can get to work as soon as possible.
10:27What I don't know is
10:29whether to tell María Antonia or
10:31let it be a surprise.
10:33Whatever you see.
10:35I leave you with your things.
10:51Thank you.
11:11Were you calling me, ma'am?
11:13Yes.
11:15I have thought of organizing a recital
11:17to celebrate the return of my son Manuel.
11:19I think it's an excellent idea.
11:21So do I.
11:23But in order for it not to remain just an idea,
11:25we have to get to work on it actively.
11:27In addition,
11:29the recital would not only serve to celebrate
11:31the return of my son, but also
11:33to say goodbye to my friend María Antonia as she deserves.
11:35I didn't know
11:37that you were going to leave us, Mrs. María Antonia.
11:39Well, it's time
11:41for me to return to your house.
11:43And the promise is not a free hotel
11:45where you can stay for months.
11:47Don't say it like that.
11:49You are absolutely right, ma'am.
11:51And have you already thought
11:53who you want to invite?
11:55I haven't decided yet.
11:57In a while I will give you a list of guests
11:59so that you can send them a notice.
12:01And you want me to be the one
12:03to call the musicians?
12:05Yes. We could invite that music quartet
12:07that came two years ago for my birthday.
12:09And any specific request for food?
12:11Because we will also have to decide the wines.
12:13Petra, for God's sake.
12:15I'm asking you to take care of everything,
12:17not to ask me everything.
12:19I thought you would like to take care of the details,
12:21as in previous occasions.
12:23Well, no. You are going to take care of it.
12:25I pay you to work,
12:27not to show your face.
12:29Yes, ma'am.
12:31So go thinking about several menu proposals,
12:33look for several options for musicians
12:35to be able to choose,
12:37and also tell me what dates you think
12:39would be the most appropriate.
12:41And can I ask you if you want the recital to be soon?
12:43As soon as possible.
12:45You go thinking about options,
12:47you present them to me, and I will choose.
12:49That's how I always worked, compadre.
12:51And I never had to be above everything.
12:53Be careful, ma'am.
12:55I'll take care of it.
12:57I hope so. Let's see if now I'm going to have to
12:59miss a keymaker like Mrs. Darre.
13:01So come on, get to work.
13:14And where do we put them, mother?
13:19We'll put them under the beds.
13:21Not like Lope and Salvador,
13:23who have left them here in the middle.
13:25Because if someone comes in,
13:27I don't know if he'll find them.
13:29And do you think they'll be safe here?
13:31Of course, daughter.
13:33This is the private room of María Fernández and Hanna.
13:35And won't they get angry when they come back
13:37and see that we have used their room as a warehouse?
13:39How are they going to get angry?
13:41I don't know.
13:43And if, by any chance,
13:45Beta finds out about the jam,
13:47she's going to think it's her fault, and I don't want ...
13:49Daughter! Stop getting into the worst.
13:51Okay?
13:53No one is going to find out anything.
13:55Besides, it was Hanna herself
13:57who had the idea of looking for the money for you.
13:59And I thank her.
14:01And me. And everyone.
14:03Because that girl,
14:05when she's not doing one person a favor,
14:07she's doing it to another.
14:09I know.
14:11But tell me.
14:13If I didn't come because I convinced Mr. Manuel
14:15to bring a friend of his, a doctor,
14:17and he did that novel thing to me,
14:19I wouldn't be here now.
14:23I couldn't even kiss you.
14:29And I would never have met my grandson Adolfito.
14:33Come on, let's put the boxes away.
14:35The important thing is that the jams are sold
14:37and that you get the money
14:39to get your son back.
14:41Because a child with whom he has to be,
14:43with whom he is best,
14:45is with his mother.
14:47His plan has the agony of his mother.
14:49That is the reality.
14:51Have faith, daughter.
14:53Have faith.
14:55Come on, sit down, I'll pass you.
15:01There, in the back.
15:07Thank you.
15:27Catalina?
15:31Adriano?
15:33Wow, I'm glad you received me
15:35with such good disposition.
15:37What a surprise.
15:39I thought you wouldn't come to see me.
15:41I would like us to go for a walk.
15:45Where?
15:47We could go see the lands
15:49that I have rented to your family.
15:51After selling the jewel and paying my debts,
15:53I listened to you and made improvements in the land.
15:55I would like you to see them and tell me what you think.
15:59So, in addition to your management,
16:01you also want my opinion about your crops?
16:03My father had great esteem for you.
16:05He said he knew a lot about agriculture.
16:07He was exaggerating, I don't know so much.
16:09Don't be modest.
16:11He didn't speak for himself.
16:13Okay.
16:15Although I'm sure you've done very well
16:17and I can't tell you little to help you.
16:19You never know.
16:21Let's see, don't expect anything spectacular,
16:23I don't have much room left.
16:25I also started managing the farm little by little.
16:27If you knew how much pressure
16:29we went through at the beginning ...
16:31Pressure?
16:33Yes. I had no money to pay Tadeo
16:35the forage he sold us for the animals.
16:37So I had to come to an agreement
16:39to the desperate with him.
16:41Let's see, I had understood that things were not going very well,
16:43but I didn't know you were at that point.
16:45Yes, it was a very bad time.
16:47But little by little it was getting better
16:49and today the farm is doing well.
16:51You just have to see the crops.
16:53Catalina, I don't want to be indiscreet,
16:55but what was the agreement
16:57you reached with Tadeo?
17:02For a while, Tadeo facilitated the forage
17:04in exchange for a chess board
17:06and for me to play with him every week.
17:12He gave you the forage
17:16in exchange for just playing a few chess games?
17:20That's right.
17:24Tadeo is a good man and he wanted to help me.
17:26You see, we both have a lot to thank him
17:28for the generosity of others.
17:32And you saved the lands
17:34for which my father worked for years.
17:36I will always be indebted to you.
17:41Last night when I saw that you were not coming to visit me,
17:43I ...
17:45I was a little upset.
17:47Some carpenters from the village came
17:49to fix the silo and I had to help them.
17:53I was thinking about it
17:55and I thought you would still be upset
17:57about the dinner with my stepmother and the frac.
17:59Well,
18:01I was a little upset, you know,
18:03but ...
18:05How could I not come to see you?
18:09It's almost impossible.
18:11It's the same as telling the earth not to ask for water.
18:15I'm glad to see that you are no longer angry.
18:17And me, that you will miss me.
18:21Well, yes, one is alone
18:23and the days are very long.
18:25Shall we take that walk?
18:27Yes.
18:29If you want, we can go to my house to eat later.
18:31Well, it's humble,
18:33but no one will come to bother us.
18:35Yes?
18:37Yes.
18:47Mr. Arcos.
18:57Mrs. Arcos, it's me, Santos.
18:59Let me come in.
19:01No, you can't come in.
19:05You haven't heard me.
19:07I told you you couldn't come in.
19:09I just want to know what's wrong with her.
19:11I just saw her through the corridor like the devil's soul.
19:13Nothing.
19:15Nothing's wrong with me.
19:17It is clear that something is happening to her.
19:19And it must be serious
19:21because you have a lot of temper
19:23and you don't let yourself be disturbed.
19:25But in this palace
19:27no one respects anything at all.
19:29It's true that I've had a lot of bad luck.
19:31And who has she been with now?
19:33With no one.
19:37Maybe if you tell me, she'll be calmer.
19:41You're right.
19:43Maybe I'll feel better
19:45if I vent with someone.
19:49Mrs. Marquesa,
19:51who has treated me today
19:53as if I were a rag
19:55to be taken off the floor.
19:57The Marquesa?
19:59And why?
20:01That's the worst part.
20:03She hasn't come to tell me.
20:05She wants to organize a recital
20:07and it has been
20:09the most inappropriate thing with you.
20:11A recital?
20:13I hadn't heard anything.
20:15Because it had to happen to her today.
20:17She intends to celebrate
20:19the return of her son Don Manuel.
20:21Celebrate the return of her son Don Manuel
20:23and the departure of her friend Maria Antonia.
20:25What I don't understand then
20:27is why she has taken him with you.
20:29No, not me.
20:31I intended her to guess the thought
20:33to organize everything,
20:35but she didn't even know what she wanted.
20:37Not that you were divine.
20:39No, I'm not.
20:41And I need concrete orders.
20:43How could Diantres expect me
20:45to know the type of recital she wants
20:47when she doesn't explain herself?
20:49And how could she bet with me
20:51just to ask?
20:53She must have bet for something else
20:55other than the recital.
20:57She got angry and took him with you.
20:59The gentlemen always take her with the service.
21:01You know that.
21:03No, I don't know.
21:05Mrs. Arcos, your work is impeccable
21:07and you can't get even half of it wrong.
21:09Do you think so?
21:11Of course.
21:13I think about it and the rest of the service,
21:15although it's hard for them to admit it.
21:17I'm so ungrateful,
21:19I know I would never help.
21:21Pure envy, I'm telling you.
21:23But don't listen to her,
21:25you just have to work
21:27and make deaf ears to the people around us.
21:29I see that despite your youth
21:31you are very smart
21:33and you can distinguish
21:35what matters and what doesn't.
21:37I learn from the best.
21:39Thank you, Santos,
21:41for worrying about me.
21:43You have to give them.
21:45Yes, you have to give them.
21:47Because I have an education
21:49and because no one here
21:51worries about me.
21:53And once someone does,
21:55yes,
21:57you have to thank them.
22:15Good morning.
22:17Sir,
22:19I didn't know you were coming.
22:21I'll pick this up right now and leave it to you.
22:23No, no, it's not necessary for you to leave.
22:25I just came to leave a few things.
22:27Really, you don't mind?
22:29Really, you do your thing.
22:31Yes.
22:35Do I bother you in this corner?
22:37No, no, who's going to bother me?
22:41I finish hitting on a parakeet.
22:43There's no rush.
22:55Yes,
22:57I still have to clean the dust
22:59from the table, but
23:01since you have it full of things,
23:03I didn't want to touch anything.
23:07Do you see it very messy?
23:09I didn't say that, but
23:11it looks like it.
23:13Believe it or not,
23:15there's an order in all this mess.
23:17Or at least I know where
23:19everything is.
23:21And it's cleared up with so many papers?
23:23Yes.
23:25You see,
23:27the ideas that have no future
23:29I leave them to the right.
23:31Those that have a possible future
23:33I leave them to the left.
23:35And then
23:37there are the ideas I'm working on right now.
23:39And they are in the center.
23:41I, the truth,
23:43is that if you don't tell me anything,
23:45I would have put it all together in a pile.
23:49Anyway, don't think that
23:51I'm very organized.
23:53My mother
23:55every time she enters my room,
23:57she puts some glue.
24:01Of course.
24:03You are Simona's daughter?
24:09Exactly.
24:11Virtues to serve her.
24:13When she was very little,
24:15she played with her sister Catalina
24:17and her brother Tomás,
24:19may he rest in peace.
24:21My mother always speaks wonders
24:23of Miss Catalina.
24:25She loves her madly.
24:29In this house,
24:31in this house
24:33we also love your mother very much.
24:35And the promise would not be the same
24:37without her.
24:39Nor would she eat so well.
24:41She has a good hand with the stoves, yes.
24:43Yes.
24:45And a golden heart.
24:47And in this house we are very grateful to her.
24:51And she to you, sir.
24:53And me.
24:55Thanks to you,
24:57my mother is still alive.
24:59Excuse me, what are you talking about?
25:01About when
25:03you moved heaven and earth
25:05to heal my mother
25:07when she fell ill.
25:09Ah, yes.
25:11Yes, I remember.
25:13Although in reality I only did
25:15what I had to do.
25:17If your mother is alive and with us,
25:19it's all thanks to Hanna.
25:21She is the one who should take the credit.
25:23She did not separate from your mother in a single moment.
25:25I know. And I thank her with my soul.
25:29Virtudes,
25:31speaking of Hanna,
25:33have they told me that she is out of the promise?
25:35Yes.
25:37She and María Fernández
25:39are helping a friend of Mr. Marqués.
25:41Something like that I have heard, yes.
25:45And do you know if she will return soon?
25:47No, but I hope it's soon
25:49because
25:51I miss her a lot.
25:53María Fernández is so funny.
25:55Always with her sayings
25:57and her barbarities.
25:59Yes, that girl talks for the elbows.
26:01And Hanna can not imagine
26:03the jewel that is that Zagala.
26:07Yes, she seems like a good person.
26:09She is.
26:11Always willing to help
26:13with some sensible advice.
26:17Well,
26:19I'm not surprised you miss her.
26:21It's to do it, sir, it's to do it.
26:24Well.
26:26Yes.
26:46So, Mrs. Candela,
26:48you are in charge of buying the sugar and the fruit.
26:50Yes, as I'm going to town to teach mine.
26:52Perfect.
26:54Well, we're going to need four bags of sugar,
26:56seasonal fruit, but it has to be ripe, but not too much.
26:58Yes?
27:00That's enough, Lope.
27:02Perfect.
27:04Thank you.
27:06The boy is the conductor
27:08and he does not want anything to escape him.
27:10I can put it in a jar if you want.
27:14Yes, yes, of course.
27:16But to see if they are sold at a good price,
27:18because everything is having a lot of work.
27:20Yes, yesterday we were a little late.
27:22I don't know how
27:24we are going to thank you for everything you are doing
27:26for my virtues and my grandson.
27:28We are doing it at ease, Simona,
27:30don't worry.
27:32The bad thing is that I don't know if it will be useful for something.
27:34Don't say that, Cancina.
27:36Of course it will be useful, Mrs. Simona.
27:38If we continue at this pace, we will arrive in time to put the bodies together.
27:40Yeah, but it's not just the money, Lope,
27:42and you know it.
27:44And the rent.
27:46Yes, but what are we left with?
27:48If we earn more, it will go to Virtudes.
27:50So she can live in peace
27:52for a while with her son.
27:54Until she finds a job that can
27:56accompany her with her upbringing.
27:58Yes, that's right, but how long can we be like this?
28:00As long as the girl is working
28:02to cure the people.
28:04Of course, it won't be long.
28:06Let's see, I can't find
28:08another solution.
28:10I think the best thing is to keep going
28:12with the jam, while we think of something else.
28:14Yes, the best thing will be that we focus on putting
28:16the bodies together, and then we'll see how we do it.
28:18The important thing here is that Virtudes
28:20is with her son as soon as possible.
28:22Well, yes, because as the saying goes,
28:24step by step, it sticks.
28:26Yeah, but ...
28:28No buts. Come on, Simona, this is not the time
28:30to get into the worst.
28:32That's right.
28:34We are going to start making more jams
28:36to sell them as soon as possible.
28:38With an eye so that Mr. Lorenzo
28:40doesn't find out about anything.
28:42Yes, well, if we already know.
28:44With the little money
28:46that the captain spends,
28:48as soon as he finds out what we are doing,
28:50he can make a fortune.
28:52López, do you think Tadeo
28:54will want to help us sell the jams?
28:56Of course,
28:58Mrs. Simona.
29:00First, because he is a great person, and second,
29:02because the captain of the Mata is not in the business.
29:04Well, with Tadeo, the jams
29:06we are going to sell until the last jar.
29:08And I'm sure we'll put the bodies together soon.
29:10I hope so.
29:12That everything has a remedy,
29:14except death.
29:21Happy?
29:23Why should I be?
29:25Stop pretending, Alonso.
29:27You know perfectly well what I'm talking about.
29:29Well, no.
29:31But if you insist, I will say yes,
29:33so that we can have the party in peace.
29:36Cruz has made me fall very elegantly,
29:38that it is time for me to leave the promise.
29:40Ah, that's it.
29:42I told you a few days ago that you were no longer necessary here.
29:44And you told her too?
29:46We share everything.
29:48Everything?
29:50Really?
29:52María Antonia, I don't feel like arguing with you,
29:54so if you've only come for that,
29:56you can go now.
29:58Are you also kicking me out of this room?
30:00I'm fed up with trifles.
30:04I wish you the best, really.
30:06And for that you will come out of this house well.
30:08You will also be fine.
30:10I tell you from the bottom of my heart.
30:12You have to go back to your routine,
30:14you have to look for your future,
30:16and for that you have to be in your palace.
30:18Sure, and stop bothering the poor Marquis, right?
30:20I thank you very much for everything you have done for Cruz,
30:22but this situation is no longer comfortable for anyone.
30:26Well, thank goodness you are grateful.
30:30I ask you to remember these days as something good
30:32and forget the friction we had.
30:34Friction?
30:36Friction that should not affect our friendship.
30:40María Antonia, you are loved in promise.
30:42Maybe that's why you got confused
30:44and thought there was something that never existed.
30:46Of course.
30:48And now confused I am.
30:50There was never anything else.
30:52I love Cruz
30:54and I will continue to love her.
30:58Maybe now it hurts you to leave,
31:00but soon you will understand
31:02that it is the best for everyone.
31:07Hello, Cruz.
31:09Hello.
31:11We were talking about María Antonia's departure.
31:13She has confirmed that she is leaving us.
31:15It has been a pleasure,
31:17but I think the time has come.
31:19It's a shame, friend,
31:21but everything comes to an end.
31:23Anyway, don't think you're going to leave like this,
31:25no more.
31:29I'm organizing a music recital to say goodbye.
31:31Really?
31:33Uh-huh.
31:35I'll give you the details.
31:37And if you come up with any idea,
31:39you tell me.
31:41You'll see, I came up with the idea of ​​the recital.
31:43Because the count of the corner
31:45has a common desire for the princess of Saint-Saëns.
31:49It's just that everything keeps going up.
31:51From wheat to coal.
31:53Yes.
31:55If the gentlemen don't raise the budget,
31:57we won't be able to get there by the end of the month.
31:59Well, we'll have to find something to save.
32:01Well, now we have to start by removing the oil lamps
32:03Yes, we will have to remind them to use them appropriately.
32:05Yes, and forget to turn on the firewood stoves
32:07in the service area at night.
32:09Well, from there we can save a few pesetas.
32:11Yes.
32:13Yes?
32:15Am I bothering you?
32:17No, no, on the contrary. Come in, come in, Mrs. Martínez.
32:19You have arrived just in time.
32:21We were talking about the need to make cuts
32:23if this can indeed affect the kitchens.
32:27I imagine that, as always,
32:29what the service eats.
32:31We will have to be very careful
32:33when taking advantage of what is spent for the gentlemen.
32:35It's already being done, Mr. Baeza.
32:37Well, we'll see.
32:39The way to earn a few pesetas here and there.
32:41You tell me, Mrs. Martínez, what do you want?
32:45Speak, please.
32:47The point is that so far we have kept it a secret,
32:49but this cannot continue like this,
32:51because you have every right
32:53to know.
32:55What are you talking about, Simona?
32:57Because, of course,
32:59if this is known later,
33:01it may harm you,
33:03which is not your fault.
33:05It's not my fault or knowledge's,
33:07if you haven't just explained yourself.
33:09The point is that we are making jam
33:11here in the kitchen.
33:13For the promise.
33:15No, no, no.
33:17They are to sell them here in Lujan
33:19and get some money
33:21so that my Virtudes can get my grandson back.
33:23Well, I don't think the gentlemen will find it funny,
33:25much less Captain de la Mata.
33:27And what products do you use
33:29to make those jams
33:31that we buy for the house?
33:33No, no, no.
33:35We are paying for the fruit and sugar
33:37with the money from the harvest,
33:39as they are for the same cause.
33:41And when do you prepare those jams?
33:43When we finish the day's work.
33:45I see.
33:47Well, then I don't see any problem.
33:51Mr. Bézar,
33:53Captain de la Mata is going to get a basilisk if he finds out.
33:55The service can do whatever it wants
33:57in its spare time.
33:59Thank you very much, Mr. Bézar.
34:01You are very understanding.
34:03Look, but Mr. Pellicer is right.
34:05If this gets to the ears of the captain,
34:07he can get angry.
34:09And he will say that this directly harms
34:11his own jam business, and rightly so.
34:13Harm? I don't think so.
34:15We only intend to sell a few jars
34:17in the market in Lujan
34:19and in some surrounding village.
34:21Even so?
34:23They will just sell a few jars
34:25and it won't affect them at all.
34:27Is that what we think?
34:29Yes, they should be careful.
34:31That way, we avoid a disaster.
34:37Thank you very much.
34:49Lope, I have to talk to you.
34:51I have a lot of work to do
34:53and I have to go back to the kitchen.
34:55Well, but I guess it's okay
34:57because you're one minute late, right?
34:59Look, I think you were right
35:01when you told me that Santos was behind
35:03my mother's invitation.
35:05This morning I spoke to Mrs. Arcos
35:07and she told me that he was in charge
35:09of sending the invitations.
35:11White and in a bottle, right?
35:13Yes, I guess so.
35:15No, I'm sure he did.
35:17I'm sure he wanted my mother to come
35:19Well, I have to go back to the kitchen.
35:21What's wrong with you?
35:23Look, I'm fine. I have a lot of work to do.
35:25Lope, don't lie to me.
35:27Ever since I told you who I am,
35:29you keep avoiding me.
35:31When we're in the same room,
35:33you don't even look me in the eye.
35:35What's going to happen to me?
35:37Your parents are dukes. That happens to me.
35:39What?
35:41You know it perfectly well.
35:43I knew this was going to be a problem
35:45between us, so I decided not to tell you before.
35:47I'm not a cook.
35:49But this doesn't change anything.
35:51Vera, it changes everything.
35:53Not for me.
35:55For me, yes.
35:57You can continue playing the maid for a few months,
35:59but at the end of the day you are a noblewoman.
36:01Lope, not anymore. Now I'm Vera.
36:03You will always be the daughter of the dukes of Carrín.
36:05Always.
36:07And I am a cook who earns four quarters a month.
36:09Lope, but I don't care what you earn.
36:11I have been happier with you than in all my life.
36:13Isn't our relationship
36:15worth all those titles, all that money?
36:17Vera, we live in very different worlds.
36:19Lope, I also believed it.
36:21But together we have created another world.
36:23A world in which only you and I are.
36:25In which we love each other and
36:27we don't care what people think.
36:29Listen to me, that sounds beautiful.
36:31But it's impossible.
36:33But why?
36:35If we love each other.
36:37And that's the most important thing.
36:39Vera, because when you get your life back,
36:41you're going to ask yourself what you're doing with a cook
36:43No, no. Don't speak for me
36:45because I would never do that.
36:47Maybe not.
36:49But your world will push you to it.
36:51And I don't want to see it.
36:53I don't want to suffer for that.
36:55I don't want to see how you start looking at me with other eyes.
36:57I don't want to go through that.
36:59Lope, what do you mean?
37:03That you don't want to be with me?
37:07Lope, I love you.
37:09I love you and I will always love you.
37:13I need to think.
37:39I don't understand, Romulo.
37:41You've always done what was right.
37:43And you've always been very clear
37:45that it's right and not.
37:47And this jam thing is not.
37:49It can be.
37:51So why are you going to let them get ahead?
37:53You said it yourself.
37:55I've always done what was right.
37:57And I'm tired of it.
37:59I've seen a lot of injustice.
38:01And they always fall back on the service.
38:03But that's not fair.
38:05Wages of misery.
38:07Days of bad words.
38:09Do you remember the case I told you about?
38:11The one on the street that died in a hunting accident.
38:13Feliciano Arcos.
38:15Doña Petra's son, right?
38:17Well, he didn't die in a farm.
38:19He died here, in the palace.
38:21Because the doctor of the gentlemen
38:23didn't want to waste time
38:25attending to a simple servant.
38:27But he didn't attend to him.
38:29Yes, he did.
38:31But since he was in a hurry,
38:33he didn't do the operation on condition.
38:35A few days later, that boy caught an infection
38:37and was taken to another world.
38:39Unfortunately, there is a way of thinking
38:41that abounds.
38:43You care as much as the rooms you have.
38:45And I'm fed up. I'm very fed up.
38:47You're not mixing things up with Marina, are you?
38:49All I'm doing is giving that girl
38:51a chance to get her son back
38:53and continue with her life.
38:55If we don't give it to her, who will?
38:57I suppose no one.
38:59She deserves it. She deserves to have hope.
39:03You think you know someone,
39:05but it always ends up surprising you.
39:07Well, I guess that's where
39:09part of the charm lies.
39:13Each person is a world.
39:27There's still a lot of work ahead.
39:29It's what the field has.
39:31There's always something pending.
39:33And you want to do it.
39:35Although many times,
39:37when I see a storm approaching,
39:39it makes me tremble.
39:41When you work in the field,
39:43you have to assume that's how it is.
39:45For example, the sun.
39:47It's necessary for the crop to mature,
39:49but it can also crack.
39:51Yes, and the water makes the corn grow.
39:53Although it can also flood the fields.
39:57But hey, that's
39:59the life of a farmer.
40:01Desiring anxiously
40:03the same things you have.
40:07Yes, it's a paradox.
40:11Do you know what it means?
40:13Yes, I know perfectly well
40:15what paradox means.
40:17I'm sorry.
40:19Sometimes I seem worse than my mother-in-law.
40:21No, don't say that.
40:23You speak to me with respect.
40:25What I don't understand is
40:27how you can bear to be treated so badly.
40:29I got used to it.
40:31You know,
40:33if it doesn't affect my business
40:35or other people,
40:37I'd find it funny what you did to me.
40:39Funny?
40:41Yes, I'm still surprised
40:43by the ingenuity of the Spaniards
40:45when it comes to making fun of each other.
40:47And...
40:49Did you ever care about being drawn that visa?
40:51Well, yes.
40:53But one doesn't come out
40:55in the press every day,
40:57you know?
40:59I see.
41:01I'd rather be anonymous.
41:03It doesn't matter.
41:05If it's not for one thing, it's for another.
41:07Cruz always finds a way
41:09to attack me.
41:11At least you're strong
41:13and you can take it.
41:15I can take it, yes.
41:17But because I'm surrounded by people like you
41:19who make me even more resistant.
41:27Manuel?
41:45Manuel?
41:47Run!
41:53Why did it take you so long to come back?
41:55I was desperate.
41:57I know, I know, and I'm sorry.
41:59It was more complicated than I thought.
42:01But the important thing
42:03is that everything is fine.
42:05Are you sure?
42:07Yes.
42:09Because they called the sanatorium
42:11saying that Martina had escaped.
42:13Well, now Martina is in a safe place
42:15and she's safe and sound.
42:17I thought you would have taken her
42:19directly to the promenade.
42:21Yes, of course.
42:23For now, it's better
42:25that she's far away.
42:27How did you get her out of there?
42:29It wasn't difficult.
42:31I entered at the time of the visits,
42:33like a family member.
42:35And as soon as I entered, I left.
42:37But with her.
42:39I covered her with a long coat
42:41so they couldn't see the sanatorium clothes.
42:43Except for the escape.
42:45Then we ran through the forest in a hurry.
42:47And no one noticed Martina's absence?
42:49Yes, I think so.
42:51But we started running like hell.
42:53And we managed to mislead them.
42:55Normal.
42:57I don't know what would have happened
42:59if they had caught us.
43:01But the important thing is that everything is fine.
43:07And what's around here?
43:11Do you want a drink?
43:13Yes.
43:15Curro ...
43:19I'm not good at lying.
43:21And I didn't know what to say
43:23when they asked me why.
43:27It's been a lot of hard days.
43:31I know.
43:33And I'm sorry too.
43:35I wanted to do it before, really.
43:37But I couldn't.
43:39Lies are the least of it.
43:41You worried me.
43:43It even crossed my mind to go look for you.
43:45Manuel ...
43:47I'm not a kid anymore.
43:49You can't always be protecting me.
43:55Let's see ...
43:57How does the family take it now?
43:59And let's see how they receive you.
44:01Because I have maintained
44:03that you were unwilling.
44:05Or not?
44:07I don't know.
44:09Well ...
44:11Don't worry, because that doesn't worry me.
44:15Now I have to see what to do with Martina.
44:17She can't be hidden forever
44:19as if she were a criminal.
44:21No.
44:25We have to turn this situation around, Curro.
44:29But I still don't know how.
44:39A FEW HOURS LATER
44:43Could you prepare some appetizers?
44:45Like potato omelette,
44:47some croquettes,
44:49prawns with garlic.
44:51But we'll have to give them something more mundane, right?
44:53So that those people don't leave hungry,
44:55that's the promise.
44:57Of course, we would prepare a barbecue with garnish.
44:59I don't know.
45:01And why don't we serve them
45:03a stew, a stew?
45:05Candela, the recital
45:07is for the musicians, not the guests.
45:11I like the idea of ​​stews as starters.
45:13If they swell up to eat,
45:15they will fall asleep during the recital.
45:17What do you want to cook?
45:19Something that is not typical, Mrs. Simona.
45:23I had thought of a foie gras pie
45:25with caramelized apple
45:27or some bullfrog croquettes.
45:29But still, doesn't everyone like that?
45:31Yes, Mrs. Candela.
45:33If it is not to do it as usual.
45:35No problem. Let's see what Mrs. Petra
45:37and Mrs. Marquesa say.
45:39The best thing to do is to prepare several dishes
45:41and let them choose.
45:45Miss, again around here.
45:47Would you like some fritters that I have just made?
45:49No, Simona, no. Whenever I come, I get thirsty
45:51and I haven't come to eat.
45:53Tell me what you have come to tell us
45:55that you have finally left the hangar and that you are going home.
45:57Well, for now, that is not in my plans.
45:59I have come to ask you a favor.
46:01And I give you what you need.
46:04Can you prepare me a dinner for tomorrow
46:06in the hangar?
46:08Something simple.
46:10Of course, if it seems to you first a pipirrena,
46:12that you like a lot.
46:14Of guinda. And if you prepare me a rabbit with garlic,
46:16there would be no need for more.
46:18And if you feel like it, a good dessert.
46:20So that it stays with a sweet aftertaste.
46:22Okay.
46:27Miss Catalina,
46:29are you going to receive a visit to my hangar?
46:31Something like that, yes.
46:35Sorry, I didn't want to bother you.
46:37I just asked you if you needed my help.
46:41No, don't worry.
46:43And if I need anything, don't hesitate to let me know.
46:45Of course.
46:47As you did when you wanted to know more
46:49about Miss Martina and the poisoning.
46:53By the way, did my explanations help you?
46:55Well, yes.
46:57They were very useful.
46:59I hope
47:01they find the culprit soon.
47:03That's what we all want.
47:05Well, if you don't need anything from me,
47:07I'll leave you.
47:09Thank you.
47:17I think Mrs. Petra is on her way
47:19to scare us.
47:21Has anyone heard her arrive?
47:23I heard her.
47:25We'll have to put the camera
47:27and I'll stay
47:29in the place of the scare.
47:31Whatever I say.
47:41Sit down, Mrs. Pia.
47:43Be careful.
47:45Thank you.
47:53Maria, where have you been?
47:55In Lujanca's fair.
47:57Your uncle is alive.
47:59Where were we going?
48:01We went for a walk.
48:03I'm sorry to scare you.
48:05But I was scared when I woke up
48:07and saw that you weren't here.
48:09We went for a walk.
48:11It was a long walk.
48:13This cave is huge.
48:15Are you going to tell me?
48:17It took us a long time to find you
48:19when we came here with the Marquis.
48:21The good thing is that you can take long walks
48:23to get to the fair.
48:25I'm too tall, I would say.
48:27I think it's good that you're tall,
48:29but you have to be careful.
48:31It's easy to get lost in these galleries.
48:33Don't worry, I won't go far.
48:35I can't do it with my soul.
48:37Any effort seems to ruin my life.
48:39That shouldn't be the case.
48:41I'm afraid that instead of getting better,
48:43I'm getting worse.
48:45Maybe you're misguided.
48:47Because lately
48:49I've been thinking
48:53that maybe I'll die here.
48:55Don't exaggerate, Doña Pia.
48:57My mother used to say that everything sticks,
48:59except beauty.
49:01Nobody is going to die here, Doña Pia.
49:03Nobody, because I say so. Period.
49:05María is right.
49:07All you have to do is hold on a little longer.
49:11Doña Pia, I'm very sorry.
49:13Why?
49:15Because all this has been my fault.
49:19I thought that bringing her here
49:21was a good idea,
49:23and now I realize that it wasn't.
49:25It wasn't, Hanna.
49:27My son is safe
49:29and far from Gregorio,
49:31and that's the only important thing.
49:33You did it with your best intentions, Hanna.
49:37All I want is for you to think about yourself.
49:39I already do.
49:41I think about myself.
49:43And the plan is fine.
49:45I'd rather die here
49:47than at Gregorio's hands.
49:51What have we said?
49:53Nobody is going to die here.
49:55Period.
50:21Come in.
50:25Excuse me, Mr. Pellicer.
50:27Come in.
50:29I'll give you some instructions right away.
50:35Are you okay?
50:37Yes, I'm fine.
50:39Your eyes are red.
50:41Have you been crying?
50:43No.
50:45It's just...
50:47I don't know.
50:49No.
50:51It's the allergy.
50:53I mixed it with the ammonia to clean it.
50:55Are you sure?
50:57If there is something
50:59that has put you in this state,
51:01maybe if you tell me, I can help you.
51:03No, nothing has happened to me.
51:05You won't have any problems with Santos again, will you?
51:07I know you're not dating anymore.
51:09I just hope
51:11you haven't tried anything.
51:13No.
51:15Santos hasn't bothered me.
51:17It's the truth.
51:19Santos has nothing to do with my tears.
51:21I suppose the ammonia and the allergy don't either.
51:25It's just that I've been feeling a little bit for a few days
51:27and I cry for anything.
51:29It's just that.
51:31But well, did you call me for something?
51:33Yes.
51:35Yes, this is urgent.
51:37Go immediately to the upstairs floor
51:39where the Duchess of Carril is waiting for you.
51:41The Duchess of Carril?
51:43And what do I do?
51:45Should I bring you some tea or some pastas?
51:47No, no, she doesn't want to drink anything.
51:49It seems that a few days ago she lost some gloves
51:51and she says you gave them to her.
51:53Some gloves?
51:55Yes, does she have them?
51:57No, I don't know, I don't remember.
51:59They may be in the closet
52:01where we keep the guests' clothes.
52:03Very well, check it and meet with the Duchess as soon as possible.
52:05Yes, I'm going right now.
52:13Yes.
52:31Manuel, son.
52:33Come here for a moment.
52:39Mother.
52:41I hadn't seen you.
52:43Sit down for a moment.
52:45I have something to tell you.
52:47You will say.
52:49Prepare one of your best suits.
52:51We are going to organize a recital
52:53in your honor.
52:57And what have I done to deserve that recital?
52:59Return alive from the front.
53:01Isn't that enough?
53:03Mother, we already celebrated that dinner, remember?
53:05No.
53:07That was a bad dinner.
53:09I made a selection of the pieces
53:11that the musicians could play.
53:13What do you think?
53:17Yes, it's a ...
53:19It's a great choice.
53:23But ...
53:25I've been telling her since now
53:27that I'm not going to go to that recital.
53:29And if you can know why?
53:31Because I'm not going to celebrate my return
53:33while my sisters are locked up in the cellar.
53:35She is there of her own free will.
53:37She thinks she won't be well received.
53:39Excuses.
53:41I'm glad she came back
53:43before they took Martina to the sanatorium.
53:45Or at your dinner,
53:47to sit that jerk at our table.
53:49Yes, but she has gone again.
53:51And all because of the problem you two have.
53:53I don't have any problem.
53:55Yes, you do.
53:57And it is in your hand that Catalina returns.
53:59Nonsense, you say.
54:01How am I going to make her come back?
54:03Don't you know how stubborn she is?
54:05You know perfectly well what you have to do.
54:07I can't erase the memory
54:09of everyone who saw those drawings.
54:11Asking for an apology is enough.
54:13Don't even talk.
54:17You helped them make fun of Catalina
54:19in Madrid.
54:21And that not only harmed her,
54:23but also your business.
54:25Those are your exaggerations.
54:27If you want her to go to that recital,
54:29you already know what you have to do.
54:3612,000 euros in jewelry
54:38that have been taken from one of the best jewelry shops in Cordoba.
54:41Have they caught the thieves?
54:43No, but there are suspects.
54:45The owner of the jewelry shop is convinced
54:47that it was two of his brothers
54:49helped by three Italians.
54:51Apparently they entered at night without forcing the lock.
54:53Not even those of the safe.
54:55Obviously someone knew the combinations.
54:57Hence, it is suspected that they were his brothers.
54:59What do the Italians have to do with all this?
55:01There are many lately
55:03for these lands.
55:05Refugees who do not want to fight in the war.
55:09Blessed are the eyes!
55:11You finally appear.
55:13Has he recovered you from your indisposition?
55:15He was not sick.
55:19What do you say?
55:23I want to say that everything was a lie.
55:29Then why have you been locked up in your room for so long?
55:31He has not been in his room.
55:33Wow.
55:35I see that some suspected it.
55:37You helped Martina escape the sanatorium, right?
55:39Of course I did.
55:43The strange thing is not that Martina has escaped.
55:45The strange thing is that once inside
55:47they have not left you locked up.
55:49You are always so clever, father.
55:51It is not the time for chances.
55:53Your son has just confessed a crime.
55:55Curro!
55:57Do you know where Martina is?
56:01Of course I do.
56:13Maybe that accidental error
56:15is not such, but a sabotage
56:17in every rule.
56:19Really?
56:21Yes, and in order to harm a partner.
56:23That's fine.
56:25I am not to blame for all the evils that haunt this palace.
56:27Not all, obviously.
56:29Except for one in particular.
56:31Mother, what are you doing here?
56:33Look at my daughter.
56:35I have not stopped thinking about you since I saw you the other day.
56:37And that day I did not react well.
56:39I admit it.
56:41I was abrupt.
56:43Mother, what has come?
56:45To ask you to come home.
56:47With me.
56:49And now when a new priest comes,
56:51he will need a person to do the tasks.
56:53And that's where the game comes in,
56:55the girl.
56:57That this priest and the other are going to tell
56:59all the secrets and the theft of the chalice.
57:01No, he won't say anything.
57:03And how are you so sure?
57:05I find it interesting that you talk about
57:07those moments in life.
57:09I also believe that there are moments to face changes.
57:11And ...
57:13I don't know, also to live
57:15other adventures.
57:17That you and I can be something more than ...
57:21friends.
57:24The quality and, above all, the flavor
57:26of our product has dropped dramatically
57:28and it seems that there are complaints about it.
57:30I am afraid that the drop in the quality of the jam
57:32is exclusively your responsibility.
57:34Are you making fun of me?
57:36Curro only wants the best for Martín.
57:38Look, I only say one thing.
57:42Either you end all of this once and for all,
57:44or your cousin can end up in jail.
57:47Who has put you in a bad mood? Petra?
57:49No, it has nothing to do with Mrs. Petra.
57:51It has to do with the captain of the Mata.
57:53The captain?
57:55Yes, who fired me.
57:57And Mrs. Candela, and you too.
57:59Well, look, I agree with that.
58:01But I prefer a thousand times than to enter
58:03in cobwebs so that certain people are
58:05piling up around here.
58:07Catalina, I am cured of fright and I assure you
58:09that I am not here to argue.
58:11That's what I don't understand.
58:13When did Andrés come then?
58:15I understand that everyone trusted
58:17the judgment of Count Ayala.
58:19Yes, that he didn't call the Civil Guard
58:21and that he ended up in jail.
58:23Nothing will make me change my mind.
58:25Well, then Martina won't keep her promise.