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Short filmTranscript
00:00♪
00:05No pasó nada de nada, ¿me oyes?
00:08¿No te importa que tu marido se haya besado con María Antonia?
00:10Mi marido es un hombre fiel.
00:12Sí, como todos los hombres, como yo también.
00:14Joder, sarcasmos.
00:16Te estoy diciendo que Alonso jamás me haría algo así.
00:19Y mucho menos con mi mejor amiga.
00:21Es usted un mentiroso.
00:22He cumplido todo lo que prometí.
00:24Eso no es verdad, Ayala.
00:25Dije que no iría a la Guardia Civil y no voy a ir.
00:27Que no volvería al sanatorio y no va a volver.
00:30¿Pretende mandarla a un convento, por el amor de Dios?
00:32Estoy cansada de escaparme, de esconderme,
00:36de no poder ser yo misma,
00:38de enfrentarme siempre con mi propia familia.
00:40Es que no puedo más.
00:41No voy a dejar que te pase nada malo.
00:47El nombre de la duquesa de Carril Santos
00:49no aparece por ninguna parte.
00:51Ya.
00:52Si voy con esta lista a tu padre y se lo cuento todo,
00:55espero mucho que el señor Pellicer pueda darle la espalda a la evidencia.
00:59Y por mucho que sea tu padre,
01:01no podría liberarte de que te pusieran de patitas en la calle.
01:04¿Seguro que hay una razón por la que tu suegro se ha enmarchado?
01:09¿Cuál?
01:11Los normalices sin avisar.
01:13Está claro que quieren alejarme definitivamente de mi hijo.
01:17Yo no empecé esta guerra.
01:19Fue Martina que desde el primer momento se puso en mi contra
01:22diciendo que era indigno para su madre.
01:25Si esa muchacha aceptara que nos casáramos,
01:28yo la perdonaría y renunciaría a llevarla a un convento o a ninguna parte.
01:32¿Estarías dispuesto a hacer un trato con ella?
01:35Por supuesto.
01:37La señora Arcos se llamó al palacio del duque para preguntar por ustedes
01:41y ahí le dijeron que no estaban allí.
01:43Ya saben ustedes la desconfiada que es.
01:45Hay que tener especial cuidado con ella.
01:47Es un perro sagüeso.
01:48Yo le dije que el duque había decidido trasladarse a su palacio de verano,
01:52que es donde suele ir a cazar.
01:55Es que Adriana ha decidido romper toda relación conmigo.
01:59Vaya, por Dios.
02:00Es la decisión correcta.
02:02Debí haberla tomado yo, pero no tuve el valor.
02:13¿Para qué nos van a ver?
02:14¿A mí?
02:15¿Qué energía?
02:16Que tenemos que recuperar mucho tiempo perdido.
02:17Ya, ya.
02:19Pues te habrás quedado a gusto.
02:20Pero no te creas que él estaba tan entusiasmado como yo.
02:24Que lo he notado desfavorido.
02:26Así es como la he recordado yo todos estos días en la guerra.
02:30¿Te acordabas de mí?
02:31A todas horas.
02:33Incluso en los peores momentos lo único que me daba ánimo era acordarme de su sonrisa.
02:39Ya sabes que yo también pensaba constantemente en ti, hijo mío.
02:45No estamos haciendo nada malo.
02:46Estáis jugando con el merengue al lado de la vajilla de los señores.
02:49Sí, pero no hemos manchado nada.
02:50Estáis haciendo el imbécil con el merengue.
02:52Bueno.
02:55Pues ese merengue tiene una pinta estupenda.
02:57¿Lo ha hecho usted, señor Ruiz?
02:58Así es.
02:59¿Por fin has decidido abandonar el hangar y volver a casa?
03:02Si te soy sincera, no me voy a quedar por mucho tiempo.
03:05¿Por qué?
03:07Me voy a ir de la promesa.
03:15¿Cómo que te vas a ir?
03:16¿A dónde?
03:17¿Por cuánto tiempo?
03:18Cálmate, cálmate.
03:19Que todavía no me voy.
03:21¿Pero por qué te vas a ir?
03:27Tengo que hablar con Pelayo.
03:32Hermana, ese hombre te ha hecho mucho daño.
03:34Sí, sí, ya lo sé. Lo recuerdo cada día.
03:36¿Y entonces?
03:37Pues no lo sé, pero necesito hablar con él.
03:39¿De qué?
03:41Pues si te soy sincera, no lo sé.
03:44Pero desde que Adriano me dijo que lo que hubo entre Pelayo y yo seguía vivo,
03:48pues no consigo quitarme lo de la cabeza.
03:54¿Tan fuerte es?
03:59He intentado luchar contra mis propios sentimientos,
04:01pero haga lo que haga, todo me remite a él.
04:13Las heridas del corazón son difíciles de curar.
04:16Y sospecho que las que el conde Daniel hizo en el tuyo son profundas.
04:22El problema es que yo no sé si quiero terminar de cerrarlas.
04:27Por un lado la cabeza me dice que sí, que deje el pasado atrás,
04:31pero por otro es que no paro de pensar en que él me quiso de verdad.
04:38¿Y por eso quieres ir a verle?
04:40¿Para daros otra oportunidad?
04:43Ya te digo que no lo sé.
04:46No lo sé.
04:50Pero esta duda me está consumiendo.
04:54No sé si lo que digo tiene sentido, la verdad.
04:56Lo sé.
05:02Por una vez en tu vida permítete hacer algo sin sentido.
05:10Pero tengo una pregunta.
05:13Si tan claro lo tienes, ¿por qué no te has ido ya?
05:18Por Martina.
05:21No la he visto desde que huyo con Curro del sanatorio.
05:24Y tengo unas ganas locas de hablar con ella.
05:32¿Ha pasado algo?
05:34¿Acaso no está bien?
05:37Sí.
05:39Y no.
05:42Antes de que vayas a verla tengo que hablar contigo.
06:12Las murallas.
06:14El reto.
06:43¿Qué pasa?
06:46¿Qué pasa?
06:48¿Qué pasa?
06:50¿Qué pasa?
06:52¿Qué pasa?
06:54¿Qué pasa?
06:56¿Qué pasa?
06:58¿Qué pasa?
07:00¿Qué pasa?
07:02¿Qué pasa?
07:04¿Qué pasa?
07:06¿Qué pasa?
07:08¿Qué pasa?
07:10¿Qué pasa?
07:12¿Qué pasa?
07:32Santos.
07:34¿Tienes un momento?
07:37Usted irá.
07:39¿Qué tal tu vida?
07:40How's your day?
07:45I'm exhausted, Father. I'm going to rest.
07:47Well, then I'll be brief.
07:50What happened before?
07:52Be more specific, Father, because I don't know what you mean.
07:55Your last disagreement with Lope Ibera.
07:57Disagreement?
07:59So you were there when...
08:01Yes, yes, I saw everything, yes.
08:03But I preferred to pretend that I hadn't heard anything
08:05so as not to cause a violent situation.
08:08Well, I just asked them to be more careful with the merengue
08:11so as not to lose everything.
08:13And was it necessary to interfere?
08:15They started ignoring my requests.
08:17Besides, it wasn't the right time or the right place to be in Arrumacos.
08:22I see.
08:24I see what?
08:26I don't know if you would have reacted the same
08:28if it had been about María Fernández and Salvador, for example.
08:33And why those two in particular?
08:35Because it is another couple of boyfriends that we have in the service.
08:39If what you are insinuating is that I am jealous of the cook,
08:42you are wrong, Father.
08:44It is true, I was a bit harsh with them.
08:47But it was the drop of a glass that has been filling up for a long time.
08:51And what do you mean?
08:52Well, I've already told you that, they are soaking up all day.
08:54And also, no matter who is in front of them, or if it is work time.
08:57I have never seen any indecorous behavior on your part.
09:00At least they cut themselves in front of a butler.
09:02And you have not received any complaints from your colleagues?
09:05That's because everyone is on the side of the OPI,
09:07doing their best to protect it.
09:09Or maybe you're exaggerating.
09:13I see. It's easier to doubt me, as always.
09:16Santos, don't you think clearly about this situation?
09:24I wanted to give you another chance to prove to me that I'm wrong about you.
09:29Don't make me regret it.
09:32Maybe I have to admit that I know how I am.
09:34And if you don't like it, I'm sorry.
09:36Santos.
09:37You can take me away from your life again.
09:39I'm used to it.
09:56María, I told you I don't need anything and that I can go to bed alone.
10:03Catalina?
10:11Stop that, come on. I'll help you.
10:14I've taken a liking to the brush while I was alone in the hangar.
10:17Oh yeah? Well, I don't know what you see.
10:19In the sanatorium they forced us to comb our hair alone and I hated it with all my soul.
10:25What are you doing here?
10:29I'm going back to the palace.
10:32Really?
10:34Cruz has apologized to me.
10:36In his own way, of course.
10:38Well, it's not little.
10:41I guess I'll have to settle for that.
10:46But, well, if I've come at this time, it's not to talk about me.
10:50But about you.
10:54Manuel told me everything.
10:58How are you?
11:03Bad.
11:06Bad, because I don't know what I've done to deserve to live in this nightmare.
11:11It's not your fault, Martina.
11:13Then why me?
11:15Why isn't it enough for them with the tortures I've lived in the sanatorium that now force me to take the habits?
11:19Don't let yourself be carried away by disappointment.
11:21Well, it's just that ...
11:23Ayala has already condemned me.
11:25And the worst thing is that no one is doing anything to find the real culprit, because deep down ...
11:32Deep down, everyone thinks it's me.
11:34No, that's not true.
11:35Yes, it's true. You haven't seen how they look at me.
11:38María Antonia.
11:39Lorenzo.
11:40When they cross paths with me, they look at me as if it were a death sentence.
11:46Your mother.
11:47Don't call my mother by her name.
11:49Your mother will never give up, Martina.
11:51But she has already given up.
11:53If she wanted to fight for me, she would face the count, but she doesn't.
11:59I understand your words.
12:02But the truth is that she has no choice but to accept his conditions.
12:06And you know it.
12:08For your own good.
12:20What will become of me, Catalina?
12:29You are not alone.
12:31Don't let that thought get inside you, do you hear me?
12:35We will do everything possible to find the infamous person who got you into this.
12:41What if he shows up?
12:42He will.
12:50Can you stay with me a little longer?
12:55Of course.
12:59I told you I make great braids.
13:02Really?
13:22What have you forgotten now, María?
13:29Curro?
13:31You can see how much you have recognized me.
13:35I miss you a lot too, sister.
13:38My friend.
13:41What? What? Checking that I'm back in one piece?
13:45That nothing has been broken on the way.
13:48Curro.
13:49Well, as you keep squeezing so hard, I still have no ribs.
13:52No, no, you can handle it.
13:54You can't imagine how long I've been waiting for this hug.
13:57Oh, Curro.
14:03You can't imagine the nights I've spent thinking something had happened to you.
14:08Not to mention the news in the newspapers, so horrible that ...
14:13that happened in the area where you were, so ...
14:18I know and I'm sorry, Hanna.
14:24The important thing is that you are here.
14:25Yes.
14:26And I promise you that I have no intention of going anywhere again.
14:32Do you want to talk about the subject?
14:35About the war.
14:40On the one hand, I want to forget her.
14:43And never hear anything about her again, but ...
14:47I know I can't.
14:49And that I shouldn't either.
14:54You can tell me.
14:56No.
15:00I've lived a hell, Hanna.
15:04You couldn't even imagine what's going on there.
15:08Because war doesn't just stay in the battlefield.
15:11Everything is impregnated with it.
15:14Hunger and misery take more lives than bullets themselves.
15:21I've had to see how children ...
15:22agonized and ...
15:24and I couldn't even give them a piece of bread.
15:29And now ...
15:30death doesn't surprise me anymore.
15:34I've seen too many comrades fall.
15:38And ...
15:39also friends.
15:43Who died without knowing why they were fighting.
15:47My God.
15:50I was wrong.
15:51Yes.
15:53I needed to get out of here and I chose the worst possible fate, and I know.
15:58I thought that ...
16:00if I held a rifle, I would become someone useful.
16:04That ...
16:05I would become a hero.
16:12The important thing is that you're here again.
16:14That's the important thing.
16:17Yes.
16:21You don't know how much I've missed you, sister.
16:25Me too.
16:39Hey, I've been told that you haven't been here hand in hand either.
16:45I mean the jams, Salvador.
16:47You didn't let go of any clothes yesterday.
16:49We had already talked about how you had fired the cooks.
16:53Yes, but you hadn't told me that.
16:55That you had set up the business on your behalf.
16:58What did you want? To leave me out?
17:00No, I don't know. Well, that should have happened to me.
17:02Yeah.
17:03It looks like you have a bigger head than a leg.
17:06Come on, leave that and get on with the glassware.
17:08I've already done that.
17:09And so you don't get your neck in.
17:14Well, I think it's very good.
17:16What?
17:17That Mrs. Margarita has a mustache and doesn't scratch you?
17:21Well, the virtue recovers her son.
17:23Although the fact that her in-laws have suddenly disappeared,
17:26is a bad thing, isn't it?
17:27Yes, well.
17:29I don't know, the same with the jams.
17:32No, with the jams your son won't recover, Salvador.
17:35It seems that there can't be any good news in this house.
17:38Woman, that's not it either.
17:39Tell that to Miss Martina.
17:42What? Tell her what?
17:43Tell her what?
17:46You didn't find out?
17:48Boy, you're more clueless than a cat looking at a canary.
17:54I recommend it.
17:56So you knew?
17:57And what did you expect, to tell me?
17:59No, nothing.
18:00But well, I already knew that you were going to find out.
18:03Don't play smart.
18:04If I don't find out about the gossip, how do you justify keeping quiet about something like that?
18:08Well, no way.
18:09But you've already seen that I didn't have a problem telling you.
18:14You're very strange.
18:17No, I'm as always.
18:19No, not as always.
18:21Something's wrong with you that I know you as if I had given birth to you.
18:24I'm fine, really.
18:28I don't know, I already know what's wrong with you.
18:34That you've fallen out of love with me.
18:36Or maybe not so much.
18:37But you'll have realized that you haven't missed me so much.
18:39And maybe now you're wondering that we don't do the same thing well when we're together.
18:44Or...
18:45Stop it, Maria.
18:46Stop it because it's none of that.
18:48Are you sure?
18:49I'm sure.
18:50It's like my name is Salvador.
18:52So what's wrong with you?
18:53That you have me behind your ear?
18:55Well, put it aside.
18:56I'm telling you that nothing's wrong with me.
18:57That I'm fine.
19:01Really?
19:03Maria, please.
19:04Let's get out of here.
19:05Yes.
19:07I love you.
19:08And of course I've missed you when you've been away.
19:11And there's nothing that makes me happier
19:13than being together again and that you're back.
19:20Are you sure?
19:22I'm sure.
19:25Come on.
19:31I'm sorry.
19:32I'm sorry.
19:52I know this is atypical for a breakfast,
19:54especially given the circumstances we're in.
19:57But I want to propose a toast.
19:59Because I want to focus on the positive that happens to us
20:02and not on the negative.
20:06For the family,
20:08the foundation and support of any healthy society.
20:10And especially for ours.
20:13Welcome, Catalina.
20:18I understand that with this act,
20:20any past dispute is closed.
20:23That's right.
20:25And as you say, brother-in-law,
20:28disputes are past.
20:30And the past is better left alone.
20:33The important thing is that Catalina is with us
20:36and nothing will separate her from us.
20:40Nothing should separate anyone from their family.
20:44Much less if that person doesn't want to leave.
20:50Nor if that march can be dangerous.
20:54Don't look at me, mother.
20:55I have no intention of leaving La Promesa in a good time.
21:00The truth is that it's a pleasure to see the family almost complete.
21:05Will you pass me the jam, Catalina?
21:09I see you're recovering from the hunger you had in the hangar.
21:12Do you want some butter too?
21:14No, thank you very much.
21:16My breakfasts may be more frugal,
21:18but they have nothing to envy these.
21:20I didn't know you were fond of pastry.
21:23I've tried it too, but I admit that I'm a complete denier.
21:26No, I didn't mean that, Maria Antonia.
21:29I've learned to appreciate silence during the mornings.
21:33Has my comment bothered you? If so, I apologize.
21:36No, it's okay if you apologize, because you've been totally out of place.
21:40Please, family.
21:42Not even at my sister's first breakfast back in this house
21:45can we have the feeling that we're going to be together again.
21:48When she comes back to this house, we can have the party in peace.
21:51That's right, Ayala.
21:52It would have been the same to wait at least until dinner.
21:54Lorenzo.
21:56Manuel is right.
21:58Let's not get into a fight at a time that should be reconciled.
22:02And if someone doesn't agree,
22:03let them go have breakfast in the garden, or wherever.
22:13The truth is that it's to see the table so full that one always remembers the absent.
22:16How is it filling up the honor for the Americas?
22:20Does he have any of those accounts in his last letter?
22:23Well, not many, actually.
22:25He's still studying fashion while he works for that magazine.
22:29Isn't there talk of war on the other side of the pond?
22:32Yes, there will be. Another thing is that my daughter finds out.
22:34I hope he does the attacks of the German submarines in the Atlantic and comes to visit them soon.
22:40Oh, I can't believe it.
22:44What's going on, cousin?
22:46We're talking about absents, right?
22:49And not even his own mother mentions Martina.
22:55In case you don't know, she's upstairs, in her room.
22:58Waiting for them to lock her up in a convent for something she didn't do.
23:01Boys, don't talk about something you don't know.
23:04You've put her in enough danger with that escape from the sanatorium.
23:09She was more in danger in that place where they took her for crazy.
23:12We've all turned our backs on her.
23:14And we're condemning her with our silence.
23:16Stop messing with the subject.
23:17It's obvious that your life is not the one in danger.
23:20Look, shut up for once.
23:21Enough.
23:22A breakfast.
23:24A simple breakfast.
23:28I'll be the one to go to the garden.
23:41Do you want another toast, Mr. Beza?
23:43No, thank you, Mrs. Martínez.
23:45I'll continue with the sponge cake.
23:47And what about you?
23:49Don't you have anything to tell us?
23:51What do you want to know, Mrs. Candela?
23:53Well, I don't know.
23:55How about someone else's palace, for example?
23:57Did they treat you well?
23:59Why do you need to know?
24:01I don't know.
24:03I don't know.
24:05I don't know.
24:07I don't know.
24:09I don't know.
24:11Did the dukes treat you well?
24:13Well, to see my daughter.
24:15We didn't go all out.
24:17And yes, they have treated us very well.
24:19In addition, the dukes have been very kind to us.
24:21Nicer than La Peseta.
24:23And the comrades too, right?
24:25Well, look, I'm surprised.
24:27Because knowing how I know Mrs. Gutiérrez,
24:29I wouldn't define her precisely as a mother.
24:31Who is that?
24:33The Yavis master, of course.
24:36It's just that we didn't know Mrs. Gutiérrez.
24:39We were really with Mrs. Gallardo,
24:41who was in charge.
24:44And how is that?
24:46Because we were not in the usual residence of the dukes,
24:49but in the palace they had in the summer.
24:51Oh, I'm so jealous.
24:53What was that palace like?
24:55Like all the houses of these people.
24:57With many living rooms, many rooms,
24:59surrounded fields.
25:01They say they are people of Parnes.
25:03I haven't looked at the lady's limonera,
25:05but the house had solera.
25:06The truth is that we were reluctant to make the trip.
25:08And in the food either?
25:10Did they give you a good meal?
25:12No, we never went to the catre with hunger.
25:15But like the promise, nowhere.
25:18We all know that.
25:20So have you tried any different dishes
25:22than the ones we make here?
25:24Well, yes, some.
25:26Really? Like what?
25:28Tell me one, and I'll get the recipe
25:30and we'll do it here too.
25:32Better later, Mr. Ruiz.
25:34I'm sure Ms. Expósito and Ms. Fernández
25:37can explain it to you in more detail.
25:40Yes, yes, we'll talk later, Lope.
25:42And they didn't give you a reason
25:44why they called you so late at night?
25:46Well, no, they needed two maids and nothing more.
25:50And to make up for their absence,
25:52they burned the service of this house.
25:56Well, guests arrived suddenly,
25:58so everything was very fast.
26:00Very fast, very fast.
26:02And who were those guests?
26:04Well, we didn't get to know any guests
26:07because we served Mrs. Susana,
26:09who is the wife of the Duke,
26:12who is also a colonel.
26:14That's more than a captain.
26:16Much more.
26:19So two maids to serve the hostess.
26:22Didn't she have her own service?
26:25Yes, but the woman is very generous
26:28and preferred to leave her trusted maid
26:29to the guests.
26:31And of course, we had other tasks, Ms. Petra.
26:34There were tasks to give and to give away.
26:37Exactly, and we had our cleaning schedules.
26:39And we had to serve the gentlemen's appetizers,
26:42and also heat the rooms at night.
26:45Come on, we had to walk the dogs.
26:48There were twelve of them, right?
26:50Yes, there were big dogs like horses.
26:52It was scary to look at them.
26:54I'm sorry to interrupt your story, Ms. Fernández,
26:56but it's time to get back to work.
27:00At your service, Mr. Baeza.
27:01At your service, Mr. Baeza.
27:25Here it is.
27:27I told you I'm not in the mood to listen to taurine chronicles.
27:29You're going to like this, it's especially illustrative.
27:32Matías Lara.
27:34Larita.
27:36In his confirmation exercises,
27:38the bulls were first and sixth, as usual.
27:41Look how good.
27:43The interesting part hasn't come yet.
27:45They say about him that he is a brave bullfighter,
27:48cheerful and a painter,
27:50who gives that characteristic note of his
27:52of mocking danger.
27:54I really can't with that cheap lyric
27:56of those pompous gossipers.
27:57How much longer are you going to torture me with this?
28:00Little.
28:02Soothing the bitterness of the rude emotion
28:04with the sedative of carelessness and grace,
28:07as if that didn't matter.
28:09As if the horns that touch him
28:12couldn't hurt him.
28:16You have the maturity of a ten-year-old, you know?
28:19And isn't it a correct chronicle?
28:24By the way,
28:25your work is not to blame for your marital problems.
28:30When the devil doesn't have to do it,
28:32he kills flies with his tail.
28:34And you've been bored with the promise for too long.
28:36Alonso and I are better than ever,
28:38since Manuel's return.
28:40A second honeymoon.
28:42Yes, you could say that.
28:44And wouldn't it be better if your husband tried to cover up the guilt?
28:49And it's not that I have anything against Alonso.
28:51You do.
28:53No, I have nothing against Alonso.
28:55All I have is a great affection for you.
28:58It hurts me
29:00to be shown that way.
29:02You know Maria Antonia more than anyone.
29:07You know I would never lie about something so serious.
29:09But curiously,
29:11she didn't tell me, but you did.
29:13And I repeat,
29:15she told me that Alonso kissed her.
29:17It's not material to apologize to the four winds.
29:20So why did she tell you?
29:22I found her in a moment of weakness.
29:24Unwilling to abandon the promise
29:26because of your husband's cowardice.
29:30Very well, I'll talk to her.
29:32You'll do well.
29:34Although I suspect she'll deny everything.
29:36You forget she's my friend.
29:38That's precisely why you're the main victim.
29:40And you know better than anyone
29:42that it's better to be a pious lie
29:44than to put your marriage at risk.
29:46Look, Lorenzo, I don't know what hidden interest you have
29:48this time in separating me from Alonso,
29:50but you're lying.
29:51You know what? I'm not going to insist anymore.
29:54The truth will be imposed.
30:00Cruz, I understand that you reject
30:02any suspicion about your husband.
30:04Everyone needs a rock
30:06to sit on in times of storm.
30:10Do you think you can convince me
30:12that he has left you indifferent to Catalina's return?
30:14And more with your husband's belongings
30:16during breakfast.
30:22I'm not your friend, Cruz.
30:25I'm your Ariana.
30:43So why do you say you're not on good terms?
30:45Did you argue or what?
30:47No, on the contrary.
30:48I see. And isn't that supposed to be good?
30:50You don't understand me, Hanna.
30:52We didn't argue because Salvador
30:54wasn't paying any attention to me.
30:56Why do you say that?
30:58That's what I'd like to know.
31:01Let's see.
31:03María, I think
31:05you're making a mistake.
31:08Tell me exactly what happened.
31:10But tell me well.
31:12Well, what I was telling you.
31:14I was talking about the virtues of Miss Martina.
31:15And he didn't want it to rain.
31:17So I told him,
31:19it's weirder than the rock
31:21dressed in bright colors.
31:23And he said no, and I said yes.
31:25And he said no, and I said yes.
31:27So he gave me a hug
31:29and told me he loved me.
31:31And boom.
31:33He told you he loved you?
31:35And he gave you a hug?
31:37Yes, but not a normal hug
31:39for couples who love each other.
31:41A hug like what? Let's see.
31:43Well, more like two friends
31:46I see.
31:48Hey, I'm not kidding.
31:51I know, María.
31:53But it looks like you see ghosts where there aren't any.
31:55If I tell you my problem,
31:57don't make a fool of me.
31:59I know.
32:01Let's see, María.
32:03I know that
32:05suddenly doubts come to you,
32:07but you know that Salvador loves you.
32:09And maybe you caught him in a bad moment and that's it.
32:11We were just cleaning up the glassware.
32:13But you understand me.
32:15What I want to tell you is that
32:17maybe you should talk to each other alone and calmly.
32:21Well, what about you?
32:23Have you been able to be alone with Manuel?
32:26Well, no, not yet.
32:28But I could be with Curro.
32:30And how is the young man?
32:33Fine.
32:35Oh, how dry that is.
32:37Well, he's very moved by what I see in front of him, so...
32:40As a friend.
32:42But the important thing is that he's fine.
32:45He's back and safe and sound.
32:47And why didn't you go to see Mr. Manuel at his new study?
32:51What study?
32:53Didn't you know?
32:55That since Miss Catalina is in the hangar,
32:57he has decided to do a new study.
32:59He's going to play with his little plane.
33:04Are you going to tell me where he is right now?
33:10No.
33:16Cruz.
33:18Are you going to have lunch?
33:21Maria Antonia.
33:24What a relief. I thought it was about the unbearable Catalina.
33:30You have to make a power.
33:32Catalina is your husband's eldest daughter.
33:34You don't need to remind me.
33:36That's why Alonso is already with his toasts out of context.
33:38Well, you have to understand that he is happy with his return to the palace.
33:41I understand many things, Maria Antonia.
33:43And I go through many more.
33:45It's been many years holding on to that capricious woman
33:48wanting to be the center of attention in this house.
33:50Many things could be said about Catalina,
33:52but I never imagined that she was a capricious woman.
33:55Well, she is. Since she was a child.
33:57She has the same character as her mother.
33:59Petty and chivalrous.
34:01All me, me, me, with me.
34:03As if competing against me to get Alonso's attention.
34:06Comprehensible woman.
34:08She was a child, wasn't she?
34:10Yes, but now?
34:12Now what's her excuse?
34:14To set up the little number she set up,
34:16setting up in the hangar.
34:18What you have to do is not give so much pavlo
34:20to his infuriated.
34:22And that's exactly what happened at breakfast.
34:24But Cruz, don't get nervous.
34:26It will be as you say, but you have to learn to be patient.
34:28To trust that the truth always ends up being imposed.
34:32Look how curious.
34:33That same phrase has been told to me by someone recently.
34:38Who?
34:40And with respect to what?
34:42Nothing to do with this.
34:44But it leads me to a reflection.
34:48Do you remember that conversation
34:52in which I told you that I felt guilty
34:56for keeping you away from your obligations
34:59for too long?
35:01Yes, I remember it perfectly.
35:04In it you told me that
35:06you suspected that someone had made me ...
35:10Someone had driven me to that determination.
35:15And I think you were thinking about Alonso.
35:20About Alonso?
35:22Absolutely.
35:24And then who?
35:27Well, I don't know, I would say so.
35:30It doesn't matter that much either, Cruz.
35:31In fact, I didn't even remember until you mentioned it.
35:35So I have to understand that ...
35:38that things between my husband and you are fine?
35:40Of course.
35:42We already told you that the misunderstanding we had, we had solved it.
35:46Between us there is still the same cordial relationship as always.
35:49And I keep the affection that your husband deserves.
35:53I see.
35:56Well, then you will be surprised to know that ...
35:59After that conversation, he ...
36:02He emphasized again
36:04the relevance of you leaving the palace.
36:07Really?
36:09Well, he will have his reasons.
36:14And what reasons could those be?
36:18Well, the ones you yourself told me one day.
36:21That now that the reunited family is back,
36:23he wants to relive those moments in intimacy.
36:25And I'm still a stranger in this house, right?
36:28And you think that's how it is?
36:32Cruz, if you have doubts,
36:35this conversation you should have with your husband, not with me.
36:38You may be right.
36:40I'll talk to him.
36:43Shall we go?
36:44Let's go.
36:55Boy, cut me a plate of ham like that, very thin.
36:59As you know it.
37:01You like it?
37:03Look how funny, huh?
37:05I would like to be able to taste those delicacies.
37:08Well, for the moment you will have to wait for the captain,
37:11who is in the middle of a kneading.
37:12The captain may wait,
37:14but Mrs. Marquesa, I'm telling you, I don't.
37:16Come on, open up.
37:18Okay, but leave it homogeneous.
37:21Yes.
37:23Come on, goodbye.
37:27What is that you have there like a chestnut?
37:30Good news.
37:32What are you taking so long to tell me?
37:34We have a new priest in Luján.
37:37And how is that?
37:39You already knew, right?
37:41Mr. Fermín was leaving and a new one had to arrive.
37:43Yes, I mean, how did you find out that he had already arrived?
37:46One who has his resources.
37:48He has to be there.
37:50So the opportunity that my virtues have a job is closer?
37:53Exactly.
37:55Well, as soon as a few days pass and the man is installed,
37:58I approach to visit him and keep him informed of everything.
38:01That's good, that's good.
38:03Before he doesn't show up, I stand at the door of the house of the priest,
38:06as Candela calls me.
38:08Let's see if you're going to overwhelm the man like that and assault him with a baton.
38:11Well, we'll have to take that risk, right?
38:14And we have to get ahead of the vixens.
38:17I'm going to tell him first about the percale frustration.
38:22But nobody knows it was my daughter.
38:24Already, already.
38:26A confession secret was told to him, but you already know what the rumors are.
38:28That they come out and one does not know where.
38:31It is better to prevent.
38:33I would like to accompany you, Candela.
38:35But we can't leave Lupillo alone like that, without warning.
38:38Didn't I tell you that I'll take care of it?
38:41You leave it to me.
38:44You'll see that this is going to be my bread and butter.
38:46And wouldn't it be better if we were the two of us another day?
38:49Do you want to be put for your daughter?
38:51Man, doubt offends.
38:53Or trust.
38:55Now I just need my in-laws to show up with the kid.
38:59Because if not, no priest, no job in the parish, no God to found it.
39:02For that, I also have a solution.
39:05I'm going to put our boss in a good way.
39:08So that he gives us a hand from the top.
39:17Take a look when you can.
39:19There are some Paul Pogge figurines that you will love.
39:23Let's see if they have already brought us the snack.
39:25Well, no, they haven't brought it yet.
39:27They haven't brought it.
39:31Is something wrong?
39:33No, no.
39:35I heard you were going to have a snack, I'm going to go so as not to bother you.
39:38No, no, it's not a nuisance.
39:40On the contrary, you can have a snack with us if you want.
39:42Of course.
39:44Well, I'm sorry because I'm a little over the top, but it's just been a moment.
39:48I understand that you feel that way.
39:51That you feel very guilty about everything that is happening.
39:54Well, it's ... it's too much.
39:57On the one hand, I understand Ignacio, but Martina is my daughter.
40:01And she doesn't deserve what's happening to her.
40:03She doesn't deserve it.
40:05You must be very in love with that man.
40:07Yes.
40:09Well, it's ... it's the passionate love of adolescence.
40:13It's a more conscious love.
40:15I guess each one gives the other the stability and the company they need.
40:23And what is love without something like that?
40:27Because everything would have been easier if my daughter and Ignacio had been more in tune, but ...
40:32Well, I'm sure he would have figured out a way to entangle everything.
40:37And now it turns out that I have no choice but to lock up my daughter in a convent.
40:41Well, you do have another choice, Margarita.
40:44Which one?
40:46If Ignacio has made it clear that he is not going to give me his arm to twist.
40:49Ignacio spoke to Alonso and told him that he would be willing to forget everything if Martina does his part.
40:55And what does my daughter have to do?
40:58He just wants me to accept your marriage.
41:02Is that so?
41:04I'm going to talk to Martina.
41:07Wait, wait, are you sure?
41:09Well, better than the convent, right?
41:12It is clear that it is a blackmail.
41:14We are talking about you getting married to the artifice of that blackmail.
41:17Well, if it's the price you have to pay for my daughter not to take me to a nightmare, I'll pay it.
41:23Excuse me.
41:27But do you agree with that?
41:30Aren't you going to do anything to stop her?
41:33You already know the saying.
41:35For the widow and the hungry, there is no hard bread.
41:38Come on.
41:57Sorry, sorry, I didn't see you.
41:59I was going to do it this morning.
42:01I didn't see you, Maria, forgive me.
42:03Don't worry, it's my fault for going through where I shouldn't.
42:06And where are you going?
42:08Well, I actually came to talk to you.
42:11I found out about Adolfito.
42:13And I wanted to ask you if you know anything about your father-in-law and him.
42:17Well, no, I haven't managed to get anyone to give me their reason.
42:21Not in his town, not anywhere.
42:23I don't know where to look anymore.
42:26And don't you think maybe you're not the one who has to look?
42:30So who?
42:33Well, I don't know much about these things, virtues, but when a person disappears, who does he turn to?
42:38Do you want me to report my in-laws to the Civil Guard?
42:42I already told you that I don't know much about laws, but virtues.
42:46That they steal your son like that is wrong and it is a crime.
42:50And you don't lose anything for asking.
42:52I can't do that, Maria.
42:54They are Adolfo's parents and Adolfito's grandparents.
42:57And the same thing that they have taken your son without permission.
43:00And if they haven't done it with bad faith?
43:02If something has forced them to disappear like that?
43:04Who?
43:06Coco.
43:08Virtues, you are not doing anything wrong.
43:10And if they have had to leave without leaving any sad marks, the Civil Guard will tell you.
43:16I don't think getting the authorities involved is a good idea, Maria.
43:22I understand that you are scared. It is normal.
43:26You don't understand.
43:28I can't report them.
43:30They ...
43:35They saved Adolfito's life.
43:39What would he have been if he had ended up on the street like I did?
43:47I know you owe a lot to those people.
43:50But virtues, you are not the woman you used to be.
43:53And they can't take your son.
43:56You may be right, Maria.
43:59But I'm not going to report them.
44:08Let's go.
44:16What did that man say?
44:18Let's not lose our cool.
44:20Martina, given the circumstances, I think it is a generous offer.
44:23A generous offer? Mother, it's a blackmail.
44:25But daughter, don't you realize that it is the only way to get rid of the convent?
44:28It's not that bad.
44:30The count and your mother have been in a relationship for months.
44:32It's just about blessing their marriage, that's it.
44:35That's right. No.
44:37Why not?
44:38Because I can't accept it.
44:39Well, you must. You must do it.
44:40Well, I can't because I would be admitting that I had something to do with the poison and I would be guilty in front of everyone.
44:44I can't.
44:45You're right.
44:47But right now you don't care what people think.
44:50Because you can't control their opinion.
44:52And they all have one.
44:53You are in the convent or you are in the promise.
44:55Very good. Well, I don't care if they are in the convent.
44:57Martina, please.
44:58Put aside that pride that you inherited from your father and practice it.
45:02Daughter, think about your future, please.
45:04I'm thinking about yours.
45:06What kind of daughter would it be if she blessed her relationship with a man who openly coerced her?
45:11Well, that's my business.
45:13And I know how to deal with him.
45:14Your brothers have given their blessing to that marriage.
45:16From Canada, who have not seen the count in their life.
45:18They are your closest male relatives.
45:20So what?
45:21My mother has shown to have more courage and courage than many men.
45:24That she is the owner of her own lands and her management is generating many benefits, also for you.
45:30Mother, you don't need Felipe and Juan Carlos' blessing.
45:34And much less the company of the Count of Ayala.
45:36I don't want you to enter this convent, daughter.
45:38Very well, then you avoid it.
45:46I don't know what to do.
45:48They are going to end up destroying each other.
45:52We will find a way for him to accept reality.
45:55Don't worry.
45:59I'm sorry.
46:16Damn it!
46:19What happened? I heard a blow.
46:22Nothing happened.
46:30Look, Santos, I would like to talk to you.
46:33Well, I don't want to talk to you, so leave.
46:37Here.
46:39Listen to me, this conversation is not pleasant for me either, but I think we have to have it as soon as possible.
46:47I understand very well what you are going through.
46:49What are you going to understand?
46:50Yes, I understand it.
46:51Even if it's hard for you to believe it, you're not the first person they reject.
46:55I know how much it hurts.
46:56But getting involved with the world is useless.
46:58It is much better to let them laugh at your face.
47:00Nobody is laughing at you.
47:02Nobody.
47:04Pere and I are behaving in our own way.
47:07Because we love each other.
47:09I understand how much it can hurt you, but you have to be patient.
47:13We have to be patient, both of us.
47:15For the sake of ... of ... of coexistence with the service.
47:19You are a rat, Lope.
47:22Santos, I'm not disrespecting you.
47:23Of course you are.
47:24What are you doing here?
47:26Are you here to tell me that you and Vera have been with each other?
47:28How well you are, how much you love each other.
47:30That's not my intention.
47:31That I know very well the people of your gang.
47:33Hypocrites who show you their best face, and then stab you in the back, just like Vera.
47:37Well, shut up!
47:40Santos, I'm trying to solve things with you.
47:43But I'm not going to let you insult me, much less insult Vera.
47:45Truths like fists.
47:47Dare, brave.
47:52What's going on here?
47:55Nothing, Mrs. Arcos.
47:57Not a word.
47:58I can hear your voices all over the house.
48:01Can you tell me what was the reason for the fight?
48:05Santos, we are trying to solve a problem that ...
48:07There is nothing to solve, leave me alone!
48:09Santos!
48:11Go to my office.
48:12And right now.
48:14And you, Lope,
48:16let it be the last time I find you in one of these.
48:18Because next time,
48:20I won't be so understanding.
48:24Let's go.
48:42Do you have a minute?
48:44Martina.
48:46Of course.
48:47Whatever you need.
48:52How are you?
48:55I'm not here to steal your time, really.
48:57I just wanted to thank you.
49:01For keeping your promise
49:03to take care of Curro up front.
49:09You know ...
49:11What?
49:12If I'm honest with you,
49:13there came a time when I didn't know who to take care of who.
49:16I just know that things would have been very different for him
49:19if you hadn't been by his side.
49:25Everything will be fine.
49:29Soon we will be able to get you out of that convent.
49:33Ayala won't let me go like this.
49:46Martina.
49:48You just said that there was a time when I made you a promise,
49:51do you remember?
49:53Can I keep it?
49:58Well, this time I promise you that you will be back home soon.
50:04Cousin, don't lose hope.
50:08Listen to me.
50:11If there is something that kept Curro and me alive during the war,
50:15even in the most adverse moments,
50:18it was the desire to go home.
50:22So we will find a solution.
50:25You'll see.
50:27There is already a solution.
50:32Really?
50:40And why do you say it with that sadness?
50:44Because it's a trap.
50:48Ayala is willing to forget everything,
50:50but on the other hand she asks me for something that I can't grant her.
50:54And what is it?
50:56Bless her marriage to my mother.
51:03Really?
51:08I can't allow my mother to share her life with that man.
51:13Even if you are the one who fulfills the penance in that convent?
51:20Yes.
51:26Come.
51:43Thank you for getting me out of that penance, that you throw me to the ground.
51:46Enough, Santos.
51:48What do you want?
51:49Your companions are against you.
51:50But they are the ones who provoke me.
51:52And you, the one who comes in like a bull when he is presented with the coin.
51:56I believed you, Martiristo.
51:57I should have seen them.
51:59All day there, kissing.
52:00Especially when I'm in front.
52:03And what?
52:04Don't you realize?
52:05What you see from the outside is the son of the mayor losing his papers day yes, day no.
52:14You're right.
52:16What did you say?
52:18You're right.
52:19I don't know what's wrong with me lately.
52:21I have a lot of pressure on me.
52:23Ignore them.
52:25I'm not just talking about Lope Vera.
52:28I'm also talking about you.
52:30What a surprise.
52:31You have to leave the matter of the Duchess of Carril alone.
52:34Santos, you don't dictate the rules here.
52:39Trust me.
52:40I'm asking you, please, Mrs. Petra.
52:42I see.
52:43And what have you done to earn that favor?
52:45Because the only thing I remember are lies and more lies.
52:48I had no other option.
52:51Okay.
52:53Now you have it.
52:56Tell me why you invited the Duchess of Carril to Mrs. Margarita's dinner.
53:01And I promise you that I will take this matter seriously.
53:05Of course.
53:07I hope you are sincere this time.
53:10For the bill she brings you.
53:11For the bill she brings you.
53:20Martina, I'm sorry I can't be of more help right now.
53:23Well, you've done enough for me.
53:28Remember that if you need to talk at any time ...
53:30I already know where you are hiding.
53:33Thank you.
53:41Thank you.
54:02Have you forgotten ...
54:12Have you forgotten ...
54:20I'm sorry.
54:21But now I realize it wasn't a good idea.
54:24No.
54:25And I had you for someone crazy.
54:27Well, you also have to think that at that time I ...
54:29I had a lot of resentment, I didn't rule well.
54:32No, no.
54:33You didn't think anything at all.
54:35Who would think of such a trick?
54:37That Gregorio has written to Mr. Romulo.
54:41But for what?
54:42What did he say?
54:44He's going to tell him he knows you're not dead.
54:48María, let's see.
54:49I'm not going to take Manuel to a grave and tell him that she's with a woman.
54:52I'm not going to do it.
54:53Because I can't lie to Manuel like that, you know?
54:56Yes.
54:58Adolfo is very involved and he doesn't deserve a fat man.
55:00So why does he say he doesn't come with good news?
55:03If it's not about Cali, what's the problem?
55:07The problem is the new priest himself.
55:11Which is ... peculiar.
55:14No, I don't understand you.
55:16Well, the problem is the peculiarities of the priest.
55:20And what does that have to do with giving me my job?
55:22Russia has the loyalty of its troops.
55:25As you know, loyalty is the pillar for everything to work.
55:28Whether it's an army, a company or ...
55:31a marriage.
55:34What do you think, Alonso?
55:36You say I don't stop talking, but you don't let go.
55:39Are you going to give me the names and surnames of your in-laws?
55:42What are you going to do, miss?
55:43You can't report them.
55:45The boy was taken care of by them.
55:47Yes, but that child is not his.
55:49And Virtudes has changed, they should give it back.
55:52So I'm going to talk to the Civil Guard.
55:54Are you here to tell me what I have to do or something else?
55:57Well, yes, the truth is that I've been rummaging around for a few days.
56:01And are you going to tell me what's wrong with you?
56:03Ayala is not going to back down.
56:05Unless Martín has sold that marriage.
56:08Let's see, I understand that he doesn't want to accept something like that.
56:12But no matter how much it hurts him,
56:14that Ayala gets away with hers would be the most practical thing.
56:16You won't be so cynical the day I talk.
56:19If you haven't done it yet,
56:21it's because you know no one is going to believe you.
56:24I'm going to finish you, Ignacio.
56:27Sooner or later, I'll jump on you and destroy you.
56:32And I swear to you, for what I have loved the most in this world.
56:36For my son Feliciano.