Salón de té La Moderna - Ep 207
Salón de té La Moderna - Ep 207
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TVTranscript
00:00A few days later
00:09Good morning.
00:10Good morning.
00:11For you.
00:12For me?
00:13Please.
00:14It's a secret.
00:15Thank you.
00:16A few days later
00:27Look.
00:30This is my day-to-day.
00:32But for you it should be strange to see the gallery so empty, right?
00:37That would be if I saw something, Pietro.
00:39Because my mouth opens by itself, but it's still hard for me to open my eyes.
00:44That's what being up early has.
00:45You have to get used to it.
00:47Yeah, well, with all the beautiful customs in the world,
00:49do I have to get used to being up early?
00:52But how do you complain, girl?
00:55Are you sure about what you're doing?
00:58Because it's not just getting up early to clean the bookshop.
01:03It's doing the work in the tea room all day.
01:06I'm very sure, Pietro.
01:08What scares me is being up early and not working.
01:11Besides, you only get three days a week.
01:17Hey, and how do you manage not to have such a hard time?
01:20I've been doing it all my life.
01:22I was up early in Italy, now I'm up early in Spain, I'm up early all over the world.
01:27I try to enjoy the advantages of being up early.
01:32Like, for example, I enjoy the wonderful sunrises I see every day.
01:38You have to see how you are, Pietro.
01:40Always taking the good things out of the bad.
01:48But wasn't Salvita going to come to see you at the bookshop?
01:51Yes, but I don't know, it seems like she's been a little late.
01:56It's just that I don't like to leave you here alone.
01:59I'm more worried about you being late at work.
02:02Go back to the lab, Pietro.
02:04I'll stay here waiting on my own.
02:06If Salvita is coming.
02:09I hope so.
02:11Okay, I'm leaving.
02:16Give me a kiss.
02:18Take care.
02:24My love, it's just about visiting the doctor.
02:27That's it.
02:28But I don't want to know anything about that man, I don't like him.
02:31Give me a chance, please.
02:32He's a prestigious psychiatrist.
02:34Besides, we're not talking about an income.
02:36We're just talking about going to talk to him and that's it.
02:39But we'll only do it if you want.
02:44But please, tell me you'll do it.
02:51If it's important to you, I'll do it.
02:56Thank you, my love.
02:58I'll tell the doctor that this afternoon you'll go to see him.
03:01I'll go to his consultation.
03:04Well, Tamara, I have to go to the gallery.
03:07I want to talk to Celia.
03:09I'd like you to help Jacobo in the inauguration of his place in Seville,
03:13like you helped me in Madrid Cabaret.
03:18Do you want to come with me?
03:19No.
03:20I think I'll stay home until the consultation.
03:23Do you think you'll be okay here alone?
03:29Yes, I'll be fine.
03:31I'll be fine.
03:32Making a normal life is the first step for my recovery.
03:36And that's what I want now.
03:39A normal life.
03:42Me too.
03:44A normal life.
03:57I'm sorry, I fell asleep.
04:01Well, since you're late, you could at least make up an excuse, right?
04:04So I don't feel so stupid for being here waiting for you while you were sleeping.
04:09No, it's not that.
04:11Yesterday I had to return some notes from the faculty to a friend of mine from Tuna.
04:16From Tuna, let's finish.
04:17The thing is that we had a drink and I lost my temper.
04:23Of course, because you're not used to going out, are you?
04:27Well, we didn't arrive later than usual either.
04:30The idea was to sleep a couple of hours, but it got complicated. I'm sorry.
04:35From what I see, you haven't heard of something called an alarm clock, have you?
04:38The one who named it was very right, because it's used for that, to wake up.
04:43And so you don't arrive late to places.
04:45No, if it's an alarm clock, it won't be that I put three.
04:47But that's how they sound, I turn them off and I don't find out.
04:50Well, they're very useful, yes.
04:53Well, let's get started.
04:55Because my shift at La Moderna starts in five minutes.
04:58And as you'll understand, I'm not going to start cleaning the library now.
05:01So you'll tell me what to do.
05:04Well, what are you going to do? Leave?
05:07Leave on the first day without working.
05:10It's obvious that you have no idea how to keep a job.
05:13Oh, well, of course, since you don't need it.
05:16You'll keep your job here and no one will find out.
05:19I'll cover you and clean the library before Miguel arrives.
05:21Look, Salvita, I'm going to tell you something.
05:23No, you don't even have to ask.
05:25I'll take care of the dirty work and they'll pay you the same.
05:29Don't get me wrong.
05:31I like to be paid.
05:32But I want to be paid for working, not for not working.
05:35So at my shift at La Moderna, I'll come and do what I haven't done.
05:38No, no, I'm telling you that...
05:40Salvita, I'll need the money.
05:42But I have plenty of dignity.
05:55At least César would have left me a phone number so I could talk to him.
05:59Well, think...
06:01What if I did you a favor?
06:04A favor?
06:05Yes, because international calls are very expensive
06:08and you would have ruined both of us.
06:13Who could it be?
06:16Uncle, good morning.
06:18Come in.
06:20Good morning.
06:21I know it's early for visits, but Inés,
06:24I need to know how your first session with the Leopolda went.
06:27Well, the truth is that I was impressed with her.
06:30Impressed?
06:31I hope for the best.
06:32Yes, I thought she was a very good professor.
06:34She's a very good professor.
06:36She's a very good professor.
06:38She's a very good professor.
06:40She's a very good professor.
06:42She's a very good professor.
06:44She seemed like a very good professional.
06:46And yesterday the visit was just to get to know each other,
06:48but she immediately knew how to detect my problem.
06:51So, her prestige is deserved.
06:53Yes.
06:54As soon as the fashion arrives, I want to thank Mrs. Lázara
06:57for getting me a slot in Mrs. Juanes' tight schedule.
07:00Well, we just have to wait for her to get you slots in her schedule for the next sessions.
07:06No, it won't be necessary because there won't be any more sessions.
07:11What do you mean, there won't be any more sessions?
07:13You just told us that you were impressed with that speech therapist.
07:17Well, the truth is that she was very honest with me
07:19and she told me that she couldn't be 100% sure that I could sing again.
07:23Well, but that doesn't mean that there are no options.
07:25Your sister is right.
07:26If there is a possibility, no matter how small it is,
07:29why don't you try it, Inés?
07:31You can't keep the feeling that you haven't tried everything.
07:34I don't know, I don't know.
07:36Well, well, well, let's not rush it.
07:38You don't have to decide it now.
07:40Think about it calmly.
07:41Okay?
07:42By the way, I'm going to La Moderna by car today.
07:44If you want, I can give you a lift.
07:46Sure, you're a good guy, but you'd better drive.
07:48Yes, yes, yes, yes, but don't rush it.
07:50I'll wait for you downstairs.
07:51Uh-huh.
07:56Inés, change your mind.
07:58You have to think better about what the guy says.
08:00You're right, the therapist can help you a lot.
08:02Look, Laurita, I don't want to get my hopes up.
08:04I had a dream that was to sing,
08:06but it won't be the first dream that I have to give up.
08:09Come on, let's go, the guy is waiting for us.
08:12Let's go.
08:33Piedro, we need more bandages.
08:36They have to take them off their hands today.
08:38Yes, I'll prepare the tray right now.
08:40Very well.
08:43I saw Inigo in the gallery.
08:45He finally decided not to join Matilde.
08:47Well, I'm glad for both of them.
08:49Me too.
08:53Well, I'll let you finish and I'll come back later.
08:56No, wait, wait.
08:57I wanted to tell you something.
09:00Maybe it's better if we don't talk about our things here,
09:03that the colleagues are already commenting a lot, Pietro.
09:05Antonia, let them talk whatever they want.
09:08I don't care.
09:10It's okay, tell me.
09:12Then I'll go to the Italian consulate with Lucia
09:15to clarify my legal situation.
09:18Now that we know that she is alive.
09:21Have you already spoken to the consulate?
09:23Yes.
09:24Yes, it's going to be complicated, Antonia.
09:27Because for the Italian authorities I am widowed.
09:30And Lucia is in legal limbo,
09:33having been given for dead.
09:35My mother, Pietro.
09:38What a mess we are in.
09:40Yes.
09:41We must be patient, Antonia.
09:43The consulate has told me that they will do everything possible
09:45to fix the situation.
09:49Today they will tell me something else and start the procedures.
09:53The procedures?
09:54How long are we talking about?
09:56Antonia, I know.
09:57I hope it's not long.
09:58Because as soon as all this is fixed
10:00and Lucia can go to Italy,
10:02we can continue with our plans, right?
10:05You and me.
10:08So in the end it's just a matter of waiting, right?
10:12In that, you and I are experts.
10:18Well, there is something else.
10:21I already imagined it.
10:23The consulate has told me that
10:26while all this is clear,
10:28I am responsible for Lucia.
10:33What does responsible mean?
10:36That I am the legal tutor.
10:40So you're telling Cristiano that
10:43you have to take care of her.
10:46Yes.
10:49I'm sorry, Antonia.
10:50I know it's not easy for you,
10:52but it's not easy for me either.
10:54I'll take care of it, Pietro.
10:58I know it's not easy for you either.
11:02I'll take the exams.
11:05I'll take the exams.
11:19That's why I chose you, Celia.
11:21I would like my friend Jacob to open his place in Seville
11:24and you would lend him your help.
11:26Just like he did with me here in Madrid Cabaret.
11:28But Seville is very far away.
11:30It will be complicated, but ...
11:32But there is nothing impossible for Celia Silva.
11:35with a friend of mine who lives in Seville and is a photographer.
11:39Great!
11:40Yes, the truth is that he is very integrated in social life
11:42and has an extensive agenda of contacts, artists, writers ...
11:46Well, that's just what he needs. I knew I could count on you.
11:50Now that I think about it,
11:51I could talk to acquaintances of the local press to give you coverage.
11:55I don't promise it will have the same impact as the reopening of the Madrid Cavalier, but ...
11:59Few parties can be compared to that,
12:01the things to say.
12:03By the way, how is this new stage in the business going?
12:06Well, the truth is that I can't complain.
12:08The room is going very well, the business too,
12:10so full every night, imagine.
12:13I'm very happy to hear that.
12:15Oh, by the way, I haven't said anything.
12:17You have the beautiful store.
12:19How is the business going?
12:21Well, well, we just started, but well, little by little.
12:24I'm very happy to hear that.
12:26Well, I won't entertain you any longer,
12:28I'm sure you'll have to do a lot of things.
12:30I leave you ...
12:31May I have a pencil?
12:32Yes, of course.
12:33Here I write down the phone number of my friend Jacobo.
12:36I'll see you when I can.
12:38Thank you very much, Celia.
12:40Good morning.
12:41Good morning.
12:52Really, Fabio, are you going to condemn me for a moment that I lost the papers?
12:56We were motivated for the sentence, I laughed ten times.
12:59Well, I think the best thing will be that we end this conversation,
13:02that you leave and that the two of us wait for the police and justice to do their job.
13:07And are you telling me that as a friend or as a diplomat?
13:16The word friendship, right now, believe me, it's big for us.
13:29Let's go.
13:43If you'll excuse me.
13:47But how formal, boss, bringing the uniform to work in a suitcase and everything.
13:51Well, more formal would be that you arrive at your time,
13:54that I've been covering you all this time, poor man.
13:56You don't know anything, Elias. I'm not here to work, I'm here to say goodbye.
14:00I'm going to the town, to Cuenca, to celebrate my grandfather's birthday.
14:03But you're still with that?
14:05I already told you yesterday, Teresa, that vampires deny permission.
14:10Look, I don't care what Mrs. Alazara says about me.
14:13Yes, well, you won't care when they kick you in the street.
14:16Tell me, friend, what are you doing with your job?
14:19It's a risk I've decided to take.
14:21Besides, yesterday my grandfather called me on the phone.
14:26At 100 he hung up and calling you on the phone,
14:29what a man, what a race, what an attitude.
14:32You have to go, yes or yes.
14:33Now I know who you've got the money from.
14:35The fact is that he called me to tell me that I couldn't miss the celebration,
14:39that it was surely his last birthday.
14:41And my grandfather is very tough.
14:42If he gets something in his head, no one can take the idea away from him.
14:45Well, you have to go, yes or yes, boss.
14:50So, whatever the vampire says, to me, plin.
14:53Plin, yes.
14:54And don't you feel a little ashamed to miss Trini and Miguel's wedding?
14:57With everything you've done for that couple, boss.
14:59Well, yes, a lot.
15:01I could have been the godfather, imagine.
15:03Be the godfather.
15:05The pride that has to give that.
15:08Well, I'll bring you some sausages from the village as a wedding gift,
15:11and problem solved.
15:12Well, don't worry, it's not bad that he doesn't come for good.
15:15Everything is in place, boss, because with your down,
15:17surely I would be the godfather.
15:18And I'm going to leave the pavilion, but very high.
15:20And I'm going to tell you about the wedding with hair and signs.
15:23I won't leave details.
15:24That's what I feared, Elias.
15:25That they'll wait for me a few days later.
15:27Well, I hope you have the suitcase full of garlic,
15:29because the vampire is coming that way.
15:35Can you tell me why you're dressed like that?
15:37What kind of joke is this?
15:39No joke.
15:40My grandfather's centenary is a very serious matter.
15:44Well, I hope it is, and that it pays off.
15:46Because if you go out that door,
15:48I'm going to do everything possible so that when I come back, it's still closed.
15:53Well, you have a strong door.
15:55Sometimes it locks.
15:56Excuse me?
16:00I'm not going to tolerate such a detachment from my authority.
16:02Teresa,
16:04all this
16:06is your fault.
16:19With all the coffee I'm serving you these days,
16:23I end up asking for a job at La Moderna.
16:26I'm sure Don Fermín would hire you.
16:29You do it very well.
16:31It's a shame I don't think the uniform would suit you so well.
16:34Take your coffee, ma'am,
16:36and let's not say goodbye.
16:38I have the delivery service all morning,
16:40but they can appear at any time.
16:43The service must be delighted with you.
16:45With so much day off, so much walking that allows you to do.
16:49You have to be especially careful,
16:51especially with the people who come to the house.
16:54Oh, mother, please stop repeating it to me at all times.
16:58It is that if someone discovers you now,
16:59with all the sacrifice we have made so far,
17:01it would be useless.
17:04The sacrifice we have made?
17:06I would like to say the sacrifice I have made,
17:08that I am the one who is locked in that hole,
17:10for following your advice.
17:12It is the only way to get you out of jail.
17:16And since you specify all the details,
17:18do it well.
17:19And punctuate everything.
17:23Well, now that we are talking about this matter,
17:25there is one thing that we have to deal with.
17:30The time has come to consume the second part of the plan, daughter.
17:34You must leave here and start your life away from this country.
17:38Mother, I'm not going anywhere.
17:40What do you mean?
17:41That I'm not going anywhere.
17:43Not until Matilde ends up locked up in a asylum.
17:47Carla, let's think about it.
17:49Has Matilde already entered Dr. Mendoza's clinic?
17:52I'm afraid not.
17:53Are you afraid or do you know it?
17:55Don't hide things from me, mother.
17:57Don't treat me as if I were a little girl.
17:59I'm not hiding anything from you, daughter.
18:01From what I have been able to find out,
18:03there has not been a new entry in the clinic.
18:05But that does not mean that this will not happen soon.
18:08And what are they waiting for?
18:09I do not know.
18:10But no visits and showing up in front of her.
18:14It's the only way I have to drive that whore crazy.
18:18Tell me, what else can I do?
18:21What else can I do to put a shirt on that damn dead fly?
18:26Calm down.
18:27And what did I tell you?
18:29No return to Ino's house ...
18:31I'm not going to stay here with my arms crossed.
18:34I'm going to do everything it takes.
18:37Everything.
18:38To fulminate that dead fly at once.
18:41And if I have to push her to drive her crazy, I will.
18:44No.
18:45You won't.
18:47Tell me.
18:48What do you have to lose?
18:50I have told you no, and it is not.
18:52Could you trust me for a damn time?
18:55Shut up and listen to me.
19:02You have it, boss.
19:04But hey, have a good trip.
19:06And give your grandfather some good memories.
19:09And another thing, I'm not getting married, but ...
19:12I also like chorizos.
19:14So bring me a ristrita, boss.
19:16I'll keep it in mind.
19:17Well, as I said, have a good trip.
19:21I should scold you for what you've done.
19:25But I can only congratulate you for facing Mrs. Lázara and not letting you trample.
19:30Well, I just hope she doesn't take it with you now.
19:33Well, I don't care about that woman.
19:35Well, I don't care anyway.
19:37But I'm not going to let you investigate.
19:40The only thing I'm going to do now is be more discreet.
19:42Come on, you do what you have to do.
19:44Look, I've been thinking about going to the Madrid Paris warehouses ...
19:47and being able to talk to an agent who works with her.
19:50Maybe that way I can get information.
19:53Be careful, Teresa.
19:55You see that she is no longer joking.
19:57It's just that, you see ...
19:59Trini has told me ...
20:01that a few days ago a woman came ...
20:03and recognized Mrs. Lázara.
20:05And when Lázara realized, she got very nervous.
20:07She took her to the warehouse, they were talking ...
20:09and when she left, Trini thinks they had argued.
20:12I don't know, maybe she can be an old co-worker.
20:16That's why I have to go.
20:18To investigate.
20:21Wouldn't it be better if you wait for them to come back?
20:23Don't worry, I can handle it myself.
20:26Hey, go now, you're going to lose the car.
20:30Well, have a good time.
20:33And give your father my regards.
20:36Yes.
20:38Okay.
20:40Okay, wait.
20:52Excuse me, Marta.
20:54It's not that I'm going to tell you how to do your job, but ...
20:58I think it's more comfortable for everyone to do things as usual.
21:01The cleaning before April.
21:03Yes, I know.
21:04The only thing is that I didn't have time and ...
21:06Yes, not to say that I think it's the best thing for you.
21:08So you don't have to waste your minutes of rest from La Moderna ...
21:11to come to the races to pass the marker here.
21:14No, yes, yes, it's my fault.
21:16Well, since it's the first day, I didn't know how to calculate the time well and ...
21:20Look, take Salvita as an example.
21:22He does know how to calculate it.
21:24Because he has time to work, but also to go out there.
21:28And no, no, no, no, no.
21:29Don't tell me you didn't go out yesterday.
21:31Because I've learned to read your face to perfection.
21:34And what a face you have today.
21:36Look at him.
21:37He looks tired.
21:40Not to say that he is exhausted.
21:42And eyes of not having slept.
21:44Come on, he hasn't sat down well at dawn to come to open the bookstore.
21:49Isn't that right, Marta?
21:52All I know is that ...
21:55that Salvita came at the right time and was very awake when he opened it.
22:01If you say so, then it was the closeness to books that makes him look sleepy.
22:06At Herrero's house, I hope that from now on you will start to sleep better,
22:10because on my wedding day you will be alone in the bookstore.
22:13You better be awake.
22:15All day?
22:16Yes, yes.
22:17That's how businesses usually work.
22:19They open during the day.
22:21But no, don't worry, because I won't be absent much.
22:23Only the time it takes to get Trini and me married.
22:26And now do me a favor and go take these books to Mr. Verdes' house.
22:32And I know where he lives.
22:34It won't take you more than ten minutes.
22:36Ten minutes on the clock.
22:42I say it takes half an hour.
22:44What do you say?
22:47There.
22:51No matter how many times I think about it, I can't understand it.
22:54How is it possible that Cañete, such an efficient worker,
22:57has decided to absent himself from work without permission?
23:01Well, as you already know, Cañete was due permission in a few days,
23:04but that is not an excuse for him to take them on his own,
23:07and without meeting the needs of the salon.
23:09But there are many, because in three days, just in three days,
23:12we have the boutique convention.
23:14These are not dates for the salon to run out of waiters.
23:17Well, I've tried to make him understand, but nothing.
23:20It seems that he cares more about his grandfather's birthday than the salon.
23:23It is clear that he is the centenary of his grandfather.
23:25I can understand that, but...
23:26Well, you will also understand that it has been a displeasure to the authority
23:29and that it cannot be allowed. Something has to be done.
23:31Yes, yes, something has to be done.
23:33But, and you don't know how I dislike it,
23:35because Cañete is an exceptional worker.
23:38A worker of those that no businessman can afford the luxury of losing.
23:43It was my fault.
23:45I shouldn't have extended this situation to the extreme.
23:48Of course I did.
23:51Sorry.
23:52Of course what?
23:54Mrs. Lázaro, I don't like that you stay in the middle phrases.
23:56Why do you suddenly shut up now?
23:58Of course nothing would have happened
24:00if Teresa hadn't given him those days off
24:02without talking to me first.
24:04I'm very sorry for the lack of communication in the chain of command.
24:07It won't happen again.
24:08I hope so.
24:09Because I don't like these misunderstandings at all.
24:11They affect the operation of the salon.
24:14And they create conflicts between the workers that are perfectly avoidable.
24:19Yes?
24:21Am I interrupting?
24:23No, darling, come in, come in.
24:25Mrs. Lázaro and I had already finished.
24:28By the way, Mrs. Lázaro, I wanted to thank you
24:30for putting me in contact with the logo that you recommended.
24:33Nothing, it was nothing.
24:37Excuse me.
24:42How are you, darling?
24:44Very well.
24:45I'll listen to you, uncle.
24:47I'll listen to you.
24:49I'll listen to you is one of the most beautiful phrases
24:51that the Spanish language has.
24:53And more if it comes from your lips.
24:55What do I have the honor of you wanting to listen to me, Inés?
24:59I'm going to continue the sessions with the logo.
25:04You don't know how happy I am.
25:06You have done the best.
25:08Congratulations.
25:09The problem is that the next session
25:11would have to be this afternoon and ...
25:13And you come to ask me for permission.
25:15Others could already learn.
25:18Well, I give you that permission.
25:20So take advantage of the time with that woman
25:22who is going to achieve wonders with your voice.
25:25Thank you, uncle.
25:26I'll see you later.
25:27Of course.
25:35Finished for today.
25:37Finished for today.
25:39The next day I will have everything in the morning at its time.
25:42Of course.
25:43And so you dedicate your rest time to that.
25:45To rest.
25:46Good morning.
25:47Good morning.
25:51Lini.
25:52Come in.
25:53Well, I imagine that working so close
25:55you will take advantage of any moment to see each other
25:57and finish things at the wedding.
25:58Nervous?
25:59There are only three days left.
26:01Yes, three days.
26:02There are three days left.
26:03Well, and since we don't see each other,
26:05I take advantage of every minute I have
26:07to come here and organize the wedding.
26:09We don't see each other.
26:10Nothing.
26:11But nothing.
26:12Well, don't worry,
26:13in three days you are already married.
26:15You make a very good couple.
26:17Have you ever been told?
26:18Thank you.
26:20Very good couple.
26:21I'm sure you will be very happy together.
26:29Love, I have news,
26:31but news of the strings.
26:33I'm starting to tremble,
26:34because when you become a reporter ...
26:36Cañete has had the courage to face the vampire
26:39and then he has gone to his grandfather,
26:41so camping,
26:42and you don't know how the vampire is.
26:44Knowing her, she will be fine.
26:45Well, well,
26:46I think she has the sharpest fangs
26:48that shine on her and everything.
26:49I'm worried about Cañete,
26:51because I hope this doesn't cost him the job,
26:54because things are not like to lose a newspaper like that.
26:57Like to lose a godfather.
26:59That's what we've lost, a godfather.
27:01Because you don't know who hasn't taken a minute
27:04to offer himself as a substitute.
27:06Elias, as if I were watching him.
27:08Obviously.
27:09What do we do?
27:10What do we do?
27:11Because he doesn't stop with the beating.
27:12And I swear, I'm going to go crazy.
27:14What do we do?
27:15Do we tell him no?
27:16Obviously, it's Elias.
27:17Yeah, but he's actually a little bit right,
27:19because we need a godfather.
27:21And if you hurry me,
27:22also a godmother.
27:23The further away we have Elias from the vampire,
27:26the better.
27:27Because between these two,
27:28nothing good can come out of it.
27:30What do you mean?
27:31That Elias, lately he's been very weird
27:34and he has that face when he's plotting something.
27:37My God, when that little head starts thinking,
27:39I'm afraid of what can come out of it.
27:42Ah.
27:58Hello.
27:59Pietro, you're home.
28:02And this?
28:03The flowers.
28:04This morning when I went shopping,
28:06I passed by a garden and...
28:08I couldn't resist.
28:10Look.
28:11But Lucia, you can't tear the flowers from the gardens.
28:14I know, but what can you do?
28:16Pietro, there's nothing like flowers
28:18to warm a home.
28:21You like them, don't you?
28:22Yes, yes, they're pretty, yes.
28:25Well, I imagine that now you go up to eat with Antonia, right?
28:29No.
28:31Today only I book this time.
28:33Antonia and Marta are still in the tea room.
28:37It will take time to return.
28:39Have you eaten?
28:41I've just bitten something.
28:43Oh, then maybe you're still a little hungry
28:47and so we can eat both together.
28:51I don't like to eat alone.
28:53Do you remember?
28:56Besides, what a coincidence, this is a dish that you like a lot.
28:59Calle Pepe.
29:02I had forgotten this smell.
29:05How long have you not eaten a Calle Pepe?
29:07Since...
29:09Since we were married.
29:12Well, better.
29:14So, even if I didn't do very well,
29:16you'll know how wonderful it is.
29:18Yes.
29:19Shall we sit down?
29:20Please.
29:35It smells like home.
29:39Thank you.
29:49They are delicious.
29:51Thank you.
29:56I confess that you don't know whether to continue with the sessions or not.
30:00Yes, I have that feeling,
30:02although I don't know very well why.
30:05Well, because I don't want to get my hopes up
30:07and then get into trouble.
30:09You made me understand that you weren't sure
30:11that I could fully recover my vocal cords.
30:15Inés, I'm going to be honest with you.
30:20I don't do miracles,
30:22but I do get results.
30:26But in my case...
30:27You're not the most complicated case I've come across.
30:30I managed to regain confidence in an important soprano.
30:33I'll never tell you her name.
30:35She stayed in Fónica one day before releasing an opera in Milan.
30:40The School of Milan.
30:41I also helped a Minister Tartamudo
30:44to prepare a speech he had to give in the Congress of Deputies
30:47and we got it in just three days.
30:50But then he gave the speech without Tartamudo.
30:52And in a hurry.
30:54Another client was a famous theater actress.
30:57I won't tell you her name either.
30:59She panicked a week before her premiere.
31:02To the point where she lost her voice.
31:04In five sessions with me,
31:06she regained her voice and was able to represent her work.
31:12Do you know what these three patients I just told you about had in common?
31:17They had lost their confidence.
31:19My job was to help them regain it.
31:23So, going back to you,
31:27do you trust yourself?
31:33Do you remember when we wanted to open a restaurant for the two of us?
31:38Do you remember?
31:40Of course I remember.
31:42It was our dream.
31:44To set up a small trattoria.
31:46I would cook the pasta and you would take care of the desserts.
31:51A dream that stayed with us along the way.
31:55Like so many others.
31:58A long time passed.
32:00It seemed like another life.
32:02No.
32:03It's not true.
32:04For me, it's as if it were yesterday.
32:06Well, no.
32:07Many years have passed.
32:09Many.
32:10It doesn't matter.
32:12For me, it's as if
32:14everything I lived in the United States had faded.
32:16As if it had never happened.
32:19And being with you now, eating,
32:21I don't know.
32:23It's as familiar to me as
32:26if we had never stopped being together.
32:30I can't say the same.
32:33I can't, Lucia.
32:35Many very important things have happened to me.
32:40Things and people.
32:50I think that in my case, it's not a matter of trust,
32:53but that my vocal cords are still damaged.
32:57It's true that in speech problems like yours,
33:00there's a physiological part.
33:02But sometimes, there's also a strong emotional burden.
33:06The voice is the mirror of the soul.
33:08And if the soul is sad, the voice also goes out.
33:13I'm aware that you've suffered a serious damage
33:18to your vocal cords.
33:20But, if you'll allow me to trust you,
33:24I don't think that your problem is only physical,
33:27but also emotional.
33:29I feel that you've lost your confidence in yourself,
33:32but above all, your hope.
33:35Am I wrong?
33:38No.
33:40I can help you regain your peace.
33:43But it will be a vain effort on my part
33:45if, on the other hand, you're not willing
33:48to fight to sing again.
33:50You're right.
33:53I've lost my confidence in myself and my hope.
33:59It's as if I could read my thoughts.
34:03Well, since I can read your thoughts,
34:06I can also read that you still want to fight for your dream.
34:12Yes.
34:14I owe it to a very important person for me.
34:19A gentleman, right?
34:22A man that I'm deeply in love with
34:25and that I've lost forever.
34:30You've just taken the first step to regain your voice,
34:34to recognize and assume your pain.
34:38But enough chit-chat.
34:40It's time to get to work.
34:42I'm going to teach you... Get up, get up.
34:45I'm going to teach you neck relaxation exercises.
34:49Are you ready to start the session?
34:52Yes, very ready.
35:19Let's go.
35:44Good afternoon.
35:46Excuse me.
35:47I didn't realize there was someone else.
35:50When I do this, I lose track of time.
35:53The world disappears around me.
35:57Do you like it?
35:59It's very pretty, yes.
36:01Would you dare to tell me what it represents?
36:06It's a bird.
36:07But I don't know what kind of bird it is.
36:10A crane.
36:11In distant Japan, this technique is called origami.
36:15And origami in the shape of a crane
36:17is given to wish for health and a quick recovery.
36:22Take it, it's a gift.
36:28Thank you very much.
36:32But this will have to be a secret between you and me.
36:36It's better not to tell Dr. Mendoza according to what things.
36:41Tell Dr. Mendoza what you think he wants to hear.
36:44Over time, you realize that this is the best.
36:46Because if I told the doctor what I think he wants to hear,
36:50he would take me for a whore.
36:53Although it's not easy to deceive Dr. Mendoza.
37:01My name is Brigida, by the way.
37:04You?
37:05Matilde.
37:09I'm going to seem very daring.
37:14Could I ask you why you are in this consultation?
37:20Excuse me, sorry.
37:22It's just that sometimes I don't realize how clumsy I am asking questions.
37:26No, it's just that I didn't expect it.
37:29Yes, I know what's going on.
37:31And you don't have to answer me.
37:33Whatever the reason you're here for,
37:36you will overcome it.
37:39Just like I overcame mine on your day.
37:42I hope so.
37:54Could I be your friend?
37:58Sure, I don't see why not.
38:01It's just that I don't have many, you know?
38:04Well, actually I don't have any.
38:06But I'm learning to relate better to people.
38:09To not scare them with my craziness.
38:18It's my turn.
38:20Dr. Mendoza is waiting for me.
38:22Let's go.
38:36Why do you have to think that your father and your mother
38:38still have to celebrate a fake wedding, okay?
38:40So stay like this, quiet.
38:42Don't get any bigger.
38:49Do you think you're fooling me?
38:51Esperanza del Carmen Pérez Aragón is not fooling you.
38:56I've found...
38:57Well, I think I've seen a spot.
38:59Don't you see a spot around here?
39:01No, no. What I see is that you were alone,
39:04talking in front of the mirror.
39:06I mean...
39:09You're pregnant.
39:11Come on.
39:12Esperanza, please.
39:13I've said it many times.
39:14I've said it three times already.
39:15It must be for a reason.
39:16Well, I'll tell you three more times
39:18that I'm not pregnant.
39:19I'm not pregnant.
39:20Well, you're not like San Pedro,
39:22who denied three times that he knew Jesus
39:24and it turns out that they were intimate.
39:25Well, if you have nothing else to accuse me of,
39:27I'm going straight to the showman.
39:29He doesn't understand himself.
39:30The rushes that have come in for work,
39:32the same that have come in to marry you
39:34all of a sudden with the bookseller.
39:35You just met, like who says.
39:38Well, let's see,
39:39when one knows the love of his life,
39:41he can't waste time.
39:43These sudden marriages
39:45always hide something.
39:48Of course.
39:49That's why I've caught you more than once
39:51eating some cake from the showman
39:54and eating it secretly.
39:56Well, I'll pay you later.
39:57Are you calling me a thief?
39:59Not a thief, but a liar, yes.
40:01Because you get a lot of sweet cravings here.
40:04Oh, the pregnant woman.
40:06She's hot, girl,
40:07with the fly behind her ear, really.
40:09Not a fly.
40:10A fly.
40:11And fat like your gut.
40:18Wait, wait, wait.
40:19Let me help you.
40:20Between the two of you.
40:21I think it'll be easier.
40:22There.
40:24From attraction, from fair, to art.
40:29Agustín Comas Conference.
40:33A little clumsy, isn't it?
40:35What do you think?
40:36I thought he liked it
40:38if I gave him a little more space.
40:40I don't know,
40:41I don't know,
40:42I don't know,
40:43I don't know,
40:44I don't know.
40:45I thought he liked it
40:46if he gave me a good look.
40:49Yes, but now that I see him,
40:51I don't know,
40:52you're the expert,
40:54but I see him more like
40:56a conference
40:58of the nice and erudite
41:01Agustín Comas.
41:03It's clear that you don't need a fly
41:05to be sold.
41:06You have a very high esteem.
41:07Don't believe it,
41:08I'm actually very insecure.
41:10Especially when I have a pretty woman in front of me.
41:13Yes, you're actually very good at it
41:16because I would never have had you as someone insecure.
41:18All facade.
41:20The real Agustín Comas
41:22doesn't let himself be seen so easily.
41:25And I thought I had him cornered.
41:27So,
41:28there's more in you than what you look like?
41:32Yes, I'm a whole box of surprises
41:34and you
41:35are only what you look like
41:38or do I hide a secret from you?
41:39Many.
41:40What happens is that I can't tell you
41:42because otherwise they would stop being secrets.
41:45Well, much better
41:46because I prefer to discover secrets for myself.
41:52Well, Esperanza,
41:53stop with absurd conjectures
41:55and let's focus on the practical.
41:57My wedding.
41:58On the practical and on the fast,
42:00because that...
42:01I still don't have a godmother for the wedding.
42:05Because in theory it had to be Miguel's mother,
42:07but maybe she won't be able to come.
42:08And, I don't know,
42:09we had...
42:10we had thought of you,
42:11but I don't know if you really want to be a godmother.
42:15Of course I want to!
42:17You won't find a better godmother than me.
42:19If you don't ask Antonia.
42:21Well, better not ask her.
42:23Well, then,
42:24would you like it
42:25if Miguel's mother can't?
42:27Of course.
42:28But when will you know that?
42:30Because if I'm going to be a godmother,
42:31I have to apply for a haircut.
42:33Don't you want me to go with the bow?
42:34Well, I'll talk to Miguel.
42:36Yes, but quickly.
42:37Because you're getting married in three days
42:39and my hairdresser is in great demand.
42:41Well, I'll talk to Miguel today.
42:44I'm so excited!
42:45Oh, yes!
42:52Look at her,
42:53she takes the subject out of the godmother
42:55and shuts me up.
42:58I think the most interesting thing about the design
43:00is the name, right?
43:01Agustín...
43:02Agustín.
43:03I'm very glad you're the speaker for tomorrow.
43:05Thank you very much.
43:06I hope to see you there.
43:08Are you going to be ready?
43:09I don't promise anything,
43:10but I'll try.
43:13By the way,
43:15wouldn't it be better
43:16if the cinematographer did the magic?
43:19I'm sorry, I'm sorry, I'm sorry.
43:20I don't want to get into where they don't call me.
43:22I'm sorry, I'm sorry.
43:23Because the expert here is my niece.
43:25Good luck tomorrow, Agustín.
43:27Thank you very much, Mr. Fermin.
43:31I saw him until...
43:34Your uncle says so.
43:36He's a bit of a snob.
43:38You know what?
43:39I don't know if you'll be able to
43:41transmit the magic to the cinematographer.
43:43Because I think what you're interested in
43:45is not magic, but money.
43:47Or am I wrong?
43:49No one gets into the theater business
43:52for money,
43:53especially not in this country.
43:54Although I'm sure
43:57that in the future,
43:58the art of entertaining
44:00will move a lot of money.
44:03That's how I am,
44:04an advance in my time,
44:06a precursor,
44:09a visionary, a pioneer.
44:12What you are is a great seller of yourself.
44:17But what do you do with what I send you to put it?
44:19Add to the poster the magic you have.
44:31Good evening, Antonia.
44:33Wait a minute.
44:35I'm going somewhere.
44:39Thank you.
44:43How silly.
44:44I left my tweezers.
44:45I'm going home. I'll be right back.
44:47No need.
44:48Take it.
44:49No, no, no.
44:51I'll take mine.
44:53But we can share things, right?
44:55It's okay.
44:58I just...
45:00I prefer each one with his own.
45:07It's okay.
45:08Thank you.
45:16Antonio,
45:18I know I'm to blame for this situation
45:20in which Peter and I find ourselves.
45:23And you too.
45:27The three of us are uncomfortable like this.
45:30And I just hope that this is fixed as soon as possible.
45:34I hope so too.
45:41I understand that your situation is not easy.
45:43That...
45:45That you are in a legal limbo.
45:48Officially, right now,
45:51you don't exist.
45:52No.
45:53Nothing easy.
45:55It's as if my life was standing still
45:58until some papers arrive to certify that I'm alive.
46:02And what are you going to do when they arrive?
46:05Are you going back to Italy?
46:09I don't know yet.
46:11If I only had in mind
46:14to reunite with my family, that's all.
46:18Well, for now, I've been able to meet my husband
46:21and Peter.
46:23And finally, I've been able to speak on the phone with Giancarlo.
46:28How did it go?
46:31How did it go?
46:33Giancarlo...
46:35Well, Giancarlo still needs time to accept that I'm alive.
46:39It was a surprise for him.
46:41For everyone.
46:44Yes, for everyone.
46:46I never thought
46:48that I would meet Peter again
46:51just about to marry you.
46:55That's something I've never understood.
46:58I really thought that after all this time,
47:01Peter would still be waiting for you.
47:05Well,
47:07it may sound ridiculous, yes.
47:11But I always dreamed of going back to Peter.
47:15To go back to our life and that our love would remain intact.
47:22Is everything okay?
47:23Yes.
47:24Here, between neighbors.
47:27That's how it's said in Spanish, right?
47:29De chachara.
47:31Yes, that's how it's said.
47:33Thank you.
47:34Keep them if you need them.
47:36No.
47:37I don't like to keep what's not mine.
47:42Bye.
47:44Bye.
47:50I'm from the consulate.
47:52I have news.
47:53What did they tell you?
47:54They're going to start all the procedures to fix your situation.
47:57That's great news, Pietro!
47:59Let's go home and tell me everything calmly.
48:02Yes.
48:14Bye.
48:27Thank you.
48:29Look, I admire my boss like no one else.
48:31But what he's done is very risky.
48:34Things are not like they used to be.
48:35I think Mrs. Teresa is very brave.
48:38I've never heard you talk like that about Cañete.
48:40Because I'm worried about him.
48:41And putting your job at risk just like that...
48:44Look, it's true that a superior has to approve the days off.
48:48But Mrs. Lázara didn't give them to him because she didn't want to.
48:50She did it to annoy him.
48:52But the thing this time is that Mrs. Lázara has the last word.
48:56And that last word may be farewell.
48:58I'm a good dog, a good dog.
49:00Weirder than the good ones, Mrs. Teresa.
49:02That I smell.
49:03That I smell this.
49:04These little things.
49:06Elias.
49:07Yes.
49:08That order is already taking time.
49:10And, of course, leaving, Mrs. Lázara.
49:12If you'll excuse me.
49:17I have seen in the obligation to inform Mr. Fermín
49:19the decision of Cañete to take a few days off without permission.
49:24Very good, I think it's correct.
49:26Mr. Fermín has to be aware of everything that happens in the living room.
49:29As I have also seen in the obligation to inform him
49:32that this situation has been caused by his negligence.
49:36By my negligence, he says.
49:38I warned you.
49:40I told him to inform me at the right time
49:43the days that Cañete was going to take.
49:45We are not talking about any employee.
49:48We are talking about the head of the waiters, for the love of God.
49:51Do not have the audacity to interrupt me.
49:57Here is a list of tasks that I want you to do.
50:03As you will see, some would correspond to Cañete.
50:06But since you have been kind enough to give him a few days off
50:09it will also seem good to you to help him with the work.
50:14But if there are no hours in the day to do all this,
50:17then find them and I don't want complaints.
50:20As you can see, there is a blank space
50:23to write more tasks as I can think of.
50:29You wanted to play with me, right?
50:31Very good.
50:32Well, I'm going to take you to the limit.
50:35And you won't have time to breathe.
50:39If you think you're going to get rid of me like that,
50:41you're less clever than I thought.
50:44And now, if you'll excuse me, I have a lot to do.
50:47Let her say it.
50:54Table 7 is waiting.
51:05Thank you for coming to pick me up.
51:08How was I going to miss a walk back home with my wife?
51:13I didn't want to ask you during the walk, but...
51:16How was the session with the doctor?
51:19I don't know.
51:20I really told him the same thing I told him the first day,
51:23but I have the feeling that today he didn't believe anything I told him.
51:28Well, that may be your interpretation.
51:31I don't know.
51:33I don't like that man very much.
51:36Give him a chance.
51:38He's a professional and a recognized doctor.
51:42Maybe that's his method,
51:44but I can assure you that it gives very good results.
51:48Maybe.
51:49I'll be more collaborative next time.
51:52Today I felt a little crazy.
51:54Well, I'm going to propose a plan.
51:57What do you think if you rest, I'll prepare dinner
52:02and then we sit here on this sofa and listen to music.
52:07And we hug.
52:09We hug a lot.
52:12And whatever God wants, give it to me.
52:16I'm going to get more comfortable.
52:19Come on.
52:21Come on.
52:30Darling, what's going on?
52:34It was her.
52:36What do you mean?
52:38You know who I'm talking about.
52:41My love, the bird could have flown in and hit herself.
52:45But don't you see it, Inigo?
52:47It was on top of my robe, it's here.
52:49Someone put it on, someone put it on.
52:51We're not alone here, no one has come in.
52:54Please, tell me someone is playing with me.
52:57Tell me I'm not crazy, please.
52:59Calm down, calm down.
53:05What have you done, Carla?
53:07Don't tell me you're out again.
53:09Wait, are you telling me that my wife went with a dead bird?
53:13She put it in my bed to make me believe that she found it there.
53:17That's right.
53:18I'd like to value her after what she told me.
53:21I live with Lucia because she doesn't know where to go.
53:24She has no place and I can't leave her.
53:27Of course, otherwise she wouldn't be a good Christian.
53:29She's not a good Christian either, she has two wives.
53:31I didn't know you had an appointment.
53:33No, I didn't have an appointment.
53:35In fact, my husband fixed it for me at the last minute.
53:37For what do you want?
53:39To thank you for throwing me a cable yesterday.
53:41You don't appreciate that.
53:43What I would appreciate is that you don't make me wait like a fool ever again.
53:47My family watches me all the time.
53:49They look at everything I do with a magnifying glass.
53:51They turn everything I say around.
53:53All the time looking for symptoms that I'm crazy.
53:56Well, Mrs. Lazara was giving me a rapapolvo of care.
53:59But I hope to have it against the ropes sooner or later.
54:03And that? What happened?
54:05Well, you see, I went to the Almacenes Madrid Paris.
54:08And I talked to one of the dependents who worked with her.
54:10What happens now with Elias?
54:12Well, he's going to make us lose the whole thing now, Miguel.
54:15But let's see, can you tell me what happened?
54:18What does he want to publish an ad in the newspaper?
54:20All I want to know is if I'm going to be a godmother.
54:22Well, that.
54:24And why are you in such a hurry? Why are we going?
54:27You have to see how fast.
54:29You already know how much I play with this.
54:31And that I, for a friend, whatever.
54:33But it is that from the first moment we said that we were going to do this discreetly.
54:37I'm sorry, but this ends here.
54:40You haven't been very interested in the conference, have you?
54:43No, I found it very interesting and very pleasant.
54:47For someone who doesn't know much about cinematography,
54:49I think it was a very good experience.
54:51It's hard to impress her, isn't it?
54:53Don Inigo.
54:55Esperanza.
54:57You have to call Dr. Mendoza's consultation.
55:00Excuse me?
55:01He just called Moderna asking about Matilde.
55:04From what I can see, he had an appointment with him and he hasn't shown up.
55:07I don't even touch Lucia.
55:08Let's see what you think, Antonia.
55:10I don't think anything, Pietro.
55:12I say what it is.
55:13When we get Lucia back to Italy,
55:16if you want it, everything can be like before.
55:20With Dr. Mendoza's consultation, please.
55:23Yes, yes, yes, that's right.
55:25Thank you, I'll wait.
55:27Barbara?
55:32Barbara?
55:37Barbara?