Al Fondo Hay Sitio Temporada 11 Cap 78 Completo
Al Fondo Hay Sitio Temporada 11 Cap 78 Completo
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TV ve DiziDöküm
00:00What?
00:01What you heard.
00:02Are you serious?
00:04Yes, yes, it is.
00:06Unless you don't agree.
00:12You're looking at me like eyes in love.
00:16Lorena, please.
00:19You're wrong, I'm not in love with you.
00:21I mean, of course, you're the mother of my daughter and I have a special affection for you for that, but...
00:27From there to be tempered with you, please.
00:31What's more, I'm dating someone.
00:35At first I didn't like her that much.
00:37But let me tell you.
00:39She won my trust, my respect and my affection.
00:42And you know her job, she's good.
00:44No, no, no, that's her technique.
00:45That's her strategy.
00:46You have to get along with the person.
00:48Why?
00:49Because then, zass, you take her away.
00:52What are the clients?
00:53Do you realize?
00:54You think?
00:55Please, I'm convinced.
00:57A letter has arrived from the municipality.
01:00From the municipality?
01:03And what does it say?
01:05Well, here it says that the municipality invites us to a pre-marital chat.
01:12I was happy and calm that the two of us are happy with our relationship.
01:17Happier than dogs with two tails.
01:20Perfect.
01:21Well, then, see you.
01:22Yes, perfect.
01:23See you later.
01:24Bye.
01:25Enjoy.
01:27Have fun.
01:32Tell me if you can, if you can't, if you can't.
01:34No, no, no, yes I can.
01:35I'll give it to you at three in the afternoon.
01:36Yes, go, go, go.
01:37Yes.
01:38Ready.
01:39Go, go, go.
01:40At three in the afternoon.
01:41It's late.
01:42Go, go, go.
01:44Romina Serrucho.
01:46Romina Serrucho is here.
01:48In my workshop.
01:50Then we wait for him for lunch.
01:54Okay, goodbye.
01:56What did the mayor say?
01:58That the talk can be in our house.
02:03I was thinking of something.
02:05It is a desperate measure, but I think it could work.
02:11Tell me, what is it about?
02:12Tell me a lot.
02:19No, there is no way.
02:20I'm not going to do it, man.
02:21Please, Pepito.
02:22Don't be evil.
02:23It's just a little while.
02:24I repeat, I'm not going to do it.
02:27Look, I would do it for you.
02:29Don't come to me with that.
02:30Don't come to me with emotional chatter, please.
02:32Of course I would, man.
02:33I wouldn't even think about it for a second.
02:35You know I'm not very good at walking in high heels, man.
02:37It's true, it's true.
02:39And I have thought about it.
02:40But you can wear flat shoes or shoes.
02:41I'm not going to make any problem for your look.
02:43What?
02:44Why don't you tell Joel to borrow those dirty ones?
02:47No, yes, yes, I thought about it.
02:48But right now he's with a mustache and a beard and he's not going to shave.
02:50On the other hand, you shave every day, man.
02:52And your skin is soft.
02:54What part of I'm not going to be your man you don't understand, man?
02:57It's very risky.
03:00Is it your last word?
03:01It's my last word.
03:05I thought you were my best friend, Pepito.
03:08I thought you would be ready for everything for me.
03:11But I see that I was wrong.
03:13Man, but don't get like that, man.
03:16Pep, come back.
03:17Eduardo.
03:18Eduardo.
03:19Let me go.
03:21For the love of the Lord God.
03:24And I, who had already gotten used to living in the body of a queen.
03:28But I can't break.
03:31I have to be strong.
03:33Oh, what worries me is this change.
03:36My divine creature, if it can affect him.
03:40Oh, what do I do?
03:45Doña Francheca will be missing me?
03:48Maybe she wants me to come back.
03:50Oh no.
03:52What I did was very strong.
03:54Although I didn't really do it.
03:56The fault of all this.
03:58It was Gaspar.
04:00End of the matter.
04:06Rominita.
04:07That Rominita.
04:09And how lucky that you found the manual of the classic car.
04:12Yes.
04:13Nothing, there is little left for you to come and pick it up.
04:15Exactly an hour is missing, baby.
04:17An hour?
04:18Yes, a little.
04:19It can't be.
04:20Yes, an hour.
04:21But don't worry.
04:22I mean, if you want to give up now, I understand.
04:24What? No, no, no, no.
04:25Give up? No.
04:26I would never give up, boss.
04:27I'm just surprised how fast time has passed.
04:29But she's almost ready.
04:31Wait, what do you mean she's almost ready?
04:33Yes.
04:34On the internet I found the manual of the original Mustang of 65.
04:37And it helped me with the problem.
04:39But now one thing is practice and another thing is theory.
04:40So let's see if it works.
04:41Do you accompany me?
04:42Let's see if it turns on.
04:50Damn it!
04:51What?
04:52Because you destroyed it.
04:53No, it's a song that I like a lot.
04:55Yes, of group 7.
05:00Please, Felix.
05:01Say yes.
05:02I beg you.
05:03You are my last hope.
05:05I'm going to try to kiss you.
05:06Yes, but only on the cheek.
05:08Yeah, but what about the makeup, the clothes, all those things?
05:10No, no, no.
05:11Don't worry about anything.
05:12I'll take care of all the production.
05:13You just have to confirm that you are going to do it.
05:15Tell me yes, please.
05:16I beg you, Felix.
05:17Please.
05:18Turn everything around that one has to do for friends.
05:21Will you do it?
05:22Thank you, Felix.
05:23You are a good friend.
05:24Yes, I'm a good friend.
05:26And I hope you are also a good friend.
05:30I don't understand.
05:31What do you mean?
05:32What do you mean you won't understand what I mean?
05:37Are you going to charge me?
05:38Even if it's something symbolic, man.
05:41Yeah, yeah, yeah.
05:43I'll buy you a box of beers, but you drink them with me.
05:46Deal.
05:47That's it.
05:48Good, good, good.
05:49Well, what would you like to be called?
05:51Well, I've always liked the name Juani.
05:53Fanny?
05:54Yes, but not Fanny.
05:55Juani.
05:56Fanny, then.
05:57Fanny, with an E.
05:58Oh, yes.
05:59Well, whatever you want.
06:00Juani.
06:01Juani, Juani, Juani.
06:02Good.
06:03I'm going to put you like this.
06:04Like this.
06:05Like this.
06:07Oh my God.
06:08Why did I listen to Maripaz?
06:10What a shame.
06:12I let myself go.
06:15Who could that girl be dating Tito?
06:18Is she as pretty as she says?
06:19Or did she say it just to impress me?
06:25Oh, Lorena.
06:27I'd better go pick up Maripaz from school.
06:31Son of a bitch!
06:33I haven't seen Romina crying around here.
06:35The one who's going to cry is me.
06:37And you too, but with a big mouth.
06:38Why?
06:40She's really good.
06:41Yes, boss.
06:42Yes, she fixed the car.
06:44I think you can give me a two out of three.
06:46I believe it and I see it.
06:48Now what do you want to do to make the announcement?
06:50I don't know.
06:52But I can think of something.
06:54Hey, man.
06:55Hey, man.
06:56Manito.
06:57Hey, manito.
06:58What are you doing here?
06:59What are you doing here, man?
07:00Do you want your soup or what?
07:01No, I want a couple of menus to take.
07:02Two.
07:03You know.
07:04You're my older brother, man.
07:05I have to serve you the grass.
07:07More chicken, less velula.
07:08More chicken, less velula.
07:09More chicken, less velula.
07:10Go, go, go.
07:11This is my house.
07:12Hey, young man.
07:13What's going on?
07:14Ma'am, these wontons don't have filling.
07:16What do you mean they don't have filling?
07:17If I haven't filled anything myself,
07:18I put a lot of chicken and a lot of prawns.
07:21I'm the pineapple from here in Chifa
07:22that doesn't have filling then.
07:23Of course, man.
07:24You call yourself pineapple.
07:25He's the pineapple.
07:26What can I do?
07:27Oh, I'm pineapple.
07:28Since I'm pineapple,
07:29I'm not going to pay for those wontons
07:30filled with air.
07:31Hey, Flango!
07:32Don't sound like that.
07:33Hey, pay me!
07:34Hey, I'm not going to pay you.
07:35Pay me, I said!
07:36Hey, come on now.
07:37Thanks.
07:38Relax.
07:39Relax.
07:40Flango, don't.
07:41Keep working like that.
07:42Stop, stop, stop.
07:43Stop, Pigeon.
07:44Plunger.
07:45That, that.
07:46Next week.
07:47Lyreamy.
07:48What's going on?
07:49Do you have a car?
07:50Let's go, but an old one.
07:51It's a Benz.
07:52Oh, I see, I see.
07:53Well, I can
07:54do a maintenance for you for free.
07:55Can I or can't I?
07:58But first,
07:59I need you to do me a favor.
08:00I
08:04Guess I miss my convention early nada de nuestra fecha de boda en el almuerzo tranquila pambina. Yo soy muy discreto
08:12Yeah, boy
08:21Venimos para la charla pre matrimonial municipal
08:25Perdonen pero
08:27Deben haberse confundido no aquí mismo he apuntado la dirección que nos dio el alcalde
08:33Si nosotros pensamos que también era una confusión, pero ahí está corroborada la dirección
08:42Mira tener que ver a este as naziqui todavía
08:49Dicen que el alcalde los invitó
08:52Entonces hay que hacer los pasaros antes de que llegue el alcalde
08:57Parece que ya estamos todos completos para la reunión
09:14Listo Felix ya puede salir
09:22Como me veo
09:24Muy bien, muy bien. Yo creo que podrías confundir a cualquiera no este ebrio osorio
09:30Bueno, la cosa es confundir a lorena. Eso es lo importante. Sí. Sí y lo vas a hacer muy bien
09:35Mira en cualquier momento va a llegar lorena y maripaz, pero mientras tanto vamos ensayando tu caminada ya
09:41ven tomame el brazo para que todo salga pero
09:43Sí
09:46Qué tal cómo te sientes
09:49No molestan los zapatos también ya pero tenemos que hacer algo con tu caminada
09:53Tienes que contornear un poco más las caderas como hace la tele así ah bueno ya vamos a ver cómo me sale ya
10:02Hola tito
10:13Y
10:18Es el arroz con pollo me ha quedado en el diente ya almorzaste
10:25No pasa nada si tú quieres comer rico tienes que ir al chifa yin-yong o al menú del tío otoño
10:30Eso es un buenazo. No sabía
10:33Todavía esperando que venga a jugar pero se demora
10:36lo atreve el menú
10:39Y
10:42Discúlpame pero me distraje y en el chifa hay una colaza mano
10:51Ramina tuya
10:55Sí sí yo estoy con el tanque lleno
10:59Entonces tú te encargas del taller ya nosotros acá vamos a hacer la hora del pique
11:05Ya ya ya sí está bien que me encargo
11:08Sí
11:13Ah
11:26Buenas tardes
11:29Quiero que me le pala en mi carro que anda fallando se apaga solito
11:32Si desde cuando se está pagando
11:35años
11:38Hurry up, hurry up!
11:40I'll check on him.
11:42Hurry up, hurry up!
12:08What a beautiful color of harvest!
12:15And those tears that form around the glass are perfect.
12:20They are amazing, mayor.
12:22The violaceo is typical of our best morapios.
12:27The wines that we have tried are lighter.
12:31Yes, they are more pinkish.
12:33Pinkish? Then have you tried a rose?
12:35No, bourgogne.
12:38And what do you say about the aroma, Rolando?
12:42With your nose, you can perceive all the fruits of the harvest.
12:48You can feel the French oak barrel.
12:53An explosion of flavors in your mouth, it's incredible.
12:56Persistent, they stay under the taste buds,
12:59intensifying the flavor of the morapio.
13:01It comes out, it goes up, fascinating, unique.
13:04What an ugly taste!
13:06Yes, me too.
13:08I agree that I don't like it much.
13:11I prefer the young cheese.
13:14What does the alfajores donkey taste like?
13:18Well, I would like to start this meeting
13:22thanking Mrs. Antonia for so much hospitality.
13:27You have nothing to thank for, Mr. Mayor.
13:30For me it is an honor to offer my home for this great event.
13:35Thank you, Mrs. Antonia.
13:37And I take this opportunity to congratulate you and your partner
13:41because they are proof that love in the third age is possible.
13:52And you two, young people, are the best example
13:56that love does not know of races or sociocultural contexts.
14:00I applaud your decision to marry,
14:04no matter what they say.
14:07Sorry, Rolando.
14:10I think you're getting confused.
14:13Yes, I'm not going to marry that decrepit old man.
14:19Oh no?
14:20No.
14:22My boyfriend is the attractive young man here.
14:28The lying teacher is going to marry the pretty girl from the Titanic?
14:32Oh no? How?
14:34Calm down, calm down.
14:35What is it?
14:36No.
14:37No.
14:38No.
14:39No.
14:40No.
14:41No.
14:42No.
14:43No.
14:44No.
14:45No.
14:46No.
14:47No.
14:48No.
14:49No.
14:50No.
14:51No.
14:52No.
14:53No.
14:54No.
14:55No.
14:56No.
14:57Stop it.
14:59Stop it.
15:00No.
15:01No.
15:02Come here.
15:03I'm not going to marry that decrepit old man.
15:05No, no, his brother is the attractive young man here.
15:09The lying teacher is going to marry the pretty girl from the Titanic?
15:13Oh no, Rolando.
15:15How?
15:17No.
15:18No.
15:19No.
15:20No.
15:21No.
15:22What?
15:23Yeah?
15:24Yeah, yeah, yeah.
15:53I swear, and not just me. Valentino also noticed.
15:56Don't talk to me about that guy.
15:57Because of him, I screwed up with Tito.
15:59Yeah, yeah.
16:00Now, Félix, give me your hands.
16:01Give me your hands.
16:02My hands?
16:03Yeah, yeah.
16:03My hands?
16:04Yeah.
16:04There you go.
16:05Now give me a kiss.
16:06A kiss? Right now?
16:07Yeah, right now.
16:08Give me a kiss.
16:12Another one.
16:14What do I do? What do I do?
16:15Nothing, nothing. Let's walk, let's walk, let's walk.
16:24TITO'S GIRLFRIEND
16:34That must be Tito's girlfriend.
16:36Her? And who's the other one?
16:39I don't know.
16:40Probably a friend that they're going to introduce to Pepe.
16:42I guess.
16:43They look nice.
16:45Well, they're kind of...
16:47exuberant, right?
16:48What will their faces be like?
16:50I don't know. I can't see them.
16:52Well, we're going to have the opportunity to meet Tito's girlfriend.
16:56Mom, let's have lunch. I'm hungry.
16:58Yeah, yeah. I'll serve you.
16:59Let's go.
17:22We did it!
17:23Lorena and Maripaz agreed on the story!
17:25That's great, Felix!
17:27Yeah, and I'm a whore?
17:28No, no, no, no, no, no, no, no.
17:30Of course not, man.
17:31Thanks to you, all of this turned out to be much more verisimilar.
17:34Really, thank you, guys.
17:36You helped us.
17:37Yeah.
17:38Hey, Tito, can I change now?
17:39Because now it's already touching me.
17:40Yeah, yeah, of course.
17:41We'll get together in a little while to drink that junca I promised you.
17:45Felix, I love you.
17:46But first, give me a hug!
17:48Yes!
17:51Be careful with changing my clothes, okay?
17:53Or unbuttoning any sweater to make me look better.
17:56What did you say, ma'am?
17:57Yes, that I already know you, girl.
17:59When you're drunk, I'm already happy.
18:01Oh, no, ma'am.
18:02You're making a mistake with me.
18:04I'm not a whore.
18:05No, if you can tell that you're a whore.
18:09How can you tell that you have failed several times and that's why you don't trust me?
18:12But you know what, Mrs. Lee?
18:14Stop showing me that there are still honest, honest and very legal people.
18:19Yeah, but the word legal and mechanical don't go together.
18:22Oh, that's a very ugly prejudice.
18:24Just hurry up, mommy.
18:25I have to go to the store to buy my cell phones.
18:27I'm going to work, Mrs. Lee, if you allow me.
18:30Okay?
18:31Because I want this cart to look good.
18:33Because I want you to go buy those vegetables at the market
18:36and you can make those delicious dishes that they told me were your favorite.
18:39Oh, thank you, little girl.
18:41What's your name?
18:42I'm Romina.
18:43Nice to meet you.
18:44I like you.
18:45I'm going to let you work in peace.
18:47Thank you for your trust.
18:54Juan Juan.
18:55Wasn't Aunt Lee going to make Romina cry?
18:59Well, that's what we agreed on.
19:01But look at her, look at her, look at her.
19:02They are two childhood friends, two pinkies.
19:04No, I'll take care of that in a little while.
19:08Mrs. Lee.
19:09Mrs. Lee.
19:11One moment, please.
19:13One moment.
19:14What's up, fish face?
19:16What are you doing with Romina?
19:18Aren't you supposed to punish her, bother her,
19:20so that she gives up?
19:21And I do all the maintenance, fix the cart for you.
19:24No, it's just that I like Luminita.
19:27Besides, she wants my cart to be in perfect condition.
19:32No, no, no.
19:33Don't worry about that.
19:34I'll take care of it.
19:35I'll fix it.
19:36No, Pepe.
19:37She's better than you, Pepe.
19:38What did I say?
19:39Of course, Pepe.
19:40She's better than you.
19:41No, no, no, Mrs. Lee.
19:42Don't worry about that.
19:43I'll take care of it.
19:44No.
19:45I want her to do it for me because she's better than you.
19:47Then I'll fix it for you.
19:49Run, Pepe.
19:50Run, Pepe.
19:51Pepe.
19:52Pepe.
19:53Pepe.
19:54Pepe.
19:55Pepe.
19:56Pepe.
19:57Pepe.
19:58Pepe.
19:59Pepe.
20:00Pepe.
20:01Pepe.
20:02Pepe.
20:03Pepe.
20:04Pepe.
20:05Pepe.
20:06Pepe.
20:07Pepe.
20:08Pepe.
20:09Pepe.
20:10Pepe.
20:11Pepe.
20:12Pepe.
20:13Pepe.
20:14Pepe.
20:15Pepe.
20:30Today was better.
20:32Yes, it's talking, dad.
20:34Exactly.
20:35I have a very important topic that I want to talk to you about.
20:41What is it? Why so serious?
20:44Because it's a very delicate topic.
20:47Okay, I'm listening.
20:50Well, you've always complained to me for not giving you the same opportunities as your brother.
20:58Dad, that doesn't matter anymore. It's over.
21:01Of course, it's over, but I want to get my revenge somehow.
21:07And that's why I'm giving you this.
21:12What is this?
21:14Open it and you'll see.
21:32Dad, is this a joke?
21:35No, it's not a joke.
21:37I already paid for the ticket, I already bought the plane tickets.
21:40You're leaving tonight.
21:42Dad, I'm going to Paris today.
21:44To study a diploma in the best school in that city.
21:47I can't believe it, Dad. This is a dream come true.
21:50And you deserve to achieve all your dreams.
21:52And while I can do something for you to achieve them, I'll be there.
21:55Oh, thank you.
21:57Thank you very much.
21:59I'm going to Paris.
22:01Yes, yes, yes. There's no time to lose.
22:02You're going to get ready.
22:04Yes, yes, yes. Then I have to tell everyone.
22:06To Cristóbal, to Jimmy, to Macarena.
22:08I'm going to call Macarena.
22:09Yes, yes, yes.
22:10No, no. Hurry up.
22:11Get your things ready because you're leaving tonight.
22:13No, but Dad, I have to do a lot of things.
22:15I have to clean and the restaurant.
22:17How am I going to do that?
22:18Calm down.
22:19I already talked to Francesca.
22:20I already talked to Francesca and she totally agrees that you're going to study at the best school.
22:24Alta Cocina.
22:25Oh, I can't believe it. Thank you.
22:28Come on, run. The plane is leaving.
22:30I'll call you. Thank you. Thank you.
22:47And this was the pre-marriage talk by the mayor of the New Lomas.
22:52Of course.
22:57Mr. Mayor.
22:58I would like to take advantage of the fact that we are all together to ask you a small favor.
23:03Tell me, Mrs. Antonia.
23:04If you would help me find a date to marry Xavi.
23:11It is that, you see, he needs to regularize his foreign papers.
23:16Mr. Mayor.
23:17And I love him very much.
23:19And I don't want you to find yourself in these situations again.
23:24That's exactly what I wanted to tell you.
23:26We love each other very much.
23:27It is a love that is strengthening day by day, minute by minute.
23:30Second by second, right?
23:35Yes.
23:36We don't see the time to be husband and wife.
23:40Mrs. Antonia.
23:41Mr. Sanz.
23:42Don't worry that as soon as I get to the municipality,
23:45I'm going to see the schedule of the month and I'll get in touch with you.
23:49Thank you very much, Mr. Mayor.
23:50Now, with your permission, I have to retire because I have to go to inaugurate a Pet Friendly shopping center.
23:57Perfect.
23:58To fulfill your duty, Mayor.
24:00Good afternoon to everyone and don't forget.
24:03I'm going to run for re-election.
24:05See you later.
24:06Very good.
24:07See you later.
24:10Bye.
24:15And what are you waiting for?
24:18For what?
24:19To retire.
24:22There are some things that we have to refer to about your fiancé.
24:28Please.
24:29The grandmother of the Titanic has to know.
24:31I mean, Mrs. Antonia has to know everything that happened from our mouth.
24:35First of all, I don't know where you got that appellation so offensive to address me.
24:44And secondly, there is nothing to tell me that I no longer know about my kitten.
24:51Your kitten?
24:52Yes, that's what she calls me affectionately.
24:54And do you know why we have tried to lynch your kitten several times?
24:58Yes, I know.
25:00And I don't care.
25:03And? What are you waiting for?
25:05I let them stay alone so as not to bother the mayor.
25:09Let's go, Tortolita.
25:11God raises them and they get together.
25:16Have you seen yourself?
25:18Grandmother of the Titanic.
25:20But if I can be Rose.
25:22It is that Rose is the grandmother of the Titanic.
25:25What?
25:26Sorry, sorry, sorry.
25:27What was I thinking?
25:29Mine.
25:31Oh.
25:38Now I'm sure that time and distance will do their job and end that stupid relationship.
25:45I don't know why he gave us that talk if he only told us that we had to pay to do the requirements.
25:50As if we didn't know.
25:52What surprises me is that the wedding date can be postponed so quickly.
25:59Should we do the same as Mama Montalban with this garbage churro?
26:04Sorry, I was passing by and I couldn't help but listen to them.
26:07What did my mother do with that Spanish gigolo?
26:10They postponed their marriage.
26:13Oh, they're going to get married soon, soon.
26:29Hello, Alessia.
26:30Jimmy, you don't know what just happened to me.
26:32Something good or bad?
26:33Very good. So far I haven't been able to assimilate it.
26:35What happened?
26:36My dad gave me a diploma at the École Ducasse de Paris.
26:40What is that?
26:41It is one of the most prestigious cooking schools in all of France.
26:45Oh, I knew it.
26:48So what? Do you have to go to Paris?
26:51Yes. In fact, I'm going there today.
26:55And you leave like that from one moment to another?
26:57I would be crazy if I didn't leave.
26:59This is a great opportunity for me.
27:01That's why I called you. I thought you would be happy.
27:04Yes, I'm happy for you, but I still feel a little conflicted.
27:09A lot of information from one moment to another.
27:11If I missed the bus, there was no way to accompany you.
27:14I don't know, he sold a kidney and I was going with you.
27:16I just found out too. It was a gift that my dad had saved.
27:20And how long does that diploma last?
27:22A week.
27:23Ah.
27:24My love, a week goes by quickly.
27:26It can be.
27:28And well, I don't understand how you can be so calm.
27:31I'm not calm. I get nervous.
27:34But this is a great opportunity and I want to take advantage of it.
27:37Jimmy, if I called you, it wasn't to fight.
27:39It was to make us happy for this news.
27:46Jimmy, are you there?
27:50Jimmy? Jimmy?
27:52Jimmy?
27:56But what's wrong with him?
28:08Ready, ladies and gentlemen.
28:10Your car is in perfect condition.
28:12It is ready for you to go to the market to buy your vegetables.
28:14Thank you very much, Lominita.
28:16He is the best.
28:17Here I give you the tuning ring.
28:19Ah, thank you.
28:20And a tip for being a good mechanic.
28:23Oh, thank you very much.
28:24And I'm going to give you a ticket so you can go get your soup,
28:27and a helicopter.
28:29How delicious.
28:30Very good, Mrs. Eli.
28:31Thank you very much.
28:32Thank you, Lomina.
28:33I will always come back.
28:34But you take care of me, okay?
28:35Okay.
28:36Bye.
28:40Here is the tuning bill.
28:43Thank you.
28:46Which one?
28:51Wait.
28:52Why are you doing this to me, Joel?
28:53What?
28:54Do you want me to quit and leave?
28:57First you make me deal with a difficult client,
28:59you give me that classic car to fix in three hours.
29:02What's going on?
29:03Well, those are things that happen in a workshop,
29:05if you don't know.
29:06No, no, no.
29:07Those are things that you are making happen.
29:09What are you afraid of?
29:10Fear, I said.
29:11Fear.
29:12I'm not afraid of anything.
29:13Oh, yeah?
29:14No.
29:15Now that you mention it,
29:17do you know what I think?
29:19That you are a snitch, right?
29:21Of course.
29:22And you want to keep all the clients.
29:23What?
29:24Yes or no?
29:25Of course.
29:26That's why you treat them nicely.
29:27Let me see.
29:28What's wrong with you?
29:29That's why you treat them nicely, right?
29:30Here and there, you do whatever you want,
29:31and then to me,
29:32it hurts my head and you take it away.
29:34You are wrong.
29:35If I treat them well,
29:36it's because it's my way of being,
29:37not because of what you're thinking.
29:39I don't believe a word you say.
29:41Look, Joel.
29:42If you want me to quit,
29:43just tell me, that's it.
29:44I don't care.
29:45If you want me to quit,
29:46just tell me, that's it.
29:47But first I'm going to clarify one thing.
29:49If I treat the clients well,
29:51if I'm doing my job well,
29:52if I'm making an effort to do all the tasks
29:54that you entrust me with,
29:55it's because I'm interested in staying here
29:57and then ask you for a raise.
29:59Not for everything you're thinking.
30:00It's just to work.
30:01I just want to work well.
30:03No snitching, snitching.
30:04Hey, hey, hey.
30:05That's my song, just in case.
30:06Oh, yeah?
30:07I didn't know.
30:10So what?
30:11You don't want to snitch on me?
30:13I just want to work.
30:20Well, Romina.
30:22Forgive me.
30:25It's just that...
30:26It's just that you're such a good mechanic that...
30:28Any doubt, man.
30:29Yeah.
30:32So...
30:34All good?
30:35Work?
30:36Are you going to let me work?
30:39Yeah, it's fine.
30:40Yeah?
30:41You can stay.
30:42Okay.
30:44Thank you.
30:51Oh, you shouldn't have treated her like that.
30:55It bothers me that she doesn't consider me.
30:59I know we're far apart, but...
31:02It wasn't to be so far apart.
31:09Jimmy, can we talk?
31:12What do you want to talk about?
31:13You've already made your decision.
31:14I don't want to go to Paris to fight with you.
31:16Then don't go.
31:17And let's fix things.
31:19Why don't we fix things
31:21and then I can go fulfill a dream?
31:26I'm very afraid you'll leave, honey.
31:29Honey, don't be afraid.
31:30I love you.
31:32If you love me,
31:33then wait for me so I can fix things
31:36and then I'll go with you.
31:37I'll go with you to Paris and we can visit other cities.
31:39If you could go with me,
31:40I'm going to study.
31:41It's not a vacation.
31:42I'm going to be busy all the time.
31:44Classes start the day after tomorrow.
31:47Alicia, I...
31:48Honey.
31:49I want to...
31:50Honey, honey, honey.
31:52My dad is out.
31:53He's waiting for me to go to the airport.
31:56Will you go with me?
31:58Mrs. Lee isn't here.
32:00Someone has to stay to take care of Chifa.
32:04Okay.
32:05Then say goodbye to me here.
32:07And well.
32:09I don't want this horrible feeling in my heart.
32:26Take care.
32:30I'll call you when I get there.
32:32Bye.
32:36Alicia!
32:37Hurry up or you'll miss your flight!
32:39Bye.
33:03How nice it would be to enjoy the privilege
33:05of being a Maldini again.
33:09Although Mrs. Francesca doesn't even want to see me in paint.
33:15It's been a day.
33:20Maybe I can try my luck.
33:33Who is it?
33:35Claudio, it's me, Tere.
33:37I want to talk to Mrs. Francesca.
33:39Mrs. Francesca doesn't even want to see you in paint.
33:42Get out.
33:43Claudio, please!
33:46I have orders not to allow you to enter.
33:48So please, don't insist.
33:53Claudio doesn't want to open the door because he's jealous.
33:57But I'm sure that deep down...
34:00Mrs. Francesca wants to see me.
34:02I'm sure.
34:16Bye, honey.
34:17Take care.
34:18So I'm going to a meeting with my friends from school.
34:21But I'll be back later.
34:23So prepare the jacuzzi for tonight.
34:27As you wish, my love.
34:30Have a good day. Have a good time.
34:32Bye, honey.
34:44Hey!
34:46I know what you want to do.
34:48You want to marry my mother as soon as possible
34:50to have control of her money.
34:52But I won't allow it!
34:54The thief thinks that everyone is of the same condition.
34:57Don't you realize that you're worse than before?
34:59Look, I don't care what you think of me.
35:04Look, look! Go watch the movies!
35:06Shut up, you two-mouthed!
35:07Hey, hey, hey! Clown! Clown!
35:09Do you still dare to show your face here in the neighborhood or not?
35:11Don't you think I've forgotten what you've done to my mother?
35:13Look, I haven't done anything to Charo that she didn't want.
35:16Bastard! What did you say?
35:18What did you say? Come here!
35:21Clown!
35:23I'm going to kill you! I'm going to kill you, I warn you!
35:25Handle yourself with judgment!
35:27Be where you live!
35:29Clown!
35:32Unreal!
35:35I think I just found an ally in this battle.
35:56THE THIEF
35:59THE THIEF
36:24It's time!
36:26Where's Claudio? Where's Peter?
36:28I don't think I can find Mrs. Francesca now.
36:54It's now
36:56or never.
36:59THE THIEF
37:04What are you doing here?
37:07Mrs. Francesca.
37:10I came to apologize.
37:18Tito, hello.
37:19Hello, hello, Lorena. How are you?
37:21I saw you yesterday with your friend. She's very nice.
37:24Yes, yes. She came to visit me.
37:27She missed me, so she came to see me.
37:30And it seems that things are going very well, right?
37:32Because I saw you holding hands and everything.
37:35Well, that's how I am, a romantic in Pedernigo.
37:38And why don't you make it official at once?
37:41I'm not going to make the girl bored.
37:43No, no, no, I don't think she's bored.
37:45I'm a very funny guy.
37:47Yes, of course, you can't deny that you have your grace.
37:50Thank you very much.
37:51And Tito, I had a crazy idea.
37:54Oh yeah?
37:55What if we go out as a couple?
37:57How?
37:58Of course. I go out with Max and you with your friend.
38:01What do you think?
38:15Tatuy, what are you doing here?
38:17What are you doing here?
38:18I need you to help me with a little problem I have.
38:26What are you doing here?
38:27Right now I put Claudio de Patitas on the street.
38:29No, he didn't notice. I went in hiding.
38:32Did you enter my house like a thief?
38:34I needed to be in front of you, Mrs. Francesca.
38:37You have to be very shameless to stand in front of me
38:40without your face falling out of shame.
38:42And it falls.
38:44I'm very sorry for everything I did.
38:46I'm very ashamed.
38:47I really regret it.
38:49And I know that now the most affected by this whole situation is my son.
38:53Think about it before you make a mess in my room.
38:57I feel...
38:59I feel like a very bad mother.
39:02Well, you are.
39:06Mrs. Francesca.
39:08You have no authority
39:11to tell me that I am not a good mother.
39:14I don't allow you.
39:16You don't allow me?
39:18What don't you allow me, Mrs. Francesca?
39:20Tell you that Rafaela can't stand you?
39:22That she didn't stay at your house for five years
39:25because she felt alone?
39:27That her grandchildren never come to visit her
39:30because they don't miss her?
39:32Get out of my house!
39:34It's true.
39:35I deeply regret what I did.
39:37Give loose rein to my low passions.
39:39But you are not better than me for that.
39:41What's more.
39:42I wouldn't pretend to be dead
39:45in front of my family for money.
39:49Although you and I
39:51deep down we don't look alike.
39:54We are both passionate women.
39:58We bet on love, but
40:01I dodge both.
40:04I know that
40:06everything I did was very wrong.
40:09But that doesn't make me a bad woman.
40:12That doesn't make me a criminal.
40:15I am a woman of flesh and blood
40:18who laughs and also cries.
40:21And I don't know if I'm worse or better.
40:25I'm just
40:28a simple and fragile
40:30dreamer woman.
40:33And the one who gets rid of sin
40:36is the one who throws the first stone.
40:40Bon appétit!
41:00I love you.
41:05Well, then, if you agree,
41:07I'm going to call Max
41:08to tell him that this afternoon
41:09the four of us go out.
41:11Of course, of course.
41:12Call him, call him, yes.
41:13What's your friend's name?
41:15Juani.
41:16I mean, Fanny.
41:17Ah, okay.
41:18Would four be fine?
41:19Yes, four is perfect.
41:20Then, why don't you call her first?
41:22She's not going to make the four of us be busy.
41:24You're right, you're right.
41:25Better, better I ask her first
41:27because with you women you never know.
41:29With you women, us men,
41:31you always have to be marking the differences.
41:33Well, there are, right?
41:35Yes, obviously there are.
41:36But I don't say with you men
41:38you never know as if you had it all the time
41:39on the tip of your tongue.
41:40Well, Lorena, I'm an older man
41:42and I still trace the taras of my generation.
41:45Yes.
41:46That must be.
41:47Yes, that's it, that's it.
41:48Well, then you confirm me
41:50when you talk to Fanny to tell Max.
41:52Yes?
41:53Yes, yes, I'll let you know.
41:55I'm sure you will.
41:57See you later.
42:00Oh, I have to call Felix
42:03to invite him out.
42:10Do you want me to help you?
42:12Ratatouille, you and I are from different sides.
42:14Please don't waste my time, man.
42:15No, no, no, no.
42:16But you and I have already met before
42:18to defeat a common enemy.
42:19Don't you remember?
42:20Well, the damn Mike was also looking for it a while ago.
42:23And it didn't look good.
42:24Tremendous, tremendous.
42:25Back, back, back, back, back, back, back.
42:28I'm dying.
42:31Hold on.
42:32Are you sure you're getting together
42:33with Franklin's fake, right?
42:35Sure, to make fun of me again, but no.
42:37Not even Franklin.
42:38Joel, please help me.
42:39I also want to destroy Shabby Shams.
42:41Why?
42:42Because he's dating your wife?
42:43Not only that.
42:44The lying teacher wants to marry the Titanic.
42:47Oh, how good that feels.
42:49We have to take everything out like the spring.
42:52Now yes, the day begins.
42:56Speak well.
42:58Oh, do you want to get married?
43:02Count on me, Ratatouille.
43:08Pepe, at last.
43:09What's up, buddy?
43:10What is all this urgent?
43:11What do you have to tell me?
43:12Something terrible has happened.
43:13Don't scare me.
43:14Mr. Gil.
43:15Mr. Chibola.
43:16No, no, no, no, no, no, no.
43:17Calm down, calm down.
43:18It's Lorena.
43:19She wants the four of us to go out.
43:20I mean, Lorena, Maxi, me and Fanny.
43:25Hey, isn't it funny?
43:26Come on, I'm sorry.
43:27I don't know what to do.
43:29Gentleman, you have to go out with Fanny.
43:30You're going to stay.
43:32No, no, no, no.
43:33Seriously, buddy.
43:34You can't tell Lorena that Fanny is Felix.
43:36So you have to go out with him.
43:37What are you going to do?
43:38No, no, no.
43:39Felix is going to get into more trouble.
43:40He's not going to want the four of us to go out.
43:42Buddy, you have to take it from the side.
43:44The fool, the faithful friend, the feeling.
43:47The friend who never fails.
43:48Out there.
43:50I'm going to go.
43:51Don't ask me to do it again.
43:52I'll be right back.
43:53I beg you, Felix.
43:54No.
43:55Do you want me to kneel?
43:56Please, Felix.
43:57Please.
43:58What are you doing, crazy?
43:59You look like you're asking for my hand.
44:01Please, Felix.
44:02Don't leave me.
44:03Please.
44:04I beg you.
44:10Unfortunately, my old lady was very calm.
44:13We have to think of something.
44:14But the wedding is right now.
44:16And why so much trouble?
44:17Don't tell me that Titanic's grandmother ...
44:21My mother is not Titanic's grandmother.
44:24What are you doing, unpretentious, in my house?
44:27Daughter, how are you?
44:28To which of the two unpretentious do you refer?
44:30To you, obviously.
44:31No, what's wrong?
44:32Why are you good at this?
44:33Your presence only brings problems.
44:35I already have enough.
44:37So go back where you came from.
44:39Francesca, I hate to have to remind you,
44:42but this is also my house and Joel is my guest.
44:44I don't want to suffer one more disgust.
44:49What was it?
44:50How are things going with Alonso?
44:51What do you care?
44:52If you want, we can make a video too, right?
44:54What video?
44:55Hey, we have to find a way to destroy that cat with boots.
44:57Bamba!
44:58What truth.
44:59I pay with boots.
45:03And have you talked to your parents?
45:04Every day.
45:05And they always ask about you.
45:07Are they okay?
45:08Yes, very good.
45:09In the farm with the animals.
45:10You already know them.
45:11Have they fixed their bed or are they still using yours?
45:13Hey.
45:14What?
45:15Don't break it.
45:16Don't look at me.
45:17I'm dead.
45:23What's wrong?
45:24Nothing's wrong.
45:25Why?
45:27Oh.
45:28Do you wash my teeth before going out?
45:30I'm sure I have toothpaste flavor.
45:32No.
45:34You don't like me anymore?
45:36On the contrary, Joel.
45:38I like you so much that I don't want to be so close.
45:41Oh.
45:46And don't be bad either.
45:48Okay.
45:49What are you going to wear?
45:50Well, I don't know.
45:51I haven't thought about it yet.
45:52You haven't thought about it?
45:53No.
45:54But you must be beautiful.
45:55Although.
45:56Although I don't know if more.
45:57I have everything.
45:58Tomorrow we meet at the first hour where you already know.
45:59Change and out.
46:00Come on, come on.
46:01Ratatouille.
46:02Change and out.
46:03We meet at 007.
46:04Come on.
46:05Come on.
46:06Come on.
46:07Come on.
46:08Come on.
46:09Come on.
46:10Come on.
46:11Come on.
46:12Come on.
46:13Come on.
46:14Come on.
46:15Come on.
46:16Come on.
46:17Come on.
46:18007.
46:19What time is that?
46:20It's the same hour but you're healthy.
46:21Healthy.
46:22It is the same time.
46:25Linda wanted to thank you.
46:28Thank me?
46:29Why?
46:30Because as I was blind, I changed his last name, my divine creator.
46:36You took the time to explain to him that the most important things are the bonds.
46:43In your most inspired form.
46:45Why are you looking at me like that?
46:47Because I think it's weird that you just opened the restaurant
46:49and you send your right hand to Paris.
46:51But it was a unique opportunity for her to forget Jimmy.
46:54Son, why do you always think the worst of me?