• 2 ay önce
Al Fondo Hay Sitio Temporada 11 Cap 83 Completo
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00:00That I'm going to respect her, that I'm going to treat her with a lot of love.
00:07She is now part of the family.
00:14You know, for lines.
00:16Stop the wedding.
00:18I am the wife of Chavisaz, the mother of his children.
00:21Don't you know, aunt?
00:23He is my husband.
00:25And I'm pregnant again.
00:27Well, that sounds very good. The accent is very good.
00:29But you have to get more emotion.
01:27You are beautiful, little turtle.
01:31And you are the man I have always dreamed of all my life.
01:36Gilguerito.
01:39Start first with the Teloneros Provincials.
01:42My mother at the end, because she is stellar.
01:45We are here together to celebrate the marriage of two couples very dear to us.
01:59They are the clear example that our district is a crystal of races.
02:05I am very proud to officiate this ceremony.
02:09And to announce that just in case I am going to re-election as mayor,
02:13that I do believe in inclusion and equality.
02:23Now I understand why I wanted to do this double wedding.
02:27And now I will read the duties and rights of the participants.
02:46When you look each other in the eyes today,
02:49always remember this moment and the promises you are about to make.
02:55Gilguerito and Olinda, do you agree to freely and voluntarily contract marriage?
03:01Yes, we accept.
03:04Then we proceed with the nuptial promises.
03:13I had a few words written.
03:16Hey, hurry up. We don't have all day.
03:19Please, silence the titanic ball.
03:22Again with that, bug? I can't stand it.
03:25A little bit, please.
03:31Ladies and gentlemen, calm down, please.
03:34I had a little piece of paper here.
03:37Gilberto, you can read it to me later.
03:41I, Gilberto Collazos, accept you, Olinda Zapayal, as my wife.
03:54And I promise to be faithful to you in favor and adversity,
03:59with health or illness,
04:02loving and respecting you every day of my life
04:09until death do us part.
04:30There are so many emotions.
04:33Tears roll down my eyes.
04:38All this is so exciting.
04:45Thank you, gentleman.
04:48To serve you, lady.
05:04I, Olinda Zapayal, accept you, Gilberto, my little Gilberto, as my husband.
05:19And I promise to be faithful to you in favor and adversity,
05:25with health or illness,
05:30loving and respecting you every day of my life
05:35until death do us part.
05:40Receive this ring as a sign of our love and fidelity.
05:50By the power vested in me as mayor of this comfortable district,
05:54I declare you husband and wife.
05:59Thank you.
06:07Please come in to sign the act.
06:13Sign here, miss.
06:15Sorry, miss.
06:20Now you, sir. Sign here.
06:24Sign here.
06:26Sign here?
06:30I also want to sign.
06:32I want to be present as a witness of this love.
06:53Yes!
07:02Antonia and Xavi, I ask you the same question.
07:05Do you voluntarily agree to marry?
07:09Yes, we do.
07:14Amore, you have to answer.
07:19I ask again, Xavi Sanz.
07:22Do you voluntarily agree to marry?
07:28Xavi...
07:33I...
07:36Kitty...
07:38Well...
07:44Let's go.
07:47Yes.
07:49Yes.
07:51Can you say it louder?
07:53He can't hear you.
07:59Yes, yes, he said it.
08:02Perfect.
08:03So, please, read the promises.
08:06No, no, no, that doesn't matter.
08:08I know, we already know.
08:10Where do I sign?
08:12Please.
08:16Sign here.
08:47I can't, Antonia.
08:49I can't.
08:57What?
08:58No, no, I don't want to deceive you.
09:00What are you saying?
09:03Antonia, once...
09:07Well.
09:08I've made a woman unhappy, Charo.
09:11And I don't want to take advantage of you again.
09:13And I don't want to take advantage of you again.
09:15But what do you mean, if we're both taking advantage of me?
09:18What's the problem?
09:23Antonia...
09:25It would be very easy for me to continue with this farce, but...
09:28Honestly...
09:31I want to do something right once in my life.
09:37I'm sorry.
09:43I'm sorry.
09:46I'm really sorry.
09:54Don't worry, mom, don't worry.
10:03Well, did you hear? There's nothing to do here.
10:06You can go.
10:07Get out, get out!
10:10Let's go, let's go.
10:12Let's go, let's go.
10:15Let's go, let's go.
10:18Let's go, let's go.
10:21This is crazy.
10:27Apparently, he wasn't as miserable as we thought.
10:30It seems so, bro.
10:39Let's go.
10:49The stick I just lost.
10:52No.
11:08This was for you.
11:11My Inca princess.
11:23You're not a secret anymore.
11:27I'm a poet, I just write what I feel.
11:34Now I'm a poet.
11:36That's it!
11:38Come on, mom, look!
11:40Look, mom, look!
11:42Come on, mom, look!
11:44Come on, mom, look!
11:46Come on, mom, look!
11:48Come on, mom, look!
11:50Come on, mom, look!
11:52Come on, mom, look!
11:54Come on, mom, look!
12:12This is for you.
12:15This is for you.
12:20One, two, three, four, five, six, seven, eight, nine, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 52, 53, 54, 55, 56, 57, 58, 59, 60, 60, 61, 62, 63, 62, 63, 62, 63, 62, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63, 63,
12:50Nice and slow man, more to dance.
12:52Dance, dance, dance, dance.
12:54Hey, hey, hey, hey, hey, hey helen, helen
12:57he he he he hey hey hey
13:01Ho-hey
13:05La-ha-ha la-la for, la-la.
13:08Pumbieando, pumbieando, pum-pum-pum-pum-pum-pum,
13:13rè-don-non, rè-don-non, rè-don-non, rè-don-non-non.
13:16Vinisto a pumbear, a mover todo el puerco
13:19For the universe, I throw this verse
13:22It lives just like gum and juice
13:24The earth trembles when I enjoy
13:26I am as I am, but I have my style
13:29And to dance, I dance round
13:32Round, round, round, round, round
13:36Round, round, round, round, round
13:41Move your hips, dance tasty
13:43I know you, don't be mysterious
13:45You don't want an excuse, dance my cumbia
13:48My cumbia, my cumbia, my cumbia
13:50We don't want to forget the pain
13:53Take out the bottle to toast, poor girl
13:55Let no one go, the music is there
13:58It had to be my cumbia, my cumbia
14:00We don't want to forget the pain
14:02Take out the bottle to toast, poor girl
14:05Let no one go, the music is there
14:07It had to be my cumbia, my cumbia
14:10It had to be
14:13My cumbia, my cumbia
14:16My cumbia
14:19My cumbia
14:21My cumbia
14:24My cumbia
14:26My cumbia
14:30My cumbia
14:39Are you happy, little turtle?
14:42I don't know why they say fairy tales don't come true
14:49I was a lonely woman
14:52And one day
14:54Suddenly
14:56In the least expected moment
14:59A gentleman arrives
15:01Mature, handsome
15:06That goes to my land
15:10And changes my destiny forever
15:15Thank you
15:17For being my companion
15:19My love
15:21My hero
15:25You know
15:27You make me immensely happy
15:40What is it?
15:41Oh my God, my daddy is in there like Linda
15:44Houston, Texas
15:46But my dad is not in there
15:49You're rude
15:51Leave him alone
15:52What if something happens to him?
15:53We'll find out
15:54You're not helping me
15:58He's snoring
15:59He fell asleep
16:00Of course
16:02Get out
16:04What was that?
16:10Get out
16:14He's in the basement
16:15What?
16:16They're gone
16:17He's sleeping
16:19What are you worried about?
16:22The love of these two
16:24Is so beautiful
16:25That my little one needs it
16:30Get out
16:33Get out
16:37Get out
16:44Get out
16:46Get out
16:48Get out
16:49Get out
16:54Hey, handsome
16:56So you decided to take a step aside
17:00Look, my stay in Las Lomas will be very quiet from now on
17:03Both Gonzales and you will no longer see me as the enemy
17:06Oh really?
17:07I wouldn't be so calm
17:10You're wasting your time, Diego Montalban
17:13When I enter my zen state, there's nothing that can disturb me
17:16Zen, zen, very good
17:18Very good for you
17:19Don't tell me I didn't warn you
17:21Hey, wait, wait, wait
17:23Don't run so much
17:24What's a warning? A threat?
17:26What is it?
17:27Neither one nor the other
17:29It's just an advice
17:30But I shouldn't say anything
17:32Because I'm going against what my mother wants
17:34So keep doing your yoga
17:36Goodbye
17:37Hey, don't run so much
17:39What does Antonia have to do with this?
17:42I'm just telling you
17:43That the revenge of the Gonzales
17:45Is a chancay next to what my mother plans to do to you
17:49Bye
17:51Bye
17:54Antonia, what does Antonia have to do with this?
17:57If Antonia has paid me for the rent, she was very calm
18:01What Diego wants is to disturb me and take me out of my zen state
18:06And scare me
18:08But he won't get it
18:09I'm a zen man
18:12I'm a zen man
18:17I better go home, just in case
18:23Cousin
18:26Cousin? What are you doing here?
18:29I was nearby and I wanted to come by to say hello
18:34What's wrong?
18:36Nothing
18:38You know something, Alicia?
18:41I think she's mad at me
18:42Because I don't let her do it live
18:44I was taking pictures and recording the wedding
18:46But I couldn't
18:48Look, I just sent a picture right now
18:50Do you want to see it with me?
18:51Yes
18:53Let's see
19:01What's that noise?
19:04What was that?
19:07Come on, I think we haven't woken anyone up
19:11Yes, let's go
19:13Before everyone gets worried and comes looking for us
19:17Yes, yes, and then they won't let us out
19:20Hey, hey, hey, those early birds
19:22Where are the turtles going?
19:25Pepito, don't make a scene
19:28We're leaving
19:30Before the baby finds out and gets worried
19:33And why is she going to worry? Is she going very far?
19:35I think so, look at the suitcases
19:37Oh, guys, please support us
19:39We're going to go to the honeymoon
19:41Yes, we're going to the honeymoon that Pete gave us
19:46Let's see, let's see
19:49Buddy, what are you saying?
19:50It's kind of risky, right?
19:52You know, Don Gil's boy isn't a kid
19:54Yes, maybe he'll just stay there
19:56But think about it, buddy
19:57Wouldn't it be nice if he died in the arms of the woman he loves?
20:00Just like that, brother
20:02We haven't found love yet
20:04And we're going to deny it, please
20:07This time, Mr. Gilberto, count on our silence
20:09That's right
20:10Have a good trip and enjoy in...
20:12Where are we going?
20:13As Gilguerito told you, Peter gave us a silver wedding gift
20:19Of course, we're going from the cruise to Egypt, to the pyramids
20:24Easy, easy, he can be a mummy and the trip is free
20:28Look, I forgive your impertinence
20:32For how happy it makes me to travel with my little turtle
20:38Thank you, guys
20:39Enjoy, enjoy
20:40Have a good trip
20:41Have a good trip
20:42Be careful
20:43Be careful
20:44Be careful
20:50Don Gil had a good life
20:53And he'll have a sweet ending
20:58What?
20:59Who are those guys?
21:01Your classmates
21:02B-b-b-but they're all men
21:05Yes, and what's the problem?
21:08No problem
21:10No problem
21:12It's okay, Alicia is the only girl in a classroom full of classmates
21:17Men
21:18It's okay
21:19No
21:21No
21:22Very good, cousin, that's the attitude
21:24You calm down, go to your high school
21:26No, I don't have classes today
21:29Hey, why are you talking to me like that?
21:32Did she tell you something?
21:34Nothing, nothing
21:36Well, that she's happy
21:37Happy?
21:38Happy with all those guys?
21:39No, no, I'm leaving, I'm leaving
21:42Why are you so silly, cousin?
21:43She was there behind you, wanting to say goodbye nicely
21:46And you, nothing
21:47Now you suffer the consequences
21:49Hey, why?
21:50Why are you talking to me like that, cousin?
21:51You're good to me
21:52You make me angry
21:55Just when you see her surrounded by Frenchmen, you worry
21:57Did she tell you something?
21:59No
22:00Yes
22:01Yes, she told you something, otherwise you wouldn't be talking to me like that
22:04What did Alicia tell you about her classmates?
22:08Nothing, nothing
22:09You know, cousin, you better go home
22:11Go taxi or whatever
22:13I have to work
22:14No, cousin, cousin
22:15Please, please, tell me
22:16Tell me what it is
22:17Is Alicia dating someone?
22:19No, what do you think?
22:20Oh, that's good
22:21With everyone
22:22What?
22:23But cousin, what did you expect?
22:25Alicia is pretty, nice
22:27She cooks very well
22:28She speaks French
22:29Obviously, she's going to stand out
22:30And what about all those Frenchmen?
22:33They're romantic, detailed
22:35They smell good
22:36They have a mustache
22:39Stop, stop
22:40Tell me all about their qualities, cousin
22:43Wait
22:44How do you know so much about Frenchmen?
22:48There
22:49She told you that, right?
22:50Yes, yes
22:51She loves being with them
22:53Damn
22:55If you had understood that this trip was a dream for her
22:57Then she wouldn't have eyes for anyone else
22:59She wouldn't be thinking about ruining her life
23:00Call her
23:01What?
23:02No, no, no
23:03Go, go, go
23:04Tell her to come, Alicia
23:05No, no, cousin, cousin
23:06Please, call her
23:07I need to know if she's dating someone
23:08Or if she's coming back
23:09Or whatever
23:10Bye, bye, bye
23:11Well, I'm going back to work at lunchtime
23:13You're going to keep helping me, please
23:14Go, go
23:15I love you
23:17My God, how intense
23:21For Don Gil, compadre
23:24For his long life
23:25And a happy ending
23:27When not you guys?
23:28Drinking early in the morning
23:30Teresa, please
23:31It's just a date and the occasion deserves it
23:33For a great man and his exemplary life, sister
23:36What are you talking about?
23:37And my daddy?
23:38Where is he?
23:40On his way to heaven, Teresa
23:42Let him be happy, sister
23:43What?
23:45And Olinda isn't here either?
23:47Didn't they run away?
23:49Teresa, he's already married
23:52It's logical that he has his honeymoon
23:54What are you talking about?
23:55Honeymoon?
23:56That could...
23:57That could kill him
23:58But, Teresa
23:59After the wedding
24:00Comes the wedding night
24:02An apotheosic ending
24:03And straight to the top
24:05You guys are a pair of idiots
24:06Don't you realize?
24:08I'm going to save my father's life
24:10But they should already be at the airport
24:12What's wrong with you?
24:15Dad
24:17Dad
24:18Guanaco, macho, you say?
24:20No, not guanaco
24:21Guanarpo, macho
24:23Let's see
24:24Daddy, don't die
24:27He's going to be like a cannon all night
24:29You haven't left yet?
24:31Not even a taxi passes
24:33Now everyone is an application
24:35Hey, speaking of applying
24:36What are you giving him, Felix?
24:38A potentiating drink
24:40Very appropriate for the occasion
24:42But how could you do that?
24:43How are you going to give that to my daddy?
24:45No, Tere, with this he's going to look like twenty
24:48Well, his face is going to look the same
24:49Don't you realize?
24:50My daddy is an older man
24:52Something like that
24:53Can end up in a fatal outcome
24:55Tere, let him be happy
24:56Of course, daughter
24:57Don't worry about that
24:59Besides, I haven't killed anyone
25:07No, I'm sorry
25:08You're not going anywhere
25:10Besides, we already lost the plane
25:12Somewhere
25:14We have to go
25:15Well, Tortolita
25:17Go to my land
25:19Of course
25:20My exotic and sensual tarapoto
25:22Perfect for newlyweds
25:25National consumption
25:26Consume products from our tropical jungle
25:30Oh, Gilgirito
25:31Why don't we go to Las Vegas with us?
25:33We can't let my daddy go
25:36Tere, you don't understand
25:37How do we explain it to you, compadre?
25:38How many years ago did my mom die?
25:40Let's see
25:41My mommy is next to Angel Gabriel
25:43About eleven years ago
25:44Eleven years, Tere
25:47Don't overdo it
25:48Either Celine is a honeymoon
25:50Or she dies happy
25:52No, daddy, come
25:54Let's talk about this at home
25:56Imagine, Mrs. Francesca
25:57The very bastard
25:58Had three wives
26:00A girl with each wife
26:01That is, trillisas
26:02How is it possible that in a marriage
26:05What was that?
26:07The security camera fell
26:10For what it serves
26:11So out of nowhere
26:12I'm going to tell Felix to install it well
26:14No, no, give it back, it's the best
26:15But he has a guarantee that he will install it
26:17I don't want a camera in my room
26:19Thank you
26:20Well, now that Teresita is gone
26:22And now that Mrs. Nelly is no longer suffering
26:24You won't remind me of that horror
26:26I said it for Mrs. Nelly
26:28No
26:29No, no, no
26:30No, no, no
26:31No, no, no
26:32No, no, no
26:33No, no, no
26:34No, no, no
26:35No, no, no
26:36To Teresita and her clandestine visits
26:39God
26:40Venus
26:46Mrs. Antonia's revenge
26:47That's what I told him
26:48That to wait is worse
26:50And you think your mom will return from a trip
26:52Only to do something to Chavis aunt?
26:54No, of course not
26:56She's more of passing the page
26:58Of fleeing from the jerkiness
27:00Der no hacerse mala sangre
27:02So then I suspect that it is you
27:03who wants to threaten the Spaniard.
27:05Obviously.
27:07Of course he did me a favor by not marrying my mom,
27:09but that doesn't mean he's my friend.
27:12What do you think
27:14if we start
27:17with a clear and direct message?
27:22To sleep with the fish.
27:25To sleep with the fish.
27:33There it is.
27:34But what have they done to it?
27:36I don't know. It fell.
27:38How is it going to fall?
27:39I've fixed it well with its screws, its nut.
27:42How is it going to fall?
27:43Well, your screw, your nut would be in the wrong place
27:45because this morning, plop, it fell, it fell apart.
27:48It can't be. I'm telling you I've fixed it well.
27:51Something extraordinary has had to happen.
27:54Are you going to need another one?
27:55No, Mrs. Francesca doesn't want any cameras in her room.
27:57So, please, give me back the money from the guarantee.
28:00Money?
28:01How am I going to give you back the money?
28:03Look how you're giving it to me.
28:04Look, it's all broken, all crooked.
28:06What money?
28:07Because it fell, because it was in the wrong place.
28:08It was in the right place, I told you already.
28:10I fixed it well with its nut, its screw.
28:12Well, not with you anymore, Felix.
28:14I don't want anything.
28:15All in all, for what it was used for, your armature.
28:17Excuse me.
28:18Oh, just get out of here.
28:20You're crazy.
28:22This is not going to work at all.
28:23Look how they've left you.
28:25Poor Titi.
28:27Ah, but here's the card.
28:30I can put this on my cell phone and I'll have the ability for a lot of photos,
28:35for a lot of videos.
28:38How cool.
28:40There it is. Let's put it here.
28:46What do I have to put here?
28:52Let's see.
28:55Hello.
28:57Hello.
28:58Cousin Facundo.
28:59How are you, cousin?
29:00How's your life?
29:01Good here.
29:03Yes, I want to go back already.
29:04I want to go back to eat my Juanes.
29:06Of course.
29:07Because Juanes is already more delicious.
29:08Because it's already here.
29:10Yes, hey.
29:11Everything, everything is quiet.
29:12Everything is fine.
29:13Yes.
29:14Yes.
29:15Last time too, in the annual Pandurata,
29:17that I saw all the Panduros.
29:18There are a lot of photos, a lot of videos.
29:20A lot of rich videos.
29:21We have vacillated.
29:22Of course, I'm going to pass you.
29:23I'm going to pass you by WhatsApp, okay?
29:24Of course.
29:25So that you can share it with all the cousins, the uncles, all the neighbors.
29:29Even all those who have sneaked in there at the party, okay?
29:32Of course, cousin.
29:33Already.
29:35Hey, buddy.
29:36The TV is very heavy and it doesn't let you enjoy the couple.
29:39She's worried about her old man.
29:40But, buddy, she understands.
29:41Hey, Pepe.
29:42But what do you know?
29:43Suddenly Don Gil surprises us and pregnants Olinda in one.
29:46In front of the grandchildren, you say?
29:48Those are already sperm.
29:51Your balcony, careful.
29:54Is everything ready?
29:55Yes.
29:56Come here.
29:57Let's see.
29:59Chan Chan.
30:01Welcome to your honeymoon.
30:05Look, flower petals.
30:08It's a little path.
30:10Follow the petals to the sound of love.
30:13Let's see what they have prepared for us.
30:17Taran.
30:18Go ahead.
30:19Let the couple of turtles pass.
30:24Welcome.
30:25Welcome, elegant lady and fiery gentleman.
30:29Welcome to your rooms of romantic love.
30:34Have you prepared all this?
30:37Yes, daddy.
30:38So that they pass and enjoy their honeymoon a lot.
30:41Honeymoon.
30:42What I like the most is that you have accepted our relationship.
30:47Yes, well, they are already married.
30:49And I prefer them to spend their honeymoon here.
30:52That would be cool, yes.
30:54Yes, but I'll wait a little while.
30:56I'm going to make you more foam.
31:01At least it's warm, right?
31:04It's not that cold.
31:05Besides, you are colder than water.
31:07Uncle.
31:08I mean, cold water is good for the boho, right?
31:10The circulation, right?
31:11In fact, you will need it.
31:13Thank you all for such a nice detail, but ...
31:16No, no, no, you don't have to say anything.
31:18We leave them here quiet for you to think.
31:23Before, Mr. Gil, put your hands like this, let's see.
31:27Like this, like this.
31:28Perfect.
31:29Just in case, killer.
31:31Ah.
31:32Ah.
31:33Ah.
31:34Ah.
31:36Well, everything is fine, right?
31:40Well, there is a heart-shaped bed,
31:44a doll in the inflator with detergent.
31:48I think they have made an effort.
31:57I don't like all this at all, but I prefer you to be here
32:00than, I don't know, to go to another country
32:02or to a remote town where there is no, I don't know,
32:05who helps them if an emergency happens.
32:07Nothing is going to happen to you, sister.
32:09Mr. Gil falls asleep at the touch, you will see.
32:11Well, where is the oxygen balloon?
32:13Here it is, here is the oxygen balloon
32:15and there is the defibrillator just in case.
32:17There it is.
32:18Well, then what we have to do is take turns all morning.
32:22Mr. Gil, hurry up.
32:23This is a cemental, Mr. Gil.
32:26Look, guys.
32:28We are leaving.
32:29We appreciate the effort a lot,
32:31but we had planned other things for us.
32:34But no, how are you going to do that, daddy?
32:36You have already failed your heart once
32:38and if you make an effort, you can go wrong, dad.
32:41It's not what you think, Teresita.
32:44We just want to spend it together in a beautiful place
32:48like any normal couple.
32:50We are going to take care of each other
32:52and I promise to take good care of my Gilguerito
32:56because now he is part of me.
32:58And is he going to go very far?
33:00Not so much.
33:01To Oaxapampa.
33:03How cute, you don't know?
33:05I don't know the jungle
33:07and they have told me that it is very beautiful, right?
33:09Good choice, Mr. Gil, good choice.
33:11Oh, but that is happening in La Cordillera.
33:13Oh, my daughter.
33:15I have already done that trip before.
33:17Didn't I bring you from Huamanga?
33:20In the 1600s.
33:22Pam, pam, pam.
33:23Shut up and don't bother, damn it.
33:29So now he really gets on his nerves.
33:31My cousin is a fool.
33:32So much so that Alesia looked for him, called him
33:34and he threw himself.
33:35Now he sees him surrounded by pretty French girls
33:37and he worries.
33:38No.
33:39Yes, well, now he moves to the floor.
33:41But love, how is that about pretty French girls and churros?
33:44No, they are churros, good French girls.
33:46But do you say it because of your own experience
33:48or because someone has told you?
33:50Oh, Chris.
33:51They are French girls, obviously they are churros.
33:53Because they are French?
33:54Yes, of course.
33:55French girls are not churros.
33:57Yes, of course, French girls are beautiful.
33:59They are very handsome.
34:00Have you seen them?
34:01No, the truth is that I haven't seen anything.
34:03No, I ...
34:04Oh, it was time.
34:06Jimmy, how are you?
34:07I was going to leave.
34:08Well, ready to talk to Alesia?
34:09No, you are going to talk to her.
34:10What?
34:11What?
34:12I mean, so many things so that she doesn't even speak.
34:14Oh no, apologize to her.
34:15Cousin, please call her and talk to her.
34:17Ask her what she thinks of the French girls.
34:19I don't know if she's dating someone, if she likes someone.
34:21So you want Julie to be your spy?
34:22See?
34:23Chris, now you understand me.
34:24You talk to her.
34:25She won't tell me anything.
34:26I don't think so, but what do I have left?
34:27My love.
34:28Give this poor desperate man the pleasure.
34:31Look at him.
34:32I mean, I know my sister.
34:34She's dying for him.
34:35Yes?
34:36And she's probably just going to class and nothing else.
34:38It's just that I also think the same.
34:40But now, to make you feel calmer, I'm going to do it.
34:42Thank you, cousin.
34:43No, go asking me something, huh?
34:44It's not going to come out for free.
34:46The hanger is cool.
34:47You can ...
34:48Come on.
34:49Let's see.
34:50Yes, yes.
34:52Ale, it's me, friend.
34:54Oh, Julie, friend.
34:55I'm glad you called me.
34:56Do you have time to talk?
34:57I'm tired of French.
35:00Of the French language or of the French?
35:03Of the language, well.
35:04And the French are the most beautiful thing there is.
35:18I already looked out the window and there is no one.
35:20He's going to die of fear with this message from the mafia.
35:23We go in, we leave the fish and we leave.
35:25Understood?
35:26Of course, of course.
35:27I don't want him to see us either.
35:28There it is.
35:29Oh, you're good with the pick.
35:30Which pick is my key?
35:31Didn't you steal yours?
35:32No, I can't think of it.
35:40Professor?
35:42He has committed suicide!
35:54In case we don't know anything.
35:55We didn't see anything.
36:00Professor?
36:01All good?
36:02Yes, everything is fine.
36:03Here changing focus and scaring some fools.
36:09Oh, friend.
36:10You have no idea how many guys there are here.
36:13It's just that everyone, everyone is too cute.
36:18No, here you don't have to be afraid.
36:21No, here they don't have complexes.
36:24They don't care about social classes.
36:26Besides, they are so detail-oriented and sensitive.
36:29Oh, no, no.
36:30And they treat me like a queen.
36:33Yes, yes, I have seen.
36:35And you are the only girl in your class, right?
36:37Imagine, everyone is dying to go out with me.
36:42Go out?
36:43Are you going out with someone?
36:45With everyone.
36:46What happens is that they found out that salsa is going to dance.
36:49And everyone wants me to teach them.
36:52First it was Jean Jazz.
36:53Then Letrine and Cognac.
36:55Imagine that even Professor Peyot wants to learn.
36:58Oh, but going out like going out?
37:01Do you have any candidates?
37:02Well, the Baguette and Toilette brothers
37:06invited me the other day to Le Petit Cro-Magnon.
37:09It is a restaurant for fans where they change chef every night.
37:13I prepared chicken fillet and I was the sensation.
37:17Oh, I see.
37:19So, if you are having a good time, you have candidates, right?
37:24Oh, friend.
37:25I was so humiliated after how Jimmy treated me
37:29that the truth is that I am happy that they treat me like the queen I am.
37:33I should have come a long time ago.
37:35That's what I think.
37:37And if they treat me like a queen, you would be a goddess.
37:41The French would die for you.
37:43Oh, friend.
37:44They smell delicious.
37:46They speak cute.
37:47They are super romantic.
37:49Oh, thank you, friend.
37:51Well, right now I'm fine with Chris, but I'm going to think about it.
37:54And when are you coming back?
37:56The truth is that I'm not in a hurry.
37:57The course is over, but I easily get into another one.
38:00Total, Jimmy never answered me.
38:03So there is no hurry.
38:05Well, I'll leave you because my friend Richelucha
38:07invited me to walk on his yacht for dinner.
38:10And he's going to introduce me to Mem Pape.
38:12Oh, it's okay, friend.
38:14Have a good time.
38:15Bye.
38:16Au revoir.
38:21Well, it seems that he is giving himself a great life, right?
38:24Well, if he deserves it after a certain moron didn't give him a ball.
38:27How could I imagine that if I were going to become the queen of France,
38:31I was going to date Mem Pape.
38:35Well, let's see how you compete with all those French people
38:37who are sensitive, romantic and with a mustache.
38:39Honey, you don't want to go to France, do you?
38:43If you behave well, I don't.
38:45Bitch.
38:48Oh, my dessert. See you later.
38:50But...
38:52My dessert.
38:54Did you know that I call her and do her a favor?
38:56Yes, yes, of course.
39:00Wouldn't it be a bad idea to go to France?
39:02No, I think it would be a bad idea to go to France.
39:04No, good morning.
39:05I'm going to visit Ale.
39:07Yes, yes.
39:10Don't worry, little girl.
39:12I'm going to come back alive and kicking.
39:15With you coming back alive is enough, Mr. Gil.
39:17Let's see.
39:18What if we pay you a hotel nearby?
39:21And you don't go on a trip.
39:22Daddy, the height can shock you.
39:25The height.
39:26If I have a heart of stone,
39:28I could play a soccer game in La Puna.
39:31That's the idea, grandpa.
39:32That you look good in the picture.
39:33That's the idea.
39:35Brother, your dad is strong as a robber.
39:37He forgets things.
39:38He falls asleep all the time.
39:39But he's like a cannon.
39:41The important thing is to get out of this city
39:43and breathe the pure air of the countryside.
39:46If they go to the jungle,
39:47they would have told me to invite them to my land.
39:49Auxapapa is close.
39:50We'll be there early tomorrow.
39:53Take care, okay?
39:54Yes, little girl.
39:55I'll be back soon.
39:59Grandpa, put your hand like this.
40:04Hey, Tito gave me a lot of those.
40:06Yes, yes.
40:07No, no, no. One is enough, grandpa.
40:08You have to be optimistic.
40:13To the left.
40:14Please proceed.
40:16Take care of him with your life.
40:17Don't worry.
40:19Oh, boy.
40:23Let's see, careful.
40:24Get comfortable.
40:25Careful, careful, careful.
40:27The good thing is that they are not forgetting
40:28the most important thing.
40:29The method of protection.
40:31Bye, bye, bye.
40:32Bye, take care.
40:33Have fun.
40:35Have fun, cutie.
40:38I hope nothing happens.
40:40Oh, please, Teresa.
40:42At 80 years old,
40:43what's the worst thing that can happen to you
40:44on your honeymoon?
40:45That you fall asleep?
40:46And if you remember that,
40:47what do you have to do?
40:48Oh, of course.
40:49Put him to sleep.
40:50No, man.
40:51No, no, no.
40:52You know what?
40:53Huh?
40:54You're the worst.
40:55Huh?
40:56But...
40:57Well, really, man,
40:58now that Tere is gone,
40:59I'm also worried about Angie.
41:01And what do you tell me, man?
41:02It was like my second dad.
41:04Let's make a greeting for a great man.
41:05Yes.
41:06May he return with good
41:07or may he go in his law.
41:08That's right, brother.
41:09Uncle.
41:10What happened?
41:11Did Grandpa leave?
41:12No, he's waiting for you in the corner.
41:13We called you an hour ago.
41:15Sorry, but I had a very important matter.
41:17What was that face?
41:18I'm gone.
41:19Alesia changed me for the Franchutes.
41:22To the office.
41:23Let's go.
41:24Let's go.
41:27Okay.
41:28Get dressed.
41:30Because in the world
41:31there is no place
41:32like home.
41:38Welcome.
41:39Come in.
41:40Let me help you.
41:41Come in, please.
41:43Welcome.
41:44Come in.
41:45Thank you very much.
41:46You're welcome.
41:47Thank you.
41:49Sir,
41:50there is a bathroom on board.
41:51You don't need that.
41:53I assure you that it is convenient
41:54for you to have it nearby.
41:58Thank you very much, miss.
42:00God bless you.
42:01Very kind.
42:02For everything.
42:03Thank you.
42:04Come in, please.
42:05I'm going to check.
42:06Come in, please.
42:07Welcome.
42:08Good.
42:09So you have it very difficult, huh?
42:10All women die for the French.
42:12What?
42:13What?
42:14But you are my family.
42:15I thought you were going to tell me
42:16that everything was fine,
42:17that there is no despair
42:18and that love always triumphs.
42:19I'm sorry.
42:20That's Joel.
42:21We tell you the truth.
42:22In addition, we are the clear example
42:24that love does not always triumph.
42:26So there is nothing I can do?
42:29Of course.
42:30Suck.
42:31No.
42:32No, I don't want to suck
42:33and give up.
42:34No?
42:35No, no, no.
42:36Not to give up.
42:37Just to clear your mind.
42:38Because,
42:39to tell you the truth,
42:40Jimmy, you have it very difficult.
42:41Of course.
42:42This trap competes
42:43with the French,
42:44who are beautiful, sensitive
42:45and have a mustache.
42:46Also, there is nothing more dangerous
42:47than a resentful woman.
42:48No.
42:49Ale, it's not like that.
42:50Yes, of course.
42:51That's why you have it by your side, right?
42:53You made the special yourself
42:54when she left.
42:55End of story.
42:56Yes, Jimmy.
42:57You had taken about two years
42:58to win her over.
42:59You already had her.
43:00Why did you let her go?
43:01Because I was a fool.
43:02I fooled him.
43:03Oui, oui.
43:04Messieurs,
43:05Le Juan,
43:06Sansonite.
43:08That's it!
43:09I have to become a Frenchman.
43:11What?
43:12Well,
43:13not a Frenchman,
43:14Frenchman,
43:15but I can show her
43:16that I can also be sensitive,
43:17romantic and detailed
43:18like any of her friends.
43:19I don't know, nephew.
43:20How are you going to tell her?
43:21No, I'm not going to do it.
43:22I'm going to do it for myself.
43:23I'm going to show her
43:24that I am a wonderful person,
43:26taking a picture of me
43:27like the new Le Jimmy.
43:29I have to see that.
43:32How are you?
43:33My respect, nephew.
43:34You look great.
43:36Thank you, uncle.
43:37Thank you.
43:38Do you think Alessia will come back with this?
43:39No way.
43:40It's not that big of a deal.
43:41Yes.
43:42Actually, it looks French,
43:43but crossed with a painter
43:44from Kennedy Park.
43:45Listen to me.
43:46Alessia is in France
43:47with real French people.
43:48Why would she come back
43:49for an Obama?
43:50Let's see, let's see, let's see.
43:51Be softer.
43:52Yes?
43:53Now I'm another person.
43:54I'm romantic,
43:55sensitive and detailed.
43:56What do I lack?
43:58The only one for you.
44:03Wear your little patient well.
44:05We're about to get to Ticlio.
44:07He's not my little patient.
44:08He's my husband.
44:10Yes, of course.
44:11You don't have to be ashamed,
44:12comrade.
44:13Mine is worse.
44:19We're already at the airport.
44:22No idea.
44:23I only know Chalhuanca and Lima.
44:26The jungle that goes to Cana.
44:45Nothing.
44:46Nothing.
44:48How long will it take
44:49to grow my mustache?
44:53I know who can help me.
44:56Hello?
44:57Who are you?
44:59Filomena!
45:00My cousin Filomena!
45:01How are you, cousin?
45:03What?
45:04Today at the San Juan party
45:05we had a great time.
45:07How are you?
45:09Of course, man.
45:10Send me videos today, okay?
45:11I'm also going to send you
45:12some pictures that I have there.
45:13Of course.
45:14Share them.
45:15And pass them to all the cousins, okay?
45:16Of course.
45:17Okay.
45:18We'll keep talking from there.
45:19Bye, bye.
45:21Filomena.
45:26So your sister is happy in Paris.
45:29I'm not surprised.
45:30Why would you be surprised?
45:32Did you send her to France?
45:34Yes, it was a million dollar opportunity.
45:36Sure, and by the way, you keep her away from Jimmy.
45:37But why does everyone think that of me?
45:40Why, dad?
45:41Now Alicia is happy
45:42with her French friends.
45:43Obviously, because they are more like her.
45:45Rather, I don't know what she was doing
45:46wasting time here.
45:48Dad, it looks like Alicia is not coming back.
45:50Oh, that's good.
45:51Because your sister is not stupid.
45:53She knows that she has nothing to do here.
45:55Always manipulating, dad.
45:56Always.
45:58I saw him, I saw him.
46:00There he is.
46:02It looks like he's here, Lato.
46:03What?
46:04Oh, no, he's moving.
46:05So he set us up.
46:08It's time to pay him a second visit.
46:11No, you know what?
46:12Look, you take care of it.
46:13But why?
46:14If you also want to take revenge on the Spaniard.
46:16You set me up, Jimmy.
46:17As Cristobal says, you are a manipulator.
46:19I'm leaving.
46:20Bye.
46:21Coqui, Coqui.
46:22For ten.
46:23But one wants the best for his daughter
46:25and everyone opposes.
46:37Grandma, I think I cooked it.
46:39Oh, yes.
46:41You know what?
46:42We have to go out one by one
46:43and we are going to swallow Aunt Veneno.
46:45What are you doing?
46:47Oh, my God.
46:48I'm dead.
46:49No, Ignacio.
46:50Nothing happens.
46:52Don't be scared.
46:53Come back.
46:54Come back.
46:55That's how my husband sleeps.
46:58I also want to ask you a favor,
46:59if you don't mind, right?
47:00I could stay in the furniture.
47:01I don't do it to go to my house anymore.
47:03Why in the furniture?
47:04There are two empty rooms here.
47:05There are two.
47:06Right?
47:07I was thinking that my aunt Charo was not there.
47:13Don Gilberto and Olinda are traveling.
47:17Only the boys are at home and no one is waiting for me.
47:22I don't know.
47:23Maybe we could go somewhere more comfortable.
47:28I was waiting for you to tell me that.
47:31I think it's an excellent idea.
47:33Really?
47:34Yes, my love.