Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00Hello.
00:01Have you arranged the money?
00:03No money.
00:05But I have the keys to the house.
00:08Look at me.
00:09You have only one condition.
00:11You will get out of my life forever.
00:13I will never see you again.
00:15But you want to get rid of me.
00:18Did you understand what I said?
00:20Okay?
00:21Okay, okay.
00:22Deal.
00:23Give me the address.
00:24We'll meet there.
00:31Good morning, guys.
00:34I know I've been upset for a few days.
00:38But now...
00:41Enjoy your meal.
00:42It's all over now.
00:43I'm so glad.
00:45Thank you.
00:46Deniz, Yigit, Kazma, Kurek...
00:48They're all gone.
00:50They're really gone.
01:01What do you mean?
01:02They're not here.
01:04I mean, they're not here.
01:05But why did they go to the meeting?
01:07Their phones are off.
01:08I can't reach them.
01:13Great!
01:14Then, today...
01:16Razi, with your permission...
01:19I'm the boss today.
01:20And I'm waiting for everyone in the meeting room in 15 minutes.
01:23If anyone says I have an excuse and I can't come...
01:28I'll say no.
01:31Come on.
01:36Unadjusted energy.
01:39Don't look at him.
01:40Don't do that.
01:57I'm sorry.
02:08Wait a minute.
02:09This is...
02:10Yes, this is...
02:12Did we come here when we were kids?
02:15Right, we did.
02:17We ran away from school one day.
02:19We came here.
02:20What did we do?
02:21We couldn't do much, actually.
02:24We were supposed to eat sausages, but we couldn't.
02:26I remember now.
02:27It was so good.
02:28Sausages, ketchup, mustard.
02:30It was so good.
02:32I'll tell you something.
02:33Why didn't we eat it?
02:36We didn't have money.
02:37Come on.
02:40We did something.
02:42Wait a minute.
02:43A movie?
02:44Did we come here to watch a movie?
02:46Yes, you're right.
02:49Is this a movie?
02:56Yes.
03:09But...
03:10How?
03:11Is this a coincidence?
03:17Wait a minute.
03:18Did we watch it?
03:19I don't remember.
03:21Didn't we watch it?
03:23You're right.
03:24We didn't.
03:25We weren't old enough.
03:26We are old enough now.
03:29We have money to buy sausages.
03:31I mean...
03:33But...
03:36This place seems to be closed.
03:39There's no one here.
03:40I guess there's a renovation.
03:42Yes, it's closed.
03:43It's not a renovation.
03:44It's a construction.
03:45Because they're going to demolish this place and build a new one.
03:48How are we going to watch the movie?
03:49I arranged everything.
03:50Don't worry.
03:52Do you know why?
03:55Because I realized that I'm in love with you here, Deniz.
03:58Nothing we wanted was happening.
04:00We couldn't eat.
04:02We couldn't watch a movie.
04:03But...
04:04We were having such a good time.
04:06We were having so much fun that...
04:09I realized that you were what I really wanted.
04:11As long as you were with me, nothing else mattered to me.
04:15Just you were enough for me.
04:19You were the most precious thing in my life, Deniz Aslan.
04:25I love you.
04:45Come.
04:56Yes, friends.
04:57The subject of this game is...
05:01The subject of this game is...
05:02No need for that.
05:03We're going to talk about our monthly meetings and everything else.
05:09No need, brother.
05:10Really.
05:11There's no need for that.
05:12Let's do the meeting head-to-head.
05:13Gazi!
05:14Look, I'm the boss here.
05:16I'm Mr. Yiğit.
05:17You're a tea-maker.
05:18Come to terms.
05:19Come to terms.
05:20I'm the boss here.
05:21I'm the tea-maker.
05:22We're going to have a meeting head-to-head.
05:24Act accordingly, okay?
05:26Okay.
05:27Yeah, Neşe?
05:28Even if it's a joke, since we're all here, we can talk about the magazine topics of next month.
05:35Okay!
05:38Çağdaş, do you have any ideas about this topic?
05:42Well, Mr. Yiğit, I have a great idea about this topic.
05:48I have a great story.
05:50The theme is love.
05:53I'm so sorry, can I talk to the microphone?
05:56Since he's new in the magazine, he thought this topic could be discussed in the magazine.
06:01Mr. Yiğit, that topic will blow up in our hands.
06:03I may be new, but no expert has ever come to this subject.
06:07What subject is the expert?
06:08Love.
06:09About love. I wonder which creature you will fall in love with.
06:11Which creature could fall in love with you in this world?
06:13Well, Mr. Yiğit, if you could really be here, could you be in such comfortable attitudes?
06:18For example, could you do this?
06:22Could you do this?
06:28Or this?
06:31This is the subject. Do you understand?
06:33No, it's not possible.
06:38Assistant.
06:42Assistant.
06:43Assistant, don't you have any ideas about this topic?
06:53Yes?
06:55I don't understand.
06:57You can't speak.
06:58Look, you're saying something, but it's in your mouth.
07:01Didn't I tell you not to bring work home?
07:04Assistant.
07:05Did I tell you that?
07:06But what are you doing, assistant?
07:08You're going and you're looking straight at the only thing you know.
07:11You don't see anything else.
07:12There are so many people around you, so many things.
07:14You don't want to be aware of anything.
07:16Why don't you want it?
07:17Because...
07:18Tuna.
07:20Tuna.
07:21You don't want to face it.
07:22What do you do with your problems?
07:23You ignore them.
07:24When you ignore them, you think they're gone.
07:25But...
07:26Tuna.
07:31Look, the seat is empty.
07:34Because nothing came to the sea today.
07:37The chair is empty too.
07:39Friends, let's get down to business.
07:42If you fall asleep like Tuna, please,
07:45see you in your dreams.
07:46Come on, come on, come on, come on.
07:49Oh my God.
07:52I'm on a whole different level right now.
07:55Wow.
08:00I lost my mind then.
08:02I mean, it was so real.
08:04I talked a lot.
08:06Okay, man.
08:08You must be hungry.
08:09What am I eating, man?
08:10Well, that's what I'm saying.
08:11Eat fruit.
08:12Maybe you're still hungry.
08:15Shall I make tea?
08:16Huh?
08:17Look, I'm telling you.
08:19No, man.
08:20Not now.
08:22I'm sorry.
08:23I'll go, right?
08:24I'll go.
08:25Please.
08:26I'll go to bed.
08:29See you.
08:38Welcome, Mr. Yiğit.
08:39Welcome, Ms. Deniz.
08:40Thank you.
08:45Did you really arrange all this for me?
08:48For us.
08:58Shall we buy corn?
09:01We'll buy it anyway.
09:02I can't get enough of corn.
09:04I come to the cinema to eat corn.
09:06Yes, I admit that.
09:07I can't get enough of greasy and salty corn.
09:09I know you can't get enough of it.
09:11We couldn't get you enough when you were a kid.
09:13Yes, we never got enough.
09:17Do you think we can get a big one?
09:20Isn't that enough for you?
09:24I hope Ms. Deniz won't be unhappy.
09:26She won't. Watch.
09:28I talked to the gentleman before.
09:30We organized it.
09:31I said,
09:32we can't get Ms. Deniz corn in any way.
09:34Whether it's a big one or a double-double big one,
09:37it's not enough at all.
09:39They came up with a solution for us.
09:44How is it?
09:45Did you like the solution?
09:47I can't believe it right now.
09:49I can't talk right now.
09:50I'm so confused right now.
09:51You made a miracle happen.
09:53You made a person's dreams come true,
09:55Yiğit Balcı.
09:56Really.
09:57You're a witness.
09:59Can I fill it up?
10:00Can I fill it up?
10:02Popcorn brother.
10:03Please, let me fill it up.
10:04Of course, here you go.
10:05Here you go.
10:06Thank you.
10:07Today is your day, Ms. Deniz.
10:09You can do whatever you want.
10:16Is it for us?
10:18We should ask you.
10:35We should ask you.
10:53Bro.
10:54Aren't you going out?
10:55I'm going.
10:56Bro?
10:57What?
10:58Bro?
10:59Of course, bro.
11:00I'm thinking of making a nice songer on top of the past.
11:04Let's make a new start.
11:06As a start,
11:08hazelnut cream.
11:10And mixed kebab on the back.
11:13Sure, bro.
11:16But I have a lot of work to do.
11:18It's a great offer, but...
11:19We can do it later.
11:21The style is great.
11:23It's beautiful.
11:25Thanks, bro.
11:27My old style.
11:30If it's a job...
11:32It's a priority, of course.
11:34Take care of it first.
11:35We'll go later.
11:41Bro?
11:43Yes?
11:45Look, there's no one left here.
11:47You're alone.
11:49Relax.
11:50You'll get used to it.
11:52Okay, bro.
12:01Bro?
12:02Bro?
12:03Bro?
12:04Bro?
12:05Bro?
12:06Bro?
12:07Bro?
12:08Bro?
12:09Bro?
12:10Bro?
12:11Bro?
12:12Bro?
12:13Bro?
12:14Bro?
12:15Bro?
12:16Bro?
12:17Bro?
12:18Bro?
12:19Bro?
12:20Bro?
12:21Bro?
12:22Bro?
12:23Bro?
12:24Bro?
12:25Bro?
12:26Bro?
12:27Bro?
12:28Bro?
12:29Bro?
12:30Bro?
12:31Bro?
12:49My love flower.
12:52Look at my pretzel.
12:53My love flower.
12:57Take me out.
12:59I'm going to show you number 100.
13:09I'm going to show you number 100.
13:11I'm going to show you number 100.
13:13Well...
13:15Are you brave, Cagdas?
13:19Am I brave?
13:21Of course I'm brave.
13:23I'm brave, of course.
13:25I don't know what fear is.
13:27I'm not afraid of anything.
13:33Well...
13:35What do you want?
13:37Would you do it?
13:43No.
13:45You're going to very different places.
13:49I would.
13:51I would do anything for you.
13:57Idiot.
14:01You have to be smart.
14:03For God's sake.
14:05If you don't have any of these,
14:07get up in the morning and look in the mirror.
14:09Are you mad at the mirror?
14:11What would a girl like a mouse do to you?
14:13What would a girl like milk do to you while I'm standing?
14:17For God's sake.
14:21Do you have a camera?
14:23Cagdas.
14:27What is a camera?
14:29Wow.
14:31Wow.
14:37No.
14:39I can't breathe.
14:41Are dreams good?
14:43Do you really have a camera?
14:45What is a camera?
14:47Let me see.
14:51Idiot.
14:57What is a camera?
15:01Have you watched this movie before?
15:03I'm experiencing everything we're experiencing right now for the first time.
15:05I haven't watched it.
15:07What about you?
15:09No.
15:11It was probably shown on TV,
15:13but it's weird that I haven't seen it.
15:15I'm watching it for the first time.
15:17It's not weird, Deniz.
15:19It's destiny.
15:23Destiny?
15:25Really?
15:27Really.
15:35Well done.
15:37Well done.
15:53Where did the man play?
15:57The man?
15:59The man was...
16:01Where?
16:03He was playing in a car race movie.
16:05A car race movie?
16:07Yes.
16:09What happened?
16:11Did you hurt your neck?
16:13No.
16:15I'm just nervous.
16:17I get nervous before I watch a movie.
16:19Because it's a different world.
16:21I have to relax.
16:23That's what I think.
16:25It's a different world.
16:35It's a different world.
16:53It's a different world.
16:55It's a different world.
16:57It's a different world.
17:05It's a different world.
17:13What an exciting movie.
17:15Yes, it was exciting.
17:21They were more excited than us.
17:23They didn't know.
17:25They were small.
17:27But their love was always the same.
17:35It's okay.
17:55Kerem.
17:57I will call you, okay?
17:59I will call you soon.
18:01See you soon.
18:06What happened to you? Are you okay?
18:08Are you sleepless? Are you tired? You look sick.
18:11Have you seen a doctor?
18:13I came to ask that too. Is there a doctor?
18:15Yes, there is Mr. Ibrahim. He is a hospital doctor.
18:17No, not him. I need a mental doctor.
18:26You even cried at the end of that movie, Deniz.
18:28I'm going to tell you something. I didn't cry.
18:30Something ran into my eye and it's still alive.
18:32There really is something in my eye.
18:33Of course, of course. It must have run away.
18:35You were like that when you were a kid.
18:37No matter which movie we watched, you would cry at the end and deny it.
18:40My eyelashes have been running into them since I was a kid, okay?
18:42I know.
18:43Oh, oh, oh.
18:46Oh.
18:50Did you make me cry?
18:52No. I didn't plan that much, but it was nice.
18:55Is everything going as planned?
18:58Yes, but we just started.
19:04Come on.
19:05Where are we going?
19:06Don't ask questions. Live.
19:11Have a nice day, sir.
19:12You can close this.
19:17I guess I didn't have enough slippery ground earlier.
19:20We came to this place. I'd like to scratch my arm and leg.
19:24Yes.
19:34Nothing's going to happen.
19:36If we're going to fall, we're together. If we're going to get up, we're together.
19:39Trust me.
19:41Why should I trust someone who's trying to take revenge on me?
19:44In such a slippery ground.
19:47Because right now, there's no Yigit Balci who wants to take revenge on you.
19:52Right now, there's Yigit Balci, your childhood friend who came all the way from America just for you.
19:59Okay?
20:03Okay.
20:09Let's go.
21:03Let's go.
21:33Maybe you'll be happy in the end.
21:36Maybe you'll be happy in the end.
21:45Damn love, stay away from me.
21:49I don't want the pain of seeing you.
21:52I don't love you.
21:59We used to drink hot chocolate a lot when we were little.
22:01It's not called hot chocolate.
22:03It's called sea.
22:05I see.
22:06There was a cafe I used to go to when I first went to America.
22:10I used to go there every day and drink hot chocolate and think about you.
22:14Although I was always thinking about you.
22:17Anyway, when the time came, we met the waiter there and became friends.
22:23One day he asked me how to say hot chocolate in Turkish.
22:28I thought about it and said sea.
22:32Yes.
22:34His name is Deniz.
22:36Then he put the cup in front of me every day and said,
22:40your Deniz is here, your Deniz is here.
22:42I was getting excited.
22:44How much did you think about me?
22:49I didn't have anything else to hold on to.
22:51One day he dreams of the day we meet again, right?
22:57Right now.
23:01I don't know if I thought about you as much as you thought about me.
23:08Thinking about you was something I did without expecting anything in return, Deniz.
23:13When I decided to come back here, I didn't have any expectations.
23:18I just had hope.
23:20My hope that was destroyed.
23:22My hope that you shattered.
23:28I'm going to ask you something.
23:30Do you remember the first day you saw me after you came back from America?
23:37Yes.
23:38You promised.
23:40I promised.
23:41You're right.
23:43What do you want to do?
23:47Eat. Let's eat.
23:50Okay.
23:51Then we're going home.
23:52Home?
23:53I'm going to cook for you.
23:56Are you sure you wanted to see me the day you came back from America?
24:02I thought we'd lost enough time.
24:16Thank you for coming.
24:19You're welcome.
24:20Brother Tuna, there doesn't seem to be a physical problem.
24:27The MR is clean.
24:28There's nothing wrong with your blood tests.
24:31I didn't tell you.
24:34But my diagnosis is in the direction of the first psychotic attack.
24:39In other words, in public language, in response to this...
24:42We call the first attack that occurs at the beginning of schizophrenia psychotic attack.
24:51Schizophrenia psychotic attack.
24:57You say schizophrenia.
24:59I'm sorry, I'm schizophrenic.
25:02If I were schizophrenic, I'd laugh.
25:04What are you saying?
25:07Every psychotic attack does not have to continue with schizophrenia.
25:10Some patients may remain at this stage.
25:13But it could be the opposite.
25:15That's why I want to continue your treatment.
25:18And I recommend you go to the hospital.
25:20I understand.
25:21Wait a minute.
25:22Then I'm saying this.
25:23I think we should take a shot first.
25:25We should look around.
25:26Let's call to see if there's anyone who can pass.
25:28Because I don't go to that hospital.
25:29There's no such world.
25:30What's going on?
25:32Mr. Tuna, the doctor wants to say that the situation may be serious.
25:35I mean, you may need treatment.
25:37I can understand what the doctor is saying.
25:40I guess we don't have much time.
25:44I can't force you to stay in the hospital.
25:46But I recommend that you be treated severely.
25:49I understand.
25:50I thank you very much for this advice.
25:52We are against violence.
25:54Because we are from Beşiktaş.
25:55Good luck.
25:57Tuna.
25:59Excuse me.
26:01They're giving everyone a diploma.
26:03Tuna.
26:04All yours.
26:05Tuna.
26:06The man says schizophrenic.
26:07You never give me a chance.
26:09You leave without talking.
26:10What chance?
26:11You may be schizophrenic.
26:12We may have to close you.
26:13What are you saying?
26:14No, he's not saying you're schizophrenic.
26:16He says everyone may not be schizophrenic.
26:18Besides, let's admit you're not well.
26:20You're saying that.
26:23Look, I know.
26:25I'm aware.
26:26You're right.
26:27If we were in different places, I'd tell you the same thing.
26:30But right now, I have the right not to see the truth.
26:34I don't care right now.
26:36I'm running away.
26:37Yes, but I don't want you to be late for treatment.
26:40Okay, I understand.
26:41Okay.
26:43I'm just learning.
26:45I'll think about it for a couple of days.
26:47I'll figure out what's going on.
26:49If I go crazy with Dolonay.
26:51I'll put on my handcuffs.
27:13Thank you.
27:15You're welcome.
27:23Good evening, everyone.
27:26That's all from us tonight.
27:31Mr. Gazi, I thought the show was over.
27:33No, it's not like that.
27:36You're welcome.
27:37Well done.
27:38Let's see.
27:39What is it?
27:41What is this?
27:42Why did the music stop?
27:43Music doesn't stop.
27:44That's why we're closing in half an hour.
27:47You used to come here often, Mr. Gazi.
27:50I used to come here very often.
27:52But I changed the setting of that frequency.
27:54I guess they changed the program there.
27:57Is that so?
27:58It usually closes at 8.30 on these days of the week.
28:00It's been like this for 25 years.
28:04It's been 25 years since I came here.
28:06I don't know, I have a job.
28:08Look at the artist.
28:09Don't play jazz for me.
28:10And I said he's handsome.
28:11You're the worst.
28:14You know jazz?
28:15He plays jazz.
28:16He creates a metaphor.
28:18Let's go somewhere else.
28:20Let's go.
28:22Okay.
28:24No one moves.
28:26We're going to do an identity check.
28:30Come on.
28:32Can we do this on our happiest night?
28:36That was missing.
28:40What?
28:45Anyway, Mr. Gazi.
28:46Let's show our identities and go.
28:48I forgot my identity.
28:50Did you forget your identity?
28:51I think I forgot it at the office.
28:53Oh my God.
28:56Let me get the identities.
28:59Here you go, officer.
29:01Officer.
29:03I forgot my identity at the office.
29:06Oh my God.
29:07Can you review it?
29:09I won't.
29:11Don't.
29:12I won't.
29:13Okay.
29:14Ismail, take this.
29:15Come on.
29:16Wait a minute, Ismail.
29:17Wait a minute.
29:18Ismail, please.
29:19Look, we're a family business.
29:21If you let me, I'll take you to my family business.
29:25While you're drinking tea and coffee there, I'll bring you the identity.
29:28Ismail, take this.
29:29Take it.
29:30Look, we're working on the same business as the gentleman.
29:32I'm an infidel.
29:33Please.
29:34Please.
29:38Here you go.
29:39Here you go, officer.
29:40Here you go.
29:41Look, it's like your own business.
29:42I beg you.
29:43Here you go.
29:44Here you go.
29:45Here you go, officer.
29:46I don't have an officer.
29:47I'm a commissioner.
29:48No, I'm sorry.
29:49I'm so sorry.
29:50Is this your business?
29:51Yes.
29:52It's ours.
29:53It's a family business.
29:54Ask any family, they'll show us.
29:57Why?
29:58Because they respect their country, their people, their state, their police and their soldiers.
30:04I mean, God bless you.
30:06The first rule of this business is etiquette.
30:09The second rule is seriousness, officer.
30:11I don't have an officer.
30:12I'm a commissioner.
30:13I'm so sorry.
30:14Huh?
30:15What kind of magazine is this?
30:16Fashion magazine.
30:17Shirt, pants, donuts, vanilla.
30:20These are mortal things.
30:21That's good.
30:22Where's the bathroom?
30:23Well, you're following the corridor.
30:25The second door on the right.
30:26Okay?
30:28If you want, let's see my identity, officer.
30:30Okay?
30:31I don't have an officer.
30:32I'm so sorry.
30:33I'm so sorry.
30:37What's that sound?
30:39Yes, one of the employees must have stayed at work.
30:41He's listening to music.
30:42If you want, let's see your identity.
30:46No, no.
30:47I was curious about the source of this.
30:48Let me go and check the sound.
30:50Come here.
30:51Come.
30:52Move.
30:53What's going on, Kazim?
30:55Come, come, come.
30:57Oh, my God.
31:21Oh, my God.
31:27Hey, hey, hey.
31:28Hey, hey, hey.
31:29Hey.
31:33What's going on here?
31:34My costume, man.
31:35Are you perverts, man?
31:37Are you crazy?
31:38What kind of place is this?
31:41What are you doing here?
31:43What's the smell here?
31:44Hold this.
31:45Well, chief.
31:46I'm as surprised as you are, except for the smell.
31:50But we're sure you're not a family business.
31:52This is a curtain of our family.
31:55A moving curtain.
31:58Oh.
31:59Chief.
32:01Chief, this man was watching you dance on the screen.
32:04What?
32:09Oh, my God.
32:10Is this a raid now?
32:11Is this a raid?
32:12This is my first raid.
32:13I'm being raided for the first time.
32:14But I'm going to ask you something, Mr. Gazi.
32:16If you hear about such raids,
32:18if you let us know in advance,
32:20an organization, a preparation, something will be done.
32:22Okay, Cemal.
32:23I'm very curious.
32:24I'm very curious.
32:25If I let you know in advance,
32:26what kind of organization are you going to be?
32:28Liar.
32:29Tell me what's going on.
32:30What is this?
32:31Here's the thing.
32:32Can I put my hands down?
32:33Yes, of course.
32:34Now, here's the thing.
32:35This is for our kokorec friend.
32:37He deserves the name.
32:39He needed a life lesson.
32:41So I dressed him up.
32:43I made him dance.
32:45I was recording it down there.
32:46I'm going to file a complaint with this man, chief.
32:48Chief.
32:49Aha.
32:54You're a liar, Cemal.
32:55Shut up.
32:56Come on, Mr. Orhan.
32:58I'm going to file a complaint with him.
33:00You all heard it.
33:01He's insulting me.
33:02Sorry, sorry.
33:04I'm going to file a complaint with my fate, chief.
33:06Not chief, but a police officer.
33:08Ismail, pick them up.
33:10Pick them all up.
33:11Pick them up.
33:12Pick them up.
33:13Pick them up.
33:14Ms. Neşe, at least it was an exciting day, right?
33:16Did I excite you?
33:18I'm going to give you a lot.
33:20I'm very excited.
33:21Why are you wearing my costume?
33:22Why are you wearing my costume?
33:23I'm going to sleep with Leyla.
33:24But if I wear this costume, I won't sleep in the same room with the animals.