Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
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TVTranscript
00:00♪
00:30You've got a lot on your plate.
00:31You've got a lot on your plate being with Yiğit, right?
00:34What does that mean? We both know it very well.
00:36Yes, you know very well what it means.
00:38I'm working. I'm an assistant. I have to do my job.
00:41I have to work while Mr. Yiğit is working.
00:43Because I can't come home and lie down. I don't have that luxury.
00:46When you say Mr. Yiğit, you cover everything up, don't you? Very nice.
00:50Why are you laughing? What am I covering up?
00:52Tell me that. What am I covering up?
00:54No, I don't need to say anything. I understand that you understand. Never mind.
00:57What do you mean you understand? You're talking about something.
01:00You're making me angry. Then you understand that you understand.
01:03Don't lie to me. Tell me what it is.
01:05Tell me clearly. I'm listening to you. Tell me.
01:08You don't tell Yiğit who he really is.
01:11But you don't leave him either.
01:13You keep Tuna by your side with empty hopes.
01:15You included me in your game.
01:17After that, you act like the most innocent person in the world.
01:21How nice.
01:22What are you talking about?
01:24You were surprised when I told you the truth for the first time.
01:29Do you love Tuna?
01:31You don't have to think. It's not something to think about. Answer me.
01:34I love him.
01:37Do you love Yiğit?
01:44Why are you silent?
01:48Because if you say no, your hypocrisy will come out, right?
01:54You pushed me in front of Yiğit.
01:56Because of you, I fell in love with this man like crazy.
01:59But if I ask you,
02:01you did everything you could to be with Yiğit, right?
02:06I did.
02:09I didn't.
02:10You did.
02:12Then you went after me and did everything you could to win Yiğit's heart.
02:16You played the innocent girl in the background.
02:19You fooled Tuna like that, too.
02:21Because you discovered his weakness.
02:25He couldn't stand without saving you.
02:27It's beautiful.
02:28Innocent girl.
02:29How beautiful.
02:30You fooled everyone like that.
02:32But actually, he does it because he loves everyone so much.
02:36He thinks a lot about everyone.
02:38He wants everyone to be happy.
02:40Actually, he's suffering a lot.
02:42He's suffering a lot.
02:43Right?
02:45I don't understand what you're doing right now, but I don't deserve what you're saying.
02:50You deserve what I'm saying.
02:55Because actually, you don't love anyone.
02:57Neither Yiğit, nor Tuna, nor me.
02:58You just love yourself.
03:00You sacrificed us all for your game.
03:06You made everyone unhappy.
03:08You're guilty.
03:10Do you feel better?
03:13You said what you were thinking.
03:14You got angry.
03:15Do you feel better now?
03:19These things wouldn't go on like this, Deniz.
03:21I know that.
03:24I'm sorry.
03:54I'm sorry.
04:02I'm sorry for everyone.
04:03I'm sorry.
04:06I'm sorry for everyone.
04:07Are you all sick?
04:08We're all sick.
04:10Turn around.
04:11Look at the slipper.
04:12Look at the animal.
04:13He stretched his legs like that.
04:14He's got a microbe nest.
04:17Bacterial hole.
04:19Coach, I got better one day.
04:20I'm like iron.
04:22Why?
04:23Because you're always washed.
04:24Your immune system has collapsed.
04:27You're out of nature.
04:28I'm telling you not to wash all the time.
04:30If something good happens, I'll do it.
04:32That's not why.
04:33You're a microbe yourself.
04:34There's no microbe on you.
04:36Am I like a caveman?
04:37What does it have to do with it?
04:39God.
04:42I'm sorry.
04:52I'm so sorry.
04:53Because it was too late.
04:54I said, Shall I get on the bus?
04:55But if I had got on the bus at that time,
04:57you were lying on your grandfather's shoulders.
05:01He was wandering around.
05:02When I woke up, it was morning.
05:05I would have come.
05:06I would have come again. Nothing would have changed.
05:08That's why I'm so sorry.
05:10Don't be sorry, Aykut.
05:11Too much sorry covers too much space.
05:13You just apologize.
05:15But in this case, when you say sorry,
05:17it's like, what if I didn't do it?
05:19There's no need for that.
05:20Don't be sorry.
05:22Isn't there anything?
05:24Aren't you going to act cold at all?
05:26Even if it's a small mistake, a tiny one.
05:31I mean, I'm sorry.
05:32Yes, I'm not sorry.
05:34But there's nothing to do about it.
05:37I mean, it's possible, actually.
05:39You can pour it in.
05:40It feels like you're throwing it in.
05:42You're right.
05:43I mean, you're right.
05:44Of course, I couldn't come in the middle of the night.
05:46But you're right now.
05:48Because you're sorry.
05:49So say something.
05:50Pour it in.
05:51You don't have to be such a knight.
05:53Say something.
05:54The outside is you.
05:55The inside is me.
05:56You know?
05:57Never mind.
05:58I mean, I'll even tell you something else.
06:02Little lady.
06:09Esat Cavit Exhibition.
06:10What are you saying?
06:11Don't let them think they're number ten, five-star painters.
06:16They have exhibitions tonight, sir.
06:17If you want to compensate.
06:26I'm working tonight.
06:29You couldn't say no, could you?
06:30Should I say no on the day I work while I'm standing?
06:32No, Michael.
06:33God forbid.
06:34You'll be fired or something.
06:37No need.
06:40I didn't think the compensation could be this early.
06:43I mean, otherwise I'd get permission.
06:45But when it comes back to me...
06:48You're right.
06:49I think that's the problem, Michael.
06:52You can't come.
06:53I'm thinking about compensation.
06:56You can't come to the compensation.
07:01Okay.
07:21Good morning.
07:22Good morning.
07:31Long live.
07:41May I ask?
07:47I think you should ask.
07:48Yes.
08:00Yes.
08:08Yes.
08:18May I come in, Mr. Yigit?
08:30Thank you.
08:39This is for you.
08:43For me?
08:49Because I'm back?
08:51What was the need?
08:52You embarrassed me.
08:53Thank you.
08:54Let me put it this way.
08:56Let's say it's a gift you've deserved for a long time.
09:01A gift you've deserved for a long time.
09:04Surprising.
09:06Can I open it with your permission?
09:07Please.
09:09Wow.
09:13A CD.
09:17What's in it?
09:19You'll watch it soon.
09:21If it's something I can watch, it's a movie.
09:24I need so much energy and morale these days.
09:27I hope it's a comedy movie.
09:31I don't think it's a comedy.
09:33Whatever.
09:34Let's not spoil the surprise.
09:36Let me get back to work now.
09:39You say you won't spoil the surprise,
09:41you won't say it,
09:43and you'll wait until the end.
09:50I don't know if I'll have morale when I watch it.
09:54But you can be sure of one thing.
09:57After watching it,
09:58nothing will be the same.
10:05Now, if you'll excuse me.
10:06Now, if you'll excuse me.
10:27In your presence,
10:28Asena Hatun.
10:31Yiğit, my dear.
10:33These guys want a lot of money.
10:35Let's just give up on this.
10:38We'll solve this with a loan.
10:39Don't worry.
10:42And we have a loan now.
10:44At the end of this,
10:45we'll all go to the loan sharks.
10:46I'm telling you.
10:48Gazi is right.
10:49A little bit.
10:50Then find yourself a new general coordinator.
10:53If we won't grow, I won't.
10:55Oh, oh, oh.
10:56Yiğit, you're making a mess.
10:59We came here because we can find a middle ground.
11:01If I could find a middle ground
11:03between you and my mom,
11:05I would stop this.
11:06I'm not talking about the money.
11:07You're talking about what it's worth.
11:16I'm filming this.
11:17I don't want to wait any longer.
11:19From now on,
11:20I don't have to hide anymore.
11:24From now on,
11:25I don't have to bite,
11:26or pick,
11:28or hunt anymore.
11:32Now,
11:33you have to make a decision.
11:34Now, do you want to be a hunter or a prey?
11:40So, are we going to bite or get bitten?
11:44If you want, let's bite Asena, my dear.
11:53Okay, let's take the credit.
11:58Right decision.
11:59Let's take the credit, for God's sake, this is how it is.
12:01He always makes the right decision.
12:04Here you go.
12:16I finally found you here, Tuna Bey.
12:19I could have not wanted to come here.
12:21I came to tell you that I finished all my work.
12:23You asked me to organize the pages.
12:25I have done all of it.
12:26You can look at them in a while.
12:27Okay.
12:30Okay.
12:31I'm going then.
12:34I don't want to miss you.
12:36You can't miss me, right?
12:39Yes, I can't.
12:40I'm sorry.
12:41I don't want to miss you.
12:44You're not going anywhere.
12:46You're not going anywhere.
12:48I'll be there.
12:49I'll be there.
12:51Okay.
12:52Okay.
12:53Okay.
12:54I'll be there.
12:55Okay.
12:56Okay.
12:57I'm sorry. It's not that I want to listen to it.
13:02Michael and I are not that close.
13:07Actually, it never happened before.
13:10I guess it happens. Everything has a beginning.
13:14You're the one who's upset.
13:18If you want to start over...
13:23Okay.
13:25If you don't mind, can I say one more thing?
13:29I guess I don't mind.
13:31That exhibition in the evening...
13:36Esat Cavit. I love that painter.
13:40If you're not going, can you give me your invitation?
13:44I mean, if you're not going to give it to anyone else, of course.
13:47I'll give it to you. No problem. They're upstairs.
13:50I'll give it to them when I go upstairs.
13:52Okay.
13:54Why don't we go together?
13:56You wouldn't have missed it.
14:00No.
14:06Actually, yes.
14:08Why don't we go? Why am I sitting idly at home?
14:11Yes. And I can't imagine you like that.
14:13How?
14:14Idly.
14:15Don't you see?
14:17So? We're going.
14:20Okay. See you then.
14:24See you.
14:42I'm here right now, right?
14:44There's no one.
14:45Yes.
14:46I mean, I could get in. I'm inside.
14:48Is there something, assistant?
14:50Yes, there's something I need to tell you.
14:53It's very important.
14:55Tell me.
14:57Yes.
15:04By the way, what is this? A gift?
15:07Ms. Neşe gave it to me. It's important.
15:10I couldn't look at it, but I'm curious.
15:12Anyway, that's not our topic now.
15:14Yes. Come to the point. What are you going to say?
15:17Yes. Let's go.
15:19I'm trying to say this.
15:21Now, if this job is going to be extended today.
15:24I mean, if we're going to work for a long time.
15:26Can I go somewhere and come back between that long work?
15:32Is there such a possibility?
15:34It was rejected, assistant.
15:36But here I am in the evening.
15:38I'm telling you what you're going to do in the evening.
15:40You can fill in that loan application form I mentioned to you.
15:43Those forms can be filled, but in the evening...
15:45We'll go out together in the evening, assistant.
15:47But I have a date.
15:50You have a date.
15:52It's not like that, assistant.
15:54You know, Mr. Halit, the owner of the blue magazine we're trying to make a deal with.
16:01We're going to buy him a gift.
16:03Is that a gift? I'll buy it. I'll buy a tie.
16:05I'll choose a nice dance. I'll put it in a nice box.
16:07It's not such a simple ordinary gift, assistant.
16:09It has to be a gift that we're going to paint his eyes.
16:11What are we going to paint his eyes with?
16:13You'll see when you go in the evening.
16:15Your idea is important.
16:17Don't forget to wear something stylish in the evening, assistant.
16:21I mean, we're going out shopping.
16:24Why am I wearing something stylish?
16:26This is not the shopping you know.
16:28Okay? This is your request.
16:30Please be stylish.
16:39What did you buy?
16:43What is this?
16:47Is it a CD pack?
16:49Oh my God!
16:51Is it a movie? I guess he found one of the old movies.
16:55It doesn't say anything.
16:59Deniz! Deniz!
17:00There's no one in the office. Can you help me?
17:02There's something black and black on my table.
17:04Okay, I'll be right there.
17:16Deniz?
17:22Come on, Deniz.
17:25Hello, welcome.
17:27Hello, nice to meet you.
17:29Let me give it to you.
17:31Thank you.
17:33Come on, take off your coat and give it to the lady.
17:38Yes.
17:47What happened?
17:49Is it wrong?
17:51If it's not suitable here, I'll take it back.
17:54I'll wear my coat back.
17:56My coat. Sorry, Ms. Messiah.
17:58Should I wear it?
18:01Did you buy water? Did something happen?
18:03Did I do something wrong?
18:05Ms. Messiah, do you have water?
18:07No, thank you.
18:10I'm sorry.
18:12I'm sorry.
18:13No, thank you.
18:16You look beautiful.
18:20I'm out of breath.
18:23My throat is...
18:25No, honey.
18:27Don't exaggerate.
18:29There's nothing like that.
18:31I'm not exaggerating, Deniz.
18:33In fact, you're the most beautiful,
18:35the most chic lady here.
18:38I'm sorry, but am I wrong?
18:39Am I wrong?
18:41No, honey.
18:43Isn't it a miracle of shoes?
18:45Yes.
18:47Are you real?
18:49What is real?
18:51I don't know.
18:54Yes.
18:56Really, where are we?
18:58Come.
19:00You'll see.
19:09Come.
19:19Are these paintings telling a dream or a nightmare?
19:24What happened?
19:26We were going to get a gift.
19:28I don't know, a pen and paper, something.
19:30Why are we at Esat Cavit's exhibition?
19:33Why? Because Mr. Halit is a good collector
19:35and we'll get his gift from here.
19:39I see.
19:47It's a beautiful work.
19:49Isn't it?
19:55Now, I said I'd stay on duty,
19:57but I'm right in the middle of Esat Cavit's exhibition.
20:00Please don't come.
20:02You'll get me wrong if I say,
20:04don't come when the tickets are sold out.
20:06Please don't come.
20:07Okay.
20:09I'll let you know.
20:11Deniz, what are you doing?
20:13I'm wondering about the painting.
20:38It was a really unique comment.
20:40Of course.
20:44It's amoeba.
20:52It's a slippery animal.
20:59Good evening.
21:02Good evening.
21:04Good evening.
21:10Can we talk?
21:12No need.
21:14I mean, I can see.
21:16I don't need to listen.
21:18You were looking for a place to work.
21:20You needed a quiet and pleasant place.
21:22You wore something stylish on you
21:24and came to the exhibition,
21:26which I think makes a lot of sense.
21:29Of course, if you're not going to listen,
21:31I won't talk.
21:33I invited you.
21:35I couldn't come.
21:37Donald Trump was supposed to come with his nephew.
21:39I guess that's what happened.
21:47What should I say?
21:49Don't change the subject.
21:51I'm not changing the subject.
21:53That's the subject.
21:55What should I do?
21:58What a coincidence, Mr. Yiğit.
22:00We met.
22:01Yes.
22:03It's a really interesting coincidence.
22:06I'll go to the bathroom.
22:08I shouldn't stay here any longer.
22:14Then I'll accompany Deniz.
22:27What are you doing?
22:29What are you doing?
22:31I didn't know we were coming to the bathroom.
22:33I didn't know.
22:35Let go of your feet, girl.
22:40What's going on?
22:47What are you doing here?
22:49This is the women's bathroom.
22:51I'm in your head.
22:53What happened to my head?
22:55Did I walk? Did I go to the bathroom?
22:57What am I living for?
22:59I can't calculate anymore.
23:02Oh my God.
23:15Hi honey.
23:17Hi.
23:19Honey.
23:21I have a question.
23:23Go ahead.
23:25Did you get a brazilian hairdresser to do your hair?
23:27Or did you do it all?
23:29What?
23:31Are you real?
23:34I'm beautiful enough not to be real, right?
23:38Just kidding.
23:40Deniz.
23:42We couldn't sit and talk in the office.
23:44Actually, we have a common point.
23:46Do you know?
23:48Common point?
23:50Of course, Tuna.
23:52I don't know how to say being with him.
23:55You're very lucky.
23:57What do you say?
23:58I don't know.
24:00Thank you.
24:02I hope you have a good time.
24:04But be careful, honey.
24:06Time is bad.
24:08And Tuna is a very attractive man.
24:10And every woman wants to be with Tuna.
24:13And you are a very good-natured, but naive young girl.
24:17I don't have anything to thank you for.
24:20But thank you.
24:23Look, honey.
24:25Always be awake.
24:26If you're not awake,
24:28they'll kill him in a minute.
24:31No.
24:33Okay?
24:37Come on.
24:39He's a maniac.
24:41He's a maniac.
24:44He's a maniac.
24:56Quiet.
25:05What do you think this picture is telling?
25:07Are you kidding me?
25:09Nope.
25:11I'm just curious about your comment.
25:14Hmm...
25:16Let's see.
25:18What does this picture tell?
25:20What are we supposed to look for?
25:22The lines, the tones, and the colors.
25:24This picture, the tones, the lines, the colors,
25:27they all look ridiculous to each other.
25:29It's as if none of them are as good as the one in their hands,
25:33and they're trying to be a paste to each other, right?
25:36I mean, look at this.
25:38It's like the chicken of the neighbor looks like a goose to you.
25:42It's exactly like that.
25:44Actually, if you ask me what the name of this picture is,
25:47it's called the rotting thief.
25:49Hmm.
26:19Go ahead.
26:21Okay.
26:24The best painter is the one who knows who will buy his work.
26:28This guy obviously followed the latest trends well.
26:32He mixed it with classical.
26:34He created works that could be easily sold.
26:38But it's just a polo cut.
26:41It is clear from our conversation that there is a difference between us like mountains.
26:51You are a dreamer who never dies on the slopes.
26:54I am a realist at the top to the end.
26:59Oh, I'm so happy to be a dreamer.
27:03Look, but we have to do something to that summit.
27:05Look closely.
27:08We burn the brush.
27:10First here.
27:12We make it lighter.
27:14Do you know what we do after that?
27:16Look.
27:17We pull it from here to here.
27:19You think the picture is over.
27:21But then he makes wood.
27:23I don't know how he does it.
27:25But wood.
27:27Assistant, you can tour the exhibition with Tuna if you want.
27:31After all, I don't force you to be with me.
27:34No, there is no need for that.
27:36I've already seen all the paintings.
27:38I've seen what I'm going to see.
27:40So...
27:42I'll go.
27:43Are you going?
27:44Can't I go?
27:45You can go, honey.
27:46You can go.
27:47You can go wherever you want.
27:49If you want, go to the hottest places.
27:50If you want, go to the bottom of those hot places.
27:52I can't get involved anyway.
27:54For example, Rio.
27:55This season is great.
27:57For example, this season is great.
28:00Very good.
28:01Let's choose this painting.
28:03Now let's go to work.
28:07Yes.
28:08Your work.
28:09Let it be.
28:11I'll go now.
28:12The road is long, Rio.
28:20See you.
28:25It's a really ridiculous coincidence.
28:32I think this is the place, right?
28:34Yes.
28:35We're here.
28:36The music is great, isn't it?
28:38Shall we go somewhere and drink something?
28:44It's late.
28:46I think we should go.
28:48I have work to do.
28:50I have coffee.
28:51I brought it from Bali.
28:52Would you like to have a cup?
28:54No, thanks.
28:55No, thanks.
28:56No, thanks.
28:57No, thanks.
28:58No, thanks.
28:59No, thanks.
29:00Would you like to have a cup?
29:03As I said, it's late.
29:05I think we should go home.
29:06I have work to do tomorrow.
29:07Okay.
29:08You'll sit like a bird at night and write again, right?
29:12Good.
29:13Okay, then.
29:14Good night.
29:15Good night.
29:30Please make an appointment.
29:36Ouch!
29:37Ouch!
29:46Doğal, are you okay?
29:47I hurt my toe.
29:49It hurts.
29:50What should we do?
29:51Should we call the doctors?
29:53No, no.
29:54It's not that important.
29:56My heart is a little bit sweet.
29:58Ouch!
29:59It hurts when I step on it.
30:01Wait a minute.
30:03I worked all night for you.
30:05You are so strong.
30:07Don't ask.