Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
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TVTranscript
00:00And our hero will be locked up in this junkyard for a while in order to rehabilitate himself for science, internal and external care, washing, lubrication and such things.
00:21After that, when he comes back to society, he will leave.
00:23I think he'll get out of it before he goes any further.
00:32Michael, didn't I just leave you behind after a great storm of emotion?
00:37Of course, honey. Those storms are always happening. Those storms break. If it breaks, let it break. Now the important thing for me is to let you in.
00:43That's not a good idea.
00:47I already have bad ideas. I'm a bad person. There are a lot of them. But I'm going to let you in and I'm going to get out. That's it.
00:55I think you have a chronic weakness that I can't say no to.
00:58I have a habit of going over your weaknesses.
01:01At least be honest.
01:03When it's necessary, where it's necessary, as much as it's necessary. I'm going now.
01:16I was going to ask you something.
01:25Since the day this hospital was built, a patient has been coming here for the first time with Museb Bibi.
01:34Museb Bibi, you're so cool.
01:37I know.
01:38Really, you're always cool.
01:47Good morning.
01:53Do you know what's going on right now?
01:55Beta and delta waves in the brain.
02:00Good morning.
02:03Good morning.
02:06Yes?
02:07I'd like two breads, one milk. If you don't mind, can I bring a glass of jam while the kid is coming?
02:13What can I say, brother? I came to the hospital. I'm going to bed.
02:15What's your name?
02:16Selami.
02:17But you can call me Tuna Ertugrul.
02:26Number 207, Mr. Tuna.
02:27But we don't accept visitors after this hour.
02:30I'm not a visitor.
02:31I mean, I'm not visiting.
02:33He's just going in. We'll go together.
02:36I'll leave the suitcase. I'll say goodbye.
02:38Then I'll go out.
02:39It takes about five minutes.
02:40In fact, you continue to rest.
02:42I'll go in and out right away.
02:43No, I was resting my eyes.
02:45Yes, I'm sorry.
02:48Here, I'll take you to your room.
03:02Here, leave your room.
03:10Your sister-in-law will be here soon.
03:21Yes.
03:23So this is where my ship hit the ground.
03:25Nice.
03:26Okay.
03:29You lift your head. There's no food on your head.
03:31What are we doing?
03:32We're eating our heads while we're greeting the ants.
03:34That's it.
03:40It's a cold place here, Aykala.
03:43It makes a healthy man sick.
03:46I don't eat calories.
03:47Let me see.
03:48Take it, take it.
03:50It's not like that, Aykala.
03:53It's a cold place.
03:54There's no human warmth.
04:01Seriously, what's our problem?
04:04Our problem right now is decoration.
04:06This is all about decoration.
04:08Don't fool me.
04:09Now, first of all, there's this side.
04:12For example, I put a vase here.
04:14I have toys, I put them there.
04:16These are all shaped things.
04:17Besides, I put biscuits next to the bed, like in your house.
04:21Now food and stuff.
04:22These will always add liveliness.
04:24I put funny magazines.
04:25I put what I want from the magazines.
04:27After that, I don't know what it is, a lot of things.
04:31What?
04:35It's not that long, Aykala.
04:54Wow.
05:01Now the roles have changed.
05:10I think it's time for me to go.
05:12I've talked a lot.
05:14Okay.
05:15I mean, I'll come tomorrow.
05:17Don't take this as a good idea.
05:18We both know that.
05:20It's not an idea.
05:21I swear it's not.
05:22I don't have an idea.
05:24Not at all.
05:25It's just...
05:27You know what?
05:28I don't know this very well either.
05:30I'm aware of what's happening.
05:32I mean, I think I'm aware.
05:36I want to be sure of some things.
05:38I want to see.
05:40When I think I'm sure...
05:46I'll be gone anyway.
05:48You'll be gone.
05:53I'll go.
05:55Okay, okay.
05:56Okay.
05:58See you.
06:00See you.
06:31Night
06:32Angel
06:34Are our children
06:38Night
06:39Angel
06:42Are our children
06:49We've hung from every cliff
06:55We've sold his mother
06:57We've made his father cry
07:03Have we fallen?
07:05Or have we stayed?
07:10Confused things
07:13These
07:16I'm bored.
07:17I know.
07:20Anayka.
07:22Didn't you and I experience this separation a few minutes ago?
07:24Didn't we?
07:27Yeah.
07:28We did.
07:30Yeah?
07:31Yeah.
07:32I don't know.
07:33That's how it is.
07:38Welcome, Mr. Tuna.
07:39Let me check on you.
07:41Hello.
07:43Good luck.
07:44I was on my way anyway.
07:46See you then.
07:48See you.
07:55Let's measure your blood pressure first.
07:58Okay.
08:16Who is it at this hour?
08:25God.
08:36Yes?
08:38Hello, Mr. Yiğit.
08:39Dr. Funda.
08:41How are you?
08:42I'm fine. You?
08:44I'm fine.
08:46I mean, I'm trying to get better.
08:49What's up?
08:50I'm sorry.
08:51I bothered you at this hour.
08:52Your results are out.
08:54Can you come to the examination room tomorrow morning at nine?
08:58Of course.
09:00Is something wrong?
09:02It would be better if we met face to face.
09:06Okay, let's talk.
09:10Should I be worried?
09:12Mr. Yiğit.
09:13Let's meet face to face.
09:15Anyway.
09:16I won't force you.
09:19As you said, I'll come tomorrow.
09:20We'll meet face to face.
09:22Okay, I'll be waiting tomorrow.
09:50Let's go.
10:09Yiğit.
10:10Let's take you to the hospital.
10:20Okay.
10:44Luckily, it is not what we were afraid of.
10:47The mass is big, but it is benign.
10:49It is easy to operate and remove the tumor.
10:52But he has to be careful from now on.
10:56His body can generate new tumors.
11:00I see.
11:18I see.
11:38Once again.
11:40It's a benign tumor.
11:41However, your body is generating the tumor.
11:44This tumor, four times in three years, is very worrying.
11:49Yiğit.
11:50You must watch your health.
11:51And you must never skip your exercises.
11:57It's okay, doctor.
12:03Go exercise from time to time.
12:06And be careful about your living.
12:09If your body becomes tough,
12:11you will be tough and durable too.
12:14Allowing a kiss to build in your body is in your hand.
13:41I love you.
14:11La la.
14:12La la la.
14:13La la la.
14:15La la, la la.
14:16La la.
14:18La la, la la.
14:21You are confusing my brother.
14:24They will call you Lele.
14:25I'll call you Lele.
14:41Good morning.
14:47Good morning.
14:52Is it morning?
14:53What else is going to happen?
14:55This place is going to be decorated.
14:57Today is decoration day.
14:58Let's watch it on TV.
14:59I'm going to do it here.
15:00Now, first of all, clean pajamas.
15:06Yes.
15:07Yes.
15:12Books.
15:13I mean, I didn't know how to buy books for a writer like you, but...
15:17Writers like to read better than themselves.
15:20I mean, it could be, it makes sense.
15:21I don't know.
15:24I guess I couldn't hide it, but...
15:28Muddy sweat.
15:31Look, it's a terrible thing.
15:33I'm going to say something.
15:34Really, don't wear these without changing your socks.
15:36If it smells, this gift is ruined.
15:38Please, I know your value.
15:39These will protect you.
15:40Really?
15:42Yes.
15:46Then, there are pillows here.
15:48Because this is a home environment.
15:56Are you ready?
15:58Now, this is really important.
16:01The most emotional, sweetest, warmest house.
16:10Dantel.
16:11I can't believe it.
16:12What can I say?
16:13This is more of a home than your own.
16:15Is it?
16:16Yes.
16:18Really, I'm so sorry.
16:21Yes, Dantel.
16:23Yes, sir.
16:24Teas.
16:25What are you saying?
16:26Exactly.
16:27Cold sandwich.
16:28Cold sandwich, sir.
16:29Eat it before it gets cold.
16:30I was joking.
16:33Look, what's behind you?
16:34What?
16:35What happened?
16:36What?
16:37Is it something?
16:38It's a wing.
16:39A wing?
16:40Yes.
16:44Mr. Tuna?
16:45You have a meeting with the doctor.
16:47He's waiting for you in his room.
16:49Okay, I'm coming.
16:52You're welcome.
16:57Maykala.
16:58Shouldn't we go?
16:59It's your first class.
17:00Don't you have classes?
17:01What?
17:02Actually, we...
17:04Let's run away from here, Maykala.
17:05Shall we?
17:06Let's run away.
17:08No way.
17:10No way.
17:11Do you know why?
17:13Because I decorated this place.
17:16I'm going to deal with this place all day.
17:18I created a house.
17:20Respect this effort.
17:21Then you slowly take your feet out.
17:24Yes.
17:25You put them in the pockets.
17:29Please.
17:31Yes.
17:34Let's not get cold.
17:35Yes.
17:36Let's not get cold.
17:37Yes.
17:39Shouldn't we go, Maykala?
17:40I'll tell you something.
17:42You're nervous.
17:44You're nervous.
17:45It's normal.
17:46But there's nothing to be nervous about.
17:47I can come to you if you want.
17:49I'll come.
17:50Okay, I'll come to you.
17:54I'm itching.
17:55I'm itching, you know?
17:56But I can't reach it from above.
17:57Okay, it's for that arm.
18:06It's okay.
18:25Mr. Tuna.
18:26We usually have meetings one by one.
18:28But I let Mrs. Deniz participate today.
18:32Because I wanted to set up an appointment with her.
18:36I'm here with my doctor.
18:40Did I find the doctor?
18:42Right away.
18:44Now, as a first step in your treatment,
18:48there is a saying that in our culture,
18:50the nail will be removed.
18:52For example, if I walk around with my wife all the time,
18:54can we reach something like removing that nail?
18:57Instead of that nail,
18:59what do you say about our ways of connection?
19:02For example, if we go back to your childhood,
19:05what do you say?
19:07Now, let's go back to our childhood.
19:11We can't refuse that.
19:14But I came here because I'm crazy about love.
19:19And the reason is obvious.
19:21Wait a minute. I object, doctor.
19:23What is innocence?
19:25There is something called innocence.
19:27Don't let him know.
19:28Why am I guilty?
19:30Why am I guilty right now?
19:31Because you are.
19:33Look.
19:34Situations related to connection problems
19:36are usually related to childhood and parents.
19:40That's why your mother and...
19:44Let's not talk about my mother.
19:45Because I don't have a mother.
19:46I understand.
19:47Let's not talk about that.
19:48We need to talk about something.
19:50I'm 7 percent.
19:51I'm 7 percent sad.
19:53I'm guilty.
19:54I'm sorry, doctor.
19:56It's okay.
19:57Mr. Tuna, what makes you feel that your mother is not there?
20:03Doctor.
20:04What makes you feel that there is no second satellite in the world?
20:09I never knew my mother.
20:10How can I know that she is not there?
20:11How can I understand that there is nothing I don't know about her existence?
20:14If you had a mother,
20:17how would you want her to be?
20:20What does that mean?
20:21Maybe the cause of this trouble you are experiencing
20:23is related to mother trauma.
20:25There is a song called Ananı Niyolay, doctor.
20:27It was very good in the 90s.
20:29Did you know that?
20:30My problem is not about your mother's situation, doctor.
20:33Do you know what I want?
20:34I want you to put water in this glass.
20:36Then give me two pills.
20:38I want my head to turn to concrete with those pills.
20:41Is that okay?
20:42I think it's okay.
20:54Is it me?
20:55Am I guilty?
20:56Miss Deniz.
20:57Miss Deniz.
20:59I think we just identified the culprit.
21:08I understand.
21:11You are welcome.
21:20These are all the same.
21:21I would be surprised if they weren't the same.
21:23It's a very strange thing.
21:24Really.
21:25It's very, very strange.
21:27What are you doing?
21:28If you come here every time the doctor gets angry,
21:30what will you get?
21:31You will stay here longer.
21:32Michael says mother.
21:33Are you aware?
21:34I think there is a situation like this.
21:35If someone has a psychological problem,
21:36the doctor says,
21:37mother.
21:38Somehow we got out of it.
21:39There is no problem.
21:40I mean, it's somehow connected there.
21:41Right?
21:42Why are you crazy?
21:43You are not crazy because of the mother issue.
21:45Really, Michael.
21:46Really.
21:47Do you really think so?
21:48Huh?
21:49That's all.
21:50But of course, you too.
21:51I mean, you get out of the situation.
21:53Get out of the situation?
21:54Yes.
21:55I'm running away.
21:56What am I doing here if I'm running away?
21:58What am I doing with the doctor?
21:59What am I doing if I'm running away here?
22:07Can it be a guilty conscience, Michael?
22:11Conscience?
22:14Conscience.
22:16You want to blame me.
22:17Do you understand?
22:18You want to blame me.
22:19I'm guilty.
22:20Okay, I'm guilty.
22:21I made you crazy.
22:22I admit it.
22:23I couldn't love you.
22:24I couldn't love you.
22:25I loved someone else.
22:26I couldn't love you.
22:27I loved someone else.
22:28I'm sorry.
22:29I'm sorry for loving someone else and suffering.
22:31I'm sorry for asking you for help for the man I love.
22:34Okay?
22:35It's my fault.
22:36It's all my fault.
22:37I'm sorry.
22:38But I'm not here to ease my conscience.
22:39You can't tell me I'm here to ease my conscience.
22:42You don't have the right to do that.
22:43Do you understand?
22:53I'm sorry.
22:56I got mad at the doctor.
22:58Then I got mad at you.
23:00I'm sorry.
23:10Yes.
23:11Since I admit my guilt,
23:14I think you can face your traumas now.
23:18I don't have a mother trauma.
23:20I don't have a mother trauma.
23:22If the doctor is wrong, I don't care.
23:26Do you know what I'll do now?
23:28I'll take two pills the doctor gave me.
23:30Then I'll take a nice shower.
23:32Then I'll put a blanket on me.
23:34I'll put a pair of socks on me.
23:35Okay?
23:36Then I'll hit my head.
23:37I'll lie down.
23:38I won't have anything on me.
23:39That's great.
23:40I wish everyone could get rid of all their troubles when they sweat.
23:48You won't get mad.
23:49I have a mad report.
23:50I'm not mad.
23:52I have a mad report.
23:54I'll do it.
23:57You don't have to.
23:58You don't have to suffer here.
24:00I'm the one who's crazy.
24:05Whether you want it or not, you'll get better.
24:08And I won't leave you alone here, okay?
24:19Why are you crazy about my love after that?
24:22How can I be crazy?
24:49Can you get me that bag?
24:51I'll get it.
24:52What are these?
24:53I bought something for Tuna.
24:54Slippers, slippers, snacks, etc.
24:58He probably didn't think about it.
25:00Thank God you're here.
25:03A lot of people don't think that way.
25:08You mean Deniz and my brother.
25:11I don't understand.
25:13You're all so good, so sweet people.
25:16How did you end up hating each other so much?
25:19Because there's no such thing as a good person or a bad person.
25:23There are benefits and disadvantages.
25:25And the benefits don't clash.
25:28I hope I don't get in trouble.
25:30I hope not.
25:39He didn't waste any time.
25:42Hi.
25:44What are you doing here?
25:46Nothing.
25:47Nothing?
25:49Why are you coming here?
25:51Don't you know you shouldn't be here because of Tuna?
25:54I came here because I was bored.
25:57You came here because you were bored?
25:59Yeah.
26:00Your mind should be at ease.
26:02Nothing else matters.
26:03It doesn't matter what other people are doing, does it?
26:06First, don't yell here.
26:08Second, I don't have to listen to your insults.
26:11Do you understand?
26:12Why? Are you angry because someone tells you what goods you have?
26:15Please.
26:17Why are you angry?
26:18You're not angry with me.
26:19You're angry with yourself.
26:20You're angry with someone else.
26:22I know who you're angry with.
26:23If Yigit doesn't love you, it's not my fault.
26:25It's no one's fault.
26:26Look at me.
26:28Please, please.
26:29One minute.
26:30One minute.
26:31I'm looking at you.
26:32Look at me.
26:33You're distracting my friend.
26:34You're going to leave Tuna alone.
26:36I'm going to make him pay for this.
26:38First, you're going to put that hand down.
26:39What are you doing?
26:40Do whatever you're going to do.
26:41You'll see what I'm going to do.
26:42Don't worry.
26:43You'll see what I'm going to do.
26:44Okay, show me then.
26:45You come and shout.
26:46Show me what you're going to do.
26:47Let's see.
26:48Wait, let me see.
26:49Don't be ridiculous.
26:50I didn't come here for this.
26:51She came here for this.
26:52Show me what you're going to do.
26:53Okay, don't go.
26:54Talk, talk.
26:55Don't go.
26:56Get out of here.
26:57Get out of here.
26:58You get out of here.
26:59Take your bag and go.
27:00Don't be ridiculous.
27:01Okay, go.
27:02Okay, don't go.
27:03Come on.
27:04Can you calm down?
27:05Okay.
27:06Calm down.
27:07Please.
27:08Calm down.
27:09I can't calm down right now.
27:10Come on.
27:11Come on.
27:12There's nothing to talk about.
27:13Why should I calm down?
27:14Wait a minute.
27:15Wait a minute.
27:16I'm already waiting.
27:17What are you doing?
27:18Who do you think you are?
27:19What are you doing?
27:20What are you going through?
27:21Okay, but there's no point in doing this to Tuna.
27:22What are you talking about?
27:23Can't you see?
27:24What is he doing?
27:25I can see.
27:26I saw, okay?
27:27All of us are nervous.
27:28All we have to do is try to make Tuna the best he can be.
27:29Don't waste time on such things.
27:30Okay.
27:31Okay.
27:32Okay.
27:33Okay.
27:34Okay.
27:35Okay.
27:36Okay.
27:37Okay.
27:38Okay.
27:39Okay.
27:40Okay.
27:41Okay.
27:42Okay.
27:43Okay.
27:44Okay.
27:45Okay.
27:46Okay.
27:47If you don't mind if I ask, where are you going? What are you going to do now?
27:52He talked about his mother when he was talking to the doctor.
27:57He got angry. So there is something going on with his mother.
28:01The doctor took her to the right place.
28:02I will go to the orphanage for him and find his file.
28:05I will collect information about his mother.
28:07I think it's important for him to get better.
28:10That's good. They don't like to give information in such places.
28:15If you want, I can come with you.
28:18Maybe I can help you.
28:20At least two of us.
28:27Don't you trust me because I'm İrem's housemate?
28:30Or is there any other reason?
28:32I'm a little nervous.
28:34It has nothing to do with him. I'm sorry.
28:36I misunderstood.
28:38Let's go.
28:39Let's go.
28:44Let's go.
28:49Michael.
28:53Surprise.
28:54Do you always shake hands with each other?
28:58Someone goes, someone comes.
29:03I'm glad you made the right choice.
29:06Besides, this place is not as bad as I thought.
29:11Anyway, Michael came before you and touched the decoration.
29:15Is that so?
29:16Yes.
29:18I brought something, too.
29:20What did you bring?
29:28Unfortunately, Michael came before you and took my answer.
29:37Yes, he didn't waste time.
29:40Yes?
29:43I'm telling you, Deniz doesn't look good on you, but she's always with you.
29:50I have no objection.
29:51That's the problem.
29:53She knows she's sick, but she doesn't leave her side.
29:57Because you keep giving her face.
29:59Don't do this.
30:00What should I do?
30:01Should I fire her?
30:04If necessary, do so.
30:06If you say I can't, I can do it for you.
30:17Irem.
30:25Don't say I can't.
30:28Do it.
30:31What do you think will change if I give up on Deniz?
30:33Will the problem be solved?
30:35Of course it will.
30:37Because you're addicted.
30:38How will you get better if you don't give up on addiction?
30:43Like you gave up on Yigit.
30:45Not the same thing.
30:48The same thing, Irem.
30:49You know.
30:51The same thing.
30:52You know.
30:53The same thing.
31:02We need to start chemotherapy as soon as possible.
31:06If we can't do it right away, we can do it for a little while.
31:16Mr. Yigit.
31:17Mr. Yigit.
31:20Mr. Yigit.
31:23Are you listening to me?
31:25Yes.
31:27So you heard what they said.
31:30Yes.
31:33Tumor in the brain stem.
31:34Yes.
31:35Malignant.
31:36I have very little chance of survival with surgery.
31:40Did you listen to the rest?
31:43The rest?
31:44I've been talking for five or six minutes.
31:48I'm sorry, I couldn't hear the rest.
31:51No, please.
31:52Then I'll repeat it.
32:04We need to start chemotherapy as soon as possible.
32:08If we can't do it right away, we can do it for a little while.
32:19Then we'll follow up.
32:20If the tumor gets smaller after treatment,
32:23maybe there's a chance of surgery.
32:25I can't give you hope every month.
32:27I'm just talking about chances.
32:31Just in time for you...
32:33Doctor, how much time do I have left?
32:35If things don't go well, at most two years.
33:20I'm sorry.
33:21I'm sorry.
33:22I'm sorry.
33:23I'm sorry.
33:24I'm sorry.
33:25I'm sorry.
33:26I'm sorry.
33:27I'm sorry.
33:28I'm sorry.
33:29I'm sorry.
33:30I'm sorry.
33:31I'm sorry.
33:32I'm sorry.
33:33I'm sorry.
33:34I'm sorry.
33:35I'm sorry.
33:36I'm sorry.
33:37I'm sorry.
33:38I'm sorry.
33:39I'm sorry.
33:40I'm sorry.
33:41I'm sorry.
33:42I'm sorry.
33:43I'm sorry.
33:44I'm sorry.
33:45I'm sorry.
33:46I'm sorry.
33:47I'm sorry.
33:48I'm sorry.
33:49I'm sorry.
34:11I'm sorry, but I can't give you information about Tuna.
34:14Look, I'll tell you again.
34:15He's sick.
34:16We need information about her mother. Please.
34:18I know. You just said that.
34:21So you are aware that we insist.
34:23Your insistence doesn't change anything.
34:26I can't just spread these official documents because two people came and asked.
34:30Ma'am, look, we understand you. You're right.
34:33What we want is not to get the documents from you.
34:35We'll just take a look and then we'll leave.
34:37Just a look. It's very simple.
34:38I mean, we don't want documents or anything.
34:41Let's do this. Information.
34:42Just information. She's very sick.
34:43Tuna is very sick. Please.
34:45Look, I know Tuna much better than you do.
34:48He grew up in front of my eyes.
34:49I'm really sorry about his situation.
34:51I wish I could do something.
34:53But I can't give you official information without a court decision.
34:57I don't have that authority.
35:01Now, if you'll excuse me, I have things to do.
35:05Please, this way.
35:07I'm sorry I can't help you.
35:09No, it's okay.
35:11We understand.
35:13I'd like to meet you.
35:16Of course, come in.
35:22It's not easy to get to know each other.
35:25There's a kid.
35:27There's no place to take him.
35:29How does it work?
35:31I don't know.
35:33There's a kid.
35:35There's no place to take him.
35:37I don't know.
35:39He needs to have some conditions to stay in our institution.
35:41He doesn't have a mother or father.
35:43Or he has to be in a situation where he can't look.
35:45Yes.
35:47Now, since it's a special issue,
35:49I'll tell you the situation.
35:51Can we stay alone before I tell you?
35:53Of course.
35:55Because it's not right.
35:57Of course.
35:59I'm sorry.
36:03I'm sorry.
36:11That's it.
36:13Tuna.
36:15Tuna Ertürk.
36:17You can see his last name.
36:21His last name.
36:23His last name.
36:25His last name.
36:27Tuna Ertürk.
36:29I found you.
36:57I found you.