Onna no Kunsho (2017)
Women's Medal , Onna no Kunshou , おんなのくんしょう
Women's Medal , Onna no Kunshou , おんなのくんしょう
Category
🎥
Short filmTranscript
00:00:00Osaka, the center of Akina, Senba.
00:00:07Its bustle dates back to the Edo period.
00:00:12This town is home to a large tonya.
00:00:16The owner's family and the owner's shop
00:00:18live together under one roof,
00:00:21creating a unique development.
00:00:25The five-storey Rashadonya Obaya
00:00:29is a large house with an old-fashioned tradition.
00:00:34To keep the blood from spilling,
00:00:36the owner rarely has a woman around him.
00:00:40He calls it the main house visit.
00:00:44There is a line of people
00:00:47who greet the bonsai in the back of the house.
00:00:52Thank you for your hard work.
00:00:54I hope everyone is well.
00:00:58Please take this money.
00:01:00It's for today.
00:01:02Thank you for your kindness.
00:01:05I will gladly accept it.
00:01:09The land outside of Akina
00:01:11is a far-fetched territory.
00:01:13However, to protect it
00:01:16is to be a person of Senba.
00:01:21No matter what you wear or what you call yourself,
00:01:24you are a part of the world.
00:01:28At the beginning of the Showa era,
00:01:30a girl was born as a Senba Itohan,
00:01:34a young lady.
00:01:37What are you doing?
00:01:39You're taking off your doll's kimono
00:01:41and putting clothes on it.
00:01:43That's right.
00:01:45I like clothes more than kimono.
00:01:50It's modern and fashionable.
00:02:01Clothes are a vulgar thing
00:02:03where a woman shows her legs in front of a man.
00:02:07Stop it.
00:02:08I'm going to take off my clothes.
00:02:11That's right.
00:02:16That's right.
00:02:18If I go outside,
00:02:20I won't be able to wear my swimsuit.
00:02:27You're different from other women.
00:02:31You're different.
00:02:34That's what it's like to be born and raised in Senba.
00:02:37If you forget that, you won't get bored.
00:02:48Itohan
00:03:12Itohan
00:03:18Itohan
00:03:23Itohan
00:03:46No matter how cramped it is,
00:03:49Senba was a place of admiration
00:03:53for those living in the countryside.
00:03:58However, that great war burned down the city.
00:04:03Do you hear that?
00:04:05Yes, I do.
00:04:07Later, this young girl
00:04:09took off her old clothes
00:04:11and started to fly as an independent woman.
00:04:18Her name is Shikiko Oba.
00:04:21She is the main character of this story.
00:04:47Itohan
00:05:17Itohan
00:05:47Itohan
00:06:08This way, please.
00:06:09Yes.
00:06:10Oh, there she is.
00:06:13Be careful.
00:06:15Be careful.
00:06:20Is this okay?
00:06:21Yes, thank you.
00:06:22Let's go.
00:06:29Dad,
00:06:32what did you make?
00:06:35What about rice and miso?
00:06:37Look, this is a sewing machine.
00:06:41You can sew clothes with this.
00:06:45I'm surprised,
00:06:49but I don't know what to say.
00:06:52I'm so hungry.
00:06:56You can eat this.
00:06:58It's good for your stomach.
00:07:02From now on,
00:07:03the age of women's clothes will come.
00:07:07Shikiko might have felt
00:07:10the instinct of a merchant
00:07:12flowing in her.
00:07:15Shikiko lost everything
00:07:17and everyone was poor.
00:07:19In the turbulent age of post-war Japan,
00:07:21Shikiko began to walk
00:07:24to pave the way for her life.
00:07:37Shikiko,
00:07:54I'm going to put it on the airplane.
00:08:02This is how Shikiko opened her home
00:08:05and started a small dressmaking class.
00:08:08After that,
00:08:09she established a dressmaking school.
00:08:12Shikiko began her career
00:08:14as a designer
00:08:16and moved to Tokyo.
00:08:19Her beautiful career
00:08:21began here.
00:08:36Excuse me.
00:08:39Yes.
00:08:42Excuse me.
00:08:44I'd like to hear about the dressmaking class.
00:08:48Yes.
00:09:05Shikiko's Dressmaking Class
00:09:36The size of the button hole
00:09:38should be 3 to 5 mm larger than the diameter of the button.
00:09:41Yes.
00:09:42In the 24th year of Shikiko's reign,
00:09:45many young talents
00:09:47gathered in the dressmaking class.
00:09:51Rinko Tsugawa,
00:09:53a hard-working student
00:09:55who works part-time
00:09:57and pays her tuition.
00:09:59Katsumi Tsubota,
00:10:01the daughter of a wealthy merchant.
00:10:03Tomie Oki.
00:10:06Excuse me.
00:10:07Yes.
00:10:08Is this the right way to sew?
00:10:12Tomie,
00:10:13you made it yourself.
00:10:14That's great.
00:10:16Excuse me.
00:10:17Let me see.
00:10:18Yes.
00:10:22Yes,
00:10:23this is good.
00:10:24Rinko,
00:10:25you're getting better.
00:10:26Yes.
00:10:27Thank you.
00:10:28Because you're good at teaching.
00:10:30Rinko,
00:10:31I'm not good at it.
00:10:32Katsumi,
00:10:33you've never held a needle
00:10:35in your life, have you?
00:10:37You've improved a lot.
00:10:39Don't talk.
00:10:40Move your hands.
00:10:41Yes.
00:10:46Hello.
00:10:47Hello.
00:10:48You're early.
00:10:49The small dressmaking class
00:10:51taught by Itohan,
00:10:52who grew up in a shipyard,
00:10:54was very popular.
00:10:56When he realized it,
00:10:58he became a princess
00:11:00with more than 100 members.
00:11:28Thank you.
00:11:30Is this the drawing
00:11:32of the new school?
00:11:35Yes.
00:11:39Dad,
00:11:41you've been through a lot.
00:11:46During the war,
00:11:47your house was burned down,
00:11:50and you and your husband
00:11:52both died.
00:11:55When you were alone,
00:11:57you wondered
00:11:59how you were going to live
00:12:01in the future.
00:12:03You thought a lot about it,
00:12:06but you decided to open
00:12:08a dressmaking class
00:12:10at your own will.
00:12:13It took four years
00:12:15to get started.
00:12:18This year,
00:12:22you finally opened
00:12:24a school for teaching.
00:12:28It's a great thing.
00:12:34When I met that sewing machine
00:12:36at the market,
00:12:38I remembered my mother's words.
00:12:41She said I should live
00:12:42with pride as a woman
00:12:43of the shipyard.
00:12:46I thought I would die
00:12:47if I lost.
00:12:48I didn't know
00:12:49I would die here.
00:12:53My mother hated dressmaking,
00:12:55but I'm sure she'll be happy
00:12:57when she sees me now.
00:13:00I'm sure she'll cry
00:13:04and be happy.
00:13:10But it's going to be hard.
00:13:12I'm going to have Rinko
00:13:13and Katsumi work
00:13:14as a teacher.
00:13:16And I have to hire
00:13:18a new teacher.
00:13:22I don't know if I can do it.
00:13:25I don't know if I can do it.
00:13:32Excuse me.
00:13:34I'm Yashiro Shoten.
00:13:42I'm here to pay for your meal.
00:13:45Thank you.
00:13:48I'll pay you back
00:13:50when I'm done.
00:13:51I'll pay you back.
00:13:52How much?
00:13:55¥200 for 10,000 tons.
00:13:58I'm sorry,
00:13:59but I don't have change.
00:14:01Kiyo,
00:14:02can you go to the bank?
00:14:04Yes.
00:14:05I'll go to the bank.
00:14:13Should I
00:14:14put this inside?
00:14:16Yes, please.
00:14:20Thank you.
00:14:21Should I put this inside?
00:14:22Yes, please.
00:14:26Excuse me.
00:14:28This way, please.
00:14:40This way, please.
00:14:43Wow,
00:14:44this is a big green house.
00:14:47It's a green house for a new school.
00:14:49I'm going to build a new school here.
00:14:52I see.
00:14:54Where is the school?
00:14:56It's here.
00:14:58It's a small school.
00:15:00It's not a new school like Yashiro Shoten's.
00:15:03No, no, no.
00:15:04This is my shop.
00:15:05It's just a small shop.
00:15:07I don't have a future.
00:15:09Is that so?
00:15:13Did you design this?
00:15:19I have to clean up.
00:15:21Can you wait for me at the entrance?
00:15:23Is there a teacher for that school?
00:15:27What?
00:15:28A teacher for a new school.
00:15:31Among the students here,
00:15:33I'm thinking of hiring a few good teachers.
00:15:36I'll prepare the rest.
00:15:38Can I apply, too?
00:15:41What?
00:15:42I may not look like it,
00:15:44but I graduated from Tokyo University.
00:15:46I'm studying in Paris.
00:15:48I need a French teacher.
00:15:50How about hiring me?
00:15:53Aren't you the son of Yashiro Shoten?
00:15:56Aren't you going to follow him?
00:15:58I'm not his son.
00:16:00My father and brother run the shop.
00:16:02There's no room for me.
00:16:05If you hire me,
00:16:07I'll be useful to you.
00:16:12I'm sorry,
00:16:14but are you all going to hire women?
00:16:17My mother is a woman, too.
00:16:19You're a woman,
00:16:21and a man.
00:16:23If something happens to you,
00:16:25you'll be in trouble.
00:16:27Yes, well...
00:16:30I see.
00:16:31It can't be helped.
00:16:33I understand.
00:16:34I'll give up.
00:16:47I'm sorry.
00:17:05Can't you get in?
00:17:09No, I'm fine.
00:17:11Take your clothes off.
00:17:17You did that before, didn't you?
00:17:21What do you mean?
00:17:23I bought a house for my wife
00:17:25when I was in a bad situation.
00:17:27I let her use it.
00:17:40Let's get out of here.
00:17:47Let's go.
00:18:01It's changed a lot.
00:18:03There used to be a lot of people here.
00:18:17Why don't you talk to me?
00:18:24You're right here.
00:18:26Why don't you talk to me?
00:18:31I lost everything in the war.
00:18:33My house, my family.
00:18:37Some people feel sorry for me,
00:18:40but I'm a saint.
00:18:43When I throw away the land
00:18:45I decided to become a human in a new world.
00:18:49I see.
00:18:50If you don't do that,
00:18:52you won't be able to move forward.
00:18:55But when I come here,
00:18:57I remember
00:18:59all the big adults here.
00:19:04Beautiful, beautiful women
00:19:06were pulled into the street
00:19:08and forced to go out
00:19:10to practice shamisen.
00:19:12The sky was so clear
00:19:14that I could see
00:19:16the children's hearts.
00:19:42The culture of negotiations
00:19:44was so high in Japan
00:19:46before the war.
00:19:48There was a class
00:19:50that respected it.
00:19:52But after the war,
00:19:54Japanese people
00:19:56came to America
00:19:58and advanced.
00:20:00They are still young
00:20:02and their culture is still low.
00:20:04The education and culture
00:20:06of Honmon-mon
00:20:08that existed at that time
00:20:10I want to regain
00:20:12the spirit of that time.
00:20:15You're saying strange things,
00:20:17a man like you.
00:20:25From the point of view of a war veteran,
00:20:27what are you saying?
00:20:31I understand.
00:20:33But the people above
00:20:35can't do much
00:20:37if they don't work
00:20:39and don't have a job.
00:20:42In the first place,
00:20:44the school's management
00:20:46is not so easy.
00:20:48For example,
00:20:50if you look for a place
00:20:52where you can earn money
00:20:54for your students,
00:20:56there are cheaper places.
00:20:58You have to be smart
00:21:00and save money
00:21:02to run the business.
00:21:04I'm sorry
00:21:06for the trouble.
00:21:08Wait.
00:21:21Yashiro Ginshiro.
00:21:24He was a young man
00:21:26from Fukujidonya.
00:21:28He felt suffocated.
00:21:30He broke the tradition
00:21:32and tried to
00:21:34create a new world
00:21:36for himself.
00:21:42The ambition
00:21:44of this man
00:21:46will eventually
00:21:48make Shikiko
00:21:50go crazy.
00:21:53It's time to sleep.
00:22:00In the 28th year of Showa,
00:22:02Shikiko's dream
00:22:04of opening a new school
00:22:06in Koshien
00:22:08was realized.
00:22:35The school will open
00:22:37next week, right?
00:22:40Yes.
00:22:42I finally realized it.
00:22:46This stained glass
00:22:48is a big mistake.
00:22:50But you made it
00:22:52and it's a symbol
00:22:54of the school.
00:22:56This is the only thing
00:22:58I couldn't give up.
00:23:00For my mother,
00:23:02it's like a treasure.
00:23:06As a designer,
00:23:08I want to live
00:23:10with pride.
00:23:12Excuse me.
00:23:14I'll pay you later.
00:23:16The cost of the construction
00:23:18is still high.
00:23:20I counted the tiles
00:23:22and the blocks
00:23:24and found
00:23:26that there are
00:23:28less than 2,000 tiles.
00:23:30I'll pay you later.
00:23:32Did you count
00:23:34the number of tiles
00:23:36in the room?
00:23:38Yes.
00:23:42It's a fine stained glass.
00:23:46Don't you think
00:23:48it's suspicious?
00:23:50It's true that
00:23:52Shikiko is in love
00:23:54with Ginshiro.
00:23:56But Ginshiro is
00:23:58not interested in
00:24:00Shikiko.
00:24:02It's like
00:24:04Ginshiro was picked up by Shikiko.
00:24:06But he started
00:24:08to give us orders.
00:24:10It's really unpleasant.
00:24:12But he's a good man.
00:24:14I wouldn't feel bad
00:24:16if such a handsome man
00:24:18was in love with me.
00:24:20No way.
00:24:22Shikiko is a girl.
00:24:28She's so beautiful.
00:24:30She was really beautiful
00:24:32in the past.
00:24:34But it was a war
00:24:36at that time.
00:24:38So she's not a girl.
00:24:40So what?
00:24:42When you fall in love
00:24:44with such a girl,
00:24:46it's intense.
00:24:50This program is
00:24:52brought to you by
00:24:54Kaoru, Mitsubishi Electric,
00:24:56Taisho Pharmaceuticals,
00:24:58and sponsors.
00:25:26I admit that she's passionate.
00:25:28But she's not beautiful.
00:25:30She's too straightforward.
00:25:32I don't like her.
00:25:34What about Katsumi?
00:25:36She's talented.
00:25:38But she's not a girl.
00:25:40As a host,
00:25:42I have to control her.
00:25:44What about Okitomi?
00:25:46I don't know
00:25:48what she's thinking.
00:25:50She's not a girl.
00:25:52She's not
00:25:54a girl.
00:25:56She's a girl who's
00:25:58strong.
00:26:00She's a girl
00:26:04Don't praise me.
00:26:06But she's a girl.
00:26:14It was delicious.
00:26:16Thank you.
00:26:24Thank you.
00:26:34See you tomorrow.
00:26:44Gideon, long time no see.
00:26:47You're not as bad as you look.
00:26:49How are you?
00:26:51I'm fine.
00:26:53Did you take a picture?
00:26:54Yes, I did.
00:26:55Here you are.
00:26:56I'll give you a present today.
00:26:59Here you are.
00:27:01Thank you.
00:27:03I got it.
00:27:04Thank you.
00:27:06I'll give you whatever you like.
00:27:13This is a present.
00:27:18That's great.
00:27:19Wow!
00:27:21What is this?
00:27:23I thought it was money, but it's a dress school.
00:27:25It's nothing.
00:27:27Gin-san.
00:27:29But I'm glad I met you.
00:27:31That's right.
00:27:33Gin-san.
00:27:46Dad.
00:27:48Who did you drink with?
00:27:50Gin-san.
00:27:54He doesn't like bugs.
00:27:57He likes to be looked at.
00:28:03He likes to be looked at.
00:28:06I don't know why.
00:28:08He's a very humble man.
00:28:12He doesn't like to hang out with you.
00:28:16I won't go out with a person like him.
00:28:18Don't worry.
00:28:20Okay.
00:28:26Thank you.
00:28:57Three days later.
00:28:58The school will open.
00:29:02Rinko-san.
00:29:03You're the principal.
00:29:05I'm looking forward to it.
00:29:08I'm honored to be appointed as the principal.
00:29:12I'll be in charge of the new school.
00:29:14Thank you.
00:29:18Katsumi-san.
00:29:19Tomie-san.
00:29:20Tomie-san.
00:29:21Tomie-san.
00:29:23From now on, each of you will be in charge of the students as teachers.
00:29:29So be very careful.
00:29:32Yes.
00:29:35Ms. Katsumi.
00:29:37You have to be careful not to oversleep.
00:29:40Especially Sakai.
00:29:41If you oversleep, you'll be late for class.
00:29:46Gin-san.
00:29:47Be careful not to complain to the students.
00:29:52Don't call me Gin-shiro-san.
00:29:54I can't be rude in front of the students.
00:29:56From now on, I'll call you Yashiro-san or Riji.
00:30:04That's right.
00:30:05You have to be rude in front of the students.
00:30:09I understand.
00:30:11Mr. Yashiro.
00:30:12Yes.
00:30:16Sensei.
00:30:18There's a problem.
00:30:19There's a phone call from Kaneko Yasuda of the Kansai Designers Association.
00:30:23Kaneko Yasuda?
00:30:24Yes.
00:30:26She's the president of the Kansai Designers Association.
00:30:28Do you know her?
00:30:30She's in a hurry to come here because of the opening of the new school.
00:30:37What?
00:30:41This is bad.
00:31:07Please come in.
00:31:18Please come in.
00:31:20No, we're fine here.
00:31:23We're fine.
00:31:25I see.
00:31:27This time, you're going to open a fortress school here, right?
00:31:33Yes.
00:31:34Thank you.
00:31:37Instead of saying thank you,
00:31:40why don't you say a word to me?
00:31:53When the new school is established,
00:31:56shouldn't I, the president of the Kansai Designers Association,
00:32:01say a word to you?
00:32:06Is that how it's decided?
00:32:08I'm sorry, I didn't know.
00:32:13That's common sense.
00:32:15Anyone in this industry would know.
00:32:20I'm sorry.
00:32:21As long as I don't issue a permission,
00:32:24you can't open the school.
00:32:28Well, at this point,
00:32:30I can't give you permission.
00:32:34But the opening day is in three days.
00:32:37We've already notified the students...
00:32:40That's why I told you, didn't I?
00:32:43You can't give us permission to open the school.
00:32:54Is that a Japanese law?
00:32:56Huh?
00:32:57The government has issued a notice to the school.
00:33:00If we don't get permission from Mr. Yasuda,
00:33:02we can't open the school.
00:33:04Is that a Japanese law?
00:33:06What did you say?
00:33:08If you don't say anything,
00:33:10don't come to me.
00:33:11Teacher!
00:33:14I'm really sorry.
00:33:17You came all the way here,
00:33:20and broke my heart.
00:33:22I'm really heartbroken and grateful.
00:33:25I didn't break your heart.
00:33:27I understand why you're upset.
00:33:29No matter how much I apologize,
00:33:31I can't do that.
00:33:33I'll do whatever I can to make it up to you.
00:33:36So please,
00:33:37can you please let me go home today?
00:33:43I can't give you permission.
00:33:45I told you, I can't give you permission.
00:33:48Yes, I understand.
00:33:50I'll ask you again about this matter.
00:33:53So please, today...
00:33:59I'll ask you again about this matter.
00:34:06This is boring.
00:34:12Well...
00:34:14I can't take this.
00:34:15Well, well, well.
00:34:16Don't say that.
00:34:20Your hands are beautiful.
00:34:24Women get old from their hands,
00:34:27but it's rare to see such white and soft hands.
00:34:32You're a true artist.
00:34:34You're so young,
00:34:36but your hands are beautiful.
00:34:39Is that so?
00:34:41Yes.
00:34:583 HOURS TO THE OPENING CEREMONY
00:35:04The opening ceremony is in 3 hours.
00:35:07I know.
00:35:08Mr. Miyashiro,
00:35:09do you think we can convince Yasutaka?
00:35:12What if we don't get the permission?
00:35:14If that's the case,
00:35:15we'll have no choice but to open the exhibition without the permission.
00:35:18But if we do that,
00:35:20the designers will look down on us.
00:35:23I'm sure it'll be a lot of trouble.
00:35:27Sorry to keep you waiting.
00:35:29I brought the opening textbook from Ms. Kaneko Yasuda.
00:35:33Oh, I'm so sorry.
00:35:36I'm so sorry.
00:35:37I'm so sorry.
00:35:38I'm so sorry.
00:35:39I'm so sorry.
00:35:40I'm so sorry.
00:35:49Thank you.
00:35:51So, the opening ceremony is over.
00:35:54Yes.
00:35:55But I don't understand.
00:35:57Do we really need that?
00:35:59We can open the exhibition without it,
00:36:01but the problem is the Kansai Designers Association.
00:36:05If we want to join the association and become directors,
00:36:09we'll have to leave for now.
00:36:12That's right.
00:36:14Well, everyone,
00:36:15get ready for the opening ceremony.
00:36:17Yes.
00:36:18By the way,
00:36:19I'll be the one to greet you after the opening ceremony.
00:36:23Is that okay?
00:36:24Isn't that my job as the new director?
00:36:28I'm sure the designers will be busy with their work.
00:36:31I'll be in charge of the reception and promotion.
00:36:36I'll be the one to deal with the hard-to-decide candidates.
00:36:40That's true.
00:36:42Then, let's leave the greeting and promotion to Director Yashiro.
00:36:47Yes.
00:36:54Is that okay, everyone?
00:36:57I don't know.
00:36:59I don't care.
00:37:01I don't care who greets me.
00:37:04I don't care.
00:37:18Director Yashiro
00:37:29Hello, everyone.
00:37:33I'm Kiko Obashi, the director of the Seiwa Welfare Academy.
00:37:38Teacher!
00:37:40Come on.
00:37:42Here you go.
00:37:44Here you go, teacher.
00:37:46Thank you.
00:38:02This stained glass is the Seiwa Welfare Academy's award.
00:38:10Like the sun, be bright and pure.
00:38:15Be prepared to be a woman of the new era.
00:38:26I'm so angry!
00:38:28Yashiro Ginshiro completely destroyed me today.
00:38:31Yashiro Ginshiro?
00:38:34The new director of the Seiwa Welfare Academy?
00:38:37Shikiko-sensei is so sweet to that man.
00:38:40If I keep quiet, he'll take everything I want to him.
00:38:45But you have the power as a designer.
00:38:48And your teacher is hot-tempered.
00:38:53Hey, Nomoto-san.
00:38:55Can you do me a favor?
00:38:58A favor?
00:39:00I want to introduce you to Shikiko-sensei.
00:39:03If he finds out that you're in the Seiwa Welfare Academy, he'll be happy.
00:39:07I understand.
00:39:08As his fiancée?
00:39:10Keep it a secret.
00:39:12The world of women is full of jealousy.
00:39:17I think it's better for you to think of the Seiwa Welfare Academy as a business.
00:39:26Okay?
00:39:34Yashiro Ginshiro
00:39:47I'm Yashiro Ginshiro, the new director of the Seiwa Welfare Academy.
00:39:54Thank you very much.
00:40:01I'd like to talk about the Kansai Designers Association's fashion show.
00:40:07Some of the designers have already been selected.
00:40:13If you haven't been selected yet,
00:40:16I'd like to ask the Association for your help.
00:40:25Shikiko-san, are you alone?
00:40:28Isn't there anyone else?
00:40:36Since this is a good opportunity, I'd like to introduce you.
00:40:41Shikiko-san,
00:40:43you've been selected for the Seiwa Welfare Academy.
00:40:50That's a fine crest.
00:40:55It's a shiny stained glass.
00:40:58It's my school's crest.
00:41:01It's not a crest.
00:41:02Ms. Oba is from Sendai,
00:41:05so she has a special attachment to the Shikitaria crest.
00:41:12Ms. Oba,
00:41:13at a big fashion show like this,
00:41:16the designers' crests are given out to the manufacturers.
00:41:24I didn't expect such a fine person to have a crest.
00:41:33I heard about it, so I prepared myself.
00:41:37Mr. Yasuda said he would cooperate with the Association.
00:41:42Well,
00:41:43since Ms. Oba is new here,
00:41:46I have no choice but to welcome her.
00:41:48If you have a relationship with any of the two companies,
00:41:52could you give Ms. Oba a cup of tea?
00:42:01Is there anyone else?
00:42:05It's fine.
00:42:07I'll look for it myself.
00:42:09Oh?
00:42:11Go ahead.
00:42:14I'll go next.
00:42:23This program was brought to you by Haou, Mitsubishi Electric,
00:42:28Aisho Pharmaceutical, and the following sponsors.
00:42:33Don't make fun of me!
00:42:35Don't make fun of me!
00:42:37Is that so?
00:42:39Welcome back.
00:42:41Welcome back.
00:42:55How are you?
00:42:56You look tired.
00:42:58That Yasuda Kaneko.
00:43:00She still has a grudge against me for not greeting you.
00:43:04The Association's fashion show.
00:43:06Even though she insisted on cooperating with the Association,
00:43:08she didn't tell me.
00:43:15Well, well.
00:43:16She's a woman who's only got one arm.
00:43:19She's got a nasty temper.
00:43:21That Oba is no good either.
00:43:24I told her the Association would help me,
00:43:27but she turned me down.
00:43:29At this rate, I won't make it to the show.
00:43:33Oh, Yasuda Kaneko.
00:43:35I'll show you what I'm made of.
00:43:40So, what are you going to do?
00:43:54Why don't you ask Sanwa Origamono to sponsor you?
00:43:57Sanwa Origamono?
00:43:59Sanwa Origamono is one of the biggest companies in the industry.
00:44:02Are you going to throw it away?
00:44:04No, I'm not.
00:44:06What? Really?
00:44:09Can you introduce me to the director?
00:44:12I'll negotiate with him.
00:44:14No.
00:44:15Leave this matter to me.
00:44:19That's right.
00:44:21I'll leave it to you.
00:44:23Please take good care of it.
00:44:25Yes.
00:44:33I understand.
00:44:35I'll ask them to sponsor me.
00:44:37I'm trying to sell this new material called Amigrace.
00:44:42If you use it at the show, I'll be encouraged.
00:44:45Please do.
00:44:46But first, you have to convince them to sponsor you.
00:44:50If I convince them to sponsor you,
00:44:54my reputation in the industry will improve.
00:44:57I'll leave it to you.
00:44:59Oh.
00:45:03I was too absorbed in talking.
00:45:10Teacher!
00:45:11Sanwa Origamono called me.
00:45:13They said they'd sponsor me.
00:45:15They finally accepted me.
00:45:18That's great.
00:45:21I didn't get a good response,
00:45:23but it's all thanks to you.
00:45:26It's all thanks to you.
00:45:27Thank you very much.
00:45:29Let's go.
00:45:31Are you coming too?
00:45:34Of course.
00:45:35I'm the chairman.
00:45:39I see.
00:45:40Let's go together.
00:45:42Yes.
00:45:58It's been an hour.
00:46:01Yes.
00:46:04What are you going to do, Tsugawa?
00:46:08I'm sorry.
00:46:09I'll go ask.
00:46:13Mr. Nomoto!
00:46:17What's going on?
00:46:18You've been waiting for over an hour.
00:46:20I'm sorry.
00:46:21I was late.
00:46:23I'm sorry.
00:46:24I was late.
00:46:26I was going to tell you about the sponsorship,
00:46:29but someone else was selling other designers.
00:46:32So I told you about that first.
00:46:35So you're saying we won't get the sponsorship?
00:46:37That's why we're talking about it now.
00:46:38That's not what we're talking about!
00:46:40What are you doing?
00:46:41Don't yell at me.
00:46:53I'm sorry.
00:47:02I'll call you back.
00:47:10The girl was doing business with the sales team.
00:47:16She was thinking about whether or not
00:47:19we would get the sponsorship.
00:47:22She's too naive.
00:47:24The sales team doesn't have that kind of power.
00:47:33Don't worry.
00:47:35There are other ways.
00:47:37Other ways?
00:47:42When I was in college,
00:47:44I had a friend named Sonei.
00:47:48He told me about you.
00:47:51I'm sure you'll like him.
00:47:53He's a great journalist.
00:47:56You'll like him, too.
00:47:58Do you have that kind of power?
00:48:01Leave it to me.
00:48:03From now on,
00:48:05don't let the girls decide what's important.
00:48:08Let me decide what's important.
00:48:12Let me decide?
00:48:15You're being too nice to me.
00:48:18Do you trust women more than I do?
00:48:23There's nothing scarier than a woman.
00:48:28That Tsugao Rinko is a lump of ambition.
00:48:32And Tsubota Katsumi,
00:48:35who you love so much,
00:48:37and Okitomi,
00:48:39I don't know what they're thinking.
00:48:42Women have always been scary.
00:48:46For example,
00:48:48when a woman gets drunk,
00:48:50she has a grudge against God.
00:48:53It's like she's bleeding.
00:48:56I don't know when I'll get my revenge.
00:49:02Don't be ridiculous.
00:49:09Rinko, I'm sorry.
00:49:13Open the door.
00:49:15Rinko.
00:49:19Rinko.
00:49:24Rinko.
00:49:26Open the door.
00:49:29Go home. I don't want to see you.
00:49:33I know.
00:49:35But listen to me.
00:49:37I'm sorry I couldn't help you at work.
00:49:41But that's different from our personal relationship.
00:49:48I love you.
00:49:50I like you because you're hard-working, bright, and positive.
00:49:57Why did you go out with me?
00:50:02Because you're a Samurai.
00:50:06What?
00:50:09You're a Samurai,
00:50:11so I went out with you to see if I could help you.
00:50:15That's all.
00:50:25Good morning.
00:50:27Good morning.
00:50:29Good morning.
00:50:34I'm sorry I bothered you the other day.
00:50:43I'm putting my life on the line for this school.
00:50:48The Seiwa Fukushoku Academy and my job as a designer
00:50:52are like precious children to me.
00:50:57Don't risk your future and safety
00:51:00by your reckless actions and calculations.
00:51:08I have no intention of interfering in your wonderful life.
00:51:14But from now on,
00:51:16as a member of the Seiwa Fukushoku Academy,
00:51:19please be careful not to lose your rightful place.
00:51:23Please think of the school first.
00:51:27Yes.
00:51:41Today's teacher, Shikiko, was scary.
00:51:45Recently, Ginshiro has been acting up,
00:51:47but it's the teacher who's holding the reins.
00:51:50That's right.
00:51:52That's why Rinko completely lost her trust in the teacher.
00:51:56But why did she even talk to a salesperson she's not used to?
00:51:59That's because the Sanwa salesperson had a personal reason.
00:52:05The Sanwa salesperson had a personal reason?
00:52:08The Sanwa salesperson and Rinko have always been on good terms.
00:52:18I see.
00:52:20So that's why the teacher said that.
00:52:23I see.
00:52:26To use a man for your own success.
00:52:29You can say that with a serious look on your face.
00:52:34Can I ask you a few questions?
00:52:37I'd like to ask you a few questions.
00:52:39Even if it's just for five minutes.
00:52:43I see.
00:52:45I understand.
00:52:47Excuse me.
00:52:50Yes?
00:53:04Yes, this is the Sanwa salesperson.
00:53:07Yasuda-sensei.
00:53:12How is it going?
00:53:15Have you found a company to cooperate with?
00:53:19I'll look into it this month.
00:53:21Please wait a little longer.
00:53:23Are you sure you'll be okay?
00:53:26If you can't find one, you'll have to give up participating in the show.
00:53:32I'll figure something out.
00:53:35I knew it.
00:53:38I guess it was impossible for a young lady like you to grow up.
00:53:45What?
00:53:46People who have been spoiled and raised do not understand the strictness of business.
00:53:54I'm sorry to say this, but my family has been in business for generations.
00:53:58I've known the strictness of business since I was a child.
00:54:02I don't know which family Yasuda-sensei is from,
00:54:06but he's not the same age as the person who started the business yesterday.
00:54:10Huh?
00:54:12What are you talking about?
00:54:14I don't want to be criticized for my business.
00:54:20I'm sorry.
00:54:26You've done a great job.
00:54:29Are you okay?
00:54:33I don't know if I'm okay.
00:54:38You've completely turned Yasuda-sensei into an enemy.
00:54:41I don't know why he's so obsessed with my business.
00:54:47I'm sure he's jealous.
00:54:49I admire him.
00:54:53I admire him, too.
00:54:59I see.
00:55:01It's a good thing that I'm in charge of the business.
00:55:12What?
00:55:13You used to be the most popular person at the university,
00:55:16but now you're the director of a fashion school.
00:55:19The world doesn't know that.
00:55:21So I have a favor to ask of you.
00:55:24What is it? Is it something I can do?
00:55:26You can. You can do it easily.
00:55:28What is it?
00:55:30You know about the Kansai Designer Association's fashion show, right?
00:55:34So I'd like to ask you to cover for me.
00:55:39Fashion, huh? I don't know much about it.
00:55:44It doesn't matter.
00:55:45It doesn't matter if you don't know much about it.
00:55:48All you have to do is praise the designer, Shikiko Oba, and come back.
00:55:53She's a very talented and well-known designer.
00:55:58I'm counting on you.
00:56:01You're still being forced.
00:56:05I'm betting on Shikiko Oba's talent.
00:56:09Hmm.
00:56:10What kind of woman is Shikiko Oba, whom you're so in love with?
00:56:16She's a woman who's trying to get a job at the cutting edge of her time,
00:56:20in contrast to the old-fashioned society.
00:56:23There's a sketch of her design.
00:56:25Would you like to see it?
00:56:26Sure.
00:56:32Here.
00:56:34Take a look.
00:56:40This is...
00:56:44This program is brought to you by these sponsors.
00:56:59I heard from Mr. Sone of Keiwa News that a woman designer with great talent has appeared.
00:57:06I'd like you to welcome her.
00:57:08To be honest, this show was supposed to be a collaboration with another designer.
00:57:16However, I heard from the company that you were interested in her,
00:57:23and that you'd like to reconsider your decision.
00:57:29Thank you.
00:57:31Here are a few of my designs for the show.
00:57:39Here they are.
00:57:40Please take a look.
00:57:44Oh, they're beautiful.
00:57:49But...
00:57:52I think it's difficult for you to make a decision just by looking at them.
00:57:57However, I have a strength that no one else has.
00:58:03Oh, what is it?
00:58:06The school that I run,
00:58:09has a very wealthy daughter-in-law in Osaka.
00:58:14That's because I was born in Senba.
00:58:19I was born in Senba,
00:58:22but now in Japan, it's a brand.
00:58:25Therefore, if I were to become an advertiser and sell my products,
00:58:29I'm sure that I would be able to stimulate the sales of the middle class,
00:58:34which has plenty of money, and lead to profits for the company.
00:58:39In order to revive the culture of Kansai, which has sunk in the war,
00:58:43as a journalist, I'd like to take a step back.
00:58:47I've seen your work, and it's something I've never seen before.
00:58:51It's very modern.
00:58:52It's like I'm experiencing a new wind.
00:58:55I see.
00:58:56It's very reassuring to have the back-up of a journalist.
00:59:01What do you think?
00:59:03Look at this.
00:59:10It went well, didn't it?
00:59:13It's all thanks to you.
00:59:16No, it's all thanks to you.
00:59:19Senba is the best.
00:59:21You're the man I've been looking up to.
00:59:46Thank you.
00:59:55Do you want me to take you home?
00:59:58I can go home on my own.
01:00:01I see.
01:00:02I'll stop the taxi.
01:00:16Thank you.
01:00:37Miss...
01:00:38Um...
01:00:42If I can be of any help, please let me know.
01:00:48No, thank you.
01:01:08Thank you.
01:01:15It's a great dress.
01:01:17Your design is perfect.
01:01:19It's a perfect combination of Ami Graze's material.
01:01:23Don't praise me.
01:01:25This dress was designed by me and Rinko.
01:01:29That's weird.
01:01:31That's me.
01:01:34You're funny.
01:01:35Right?
01:01:36I'm confident in my design.
01:01:41That's Rinko's.
01:01:43Rinko, you're doing a great job.
01:01:45Not just Shikiko Oba, but also Rinko Tsugawa.
01:01:49I want to leave an impression.
01:01:52Stop it. I didn't say that.
01:01:54As a designer, it's enough to have Shikiko-sensei.
01:01:57If you don't think about the power of Enoshita,
01:02:01I won't let you get excited.
01:02:03I'm disappointed.
01:02:04If you can't be recognized as a designer,
01:02:06there's no point in going to school.
01:02:08Don't be ambitious and don't talk about management.
01:02:10Just focus on your work.
01:02:13Don't say that as a designer.
01:02:17I respect you.
01:02:19Do you have any complaints?
01:02:21By the way, Rinko, you've been in a bad mood lately.
01:02:24Did you break up with your lover?
01:02:26It's none of your business.
01:02:27Hey, don't talk so much.
01:02:30Your costume will come off.
01:02:32Did Tomie-san do all this?
01:02:35It's a good job.
01:02:37Tomie-san is in trouble.
01:02:39He doesn't have time until the show.
01:02:41Even if I tell him to finish it a little earlier,
01:02:43he won't listen.
01:02:44He's stubborn like a cow.
01:02:46It's better to be careful than to redo it later.
01:02:53Get out of the way.
01:02:57I'm impressed.
01:03:02I'm impressed.
01:03:18Teacher!
01:03:19Yasuda-sensei!
01:03:22It's been a long time.
01:03:25You are...
01:03:27from Seiwa Fushoku Gakuin...
01:03:29I'm Yasuda.
01:03:30Yasuda-sensei, thank you for your help.
01:03:32I'm honored.
01:03:34I didn't expect to see you here.
01:03:36I'm busy.
01:03:37I'll see you later.
01:03:39Teacher,
01:03:40I introduced you to other designers
01:03:42so that Seiwa Fushoku Gakuin could do well.
01:03:49What do you mean?
01:03:53I knew it.
01:03:56For someone like you who has been in the design industry for many years,
01:04:00my aunt doesn't seem to know anything about etiquette.
01:04:04However,
01:04:06in the name of this Yashiro Ginshiro,
01:04:08won't you open your heart to me?
01:04:11This industry is a world of ability.
01:04:16Teacher,
01:04:17I'm sorry.
01:04:19Would you like to have a meal with me?
01:04:23What are you doing?
01:04:27It smells good.
01:04:30Would you like to take a bath?
01:04:39Let's go.
01:04:49Let's check the color balance.
01:04:52Yes.
01:04:56The color balance is good.
01:05:05That's all.
01:05:07Representative
01:05:09Kaneko Yasuda-sensei.
01:05:12The design of Seiwa Fushoku Gakuin.
01:05:21I'm coming through.
01:05:23Fix the ribbon.
01:05:24Thank you for waiting.
01:05:30Stop here.
01:05:31Representative
01:05:33Kiko Ooba-sensei.
01:05:36The design of Seiwa Fushoku Gakuin.
01:05:38I'll be right there.
01:05:55Thank you.
01:05:57Thank you.
01:06:25Thank you.
01:06:36That's all.
01:06:37Representative
01:06:39Kiko Ooba-sensei.
01:06:42The design of Seiwa Fushoku Gakuin.
01:06:54Thank you for waiting.
01:06:58I'll be waiting for you.
01:07:00Yes.
01:07:05Ooba-sensei.
01:07:07It was a wonderful design.
01:07:09I'd like to make a big deal of it tomorrow.
01:07:12Thank you very much.
01:07:14As a newcomer,
01:07:16it was a very good design.
01:07:19But,
01:07:20although the audience's reaction was good,
01:07:23it wasn't as good as it should be.
01:07:26I hope you don't mind.
01:07:29I understand.
01:07:31I'm still inexperienced,
01:07:33so I'll do my best
01:07:35to learn from my seniors.
01:07:38You're being pampered
01:07:41because you're young and beautiful.
01:07:44I hope you don't misunderstand
01:07:46that it's your own ability.
01:07:50In general, design is...
01:07:52Ooba-sensei.
01:07:54I'd like to ask you a question.
01:07:56Yes.
01:07:57I'm Nippon Osaka.
01:07:58I'd like to take a picture with you.
01:08:00This way, please.
01:08:02Yes.
01:08:03Yasuda-sensei.
01:08:05Were you here?
01:08:07I was looking for you.
01:08:09Oh.
01:08:10Is that so?
01:08:12It was wonderful.
01:08:16Shall we dance?
01:08:18Yes, please.
01:08:30Sensei.
01:08:32I'm sorry.
01:08:33I didn't want to bother you.
01:08:35There were too many people.
01:08:37I was tired.
01:08:40Who's that?
01:08:42Oh.
01:08:44He was a teacher
01:08:46at Ooba-sensei's school.
01:08:49Actually,
01:08:50he has a private school in Kyoto.
01:08:53I called him
01:08:55to ask him to teach me.
01:08:57I see.
01:09:00Shall I introduce you?
01:09:04Sensei.
01:09:09Shirai-sensei.
01:09:11This is Ooba-sensei.
01:09:13Nice to meet you.
01:09:22He's a lively man.
01:09:24Yes.
01:09:25It's strange
01:09:27that he studied French literature
01:09:29at the university.
01:09:32He was an excellent student.
01:09:34I recommended him to stay at the university.
01:09:37But he refused
01:09:39because he wasn't interested.
01:09:41Is that so?
01:09:43He had a hard time.
01:09:45He left home
01:09:47and got a job at Daido Shoujin.
01:09:50But he didn't like
01:09:52to live in an organization.
01:09:54So he quit.
01:09:56He's trying to
01:09:58live his life on his own.
01:10:00He's more lively
01:10:02than anyone
01:10:04I've ever seen.
01:10:07Is that so?
01:10:11Yes.
01:10:15Did you enjoy the show?
01:10:18Yes, very much.
01:10:20I was especially impressed
01:10:22by your work.
01:10:25I'm glad to hear that.
01:10:27I'm not glad.
01:10:29I just saw
01:10:31a whirlpool around you.
01:10:36A whirlpool?
01:10:38I'm sure
01:10:40you're caught
01:10:42in that big whirlpool.
01:10:45What's important
01:10:47is to stay calm.
01:10:49If you turn around together,
01:10:51you'll lose yourself.
01:10:58I'm sorry
01:11:00to bother you
01:11:02in Europe.
01:11:04Not at all.
01:11:06I'll keep that in mind.
01:11:10Well,
01:11:12I have to go.
01:11:36A NEW ERA BEGINS
01:11:47A new article has been published
01:11:49in Osaka.
01:11:53Take a look at that.
01:11:57But all the newspapers
01:11:59only talk about my profile
01:12:01like I was a girl
01:12:03who was born in the war
01:12:05but they don't talk about
01:12:07my design.
01:12:09You're so luxurious.
01:12:11It's 7.4 million yen
01:12:13for a piece of paper.
01:12:15You can use that money
01:12:17to advertise our school.
01:12:19You're still the same.
01:12:21We'll use this money
01:12:23to build a new school
01:12:25in the middle of Osaka.
01:12:27A new school?
01:12:29Yes, a new school
01:12:31in the middle of Osaka.
01:12:33We just built a new school
01:12:35and we don't have that kind of money.
01:12:37We'll use that money
01:12:39to rebuild the school.
01:12:41Rebuild the school?
01:12:43Yes, rebuild the school.
01:12:45If we donate money,
01:12:47the students will complain
01:12:49and we won't have enough money.
01:12:51So we'll use the money
01:12:53to rebuild the school.
01:12:55It's a school loan.
01:12:57It's the same as
01:12:59a personal debt.
01:13:01Do you think it'll work?
01:13:03Even if we build a new school
01:13:05in the middle of Osaka,
01:13:07I don't think we'll get
01:13:09a lot of money.
01:13:11We'll get a lot of money
01:13:13from the bank.
01:13:17Do you think it'll work?
01:13:21I'm scared.
01:13:31I'm scared.
01:13:37Don't be scared.
01:13:39Leave it to me.
01:13:49Excuse me.
01:13:51I'm going to look at
01:13:53the materials for the new school.
01:13:55Yes, please.
01:13:57I'm going with you.
01:13:59I'm going with you.
01:14:01I'm better at this.
01:14:03Just go.
01:14:05I'm going.
01:14:07I'm going.
01:14:29I'm going.
01:14:33I'm sure you're going
01:14:35to be caught up
01:14:37in that big whirlpool.
01:14:39What's important
01:14:41is to stay calm.
01:14:59By all means,
01:15:01would you like to take over
01:15:03our school?
01:15:05Didn't you hear from Mr. Ginshiro?
01:15:07He refused
01:15:09to take over.
01:15:13Was the clothes I made
01:15:15not good enough for your glasses?
01:15:17That's not what I meant.
01:15:21I felt like I had to
01:15:23because I knew your personality.
01:15:25You have
01:15:27sharp eyes.
01:15:29I wanted you
01:15:31to be by my side.
01:15:33I'm sorry,
01:15:35but I've decided
01:15:37to keep a distance
01:15:39from the world
01:15:43and from people.
01:15:47That's...
01:15:51I'm sorry
01:15:53for what happened.
01:15:55To be honest,
01:15:57I was fascinated
01:15:59by the clothes you made.
01:16:01I was fascinated
01:16:03by you, too.
01:16:07You have
01:16:09the courage to break
01:16:11the old world
01:16:13and the noble spirit.
01:16:17I will
01:16:19watch over you
01:16:21in my own way.
01:16:23That's all I can do.
01:16:29I understand.
01:16:31Thank you very much.
01:16:53Shall we go?
01:16:55Yes.
01:16:57Wait a minute.
01:17:05Mr. Yashiro,
01:17:07you're so talkative.
01:17:09I'm impressed.
01:17:15Let's take a detour.
01:17:17Come on.
01:17:23How do I look?
01:17:25You look great.
01:17:33These clothes
01:17:37and these shoes
01:17:39and this bag, please.
01:17:41Are you going to pay for them?
01:17:43Ms. Riko,
01:17:45you're a hard worker.
01:17:47Don't worry.
01:17:49I'll pay you
01:17:51with the money I earned
01:17:53from negotiating with you.
01:17:55If it weren't for me,
01:17:57you would have been fired.
01:17:59This is the money I earned
01:18:01from negotiating with you.
01:18:03Or do you want me
01:18:05to stop buying?
01:18:07You're a hard worker.
01:18:11Ms. Riko,
01:18:13you're a hard worker.
01:18:15You look great
01:18:17in these clothes.
01:18:19You're a hard worker.
01:18:21You look great
01:18:23in these clothes.
01:18:49Excuse me.
01:18:59Excuse me.
01:19:01I'd like to ask you
01:19:03for a favor.
01:19:05What is it?
01:19:07I heard that you're going
01:19:09to start a fashion show
01:19:11in the future.
01:19:13I heard that you're going
01:19:15to start a fashion show
01:19:17in the future.
01:19:19What do you think?
01:19:21Fashion show?
01:19:23You should go there once in a while.
01:19:25You should go there once in a while.
01:19:33Watch your step.
01:19:41Ms. Riko,
01:19:43who's going to be
01:19:45the manager?
01:19:47Will you be in charge?
01:19:49Or will someone from outside
01:19:51call you?
01:19:53I'll leave it to Ms. Katsumi.
01:19:55Ms. Katsumi?
01:19:57Will she be in charge?
01:19:59She's very punctual.
01:20:01She's a teacher,
01:20:03but she's always late for class.
01:20:05but she's always late for class.
01:20:07But she's actually
01:20:09popular among students.
01:20:11And she's a good designer.
01:20:13She has a good talent.
01:20:15She has a good talent.
01:20:17You think she's better than me.
01:20:19You think she's better than me.
01:20:21I didn't say that.
01:20:23I didn't say that.
01:20:25But your design
01:20:27is not good.
01:20:29It's not orthodox.
01:20:31It's not orthodox.
01:20:33But I'm an orthodox designer.
01:20:35But I'm an orthodox designer.
01:20:37Stop talking about work.
01:20:39Stop talking about work.
01:20:41I met her here.
01:20:43I haven't seen her in a while.
01:20:51Is this the way out?
01:20:53Is this the way out?
01:20:55Go ahead and check.
01:20:57The teacher and I will wait for you here.
01:21:11The teacher and I will wait for you here.
01:21:41Where did Rinko go?
01:21:43Where did Rinko go?
01:22:11Where did Rinko go?
01:22:29Teacher?
01:22:31Teacher?
01:22:33I'll go later.
01:22:35I'll go later.
01:22:39This way.
01:22:41This way.
01:22:43Thank you.
01:22:45Thank you.
01:23:05Thank you.
01:23:35If you really don't want me in,
01:23:37If you really don't want me in,
01:23:39you can close the door.
01:23:41you can close the door.
01:24:05I...
01:24:07I don't allow you to be my opponent.
01:24:09I don't allow you to be my opponent.
01:24:15Or...
01:24:17Or...
01:24:19Or...
01:24:21Or...
01:24:23Or...
01:24:25Or...
01:24:27Or...
01:24:29Or...
01:24:35Or...
01:24:37Or...
01:24:43Or...
01:24:57Or...
01:24:59Or...
01:25:01Or...
01:25:03I'm just a man who is willing to sacrifice his life for you.
01:25:16I...
01:25:18Sensei...
01:25:33I...
01:25:35I...
01:25:37I...
01:25:38I...
01:25:39I...
01:25:40I...
01:25:41I...
01:25:42I...
01:25:43I...
01:25:44I...
01:25:45I...
01:25:46I...
01:25:47I...
01:25:48I...
01:25:49I...
01:25:50I...
01:25:51I...
01:25:52I...
01:25:53I...
01:25:54I...
01:25:55I...
01:25:56I...
01:25:57I...
01:25:58I...
01:25:59I...
01:26:00I...
01:26:01I...
01:26:02I...
01:26:03I...
01:26:04I...
01:26:05I...
01:26:06I...
01:26:24Good morning.
01:26:25Good morning, Sensei.
01:26:26Good morning.
01:26:27Hatsumi-san brought these sweets.
01:26:30She brought them all the way here.
01:26:32Aren't they wonderful? The Lambert clothes.
01:26:35The Lambert clothes are really wonderful.
01:26:38Sensei, yesterday you said you got lost on the road with Director Yashiro.
01:26:44That's right.
01:26:45It was so foggy that I couldn't see anything.
01:26:49But this place is really a nice place.
01:26:53The food is delicious, too.
01:26:55Thanks to you, I'm getting better.
01:26:57Everyone, let's get dressed.
01:27:00You should put on make-up and make up yourself.
01:27:03I thought I saw a flower garden far away.
01:27:06Hinshiro-san, you've been doing well since this morning.
01:27:09I feel like I'm being praised.
01:27:11Hey!
01:27:12I mean...
01:27:13Hey!
01:27:31I'm counting on you, too.
01:27:44Thank you.
01:27:50I'll see you again, Thomas.
01:27:52Just the two of us.
01:27:56I'll see you at school.
01:27:57I don't think that's going to happen.
01:27:59I'm not saying I'll see you.
01:28:05You understand, don't you?
01:28:14Thank you for sending me home.
01:28:17See you.
01:28:43Don't forget that I worked hard to bring you home.
01:29:10Dad.
01:29:12You look a little different today.
01:29:17Do I?
01:29:18Yes.
01:29:19You look like you're in a bad mood.
01:29:27Ah.
01:29:29That's a beautiful jade pendant.
01:29:32It's a memento of Goryon-san.
01:29:36It's said that jade makes a woman happy.
01:29:43Hey, Kiyo.
01:29:47What do you think a woman's memento is?
01:29:56A woman's memento...
01:30:01What do you think it means?
01:30:03To my mother, this jade pendant was a memento.
01:30:09She was proud of it.
01:30:14But I don't think she was very happy.
01:30:18My father had many enemies.
01:30:21Well, he was a rich man of the time.
01:30:25It was only natural.
01:30:28Because I was watching my mother,
01:30:31I wanted to live a life where I wasn't influenced by men.
01:30:37That's what this job is about.
01:30:41So, when I first got my own school,
01:30:45I was really happy.
01:30:48It felt like I got a medal.
01:30:53But after a while,
01:30:56I wanted something else.
01:31:00More and more...
01:31:03I feel like there's still something.
01:31:10I wonder if a woman's pride
01:31:13is something that can't be satisfied unless it's loved by a man.
01:31:18Father,
01:31:19have you fallen in love with anyone?
01:31:26No, I haven't.
01:31:29I'm old enough.
01:31:34Is that so?
01:32:19Yes.
01:32:49I love you.
01:33:06I love you too.
01:33:19I love you too.
01:33:49I wonder if a woman's pride
01:33:53is something that can't be satisfied unless it's loved by a man.
01:33:58Please tell me.
01:34:10What a beautiful view.
01:34:14Yes.
01:34:16This is my dream stage with you.
01:34:23I'm going to build a wonderful school here
01:34:29and make it a chain school.
01:34:32With your imagination and my talent,
01:34:37Kobe and Osaka are nothing.
01:34:39Even if you turn the world against you,
01:34:45nothing will change.
01:34:49When I hear what you say,
01:34:52I feel like it's true.
01:34:55It's strange.
01:34:58I'll do my best.
01:35:01You should do your best too.
01:35:05I won't do as you say.
01:35:17Sensei,
01:35:19do you think which is stronger,
01:35:23a man or a woman?
01:35:27Sensei and I
01:35:29Sensei and I
01:35:31Which will win?
01:35:33Shall we fight?
01:36:00Episode 2
01:36:05I'm in trouble.
01:36:08Why?
01:36:10Is that why you went out with me?
01:36:11I didn't mean it that way.
01:36:14I told you.
01:36:15I went out with you because I'm a Sanwa employee.
01:36:17That's not all.
01:36:19I'm worried about you.
01:36:22It's good that you're chasing your dream,
01:36:24but the fashion industry is a world of competition.
01:36:26If you lose your way,
01:36:28where can you go back to?
01:36:30Don't be ridiculous!
01:36:33I've worked so hard,
01:36:35and I've been chosen as the president of Koshien,
01:36:37and I'm going to be a designer.
01:36:39And yet,
01:36:41don't do this.
01:36:52I want to support you.
01:36:56I want to support you.
01:37:19I won't give up.
01:37:26I won't give up.
01:37:57Yes, this is Tsugawa.
01:38:00This is Yashiro.
01:38:01Can you come out now?
01:38:04Now?
01:38:06If you can't, that's fine.
01:38:08See you later.
01:38:10Wait.
01:38:12I'm coming.
01:38:15Wait a minute.
01:38:26Thank you.
01:38:44Excuse me.
01:38:46Come in.
01:38:54What's wrong?
01:38:55There's something I'd like to tell you.
01:38:59What is it?
01:39:00I bought a compass this year,
01:39:04but it was too expensive.
01:39:06The students said it had a bad reputation.
01:39:11That's a good thing, isn't it?
01:39:13It can't be helped.
01:39:15But there's an ice shop that sells the same thing at a lower price.
01:39:20So I looked it up,
01:39:22but it seems to have a bad reputation.
01:39:28That's...
01:39:29Genshiro...
01:39:31It's Director Yashiro's work.
01:39:33You should take a good look at it.
01:39:38I'm sure it's not just him.
01:39:40Actually, I saw Director Yashiro and Ms. Rinko together last Friday.
01:39:47In front of the hotel in Sannomiya.
01:39:53They went shopping together.
01:39:56It's not strange that they ate together.
01:40:00What were they doing together?
01:40:08If you don't mind, I don't mind.
01:40:22I don't mind.
01:40:27Yes?
01:40:45Look at this. Doesn't it look delicious?
01:40:48No, I don't like this kind of food.
01:40:51I want to eat something elegant.
01:40:58You look much more delicious.
01:41:01I thought you liked elegant girls.
01:41:05For example, Shikigo-sensei.
01:41:10Do you really have nothing to do with him?
01:41:12I don't want to deal with a woman from such a high position.
01:41:15I don't want to deal with a rich woman with a good family background.
01:41:18I can't deal with men.
01:41:21You don't have to pretend to be rich.
01:41:24The world knows your charm.
01:41:27At first, I took revenge on you for something.
01:41:32But when I realized that it was better to use me,
01:41:35I changed my attitude and left.
01:41:38That's all.
01:41:41What are you talking about?
01:41:44I don't understand.
01:41:45It was a joke.
01:41:51I don't understand.
01:41:59Why don't you answer the phone?
01:42:03I don't want to.
01:42:08I don't want to answer the phone.
01:42:10That man...
01:42:12He is...
01:42:14What do you mean?
01:42:17I broke up with him.
01:42:24You don't have to force yourself to break up.
01:42:29It's good to be with someone you've been dating for a long time.
01:42:37I'm going to use you.
01:42:39I'm going to use you.
01:42:45Hey, wait.
01:42:47I don't need it anymore.
01:42:49It's not for you.
01:42:52It's for the school.
01:43:01I don't know when I'll be able to use it again.
01:43:06I don't know when I'll be able to use it again.
01:43:22I'm in charge of negotiating the price of the dress.
01:43:26So I can't understand what you're saying.
01:43:30You're in charge of the negotiation, but you're so irresponsible.
01:43:36I'm not good at negotiating.
01:43:38So I'm in charge of choosing the dress.
01:43:40And you're in charge of the money.
01:43:42And you're in charge of the money.
01:43:43And you're in charge of the money.
01:43:44Even if you take one thing, it's a lot of money for the school.
01:43:49I don't think it's a good idea.
01:43:55Excuse me.
01:43:58You can ask Mr. Yashiro.
01:44:06You can ask Mr. Yashiro.
01:44:24When did you start smoking?
01:44:27Recently.
01:44:29At first, I was scared.
01:44:32But I got used to it and it's delicious.
01:44:36But I got used to it and it's delicious.
01:44:38Thank you.
01:44:56Excuse me.
01:45:03I saw Mr. Yashiro and Ms. Rinko together.
01:45:07In front of the hotel in Sannomiya.
01:45:13What do you think?
01:45:17I'm sorry.
01:45:19I'm sorry.
01:45:22I'm sorry.
01:45:23But this is a job that I would like you to accept.
01:45:27But this is a job that I would like you to accept.
01:45:28A movie?
01:45:29Yes.
01:45:30The director is Junji Hamada, a new actor from Italy.
01:45:33The lead actor is Midori Mizuhara.
01:45:36I'm sorry to ask you this as a juggler.
01:45:38I'm sorry to ask you this as a juggler.
01:45:39I'm sorry to ask you this as a juggler.
01:45:42Let's grow up in an environment that's like this movie's heroines.
01:45:45Let's grow up in an environment that's like this movie's heroines.
01:45:50I want you to design the costumes.
01:45:57Would you like to accept?
01:46:06I'm glad you like it.
01:46:13Let's go.
01:46:16Let's go home.
01:46:36Let's go.
01:47:06I'm glad you like it.
01:47:14You're late.
01:47:16I called you so many times.
01:47:18I'm sorry.
01:47:19I was talking to my friends from school.
01:47:22They said it's hard to get a seat with a guy.
01:47:30So what did you want to talk about?
01:47:36The producer of the Toho movie asked me to design the costumes for the new movie.
01:47:45This is a good idea.
01:47:47It'll be a great publicity for the school.
01:47:49No, more importantly, it'll be a great publicity for you.
01:47:53You'll be a star on the wide screen.
01:47:56And you'll have a great fashion show.
01:48:01I don't feel like it.
01:48:03The design of the clothes you wear in the city and in the office is completely different from that of the movie.
01:48:09The color effect of the color film is also limited.
01:48:12What are you talking about?
01:48:14I'm selling it here.
01:48:15For the realization of my dream with you.
01:48:21The realization of your dream with me?
01:48:23That's right.
01:48:24I'm going to sell it to the world with your design.
01:48:33I'm going to sell it to the world with your design.
01:48:38Don't be ridiculous.
01:48:40Don't compare me to that weirdo.
01:48:43Sensei.
01:48:45Don't touch me so easily.
01:48:48You're a director, but you're also a staff member.
01:48:51You're not my lover or my guardian.
01:48:54I thought you were someone who would take care of other women.
01:48:58Don't get me wrong.
01:49:00If it weren't for my power, you wouldn't have grown this big.
01:49:04I can fire you whenever I want.
01:49:07Do you understand?
01:49:14Did you see me with those eyes?
01:49:26Yes.
01:49:28I was waiting for you.
01:49:41I understand.
01:49:45Then, good evening.
01:49:47I'm sorry for the trouble.
01:49:58Thank you.
01:50:13Sensei.
01:50:28I will definitely take over the movie business.
01:50:33It's for your own good.
01:50:37Goodbye.
01:50:59Thank you.
01:51:12Thank you. You're so considerate.
01:51:14Not really.
01:51:16Hey, why are you taking me on a Sunday trip?
01:51:20It's a fun world with you, Kasumi-san.
01:51:23I don't want to talk to you.
01:51:25It's fine.
01:51:27It's more fun to be outside than to stay at home and listen to old people.
01:51:32Are you talking about your mother?
01:51:34Yes.
01:51:35She told me to find a good man and marry him.
01:51:37She told me to find a good man and marry him.
01:51:40I don't understand what it means for a woman to work.
01:51:43I don't understand what it means for a woman to work.
01:51:45It doesn't matter.
01:51:47Parents worry about their daughters.
01:51:51Hey, do you think I and Rinko-san have talent as designers?
01:51:58Let's see...
01:52:01As a designer, you might be better.
01:52:05Really? Do you really think so?
01:52:07If you really want to be a designer,
01:52:10why don't I give you a job offer?
01:52:13For example, I can exhibit your work at the next show.
01:52:18You'll do that for me?
01:52:20If that happens, I'll be like Yumi.
01:52:23Leave it to me.
01:52:25But that's not enough.
01:52:27I want a title like you.
01:52:30I want a title like you.
01:52:32I want a title like you.
01:52:36I'm going to Tokyo after the show at the Shinkai Bridge.
01:52:42I'm going to Tokyo after the show at the Shinkai Bridge.
01:52:45Shikiko-sensei thinks of you as the president of Shinkai Bridge.
01:52:49If you become the president of Tokyo-ku,
01:52:53you'll have a chance.
01:53:08A Story of a Designer
01:53:10I'm going to Tokyo next spring.
01:53:13I'm going to design your costume.
01:53:17That's great!
01:53:19Congratulations, sensei!
01:53:21Congratulations.
01:53:22Your name will be known all over the country.
01:53:25You'll have a chance to go to Tokyo.
01:53:29Go to Tokyo?
01:53:31A Story of a Designer
01:53:39Whose idea was that?
01:53:41I didn't hear it.
01:53:43I told you after the show.
01:53:45I told you after the show.
01:53:53I'll decide how to run the school.
01:53:56Of course.
01:53:58I'll run it.
01:54:02I won't tell anyone about the school.
01:54:05I won't tell anyone about the school.
01:54:07I won't tell anyone about the school.
01:54:13And...
01:54:17If you disturb the school atmosphere,
01:54:20or if you make a bad reputation,
01:54:23or if you make a bad reputation,
01:54:25I'll fire you.
01:54:28Do you understand?
01:54:31A Story of a Designer
01:54:42You don't have to say it.
01:54:43You don't have to say it.
01:54:45Yes.
01:55:01Excuse me.
01:55:05A Story of a Movie
01:55:08A Story of a Movie
01:55:13Thank you very much.
01:55:15Thank you very much.
01:55:17I'm glad.
01:55:18I'm glad.
01:55:20I have a condition.
01:55:22I have a condition.
01:55:23Yes.
01:55:24I have a condition.
01:55:25I have a condition.
01:55:27My name should be the same size as the main cast.
01:55:32My name should be the same size as the main cast.
01:55:36I see.
01:55:42I think that fashion is an art that challenges the creation of beauty beyond everyday life.
01:55:49I will use the costume design of this movie,
01:55:52I will use the costume design of this movie,
01:55:55to achieve the realization of art.
01:55:58I see.
01:55:59Miss Mizuhara, do you have anything to say?
01:56:03I'm a big fan of you.
01:56:06I'm a big fan of you.
01:56:07Rehearsal
01:56:20Let's see the results of the rehearsal.
01:56:23Rehearsal
01:56:25Don't you think it's amazing?
01:56:27Don Yakusaku, by Shikiko-sensei.
01:56:29Don Yakusaku, by Shikiko-sensei.
01:56:30Don Yakusaku, by Shikiko-sensei.
01:56:31The film gradually resembled Gin Shirou-san's film.
01:56:33Take a lot of photos.
01:56:34Oh, that's right.
01:56:36It's like a supporting actress.
01:56:39It's up to you, Renko-san.
01:56:42You'll be the next one to get the spotlight.
01:56:47I think it's a good change of pace.
01:56:51Sensei?
01:56:53Yes?
01:56:55Well, that's...
01:56:57It just so happens that the heroine and I have a lot in common.
01:57:05Please smile.
01:57:09Sensei, please look this way.
01:57:34Thank you.
01:57:45You're welcome.
01:58:04What are you doing?
01:58:06What are you doing?
01:58:08What are you doing?
01:58:10What are you doing?
01:58:12What are you doing?
01:58:14What are you doing?
01:58:16What are you doing?
01:58:18What are you doing?
01:58:20What are you doing?
01:58:22What are you doing?
01:58:24What are you doing?
01:58:26What are you doing?
01:58:28What are you doing?
01:58:30What are you doing?
01:58:32What are you doing?
01:58:34What are you doing?
01:58:36What are you doing?
01:58:38What are you doing?
01:58:40What are you doing?
01:58:42What are you doing?
01:58:44What are you doing?
01:58:46What are you doing?
01:58:48What are you doing?
01:58:50What are you doing?
01:58:52What are you doing?
01:58:54What are you doing?
01:58:56What are you doing?
01:58:58What are you doing?
01:59:00What are you doing?
01:59:02What are you doing?
01:59:04What are you doing?
01:59:06What are you doing?
01:59:08What are you doing?
01:59:10What are you doing?
01:59:12What are you doing?
01:59:24I feel like I can become my true self only when I'm with Sensei.
01:59:27I feel like I can become my true self only when I'm with Sensei.
01:59:29I can't become my true self easily.
01:59:31I can't become my true self easily.
01:59:33I don't know what I want to do.