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00:30to make you rich.
00:33So dare to do it, my love.
00:38What if I'm wrong?
00:40Well, I'll be here to comfort you.
00:44Be careful with your behavior.
00:47Or next time I'll be forced to tell the bishop.
00:49Marza, I can't believe we're having this conversation
00:51for the simple fact of having helped people.
00:53Don't worry.
00:54If he has nothing to hide, he shouldn't worry.
00:58See you later.
00:59See you later.
01:27Live in a different way
01:29Wings to fly
01:31Wherever the soul wants
01:33Dreams of freedom
01:35The heart doesn't wait
01:37It's asking for another chance
01:42Dreams of freedom
01:44Even if the past hurts
01:46To start again
01:48To love whoever I want
01:51To scream freedom to them
01:53To live without fear and without looking back
02:13Dreams of freedom
02:23Dreams of freedom
02:39This is not signed by my father or my brothers.
02:42It's the renewal of the credit policy.
02:44You're the first.
02:45I think it's fine, but don't do anything to me again
02:47where my signature is not final, okay?
02:49Yes, sir.
02:50Look, Marta.
02:51Sign the credit policy.
02:53Pass it, please.
02:54Thank you.
03:02By the way,
03:03I've made some amendments to the contract with Lambert.
03:05I'm waiting for a good review from Paris.
03:09That contract was already reviewed
03:11and approved by the lawyers and father.
03:13Well, it was poorly reviewed and worse approved.
03:16With what right?
03:17You make changes in a contract without counting on anyone.
03:19With the right you give me to be the most experienced director
03:22and with the intention that they don't abuse our good faith.
03:25And don't get angry, Marta.
03:27You know perfectly well that if we're negotiating with the French,
03:30it's thanks to me.
03:31Jesus, are you trying to provoke me?
03:33Because lately you've been very up and down
03:35and more in front of Isabel.
03:37I, if you want, I'll go out.
03:39No, you stay, Isabel.
03:40Let me show you something.
03:48Where is it?
03:50Here.
03:53The issue of who takes care of the expenses
03:55if the merchandise suffers imperfections in transit.
03:58What's wrong with that?
03:59Do you think it's normal for us to be the ones
04:01who pay for everything?
04:07It's the usual.
04:08Our own lawyers can confirm it
04:10or even Isabel, who was aware.
04:12Isabel?
04:13But she was the one who wrote those changes.
04:16Take advantage and explain it to her.
04:17Come on, but hurry up.
04:19Lately, my sister doesn't step into this office much.
04:22Well, Mr. Jesus proposed that,
04:24in case of imperfections,
04:26each of the parts would take on 50% of the expenses.
04:30Great.
04:31I should have consulted him.
04:32Isabel, you are the director's secretary of this company,
04:36not a spy at my sister's service.
04:39I hope you haven't thrown it all away for nothing.
04:42I did it for the good of the company.
04:44No, what you've done is to put me at risk
04:46with a contract I already had.
04:49And the French thing is your business.
04:52Good thing everyone knows that I was the one
04:54who brought Patricia Lambert here.
04:59Answer, please, Isabel.
05:03Direction of Perfumeries de la Reina. Tell me.
05:06Good afternoon.
05:08One moment, please.
05:10It's Mrs. Lambert.
05:13Give it to me.
05:17Patricia, how are you?
05:21Yes, it was a last minute change.
05:25Because it's a fair and equitable clause, 50-50.
05:29Did you think it was bad?
05:32Well, make it sound good.
05:36I remind you that we have an agreement.
05:38And if you want to charge your percentage,
05:40you have to speak for the interests of both parties,
05:42not just yours.
05:45Very good. Goodbye.
05:49Problem solved. Accept the clause.
05:51No, I had the impression that it was still to be seen.
05:53Patricia, it was your job. Have faith.
05:57I know you want to assume what happened.
06:01But you'll soon get over it.
06:04We'll both get over it.
06:07Together we can do anything.
06:11I need you by my side, Ares.
06:16I'm sorry.
06:18I'm sorry.
06:20I'm sorry.
06:22I'm sorry.
06:23I'm sorry.
06:27Come in.
06:31I came to pick up the tray.
06:33Don't worry, don't bother.
06:35I'll put it down now. It's in the factory.
06:38I see you've at least regained your appetite.
06:41With the Queen's lieutenant here,
06:42it's impossible to skip a meal.
06:45It's because I'll be back for dinner.
06:47Remember you have a meeting with Jaime.
06:49He won't notice.
06:53Goodbye, my love.
06:54Goodbye.
06:57Could you keep him company for a while?
06:59As long as I need to, of course.
07:01Thank you.
07:13My goodness.
07:15You've finally managed to get him to eat out of your hand.
07:19I told you he'd do anything to get it back.
07:22Of course, you've taken action, yes.
07:25What's so bad about me wanting to take a walk with you?
07:28I know you.
07:29When you get so affectionate, you want to tell me something.
07:33What does it have to do with the postcard?
07:36Am I wrong?
07:37Why do you say that?
07:39It's been missing for two days.
07:41By magic, it appeared in the closet where we always leave it.
07:44It must have fallen behind the coffee pot, I don't know.
07:46You're talking nonsense.
07:48What's wrong with the postcard?
07:50More than with the postcard, it's with the money in it.
07:54No, you haven't bought another whim.
07:56I haven't bought anything, woman.
07:58But, let's see...
08:00I hope so.
08:01You've brought me here so I don't yell at you in front of everyone.
08:04Carmen, let's see...
08:06I've got a good deal
08:08and I'd like to tell you before doing anything.
08:11Oh, my God, a deal now.
08:13Let's see, what's it about?
08:15How much money do I have to invest?
08:17You know, Carmen, the more you invest in business,
08:19the greater the profit.
08:20Tassio, how much?
08:2210,000 pesetas.
08:2310,000 pesetas?
08:25I've managed to get her husband to drag himself
08:27asking me for forgiveness.
08:29What I don't understand is how you've managed
08:31to get Jaime to play along with you,
08:32telling everyone that you've lost a child
08:35that he knows didn't exist.
08:38Luck.
08:40It's the audacity.
08:42What do you mean?
08:44Because Jaime is a respectable doctor.
08:47It's not strange that he lent himself to any trick
08:49to validate your lie.
08:51Maybe he's not as respectable as you think.
08:53I really don't understand anything.
08:58I found out by chance
09:00that he and Dr. Borrell are lovers.
09:05I heard them on the phone,
09:07in a very heated conversation,
09:08but you can't say anything, Gemma, please.
09:10And you blackmailed him.
09:11Well, that's a very ugly word, no.
09:14I warned him
09:15that if he wants to keep playing doctor and doctor
09:17until his family finds out,
09:18he has to follow my lead and keep his mouth shut.
09:21María, I think you've crossed a line.
09:23Gemma, don't be a pussy.
09:25Besides, if Jaime doesn't want trouble,
09:26he shouldn't cheat on his wife.
09:29The truth is that he's lucky
09:30that the man stops dragging the seven seas for her
09:32and ends up cheating on her in his own house.
09:35Gemma, please, I repeat,
09:36not a word to anyone.
09:38If he finds out,
09:39Jaime wouldn't have any reason to follow my lead.
09:42Please.
09:43It'll be a grave, don't worry.
09:46You're the only person I trust in this house.
09:48Don't let me down.
09:53Don't worry?
09:54How can I not worry, Tassio?
09:55It's all the savings we have for the house
09:57after giving you the whim of the fridge.
09:59Carmen, I know, I know.
10:00But, woman, maybe in a month,
10:02with this, we can pay your mortgage to the house.
10:05You're multiplying too fast.
10:06There's no honest business
10:08that's as fast as those numbers.
10:10Tassio, no, no.
10:11You're not thinking about playing again, are you?
10:13No, no, woman, no.
10:14This isn't a trap.
10:17It's a new business that Iñigo, the new operator,
10:19has proposed to me.
10:21Oh, another one.
10:23And what is this business about?
10:26Well, look.
10:28It turns out that Iñigo has a cousin
10:29who works in a German home appliance factory.
10:32And the cousin gives him all the models
10:34that Jesse discards,
10:35and then he leaves them as new ones.
10:36And then Iñigo resells them?
10:37Yes, yes.
10:38And he makes a lot of money for each one.
10:39If not, why do you think that guy lives so well?
10:41He invited us to the Bernabéu stage and everything.
10:43Being a simple operator.
10:45I see.
10:46And if he's doing so well,
10:47why is he still a simple operator?
10:51Well, I don't know.
10:52He'll know.
10:53Besides, killing yourself at work doesn't kill you either.
10:55So, here, the important thing, Carmen,
10:57is what we do.
10:59Which would be reselling defective appliances.
11:01Because they're fine, Carmen,
11:02they work perfectly,
11:03and they're cheap.
11:04Because they're fine, Carmen,
11:05they work perfectly, in my case.
11:06I don't know, Tassio,
11:07that sounds very strange to me.
11:08What do you want me to tell you?
11:11Look, to give you an idea,
11:12I've already sold two last-generation radios.
11:14And I've made almost double the money with them.
11:16Imagine what we'd do with 50 appliances.
11:18That's crazy.
11:19Well, that crazy amount of money could be ours.
11:24Wait, you, those radios...
11:26You bought those radios with the money in our pocket.
11:29That's why they didn't show up.
11:31Tassio, no, I don't like to put these things behind my back.
11:33I know, but it turned out well.
11:34And it will turn out well again.
11:36Besides, I'm telling you all this
11:38to see what you think,
11:39because I need your approval.
11:42I don't know, Tassio.
11:44What do you want me to tell you?
11:45I think it's crazy to invest all our savings
11:47in a business that we don't know if it's going to work, right?
11:49Carmen, it works because I've already tried it.
11:53But, well, if you don't like it,
11:54I'll forget about it and that's it.
11:56You're the most sensible.
11:59But thank you very much
12:00for telling me about it
12:01and not throwing it away without my consent.
12:04Thank you for the ride and for listening to me.
12:07Although a couple of screams also took me away.
12:22Dina, I'm going to the factory.
12:24Very well.
12:25Very well.
12:29Then I will need your advice
12:31to see if you can guide me on some furniture changes
12:34that I want to do in the office.
12:35That's very personal.
12:37I think you should ask your daughter for advice.
12:41For God's sake, Dina,
12:42let's go back to our worst moments.
12:45How long are you going to keep punishing me?
12:49I try to do my job in this house as best I can.
12:52By the way, I have to go see how dinner is.
12:55Bye.
13:04It's time to go.
13:09Is everything okay?
13:10Yes.
13:11Problems with the business, nothing.
13:14I'm going.
13:15Begoña,
13:17I have to ask you something.
13:25Hello.
13:36Hello.
13:37What are you doing here so early?
13:39I stopped by to see how I was.
13:41When you tell me if your brother and you are still angry,
13:44I'll tell you if I'm okay or not.
13:46I can't stand seeing you argue one day and another too.
13:50Mother, I don't like being like this either,
13:53but what can I do?
13:54You'll get over it, won't you?
13:57I need you to be okay.
14:00Especially now.
14:02I have no interest in opposing him,
14:04but I can't support Joaquín in the pool project.
14:07Do you think he's so crazy?
14:09Yes, of course he's crazy.
14:11Me, you and everyone else, because he's a chimera.
14:13Yes, but he would be our chimera.
14:17Mother, it's a very risky project.
14:20There are too many things that could go wrong.
14:22I think it's much more sensible to bet on what we have here.
14:25Besides, you agreed with me.
14:27Have you changed your mind?
14:29You've read the article in the magazine, haven't you?
14:32That one dedicated to the family of the queen.
14:35Mother, are you going to come with that too?
14:37Yes, because it's perfect to see what that company looks like from the outside.
14:44I just don't understand where you're getting at.
14:46Anyone who reads that will be very clear about what kind of company it is.
14:50A very family-oriented one.
14:53Is that so? Isn't it family-oriented?
14:55Yes, family-oriented.
14:57One, one single family.
14:59The queen's family.
15:07You don't have to worry.
15:08All I did this morning was corroborate his disgusting lie.
15:12Although I don't know why you're asking me.
15:13I was listening from the corner of the door.
15:16Maintaining that version is the best option for everyone, Begoña.
15:20Don't be mistaken, Don Damián.
15:21If I haven't told Igna the truth, it's because I found it very cruel to make that poor woman suffer more.
15:27Believe it or not, that's exactly the same reason I've had to lie.
15:32To avoid the suffering of both families.
15:35Are you referring to the lucky shot I received?
15:37Or the other shots?
15:39Don't play with me, Begoña.
15:41I'm not.
15:42It's dangerous to play with you.
15:44Although the truth is like water,
15:46even if we try to contain it with our silence,
15:48it will end up overflowing,
15:50taking everything in its path.
15:52None of that will happen
15:54if no one loses their calm.
15:57So if Igna asks again,
16:01you know what you have to tell her.
16:19I don't understand why she's telling me all this.
16:21What does it have to do with the bathhouse?
16:23Think about it, son.
16:26If your father decided to keep it a secret,
16:29it's because he saw a way there,
16:31to make a different path,
16:33freeing himself from the Queen's men.
16:37I don't understand.
16:39What does it have to do with the bathhouse?
16:41Think about it, son.
16:43If your father decided to keep it a secret,
16:46it's because he saw a way there,
16:48to make a different path,
16:50freeing himself from the Queen's men.
16:54You've always believed
16:56that the most important thing for him was the company.
16:59I was convinced, too.
17:01I've been convinced for a long time.
17:04But now I know that at the end of his life,
17:06his dreams will be different.
17:10What do you want me to do?
17:12Abandon the company
17:14and abandon him.
17:16If he saw a business in that bathhouse,
17:18it's because he saw it.
17:20Besides, now it's convenient for us
17:22to keep our distance from the Queen's men.
17:24And your father is putting him on a plate.
17:27It seems that he's guiding you from above.
17:30I don't know, mother.
17:32I do know.
17:34Your brother and you together can go very far.
17:36He with his fortune
17:38and you with your talent.
17:40You can give back to the Merino family
17:42the place that belongs to you.
17:44Wouldn't that be wonderful?
17:58You're here again.
18:00I hope you're not returning the soaps
18:02you took the other day as a gift.
18:04No, on the contrary.
18:06They liked it so much that I had to go to Correos
18:08to send some letters.
18:10Did you like it?
18:12It was great.
18:14Gifts for yourself are the best.
18:16You can never fail.
18:18That's true.
18:26Is something wrong?
18:28No, nothing.
18:30I was looking at your handkerchief.
18:32It's beautiful.
18:34And of very good quality.
18:36I saw it in Toledo
18:38at the Canovas shop.
18:40I love that shop.
18:42And the one in Madrid.
18:44I don't know if you've been there, but it's spectacular.
18:46Yes, I know both of them.
18:48You're lucky to be able to afford it.
18:50With my salary, I can't even afford
18:52to buy a button there.
18:54No, not with mine either. Don't think about it.
18:56So?
18:58They gave it to you?
19:00Yes.
19:02It's a gift from my father.
19:05Tell him it's exquisite.
19:07I'll tell him.
19:09Thank you.
19:11I'd like my father to give me gifts like that.
19:13Or I bet he'll ask me
19:15to give it to a good boyfriend.
19:17But neither my father nor I have a boyfriend,
19:19so I'd better save up.
19:21Isabel, if you don't mind, I'll charge you.
19:23It's just that I'm about to finish my shift
19:25and I have to reposition two exhibitors.
19:27Of course, woman.
19:29If I stay the same, I have to do a thousand things
19:31before I leave, so...
19:34Here.
19:36Charge yourself.
19:42Here's your change.
19:44Thank you.
19:46I hope you enjoy the soaps.
19:48Thank you.
19:50Beautiful. The handkerchief.
19:57Patricia Lambert has confirmed it.
19:59Well, then...
20:02I'm sorry, Mr. Damián. I didn't know you were busy.
20:04Don't worry, Tassio.
20:06Jesús was about to finish. Don't worry.
20:08No, no. I don't want to bother you.
20:10I just wanted to tell you that I'm not going to enter
20:12the business I told you about.
20:14One moment, one moment.
20:16What are you talking about?
20:18It's just that now it's also up to date
20:20with the chanchullos the workers bring in.
20:22He's not a chanchullo.
20:24It was a good investment opportunity
20:26and his father came to give me some advice.
20:28I gave him a couple of tips.
20:31Let's see, kid.
20:33You interrupted a private conversation.
20:35Yes, yes. I know. I apologize. I'm leaving.
20:37No, no, no. Since you interrupted us,
20:39come in and tell us about the business.
20:41Jesús, stop.
20:43No, Father. Tell him what I was going to tell him.
20:45Let's see if I understood correctly.
20:47You want to go from an operator to a businessman.
20:51Sorry.
20:53From night to morning. Is that it?
20:55That's the idea, yes.
20:57And what happened? Why did you back out?
20:59You can find out, of course.
21:01Well, it turns out that we had to invest a lot of initial capital
21:04and talking to my wife, it's better
21:06that we don't spend the money we have saved for the house.
21:09Of course, of course. Totally understandable.
21:11But are you sure about that?
21:13Think that opportunities don't come when you want them to.
21:16They come when they come.
21:18Antasio, come in, please.
21:20Close the door and come in.
21:23Sit down and tell me.
21:25The other day you were very excited.
21:28When you told me about your projects.
21:31Yes, the truth.
21:33But, well, then, commenting on it with Carmen,
21:35it's better that we don't get caught with this.
21:40You can tell that it's so funny.
21:43Your naivety, Antasio.
21:45Look, for your information, there is no opportunity without risk.
21:49In business, nothing is easy.
21:51Or do you think this man was given the empire he created out of nothing?
21:56I'm not the only one who has fallen apart because of this company.
21:59All the workers do it every day.
22:01From the first to the last.
22:05Anyway, I won't keep you any longer.
22:10And you, it will be better if you keep saving.
22:13So, with a little bit of luck,
22:15I estimate that in ten or fifteen years
22:17you will be able to have your little house, which is coming.
22:22See you later.
22:25See you later.
22:31Don't listen to him.
22:33He likes to provoke.
22:35Actually, he hasn't said any lies.
22:37Or are you going to deny that he didn't take a risk when he started with the company?
22:41There is always a risk, I'm not going to deny it.
22:43When I started, I was very young.
22:45And the dream of lifting it with my hands could be more than the fear of failure.
22:49I will also tell you that on more than one occasion and on more than two,
22:52the bank was about to lose everything.
22:54But fortunately, things turned out well.
22:57Yes, it can be seen.
23:00Starting a business is a path full of complications, Estasio.
23:03And not everyone is prepared for it.
23:07Stay calm with your decision.
23:09And enjoy what you do, because you do it very well.
23:15I really appreciate your advice.
23:18You don't have to thank me.
23:20You know I'm here for what you need.
23:23And when you need it.
23:42Isabel just came out the door.
23:44Isabel, my secretary?
23:46Yes, she came to buy some soaps and she made me very nervous.
23:51Why? What happened?
23:53Well, because I was just trying on the handkerchief you gave me when I came in.
23:57For that I have given it to you.
23:59So you can show it off.
24:00Although not at work.
24:02Yes, but I knew it was from Canovas and that it was very expensive.
24:05And I got very nervous, I told him it was a gift from my father.
24:08Do you think he has stolen it?
24:10Oh, mother.
24:11What's wrong?
24:14That this morning he saw that I had bought something in Canovas, precisely.
24:19Well, I'm sure he has realized that you have given it to me.
24:21Let's see, I told him it was a gift for me.
24:24In fact, he has only seen the box, he doesn't even know if there is a handkerchief or what color it was.
24:28So there is nothing to worry about.
24:30Yes, but this Isabel is longer than long.
24:32I'm sure she doesn't do stitches with thread.
24:34Stitches without thread.
24:36Without thread.
24:37But she is very smart.
24:39Yes.
24:41Although it would not be unreasonable to think that since your father has trusted me all my life,
24:47he has asked me where he could buy you a good quality gift.
24:52And since I have been buying in Canovas lately, I have recommended it to him.
24:59There is nothing to worry about.
25:01I already told you this morning.
25:03What have we agreed on?
25:05That when you are nervous or you think something is going wrong, you just have to look me in the eye.
25:11And remember that everything will be fine.
25:15Better?
25:19Then I'll see you later.
25:21Please.
25:23I'm dying to spend the night with you.
25:26There is less.
25:29Carmen will replace me in nothing.
25:32And I will go to the room, I will change, I will take the car online and see you in Madrid.
25:41And from Madrid?
25:43And from Madrid to heaven.
25:59Your brother and you together can go very far.
26:02He with his treasure and you with your talent.
26:05You can return the family to Merino the place that belongs to him.
26:10Wouldn't that be wonderful?
26:14I have to talk to you.
26:18Here I am.
26:20Luis, I have not come to argue.
26:22I have come to tell you that I am going to raise the project of the balneary and that I do not need your approval for anything.
26:29It is a risky project, brother.
26:32You will have to make complicated decisions on issues that you do not master.
26:36Yes, yes, yes.
26:37Yes, yes, yes.
26:38I already know, but I suppose that I will have learned some management all these years working here.
26:43Don't you think?
26:44Of course.
26:45And besides, I'm not going to be alone, I'm going to surround myself with the best team.
26:48Good, good, you do well.
26:49A good team is fundamental.
26:53And what is so much understanding coming now?
26:55Let's see.
26:56I don't know why you say it.
26:58Well, I don't know.
27:00If you try to give me the reason, like crazy people, so that I realize the blow I'm going to get,
27:04well, you can stop doing theater because neither you nor anyone is going to stop me.
27:08No, and it is not my intention to make you change your mind.
27:11Not anymore.
27:13Not anymore?
27:16I have spoken to Mother and she has opened her eyes to certain issues.
27:23And? And what else, Luis? What has she told you? You are making me nervous, as always.
27:26Well, I have realized that Perfumerías de la Reina was not Father's vital project.
27:31No, no, no. I would rather say that it has become yours.
27:34It may be.
27:37And I suppose that if Father wanted to keep the balneary so secret,
27:41it is because he wanted to do exactly what you are doing now.
27:45Get rid of the Perfumerías de la Reina.
27:51So you think it's good that I tried?
27:52I think it's very good.
27:53And then you already have everything clear?
27:55Yes, yes, yes.
27:57First, we have to find out who those landowners are.
27:59Second, tie the purchase and talk to the banks to see if they can finance it.
28:04And third, lift the balneary and put it into operation.
28:09That's nothing, huh?
28:10Yes, I have a long way to go, but I think it is the path I must follow.
28:13And the path that our father would like to have followed.
28:16Yes.
28:17Hey, have you already thought of possible names for the balnearies?
28:20No, I haven't had time, no.
28:22Although there is time for that, but maybe we can launch proposals.
28:29We can.
28:31You and me.
28:34Come on, if you don't want to, I'll step aside.
28:36But if you want me to be part of the team,
28:39I am willing to put everything on my side
28:42so that this project can succeed together.
28:45Are you serious?
28:46Or have you taken a sip of the cologne you have there?
28:51Totally.
28:53I have realized that this can be a project that is a great opportunity for Los Merino.
29:03You liked it, huh, big head?
29:07Give me a hug.
29:09Everything is correct, as expected.
29:11So this is the last time you make me waste my time like this.
29:15Jaime, please, we have a deal.
29:17No.
29:18One thing is that I had to swallow your damn blackmail.
29:21And another very different thing is to tell everyone that you are worse than you really are.
29:24I'm not going to go through that.
29:27I'm sorry, I'm sorry.
29:28I'm sorry.
29:29I'm sorry.
29:30I'm sorry.
29:31I'm sorry.
29:32I'm sorry.
29:33I'm sorry.
29:34I'm sorry.
29:35I'm sorry.
29:36I'm sorry.
29:38Okay, then I guess you should give me the high.
29:40Yes, I guess I should.
29:42And that's exactly what I'm going to do.
29:45Well, because I was tired of being in bed all day.
29:49God, how can you be so frivolous?
29:52Your lie has hurt a lot of people.
29:54Starting with your husband.
29:56Don't get involved in my marriage.
29:58And I don't get involved in yours or in your relationship with Dr. Borrell.
30:02Hello, honey.
30:04How are you?
30:06Sad.
30:07Sad, but...
30:09It seems I don't have to rest anymore.
30:12I can finally go out and have my head busy.
30:15Are you sure that's the best thing to do?
30:20I can live a normal life, right?
30:23Yes, yes.
30:24It's not necessary to rest as much as Maria says.
30:27Jaime, are you sure?
30:29I don't know, maybe I should wait a couple of days.
30:31For safety, I mean.
30:32No, no, no.
30:33Your health is not in any danger.
30:36It's good that you're getting back to normal activity.
30:40And now, if you'll excuse me, I have important things to attend to.
30:58THE LIE
31:04What kind of lies did you tell the Secretary of the Diocese about Claudia and me?
31:08First of all, good afternoon.
31:10Don't you think the anger should not be linked to the seduction?
31:13He deceived me to convince Claudia to come with me to Algodor.
31:16And then he deceived the Secretary of the Diocese by telling lies about what happened there.
31:20I didn't deceive anyone. I just answered his questions.
31:23And I can assure you that he was very persuasive.
31:25But I already told you.
31:26We were repairing the roof.
31:28Then it was too late, we missed the train and then we had to sleep at the station.
31:31That's all that happened.
31:32The roof was the Lord's decision.
31:34But spending the night together was an exclusively your decision and very unethical, by the way.
31:38You have to be miserable to insinuate what you are insinuating.
31:41Now you are a priest in a vulgar warehouse.
31:44You should know where the limits are.
31:45And you know it.
31:47What have I done to you?
31:48Why are you so resentful of me?
31:50Is it because I officiated Mrs. Mercedes' funeral?
31:52Is that what happens to you?
31:53I don't allow you to speak to me that way.
31:55It is clear that my presence here bothers you.
31:57But wanting to ruin my career?
31:59That's going beyond the limits.
32:01Don't think you're so important, boy.
32:03I did what Claudia's mother asked me to do.
32:05Which was to watch over the little virtue that still remains of that girl.
32:08And by the way, uncover the little vocation she saw in you.
32:11Ramona is behind all this?
32:12She was already smelling it.
32:14The instinct of a mother is practically infallible.
32:17Maybe nothing will happen between you that night.
32:20But you can't deny that that girl stirs you up inside.
32:24More resentment than what I feel for you and Mateo.
32:26But compassion.
32:28I'm just trying to prevent you from falling into the temptation of karma.
32:31Enough!
32:32You've played too dirty.
32:34I'm not going to let her have her way.
32:37That's what I'm going to do.
32:39So you can be careful now.
32:51Mateo, are you okay?
32:54Have you been listening?
32:57No, not enough to know what you were talking about.
33:00It's normal for you to feel that way now.
33:02But you'll see how time and the future children you have
33:06will dilute that sadness.
33:08I hope so.
33:09Now I see it as impossible.
33:11As Machado said, everything happens and everything stays.
33:14And I say this knowingly,
33:16because before your brother Jesus came into the world,
33:19Catalina, my wife, went through the same trance as you.
33:24I didn't know a mother lost a child.
33:26Yes, it wasn't something your mother and I would like to remember.
33:31I'm not surprised.
33:33But I take it to heart.
33:35Because after that,
33:37we had three beautiful children who made us very happy.
33:41And I'm convinced that you will follow in the same footsteps.
33:46Thank you, Father, for trusting us with that story.
33:49It means a lot to us.
33:52When you receive such a hard blow,
33:54you realize the true value of family.
33:58And you don't know how sorry I am, son.
34:00I never wanted any of you to go through this.
34:05Andrés and I will do everything in our power
34:07to be a united and happy family.
34:10And as numerous as possible, of course.
34:12God bless you, daughter.
34:16Mateo, don't worry.
34:18If you want to go home, we'll talk about it later.
34:22No, Claudia, no.
34:23There won't be any more visits to Godot or anywhere else.
34:27Don Agustín suggested I ask you to come with me.
34:31But it was a trap to unmask me.
34:34Unmask you? How?
34:36That worm thinks that you and I...
34:42that we hide our feelings.
34:44But where did you get that from?
34:46Your mother.
34:48She told it to Don Agustín
34:50and the wretch made us a trap
34:52so that I would supposedly fall into temptation
34:55and prove that I'm no good as a priest.
34:59It's a shameless...
35:03Are you okay?
35:06Claudia, don't worry.
35:08You have nothing to do with this.
35:11Mateo, it's just that...
35:13It's just that...
35:15It's just that Don Agustín isn't going so badly either.
35:20What?
35:22That...
35:24You...
35:26That you and I...
35:29I mean, that I...
35:32That I have feelings for you.
35:44I'm sorry.
35:45Since I know you like tea,
35:47I've taken the liberty of bringing you some.
35:50Thank you. You've read my mind.
35:52I'd also like to apologize
35:55for not consulting you on the changes in the contract with the galleries, Moro.
35:59It's all clear, Isabel. Don't worry.
36:02I just want you to know that I'm sorry.
36:06I'm sorry.
36:08I'm sorry.
36:10I'm sorry.
36:11Isabel, don't worry.
36:13You just did what my brother asked of you, and you do an excellent job.
36:16Thank you.
36:18No one in the world would want you to consider me a disloyal person.
36:22I promise you it wasn't my intention...
36:24Don't turn around. It's forgotten.
36:27Thank you again.
36:29I'm very happy to hear you say that, because...
36:31Believe me, I really appreciate it.
36:33Thank you.
36:38Don't worry.
36:40Let me help you.
36:41Don't worry.
36:42There's no need.
36:44Are these...
36:45Are these the store's payrolls?
36:47Yes, give it to me.
36:48I'll clean them up and keep them here.
36:51Is there a problem with the payrolls?
36:53No, not at all.
36:54I was just going to make sure that all the data was correct.
36:58Since I haven't asked you for that kind of work...
37:01In my previous job, the payrolls of the workers were a real mess.
37:06If you don't think it's necessary, I can leave it and take care of other things.
37:11Although I think that in a couple of days I could have all the payrolls in order.
37:17No, it's perfect.
37:20Thank you.
37:21Perfect.
37:22Well, I'm going to get dressed.
37:24I'll be back in the office.
37:36Isabel, I'm going to make a message first. I don't want to be late.
37:40See you tomorrow.
37:41See you tomorrow.
38:05See you tomorrow.
38:14Are we leaving now?
38:16We need to talk.
38:18Ah, of course.
38:19What's wrong?
38:21Oh, what are you doing?
38:23I think you should keep it until we leave La Colonia.
38:26Just as a precaution.
38:28Yes, I know, Marta, but until now...
38:30Until now, I was the one who was afraid and you were the one who drove away my fears.
38:34What happened?
38:35Nothing, I just think that maybe lately I've let myself be carried away by what I feel and...
38:40and that we can't go on like this.
38:43Like this?
38:44Loving each other like we love each other?
38:46No.
38:48I just think that we should spare a little more of our encounters.
38:51No, don't tell me about that again, Marta, really.
38:53I didn't say that we shouldn't see each other, I just...
38:56You know that if they find out, we could go to jail.
38:59You understand that.
39:00Of course, from the first day, what I don't understand is why you're telling me these things all of a sudden.
39:05Seriously, nothing's happened.
39:07No, everything's fine.
39:09No, nothing's fine.
39:11Because living like this isn't living.
39:14What are you doing? Why are you giving me back the handkerchief?
39:16Because I'm only going to wear it when I can take it without fear, Marta.
39:19Where are you going?
39:20That's what I'm asking myself, where are we going?
39:22Because this is a life without living.
39:23Okay.
39:29Everything's fine.
39:53I love you.
40:15Am I interrupting?
40:17No.
40:21Do I need the office?
40:23Does a factory worker have to come and ask for advice to invest in a stock exchange or something like that?
40:31Don't make that face, Father.
40:33Esetasio is taking too much confidence in you.
40:36If you shake his hand, they'll end up taking your arm.
40:40You have to be nice to the people who work with us.
40:44They are the company.
40:46The ones who take it day by day.
40:50No, thank you.
40:51No, thank you.
40:53And you shouldn't either.
40:55I think you're taking too much on yourself.
40:59Don't worry, I'm just relaxing a bit.
41:01I see.
41:07So?
41:09How are things going with my future stepmother?
41:11Did I tell you?
41:12The third-in-command who subdued me to get information about Valentín and Clotilde.
41:17Yes, she's worthy. She's a bit upset.
41:21She's asking a lot of questions.
41:24I even found out about it by asking your wife too many questions about the gunshot she received.
41:30Oh, really?
41:33Well, she's going to marry them, but make it short.
41:37How can I tell you?
41:40Don't talk about your aunt like that again.
41:44For your information, that's still going to be it.
41:49Your aunt.
41:51Oh, so there's no wedding?
41:54The last time we spoke, she told me she had accepted her proposal.
41:58But then she got upset.
42:01I don't want to talk about that.
42:11So, she's asking too many questions.
42:14She's asking too many questions.
42:20I suppose she didn't take it as well as you thought about hiding from her that Julia was her granddaughter.
42:25I repeat, I don't want to talk about that.
42:28All right.
42:29That's settled.
42:32As long as you assure me that she's worthy, she'll stop harassing me with uncomfortable questions
42:36and she'll also stop doing it with my wife.
42:38That's it. Stop worrying about being worthy.
42:41And pay more attention to the woman you sleep with.
42:45Begoña is the only one who knows the truth about Valentí and Clotilde's death.
42:50And now that her mother is dead, I can't pressure her with the eviction.
42:56Your wife is getting away from us.
43:00Well, don't worry about my wife.
43:03I'm thinking of changing my strategy with her.
43:09Changing strategy? What strategy?
43:12Yes.
43:14I've been too, let's say, benevolent with her.
43:19Benevolent?
43:21Do you remember that she was about to die because of one of your shots?
43:25That was an act of madness, father.
43:28A mistake that I'll regret for the rest of my life.
43:31But she has to admit that she took me to the limit by running away with my daughter.
43:37And since then, I've only dragged myself in front of her like I'd never done before.
43:42I even brought her mother here, to this house, to get her forgiveness.
43:47And what have I gotten in return?
43:49Despise and more despise.
43:52And that as soon as I turned around, she would run to console herself in my brother's arms.
43:57But the looks are over.
44:00I'm going to show respect.
44:13How did it go at the factory?
44:16Have you been able to clear things up with your brother?
44:19We've finally been able to tell each other the truth.
44:22Did you fight?
44:23Joaquín, I don't think it's my fault that you...
44:25No, no, no, Gemma.
44:28The only thing that's your fault is that I've stopped feeling small.
44:32Small in front of Luis, in front of Jesús de la Reina, even in front of me.
44:37Joaquín...
44:38It's true, Gemma.
44:40Now I know that if I used to feel small in front of the world,
44:44it wasn't the world's fault, it was my fault.
44:47I've already told you before that you're worth a lot more than you think.
44:51Yeah, but I didn't believe it.
44:54And now I do believe it.
44:57After hearing you, I thought...
45:01What if you're right?
45:02What if I'm capable of doing anything I set my mind to?
45:06So, from now on, I'm going to be the man I want to be.
45:11The man you told me I could be.
45:13Me and anyone who knows you.
45:15And I know that there will be many obstacles along the way,
45:17and that I'll even face them myself, but I swear,
45:19in the memory of my father,
45:20that I'm going to do everything I can to make his dream come true.
45:23I'm so happy to see you like this.
45:26I'm so happy to see you like this.
45:28I'm so happy to see you like this.
45:29I'm so happy to see you like this.
45:32Thanks to you.
45:34I wish I could have shown you before how much you're worth.
45:37And above all, how much I care about you.
45:40Well, no.
45:41Let's just say I haven't been very receptive either.
45:44Don't do it again.
45:46Do what?
45:47Blaming yourself for everything.
45:49I've also had a lot to do with how bad you were.
45:52All my frustrations haven't helped at all.
45:55No, Gemma.
45:57You're special too.
46:00Do what you do, and say what you say.
46:04Can I ask you a question?
46:06Go ahead.
46:10Is the roast goat still in the fridge?
46:13Yes.
46:15And Magdalenas.
46:17But if it wasn't, I'd cook it for you a thousand times.
46:21No.
46:22Do you want us to have it together?
46:25Just let me change the sheets in my room.
46:27No, no, no.
46:29You don't need to change any sheets.
46:32The ones in the wedding bed are clean.
46:36That's enough for us.
46:39If you want us to sleep together, of course.
46:59No.
47:22Where did you get them from?
47:25I thought you ran out of them.
47:29I've been prescribed them.
47:34I'm going for an infusion.
47:36Are you avoiding me again?
47:40I'm not avoiding you.
47:42What do you want?
47:47Another life.
47:49What else do you want?
47:51Then you'll go down for that infusion.
47:53Now, let's talk a little.
47:55I just want to have a nice time with my wife.
47:59What do you mean?
48:02Like this morning,
48:04when you accused me of provoking Maria's abortion.
48:08I see.
48:10Sorry, it was a bit sudden.
48:12But I was upset with you.
48:14And I think you were right.
48:17But there was no reason to be so cruel.
48:19Don't pretend to be innocent.
48:21Or do I have to remind you how that poor girl
48:24surprised you in Andrés' arms?
48:26She was consoling me for my death.
48:28Bullshit!
48:30I also tried to console you when your mother died.
48:33And you rejected me as if I had the plague.
48:35I'm fed up, do you hear me?
48:37Fed up!
48:39Jesus, I just took a pill to sleep.
48:41I'm not in the mood for arguments.
48:44Come here.
48:49What are you doing?
48:50No more excuses.
48:52You're my wife.
48:54And you're going to start behaving like this.
48:56Jesus.
48:58Stop.
49:00I'm not in the mood.
49:03Jesus.
49:05Stop, please.
49:06Don't you see?
49:08I've missed you a lot.
49:10I'm not going to hurt you, I'm not going to hurt you.
49:12I just want...
49:13I don't want to.
49:14I just want you to love me a little.
49:15I don't want to. Stop.
49:17Stop.
49:19I love you.
49:21I love you.
49:24You're my wife.
49:26Don't you see?
49:33I love you madly.
49:34I love you madly.
49:53Do you think it's time for us to go back to normal?
49:57This is normal.
49:58You in your place and me in mine.
50:00We'll never go back to that mirage we had.
50:03I talked to the guy from Fonsalida last night and we came to an agreement.
50:07You know how hard it was for me to make this decision.
50:10This is how it works.
50:11I told you.
50:12Damn my luck.
50:14Does Jesus have anything to do with your sadness?
50:20To start this business, I need a lot of money that I don't have.
50:24And if I go to a bank like you did in your day,
50:26they're going to laugh at me.
50:27Speak clearly, Tasio.
50:29I need a loan as soon as possible.
50:31I know you're a man of God and that between us,
50:34there's nothing more than spiritual feelings.
50:37Please, all of this is crazy.
50:39Stop fooling yourself.
50:41I don't feel anything like what you feel.
50:44That girl, Sonsi Peralta, is one of his secret friends in Madrid.
50:50Let's finish this.
50:52Because my liver is telling me that for the project of our life,
50:55we have to get rid of the contacts Gemma made in Madrid while she was with another man.