• 3 months ago
Transcript
00:01:00Yes, ma'am.
00:01:05Where are you going, senora?
00:01:07The cemetery.
00:01:08Ah.
00:01:12Oh, I'm sorry.
00:01:13Excuse me.
00:01:14Watch where you're going, you degenerate.
00:01:16Sorry.
00:01:17Ah.
00:01:27Oh, God.
00:01:36Oh, excuse me.
00:01:38I'm sorry.
00:01:39I was in a hurry.
00:01:41I didn't mean it.
00:01:43Oh, no, it's all right.
00:01:45No, it's all right.
00:01:49I didn't see you.
00:01:51Oh, my scarf.
00:01:53I'm sorry.
00:01:57I'm sorry.
00:02:02I'm sorry.
00:02:03It's all right. Fine.
00:02:05I really am.
00:02:06It's all right.
00:02:08Bye.
00:02:15This Virgil, more than any other, shown in the person of Apparici Maffezoni, an inimitable example of dedication.
00:02:23She respected and loved, above all things, her mission of initiating the ranks of the young into the sublime art of music.
00:02:34It was a bloody turn.
00:02:36But music is an art only when the music is in control of life, of temperance, of modesty, of tenacious application.
00:02:44We shall miss her, not only for these reasons, but for her infinite other virtues.
00:02:51She is present among us more today than ever before.
00:02:54Her love of people and her love of life shall be remembered for all time.
00:02:59Who's that woman there?
00:03:02Who's that woman over there?
00:03:04I don't know. I should think it's our new piano teacher.
00:03:08And may God bless her soul.
00:03:14There you are, Signora.
00:03:16That will be 400 lire, please.
00:03:18It's a nice day for this time of the year.
00:03:20Well, seasons are changing.
00:03:22Not what they used to be, huh?
00:03:24It was a lot hotter when I was a kid.
00:03:26Can't remember that far back.
00:03:29Oh, God, mother in heaven!
00:03:31What's that? It sounded like a scream!
00:03:33You're crazy!
00:03:36Get out of here!
00:03:38Take care of her.
00:03:39Stop!
00:03:40Easy, Signora.
00:03:41Wait!
00:03:42It's all right now.
00:03:48There, you'll be fine.
00:03:49Don't touch me!
00:03:50I'm sorry.
00:03:52There, you'll be fine.
00:03:53Don't touch me!
00:03:54I'm sorry.
00:04:21I'm sorry.
00:04:51I'm sorry.
00:05:22Did you bring what I told you to, Ned?
00:05:24What?
00:05:27You did okay?
00:05:28Yeah, great.
00:05:40Did you bring what I told you to, Ned?
00:05:42What?
00:05:43Did you bring what I told you to, Ned?
00:05:45What?
00:05:46Did okay?
00:05:47Yeah, great.
00:05:51Hey, make out when I give you the sign, all right?
00:06:18Hey, good-looking.
00:06:22You're so beautiful, it staggers my mind.
00:06:25Baby, you have one hell of an effect on me.
00:06:27I can't resist you.
00:06:52Now, what was that all about?
00:06:58True, I was playing the scherzo,
00:07:00but I had no idea that my interpretation was so infectious.
00:07:10I would like you to pay more attention.
00:07:13Our passion for music is not just a hobby.
00:07:16It's a life-long passion.
00:07:18I would like you to pay more attention.
00:07:20Our passion for music can help us to realize every force within ourselves.
00:07:25We live in a remote, cloistered little village,
00:07:28but with music, we can transcend every boundary.
00:07:32Naturally, for this privilege,
00:07:34a certain amount of sacrifice is required,
00:07:37an almost fanatical application.
00:07:40And frankly, our private lives have to take second place.
00:07:46So, jokes or pranks
00:07:48that are not within a musical framework must be excluded.
00:07:53You, come up to the piano.
00:08:02Bye.
00:08:04I'll do the next thing.
00:08:06And get there.
00:08:07Yeah, I'll move.
00:08:08You're beautiful.
00:08:09I love that.
00:08:10I love that.
00:08:12Goodbye.
00:08:13Goodbye.
00:08:14See you.
00:08:30Dear Alessandra, we would feel much more at ease
00:08:32if you weren't continually making that long face.
00:08:34Get lost.
00:08:35I don't appreciate your idiot jokes.
00:08:37You don't have to play that trick on Alice.
00:08:39Wow, this morning I thought she was going to have a stroke.
00:08:42You guys can say whatever you like,
00:08:44but since this new teacher, Miss Fermenti, showed up,
00:08:47I've never seen you two paying so much attention to a piano.
00:08:50I think it's love at first sight.
00:08:52Oh, you're out of your head.
00:08:53She's old enough to be my mother.
00:08:55What does that have to do with it?
00:08:56Love isn't a thing you can command.
00:08:57True love is blind.
00:09:02Kiss me, you fool.
00:09:04Hey, are you mad or something?
00:09:05That's your sister.
00:09:07So what?
00:09:08I may need a consolation
00:09:09because Alessandra is interested in someone else.
00:09:12Well then, I guess I should get a little consolation from Paola.
00:09:15You weirdo, not from me you don't.
00:09:17I have to get upstairs.
00:09:18See you.
00:09:19Bye.
00:09:20So long, goodbye.
00:09:21See you tomorrow.
00:09:33You should eat more, perhaps some fruit.
00:09:35You don't eat enough, my little darling.
00:09:38Gigi, talk to your son, will you?
00:09:46And what song are you preparing for the examination at the end of the week?
00:09:53I told you yesterday, I don't know yet what I'll be playing.
00:09:57What is it?
00:09:58What's the matter?
00:09:59If you're feeling badly, you've got to tell us.
00:10:03Do you want me to talk to this new teacher of yours?
00:10:06It might be a very good idea, darling.
00:10:08Does she know that you're the best in the school?
00:10:11Mama, please.
00:10:12If you ask me, it's better if she knows it now.
00:10:15It might be a while until she realizes how good you are.
00:10:18Can't have that.
00:10:19Now, eat.
00:10:20Come on, come on.
00:10:23Luigi.
00:10:24Goddamn that woman.
00:10:26Why can't she drown in her river?
00:10:28What do you think about sending Alessandra for another rest cure?
00:10:32I don't think the one in the spring was enough.
00:10:34You tell him, Luigi.
00:10:35Luigi!
00:10:36Are you listening?
00:10:37Yes, yes.
00:10:38Whatever you say, Gisela.
00:10:42May I come in?
00:10:43Oh!
00:10:46I hope I'm not too late for coffee.
00:10:48Of course not, my friend.
00:10:49You're never too late.
00:10:53I brought you some cookies.
00:10:55I'll bring the coffee.
00:10:56It'll just take a moment.
00:10:59Look after him, will you?
00:11:00What do you think of the rest cure?
00:11:01Just fine, dear.
00:11:05Close the window.
00:11:08Now, what are you doing, for Christ's sakes?
00:11:10He'll close it.
00:11:11Good morning.
00:11:12Good morning, good morning.
00:11:14Now, let's see what's the matter.
00:11:15How old are you now?
00:11:16Eighteen.
00:11:17Eighteen, wow.
00:11:20It's got to be a girl.
00:11:23Don't worry, Gisela.
00:11:24Your little boy's going to be all right.
00:11:25I'll find something to cure him.
00:11:29Good morning.
00:11:30Good morning.
00:11:32It's for you.
00:11:33Some clown wants you on the telephone.
00:11:35Sounds like that fellow, Alessandro.
00:11:37And don't be all day.
00:11:47Hello?
00:11:48Is that you, Alessandro?
00:11:50That'd be nice.
00:11:53I don't know.
00:11:56All right.
00:11:58Stop it, will you?
00:12:00It's my idiot brother, Gabriele.
00:12:02He thinks he's Jack the Ripper.
00:12:05We might.
00:12:06Can you call me a bit later?
00:12:07See you.
00:12:08Hold on.
00:12:09Here's my brother.
00:12:11Hey, how you doing, Don Juan?
00:12:14Yeah, well, listen.
00:12:15There's something I got to show you.
00:12:17So what is it you wanted to show us, huh?
00:12:19Yeah, we've been peddling these things for half an hour.
00:12:21Open up.
00:12:24Well, I won't be the only one to open up around here, fellas.
00:12:28Have a look.
00:12:29Let's see.
00:12:30Tactics for your hygienic convenience.
00:12:34And like a true friend, I brought one for each.
00:12:42Hold it, dummy.
00:12:44You have to use your head from time to time.
00:12:46Figure it out, will you?
00:12:47If you unroll it beforehand, how are you going to get it on?
00:12:50But I didn't unroll it all the way.
00:12:51Just a little to look at it.
00:12:52You've seen them before, huh?
00:12:53Yeah, sure.
00:12:54Do you know how to use them?
00:12:55Yeah.
00:12:56Naturally, men.
00:12:57The faster you get the damn thing on, the better you're going to look.
00:13:00Can't ask a woman to lie down in the grass and wait for an eclipse while you get ready.
00:13:03Right, guys?
00:13:05When I say go, we all begin.
00:13:07Go!
00:13:11First of all, you have to get a hard on.
00:13:13Otherwise, it won't go on.
00:13:16Careful, Nicole.
00:13:17If you jerk off, you're disqualified.
00:13:21First!
00:13:22And I'm right on your ass.
00:13:23Second!
00:13:24I took longer because mine's the biggest.
00:13:25Only now I have to take a leak, and I don't know what to do.
00:13:27The thing's stuck on there.
00:13:28There's nothing to worry about.
00:13:29You'll work it out.
00:13:30Oh, shit.
00:13:31I can't get it off.
00:13:32And I can't hold it in any longer.
00:13:35Three matches lit in the dark.
00:13:38The first, beautiful, because now we see your face.
00:13:45The second, this match illuminates your eyes.
00:13:49The last, to see your mouth.
00:13:55And the rest I leave to my, uh, my uncontrollable imagination.
00:14:00And meanwhile, I take you in my waiting arms.
00:14:05Beautiful.
00:14:07Sure is.
00:14:09Yeah, but I, uh, I have to get going now.
00:14:12And I'll see you tomorrow, all right?
00:14:14Ciao.
00:14:15Yeah, tomorrow.
00:14:16See you.
00:14:23Alessandro.
00:14:24Alessandro, now listen closely.
00:14:25When I count to three, you better be out of there,
00:14:27or else I'll break the door down.
00:14:30God damn it, let's go.
00:14:33Look, I only have ten minutes to get to the clinic.
00:14:39Yeah, isn't it funny?
00:14:42Yeah, finally.
00:14:44It was a half an hour this time, buddy.
00:14:46Your mother gets upset when you spend too much time in the bathroom.
00:14:49She thinks you're sick.
00:14:50Well, mothers are like that.
00:14:52But, uh, I don't think you're sick at all.
00:14:55I mean, it's not injections you need, is it?
00:14:58I guess I'd better be going.
00:14:59Hey, wait a minute, kid.
00:15:00We'll have a little talk man to man, all right?
00:15:02Take it easy.
00:15:03I gotta go, Dad.
00:15:04Hey, will you listen to me for just a minute?
00:15:06You know, I was once your age.
00:15:08I imagine you were.
00:15:09Good, well, just let me finish then, huh?
00:15:11Look, I know what's happening.
00:15:13I mean, you understand.
00:15:15No, I don't.
00:15:16It's the girls, isn't it, right?
00:15:18Oh, it's perfectly normal.
00:15:19I understand, I understand.
00:15:21Beautiful little things.
00:15:23Oh, I know, I know.
00:15:24Years ago in Africa, when I was a young man,
00:15:27oh, there were girls there that were twelve years old that were already women.
00:15:31You know, they really had it together at an early age.
00:15:34I mean, twelve years old and built like eighteen.
00:15:36Handed out to here.
00:15:37I remember this one girl.
00:15:38She couldn't have been more than ten.
00:15:40She was already pregnant.
00:15:41I tell you, you have to watch these girls, Alessandra.
00:15:43They're demons if they get their hands on you.
00:15:45I have to go, Pop.
00:15:46This one took a hold of me.
00:15:47You wouldn't believe it.
00:15:48What's the matter?
00:15:49You ashamed of your father?
00:15:50These are the facts of life you're hearing.
00:15:52Oh, what the hell are they teaching you in school?
00:15:54I mean, this is the twentieth century.
00:15:56There's no reason to be nervous.
00:15:58Just keep it together.
00:15:59That's all you have to do.
00:16:00You're too uptight, son.
00:16:01If you don't watch yourself, you'll be a nervous wreck.
00:16:03All right, I'll watch myself.
00:16:04Beautiful.
00:16:05Fine.
00:16:06What the hell?
00:16:07How old are you now, Alessandra?
00:16:08Eighteen.
00:16:09Eighteen.
00:16:10Beautiful.
00:16:11Beautiful.
00:16:12Shit.
00:16:17Oh, I'm sorry.
00:16:20Excuse me.
00:16:23It seems that we've met this way before.
00:16:25I'm sorry, Miss Fermenti.
00:16:26I guess I'm just a walking disaster.
00:16:31Are you always so distracted?
00:16:33Yes.
00:16:34No, I don't know.
00:16:36Well, you didn't have to rush so much, you know.
00:16:39School doesn't start for another hour.
00:16:41I know.
00:16:42I was just going somewhere.
00:16:44Oh, you have another appointment.
00:16:46You better go then.
00:16:48No, no.
00:16:49It was nothing like that.
00:16:53I could accompany you if you want me to.
00:16:55Oh, thank you.
00:16:56But I wouldn't like the principal to see me with a student outside of school.
00:17:00He's very strict.
00:17:01You know that.
00:17:02Anyway, I have to think about those things.
00:17:04I'm older than you are.
00:17:05But you're not very old.
00:17:09And you're very pretty.
00:17:13Listen, let's make a bargain.
00:17:17I'll allow you to fall in love with me if you promise to think seriously about a pretty girl your own age.
00:17:23We'll have to respect the rule, but let's be sensible.
00:17:26What rule?
00:17:27Well, that every student falls in love with his teacher.
00:17:29It's inevitable.
00:17:30Alessandro!
00:17:31Alessandro!
00:17:32Alessandro!
00:17:33Oh, it's apparent that you did have an appointment.
00:17:35But a good student should have a better memory.
00:17:38Yes, I guess so.
00:17:40Well, goodbye, Corsini.
00:17:42Well, goodbye now.
00:17:44Don't forget your lesson.
00:17:49Hey, wait!
00:17:52Wait, will you?
00:17:54Wait for what?
00:17:55Did you have an appointment with me or with her?
00:17:57Hey, come on.
00:17:58For crying out loud.
00:17:59She's a teacher.
00:18:01For me, she's a teacher.
00:18:03But for you, it's another thing.
00:18:05What do you mean by that?
00:18:06What do you mean?
00:18:07She means something else.
00:18:08I don't know.
00:18:09A personification of sex.
00:18:11Oh, man.
00:18:12These stories of sex, they're a fixation of yours.
00:18:14I don't know what you're thinking about, but if anyone has a complex about sex, it's you.
00:18:19In the music of Italy during the 16th century, there were two prevalent styles.
00:18:24The lord, or canticle, and the gratula, in profanity.
00:18:27You should have seen it, honest.
00:18:29It was part of the Arabian Nights.
00:18:30There were seven naked women dancing.
00:18:32It was Palestrina himself who saved ecclesiastical polyphonic music
00:18:35when he had the Pope listen to his famous mass to Pope Marcellus.
00:18:39Thank you for your attention.
00:18:41Good day.
00:18:52The four-handed piano technique, which is the subject of today's lesson,
00:18:56used to be considered a fundamental preparation for all pianists.
00:19:00Hey, she's not wearing any stockings.
00:19:02Yes, she is so.
00:19:05It was particularly in vogue in the Romantic period,
00:19:08in which this technique served to obtain a wide range of effects, as we shall see later.
00:19:14This technique was already evident at the end of the 16th century.
00:19:17They're like colored stockings, you moron.
00:19:19There's no way.
00:19:20Here we find the first examples of compositions for four hands for the harpsichord.
00:19:32Some of the most interesting pieces are the Hungarian dances of Brahms,
00:19:36which he wrote for himself and his friends.
00:19:40They have a folklore motif rich in life and color.
00:19:46Corsini, you come up to the piano.
00:19:52Corsini.
00:20:04Gabriele, I bet he wishes he wasn't up there.
00:20:06Look at how red he's turning.
00:20:08Why don't you shut down, you dummy?
00:20:10Shut up, you worm.
00:20:15Gabriele.
00:20:45Gabriele.
00:21:15Gabriele.
00:21:31Buongiorno, Miss Frumenti.
00:21:33Buongiorno, Father.
00:21:34Well now, how have you been getting along?
00:21:36Oh, very well, thank you.
00:21:37We're pleased with your work here.
00:21:39At first, I must say I was a bit dubious about the possibilities
00:21:43of your fitting in the ambience of an ecclesiastical institution.
00:21:47You see, we've never had a teacher as young as you.
00:21:51We have noticed the progress you've been making.
00:21:54You're quite satisfactory, both professionally and morally.
00:22:00We're quite content to have you with us.
00:22:02Rest assured that you'll have our strong support concerning your degree.
00:22:05Thank you, Father.
00:22:08We are certainly aware of your need of our approval.
00:22:11There is nothing to worry about.
00:22:13We anticipate no problems whatsoever.
00:22:15You can rest assured.
00:22:17A little bit more.
00:22:19My mother covers it a lot lower than that.
00:22:21That's because she has a large nose.
00:22:23When you have a large nose, it's better to go over the edge.
00:22:28I think I read that someplace.
00:22:30Come on, you try.
00:22:33I think they put something in it.
00:22:35My lips look larger.
00:22:37Yeah, they'll put anything in it to make a sail look crooks.
00:22:40Uh-huh.
00:22:42You know, most actresses have big lips, too, don't they?
00:22:45Just like their breasts.
00:22:50I bet they use cotton.
00:22:53Some of them have that operation.
00:22:56I bet they use cotton.
00:23:00Some of them have that operation.
00:23:04Lend me your bra. I think I'll try stuffing it with something.
00:23:07Sure, but if you want to stuff it, you'll need a bigger size.
00:23:11Here.
00:23:13Thanks.
00:23:15What size do you wear?
00:23:1632 AA.
00:23:24I wonder why we have to wear these things anyway.
00:23:27I read in Cosmopolitan they're supposed to keep you firm.
00:23:30Oh, they'll say anything in those dumb ads.
00:23:32Yeah, pretty soon they'll have us wearing steel corsets.
00:23:36Wouldn't I look funny in one of those?
00:23:38Yeah.
00:23:41I think some of the boys put something in their pants, you know?
00:23:44You mean down there?
00:23:46Sure, haven't you ever felt it when you dance?
00:23:48Sometimes it gets bigger and then it goes down.
00:23:50Yeah, is that weird?
00:23:53When I feel it getting bigger, I just move away.
00:23:56You know, I like the line of this.
00:23:58You know, some of those girls taking the commercial course aren't virgins anymore.
00:24:01Who cares? They're a bunch of weirdos anyway.
00:24:05Would you do with a guy like James Dean?
00:24:07You better believe I would.
00:24:09Yeah.
00:24:10Come on, slow joe.
00:24:12Yeah, yeah, I'm coming.
00:24:14Go on, run.
00:24:16Go on, run.
00:24:21Hey, look out for the dog shit.
00:24:23Dog shit.
00:24:25You little donkey.
00:24:27Oh, boy.
00:24:30Okay, I'll see you tomorrow.
00:24:32Hey, hold on.
00:24:33Yeah, start some time.
00:24:34I'll walk away with you.
00:24:37I sure did some out of sight work today, huh?
00:24:39You did, you mean.
00:24:40After a while, I can't concentrate anymore.
00:24:42You've really perfected your technique, Alessandro.
00:24:45I've only studied Miss Fermenti.
00:24:46I mean, I've been watching how she positions her hands.
00:24:48I don't know how she does it.
00:24:49So composed.
00:24:50Her wrists are so loose, man.
00:24:51It's really something.
00:24:53For my money, you're better.
00:24:55You're crazy.
00:24:57Man, have you seen how she uses her left hand?
00:24:59And you're better than I am when it comes to using your left hand, right?
00:25:02I don't know.
00:25:03When I see a passage that's difficult, I get up tight and blow it.
00:25:06I don't think anyone could tell the way you play.
00:25:08Thanks.
00:25:09Walk me back.
00:25:10What's with you and Fermenti?
00:25:12Geez, I've never seen you so alert in class.
00:25:14Is it because you like the way she plays?
00:25:16Or because you like her?
00:25:18No answer, huh?
00:25:19But you're laughing.
00:25:20What are you laughing about?
00:25:21Amos Brass?
00:25:22Nothing.
00:25:23You like her, right?
00:25:24Come on, you can tell me.
00:25:25You're off your nut.
00:25:26Hey, look, I'm not the one that's in love with a piano teacher.
00:25:28I'll see you later.
00:25:29Yeah, see you.
00:25:30So long.
00:25:44Bye.
00:25:45Bye.
00:25:46Bye.
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00:26:41Bye.
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00:26:43Bye.
00:26:44Bye.
00:26:45Bye.
00:26:46Bye.
00:26:47Bye.
00:26:48Bye.
00:26:49Bye.
00:26:50Bye.
00:26:51Bye.
00:26:52Bye.
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00:26:55Bye.
00:26:56Bye.
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00:26:59Bye.
00:27:00Bye.
00:27:01Bye.
00:27:02Bye.
00:27:03Bye.
00:27:04Bye.
00:27:05Bye.
00:27:06Bye.
00:27:07Bye.
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00:27:09Bye.
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00:27:11Bye.
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00:27:27Bye.
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00:28:00Bye.
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00:28:02Bye.
00:28:03Bye.
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00:28:05Bye.
00:28:06Bye.
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00:28:37Bye.
00:28:39Bye.
00:28:44Bye.
00:28:50Bye.
00:29:08Oh, sorry, excuse me.
00:29:37Easy, fella.
00:29:55Just exercising.
00:30:56Hey, hurry up in there.
00:31:15Yeah.
00:31:16How long are you gonna be in there?
00:31:26Just a little emergent, isn't he?
00:31:40Ah, here comes a little present, darling.
00:31:43Ready?
00:31:44Oh.
00:31:45Behave yourself now.
00:31:46Mama knows what's good for you.
00:31:47I'm telling you, I don't need any injections.
00:31:49Oh, come on now.
00:31:51I can't stand you holding it up in the air.
00:31:53This room hasn't been sterilized.
00:31:56This morning, I saw Alice's mother in town.
00:31:58She told me the new piano teacher gave Alice a lot of compliments on her work.
00:32:02I was so angry, I couldn't find words to tell her off by you a thousand times better than
00:32:06her little twit.
00:32:07Now, don't tell me I hurt you.
00:32:13Good morning.
00:32:14It's good afternoon, but come in anyway.
00:32:16Our little taxman comes with his feet padded.
00:32:19I'll just give you a little massage and then we're done.
00:32:22I'd rather do it myself.
00:32:25All right.
00:32:26I brought the accounts for you to see.
00:32:28One moment, please.
00:32:29Oh, your father and I decided you should be having more lessons on the piano.
00:32:35Only in private.
00:32:36I spoke with the signoria from NT.
00:32:38She'll make an exception in your case and come three times a week.
00:32:41But don't look so sad.
00:32:43You'll do just fine.
00:32:54Not very good, was it?
00:32:56Well, you played it correctly.
00:32:58It's just that, uh, it's a bit mechanical.
00:33:01Doesn't have enough feeling.
00:33:02Also, you sit too stiffly.
00:33:03You have to melt into it.
00:33:04Like this.
00:33:05Listen to the music.
00:33:06It has to flow like a silver cord from the moon.
00:33:17It has to flow like a silver cord from the moon.
00:33:45It has to flow like a silver cord from the moon.
00:34:14Oh, there's something wrong with the pedal.
00:34:24Ah, it sticks once in a while.
00:34:30One gets the wrong impression of your playing when the instrument's not in order.
00:34:41That's right.
00:34:43It'll be fixed in a second.
00:34:45It won't take me more than a second.
00:34:51How are you doing down there?
00:34:53Oh, I'm all right.
00:34:55Ah, look, Alessandro.
00:34:58Oh, yes?
00:35:00I think we can manage to play on it like it is for today.
00:35:04Whatever you say.
00:35:07Excuse me.
00:35:09I hope you're ready for some tea.
00:35:11This is our tax accountant.
00:35:12He'll be joining us.
00:35:13Ah, thank you.
00:35:14We'll be right there.
00:35:17Oh, dear.
00:35:18Did you hurt yourself?
00:35:19No, no, no.
00:35:20It's nothing.
00:35:21Nothing.
00:35:22It's nothing.
00:35:23I'd certainly like to know where you go every day with my camera.
00:35:26You sure you know how to use it?
00:35:28You showed me last month for the field trip.
00:35:30Or did you forget already?
00:35:32Eh, you've forgotten.
00:35:33Because you're already using the wrong film in it.
00:35:36That stuff's too sensitive to light.
00:35:38You should only use that in a shaded room.
00:35:40You'll never get a good exposure outside.
00:35:42Look, I don't need your lousy camera anyway.
00:35:45Ah.
00:35:47Eh, you don't change, do you?
00:35:49I only want to show you one little thing.
00:35:52That this is a new model.
00:35:54Look at this.
00:35:55Watch.
00:35:56With this, you can set the timing.
00:35:57Got that?
00:35:58And with this, you can regulate the diaphragm.
00:36:00You understand?
00:36:01Yeah.
00:36:02All right.
00:36:03It's a nice setup.
00:36:04I'll be all right.
00:36:05Thanks.
00:36:06Ciao.
00:36:07Ciao.
00:36:36Ciao.
00:36:37Ciao.
00:36:38Ciao.
00:36:39Ciao.
00:37:07Ciao.
00:37:10Ciao.
00:37:36Ciao.
00:37:42Ciao.
00:37:48Ciao.
00:37:54Ciao.
00:38:00Ciao.
00:38:08Ciao.
00:38:16I heard from Gabriella that Miss Fermenti's giving you private lessons.
00:38:27How's it going?
00:38:30Then how come you're not practicing day and night?
00:38:33I don't believe you need private piano lessons.
00:38:35But if you're getting some other kind of lesson, you sure could use them.
00:38:41Ah!
00:38:49Did you hurt yourself?
00:38:51No.
00:38:52It's only a little scratch.
00:38:55Oh.
00:38:59Yeah, there's blood on the brake.
00:39:01It's starting to hurt.
00:39:03We better put some disinfectant on then.
00:39:04The brake's a bit rusty.
00:39:05It'll be all right, I think.
00:39:07Ay!
00:39:10Ow!
00:39:11It hurts.
00:39:25Oh!
00:39:38There.
00:39:39Well, I guess I'd better take you home, huh?
00:39:44You sure you're okay now?
00:39:45It's all right.
00:39:46It's nothing.
00:39:48Come on.
00:39:54Try not to bend your knee.
00:39:55Here, I'll help you.
00:39:56Come on.
00:40:07Oh, what are you doing here?
00:40:08Is something wrong?
00:40:10Look, I'm sorry you can't come in.
00:40:11I have things to do.
00:40:12If you have something to tell me...
00:40:17How dare you?
00:40:18What do you think you're doing?
00:40:20Look, you can't break in on me this way.
00:40:23It seems to be the best way to conduct our little session.
00:40:27Oh!
00:40:29Oh, they're horrible!
00:40:31Dreadful!
00:40:32How could you do such a thing?
00:40:34Go ahead.
00:40:35Go on, tear them all up.
00:40:36I have the negatives.
00:40:37It doesn't matter.
00:40:39What do you want from me?
00:40:41Oh, nothing.
00:40:42I just want to help you.
00:40:44Help me?
00:40:45What do you mean, help me?
00:40:48I don't need any help.
00:40:49Sure you do.
00:40:51Imagine what will happen when the president of the school sees these.
00:40:54Shall I tell you what he's going to do?
00:40:56He's going to blow his cork and boot you out of the school and all at the same time.
00:40:59You can't do that.
00:41:00You'll ruin me.
00:41:01Exactly.
00:41:02But don't worry.
00:41:03You're a pretty smart lady.
00:41:04I know that.
00:41:07So then, you and I have to stick together and make sure that those pictures are never seen.
00:41:24I'm sorry.
00:41:25You're on the wrong track.
00:41:26But nice try.
00:41:27Let's put this on for the moment, all right?
00:41:31Take this off.
00:41:43Uh-uh.
00:41:44The bra has got to go, too.
00:42:01How about this?
00:42:15Get on board, soon.
00:42:16I'm not on board.
00:42:18You are.
00:42:19You're going home first, eh?
00:42:22Me?
00:42:24What?
00:42:25No.
00:42:27Let me play, huh?
00:42:34Yeah!
00:42:35Fire!
00:42:36Get him!
00:42:37Little savages!
00:42:38Knucklehead!
00:42:39Get lost!
00:42:40Savages!
00:42:41Get lost!
00:42:42Sick!
00:42:43Sick!
00:42:44Sick!
00:42:45Sick!
00:42:46Sick!
00:42:47Sick!
00:42:48Dummy!
00:42:49Get lost!
00:42:50Sick!
00:42:51Sick!
00:42:52Sick!
00:42:53Sick!
00:42:54Sick!
00:42:55Sick!
00:42:56Dummy!
00:42:57Get lost!
00:42:58Well, how's your passionate love affair with Fermenti going?
00:43:01Not bad, all things considered.
00:43:03Must be one hell of a hard scale to get into your little head.
00:43:06Will you quit joking around, all right?
00:43:08Oh, Alessandra, you're so much in love you haven't noticed anything.
00:43:11She's just as bad as all the others.
00:43:12Maybe worse, but you...
00:43:14You'd better start taking a good look at her.
00:43:16What do you mean, take a look? I've looked already.
00:43:18Look, Nitwit, I don't mean in her eyes.
00:43:21You've got to watch the way the broad moves.
00:43:23The way she dresses, her body.
00:43:26Tomorrow would be a better time to take a good look.
00:43:31Good morning.
00:43:33Today we'll begin with the exercises which we did not finish yesterday.
00:43:53Do you believe that blouse is worth while?
00:44:11It's that much too much.
00:44:24It doesn't mean anything. It could be chance.
00:44:29It seems that you're restless today, Fincy.
00:44:31My books fell. I'm really sorry about that.
00:44:33I've been feeling a little strange lately.
00:44:37I've been having visions.
00:44:41Well, as you're so anxious to move around,
00:44:44why don't you come up and play the piano?
00:44:54Begin whenever you're ready.
00:44:58That was beautifully done.
00:45:00And for tomorrow I have another idea.
00:45:04Strange. What the hell is so strange?
00:45:06He's just normal, so quit worrying, will you?
00:45:08When I was a kid, I used to do the same thing.
00:45:10I'd sit and read a comic book from cover to cover.
00:45:12Now, come on, dear, will you stop worrying?
00:45:15Eat your food. It's going to get cold.
00:45:17Alessandro!
00:45:18Oh, God in heaven, will you do something with this woman?
00:45:21Alessandro!
00:45:22What do you want?
00:45:23Is anything the matter?
00:45:24No, I'm all right.
00:45:26You've been in there 20 minutes.
00:45:28What are you doing in there?
00:45:32Nothing.
00:45:33Are you sure you feel all right?
00:45:35Yes, I'm all right, Mom.
00:45:37Come and eat. Your dinner's getting cold.
00:45:42Hey, come here.
00:45:43What are you up to in there?
00:45:46What are you up to in there?
00:45:52You'll get warts.
00:45:58Well?
00:45:59Did you bring the negatives?
00:46:01Why?
00:46:03Look, Gabriele, I did what you asked.
00:46:05You have to keep your part of the bargain.
00:46:07But I only asked you one little stupid thing.
00:46:10And it was easy for you, wasn't it?
00:46:12That's not true.
00:46:13It wasn't at all easy for me.
00:46:14It was humiliating.
00:46:15I felt like dying.
00:46:17Come on.
00:46:18Don't start lying to me at this point, okay?
00:46:20All you're doing is adding sin to scandal.
00:46:22Listen to me.
00:46:25I'll be sincere with you.
00:46:26That's nice.
00:46:27Just don't take all day.
00:46:28Most of my girlfriends from the conservatory got married.
00:46:31They were promising pianists.
00:46:32Now they're housewives.
00:46:34Any woman who wants to get ahead in her career
00:46:36has to sacrifice her personal life.
00:46:39I'm looked on with suspicion
00:46:41because I don't want to be a teacher for the rest of my life.
00:46:44You know, your talk is as boring as you are.
00:46:47And around here, we're already too damn bored.
00:46:49Oh, don't you understand that to expose myself like this,
00:46:52it's so degrading that it's tearing my heart apart.
00:46:55Oh, dear, you poor thing.
00:46:56You can't go on like this.
00:46:57The martyr of the century.
00:46:59Offer yourself to God.
00:47:00If you're real good, you get a miracle.
00:47:03I have nothing to do with your feelings.
00:47:05As for your heart, see a doctor.
00:47:06I want a lot more out of you now.
00:47:10It'll be easier, so relax.
00:47:12Try to be reasonable.
00:47:14Trying?
00:47:15Why, that's for you.
00:47:16And I'll take care of everything else.
00:47:18I'll tell you what to do.
00:47:20I'll guide you.
00:47:21I'll be your Pygmalion.
00:47:27Pay attention to the regularity of the sound.
00:47:31Keep it even.
00:47:33Even.
00:47:35That's right.
00:47:40Crescendo.
00:47:42Heighten it.
00:47:43Heighten it, but always evenly.
00:47:45Evenly.
00:47:47Good.
00:47:49Good.
00:47:52Now, diminuendo.
00:47:55Good.
00:47:56Slowly.
00:47:58Slowly.
00:47:59Evenly.
00:48:01Good.
00:48:02Good.
00:48:03Good.
00:48:04Oh, I'm sorry.
00:48:05Hey, cry not loud. Be careful.
00:48:07Did it burn you?
00:48:08No.
00:48:21Well, come on, you're the host.
00:48:22Do something, will you, fathead? Dry her off.
00:48:26Or don't you see that she's half-drenched?
00:48:28Yes, all right.
00:48:34Maybe it's better if you do it.
00:48:38Alessandra, I think she'd rather have you do it.
00:48:40Isn't that right?
00:48:46Yes, if you'd be so kind.
00:48:49Go on.
00:48:59Does it hurt?
00:49:01No.
00:49:02No.
00:49:03Oh, you're hopeless. You'll never get it done like that.
00:49:05You have to lift the blouse or it'll never dry.
00:49:07Use your head, dummy.
00:49:08Look, you're so great. Why don't you do it then?
00:49:10Oh, quit acting like a baby.
00:49:16Uh, excuse me.
00:49:43That's enough.
00:49:46We can't sit here until tomorrow waiting for it to dry.
00:49:52It'll dry itself anyway.
00:49:54Well, uh, we can begin here.
00:50:02I'm sorry.
00:50:23Alessandra, do you give a damn about me or are you thinking of someone else?
00:50:27Sometimes I think you're lost.
00:50:32Why don't you have to be with anyway to get it on?
00:50:34I don't know what you're talking about.
00:50:35No, I'm sure you don't.
00:50:36Listen, I want to do something. It's natural.
00:50:38What's the matter? You think I'm a nun?
00:50:40Whatever you say.
00:50:42Okay, tiger. You can show me what you know how to do.
00:50:47Uh, it's quite easy.
00:50:49To begin with, you, uh, you just take off your pants, that's all.
00:50:54I'm waiting.
00:50:56For what?
00:50:58I'm waiting for you to take them off.
00:51:00Ah, yeah. Here I go.
00:51:11Ah.
00:51:13But you're not wearing any.
00:51:16Bravo. You're a giant step ahead, so what now?
00:51:22Then I, uh, I take off your dress.
00:51:30Oh.
00:51:34Don't you know how they work? All you do is pull and I'm there. Go on.
00:51:38Ah, yeah, yeah. Yeah, of course. I know it.
00:51:41Strange, though.
00:51:43It feels tight.
00:51:46I mean, doesn't it feel tight to you?
00:51:49A little bit.
00:51:51I bet it's killing you, huh?
00:51:52Oh, God.
00:52:00Ah.
00:52:07Ah, son.
00:52:10Ah.
00:52:17Christ.
00:52:19What are you kids doing in there? Go someplace else!
00:52:21Yeah, yeah, yeah. We're going. We're going.
00:52:23Oh, leave him alone.
00:52:24Come on.
00:52:25You, shut up!
00:52:26Damn it.
00:52:27Oh, what lousy luck.
00:52:29There's nothing.
00:52:33Hey.
00:52:34Do you see?
00:52:59Oh.
00:53:22Is that right? Was I playing it right?
00:53:24Oh, uh, that was much better.
00:53:29Oh.
00:53:41Well, does she seem as pure as a lily to you now?
00:53:43What are you saying?
00:53:44Hey.
00:53:45Come on, dumbbell.
00:53:46You know what I mean.
00:53:47Don't look so downhearted.
00:53:49You trust me?
00:53:50Hmm.
00:53:51Hey, come on. I'm your friend, aren't I?
00:53:54Well.
00:53:56Yeah, yeah, you're my friend.
00:53:57Right.
00:53:58Then leave it to me.
00:53:59We'll have a good time.
00:54:03Oh, I can't help it.
00:54:04All I ask is that you let me speak.
00:54:06My boldness comes from my heart.
00:54:07I can't help it.
00:54:08What's the matter with you?
00:54:09You can't be serious.
00:54:10Yes, yes, I am serious.
00:54:11I love you.
00:54:12I can't control it.
00:54:13I love you. I love you.
00:54:14Oh, you've been working too hard.
00:54:16I think you need a drink.
00:54:17Oh, you're breaking my heart.
00:54:18I need you.
00:54:19I love you.
00:54:20I can't believe you.
00:54:21We'll run away.
00:54:22I have money in the bank.
00:54:23I'm all right here.
00:54:24I'll be so good for you.
00:54:25I'll suffer for you.
00:54:26I'll die for you.
00:54:28Oh, no one can love you like me.
00:54:30I'm the only one.
00:54:31Oh, God.
00:54:32Money in the bank.
00:54:33Tell me you love me.
00:54:34Tell me.
00:54:35Tell me you love me.
00:54:36Don't do this.
00:54:37Don't do this.
00:54:38Stop it.
00:54:41My name is Florendo.
00:54:42Just to hear you call my name.
00:54:44Would I be mad?
00:54:47Now, God damn it, that's enough.
00:54:50I have my life.
00:54:51So it's not the best, but it's all I've got.
00:54:53So you just stay back.
00:54:55But all I want is to be loved.
00:54:58That's enough.
00:54:59I don't want to hear any more.
00:55:00Oh, now you won't like me anymore.
00:55:02I know it.
00:55:04I knew this would happen.
00:55:05Oh, quiet down.
00:55:06Here, have a drink.
00:55:12Is that you, Alessandro?
00:55:13Yes, Ma.
00:55:14I'm back.
00:55:15And how was your lesson?
00:55:16Okay.
00:55:23Good morning.
00:55:24Hi.
00:55:30Listen, Alessandro, I have a dilemma.
00:55:35I always got you on that one, boy, didn't I?
00:55:38I have a dilemma and you have to help me solve it.
00:55:40A what?
00:55:42Now, we have two possibilities here, I think.
00:55:44First possibility, you're screwing too much.
00:55:47That's how come you look so worn out lately.
00:55:49And the second is that you're not getting any at all.
00:55:52So which one is it, huh?
00:55:54Oh, come on, Pop.
00:55:55It doesn't seem so important to me.
00:55:57So how come it's a problem for you?
00:56:00It's not important to you.
00:56:01It should be the most important thing.
00:56:03It is the most important.
00:56:04Look, son, I know we're not in Africa.
00:56:06I mean, I wish we were.
00:56:08There are problems getting a girl these days.
00:56:10That's for sure.
00:56:11Dad, I have to go.
00:56:12What do you mean you have to go?
00:56:13Look, I'm trying to fill you in on the facts of life.
00:56:15I'm doing the best I can.
00:56:16I don't want you to go through life like an idiot.
00:56:19You know how a woman's made, don't you?
00:56:21Hey, wait a minute.
00:56:23Well, do you know how one's made or don't you?
00:56:25I have to go, Pop.
00:56:26Wait a minute now, Alessandro.
00:56:28Wait, wait for me, will you?
00:56:31Now, seriously, do you know how a woman is made or not?
00:56:35Yeah, I know.
00:56:36Well, good, good.
00:56:37Tell me, these little girls you go out with, how are they?
00:56:40Have a nice day Luigi, Alessandro.
00:56:42Yes, bye-bye dear, yes.
00:56:43Now look, here's what I want to know.
00:56:47Hey, they're built great, huh?
00:56:48Oh, come on, Pop.
00:56:49Now, this time you're not getting away with that.
00:56:51I am your father and you're going to tell me.
00:56:53Now, tell me, how's a woman put together, huh?
00:56:55Go ahead, you know.
00:56:56In front they have two things.
00:56:58What kind of things?
00:56:59Points.
00:57:00Oh, come on now, they're tits.
00:57:01Now, don't tell me you've never seen a pair of tits, have you?
00:57:03Well, what do they look like?
00:57:04There's two buttons, that's all I know.
00:57:06Oh, my God.
00:57:07What do you mean buttons?
00:57:08They're nipples.
00:57:09Everybody's got tits, for Christ's sake.
00:57:10You can see them almost every night in the movies.
00:57:12Oh, forget it.
00:57:13Now, you tell me everything you know about tits.
00:57:15That's what I...
00:57:16Oh, good morning, Mr. Boone.
00:57:22Oh, it's getting pretty hot in here, isn't it?
00:57:25I think I'd better open up the window a little, huh?
00:57:27I told you already, no.
00:57:29The neighbors always call up the police when the piano's too loud.
00:57:32Courage, friend, courage.
00:57:34That's too bad, is it true?
00:57:36I'm sorry.
00:57:37But I can't do it.
00:57:38I can't do it.
00:57:39I can't do it.
00:57:40I can't do it.
00:57:41I can't do it.
00:57:42I can't do it.
00:57:43I can't do it.
00:57:44I can't do it.
00:57:45I can't do it.
00:57:46I can't do it.
00:57:47I can't do it.
00:57:48I can't do it.
00:57:49I can't do it.
00:57:50I'm sorry.
00:57:51But if you'd like to call it a day...
00:57:54I'm not the least bit hot.
00:57:56What's the little heat?
00:58:01You know, I think you might take off that lovely blouse if you're that hot.
00:58:05No, it doesn't bother me.
00:58:10You don't have to be that shy in front of us.
00:58:12Or are you afraid Alessandra will attack you?
00:58:14Hey.
00:58:20Hey.
00:58:41Man, it's incredible.
00:58:43It just doesn't seem like her.
00:58:45What is it?
00:58:46Man, only wash women neglect to shave their armpits.
00:58:49Didn't you know that?
00:58:50Look, Gabrielle, it doesn't seem to be any of your business.
00:58:53Now I have to finish the lesson, all right?
00:58:55Hey, look, I don't care one way or the other about it, Alessandra.
00:58:58But you should.
00:58:59She's your teacher and she'll make a bad impression.
00:59:01Now listen, Fincy.
00:59:02Don't get upset now, lady.
00:59:04You don't shave under your arms because you don't know how to do it.
00:59:07Am I right?
00:59:08Well, yes or no?
00:59:10Yes, it's true.
00:59:17You see that?
00:59:18You really needed a shave.
00:59:33What are you doing, sleeping?
00:59:35What's the matter with you lately?
00:59:36You're really out of it.
00:59:37No, I was just finished.
00:59:41Do I have to stay seated for this?
00:59:43The show is especially for you.
00:59:45Paris by night.
00:59:47Three matches.
00:59:48One after the other illuminates the night.
00:59:51The first to light up these beautiful tits that drive you crazy.
00:59:58And turn you into a raving idiot in class.
01:00:04The second match is for her back bumper or ass.
01:00:08Not bad, is it?
01:00:11The way it wiggles under her clothes to magnetize all your attention.
01:00:27And the third match is to show you only what you've imagined.
01:00:32It represents the essence of everything you have desired.
01:00:36And the magic bush that draws you to its entrance.
01:00:39You think it's love, platonic or otherwise.
01:00:42A grand passion that makes you throb.
01:00:50And what do you think it is?
01:00:51It's flesh, nothing else.
01:01:10Alessandro.
01:01:25Alessandro.
01:01:27Where are you going?
01:01:29Don't be like that.
01:01:31What's wrong?
01:01:33Come on.
01:01:34I'm not going anywhere.
01:01:36What's wrong?
01:01:38Come on.
01:01:39What's wrong?
01:01:43Oh, friend, I think you're getting a bit too hot.
01:01:45I think I better cool you off a little.
01:02:01Okay.
01:02:06Come on.
01:02:36Come on.
01:02:53Feel better now?
01:02:54Go screw yourself.
01:03:07Alessandro.
01:03:10What's wrong now, mother?
01:03:11Do you know what hour it is?
01:03:13Oh, God, what's wrong, Alessandro?
01:03:15Nothing, mother.
01:03:16I fell in the fountain.
01:03:18You're all wet.
01:03:19You'll be sick.
01:03:25Oh, mother.
01:03:27Shit.
01:03:36Shit.
01:04:07Alessandro.
01:04:28Hello, Senorina Pimenti?
01:04:30Good morning, it's Corsini.
01:04:33I have to talk with you.
01:04:34It's a very urgent matter.
01:04:36I'm sorry. I disappointed you I
01:04:39Suppose you want to stop the lesson
01:04:41That's right. I'm sorry, but I can't take any more lessons right now. I
01:04:47Understand Alessandro
01:04:50I'm sorry for your mother. I know she wanted it very badly. My mother will get over it sooner or later
01:04:55Don't worry about it. And you I don't know what's
01:04:59Going to happen. I can't think much about it. I don't understand what's going on
01:05:04Do you believe you're the only one I don't know
01:05:08Sorry, I didn't find it very amusing. That's all
01:05:12Do you really believe that it's an amusing joke for me? What else do you think?
01:05:17Aren't you really moralizing? Oh, look Alessandro in this environment of strict morality
01:05:23Especially in this little province. We're all tempted to break out now and again
01:05:29we're suppressed and
01:05:31frail and
01:05:32Our desires is such that any kind of a caress is welcome
01:05:38But sometimes we read more into it than is actually there and
01:05:44On the other hand, we're faced with reality. Our strict upbringing is always pulling us back into line
01:05:52We realize that it's too high a price to pay
01:05:55So what can we do?
01:05:57Fall back into the fold
01:06:03I have to because I'm a woman and it's much more difficult for me
01:06:08It's nearly the end of the year
01:06:11Let's wait be patient. Not do anything drastic and
01:06:17When it's over well, everything will have faded like a soap bubble
01:06:24Well now I'm moralizing after all I'm the teacher I don't really want to finish the lessons
01:06:31Honest
01:06:33And all I want is to understand don't be in a hurry to understand
01:06:39I'll always remain with you. But as it should be just an adolescent dream
01:06:45Don't question it anymore and above all, please don't judge me
01:06:53Wait a minute, don't go wait, but why darling?
01:06:58Luigi any other time I'd understand but now before your exams, that's right
01:07:07What
01:07:08He's going he's going where look you just go outside. I'll let me handle this. Hey, what do you have going now kid?
01:07:14And a fair that's my son. Yes, sir. My son finally made it. How old are you now 18 18?
01:07:19Oh at that age. I was in Africa. Yeah, those were the good old days
01:07:23Listen now you take it from me always use a rubber Alessandro. Listen to your old man. I've been around
01:07:27I know what I'm talking about. You make sure you check out these damn hotels. It could be anything in the sheets
01:07:32I remember one time. Oh, well, anyway, who cares now?
01:07:35Listen son a little bit of money ought to make you feel a whole lot better. Here's two bucks
01:07:38I won't be needing it. Oh, you won't be needing it. Well, how are you gonna pay cousin going uncles? Yeah, that's good
01:07:44Well, take it. Anyway, what do you mean? You're going to uncle's you're crazy. Not my brother
01:07:49Yes
01:07:50All I want to do is go where there's a little peace and quiet, but he's mad
01:07:54What are you gonna do in the house of a madman and there aren't any girls in the country. That's the point
01:07:59What's wrong with that damn kid?
01:08:02Turn out to be queer
01:08:05How'd you expect him to be yeah, don't worry the kids fine sure he's calm
01:08:10Playing with the dog. He's playing a little Caesar
01:08:13He's happy as a lock
01:08:15There's a country Luigi. He was born to it
01:08:18Relax relax, will you stop worrying schools? I'll let the kid alone. Let me have a little fun
01:08:24Look Luigi, what am I always telling you if your wife's cracking up? It's your fault too. I
01:08:29Ain't a sin you waiting a thing. You're hearing it damn straight
01:08:37Luigi go take a flying fuck at a rolling donor. I got things to do so long
01:08:47I
01:08:50Three vegetable soup you like soup. Do you kid here? We are and my girl heroes in you like her too, don't you?
01:08:59Sure, she's pretty you like her or not
01:09:02Touch it. Go on touch. Oh, she doesn't bite. You know, go on
01:09:07No to the rock
01:09:09No, no, that's enough. Take off. Look at that buddy. Yeah country bread
01:09:14Tell me kid. You're not like that old man of yours. Are you?
01:09:18Why what was he like?
01:09:20Kidding your family you get two things wrong a pearl of a mother and a prick of a father
01:09:26He was always a bit of an asshole with the brides
01:09:29What do you mean wasn't it true the things he told me
01:09:32My ass I bet he wouldn't told you about all those African girls. Yeah, it's garbage. I thought it was true. Yeah
01:09:41The first woman is ever with listen. I put her in his bed just before he was married
01:09:48Thank you, you shouldn't laugh, you know, I didn't mean after all it's your father. Hello. He's always been asshole. I
01:09:57Didn't offend you today. Oh
01:10:00Just so funny fighting on your father's bigger asshole than you are. Are you yeah. Yeah. I'm not so cool. Well kid
01:10:06Let's get a few things straight
01:10:08Here's the chicken you like chicken
01:10:11Hey, look at those. Will you?
01:10:14She has to nurse the kids
01:10:20She laughs
01:10:26Hey Rosina, you know, we have an artist here a real artist. Yeah, he's a musician
01:10:34Oh
01:10:35Shit Rosina that doesn't mean a kid's a dancer for Christ's sake the kids an artist. He plays a piano, right?
01:10:41I'm sorry. I never learned how to dance. Oh, it's a pity a pity. You didn't learn you really don't know how to dance
01:10:47It's too bad
01:10:48Let me tell you something kid dancing is an ancient writer social writer sexual writer first a couple of tangos and then you go
01:10:57The boys are about to learn go get the phonograph get the phone right here at a terrorist
01:11:02Hey, look at that ass. Well, it's as solid as a rock. I'm telling you kid. I don't see anything like it
01:11:11I
01:11:21Come on what the hell is that?
01:11:25Distract the kid get it off. Go on change it. Oh, go on. Hurry it up
01:11:31Nice what do you know from nice just change the damn things the whole thing is a question of time here
01:11:35Give me your arms. One, two, three, one, two, three, you're always ready. Just follow me
01:11:41One, two, three, one, two, three, one, two, three, one, two, three
01:11:46For a musician, you certainly get a bad sense of rhythm kid get it together
01:11:51Right, just a minute. You'll be the girl now. Okay. All right. I'll be the girl put your arm here. Watch my feet
01:11:58Yeah, I got coins
01:12:02Hell are you doing you move like a pregnant elephant pussy to get over?
01:12:06Come on shake it up
01:12:08Take a lesson. You know what watch how smooth I do one, two, three, one, two, three, one, two, three
01:12:14Watch closely. See how it's done. Watch me. Watch my hands. Watch my
01:12:19Three one two three. Hey, you grab it. Give it a try. Go on go back. It's killing me as young as I was
01:12:27That's it you're doing pretty good see I was right wasn't I said it let's get you going
01:12:36Keep going
01:12:39Again, it's a sexual thing
01:12:42Get it
01:12:44Oh
01:13:04You asked me only to get you a drop of wine, you know what I really want don't you a little one now
01:13:15I'm gonna make you
01:13:30Wait for Christ's sake you little shit you
01:13:44Oh
01:14:14You
01:14:44Oh
01:15:00Dear home so late. What are you trying to do? Give your mother a heart attack?
01:15:04Don't you care what happens to me? Tell your mother what's wrong? My baby. Tell your mother first stop you ridiculous howling
01:15:11Second stop breaking my balls and don't interfere again in my business
01:15:18Have you lost your mind is that any way to talk to your mother way to go boy did great bravo bravo
01:15:23Ah, my son the delinquent. That's a fine thing
01:15:27There there there my dad. Did you hear? Yes
01:15:32Well, I think the best thing to do in this case is to stop howling around you understand and second
01:15:38Guess you better stop breaking that boy's balls. Look the kids grown-up. I'm sorry, but that's the way it is
01:15:44How was the kid now?
01:15:4618 yes
01:15:48When I was 18, I was in Africa
01:15:50boy
01:15:52How come you here all alone? My uncle had to go down to the store and Gabrielle took off
01:15:56He left about an hour ago
01:15:59Did you have a good time chunkles? Yeah, that was all right. I had a fun time. I guess it's a pretty funny guy
01:16:09You know, I never have seen your room let's go
01:16:21Here it is, it's nothing special
01:16:25If I should ask you to go to bed, what would you say? Hmm?
01:16:32Well, why don't you ask me then?
01:16:35well, I
01:16:37Guess I'm asking you
01:16:49Then I'd say come on look out then I
01:16:57Might ask something else then ask me
01:17:08You
01:17:22Do you do you think it's going to hurt I
01:17:26Don't know
01:17:28What do you mean you don't know you told me did a lot before
01:17:32Well
01:17:34To tell you the truth not so often really
01:17:56Exactly how old not even once never right
01:18:04I
01:18:34Oh
01:18:57It's my uncle hurry up get into Gabrielle is me
01:19:00Oh
01:19:04My jacket Oh
01:19:08Shoes
01:19:10Keep quiet. Yeah. Yeah
01:19:13It's me. I thought you were down at the store. I came back to get some bills. What are you doing studying?
01:19:19I'm just going over my anatomy lesson
01:19:30I
01:20:00We
01:20:03Still have to finish the show from the other night my friends
01:20:06We had to interrupt for lack of public audience. I have a feeling there's not going to be any show
01:20:11I don't think you've been listening open your ears and start listening to me. Oh only too
01:20:14Well, you better get it together and get yourself ready. No, what did you say? No
01:20:21She's becoming timid we can't let that happen. All she needs is a little encouragement
01:20:27We better help her undress
01:20:33Are you crazy?
01:20:35What the hell are you up to?
01:20:37What are you doing?
01:20:39Why am I always the one to undress, huh? Now it's your turn
01:20:43I'll ruin you
01:20:45I'll ruin you forever
01:20:47You'll never be able to show your face again
01:20:50Well, that plan won't work. You can't use these anymore. I
01:20:53Have the negative. No, I have them. It was the nicest present I ever had
01:20:58You wanted him to think that I was vulnerable to your every wish
01:21:01Well, what are you waiting for? Don't waste time
01:21:05Damn it. What does she want? Tell her it was all a joke. Leave me alone. You're not very brave now. Are you?
01:21:12Say it you wanted to make love but not with me with him
01:21:23You
01:21:34You wouldn't believe a thing like that, would you she's crazy
01:21:37Crazy
01:21:52Thank You Alessandro
01:21:57It was much harder than I thought
01:22:03I didn't think it would be what
01:22:07Well to realize what what was really happening and I know now that you did what you did because you were being blackmailed
01:22:15And I'm really sorry
01:22:17Is it the idea of blackmail that bothers you?
01:22:21Yes
01:22:23Well
01:22:25It exists in every relationship
01:22:27Husbands and wives goes on all the time
01:22:31Between parents and children even friends
01:22:34Everyone uses blackmail of one type or another in future. Don't let it surprise you too much
01:22:40It seems like a sad thing to have to use
01:22:45And my Alessandro
01:22:47Chances are one day you may find yourself using emotional blackmail
01:22:52All things considered Gabrielle is one mistake was doing it. So openly
01:22:56Is there going to be a lot of this in my life, I'm afraid so
01:23:02With everyone
01:23:04Nearly but not this evening
01:23:07This evening will be special
01:23:10Or I'm in love with you
01:23:12Or I'm in love with you
01:23:25Let's get undressed
01:23:42You
01:24:12You
01:24:42I
01:24:52Love you, Laura
01:25:02Baby I want you
01:25:08Don't be afraid
01:25:13It's good
01:25:15So very good
01:25:19Gently
01:25:21Yes
01:25:23Slowly
01:25:25It's good Laura
01:25:27Yes
01:25:29Yes
01:25:34You see you're wonderful
01:25:42You
01:25:52All right tomorrow, thank you
01:26:12You
01:26:42You
01:26:52Come on silly come on
01:27:12You
01:27:28It wasn't all that difficult nope
01:27:33Everything has a beginning guess so it's strange but strange what's strange, you know the other day in my room
01:27:39When your uncle came in
01:27:41I couldn't sleep that night and I was thinking that even if he didn't show up we wouldn't have done it. Why not?
01:27:46Because that day you seem so awkward like a little boy so unsure of yourself
01:27:50You were all thumbs like you didn't know where to begin and then today
01:27:54Today's a different story
01:28:11Oh
01:28:41You