Home and Away 8259 15th May 2024
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TVTranscript
00:00♪ Closer each day, home in the way ♪
00:09Wow, you really know this spot back to front.
00:12You know what, John?
00:13I think we found the perfect spot
00:14for this publicity shoot tomorrow.
00:15Thanks to you.
00:16As long as we can keep patrols up and running
00:18on the rest of it, it should be fine.
00:19Nelson, that's the director,
00:21has asked me to be on Sunrise tomorrow
00:23to do the publicity interview.
00:25God help us if Palmer gets his five minutes of fame,
00:28we'll never hear the end of it.
00:29I guess I have you to thank.
00:31Sorry, meaning?
00:32Well, if Remy hadn't been avoiding you,
00:34then we would have never met.
00:36And now there's you two, so it's lucky
00:38how things just work out.
00:41Of course you ride a motorbike.
00:43Is that a problem?
00:45No.
00:47Nice place.
00:48I'm staying here with Stevie.
00:50Oh.
00:51Don't worry, she's not here right now.
00:53You can relax.
00:54I'll see you tomorrow.
01:01♪ Oh, I will meet you there ♪
01:03♪ Under the moon where we can lock in step ♪
01:07♪ Forever in bloom when you can tell me then ♪
01:11Babe, relax.
01:13I don't think Mark's here tonight.
01:14Okay.
01:15Which means that Levi's not here either.
01:17Yeah, he's hoping.
01:19I'm not doing this!
01:22Oh, that sounds intense.
01:24I'm here because of you.
01:25And now I find out the truth.
01:27You're disgusting.
01:29I will never forgive you.
01:32Oh, yep.
01:35I think I've got it.
01:36Oh, you're rehearsing.
01:39Filming starts in a few days and I'm not prepared.
01:43I always know.
01:44She knows this back to front.
01:45Right.
01:46Did you think we were arguing?
01:48You'll get used to it.
01:49Did I get the right tone?
01:50Was it too big?
01:52Well, you got all the words in the right order,
01:53so that's good.
01:56All right, we should go back to the house
01:57and get an early night.
01:58I will see you first thing in the morning
02:00for the sunrise interview.
02:01I will be there.
02:03Bye.
02:06Wow, actors running their lines for a film.
02:09Sunrise coming to town.
02:11It's all happening.
02:14I did not see my day ending up like this.
02:19I hope you're not disappointed.
02:21Do I look disappointed?
02:24No.
02:27You look amazing.
02:35Are you nervous about the interview tomorrow?
02:36I'm more nervous about actually starting filming,
02:39but I've got this fantastic way to take my mind off it.
02:42That's Remy.
02:43What is he doing here?
02:45You really want me to answer that question?
02:48Oh, this is not happening.
02:50Where are you going?
02:51Because I obviously can't stay here.
02:54Why not?
02:55My ex is in the other room.
02:57Like, that is really, really weird.
02:59Does it have to be?
03:00Maybe not for you.
03:02Clearly, Remy's moved on.
03:04It should be okay that you have to.
03:13All right, it's time.
03:14No, no, I just got comfy.
03:15I told you, I need to close the door.
03:18I'm going to close up for Market Soul.
03:20Can't someone else do it?
03:21You're not even on shift.
03:22Yeah, tell me about it.
03:23Roster's been crazy all week.
03:25Why's that?
03:27No idea.
03:29Listen, I'm not sure how long I'm going to be,
03:31so if you want me to walk you home...
03:33Oh, no, that's okay.
03:34I'll just hang out here.
03:35Okay.
03:36You sure?
03:37Yeah.
03:38Unless do you want me to come with you?
03:39No, no, no, I'm good.
03:40Okay.
03:41I'll see you in a bit.
03:42Bye.
03:44Hey, don't keep me waiting too long.
03:47Bye.
03:55Anyway, it's being screened on the Sunrise program.
03:58You've heard of that, of course.
03:59So feel free to tune in.
04:01Oh, excuse me.
04:03Have you heard the news?
04:04What news?
04:05Oh, that's right.
04:06You're too consumed with blossoming love
04:08to know what's going on around here.
04:10Yeah, something like that.
04:11What are you talking about, John?
04:12My live television debut.
04:16Tomorrow morning on the beach, me and Stevie Merkle.
04:19Yeah?
04:20Good for you, John.
04:21Well, the whole town's talking about it,
04:22and if you want a front row seat,
04:23I suggest you get there early.
04:26Why you?
04:28I mean, why did they choose you?
04:31Because this head is made for television.
04:33Stop it.
04:34Are you actually getting interviewed?
04:37Well, I don't know exactly.
04:38Well, what are you doing then?
04:39I'm driving the star down on the beach.
04:42Wow.
04:43It's a very valuable and highly underrated role.
04:46Yeah, if you say so, John.
04:48Anyway, I'd like to see you there.
04:49You and Dana.
04:50Yeah, bring Dana.
04:51I'll see what we can do.
04:52Mark, I tell you, you don't want to miss out.
04:54Bye.
05:21Hey.
05:23Hey.
05:25Ready to go?
05:26Yeah, thanks.
05:28Hey, listen.
05:30I just want to say something.
05:31Yeah?
05:33I'm really glad you decided to stay.
05:35Me too.
05:36It was fun.
05:45Brie.
05:49Remy, hi.
05:52We should make a move.
05:53Yeah, yeah, of course.
05:55Must have coffee.
06:01Classic walk of shame.
06:03Love it.
06:12Wait.
06:14You're going to get on this guy's bike?
06:15Yeah.
06:17I am.
06:23Bye.
06:42You really don't need to walk me to work.
06:44I know, I'm just going to get some breakfast
06:45and keep you company.
06:47All right, as lovely as that sounds,
06:49I've got a stack of inventory I've got to get done.
06:51Oh, wow.
06:52Mac's really a taskmaster, isn't she?
06:55You know, you should watch the Sunrise interview.
06:57It's John's big moment.
06:58Oh, that doesn't sound good at all.
07:00Come on.
07:01You know, if you don't,
07:02he will never let you hear the end of it.
07:04Yes, you're right.
07:07Okay.
07:08You going to miss me?
07:09Of course.
07:12See ya.
07:14Hey, they're right down on the beach.
07:16It's all cordoned off.
07:16You can't miss it.
07:19Looks like you've got everything under control here, Al.
07:21Yeah, I wish that was true.
07:22Palmer was supposed to be here 15 minutes ago.
07:24I've got no idea where he is.
07:28What's the ETA for Sherbert?
07:29He's in make-up now.
07:33The driver was meant to be here, wasn't he?
07:35That was the plan.
07:36So, where is he?
07:38I know, John, he will be here.
07:40Of course he will.
07:45How do I look?
07:46Yeah, you look fine.
07:48Fine?
07:49Well, is it the best you got for me?
07:51You look great.
07:52You always do.
07:58Who's that with Bree?
08:00It's the director, Nelson.
08:04Guys, are we pumped or what?
08:08Well, I would be, but, um...
08:11What's the problem?
08:12John's going AWOL.
08:16I'm sure he'll turn up.
08:18He's driving up.
08:20Hi, viewers.
08:21I'm John Palmer, the club manager.
08:25And...
08:37What are you doing here, Palmer?
08:38You ready for your close-up or what?
08:40Yep, yep, yep, I'll be right there.
08:41They're set up down there.
08:42Right, right.
08:43Yes, I must have just lost track of the time.
08:46You've told anyone who'll listen
08:48how keen you are to do this job.
08:50Yeah, I think I might have sucked myself up
08:52a little bit too much.
08:53What are you talking about?
08:54I think I've got stage fright.
08:56You're kidding.
08:57It's live TV, Alf.
09:00And what if I stuff things up?
09:01In front of Chervo, of all people.
09:03Palmer, all you gotta do is drive this actress, Sheila,
09:05down the flamin' beach, that's it.
09:07I can't, I don't, I can't do this.
09:08I can't do it, I can't do it.
09:10I think I'm gonna be sick.
09:17Hi, guys, how's it going?
09:19Eh, good.
09:20Well, just wait here,
09:21we'll give you the signal when we're ready.
09:23Thanks.
09:29Not a big talker, I take it.
09:31That's right.
09:34I'd rather be anywhere else but here.
09:37Nothing against you, love, but the fish are biting.
09:40That's all, I'd rather be throwing a line in.
09:42I'm not gonna lie, I'm not gonna lie,
09:44I'm not gonna lie, I'm not gonna lie, I'm not gonna lie.
09:46I'd rather be throwing a line in.
09:48Now that I can understand.
09:50Bet you pulled in a few big lizards
09:52from the sand flats down at the creek.
09:55You know a bit about fishing, do you?
09:57My pop used to take me fishing during school holidays.
09:59My friends would be hanging out by the shops
10:01and I'd be down by the river.
10:05Sounds like you got your head screwed on straight.
10:07Oh, maybe.
10:09Don't know about now, though.
10:11Pop would find this all a bit of nonsense.
10:13Well, I reckon he'd be proud of you.
10:16It's not hard to get where you are.
10:22You know, it's weird.
10:24Not many people say that.
10:26Well, they should.
10:32Well, it just depends what Xander's doing tonight.
10:36Yeah.
10:37I don't know, it just feels right.
10:40Anyway, I gotta go, I gotta go.
10:41The show's gonna start soon.
10:43Harper, are you the only person in the world
10:46who's going to be on Sunrise this morning?
10:48Yeah, I gotta go.
10:50Bye, bye, bye.
10:54You'd have to be living under a rock
10:56to not know the name Stevie Marlowe.
10:59Her horror flick Death Rose
11:00was all anyone could talk about last year.
11:02Here's a taste.
11:04Do you remember this place being so dark and dusty?
11:12I've just gotta find something to hide.
11:13Miranda, where are you?
11:23Oh, come on, Miranda.
11:25You like games, don't you?
11:27Time to finish this.
11:29Run!
11:33If you want me, come and get me!
11:37That movie gave me nightmares.
11:39Now, we're going live to the gorgeous town of Summer Bay.
11:42Where Stevie will be filming her new movie, All Our Tomorrows,
11:46with celebrity director Nelson Giles.
11:49I obviously drew the short straw this morning
11:51because Chervo is right there on the beach.
11:53Nice for some, hey, Chervo?
11:55Well, it's a tough gig, Nat, but someone's gotta do it.
11:58Oh, here they are now.
12:03The one and only Stevie Marlowe.
12:07Oh, that's quite the entrance.
12:09Thanks for stopping by and talking to us today, Stevie.
12:11Oh, well, thanks for coming all the way out here.
12:13So, this new movie, All Our Tomorrows,
12:16I understand it's quite the departure
12:18from the typical horror genre you're famous for.
12:20Yeah, it's my first rom-com.
12:22Tell us about it.
12:23Well, the script is wonderful.
12:25My co-stars are brilliant.
12:27And our director, Nelson Giles, he's next level, so...
12:31That's quite the rap.
12:32Yeah, it's all true.
12:33And I can't wait to start filming.
12:35Oh, and the locals have really, really welcomed us.
12:37I mean, check out my new fishing buddy
12:39and president of the Summer Bay Surf Club, Alf Stewart.
12:42You got quite the fan there, Alf.
12:44Yeah, well, the feeling's mutual.
12:47So, winning hearts and minds all across town already.
12:49Oh, absolutely.
12:51HE CHUCKLES
12:54Hey, Rhi, can we talk?
12:56Hey, if this is about this morning,
12:57then I don't... I don't want to talk about it.
12:59I'm just saying, heads up,
13:00that you were dating Nelson.
13:01What if we're nice? That's all.
13:02And I felt exactly the same way
13:03when you and Stevie went live from your bedroom on social media.
13:06OK, OK, fair point.
13:07And for the record, we're not dating.
13:09OK, so it's just a fling?
13:10I'm having fun.
13:12At least I was until you started coming at me with your double standards.
13:15Oh, what double standards?
13:16You're with Stevie.
13:17We're not a thing.
13:18I'm not an idiot, Remy, and I'm not doing this.
13:25Hey! Rhi.
13:28Rhi, hang on. We're not done yet.
13:29What else is there left to say?
13:31Why are you getting on that guy's bike?
13:33Why do you care?
13:36You know what? I don't need to explain myself to you.
13:39Rhi, we broke up because of a bike.
13:40No.
13:41No, we broke up because you lied to me so many times.
13:45It wasn't just about a stupid bike.
13:54One last quick question, and changing gears up just a little here.
13:57The court case of your alleged stalker,
14:01Sydney Wickham, is coming up.
14:04Uh, yeah, it's, um, next week.
14:06That must have been such a tough time for you.
14:09It was.
14:10Uh, but I don't have to worry about that anymore
14:12because he's behind bars and I have my life back.
14:16Well, can I say myself and your fans are so happy to hear that.
14:22Thanks so much for dropping by and having a chat with us
14:24and good luck with all of our tomorrows.
14:27I can't wait for you to see it.
14:29Well, there you go, Nat.
14:30Maybe I'll take the rest of the day off.
14:31What do you reckon? Throw a line in?
14:34Nice try, Chervo, but not a chance.
14:36That was Chervo speaking to the fabulous Stevie Marlow
14:38about her new film, All Our Tomorrows.
14:40Not expecting him back in the studio any time soon.
14:43Can't really blame him.
14:45What a perfect spot for a movie about love.
14:47Can't wait to see that one.
14:49And I have to say, I hope the legend in the straw hat gets a cameo too.
14:53Now, onto the web.
14:56Hey. Nice job.
14:58You sure? Yeah.
15:00Handled like a boss. Ah, thank you.
15:02Alp, good to meet you, Chervo.
15:05Hey, do you mind taking me up to the surf bar?
15:07You look pretty fit. I thought you might want to run back.
15:09No, no, no. My running days are over.
15:11Sorry? Don't worry.
15:23See? Wasn't so terrible, was it?
15:26No, no. I'm glad it came.
15:28You don't look glad. What's up?
15:30Oh, no, I just... I should probably go check on Remy.
15:33Something was off with him and Bree, so...
15:43Hey, did you see Remy head off?
15:45No, sorry. I was so focused on the interview, I didn't see where Bree went either.
15:49Oh, right. OK. Weird.
15:52Ex-drama. Mm.
15:54I reckon you and I stay out of it as much as possible, yeah?
15:58OK. Catch you later.
16:00Oh, where are you going?
16:02Shoot starts tomorrow morning.
16:04Enjoy your freedom while you can. Tomorrow...
16:06you're mine!
16:08Get some rest.
16:13Hey. Hey.
16:15Your inventory didn't take long. That's so good.
16:17More time for us.
16:20Didn't expect you to be here.
16:22Oh, yeah, I just used the spare key under the mat
16:24cos I wanted to watch the sunrise thing.
16:26Cool, cool. Hey, guys.
16:28Hey.
16:30How was your night shift? Oh, I wasn't on night shift.
16:33Ooh, have you had a night out?
16:35Uh, no. I just stayed at a friend's.
16:38I know what that means. Tell us everything.
16:40Oh, actually, before you do, I have to tell you something.
16:42I think I may have used all of your conditioner.
16:44Hope you don't mind.
16:46You live, like, five minutes away. Can't you just wash your hair there?
16:49Yep. Yep.
16:53Might catch up with you later. Yeah, OK.
17:01Hi. Is Brie home?
17:03Uh, yeah. Brie, your friend's here.
17:05Thanks.
17:07I'll, uh... I'll chat to you later.
17:09Yeah.
17:14Sorry I barrelled.
17:16It's OK. What happened?
17:18Oh, Remy, he just... he wanted to talk.
17:20He's not making things easy.
17:22Please tell me you've got the rest of the day off.
17:25I do. You wanna hit the road?
17:27Somewhere quiet, somewhere with no exes in sight.
17:30Sounds perfect.
17:32OK, so you... you broke up because of the lies, not the bike.
17:36Yeah, that's what she said.
17:38She's wrong.
17:40You did lie to her, Graeme.
17:42I told the truth. Eventually.
17:44I mean, it's when I wouldn't give up the bike she ended things.
17:47OK, let's go with that.
17:49Does it change anything now?
17:51Maybe.
17:53No, it doesn't.
17:55You're moving on with Stevie, right?
17:57We're just having fun.
17:59But, clearly, you and Bree are over.
18:02You have been for ages.
18:04And Bree, she deserves to have a life too, Graeme.
18:06What's your point?
18:08I think you know what my point is.
18:11You think that I can't handle she's moving on?
18:131,000%. Yeah.
18:25Oh, let me guess. Stevie?
18:27I just can't deal with her at the moment.
18:29Is there a problem?
18:31She's with the film.
18:33She's being full-on.
18:35Yeah, she's like the complete opposite of Bree, actually.
18:39I'm not so sure anymore.
18:41And this woman who gets on the back of bikes with guys she hardly knows, who's that?
18:58Oh, hi.
19:00Oh, hi.
19:02I was watching this morning. What happened to the big celebrity moment?
19:05Hmm? Oh, that. Yeah, yeah.
19:07Well, Alf's the president of the club,
19:10and I realised it should have been him all along.
19:12That's really nice.
19:14Yeah, well, he did a good job.
19:16The club got a mention, so it all turned out for the best.
19:22I'll leave you to it.
19:27Look, that wasn't about you before.
19:30Oh, right, yeah. I mean, if it was about conditioner, I'd be worried.
19:33I don't think Bree's that precious.
19:35No, no, that wasn't her at all.
19:37But, um, I mean, she was. She was kind of right.
19:40About what?
19:42You know, just that you do have a shower at your place.
19:47So?
19:49So maybe you could go there instead of being at our place all the time.
19:55I'm sorry, am I crowding you? Is that it?
19:57No, no, not really.
19:59Not really?
20:00Well, I mean, we have been spending a lot of time together lately.
20:03Wow. I actually can't believe this.
20:06I'm such an idiot.
20:19Thanks, Cash.
20:21Hey.
20:23That question about Sydney.
20:25That didn't throw you too much, did it?
20:27A little.
20:28Yeah.
20:30But knowing it'll all be over soon makes it easier to talk about.
20:33Oh, no, what's so urgent?
20:35I'll be out the back.
20:39Who'd you disappear to this morning?
20:41Didn't realise I needed to stick around.
20:43Oh, it would have been nice.
20:45Didn't even say goodbye.
20:46Is this all you wanted to talk about?
20:48No, I, um, need you to help me run some lines again.
20:51Steve, you know them perfectly.
20:53No, I really need to get this right. I can't let Nelson down.
20:56OK, I'm gonna go. Sorry.
20:58What? Why?
20:59Because I can't do this.
21:01Do what? What are you talking about?
21:03This. Running lines. Giving you pep talks.
21:05I'm not your boyfriend.
21:08What? You're just gonna storm out?
21:10I am on call to listen to you stress about your film,
21:13run lines, dissect your career. I'm out.
21:15I mean, since when did he have a problem with me?
21:17I don't think it's entirely about you.
21:19I just can't give you what you need.
21:21I think we should still call it a day.
21:23Stevie, call me back, OK? I mean it. Call me back.
21:26You're finally home.
21:28I'm home.
21:30I'm home.
21:32I'm home.
21:34I'm home.
21:36Call me back. You're finally home.
21:38What are you doing here? You're supposed to be on your way to set.
21:40I'm not going.
21:42Maybe. It's just a little case of the first day jitters.
21:44And once you get on set...
21:46You're not listening to me. I'm not doing the film.