La promesa - Temporada 3 - Episodio 411 2024

hanane2M
hanane2M
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Transcript
00:00If you take my daughter, I swear I will never marry you, never.
00:17It's okay.
00:19What?
00:21Martina will not have to go to the convent.
00:23I'm going to do it with Adolfito, mother.
00:25There will be some remedy, Virtute.
00:27But...
00:28Look, for now, you and I are going to go talk to the mayors, Simona.
00:33That last minute change?
00:36The Count is not going to let me go for free so suddenly.
00:40What do you mean, Mrs. Alcos?
00:42Well, at some point he will have to take care of the generous donation
00:46that has been given to the nuns to compensate them for the inconveniences.
00:49There is no one better than you to take such a delicate issue.
00:52No, Doña Pia, if you go, you will end up losing the trial.
00:58Of course, there is something there, but it is not very good.
01:01Well no, Hanna, it's bad.
01:03Requete, bad.
01:04But I don't want any more fights or more outbursts of tone.
01:07And I don't want Santos Peleo or Malencarado either,
01:10but the efficient street that has a bright future ahead.
01:15You will have that new Santos.
01:18I have to get out of here as soon as possible.
01:20That doesn't sound fun at all.
01:24I have already extended the moment too much.
01:26I don't gain anything by revealing your secret either.
01:30You have the right to live in peace.
01:33I'm not going to lie to you, Santos, I don't trust your words.
01:37And I don't intend for you to do it.
01:39Well then leave me alone once, it's not that complicated.
01:42She's so beautiful.
01:43But what kind of flowers are you going to wear, Maria? You haven't answered me.
01:46She hasn't answered you because she's been silent.
01:49She, who is the most interested in the wedding, doesn't say a word.
01:52Are you okay, Maria?
01:54It's just that there are so many things.
01:56Why can't I help but get excited?
01:59Why don't you take me to see Doña Pia before doing something that has nothing to do with it?
02:06To the cave?
02:08Yes.
02:10You have asked me how I feel about you.
02:14And I still don't know what you feel about me.
02:16Look, I don't want to think anymore.
02:20I've been hiding in a hangar for months.
02:22Without doing anything but think, I'm fed up.
02:27I want to propose something to you.
02:33And well, what is that proposal?
02:36There is something that I have made clear these days that we have been together.
02:41I don't know if I can answer what you feel, what I feel.
02:47Whether what happened between us is still alive or not.
02:49Catalina.
02:50But I don't want to lose you.
02:56So, are you staying here with me?
03:00Maybe.
03:02But on one condition.
03:05Whatever you want.
03:07Let's leave the past behind, please.
03:11If we are going to move forward, let it be from scratch.
03:14No lies.
03:15Yes, I don't want it to be otherwise either.
03:17I am fully aware that it will not be easy for us to bury everything we have lived.
03:22But if I keep going around, I'm going to go crazy.
03:27So I want to start rebuilding our relationship.
03:31From scratch.
03:35Like two old friends who meet after a long time.
03:40And they want to see what is left of what they shared.
03:44Without forcing anything that may come in the future.
03:47Trying to enjoy every moment we spend together.
03:56Do you think we will get it?
04:01I think it's worth trying.
04:06And if after a few days we see that there is nothing to save ...
04:10We will separate our paths again.
04:13That's right.
04:15Do you agree?
04:17Yes.
04:20It's your choice.
04:48I love you.
04:50Me too.
05:17I love you.
05:47I love you.
05:49I love you too.
06:18Martina.
06:20I guess ...
06:22You must have missed these animated family scenes a lot.
06:27Although, to tell the truth, in your absence,
06:30the topics of conversation were much more interesting.
06:34What do you think, Ayala?
06:36Lorenzo, stop being mysterious.
06:39I don't know what you're talking about.
06:42I don't know what you're talking about.
06:44Lorenzo, stop being mysterious.
06:47There is nothing that can be told here
06:50that could not be told to Martina.
06:53Honey, we are all very happy that you are feeling better.
06:56Thank you, aunt.
06:58I'm glad you say that because, to tell the truth,
07:02there is something that concerns me.
07:04Well, think very well, if it is not better for you to keep it to yourself.
07:08Since it affects us all, I see no reason not to talk about it.
07:11Instead of giving so many rounds, why don't you tell Clara?
07:15Okay.
07:18If we assume that we do,
07:22that Martina is not responsible for your poisoning,
07:26that means that we have a murderer among us.
07:29Lorenzo, please.
07:31I'm sure you've all thought about it.
07:33Maybe it was an accident.
07:36An accident? And how is that?
07:38Because cicuta poisoning is more common than we think.
07:42I was hoping you would say something smart.
07:45Lorenzo, don't blame the boy.
07:47An accident with a bottle of cicuta piling up around the house? Please.
07:51In any case, the best thing we can do with this unpleasant matter
07:55is to leave it behind once and for all.
07:58Besides, the count has not suffered any more attacks, right?
08:01Well then, the most plausible is the theory of the accident.
08:04Plausible? I didn't get it.
08:06No, Lorenzo, leave it now, please.
08:08You can discuss whatever you want,
08:10but I would like to know Ayala's opinion.
08:13Is he the main interested party?
08:18Yes.
08:20But not in the way you think.
08:23Ignacio.
08:27There is a possibility that he would never take that cicuta.
08:30But what are you saying?
08:32Do you want to be clearer and stop playing games?
08:35You have all labeled me insensitive and bad
08:40for the way I have managed this situation.
08:43But above all, due to Martina and Margarita's insistence,
08:48I decided to ask for the opinion of a different doctor.
08:54But when was that?
08:56Why didn't you say anything?
08:58I didn't want to generate false expectations
09:01until I knew exactly what happened.
09:03So?
09:05The first doctor made a mistake in his diagnosis?
09:08No, he was not wrong.
09:10But it was an incomplete diagnosis.
09:13Apparently, there are other diseases
09:17that can give the symptoms I suffered.
09:20And when were you going to say this?
09:22I just found out.
09:24Believe me, I have no interest in hiding it
09:26now that I know you are innocent.
09:28And that's why, in front of everyone,
09:32I wanted to apologize.
09:36I let myself be conquered by fear
09:39and made wrong decisions.
09:43And you paid the consequences, Martina.
09:46I'm sorry.
09:53It's okay.
09:55It's okay?
09:59No.
10:04Well, Martina, I guess this is good news
10:08and we should toast to it.
10:14Bring champagne.
10:43The dessert is here.
10:45The champagne can go up.
10:47And be careful with your hands.
10:49I've even counted the glasses of the mountain girls.
10:55It hasn't come out yet.
10:57No, I should have come in and not her.
11:00You let your mother do it.
11:02Because she has a very good hand with Mr. Rómulo.
11:04It doesn't matter what hand she has, Candela.
11:06The rules are clear. They will say no.
11:08They will say yes.
11:10Because this is an emergency.
11:12And besides, we are not asking for the impossible.
11:14Well, I don't know what to think anymore.
11:16Because lately I have very bad luck.
11:18Victoria, you have to calm down.
11:20Mr. Rómulo is a very understanding man.
11:22Yes, I don't worry about Mr. Rómulo.
11:24And you scare me, Mrs. Petra.
11:26And very well that he does.
11:28Because that one, you have to be afraid of her,
11:30because she is a nobody.
11:32But in this case, she will have no more damage than to accept
11:34what the Mayor says.
11:36Mrs. Arcos already told me very clearly that I wouldn't even think about it.
11:38And if she goes with the story to the Marquis?
11:40She won't.
11:42And how do you know that?
11:44That?
11:46Have you forgotten about Feliciano?
11:48Mrs. Petra was hiding that he was her son for months.
11:51But a son of his own.
11:52He's not someone else's son, López.
11:54Mrs. Candela, a mother is a mother.
11:56She's not going to do it.
11:58Well, I'll see myself out.
12:01Because if Mrs. Arcos has a bad day,
12:04she'll even feel bad that we asked her.
12:07Shut up, girl.
12:09Maybe López has a point.
12:12Because if there is an opportunity to tear
12:15a feeling from that stone heart,
12:17it is precisely Feliciano.
12:19Victoria, you don't have to get into the worst,
12:20because everything is going to be fine.
12:22If not, why has your mother gone to talk to the heads of the service?
12:25To see you that no one is going to be here enjoying with your Adolfito.
12:29Do you think?
12:31No.
12:33It's something exceptional.
12:35Otherwise, I wouldn't have come to talk to you.
12:37And as something exceptional, we are going to judge it.
12:40You said it's a few days.
12:42Yes, of course.
12:44Until my daughter finds a job
12:46with which she and the child can stay.
12:47A child?
12:49I really can't believe
12:51that we are so much at odds with the possibility.
12:53Doesn't your daughter have other relatives
12:55with whom she can leave the child?
12:57As I have already told you,
12:59the other grandfathers cannot take care of him.
13:02This creature only has my daughter and me.
13:05Well, if I understand it well,
13:07this is not a charity house,
13:09being the Palace of the Marquises of Lujan
13:11and as such it has its rules.
13:13What does your daughter have to do
13:14with the fact that she cannot combine
13:16the work with the upbringing
13:18is to leave one of the two things?
13:20I'm sure we can find a solution, Mrs. Arcos.
13:22Well, I don't see how.
13:24Either Virtudes leaves here
13:26or entrusts the care of her son
13:28to a hospice.
13:30No.
13:32That for nothing in the world.
13:34Well, for nothing in the world,
13:36the child can remain in the promise.
13:38Mrs. Marquesa is very clear
13:40and sharp about that matter.
13:42Or don't you remember the case of Mrs. Darre?
13:44Yes, we remember, yes, we remember.
13:46And you do very well remembering
13:48that in this house there are some rules.
13:50Yes, I don't understand.
13:52Yes, but it is no less true
13:54that those in charge of applying those rules
13:56down here are us, Mrs. Arcos.
13:58You won't be insinuating
14:00what I think you're doing, will you?
14:02It's only a few days.
14:04Mr. Baeza, this is not ...
14:06this is not a hotel,
14:08much less a school.
14:10Well, I am convinced that Mrs. Carranza
14:12will be able to take care of her child
14:14and, of course,
14:16it would be as if the child were not there.
14:18Yeah.
14:20And what will be next?
14:22Open the doors to the nuns
14:24just for charity?
14:26No, I think it has become clear
14:28to all those present
14:30that it is an exception.
14:32Do you really think
14:34I'm going to sit idly by
14:36while they disobey
14:38a direct order from Mrs. Marquesa?
14:40Mrs. Arcos, I ...
14:42Don't insist, Mr. Baeza.
14:44The only thing we could do
14:46would be to forget her.
14:48Mrs. Petra,
14:50you have also been a mother.
14:52You hid that Feliciano was your son,
14:55even from Mrs. Marquesa.
14:57And I don't judge you
14:59because I know it was for the best
15:01for him and for you.
15:03I'm sure you can do something
15:05for my daughter and my grandson.
15:10I can.
15:12Against my principles
15:14and my recommendations.
15:16And I thank you, Mrs. Arcos.
15:18What I can do,
15:20Mrs. Martínez,
15:22is raise your case
15:24to Mrs. Marquesa
15:26and arrange a meeting with virtue.
15:28That's what I can do for your daughter.
15:32It is true that the rules of this house
15:34are very clear, Mrs. Martínez.
15:36If you want,
15:38we can go talk to Mrs. Marquesa.
15:39No.
15:41It is not necessary, Mr. Baeza.
15:43Thank you very much for your time.
16:10Give me such a dish.
16:12How delicious are Lope's torrijas.
16:14A child never dislikes a dessert.
16:16And mine less than any.
16:18Even I am eager to try them.
16:20I had thought of Adolfito
16:22to prepare it with a little less sugar
16:24and with fruit in thin slices.
16:26Come on, stop fruiting.
16:28It's a torrija, not a king's roscón.
16:30Fruit and fruit.
16:40I'm very sorry, daughter.
16:42Mr. Romulo has also refused.
16:44But he has convinced Marimandra, right?
16:46More or less.
16:48Bad viper.
16:50If you bite, you poison.
16:52But Mrs. Simón has said no and that's it.
16:54There is nothing we can do.
16:56There is something.
16:58But what? Are you going to get us out of there with it?
17:00They have offered
17:02to ask the Marquesa to receive you
17:04and that you ask her face to face.
17:06But if Mrs. Cruz does not even know who I am.
17:08Mrs. Simón is going to refuse.
17:13I'm not going to try, it doesn't make sense.
17:16That's why I didn't say no to Clara.
17:18Because what she clarified
17:20is that Mrs. Marquesa does not want a child here in the service.
17:23The reality is that Adolfito
17:25can't keep his promise.
17:33Andela.
17:34Andela.
17:36It's better to leave her alone.
17:44And who could imagine
17:46that those two maidens united by chance ...
17:50Chance?
17:52Does it have H or does it not have H?
17:56Well, I better put it with H,
17:58which is always better to remove than to put.
18:02And who could imagine
18:04that those two maidens united by chance
18:07would find love
18:09in the same palace where they lived.
18:13The first fell in love with a man,
18:15son of a Marquess,
18:17a young, brave priest,
18:19capable of flying through the sky.
18:25And the other fell in love with a lackey.
18:28And now that I write about Salvador,
18:30next to this lackey
18:32a mindundi is going to appear.
18:35Well, I'm going to talk about the wedding,
18:37which has more H in it.
18:41The two maidens organized their wedding.
18:44The first in intimacy,
18:46because no one could find out about their romance.
18:50But they did it with excitement.
18:53And the second,
18:54because no one could find out about their romance.
18:56But they did it with excitement.
18:58And that same excitement
19:00infected the other friend
19:02who couldn't wait to tell her
19:04that she loved her beloved lackey.
19:16What are you doing? You're not asleep.
19:24Who?
19:27Are you working on one of your stories?
19:31More or less.
19:33What do you mean, more or less? What's going on?
19:35Nothing, I can't do it today.
19:39Well, don't worry,
19:41it happens to the best writers.
19:43Sometimes the muses aren't on their side.
19:45I don't know who the muses are,
19:47but if they're the ladies
19:49who tell you what to write,
19:51they're not here with me.
19:54And where are you coming from so late?
19:57Did María Mandrajo ask you for something?
19:59No, no.
20:03I was in the yard because I needed
20:05to think alone.
20:09Sometimes those muses were with you,
20:11flirting with you.
20:14Are you okay?
20:17Well...
20:19No, I don't know.
20:21It's just that Manuel...
20:22It's just that Manuel what?
20:24What's going on with Manuel?
20:26Well, he asked me for something
20:28that I can't grant him.
20:30And that thing is?
20:35He wants to go see Doña Pia.
20:38Doña Pia?
20:41But...
20:44Does he know anything about Doña Pia?
20:48I had to tell you, María.
20:50But, Ana, my dear,
20:52you don't know how dangerous that is.
20:54Of course I do.
20:56I know, but he wanted to go to his grave
20:58and take some flowers,
21:00and he got very insistent, so I...
21:02Did you have to tell him everything?
21:04Yes.
21:06You'll see how Mr. Baeza finds out.
21:08He's going to make a scene at San Quintín.
21:10But Mr. Baeza won't find out.
21:12Okay?
21:14Anyway, if he finds out,
21:16I'll make sure to give him an explanation.
21:22Of course, Ana.
21:43No, but that doesn't make sense.
21:45Manuel?
21:47Good morning.
21:48Good morning, cousin.
21:50We were just talking about
21:52the dinner you missed.
21:54A dinner at Los Bujando?
21:56There's nothing to talk about.
21:57Of course.
21:58That's something new.
22:00Don't tell me more.
22:02My mother has changed her ways.
22:04The count of Ayala confessed
22:06that there was a possibility
22:08that she would never take psychosis.
22:10What?
22:11What you heard.
22:13She talked to another doctor
22:15and he said that those symptoms
22:17could have been caused by something else.
22:21Well, I hope that after what she did,
22:23my parents threw her out of the palace without a second thought.
22:25No, no.
22:27In fact,
22:29everyone was relieved, to be honest.
22:31So, what did she say?
22:33How did she say it?
22:35Did she say it so happily?
22:37I need a little help.
22:39From the captain?
22:41I think she started saying
22:43that there was a poisoner among us.
22:45And in the end,
22:47the count of Ayala ended up telling her everything.
22:50So she knew.
22:53And she fell like a rat.
22:55Yes, but according to him,
22:57he had found out a short time ago.
22:59No, but that doesn't make much sense.
23:01Yeah, because we also suspect
23:03that he already knew all this
23:05when the nuns came for me.
23:07If not, what would Santo
23:09have said in that way?
23:11Why don't you give me
23:13some more information about that matter?
23:15I've been told what happened,
23:17but since I'm not here, I'm missing details.
23:19Well, the count of Ayala
23:21was taking Martín to the car
23:23he was going to take to the convent.
23:25And your father and Curro tried to stop him.
23:28But I was honestly giving him
23:30everything for nothing.
23:32And what happened?
23:35Suddenly, the count of Ayala
23:37decided that
23:39he could stay.
23:42And why?
23:44Apparently because of my mother.
23:46Because she threatened him
23:48not to marry him.
23:51So he did it out of love.
23:54Or not.
23:56As we were telling you before,
23:58we suspect that he already knew
24:00that there was no poison.
24:02But Martín, that doesn't make any sense.
24:05Because if not, Santo would have to
24:07ride all those shoes knowing
24:09that no one had poisoned him.
24:11Yes.
24:13Maybe
24:15only once more it has been proven
24:17that the count of Ayala is a rat.
24:20Well, yes, but I'll be able
24:22to breathe peacefully
24:24after all this nightmare.
24:26Maybe.
24:28But I would be calmer
24:30if the count of Ayala paid for what he did.
24:32And me too, but
24:34I'm happy to be able to enjoy
24:36spending time with you
24:38without being afraid
24:39of going against my will.
24:42Although there is a doubt that still
24:44has me thinking.
24:47What happened to the nuns?
24:59Come in.
25:05Ignacio.
25:09What is this?
25:11If you read it, it explains itself.
25:19A donation from Alonso
25:21to the nuns of the convent.
25:23What does this have to do with me?
25:25As you will see, the exact figure
25:27of what the Marquis paid
25:29to the religious order is detailed.
25:31And what does he want?
25:33An applause for his charity?
25:35No.
25:37Take it.
25:39And for my part, I will forget
25:41this affront to the Marquis.
25:43That donation, Ignacio,
25:45covered the troubles of the poor nuns
25:47who moved here to take Martín
25:49to the convent.
25:51And since it was all
25:53on your initiative ...
25:55I didn't ask him to pay anything.
25:57Yeah, but the Marquis has
25:59his own commitments
26:01and he won't be left out
26:03for a bad management of yours.
26:07They beat you, Ignacio.
26:09We beat you.
26:14Absolutely.
26:16I have Margarita
26:18totally at my mercy.
26:20But that can vary
26:22when I tell Margarita
26:24why you changed your mind
26:26at the last minute
26:28and decided not to take Martín
26:30with those nuns to the convent.
26:32Because Margarita asked me to.
26:33You turned your back on me
26:35the moment you saw me appear.
26:37And no matter how hard you try, Ignacio,
26:39to hide it behind that bravado
26:41and arrogance of yours,
26:43I know that deep down you fear me, Ignacio.
26:45You fear the moment
26:47when I can speak.
26:49And your actions have revealed
26:51what you have tried so hard
26:53to hide with your words.
27:04That's all.
27:06You can tell him if you want.
27:08I'm sure it won't be necessary.
27:10The Marquis
27:12does trust you.
27:34Daughter,
27:36where were you?
27:38With Manuel and Curro.
27:40Why don't you sit with me
27:42and keep me company?
27:45Is something wrong?
27:48No.
27:50For the first time in a long time,
27:52I'm fine.
27:54I feel good.
27:56And you?
27:58How can I be
28:00if they just gave me back my freedom?
28:01I want to scream,
28:03to dance.
28:05I haven't slept so well in a long time.
28:07It's a relief
28:09that all this nightmare has passed.
28:11You've had the worst part, daughter.
28:13No, I don't want to talk about the past.
28:15I want to forget everything
28:17and enjoy what I have.
28:19That's fine.
28:21Otherwise, I'd only bring you resentment.
28:23That's what happens to me.
28:27Is that why you're like this?
28:28I can't help it, daughter.
28:30Now that we know
28:32that all the suffering you've suffered
28:34and the suffering I've suffered as a mother
28:36has been Ignacio's fault.
28:38And I know he didn't do it
28:40out of bad intentions, but out of fear.
28:42Because I thought you'd tried to kill him,
28:44poisoning him, but
28:46it's true that
28:48that has made me see his darker side.
28:50I don't know if I'll be able to forget it.
28:53And what are you going to do?
28:56I don't know.
28:58Are you going to break your relationship with the Count?
29:00No.
29:02Not for now.
29:04Because
29:06I still love him.
29:08And I know you'd think your mother has lost her mind.
29:10No.
29:12No.
29:14What I think is that you're
29:17human
29:19and that you're in love.
29:22And I don't understand why
29:24you're still putting the wedding on hold
29:26if the Count doesn't take me to the convent.
29:28Before
29:30the poisoning episode
29:32and its horrible consequences,
29:34that wedding was what I was most looking forward to.
29:37And I know that the Count doesn't care about your devotion,
29:40but
29:42he takes care of my situation.
29:44Widow,
29:46with more years than I'd like behind my back.
29:48Don't say that because you're young.
29:50No, Martina.
29:52Not for love.
29:54And Ignacio's love was
29:56honest and
29:58selfless.
30:00I know you can't understand it because you're too young,
30:03but one day the right man will come
30:05and you'll leave my side.
30:07Again with that? Stop it, please.
30:09No, Martina. It's the law of life.
30:11It's the law of life.
30:13That's why the man leaves his father and mother
30:15and joins his wife
30:17and they'll be together
30:19for only one night.
30:22I have to admit that
30:24when I think
30:26of the loneliness that will be left afterwards,
30:28I get a bit emotional.
30:31But it was supposed to be
30:33alleviated by Ayala.
30:39Are you talking about the past?
30:43Well,
30:45don't venture into my words more than I've said,
30:48because
30:50I haven't made a decision yet.
30:58I'm sorry.
31:29Have you left me alone?
31:31I don't feel like singing anymore.
31:33All of a sudden?
31:34Yes, all of a sudden.
31:36Well,
31:38do you want me to help you?
31:40Don Ricardo and Don Rómulo
31:42are bothering me at the moment.
31:44How's the morning in town?
31:47It's unstoppable, really.
31:49Besides, you know how I am,
31:51I'm crazy about everything I do.
31:53And half of the things I do
31:55are for you.
31:56Lope, with all his stuff.
31:58And half of the things I wrote on the list
31:59were not in the file.
32:01What a job.
32:02Well, yes.
32:04And besides,
32:06I don't know what happened today,
32:08but everyone in Lujan has agreed
32:09to go shopping at the same place
32:10and at the same time.
32:11Poor Venancio didn't make it clear.
32:13He couldn't stand so much shouting.
32:14As if it were a market.
32:16Well, yes.
32:17It's the same. You said it.
32:19Good thing you found peace later,
32:21in the church.
32:23In the church? It's not Sunday today.
32:25Salvador Alma de Cantaro,
32:26you had to talk to the priest
32:27about our wedding.
32:29Yes, the saint has gone to heaven.
32:30Yes.
32:31The saint to heaven
32:32and the sin that doesn't step on the church.
32:34I'm very sorry, Maria.
32:39Well, don't worry.
32:41He has talked to Petra
32:42and he will agree with Don Rómulo
32:44to talk to the Marquises.
32:46And he has not put it as a priority,
32:47so you have time to talk to the priest.
32:49Today is impossible,
32:50but tomorrow I promise you
32:51that before the mass I will talk to him.
32:54Do you know what I'm telling you?
32:55I'll take care of it.
32:58No, no, Maria.
32:59I have made a commitment
33:00and I will do it.
33:06I'm staying with Lope and Vera
33:07to go to Luján this afternoon
33:09to help Virtudes with the job.
33:12So, being there,
33:13I don't mind.
33:15Well, okay.
33:17But you should know
33:18that I haven't done it because I don't want to.
33:21There's nothing I want more
33:22in this world than you.
33:24That's what I was going to think.
33:25You know, Candel.
33:27You are the kindest person
33:28I have ever met.
33:30And that's why you marry me, right?
33:32Well, no, that's why.
33:33And for many more things.
33:34Really?
33:35Yes.
33:36For many more things?
33:55Good afternoon, mother.
33:56Manuel, son.
33:57Wait.
33:59Do you want something?
34:01They're going to bring me a snack.
34:02Why don't you share it with me?
34:06I appreciate the invitation,
34:08but I can't be late.
34:11Are you going to hide again
34:12in your studio?
34:14No.
34:15The truth is I'm not.
34:16I'm going to Luján.
34:17I'm going to Luján.
34:18I'm going to Luján.
34:19I'm going to Luján.
34:20I'm going to Luján.
34:21I'm going to Luján.
34:23The truth is I'm not.
34:24I'm going to Luján.
34:25And can't you wait a few minutes
34:27to spend some time with your mother?
34:30I see you're still avoiding me.
34:32Mother, I'm not avoiding you.
34:33It's just that I can't be late.
34:35That's all.
34:37And what is that so urgent
34:38that you have to do in town?
34:40Have you met someone?
34:42You know, you could say so.
34:44Look, I have to get to the store
34:45before they close.
34:46My order of mines and papers
34:48for my designs has arrived.
34:49I knew it.
34:50It had to do with your planes.
34:53And why don't you send it to me?
34:55Because I want to check
34:56the order in person.
34:58Can you check it
34:59when I bring it to you?
35:00Yes, I could do it.
35:01But in that case,
35:02if you see any error,
35:03I couldn't resubmit it by tomorrow,
35:04which is when they reopen the store.
35:06I don't see the problem.
35:08Mother, the problem lies
35:09in that I like to work
35:10from the first hour.
35:11You know that.
35:13And without this material
35:14it's impossible to do it.
35:15Manuel, why do I have the feeling
35:16that you only make excuses
35:18and more excuses?
35:20I don't know.
35:21If you don't want to spend time with me,
35:22tell me straight.
35:23Mother, that's not true.
35:25Well, it seems so.
35:27And you don't even respect
35:28family dinners.
35:30All day locked up
35:31with your little drawings.
35:32These drawings are the plans
35:33for my future plane.
35:35Well, you make it worse.
35:39Forgive me, son.
35:41I don't know,
35:42I had imagined
35:43that things would have changed
35:44after your return.
35:47What illusions.
35:50Well, I don't know.
35:51What has remained
35:52of that wonderful feeling
35:53of well-being,
35:54of having me by your side
35:55and all that you said?
35:57Have you forgotten it or what?
35:59No.
36:00I haven't forgotten it.
36:01And if I told you,
36:02it's because,
36:03I'm sorry,
36:04it came out of my heart.
36:05Well, it's about love
36:06and not good reasons.
36:09Tell me at least
36:10that you'll have dinner with the whole family
36:11tonight.
36:12I can't promise it either.
36:15But I promise
36:16to spend more time with you.
36:18Well, I hope so.
36:19Because we have the conference
36:20with Don Lázaro Milla.
36:22Who?
36:24The history teacher.
36:25The one who comes to talk
36:26about trips and jewels
36:27from the last century.
36:28You promised to go with me.
36:31Well, technically
36:32I didn't promise.
36:33I just said
36:34that I could go with you,
36:35but...
36:37Mother,
36:39I promise now.
36:41I'll go with you.
36:43Well, I'm glad.
36:46Mother,
36:47I'm sorry,
36:48I can't be late.
36:49Enjoy your meal.
36:51Goodbye.
37:12I would like to talk to you
37:13about your son.
37:15Sit down.
37:20What did he do this time?
37:22Nothing bad.
37:24Precisely the opposite.
37:26Lately,
37:27his work is being impeccable.
37:31And that's why he's coming?
37:32To congratulate me
37:33for his performance?
37:35In part.
37:36I think his efforts
37:37should be translated
37:40into some kind of reward.
37:43And I understand
37:44he has a proposal.
37:45Well, yes.
37:46I thought he could take care
37:48of Mr. Curro's personal care.
37:53Well, a very specific favor.
37:56And quite far
37:57from the competences
37:58of the key master.
38:00I know.
38:01But I also know,
38:02Mr. Pellicer,
38:03that your son has never
38:05exercised
38:06the help of a chamber,
38:07of any man.
38:08And without those competences,
38:09it would be impossible
38:10for him to become
38:11the first lacayo,
38:12much less the mayor.
38:14That's right.
38:16And Mr. Curro
38:17is the right person
38:18to train with.
38:19Because he's young,
38:20not very demanding,
38:21and therefore,
38:23indulgent with his faults.
38:24If he doesn't continue,
38:25I know perfectly well
38:26his needs.
38:28Then he will agree
38:29with me
38:30on the relevance
38:31of my proposal.
38:32Well, I agree.
38:34I just have one doubt.
38:36What do you gain
38:37by driving my son
38:38this way?
38:40Absolutely nothing.
38:42As I said,
38:43I only intend
38:44to reward his effort.
38:46But he's still my son.
38:47I want him to at least
38:48surprise me,
38:49especially considering
38:50the difficult beginnings
38:51of our work relationship.
38:53Mr. Pellicer,
38:54I only do it
38:55thinking of Santos.
38:57But since you mention him,
39:00he could also serve
39:01as a symbol
39:03of amnesty
39:04for our past disagreements.
39:09All right.
39:11Well, it's obvious
39:12that Santos has shown
39:13with growth
39:14his ability
39:15to assume
39:16new responsibilities.
39:18It would be a mistake
39:19not to take advantage of them.
39:21I want to thank you
39:22for your proposal,
39:23Mr. Arcos.
39:25Mr. Pellicer,
39:27I'd like to ask you
39:28one more thing.
39:30Tell me.
39:34I'd like to be the one
39:35to tell you.
39:40As you wish.
39:43But insist
39:44that this new position
39:45doesn't exempt you
39:46from your usual tasks.
39:47You'll have to organize
39:48to combine
39:49all your responsibilities.
39:51Don't worry.
39:52I'll do it that way.
39:55You won't be disappointed.
39:57I assure you.
40:10Can you tell me
40:11where Lopez is?
40:12If I'm late,
40:13they'll lock him up
40:14and the trip will be in vain.
40:15Do you want me to look for him?
40:16No, no.
40:17You stay here.
40:18If he doesn't show up,
40:19we'll leave.
40:20He'll come now.
40:21Calm down, Maria.
40:22As if that were possible.
40:24Virtue needs that job
40:25to breathe.
40:27I was going to ask
40:28in the bakery.
40:29Well, look,
40:30it's a good place to start.
40:31Besides,
40:32Eifo is always there.
40:33Making bread
40:34doesn't have to be complicated, right?
40:35A little flour,
40:36a little sugar,
40:37a little salt,
40:38a little flour,
40:39water, salt,
40:40and baking.
40:41Bread?
40:42Bread is more complicated
40:43than it looks.
40:44Well, don't count it
40:45on the way.
40:46Otherwise,
40:47they'll lock us up
40:48and we'll only find
40:49the tavern and the church open.
40:50Yes, but wait a minute.
40:52Wait a minute.
40:53Have you thought about
40:54what we're going to do?
40:55There's not much to think about.
40:56We'll call all the doors
40:57and we'll ask them
40:58to work when they open.
40:59Good.
41:00Why don't we split up?
41:01Yes.
41:02It'll be better that way.
41:03We'll be able to do more business.
41:04I can start with the bakery.
41:06I don't know if the bakery
41:07is a good place.
41:08It's so complicated to make bread.
41:09Learn the Rerleña virtue
41:11that we're not here
41:12to reject opportunities.
41:13I'm not saying that, Maria.
41:14I'm saying it because Adolfito
41:15will have to be with his mother.
41:16Right?
41:17And I don't know if it's a good thing
41:18that a child is playing
41:19in a business
41:20where the ovens are bigger
41:21than this hallway.
41:22Well, tell Pili.
41:23Pili?
41:24Who's Pili?
41:25The baker.
41:26Tell her if she needs someone
41:27to be in the showroom
41:28taking care of people.
41:30That could be.
41:31Yes.
41:32Besides, we're not here
41:33to close the doors
41:34to virtue,
41:35but to open them.
41:36And we're going to ask around.
41:37In the boutique,
41:38in the sewing shop,
41:39in the tavern,
41:40even in the blacksmith shop
41:41and in Menester.
41:42But virtue needs a job
41:44to be with her child.
41:45And we're going to help her.
41:47Of course we're going to help her.
41:49And we're not just going to find
41:50a job for her.
41:51We're going to find two.
41:52Well, don't overdo it.
41:54The point here is
41:55that virtue is with Adolfito.
41:56And if he has two jobs,
41:57he won't even have hair.
41:59So if we both agree,
42:00let's go.
42:01Come on.
42:02Let's go.
42:06Let's go.
42:20I've had a hard time finding you.
42:24In the end,
42:25it's been a great evening.
42:27Do you want to go for a walk
42:28in the gardens?
42:30I'm busy now, Alonso.
42:33Choosing the jewel
42:34you're going to wear tonight.
42:37Actually, I was...
42:40I was choosing
42:41the jewel I'm going to give
42:42to Maria Antonia.
42:45And it has to be
42:46one of yours.
42:48Why?
42:50Well, it's obvious.
42:52To show her gratitude
42:53for her neglect
42:54while Manuel was at the front.
42:59Look.
43:00What do you think of this necklace?
43:02It has to be that one, precisely.
43:05Don't you like it?
43:07On the contrary,
43:08I think it's beautiful.
43:09That's why I think
43:10it would be a good gift.
43:12Yes, it is.
43:13Because I'm going to give
43:14that necklace to you.
43:18Don't take it
43:19as a gift, darling.
43:21You've given me
43:22almost all the jewels
43:23I have.
43:24What alternative would you have
43:25if not?
43:26Buy it.
43:28No.
43:30Not even talk about it?
43:32No, not even talk about it.
43:34I want it to be mine.
43:36It's a special gift,
43:37not just any gift.
43:40Anyway,
43:41it's obvious
43:42I shouldn't have asked for your opinion.
43:44Cruz, I agree
43:46to show our gratitude
43:47to Maria Antonia.
43:49I know all the good
43:50she did for you
43:51while Manuel
43:52was at the front.
43:56And besides,
43:58in those dark moments,
44:01I sometimes
44:02paid her care
44:04with screams
44:05and bad manners.
44:07But you shouldn't
44:08blame yourself for that.
44:09It was your way
44:10of dealing with suffering.
44:12Maybe,
44:13but she stayed by my side.
44:15She has proven
44:16to be much more than a friend.
44:19Yes, she's a great woman.
44:21Isn't she?
44:24Not only does she have
44:25a great heart,
44:27she's also
44:29patient,
44:30smart,
44:33sweet,
44:36beautiful.
44:38She has many virtues.
44:43We're very lucky
44:44that God
44:45put her on the right path.
44:48I was just considering
44:49the possibility
44:50of giving her another gift.
44:52Alonso,
44:53after everything we've talked about,
44:55do you still insist
44:56on a cheap gift?
44:58It doesn't have to be cheap.
44:59Well, it doesn't matter.
45:00Maria Antonia is my friend,
45:01so I'll decide
45:02what's the best gift to give her.
45:03Of course.
45:05I don't know what else to say.
45:07I've seen that you're not going to help me.
45:09Please,
45:10leave me alone.
45:12I don't know why you're angry.
45:14Well,
45:15it's what you've achieved
45:16with your attitude.
45:17It seems like a lie,
45:19what Maria Antonia has helped me with,
45:21and you too.
45:22Or have you already forgotten?
45:24No,
45:25I haven't forgotten.
45:55How did he say it?
45:57Did he say it like that?
46:01Gregorio.
46:17Mrs. Pia, Mrs. Pia!
46:19What are you doing here, Hanna?
46:21I came to help you.
46:23As much as I can.
46:28How are you, Corinne?
46:30Fine, fine, sir.
46:32Sir,
46:33I'm really sorry.
46:35I thought it was serious.
46:37You don't have to justify yourself.
46:39Everything is fine.
46:41We brought you some canned goods.
46:43Bread, some cheese, and sandwiches.
46:45And water.
46:46Please, take care of yourself.
46:48Yes.
46:50Sir,
46:52I'm really happy
46:54about your visit.
46:55Are you well?
46:56Yes, yes, perfectly.
46:57And your cousin, Curro,
46:58Maria told me
47:00that he had also come back.
47:01He's also very well.
47:03I'm really happy.
47:08Mrs. Pia,
47:09nothing, nothing.
47:10It's just a simple dizziness.
47:12That's all.
47:14Does this happen to you less?
47:17The truth is, yes.
47:19Sometimes I feel that
47:21the walls of the cave
47:23fall over me.
47:25And the only remedy I can find
47:27is to close my eyes.
47:31Well, don't worry.
47:33Because soon we'll get rid of Gregorio
47:35and you'll be back.
47:38Or maybe I won't.
47:43Listen, I promised
47:45that I would help as much as I could
47:47and that's what I'm going to do.
47:49But now that we have the car at home,
47:51maybe it's better
47:52that I take him with his son.
47:54No.
47:56No.
47:57I would love to hug
47:59Diego, but
48:01it's not possible yet.
48:03And why is that?
48:05Are you sure what Hanna told me?
48:07He's very far from here.
48:09I'm sure that both of them
48:10would be safe in Extremadura.
48:11Safe.
48:12I'm never going to be safe from Gregorio.
48:15So I can't be with my son
48:17because that would put him in danger.
48:20Okay.
48:22Well, it's okay.
48:23We're not taking him with his son.
48:25But we are going to get him out of here.
48:47Come in.
48:51Did she call me?
48:52Yes.
48:54That's right.
48:55Come in.
49:00You must go up to Mr. Curro's bedroom
49:02and help him get dressed for dinner.
49:06But that's not my job.
49:08But from now on,
49:09you will help Mr. Curro's room
49:11every time he needs it.
49:14Me?
49:16But I've never existed without him.
49:18I know, I know.
49:20And that's precisely why
49:21I assigned you to Mr. Curro.
49:23Because of his youth,
49:24he doesn't have the same mania
49:25as other men in the house.
49:28And with time,
49:29when you get to know his tastes,
49:32his favorite shirts,
49:34his schedules ...
49:35I could anticipate his wishes
49:37and be a good room helper.
49:40Much more than that.
49:43When you gain his trust,
49:48you will be the guardian of his confidences
49:51and from that moment on,
49:52you will become essential.
49:58But what if I screw up?
50:00Why do so many repairs, Santos?
50:02You should be happy.
50:03This is a ...
50:04a unique opportunity for you.
50:06Well, precisely because of that.
50:08If I fail, I will have no other.
50:10But you have me on your side.
50:11I will advise you
50:12whenever you need it.
50:14For the moment,
50:15but I suppose you know
50:16how to tie a little bird's knot, right?
50:18Of course.
50:19Well, that's enough.
50:22And go up.
50:23Don't make Mr. Curro wait.
50:26I ...
50:27But ...
50:28One thing I don't understand,
50:29Mrs. Arcos.
50:32Why are you proposing it to me?
50:34Does my father know?
50:36Yes, of course.
50:38But well, he has had the defense
50:39to allow me to report to you.
50:42So he agrees?
50:44Totally agree
50:45that you deserve recognition
50:47for your effort and dedication.
50:52Well,
50:53I admit that I have needed
50:55a little push,
50:56but he is totally in favor of you
50:58taking on new responsibilities.
51:02And the old ones?
51:04Should I go now
51:05to brush the Lord's clothes?
51:07No, you will do that
51:08when you have finished
51:09with Mr. Curro.
51:10This new assignment of yours
51:11is your priority for now.
51:13But don't exhaust yourself
51:14from the rest of the tasks.
51:17I lack perspective, Santos.
51:20If what you are insinuating
51:21is that I am afraid of work,
51:22you are wrong.
51:23Well, I'm glad to hear you.
51:25Because ambition is sustained
51:26by effort.
51:27And the seed you sow today
51:29will be the shadow
51:30that covers you tomorrow.
51:34Today is a great day, Santos.
51:37Please don't disappoint me.
51:40And now go.
51:42Mr. Curro is waiting for you.
52:06Look, I don't know
52:07what reasons you have
52:08to throw it in my face.
52:09Well, they are very clear.
52:10It was not the time,
52:11and you know it.
52:12It seemed to me
52:13a moment as favorable
52:14to have Martina with us.
52:15You had to talk
52:16about poisoning.
52:17It's not that.
52:18I just said
52:19what we all thought.
52:20It is very strange
52:21that Ayala let it pass,
52:23that someone attempted
52:24against her life.
52:25Well, if that was your intention,
52:26the three of us could have
52:27met in my office.
52:28Yes, we could.
52:29Look, I don't know
52:30why you are so angry.
52:31In any case,
52:32what I deserve
52:33is a thank you.
52:34Why?
52:37If I hadn't brought up the subject,
52:38do you think Ayala
52:39would have confessed
52:40that she could not
52:41have been poisoned?
52:42That man is stunned
52:43to no avail.
52:44With Martina in the spotlight,
52:45he had no need to sing.
52:53You know,
52:55I'm taking a liking
52:56to being a justice.
52:59I'm thinking
53:00when would be the best time
53:02to make public
53:03my next good action.
53:07What good action do you mean?
53:09You don't know?
53:10No.
53:13To denounce
53:14the manifest injustice
53:15that your wife is committing
53:17by throwing Maria Antonia
53:18in such a bad way.
53:21As far as I know,
53:22she's doing it on her own.
53:24Don't play with me.
53:26You are behind all this.
53:28Your wife acts moved by you.
53:32Cruz may have shown her
53:33the convenience of leaving,
53:35but she would never
53:36throw her out of this house.
53:37Shapes don't hide the bottom,
53:39Alonso.
53:41You know,
53:43no matter how much
53:44I think about it,
53:46I don't understand
53:47why you have such a
53:48grudge against Maria Antonia.
53:49I don't have a grudge
53:50against Maria Antonia.
53:51Do you think
53:52I'm an idiot
53:54for what this woman
53:55has done for you
53:56and especially
53:57for your marriage?
53:58Stop bringing Cizaña
53:59into my house
54:00or you'll be two people
54:01who leave the promise.
54:02You don't threaten me
54:03because you stab me in the back.
54:05Because you stab me in the bone.
54:07You know I'm right.
54:08The only thing I do
54:09is defend Maria Antonia.
54:11Her only flaw
54:12is having a big heart.
54:16Have you spoken to Cruz?
54:18About what?
54:19About Maria Antonia.
54:21Of course.
54:22Why wouldn't I talk to her?
54:23Don't take me for a fool.
54:24You've traced word by word
54:25what she told me
54:26a while ago.
54:28I don't know what you're talking about.
54:29Haven't you filled her head
54:30with those theories
54:31that there's something
54:32between Maria Antonia and me?
54:35You don't know me, do you?
54:37Do you think
54:38I'd put your marriage
54:39at risk
54:40in such a bad way?
54:41With the respect
54:42you live with yourself,
54:43yes.
54:45So you should
54:46stop pretending
54:47to be a judge
54:48and get into
54:49your own business.
55:06♪♪♪
55:08♪♪♪
55:10♪♪♪
55:16♪♪♪
55:21♪♪♪
55:31♪♪♪
55:34Mr. Buezas,
55:35I need to speak to you.
55:38I'm here to talk to Mrs. Darby.
55:40Has something happened to her?
55:42Yes, what I've been warning her for a long time.
55:44Well, calm down, Ms. Expósito,
55:47and try to explain calmly what has happened to Mrs. Darby.
55:51The same thing that always happens to her, but this time worse.
55:54But calm down.
55:55I can't calm down.
55:56Mrs. Pia is not able to maintain a coherent conversation.
55:59In addition, she suddenly gets dizzy,
56:01she needs to close her eyes and lie down,
56:03and that's the only way she recovers, you understand?
56:07In addition, she has tried to attack me,
56:10because she thought it was Gregorio.
56:12Mr. Baeza, I think we have to do something for her
56:14and not wait for Mr. Marquez to take care of her.
56:16Well, Mr. Marquez is very busy, he has his concerns.
56:19We are talking about Mrs. Darby's life.
56:23I think we have to get her out of there.
56:25What we have to do is take her to a place that has some sunlight,
56:27that she can extinguish day and night.
56:29You know that's not possible, because it's very dangerous.
56:32Well, then I can't think of what else to do.
56:34Leave me.
56:35I will organize it so that María Fernández and you
56:38can go visit her tomorrow afternoon.
56:42In fact, I don't think it's going to be enough.
56:44We have no alternative.
56:46We can't back out.
56:48We all knew that the price to pay for pretending
56:52the death of Mrs. Darby to free Mr. Castillo
56:55was going to be very high.
57:00Is Pia alive?
57:02Yes.
57:04Mr. Manuel, what are you doing here?
57:06Can I help you with something?
57:07Yes.
57:09Of course you can, Mr. Baeza.
57:11Answering my question.
57:14Is she alive?
57:27Have you ever thought of leaving your mustache?
57:30I think it would look good on you.
57:31If you think so.
57:32Yes, I think so.
57:34And I also think that a little longer hair would look better on you.
57:37I don't know, I've always worn it like this.
57:39Well, but there is always a time for change.
57:41And I think it's yours.
57:43So, nothing.
57:45Not a single house where my virtues can do a few hours.
57:48Not even that, Simona.
57:49But don't despair, Mrs. Simona.
57:51We've only been a few hours.
57:53We'll have to go back to Lujan and keep looking for work.
57:55Yes, we have no choice.
57:56There are many things that are true and we don't preach them out there.
57:59Well, let me tell you how long it's been since you visited your wife.
58:02Ah, very good. Now it's time to talk about poor Eugenia.
58:05As you would say, is it not true?
58:07What is true is that you are a cynic.
58:09Unable to assume his own actions.
58:11It gives me the feeling that he is going to marry a connoisseur, not them.
58:14Notice that Maria has gone to town and has forgotten to talk to the priest.
58:18It's a very strange thing like that.
58:20I don't know, it's not like the one who goes to the market and forgets to buy tomatoes.
58:24But it will be happening, right?
58:25How can I distinguish two perfect white roses?
58:29I don't know, it's nothing.
58:30That's right.
58:32Because they are the same.
58:34But the imperfect is unique, different.
58:37So I must be quite unique.
58:40Well, yes.
58:42You are.
58:43Well, if you were to marry me, I hope you wouldn't stop thinking about that until the wedding day.
58:49Are you proposing that we get married?
58:52You were just an example, but now that you say it, well ...
58:56Of course, let's get married.
58:58For my part, everything is more than forgotten.
59:00Does that mean you're going to stop seeing our future wedding with bad eyes?
59:04I understand that everyone needs to make mistakes throughout their life.
59:08And if she wants to make that mistake, I can't do anything.
59:12It's a mistake.
59:13Yes, for me it is a mistake.
59:15I hope I can make her happy.
59:16I will make her happy.
59:18If she agrees to marry you, yes.
59:25Yes.