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00:00Where are you? Where are you, a bunch of men and policemen?
00:19Hi, Gala.
00:20Hi, hi.
00:22I'm a little tired.
00:24And I really wanted to call you.
00:29To tell you that everything was a mess.
00:32What do you mean?
00:34Well, this thing in Fame.
00:36Oh, that?
00:37The foxes.
00:41No, no, I would call it, God forbid, a fateful coincidence.
00:45I just don't understand why you disappeared after that.
00:49Oh, no, no.
00:51No, it's not.
00:52Oh, yes, God forbid.
00:54Maybe from your perspective, but I'm not for myself.
00:56I'm here.
00:57You're here, I'm here.
00:58I mean, I'm...
00:59What do you want?
01:00Well, I wanted maybe to do something similar again.
01:03Maybe you'll fuck me again.
01:05You know?
01:07Right?
01:08No, Gala, please stop.
01:09Please.
01:10What?
01:11Please.
01:12Don't, don't, don't.
01:13Please.
01:14I'm the duty inspector.
01:15You can't do that.
01:16Duty inspector.
01:17Duty inspector.
01:18You don't understand what you're saying.
01:20Well, wait, it's related to duty.
01:22But wait, tell me, what is your duty?
01:24A duty officer?
01:25A midwife?
01:26A daughter?
01:28You're really not...
01:29I mean, you can't.
01:30You just can't.
01:31I mean, you fell for her when I don't know what.
01:34You don't see other women around you.
01:36You don't see real women with legs.
01:40Yes, that's...
01:41Yes, maybe...
01:42No, I'm...
01:43What are real women?
01:44Exactly.
01:45Galica.
01:46Me?
01:47You're a woman?
01:48Uh-huh.
01:49And a half.
01:54Okay, okay.
01:55Okay, okay.
01:57No, Gala, Gala, Gala.
01:58What is this?
01:59Gala, please.
02:00It's just a bunch of crap.
02:02No, no, no.
02:03Gala, please.
02:04Gala.
02:05Please.
02:06Don't, don't, don't.
02:07So, don't.
02:08I told you nicely.
02:09So, me and Ljubinka are together.
02:11I'm another man.
02:12I've changed.
02:13And I'm with her.
02:14And I'm with her.
02:15So, I'm with her.
02:16Nice.
02:17And we're in a serious relationship.
02:18Nice.
02:19In a serious relationship.
02:21Nice?
02:22Yes.
02:23You're a happy man.
02:24You're a happy man because now you have two.
02:27I do?
02:28Uh-huh.
02:29What two?
02:30Well, two relationships, my fool.
02:33There you go.
02:34Come on.
02:35We're not going to have a nice drink.
02:37Something concrete.
02:38Come on.
02:39In that, huh?
02:40What are we going to have?
02:41What are we going to have?
02:42Loza?
02:43Loza, loza.
02:44Opa.
02:45Opa, super.
02:51You're going to pay for that.
02:55It's already better.
02:56I see.
03:00I knew you were kidding.
03:02I like that.
03:03I like that.
03:06Do I really have to play?
03:14Oh, the photos are here.
03:16Hi.
03:17Oh, hello.
03:18Hello.
03:19I hope you're satisfied.
03:20We're good.
03:21Well, more than satisfied.
03:22We're not satisfied.
03:23Too satisfied.
03:24Well, this was the best night of my life, honestly.
03:27You deserve it.
03:28I can't believe it's finally over.
03:32What are we going to do now?
03:33Nothing.
03:34Now we're making contracts related to the collection.
03:36Let's make some contracts with the fashion houses.
03:38And let's hope that the judges will like it.
03:40Let's make some contracts with the fashion houses.
03:42And let's hope that the judges will like it.
03:44Let's do it.
03:45Or even better, with the confectionery houses.
03:49With the confectionery houses.
03:50That will be easy for us.
03:51We have excellent critics.
03:53You're on the right track.
03:55But still, for all this, Laura and her connections deserve it.
04:00Come on, cheer up, people.
04:02Come on.
04:03You can do it.
04:08Don't be afraid of him.
04:09He's not that great.
04:10Don't be afraid.
04:11Don't be afraid.
04:12She's not that great.
04:13She's not that great.
04:14She's not that great.
04:15She's not that great.
04:16She's not that great.
04:18To Laura.
04:19To all of us.
04:20Cheers!
04:21Cheers!
04:22Cheers!
04:31Where did you get the information that she was looking for me?
04:34Well, because she was at my place this morning.
04:36And she told me that you didn't come home all night.
04:40So you two were talking about my disappearance, right?
04:44We befriended each other.
04:45It just happened.
04:47Oh, come on.
04:49What brought you together?
04:50Love for the director, right?
04:52Well, I don't know what brought us together,
04:54but it was natural.
04:56And I'm glad that she believes me.
04:59That's nice.
05:01It's really nice to get along with people in this company.
05:05Yes.
05:06So, what is the conclusion of the affair?
05:10There is no conclusion,
05:11because we both resisted each other's comments.
05:16That's how it should be.
05:18As far as I'm concerned, that's understandable,
05:20and that's why I came to talk to you directly.
05:23I'm not going around the offices.
05:26Thank you, comrade Bobo.
05:29That's as far as I'm concerned, Andrija.
05:30And as far as Una is concerned, you'll have to see that.
05:33I just came to tell you what's going on.
05:36Okay, thank you.
05:37Well, then it's time for both of us to go home.
05:41Let's go.
05:43Let's go.
06:04You don't have to get me wrong,
06:06but I have to ask you something,
06:08something that interests me a lot.
06:11I'm listening, I'm listening.
06:13Did you, you, really decide to enslave yourself
06:17next to those pianists and those whores?
06:24Why not? Why?
06:26Why not, dad?
06:27You, a guy from Belgrade's asphalt,
06:30I really don't understand that connection at all.
06:32Do you really need a girl to say that it's her?
06:36Wait, Gala.
06:37You don't know that I really liked her.
06:42A lot.
06:43Aha.
06:44A lot.
06:45Okay, can you explain that to me?
06:48Well, maybe I don't know how to explain it to you with words.
06:53Right?
06:54But I can tell you that it's her.
06:58Aha.
06:59No, she's the one who stood by me the most
07:02of all the women I've ever had in my life.
07:05Oh, Kuku, you're so naive.
07:08You're so naive.
07:09Is that possible?
07:10You can serve her,
07:11throw out your frustrations,
07:13and that's it.
07:16What do you mean?
07:17Believe me, here.
07:19You'll remember this.
07:20As soon as a more serious guy shows up,
07:22that girl of yours,
07:23she has a way of keeping you quiet,
07:25she has a way of throwing you into the trash
07:27like you've never existed.
07:28You see?
07:29I'm sorry, Gala,
07:30but I think you're making a lot of mistakes.
07:32Am I?
07:33Yes, because she's my girlfriend,
07:35and I'm her first boyfriend.
07:37You know?
07:38So...
07:39You?
07:40Seriously?
07:41Yes, yes.
07:42Oh, come on,
07:43you're definitely going to get fired.
07:47What do you mean?
07:48What do you mean?
07:49Well, it's known,
07:50it's known that women will fire you
07:52for your first boyfriend.
07:53You know that?
07:54You know that, right?
07:55Well, if someone knows,
07:56I know that.
07:57Oh, yes.
07:58You have no idea,
07:59but that's how it is.
08:01Always?
08:02Always has been and always will be.
08:04Are you normal?
08:05You know that?
08:06You didn't know?
08:07Well, if I were you,
08:08I'd be the first.
08:15So, guys,
08:16what is this silence?
08:18Is it a party or not?
08:20It's a party.
08:21It's a party.
08:22It's a party.
08:23Cheers.
08:24Cheers.
08:25You have to drink something.
08:26I have to drink.
08:27Do I have any more of this?
08:28No.
08:29Oh, come on!
08:30What was that?
08:32What was that?
08:34Congratulations.
08:35Come on, let's drink.
08:36Nothing, nothing.
08:39He's ready.
08:41Always ready.
08:46Call Pancetta.
08:47Just a second, just a second.
08:50Hey, Panci,
08:51sorry, it's a bit busy here.
08:53How did it go?
08:55It went great. It was magical, really.
08:58I'm sorry you weren't there, but...
09:00I can't even tell you how it went.
09:02Wow!
09:03Now we just have to go back.
09:05It's not over yet. We have a lot of work to do.
09:07Come on, finish it.
09:09You deserve a good reply.
09:12Yes, but tell me, how are you both doing?
09:15I don't know what to tell you.
09:17Wait, where are you anyway?
09:19I just landed on an island.
09:22To see the airport.
09:24I don't know what to say.
09:27What is it? Why did you stop?
09:29Come on.
09:31Pančić, come on.
09:33Take a seat.
09:38I don't know if I'm welcome,
09:40but I came to congratulate you.
09:43Well, bravo, Laura.
09:53Listen to me carefully.
09:55Golden rule.
09:57A woman will always, always leave her first man.
10:01Yes.
10:03What?
10:05Okay, what do you suggest, Gala?
10:07How can I be a second?
10:09Third?
10:11I mean, how can I get back into the game?
10:13I suggest...
10:15Okay.
10:16...that you don't turn out to be a fool.
10:18A fool, a whore.
10:20A whore.
10:21So you'll be laughing at me.
10:23Hey, hey, hey, hey, hey.
10:27Is this the one you caught?
10:41Luka.
10:45Enjoy your victory.
10:50I'm sorry.
10:58Do you hear what I'm asking you?
11:00I hear you, love.
11:02I'm here with you.
11:05This is, by the way,
11:07Mrs. Gala.
11:09I arrested her.
11:11And this is, this is Ljubinka.
11:13Yes, yes, yes.
11:14I know you very well.
11:16I just don't know why you arrested her a second time.
11:19Why are you asking me a third time when I'm here?
11:21I mean, you see...
11:23Let me tell you something, Ljubinka.
11:25You're in Belgrade right now.
11:27Belgrade, Veligrad, you know?
11:29Isn't this Kosmaj that you can only play with pigs?
11:33Veligrad.
11:34It's Veligrad.
11:35Everyone can go wherever they want.
11:37You know?
11:38Yes.
11:39That's the difference.
11:40Yes, this is Veligrad.
11:41But this is the place where you sell pigs from Kosmaj.
11:45And you'd better be careful not to get kicked out of here.
11:48Hello, hello, hello, hello.
11:49Girls, listen.
11:50This is one of my premises.
11:52And no one is going to kick anyone out of here.
11:54Is that clear?
11:55But we're not going to lie to each other.
11:57These are eminent premises.
11:58This has become a regular scrapyard.
12:00I think it's enough not to see a new clientele, right?
12:03Well, then you'd better leave.
12:06Because you're not that kind of clientele.
12:08My God.
12:09And have a nice trip.
12:12OK, I'll go.
12:13But because I want to go.
12:17Don't worry.
12:20Well, guys, it's time for us to say goodbye.
12:22Mila, bye.
12:23Trivanović, bye.
12:25See you later.
12:28Have a nice trip, ma'am.
12:29Bye, Galica.
12:30Ma'am.
12:31OK.
12:32Bye-bye.
12:35So what?
12:37So you don't have me here with this disgusting Gal.
12:41What were you talking about?
12:43Ljubinka, you're exaggerating.
12:44I have to tell you right now.
12:46A girl came, a woman, and she sat across from me.
12:51Across from him.
12:52So we didn't talk about anything.
12:54This is a big city.
12:55She has the right to come wherever she wants.
12:57And you can't think that she's following me.
13:01You're actually following me.
13:02You followed me.
13:03Is that right?
13:04Yes.
13:05Mila, anyone can come here.
13:06I didn't call her.
13:07What should I do?
13:08Should I tell her to go home?
13:09What should I do?
13:10What should I do about you, Pamet Njaković?
13:13Ljubičica, listen.
13:15As you heard, this is Belgrade.
13:17And here, any woman or girl can come to a man,
13:21sit next to him.
13:23Now, will she be accepted or rejected?
13:26That's up to the man.
13:27So don't worry, it's a normal occurrence.
13:29Did you hear that?
13:31Ljubinka, please, let's somehow solve this case.
13:36Your problem, that...
13:38I don't know what it is.
13:39But, I mean, that Ljubomor,
13:41it's a little, you know, worrying.
13:43I'm your first boyfriend.
13:45I understand that you're not the best in your head.
13:49I'll help you.
13:50I'll be there for you without any problems.
13:53Well, you should be impressed that you're my first boyfriend.
13:56Not that it bothers you.
13:58But...
13:59With the other one I talked to.
14:03I didn't say it bothers me, Ljubičica.
14:06Ljubinka.
14:09Follow me.
14:11Go, go, run.
14:12Run, run.
14:14Why is she following me?
14:15Run.
14:17Ljubinka, I didn't mean it that way, love.
14:20Love, I'm coming.
14:22I'm coming.
14:23Run.
14:24Go, run.
14:25I would, but...
14:26You tell me.
14:30Idiot.
14:43Well, that's that.
14:47I poured gasoline on that part and it caught fire.
14:52Where did you burn this part?
14:53In the middle of the yard.
14:55And I watched it until it was completely burnt.
14:59Why did you do that?
15:00You'll find out when I get the answer to my question.
15:05Uh-huh.
15:06Okay, go ahead.
15:08Where were you that night when you disappeared?
15:12Come on, please.
15:13I told you.
15:14I was on this sidewalk.
15:15You're making a fool of me.
15:16I know it's not true.
15:18Where were you?
15:21The truth.
15:22I'm sorry if my answer doesn't satisfy you.
15:26Well, I think the truth is completely different.
15:31We've already been through all this.
15:33Yes, we have, from the beginning.
15:34For me, for love.
15:37Are you sure?
15:38Absolutely.
15:39At the cost of my life, yes.
15:52Luka!
15:55What have you done to your hand?
15:57It's okay, it's okay.
16:00Don't worry.
16:01Don't worry, it's nothing.
16:06I'm a precise shooter.
16:07I just stabbed him.
16:09You've ruined your own life, Laura.
16:11I'll call the police.
16:12No, no one will call the police.
16:15What are you talking about, man?
16:16What am I talking about?
16:18He stabbed me.
16:19This is the least I can do.
16:21It's okay.
16:22That's what I thought.
16:23That's the least you can do for me.
16:26So you can see how it feels when it hurts.
16:35Come on, Laura.
16:36Okay, okay.
16:37Come on, come on.
16:38Sit down.
16:39Come on, come on.
16:40Pour it.
16:42Pour it, come on.
16:44Okay, let's just clean this up.
16:46Let me, let me...
16:47No, no.
17:19Why are you making fun of me, Milo?
17:22Are you crazy?
17:23You're standing on your left foot.
17:25Ljubinka.
17:28I barely answered that expensive apartment.
17:32Now you're preparing this for me, too?
17:35What is it?
17:36Come on, spit it out.
17:38Ljubinka is a dangerous player.
17:41Is she?
17:43You said it right.
17:44She's not dangerous, she's a miracle.
17:46Who would have thought, Milo?
17:49Peaceful, direct, piano player.
17:54Under the piano, a hundred devils.
17:57And all of a sudden, sometimes...
17:59What is this?
18:00She's just spitting fire, spitting fire, spitting fire.
18:02Well, not all of a sudden, she's spitting fire, spitting fire, spitting fire,
18:05but she came to Belgrade, fell in love,
18:09and now I'm telling you, from my point of view,
18:12it's maturity.
18:13Don't philosophize, mother.
18:15Give me some brandy, come on.
18:17Maturity.
18:19My Milo, that's youth, that's madness.
18:23Do you understand?
18:25In your years, you're just trying to bond.
18:29How much longer are you going to bond?
18:31When you get to my age,
18:33you're just trying to untie yourself, my Milo.
18:36In my years, you know, such bonds
18:40can cost you your life, your money, your life.
18:44Yes, and can I tell you something,
18:47if you don't mind?
18:48Go ahead.
18:49Ljubinka.
18:50She pulled a little on Leposavlje.
18:54A little?
18:55Yes.
18:56My Milo, it's not a little, but unfortunately, a lot.
19:00A lot.
19:01She found that unfortunate Trivanović,
19:04that old man,
19:06that old man,
19:08to tell you the truth,
19:10I sometimes feel sorry for him.
19:12I sometimes feel like crying for him.
19:15Don't cry for him.
19:16Why? He'll be in the club.
19:18He'll have to get rid of her,
19:20head first,
19:22all her legs in the dust,
19:25until she's gone.
19:26You'll see.
19:28I wish I could do that.
19:35All right.
19:38Let's do it this way.
19:40You tell me what happened that night.
19:44Like this.
19:45I think you weren't walking,
19:47and I think you weren't sleeping.
19:49Aha.
19:50Yes.
19:51What am I?
19:53You left, you disappeared,
19:55I don't know where,
19:56and you spent the whole night there.
19:59All right.
20:00On what basis did you conclude that?
20:02On the basis of your feeling.
20:03If you were here, you would know.
20:05All of that?
20:06Just on the basis of my feeling?
20:07Not just on the basis of that.
20:09That's not the only thing.
20:11You didn't spend the whole night here,
20:13you overslept somewhere,
20:14you got up in the morning,
20:15because you were in the gym,
20:16you didn't know what to do,
20:17you went to buy a new clothes
20:19from that Radule,
20:20or whatever his name is.
20:21Radule.
20:22You were at his place,
20:23and since you didn't have cash,
20:24you didn't have a card,
20:25you couldn't pay with a card,
20:27you took a nice one
20:28and asked for an invoice.
20:30All right, and?
20:31And then you got an invoice
20:33with a very high interest rate.
20:37What are you laughing at?
20:39Unbelievable.
20:40You filmed the whole movie.
20:43Great idea.
20:44Are you going to deny it all?
20:45No, no, no.
20:46I'm not going to deny it.
20:48Who's to blame
20:49for marrying such a smart woman?
20:51I see that helps me a lot,
20:52and it's worth it.
20:53It's worth it, of course it is.
20:55Do you know why?
20:58Because I owe you,
20:59on the basis of all this,
21:00a confession.
21:03Yes.
21:05That's right.
21:07I didn't spend the night
21:08on this bed.
21:15But...
21:18Where?
21:22But, dear,
21:24let me ask you something.
21:25Ask.
21:26How are things
21:27with you and Kai?
21:28With Kai?
21:29What happened?
21:32What?
21:34What does that mean to you?
21:36It's not bad with Kai,
21:38but I have a problem
21:39with my aunt from Australia.
21:42Why?
21:43What happened?
21:44Because she has some conditions
21:46all the time.
21:47She's asking me
21:48to tell her three reasons
21:49why I love Kai,
21:50but I don't know any.
21:53Well, you know what?
21:54I totally understand her.
21:56How?
21:57Why?
21:58Why?
21:59If you,
22:00as a man,
22:01Yes?
22:02find and admit
22:03at least one reason
22:05why you love a woman,
22:06then you're done.
22:08Like a baked chicken,
22:09my dear,
22:10for the rest of your life.
22:12Only if I could somehow
22:14get her here,
22:15for two days at least.
22:16Who?
22:17Who's staying?
22:18My aunt!
22:19Your aunt?
22:20Yes.
22:21Is she alone?
22:22Does she have anyone?
22:23I think she's alone,
22:26but she doesn't have anyone.
22:28What do you think?
22:30Well,
22:31how rich is she?
22:32How heavy is she?
22:34She used to weigh 130 kilos,
22:35but then...
22:36Stop it, Vetin!
22:37I'm not asking you
22:38how many kilos she has,
22:39I'm asking you how many dollars
22:40she has.
22:41Yes, well...
22:42Do you have a penny?
22:43I have a penny.
22:44I have a penny,
22:45if you want.
22:46You do, don't you?
22:48Why?
22:49Stop it, stop it.
22:50What?
22:51I stopped.
22:53You know what would be good?
22:55That we,
22:56actually you,
22:57bring her here.
22:58That we meet her here,
23:00that we meet her here.
23:07That would be great,
23:08that we meet you here.
23:12Are you crazy?
23:13Where am I?
23:14Come on,
23:15I've got you,
23:16I've got everything.
23:17Okay?
23:18You hear me?
23:19But, you know...
23:22You see,
23:23the more she wants you to marry her,
23:25the more she wants you to marry her,
23:27that means
23:28that she is very jealous,
23:29jealous,
23:30and lonely to the point
23:31that she can burn you to the ground.
23:33But we will make her beautiful,
23:35come here.
23:39Come on,
23:40for auntie,
23:41drink some more,
23:42come on.
23:43Come on, come on.
23:44For auntie.
23:45For auntie.
23:50Maybe she is drunk now.
23:51Maybe she is drunk now.
23:53I don't know.
23:54Okay.
23:55When did you decide
23:56to confess to me?
23:58Where were you?
24:00You see,
24:01I think it doesn't matter
24:02where I was.
24:03It does.
24:04Of course it does.
24:06But it doesn't matter to me.
24:08The most important thing to me
24:09is that I am happy with you.
24:10Come on, help me,
24:11I beg you,
24:12to be happy with me.
24:13In the end,
24:14things work out.
24:15In the end,
24:16we love each other
24:17the way we should,
24:18in the end,
24:19things work out
24:20I am going to Venice.
24:21Now is the time for that.
24:22The right time.
24:23No,
24:24not now.
24:25Why?
24:26We are enjoying each other.
24:27Because
24:28I am not going anywhere
24:29until I find out
24:30why you lied to me.
24:31Lied to you?
24:32Yes.
24:34Come on,
24:36watch your words,
24:37you might hurt
24:38the dignity of a man.
24:40Okay,
24:41tell me,
24:42what would you call it?
24:43I would call it
24:44our common life.
24:46The first time I saw you,
24:48I was sure
24:49that this is it.
24:51Why did I do it so convincingly?
24:53Did you want me to lie?
24:54Okay,
24:55maybe I lied to you,
24:56but
24:58all that power,
24:59all that situation,
25:01knowing about it
25:02wouldn't change anything
25:03in our relationship.
25:06Okay,
25:07if that's the case,
25:09simply tell me
25:10what happened,
25:11I have the right to know.
25:12Una,
25:16I love you
25:18and I think
25:19that's the most important thing.
25:21Do you believe me
25:22when I tell you that?
25:25No.
25:35Hello, uncle.
25:36Hello.
25:37You can come in.
25:39I talked to the doctors.
25:40What did they say?
25:41Nothing,
25:42they said the wound is superficial,
25:43nothing serious,
25:44it's just a scratch.
25:45A scratch.
25:46It's just a scratch.
25:47Shut up.
25:48What could have happened?
25:49What could have happened?
25:52I told you not to panic.
25:53I told you,
25:54it's nothing.
25:55What do you mean,
25:56not to panic?
25:57You're drunk,
25:58I don't know...
25:59I don't like girls that much,
26:00but are you sure
26:01that you won't report Laura?
26:02No,
26:03not at all.
26:04No,
26:05really,
26:06don't report her,
26:07please,
26:08there's no need.
26:09Okay,
26:10I have to go.
26:11What time is it?
26:12I have to go
26:13to Lenka,
26:14she's a bit worried,
26:15so...
26:16Say hi to Lenka,
26:17tell her I'm in safe hands.
26:18Yes.
26:19Bye.
26:20It's nothing serious.
26:21See you.
26:30What are you doing?
26:32What am I doing?
26:35What are you looking at?
26:36I don't know what I'm doing.
26:37I think you should report her to the police.
26:38No.
26:40Believe me,
26:41I shouldn't.
26:42It's my fault.
26:44It's my fault.
26:45I gave her false hope
26:46that...
26:48that someone truly loves her,
26:50and...
26:51maybe I...
26:52maybe I deserved it.
26:54Why did you do it
26:55if you don't think so?
26:57That's when I thought.
27:00And then you showed up
27:01and I realized
27:02I was wrong.
27:05And I realized
27:06one more thing.
27:08That you didn't show up
27:09by accident.
27:11What's wrong with me?
27:12You somehow show up
27:13when I have
27:14some key moments in my life.
27:16And when would you turn away?
27:17And...
27:20What more can a man ask
27:21from a woman
27:22than to be there
27:23when she's having the hardest time?
27:24To be there.
27:26To be there.
27:27To be there.
27:28Yes.
27:33You showed up
27:34during that affair
27:35and...
27:36when I was in chaos
27:38that's when I realized
27:40that's when I realized
27:41that you're that
27:42and that's that.
27:44I'm going to leave you
27:45without heavy words.
27:49Will you come back
27:50only for Belgrade?
27:52Can I?
27:56Mhm.
27:59You're asking me
28:00if we're living together.
28:09Yes.
28:17You can't expect me
28:18to be so weak
28:19to let this
28:20pass without an explanation.
28:22I wouldn't interpret it
28:23as weakness.
28:25I owe it to myself.
28:27I owe it to us.
28:29Us?
28:31We're not going to be good
28:32without an explanation.
28:33No, we're not going to be good.
28:36Please believe me.
28:39Look, Andrija.
28:40I've been through so much
28:41in this situation
28:42that it would be really stupid
28:43to let you go like this.
28:56You should thank Luki
28:57for not ending up
28:58in prison.
28:59I should thank him.
29:01We're in this situation
29:02because of him.
29:03No, Laura.
29:04You need to realize
29:05that from now on
29:07you're alone in this.
29:08Okay, don't panic.
29:09Are you aware
29:11of what you've done?
29:14Yes, I'm very aware.
29:15I blamed him
29:17and I did it on purpose.
29:18And you know
29:19that I did it on purpose.
29:20Laura, I've had enough
29:21of your exhibition.
29:35Ilija.
29:38I'm going to beg you.
29:40I'm sorry.
29:41I can't talk right now.
29:42I'm sorry.
29:43Please forgive me.
29:44Okay, don't apologize.
29:45You can tell me
29:46whatever you want.
29:48Why are you shaking?
29:51Ilija.
29:52If I tell you something,
29:53you have to promise me
29:54that this will stay
29:55between the two of us.
29:56Please.
29:57I understand.
29:58I understand.
30:09Where are they now?
30:11I don't know.
30:12They're probably still at the meeting.
30:14It's too early for that.
30:17What are you going to do
30:18with such a job?
30:19We won't be late for the flight.
30:20Forget about the flight.
30:21It's good that we're alive
30:22and healthy and quiet.
30:23How much did you scare us?
30:24The same.
30:26I think
30:27Laura really crossed
30:28every line.
30:29She could have killed him.
30:30It's okay.
30:31We just survived.
30:39It sounds incredible to me.
30:42You don't have to imagine
30:43what it's like for me.
30:44And after everything
30:45that happened between you two.
30:47That's what hit me the most.
30:50Didn't he tell you
30:51where he spent the night?
30:52No.
30:54Did he admit
30:55that he was lying?
30:57Imagine
30:59that he did.
31:09Zagreb
31:13August 2012
31:19What do you think
31:20when you walk like a policeman?
31:23What are you thinking about?
31:24What are you looking at?
31:26I'm thinking about everything,
31:27Misha.
31:29I think something is missing,
31:31but I've made up my mind.
31:33I've made up my mind.
31:34I'm going to Kliker.
31:38It's a good thing that you're all here.
31:48I feel a lot of Laurens from the stops.
31:50Yes.
31:51Yes, maybe that's why they could think that we're getting lost.
32:00We're already at the... Where's Laurens?
32:08But you should be sure before you say something like that.
32:20What if I'm sure?
32:38Hey, Paolo.
32:45We know what we're doing.
32:47What happened?
32:48Laura is intentionally blocking the negotiations.