日曜日の初耳学 2024年8月25日 米津玄師 トーク番組初出演！影響を受けた宮﨑駿監督・ボカロＰ・自身の過去など語り尽くす
日曜日の初耳学 2024年8月25日 米津玄師 トーク番組初出演！影響を受けた宮﨑駿監督・ボカロＰ・自身の過去など語り尽くす
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00The interviewer is Osamu Hayashi.
00:03Tonight,
00:06there is a big incident in the TV world.
00:09A big incident!
00:11A Japanese top news artist, who is also a popular talk show artist,
00:16is appearing in a talk show for the first time.
00:19For the first time!
00:20Who is it?
00:21His charisma is...
00:23Who is it?
00:24Welcome.
00:25Welcome.
00:27My name is Yunus.
00:28Yunus!
00:29Nice to meet you.
00:30It's Yunus!
00:31I can't believe how excited he is!
00:34Is he going to be on TV?
00:35No way!
00:36Why?
00:37I've never seen him talk on TV before.
00:41Thank you for coming today.
00:43It's my pleasure.
00:45He's talking!
00:46To be honest,
00:47his music is great,
00:49and his art is really great.
00:52He is a person who can control both the visual and auditory space.
00:57That's my honest impression.
00:58I'm flattered.
01:01I've been doing only what I like,
01:05and this is what happened.
01:07But other than that,
01:09I've been living as a person who can't do anything.
01:13I think that's the biggest thing.
01:18The top artist who leads the Japanese music scene,
01:22Kenshi Yonezu!
01:24It's him!
01:29He's so good!
01:37The theme song of the drama, Unnatural, Lemon, was a big hit.
01:42The number of views of the music video on YouTube exceeded 870 million times,
01:49and it set the record for the highest number of views in the history of Japanese artists.
01:53And…
01:54And…
01:57It's Umatoshi.
02:07The theme song of the Japanese drama, No Side Game,
02:10won the first place in the number of downloads of Oricon.
02:13It's Umatoshi.
02:14The theme song of the Japanese drama, No Side Game,
02:17won the first place in the number of downloads of Oricon.
02:20It's Umatoshi.
02:24And the songs provided to other artists became a big hit one after another.
02:32This is definitely Naoko's favorite.
02:40That's a good song.
02:41That's a good song.
02:45Oh, Paprika!
02:47She's dancing!
02:48This is a good song.
02:50She danced at the sports day.
02:55All the songs written and composed by Kenshi Yonezu are well-known to everyone.
03:02However, they rarely appear on TV shows,
03:06and their privacy is shrouded in mystery.
03:10You have a very mysterious impression.
03:13Yes.
03:14I can't imagine what kind of relationship you have.
03:18Do you have any interactions in the entertainment industry?
03:21I like to drink alcohol.
03:24So I go to a bar or a place where my friends gather in the middle of the night.
03:33Daiki and Satoru from King Gnu are like,
03:36what have you been up to lately?
03:38That's what I do.
03:44Do you go to fancy bars?
03:46Do you also go to izakayas?
03:48No, I usually eat at Uber Eats.
03:53I really like Chinese food, curry, and sushi.
03:55Chinese food, curry, and sushi?
03:56Yes.
03:58I rotate between the three.
04:02Do you like Western or ethnic curry?
04:05I like normal curry.
04:07Like Coco Ichi.
04:11That's unexpected.
04:12Coco Ichi is the best curry in the world.
04:17This is going to be a revolution.
04:21It's going to be a disaster.
04:22Coco Ichi is really bad.
04:24What kind of toppings do you like?
04:27Sausages.
04:29I'm basically a kid.
04:32I think the best topping for curry is sausage.
04:37Do you know why?
04:38I like sausages, hamburg steaks, and sushi.
04:43I like things that are easy to understand.
04:45I see.
04:46I think Coco Ichi is going to be a disaster.
04:50Coco Ichi is going to be a buzzword.
04:53Mr. Tsuneta of Kingdom, who is close to Mr. Yonezu, said that he would stay in his room for months if he started writing songs.
05:01What do you think, Mr. Yonezu?
05:03I think I'm similar to him.
05:06Is that so?
05:07I stay at home all the time.
05:09I close the curtains.
05:12I'm really unhealthy.
05:15You don't go outside?
05:16No, I don't.
05:18Do you like Uber Eats and Coco Ichi?
05:19Yes.
05:23Mr. Yonezu has a more surprising side.
05:28The theme song of the morning TV novel, Tora ni Tsubasa, which is currently on air.
05:34Sayounara Mata Itsuka.
05:37In fact, in the music video...
05:40It's a stylish music video.
05:42Tora ni Tsubasa
05:50He shows his braided hair.
05:54It's cute.
05:55I've always wanted to braid my hair.
05:59Is that so?
06:00When I decided to shoot a music video, I thought about how I would do it.
06:07I wanted to do it for a long time.
06:12Did you do it as you planned?
06:15It wasn't as I planned.
06:16It wasn't as you planned?
06:17It wasn't?
06:18Oh, my God.
06:19I'm going to wear an orange top and bottom suit and braid my hair.
06:23I made this decision by myself.
06:25I didn't imagine what I would look like.
06:29He made me a suit and braided my hair.
06:33When I tried it on, I thought,
06:34I didn't know I would look like this.
06:38I think the audience was surprised.
06:43But I was the most surprised.
06:48Did you talk to KENTY?
06:50I went to the bar where Yonezu was.
06:56No, I didn't.
06:57I didn't.
06:58I talked to him in a tone that was close.
07:01No, I didn't.
07:03Tonight, Yonezu KENSHI will talk about his first TV special.
07:10The earth game was offered by director Hayao Miyazaki, whom he admires.
07:15He confesses his surprise.
07:19It was the biggest event of my life.
07:23It was like a death sentence.
07:26And he talks about his past.
07:31I don't talk to people.
07:34I don't know what people around me are talking about.
07:40He talks about his childhood.
07:45Yonezu KENSHI talks about his 60-minute life.
07:50I'm so curious.
07:52Me, too.
07:54First of all, Yonezu KENSHI talks about the birth of a hit song such as lemon and paprika.
08:01In this corner, we asked Masaru Akai to design this flower.
08:08This time, more than 100 kinds of green were collected from all over the world.
08:14Yonezu KENSHI talks about the green flower.
08:29It's so cool.
08:35The song that made Yonezu KENSHI famous.
08:44Yonezu KENSHI talks about the song.
08:52Yonezu KENSHI talks about the song.
09:09What did you think when you heard that Yonezu KENSHI was on the school textbook?
09:16It's an honor.
09:19It's amazing.
09:21This is the first time I've seen this.
09:25Is the textbook so fashionable now?
09:29It's very fashionable.
09:32I remember I was more stupid when I was a kid.
09:36I might have liked music a little more if I was on the school textbook.
09:40I was a little strict when I was a junior high school student.
09:44I was a little strict.
09:46It was a big impact.
09:50This is the theme song of the drama UNNATURAL.
09:55It's a story about the unnatural death of the disabled.
10:02This song has a big theme of death.
10:07In fact, something unforgettable happened to Yonezu KENSHI during the production process.
10:14I wonder what it is.
10:18This song is full of memories.
10:21My mother's grandfather died during production.
10:30The drama itself was about facing the death of a person.
10:37While I was making the song, something like that happened to my family.
10:44It's a coincidence, but I wonder if it's inevitable.
10:50There was a moment when I thought that.
10:55What are your memories with your grandfather?
10:59When I was a kid, I was the type to stay at home.
11:04I didn't talk to anyone.
11:07I think I was a child who didn't know what I was thinking.
11:12I don't have any special conversations with my grandfather.
11:20I really liked my grandfather's house.
11:23I'm from Tokushima Prefecture.
11:26There is a village that sticks to the slope of the mountain.
11:30There is a big difference in height between the lowest and highest places.
11:34I think that scene has a great influence on me.
11:45When I wake up in the morning, I can see the mountains overlapping.
11:52When I wake up in the morning, I can't see anything.
11:55It was a village with a lot of impressive scenes.
11:58When you go home, do you run up and go home?
12:04Yes.
12:06I have more memories of running down than of running up.
12:10I ran down and fell in the middle.
12:12I had a hard time.
12:16Those memories may be bigger.
12:20Even now, the presence of his grandfather remains in Kenshi Yonezu's heart and the original scenery.
12:26My grandfather made me write this song.
12:29Lemon, who put his feelings for his deceased grandfather on the lyrics, became a song that moved people with reality.
12:38And in 2018, he won the first TV award at the Kouhaku Utagassen.
12:50Do you think that song was a turning point for you?
12:55I think so.
12:57I think my life was completely different before and after making that song.
13:04Lemon is a little different from the version that was played in the commercial and the version that was played in the main story.
13:15I really want to do it to the end of the deadline.
13:20I have a feeling that I want to go all the way.
13:27So I submitted it and said,
13:30This is the perfect sound source of FIX.
13:34After submitting it, I asked him to do it again.
13:40So I re-recorded it.
13:42The melody has changed a little.
13:44The melody has changed.
13:46I'm sorry for the inconvenience.
13:50Now that I look back, the song that you want to change is over, right?
13:55I think of almost all the songs.
13:59There are times when you get stuck, right?
14:01Yes.
14:02What do you do at that time?
14:04I sleep.
14:06That's normal.
14:08That's a reset.
14:09I didn't notice it until yesterday, but when I woke up and reset it, it felt completely different.
14:16I see.
14:17I think that's one of the important things.
14:20Are you the one who can sleep for a long time? Or are you a short sleeper?
14:23It's a long time.
14:25I feel like I have to sleep for 10 hours.
14:27That's a long time.
14:29I wonder if I grew this big because I slept so much.
14:33Is there anything that you think you've failed?
14:37I made it all the time.
14:39I thought I'd forget it once.
14:41When I woke up, it was reset on my computer.
14:45I forgot to save it.
14:47I've lost it.
14:51At times like that, how good would it be if this was a dream?
14:56I've been thinking about it all the time.
14:59It was a good exchange.
15:01It's the first time.
15:03It's a skill.
15:04It's wonderful.
15:07Kenshin Yonezu creates a hit song one after another.
15:12The origin of the creation was the existence of a great director.
15:18I received the script and jumped into it.
15:23It was the biggest achievement of my life.
15:26I was a very shy child.
15:28I stayed at home and didn't talk to anyone.
15:32I heard that Yonezu's songs are influenced by someone.
15:37Hayao Miyazaki influenced me a lot.
15:42I've loved Ghibli movies since I was a kid.
15:46I feel like he's been there for me since I was a kid.
15:53I see.
15:54Shishiku?
15:55What do you mean?
15:57I think he's a teacher.
15:59Shishiku?
16:00There's a big difference between a movie and music.
16:05As I grew up, I became interested in the people who made the movie.
16:12I was passionate about books and documentaries.
16:20Sometimes I was very passionate, but at the same time I was making something.
16:25I remember it looked really cool.
16:29I felt like I was being influenced by them.
16:39Like a mentor.
16:40For example.
16:51This song, Hien, is based on Miyazaki's work, Naoshika in the Valley of the Wind.
17:00And the song with the biggest influence is...
17:04I'm curious.
17:16Produced by Yonezu Kenshi.
17:19Paprika was made as a cheering song for children.
17:24Yuta, this is really Yuta.
17:26Especially Paprika was influenced by Miyazaki's work.
17:31I was told to make it as a cheering song.
17:38But I didn't know what it meant to sing a cheering song for children.
17:45I didn't want to tell them to do their best.
17:48I didn't want them to tell their children to do their best.
17:51When I thought about how I could make a cheering song for children,
18:01Miyazaki was the first thing that came to my mind.
18:05I've been talking about how I wanted to make a movie that would make children feel alive.
18:16I wanted to learn from him.
18:21I wanted to make a movie that would make children feel alive.
18:33I thought about how I could make a cheering song for children.
18:38I thought back to my childhood.
18:42Like I said before, I remember my grandfather's scenery in the mountains.
18:49I remember playing in the river, fireworks, and running around.
18:55I think those memories have a big influence on me now.
19:00So, before I try to make my dreams come true,
19:07I have to think about how I can make my dreams come true.
19:13I have to live my life to the fullest.
19:20I think that's the most important thing.
19:25I'm not trying to make a fool of myself.
19:32I don't think it's a trivial matter whether you achieve your goal or not.
19:39I think there's a lot of things you can do when you reach your goal.
19:46So, it's my responsibility to tell my children to make their dreams come true.
19:51If I talk cruelly, I can't make my children's dreams come true.
19:56It's not like everyone who can't make their dreams come true will be unhappy.
20:01I think it's more important to have a dream,
20:05and to be able to make your dreams come true.
20:11I think that's the most important thing.
20:17Like he used to run around the mountains,
20:20he wants his children to enjoy the present.
20:25He wants his children to grow up to be as excited as he was when he made Miyazaki's film.
20:35That's what he wants his children to be.
20:46What kind of offer did you get from director Miyazaki?
20:53I heard that Miyazaki listened to the song, Paprika.
20:58He doesn't watch TV much,
21:05but he seemed to like the song, Paprika.
21:12So, he asked me if I could sing the song for him.
21:22That's what he told me.
21:26Director Miyazaki listened to the song, Paprika,
21:32and that's how he got the offer to sing the song.
21:37But...
21:39I felt like I was going to die.
21:43It was the biggest event of my life.
21:50Director Miyazaki listened to the song, Paprika,
21:56and that's how he got the offer to sing the song.
22:01That's how the song was born.
22:09Director Miyazaki listened to the song, Paprika,
22:14and that's how he got the offer to sing the song.
22:19That's how the song was born.
22:24That's how the song was born.
22:29That's how the song was born.
22:32That's how the song was born.
22:38It was the biggest event of my life.
22:42It was that big?
22:43Yes.
22:44It must have taken you four years.
22:47Yes.
22:48At first, I received the script.
22:51There were about five copies.
22:54It was like two copies of Jump.
22:56It was like two copies of Jump.
22:57It was like two copies of Jump.
23:01We were asked to make the song as freely as possible.
23:07We were under a lot of pressure.
23:11We were told to use a map and come back from the middle of the desert.
23:18That's how you felt?
23:20Where should I go?
23:22That's how I felt.
23:26What did Mr. Hayao say when he heard that it was done?
23:31I felt like I was going to be executed when I heard it for the first time.
23:35I was going to meet him, put it on a CD, and play it on the spot.
23:42I didn't know what to say.
23:45It took him four years.
23:47But he said it was really good.
23:53I said, let's do it.
23:56I heard that Mr. Miyazaki cried and was happy.
24:03That's what it looked like to me.
24:06I don't know why, but Mr. Suzuki said it was different.
24:11So I don't think it's true.
24:17Kenshi Yonezu, who has achieved great success one after another and has a brilliant artist life.
24:26But sometimes he shows...
24:31I'm the type of person who stays at home.
24:35I don't talk to people much.
24:37I think I was a child who didn't know what I was thinking.
24:42A shadowy statement.
24:46It was deeply related to Mr. Yonezu's past.
24:53Next, how was Mr. Yonezu born?
24:58Osamu Hayashi approaches the origin of that.
25:01I'm really curious.
25:02I'm curious.
25:04What kind of child were you when you were a child?
25:07I was a very introverted child.
25:10I stayed at home and didn't talk to people much.
25:15I didn't know what people around me were saying.
25:22Even if I was thrown at, I didn't know how to respond.
25:27I didn't know what was right.
25:32I think I drew and made music to fill that gap.
25:41You were facing that.
25:43He was unfamiliar with the world around him when he was a child.
25:48What filled his heart was music and manga.
25:54I wanted to make music when I was in junior high school.
25:59Until then, I wanted to be a manga artist.
26:01I see.
26:03You drew a jump right away.
26:07Did you like jumps?
26:09I loved jumps.
26:12What kind of manga did you draw?
26:14The first one was Naruto.
26:18I read Naruto.
26:20I remember reading five volumes.
26:24You are good at drawing.
26:26I wonder if you succeeded in becoming a manga artist.
26:29It's hard to be a manga artist.
26:32It's hard to be a manga artist, too.
26:34There is an essay by Kishimoto on the Naruto manga page.
26:42I read it when I was a child.
26:48I thought it was hard.
26:51I couldn't sleep.
26:54I took a piece of paper out of my pocket and drew it.
26:59You need 10 hours of sleep.
27:01That's right.
27:03I thought I couldn't do it.
27:06Some manga artists die early due to lack of sleep.
27:13I see.
27:14Mizuki-san from GeGeGe no Kitaro was born in 1993.
27:17She was sleeping a lot.
27:20Sleeping is important.
27:25Sleeping is important.
27:28He has been drawing since he was a child.
27:30His drawing skills have been highly evaluated.
27:33He drew all the illustrations for the CD cover.
27:37In addition,
27:39He drew all the illustrations for the CD cover.
27:45He drew all the illustrations for the CD cover.
27:51What is that?
27:52He drew everything.
27:54He drew everything.
27:56He gave up being a manga artist and started music.
28:00He gave up being a manga artist and started music.
28:03He started a band because he admired Spitz and Bump of Chicken.
28:09He started a band because he admired Spitz and Bump of Chicken.
28:11He started a band because he admired Spitz and Bump of Chicken.
28:16You started a band in junior high school.
28:19How long did you continue?
28:21I started a band when I was 18.
28:29I realized that I wasn't good enough.
28:34You have a lot of musical talent.
28:37Why aren't you good enough?
28:38I'm not good at working with people.
28:43It seems difficult to work with people in a band.
28:47I often give up.
28:50I often give up.
28:54I often give up.
28:57I'm not good at communicating with people.
28:59I'm not good at communicating with people.
29:01I'm not good at communicating with people.
29:04I'm not good at communicating with people.
29:06I'm not good at communicating with people.
29:08I'm not good at communicating with people.
29:10I'm not good at communicating with people.
29:12I'm not good at communicating with people.
29:14I'm not good at communicating with people.
29:16I'm not good at communicating with people.
29:18I'm not good at communicating with people.
29:20I'm not good at communicating with people.
29:22I'm not good at communicating with people.
29:24I'm not good at communicating with people.
29:26I'm not good at communicating with people.
29:28I'm not good at communicating with people.
29:30I'm not good at communicating with people.
29:32I'm not good at communicating with people.
29:34I'm not good at communicating with people.
29:36I'm not good at communicating with people.
29:38I'm not good at communicating with people.
29:40I'm not good at communicating with people.
29:42I'm not good at communicating with people.
29:44I'm not good at communicating with people.
29:46I'm not good at communicating with people.
29:48I'm not good at communicating with people.
29:50I'm not good at communicating with people.
29:52I'm not good at communicating with people.
29:54The world of Vocaloid where you can hear the voices of people.
29:56The world of Vocaloid where you can hear the voices of people.
29:58Vocaloid is the culture of Japan.
30:00With this, even one person can create a musical work.
30:02With this, even one person can create a musical work.
30:04With this, even one person can create a musical work.
30:06With this, even one person can create a musical work.
30:08With this, even one person can create a musical work.
30:10With this, even one person can create a musical work.
30:12With this, even one person can create a musical work.
30:14With this, even one person can create a musical work.
30:16With this, even one person can create a musical work.
30:18With this, even one person can create a musical work.
30:20With this, even one person can create a musical work.
30:22From the song to the video, he uploads the work he made on his own to the site.
30:24From the song to the video, he uploads the work he made on his own to the site.
30:26From the song to the video, he uploads the work he made on his own to the site.
30:28He has been playing millions of times.
30:30He has been playing millions of times.
30:32He has been playing millions of times.
30:34He has been playing millions of times.
30:36He has been playing millions of times.
30:38He has been playing millions of times.
30:40He has been playing millions of times.
30:42He has been playing millions of times.
30:44He has been playing millions of times.
30:46He has been playing millions of times.
30:48He has been playing millions of times.
30:50He has been playing millions of times.
30:52He has been playing millions of times.
30:54He has been playing millions of times.
30:56He has been playing millions of times.
30:58He has been playing millions of times.
31:00He has been playing millions of times.
31:02He has been playing millions of times.
31:04He has been playing millions of times.
31:06He has been playing millions of times.
31:08He has been playing millions of times.
31:10He has been playing millions of times.
31:12He has been playing millions of times.
31:14He has been playing millions of times.
31:16He has been playing millions of times.
31:18He has been playing millions of times.
31:20He has been playing millions of times.
31:22He has been playing millions of times.
31:24He has been playing millions of times.
31:26He has been playing millions of times.
31:28He has been playing millions of times.
31:30He has been playing millions of times.
31:32He has been playing millions of times.
31:34He has been playing millions of times.
31:36He has been playing millions of times.
31:38He has been playing millions of times.
31:40He has been playing millions of times.
31:42He has been playing millions of times.
31:44He has been playing millions of times.
31:46Yi nies for creating the music of VOCALOID,
31:48Yi nies for creating the music of VOCALOID,
31:50But we've always been the ones who introduce ourselves,
31:52But we've always been the ones who introduce ourselves,
31:54In the beginning, we have been adding
31:56what we admire about the musicians
31:58the moment weAA.
32:00started contributing the music to this situation.
32:02started contributing the music to this situation.
32:04The vocalist of the innermost minorities
32:06and the way they seriously gave ideas
32:08and the challenge to make the songs
32:10And they ignored those demand,
32:12and they ignored those demand,
32:14There are a lot of young people who want to become a vocaloid artist.
32:24At that time, there were a lot of people like me who were tired of other things.
32:34I wanted to do this, I wanted to do that, but I couldn't.
32:39It's not all about becoming a vocaloid artist.
32:45Vocaloids are people who take care of you.
32:50But I don't think it's comfortable to live in this country alone.
33:04The world of Okaro, who jumped into the band's relationship and ran away.
33:12Will he stay in a self-sufficient world where he can do everything he wants to do?
33:19Or will he challenge the dream he has longed for again?
33:25As a result, he decided to appear on the front stage.
33:33More than 260 million views on YouTube.
33:42Yonezu, who was trapped alone, asked Masaki Suda for a collaboration.
33:47Gray and blue.
33:51Horses and deers that echoed at the Rugby World Cup and colored the scene.
33:59And...
34:07Kick Back is the first Japanese song ever.
34:11From the American Record Association to the RIAA and Gold Ninte.
34:16They create great songs one after another.
34:22He should have established a steady position as a top artist.
34:27But recently, he started something unexpected.
34:31Did you go to a boy training school?
34:34I started about two or three years ago.
34:37Since I was in my thirties, I hadn't really learned anything from anyone.
34:44I felt like I wanted to face it again.
34:50I didn't start from scratch.
34:53The same goes for the boy training teacher.
34:56I wanted to teach the children who didn't know anything about singing.
35:00That's how I started.
35:04The teacher must have had a hard time, too.
35:07I don't know.
35:09Yonezu Kenshi's music activities are based on learning.
35:15The lyrics are influenced by Miyazawa Kenji, Takuboku Ishikawa, and Santouka Taneda.
35:27Next, Osamu Hayashi, a contemporary writer, approaches the world of Yonezu Kenshi's lyrics.
35:34This is amazing.
35:36Yonezu-san is very fond of Miyazawa Kenji's literature.
35:40Are you influenced by him?
35:45Yes, I am.
35:47I've always liked Miyazawa Kenji.
35:51There's a poem called Haru to Shura.
35:55I was influenced by him when I was in my late teens.
36:02He was like a guardian angel to me.
36:06He was always in my bag.
36:09That's how much I was influenced by him.
36:13The lyrics of the new album, Mainichi,
36:16are based on Takuboku Ishikawa's words.
36:26Jitto te wo miru.
36:28You can tell it's Takuboku when you see the dots.
36:32This is Takuboku Ishikawa's famous line.
36:36Hatarakedo, hatarakedo, nao waga kurashi, rakuni narazari.
36:40Jitto te wo miru.
36:42That's how I was influenced by him.
36:45Why did you use this line?
36:48When I was writing Mainichi,
36:51I was busy with my production.
36:56I had a lot of things to do.
37:00When I was writing songs,
37:03I didn't just move my hands.
37:06I kept writing and writing.
37:10I wondered what I was doing.
37:13It was like a time of self-destruction.
37:17That's when I thought of the line,
37:20Hatarakedo, hatarakedo.
37:23I couldn't help but think of that line.
37:27I thought it would be fun to use that line.
37:33Takuboku is a man who caused a lot of trouble.
37:37There's a song I really like.
37:40Ichido demo ware ni atama wo sagesase shi,
37:43hito mina shine to inori deshikota.
37:46I really like that song.
37:49It's a good song.
37:51It's a great song.
37:53It's the first time I've heard this song.
37:57It's the best.
37:59It's the best.
38:01What's this?
38:03You look like you're in a good mood.
38:05I met someone who understands me.
38:08Yonezu is getting more and more excited.
38:11I really like how he's like a human being.
38:15I have memories of him.
38:18You should try it.
38:21I'd like to ask you a few more questions.
38:24In the poem, there's a shadow.
38:26In the second half of the poem,
38:28there's a shadow of a shadow hat.
38:30And in the poem,
38:32there's a shadow of a horse and a deer.
38:36Indeed, Yonezu's lyrics
38:39The word shadow appears many times.
38:43Natsu ga kuru kage ga tatsu
38:48Anata ni aitai
38:52Sono kuse kage wo paramaita
38:58Kizuite hoshikatta
39:01Hikari ni furete kage wo nobashita
39:09I wonder if this shadow is connected to death.
39:13That's a hypothesis.
39:15That's right.
39:17After all, the eyes go to the shadow.
39:24The word shadow appears many times in Yonezu's lyrics.
39:29There's a message in this.
39:32I wonder if this shadow is connected to death.
39:36That's a hypothesis.
39:38That's right.
39:40I think it's like my personality.
39:44After all, the eyes go to the shadow.
39:49When I listen to my songs,
39:52I often hear the shadow and the dark part.
39:58It's a little embarrassing.
40:01But I think it's my personality to think about it.
40:08I think death has a very negative image.
40:17But I don't think it's just that.
40:22It's very natural for humans to live.
40:26It's one of the ways of life.
40:30I don't think it's something you have to hide until you die.
40:36I think it's because of that nuance.
40:41That's why I'm alive now.
40:43I think it's something you can think about.
40:47At least I make my own music.
40:51It's a part that I care about.
40:56I see.
40:58The more the shadow becomes colorful, the more the light shines.
41:03Because I'm conscious of the death of one day,
41:06I feel the vividness of life now.
41:10The lyrics of Kenshi Yonezu are connected to his philosophy of life.
41:16What happens if you say that?
41:19And the lyrics of the latest work have a unique use of words.
41:25This is a movie starring Hikari Mitsushima.
41:29The theme song of Last Mile, Garakuta.
41:34In the lyrics of this song, Yonezu listens to it when he was a child.
41:38For some reason, it remains in his heart.
41:40Unexpected words are used.
41:45There's a word I've liked since I was a kid.
41:49You know, there's a delivery and recovery company.
41:52It's like a delivery and recovery center.
41:55It's like running around in a car.
41:57TV, computer, home appliances.
42:00They have everything.
42:02In one of the lines,
42:04it says,
42:05I don't care if it's broken.
42:08I've heard that a lot since I was a kid.
42:11I will recover anything.
42:15I don't care if it's broken.
42:18Is that where you recover?
42:20I think it's a word with a lot of nuance.
42:25It has a very lonely sound.
42:29I don't care if it's broken.
42:33There's a lot of room to wrap it up.
42:36I don't care if it's broken.
42:40Everyone has a broken part.
42:43We live with each one of those things.
42:46I don't think there's anyone who's lived with no mistakes.
42:51At least I wanted to fix it.
42:57Maybe that's why I made the song.
43:01Kenshi Yonezu, who climbed to the top of the Japanese music scene from an early age when he felt difficult to live.
43:13How does he value his work?
43:22I think it's the most fun to make a song alone at home.
43:27It's the most fun to be alone.
43:29He was like a calm whale.
43:33He's tall, too.
43:35Lastly, can you tell us what you value in your work?
43:43I think it's very important not to be trapped.
43:48I've been trapped since I was a kid.
43:53I've been living in my own interest.
43:57I've been trapped in my own interest.
44:01I was trapped when I was a kid.
44:05When I look back at my favorite music,
44:10I think it's pop music.
44:15I like songs that I can sing only for myself.
44:22I want to make that kind of music.
44:27I don't want to be trapped.
44:31If I don't tell people I'm like this,
44:37I don't think I can make a wide range of music.
44:44I think it's very important.
44:50Sometimes going out may bring pain and suffering.
44:57But he still wants to connect with the world and resonate with people.
45:05There was a certain determination of the performer, Kenshi Yonezu.
45:14And after the recording, it went exactly as he said.
45:19Was it okay? Is this how you do it?
45:22It was better than I expected.
45:25It's wonderful.
45:27I've never done this before, so I don't know how to do it.
45:31He was able to see Kenshi Yonezu face his weakness.
45:44Next week, Kenshi Yonezu's second half will continue.
45:52Hatsumimi Gakuen on TVer.
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