Cicatriz - Cap 9 ©RTVE

افلام
افلام
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Transcript
00:00You
00:02You
00:24With an assault our los cangrejos no imposible como nuestro sueño
00:32El sueño de jumping crowd
00:35Un sueño que comenzó hace casi diez años en la biblioteca de la facultad de biología
00:41Yo preguntaréis que coño hacía un novato de derecho como yo en biología bueno pues honrar a san alberto magno
00:47el patrón de las ciencias con una borrachera épica
00:52Necesitaba un baño y acabé por errores la biblioteca y cuando entro allí
00:58Que me encuentro
01:00Un gigante con pinta informático porque ya la tenía rodeado de un montón de libros
01:08Y le dije hola
01:12Qué coño haces qué coño haces y él me contestó
01:16Estudiar el sistema neuronal de los cangrejos que me ayudan un proyecto de inteligencia artificial y después de semejante respuesta me dije tom
01:21Tienes dos opciones
01:23Una o te descojonas en su cara y le dices NERF
01:25Si, si NERF
01:27O te interesas
01:29O te interesas
01:31O te interesas
01:33O te interesas
01:35O te interesas
01:37O te interesas
01:39O te interesas
01:41O te interesas
01:43O te interesas
01:45O te interesas
01:47Porque quizás es un genio
01:49Así que por primera vez en mi vida no me comporté como un gilipollas
01:51Cogí todos mis ahorros
01:53Y dije
01:59Y dije
02:01Qué demonios hagamos una locura
02:07Así que señores
02:09Si nosotros cuatro
02:11Sin ayuda de nadie
02:13Hemos llegado al 67%
02:15Ahora que tenemos los medios
02:17El mejor equipo de su generación
02:19Ustedes
02:21La meta es
02:23Llegar en tres meses al 90%
02:25De Lisa
02:27Para que pueda salir al mercado
02:33Este cangrejo está listo para saltar
02:43Bueno creo que
02:45Nuestro genio
02:47Es el que tendría que hacer los honores
02:49Que yo me tengo que ir
02:51Que me ha surgido una cosa de Arturo
02:53Sigue tú
03:13Para mí
03:15Cada pedazo de mi
03:17Yo lo procione
03:21Nada nunca
03:23Nunca
03:25Tu trucs
03:29Ni nadie
03:31Ni nadie
03:33O nawet
03:37Tú me defines
03:39No me defines
03:41Love me, love me, love me, drive me so insane
03:51And if mostly all I feel is pain
03:58No, I won't give up on you
04:06If my tears are looking real
04:13They'll fade away and you're to blame
04:21Can't you see you're the one, the one I want
04:29Will you please come back with me tonight
04:59Love me, love me, love me, drive me so insane
05:30Brother
05:39What's her name?
05:43What's the girl's name?
05:46I don't know
05:50I bought her from an old man in a military bushlet from Soviet times
05:54You don't know his name either?
06:01No
06:02No?
06:05He looked like a bum
06:09Yes
06:10Maybe he was a former soldier
06:14Yes
06:15Well, tell me, look, they work for Alexander and Natasha
06:32I don't know
06:34You don't know?
06:37I've never seen them before
06:40Well, go to bed
06:58Go to bed
07:02Yes, yes
07:10Go to bed
07:40All right
08:03All right
08:10All right
08:40All right
09:11Alexander
09:30There's a nice place around here
09:41There's a nice place around here
09:55There's a nice place around here
10:10You don't even know where you're going
10:22I know this spot, you like it?
10:24There's a nice place around here
10:29Let's go
10:40Let's go
11:10Let's go
11:22I can't do it
11:24Why are you smiling?
11:26All the time
11:30I think I'm on probation
11:32Do everything like we rehearsed
11:35I can see that you're really interested in life
11:40And when he takes you home, because...
11:43He'll want to sleep with me
11:45Exactly
12:02It's my father
12:06Do you have a father?
12:10No
12:35I'm sorry, I always lock the door at night
13:06This is your house
13:16Thank you
13:20The big key is the one that opens that door outside
13:26Okay?
13:27Then, well, the living room
13:30Then there's a smaller one that opens the back door
13:41You'll see the back door later
13:45And I'll show you the kitchen
13:48This way
13:51And then there's a silver key that opens the...
13:56Well, I'll try it
14:00Oh!
14:13This was my parents' room
14:16The biggest and most comfortable
14:18And it has its own bathroom
14:29Okay
15:00No, no, I sleep next door
15:04In case you need anything
15:21No, no, no
15:22You here
15:24Here
15:26I guess you must be tired from the trip
15:42I'm very happy that you're here
15:49Good night
15:55Good night
16:25Good night
16:55Good night
17:26I'll burn his house
17:29Like they burned ours
17:31Mom
17:34I'll dismember their bodies
17:37Like they dismembered yours
17:40Dad
17:42I'll rape their flesh and soul
17:45Until they beg for death
17:47Like it was with you
17:50Sister
17:51Like it was with you
17:53Sister
17:56Sister
17:58I'll burn his house
18:00Like they burned ours
18:02Mom
18:03I'll dismember their bodies
18:05Like they dismembered yours
18:15Are you crazy?
18:16Turn off that box
18:21Turn it off
18:45In the end
18:46You'll move it again
18:48And they won't even hide you
18:51In the end
18:52You'll move it again
18:53And they won't even hide you
19:21Mom
19:44Mom
19:51Mom
19:56You're not
19:57You're not Mom
20:05I'm the best
20:22I'm the best
20:28Give me two
20:41What plans do you have for today?
20:49No
20:50No, no, no, no, no
20:51Arturo, finish your breakfast
20:53I'll take you to the residence
20:54You'll have to go to the new office
20:56And uncle, please, don't run away
20:59Don't worry
21:00I can take him
21:06Besides
21:07I saw a motorcycle in the garage
21:09Motorcycle?
21:10Motorcycle, no
21:11Come on
21:12No
21:14That motorcycle hasn't been used in a long time
21:16And I don't think it'll work
21:21Are you sure you know how to drive?
21:23Of course
21:25I need the address
21:26Yes, I have it
21:29I'll send you the location
21:30But you won't be able to look at it while you drive
21:32No
21:40I know how to go
21:42What?
21:48Get on the motorcycle
21:49Get on the motorcycle
21:50Get on the motorcycle
21:51Get on the motorcycle
21:52Get on the motorcycle
21:53Get on the motorcycle
21:54Get on the motorcycle
21:55Get on the motorcycle
21:56Get on the motorcycle
21:57Get on the motorcycle
22:13Welcome
22:14The teams at Infinity are allowing us to process data at an incredible speed
22:19This is the programmers' area
22:22They're all typing at the same pace as Simon
22:26And this is the psychologists' area
22:28Under the tutelage of Marcia
22:30Marcia?
22:31Yes
22:32Hi, I'm Marcia
22:33Nice to meet you
22:34These are Elisa's emotional education positions
22:40You've decided to sleep until late
22:42Yes
22:45Sorry, I didn't remember the visit
22:48It's admirable that the pressure doesn't affect her
22:51Well, Simon is like a night bird
22:53Yes
22:54He works better at night
22:55Why don't you explain to her how we're educating Elisa, please?
23:00Well, as always, but in a big way
23:03In a big way
23:04Yes
23:05What a snob, Simon
23:07Basically, we show several examples of different emotions
23:10so that Elisa is able to distinguish which is her specific physiological manifestation
23:15And the code?
23:17The programmers develop the variations that Elisa detects
23:20such as the arching of an eyebrow
23:22which is common to several emotions
23:24The key is to measure the weight of each parameter
23:29But who knows the source code?
23:32Me
23:33Him?
23:34Simon
23:35Him
23:36They put the ingredients, but the recipe is mine
23:39And is everything in his head?
23:43Yes
23:44Yes, well, everything is in his head
23:47Right, Marcia?
23:48Simon has a privileged head, I would say
23:55What do you think?
24:02Let's go to the police station
24:03What are you saying?
24:04I'll tell you now
24:06Mr. Sanderson, we have to go
24:07Marcia, will you take care of it?
24:08Yes, yes, yes
24:09Go, don't worry
24:11I'm getting used to the sights
24:18Did he ask for the code?
24:19Yes, of course he asked for the code, obviously
24:36Irina Topalova
24:43Irina Topalova
24:51You have to come with us
24:53At 130, a limited route, 50 without meat and with a stolen motorcycle
25:00It's not stolen
25:01It's going to be hard for you to explain how you lent it to the owner, Monica
25:04Because he's been dead for 12 years
25:11Yes, Arturo Gómez
25:13He has to be somewhere, in his room, in an activity, in class or something
25:18It's really important, look for him, please
25:21Yes
25:31Hello
25:41Hello, how are you?
25:42Look, they have my client, detained
25:44Name?
25:45Yes, name, Simon
25:47Topalova, Irina Topalova
25:51Topalova?
26:02Topalova?
26:05Are you okay?
26:06Come on
26:08Hey, hey
26:09What?
26:11I'm dizzy
26:13Come on, go ahead
26:14Ramos, he has very low heart rate
26:17The police...
26:22He hit me hard
26:24Who did he hit?
26:25He has low heart rate
26:27I'll call an ambulance, listen to me
26:30Come with me
26:32Get down
26:34Come on
26:37Hey, hey, hey
26:38Come on
26:39We're almost there
26:44Miss
26:47Come on, open your eyes
26:48There, very good
26:49Are you with me?
26:51Sugar
26:52Now, when my partner comes
26:55Sugar
26:56Hey, hey
26:57What?
27:28Where is she?
27:33I can't understand
27:36I can't understand
27:37I can't understand
27:38I can't understand
27:39I can't understand
27:41I can't understand
27:42I can't understand
27:44I can't understand
27:46I can't understand
27:47I'm not speaking to you anymore
27:48So just call a superior
27:49Or bring my client now
27:50They are intentionally delaying their detention
27:51Someone should help us
27:52I don't understand
27:53Maybe they know where this is
27:54How long have I been here?
27:55I do not care
27:56No, no, no. I don't think it's that hard, right?
28:00What?
28:00Let's see if you can give me a hand.
28:03Mito, open the door for me.
28:07Migo, please.
28:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
28:56.
29:20♪♪
29:30♪♪
29:40♪♪
29:48-♪♪
29:58-♪♪
30:08-♪♪
30:18-¡Vamos, que tengo el azúcar!
30:20¡Venga!
30:22¡Vamos!
30:23¿Cómo se encuentra?
30:25¿Mejor?
30:46¿Mejor o no?
30:49Mejor.
30:53Hola, Simón.
30:54¿Y Ana?
30:55Hemos encontrado a Arturo.
30:56¿Sí?
30:57Estaba en las cuadras, dando de comer a Reina.
30:59Gracias.
31:02Simón.
31:12¿Cuánto tiempo?
31:19La señorita dice que no ha robado la moto de tu padre.
31:23¿Es verdad?
31:24Es mi novia.
31:26¿Estás bien?
31:28Sí, le ha dado un pequeño baído, pero nada, una bajada de azúcar.
31:31Lleva 130 en una vía limitada a 30.
31:35Y sin carne.
31:36Pudo pagar la multa.
31:38Pero es que se ha dado a la fuga.
31:39No nos arregla con la multa.
31:40Bueno, vamos a ver.
31:41Entonces quedan dos asuntos, ¿no?
31:42Por sacar.
31:43Porque los sanitarios han venido por mi clienta, ¿verdad?
31:48Y todos sabemos el largo historial de violencia policial que hay en esta comisaría, Ramos.
31:53Así que podríamos olvidar ambos asuntos.
31:59¿No?
32:09Pero un abrazo, Arturo, de mi parte.
32:14Vamos.
32:19¿Quién coño es esta piba?
32:21¿De dónde ha salido?
32:22Simón, dime la verdad.
32:26¿Qué pasa, que eres tonto o qué?
32:28Primero me dices que no quieres que te quieran por tu dinero.
32:30Y ahora vas y te compras una rusa por internet.
32:32Pero tú...
32:33Yo no me he comprado a nadie.
32:34Y es ucraniana.
32:35Ah, en ese caso me callo, ¿eh?
32:38Pero tú no ves que tengo el luminoso en la frente que pone
32:40¡Te voy a arruinar la vida, Simón!
32:42¿Qué pasa? ¿No quieres que te compre una rusa?
32:44No.
32:45Y te pone ¡Te voy a arruinar la vida, Simón!
32:47¿Qué pasa, no quieres verlo, ¿no?
32:49No la conoces.
32:50Tú tampoco, tú tampoco.
32:51Irina.
33:13Irina.
33:21Irina.
33:29¿Por qué conducías tan rápido?
33:38No te reconozco.
33:42¿No eres como la Irina con la que hablaba en la aplicación?
33:49¿Te ha pasado algo?
33:52Que a lo mejor soy yo.
33:56Que te he decepcionado o algo así.
34:00Yo soy muy torpe.
34:02Con las personas, digo, y...
34:05Me cuestan mucho.
34:09Pero quiero intentarlo.
34:12Y necesito que tú lo intentes también.
34:16Necesito que me hables.
34:21Sus cordones.
34:51¿Qué pasa?
34:52¿Qué pasa?
34:53¿Qué pasa?
34:54¿Qué pasa?
34:55¿Qué pasa?
34:56¿Qué pasa?
34:57¿Qué pasa?
34:58¿Qué pasa?
34:59¿Qué pasa?
35:00¿Qué pasa?
35:01¿Qué pasa?
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35:04¿Qué pasa?
35:05¿Qué pasa?
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35:08¿Qué pasa?
35:09¿Qué pasa?
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35:21¿Qué pasa?
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36:00¿Qué pasa?
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36:04¿Qué pasa?
36:05¿Qué pasa?
36:06¿Qué pasa?
36:07¿Qué pasa?
36:08¿Qué pasa?
36:09¿Qué pasa?
36:10¿Qué pasa?
36:11¿Qué pasa?
36:12¿Qué pasa?
36:13¿Qué pasa?
36:14¿Qué pasa?
36:15¿Qué pasa?
36:16¿Qué pasa?
36:17¿Qué pasa?
36:18¿Qué pasa?
36:20¿Qué pasa?
36:35¿Qué pasa?
36:38This gun is of no use to me. I can trade it for a bullet.
36:57Fuck! Bitch!
36:59Don't shout.
37:00I'll kill you!
37:04Your jacket.
37:06That's a jacket.
37:18I'll kill you! I'll kill you!
37:35I'll kill you!
38:05Yes?
38:14You won't be able to save your sister. But what can you save?
38:24No.
38:28I can't save anyone.
38:35I'll kill you.
39:05I'll kill you.
39:35Marías, you can be calm. Irina has left the house.
40:06But it was the best thing that could happen to you.
40:10Yes, look. I was only here for a day and look how you are.
40:15If it had been a week, I would have destroyed your life forever.
40:20And if you think about it, two thousand bucks for the ticket and this disgust is a reasonable bill for the lesson I gave you.
40:25Lesson?
40:26The lesson.
40:27What lesson have I learned, asshole? That you can't live next to me one day and she paid the ticket.
40:31Are you ready?
40:50Look, I've been here for more than ten years, by your side, and I'm not going to move.
40:55Besides, you didn't buy me in a doll catalog, did you?
41:01You have to focus on this.
41:31And so I'm getting used to the sights, what?
41:42Is that what Sanders said yesterday? What was he referring to?
41:45I don't know.
41:46I don't know?
41:48Tomás.
41:50Tommy, I know you.
41:53I told you that if Lisa reached a success rate of 90% in three months, Sanders would buy us 49% for 100 million.
42:01Yes? And?
42:02And what?
42:04If we don't pass the test, she stays 100% for the money she has put in.
42:08I don't know.
42:20Did you give Lisa that bastard?
42:22No. No.
42:25We can pass the test, you just have to focus.
42:29Marcia.
42:30Yes?
42:36Tell me, were you arguing?
42:38Yes, your friend Tomás lied to me, okay?
42:41Well, just before doing it, he blinked.
42:43Okay, and?
42:44We have to enter the variable blink to know when they lie to us.
42:47Okay.
42:48Bring a volunteer, run.
42:49Now?
42:50Now, please.
42:51Okay, yes, yes, yes.
43:00Hello.
43:26Hello.
43:28Do you like the soup?
43:30Yes.
43:37Salanca.
43:39It's meat soup.
43:41How's work?
43:50Fine.
44:01Do you know that people blink when they lie?
44:06Well, that nonsense helps us improve the application.
44:11It's called Lisa.
44:12And it's an algorithm that, well, basically detects emotions.
44:18But I don't want to bore you.
44:19No.
44:21No, no.
44:23I like listening to you.
44:25Tell me everything about Lisa.
44:27Well, in three months we have a test.
44:30And if I'm honest right now, I don't think we're going to pass it.
44:33It seems impossible.
44:34Nothing is impossible.
44:40See?
44:46Hey, it smells good, huh?
44:48Let's see how it tastes.
44:56Be careful.
44:57Yes.
44:59But it's very good.
45:02How was your day?
45:05Well, nothing special.
45:07What have you done?
45:09I've done shopping.
45:11Soup.
45:12Yes, I know that.
45:14Anything else?
45:26No.
45:57Why do you need this tattoo?
46:02Because of the spider.
46:04Do you know him?
46:06Yes, I do.
46:10I know his story.
46:13He came out of these tunnels.
46:18Now he's the leader of the thieves in Spain.
46:23Yes, the thieves.
46:25In Spain.
46:32In Spain.
46:43Yes, yes.
46:45With a scar on her face.
46:47Apparently, she was killed by a homeless man.
46:55A homeless man.
46:56Hey.
46:59And the boss saw everything?
47:02Yes, yes.
47:04I want to talk to him.
47:08He won't be able to.
47:11I'm sorry, Boris, I didn't know.
47:16Well, what else is there to know?
47:21She was sent to Kirill.
47:27Yes.
47:34They're holding us.
47:37At home, here.
47:39We need to show who's the boss.
47:42Yes.
47:44Hey.
47:47Twenty years ago.
47:50Who could show us who's the boss?
47:53Who, Vanya?
47:56Kirill, they're ambitious.
48:00There's nothing to lose.
48:03We have them.
48:05Let's get rid of them.
48:08Right now.
48:11No, Vanya.
48:14Whores and drugs.
48:16For puppies.
48:18It's peanuts, Vanya.
48:20Peanuts.
48:22Yes, peanuts.
48:24Let them do it.
48:27We need to think about the scale, Vanya.
48:32Do you understand?
48:35Yes, I understand.
48:39If whores and drugs are for puppies,
48:42then I'm leaving without you.
48:47See you.
48:48See you.
49:14I'll burn down his house.
49:18I'll burn down our house.
49:21Mom.
49:25I'll split their bodies in half.
49:30Like they split yours.
49:34Dad.
49:36I'll rape their bodies and souls
49:39until they prefer death.
49:41Like they did to you, sister.
49:49Sister.
49:54Sister.
50:18SISTER
50:39Listen, Lisa.
50:43I think we can help you reach its full potential.
50:46It's a new experience for you, living with a girl.
50:49I don't know if you like it.
50:50Yes, I like it.
50:52Hey, when you're not at home, how do you have fun?
50:57I have to go.
50:58Where to?
51:06What's this?
51:12Would you be able to hack my phone if I gave you the number?
51:15Yes, yes.
51:16Get on with it right now.
51:19What are you doing here alone?
51:21I'm going to see my father in the south.
51:26I know you want to work, Terri.
51:33You can't be so confident
51:35and think everyone is as good as you.
51:39Irina?
51:41Do you like the city?
51:43I like the sea.
51:44And going out? Do you like going out?
51:46What about you, Tomás?
51:47What do you like?
51:49Asking questions.
51:50Hey, Arturo, one thing.
51:52When you come to sleep,
51:54do these two let you keep an eye on them
51:56or are they always with them?
51:57If not, don't you see me?
52:00Irina uses the bed.
52:02She sleeps on the floor.
52:04Like the Fajirs.
52:05She's a bit weird.
52:06The Russian.
52:07The patient is completely sedated.
52:09Andrea!
52:10Security!
52:15Get out!