Y2meta.app-Anda Lentamente Guapa - Pájaro Soñador
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00:00Beren knows very well what this client wants.
00:02Talk to her.
00:03We have reviewed the data of the tire company.
00:06We sent the slogan proposal.
00:07We just wait for the answer.
00:08Okay?
00:09Everything is organized.
00:10And you can do that, right?
00:12Everything is already underway.
00:13So you won't have any problems.
00:17So you're leaving?
00:18I already told you yes.
00:19How many times have we talked about it?
00:21Emre, we already talked about it.
00:22I have to go.
00:23I already have everything prepared.
00:24You know it very well.
00:25What I don't understand is why you don't believe me.
00:27I thought you were reacting impulsively.
00:30Are you going to the Balkans?
00:32Yes.
00:33It's already a fact, Emre.
00:34If you had told me six months ago,
00:36I would have been fascinated that you would leave the company in my hands.
00:40But I'm not the same as before.
00:42I know.
00:43And that's why I'm leaving quietly.
00:44Because I know you'll stay in charge of the agency.
00:54Don't go, brother.
00:58By the way, we have received another job from the company of Red Mode.
01:04All right?
01:05Beren is already working on that.
01:07Don't ruin it.
01:08Handle it carefully, okay?
01:10Emre, focus, please.
01:12Bolen will be here soon.
01:13We're going to work on his book.
01:14And I want to get everything ready before she comes.
01:17I want to leave everything in your hands, please.
01:21Hey, it's okay.
01:28Hey, Jan.
01:29I hope the project of my book is not taking up a lot of your time.
01:32I don't want to bother you.
01:33No, don't worry.
01:34I already gave all the projects to Emre.
01:36So I can focus on your book.
01:38I want to finish it before we leave.
01:40It's important.
01:41You're the best.
01:42I thank you very much, Jan.
01:44Excuse me.
01:50Am I interrupting?
01:51In fact, yes.
01:53What are you doing here?
01:56Aren't you at your new job?
01:58Yes, of course.
01:59I'm already in my new office.
02:01The environment is very nice and very healthy.
02:04They are very nice.
02:05I love being there.
02:06I'm glad.
02:07I'm going to repeat the question.
02:08What are you doing here?
02:09We have to talk about something important.
02:12So...
02:13What?
02:14Sporting Life.
02:15What?
02:16Sporting Life.
02:17I don't understand.
02:19Sorry, it's confidential.
02:22Sporting Life.
02:24Sport...
02:29Sporting Life.
02:32Sporting Life.
02:34Sporting what?
02:35Shh!
02:36What are you doing?
02:37It's supposed to be a secret.
02:38Ah!
02:39Sporting Life.
02:40Of course.
02:41Why do you mention it?
02:42Okay, I understand.
02:43It's true.
02:44I told you it was a secret.
02:45It's okay.
02:46Polen is trustworthy.
02:48You can talk.
02:49She won't say anything.
02:50Is she trustworthy?
02:51Of course.
02:52Obviously, I finished what I had pending
02:54and sent the files to my colleagues.
02:56I only have this one left.
02:58Sporting Life.
02:59But since I'm very responsible,
03:01I came to see you to leave...
03:03Sporting Life.
03:04...also.
03:05It's not necessary.
03:07Hey, Jan, can you look at this?
03:09Please, Polen.
03:10One moment.
03:11Do you want?
03:13It's not necessary?
03:14Yes, everything is under control.
03:16Under control?
03:17Uh-huh.
03:18Did you do it alone?
03:19Yes, I solved the problem.
03:20It's done.
03:21So don't worry.
03:22Jan, please come.
03:23One moment, Polen.
03:24It's done.
03:26Okay.
03:27I just wanted to help you.
03:28Jan, can you look at this?
03:29What are you waiting for, Polen?
03:30One moment, Polen.
03:33Yes, I understand.
03:34And I thank you very much for the help.
03:36But from now on, I'll take care of everything.
03:39So it's not necessary.
03:40Very well.
03:41As you wish, Jan.
03:42I just wanted to help you.
03:46By the way, Chiquit asked me to remind you
03:48that you have a meeting with the artistic director of the book
03:50that's important.
03:51I know, Sanem.
03:52I'll be down in a minute.
03:53Don't worry.
03:54The shrimp are very yellow.
03:58Hey, Jan, can you come, please?
04:00Oh, good.
04:02So we agree that the main idea of our book is
04:06you are what you eat, right?
04:10I think what you mean is
04:12what you eat represents you.
04:14Or maybe something like
04:15eat what God gives you.
04:16We don't use that expression at home.
04:19I don't know what they say at your house,
04:21but mine is a very common expression.
04:23What's the problem?
04:24The phrase, you are what you eat,
04:26has vegan connotations.
04:28Or people who follow a strict diet use it.
04:30This book is about flavor, about enjoying food.
04:33I think it should be something like
04:35eat what you want.
04:36Otherwise, it will give another impression.
04:38Don't be offended,
04:39but I thought I was the artistic director.
04:42He's impulsive, but he's not a bad person.
04:44You just take the pictures and that's it.
04:47The pictures?
04:48Yes, of course.
04:49They'll be ready soon.
04:50Don't worry.
04:51Jiggy, can you help me, please?
04:52Nellie, honestly, I...
04:54I agree with what Jan says.
04:55We prefer a more conservative concept.
04:57Something that represents the Turkish flavor.
04:59That's right.
05:00Don't get it wrong, please,
05:01but what we want is to represent
05:03that fantastic mixture of cultures
05:05that exist in a kitchen.
05:07I understand,
05:08but there are a lot of opinions here.
05:10I'm trying to create a whole universe in my mind.
05:12The continuous interaction where
05:14one can make progress.
05:16What we're doing is a rain of ideas.
05:18After all, that's how business works.
05:20Isn't that right?
05:21Besides, what is that continuous interaction?
05:23I don't understand it.
05:25Anyway, continue.
05:26My dear photographer friend,
05:27do you understand?
05:29My dear photographer friend,
05:30do you understand?
05:33Just a little.
05:34Do you think you can take the pictures
05:36as I ask you to,
05:37so I can take care of everything?
05:39Will you be able to?
05:40Yes, of course,
05:41but I'll need you to describe it to me better.
05:43You never told me it would be like this.
05:45Oh, the queen of drama.
05:47Look, Denise,
05:48I know my friends are a little intense,
05:51but we can work as a team.
05:53What I have in mind
05:55is something like images
05:57with a concept like the one from the 70s,
05:59with wood and a soft light.
06:02Oh, do you want us to take pictures
06:04from the 70s to sell them this year?
06:06Seriously?
06:07How interesting.
06:08Of course.
06:09Excellent.
06:10It's a very good idea.
06:12With food from that year.
06:13What did you say?
06:14It's from the 70s.
06:15That idea expired.
06:17Jiggy, this is too much for me.
06:20As you know, my time is valuable.
06:22I can't work with your friends.
06:24I could never do it.
06:25Oh.
06:26Denise, no.
06:27Don't go.
06:28I don't think you understood us well.
06:29Can we talk for five minutes?
06:30Don't go.
06:31Oh, what a shame.
06:34And what are we going to do now
06:35with the artistic direction?
06:36And now who's going to do that job?
06:38Well, now we don't have time
06:40or artistic director.
06:42I'll take care of that, Polen.
06:43Don't worry.
06:44Jan, are you serious?
06:46I caused this problem,
06:48so I'm willing to solve it.
06:50Oh, this is great.
06:51I appreciate it, Jan.
06:53Polen, I was already panicking,
06:55but everything is fine.
06:58Jiggy, you don't have to worry.
07:00We have a new artistic director,
07:02Jan Dibit.
07:05Oh, really?
07:06That's great.
07:09Our editor is here.
07:11Present.
07:12Our artistic director.
07:13So now we're your clients, Jan.
07:15That's right.
07:16The truth is, Denise was a very strange guy.
07:18He mentioned something about him
07:20not liking eggs with onions.
07:22In fact, the onion is not something
07:23that gives a lot of flavor to the food.
07:25It is not necessary in all dishes.
07:26Oh, the truth is that I do like it,
07:28but maybe someone in England doesn't eat it.
07:30I would eat it.
07:42Can we start?
07:44Yes.
07:48We're ready.
07:49Can we start, Jan?
07:50Yes, let's start.
07:51Why are we here?
07:52We met in this office to discuss this.
07:54I'm just trying to focus.
07:56Calm down.
07:57I just need a good tea.
07:59I can make the tea.
08:00What are you doing, Annem?
08:01You're the client.
08:02That's right.
08:03And the client is always right,
08:05isn't it, J.J.?
08:06Yes, of course.
08:07But don't overdo it, please.
08:08Everyone's going to want tea.
08:09Me, J.J.
08:10Yes, me too, please.
08:11Tea, please.
08:12Good.
08:13Excuse me.
08:14Come in.
08:15Well, let's start with the meeting.
08:18Well, do you want to start with this?
08:21You're the editor, Annem.
08:23Yes, that's right.
08:24Please.
08:25I'm the editor.
08:26Yes, Miss Annem, go ahead.
08:28We're listening.
08:29We have a lot of confidence in you as a photographer.
08:32I appreciate it.
08:33We've seen part of your projects.
08:35You're an excellent photographer.
08:36The truth is that your work is very good.
08:39It's magnificent, Jan.
08:40Thank you very much.
08:41It's a great honor that you value my work so much.
08:43Really.
08:44Jan will be the artistic director of this book.
08:47She'll take care of all the artistic part.
08:49Really?
08:50No one told me, Jan.
08:51It was a coincidence.
08:52Jan wanted this.
08:54Yes, she really wants to work on this project to help Polen.
08:58It's clear that she's a person who likes to help
09:00and she wants to work on this book that Polen will write.
09:03I can only speak wonders of him.
09:06It's true.
09:07I appreciate it, Jan.
09:08If it weren't for you,
09:09I wouldn't have had the courage to enter this great project.
09:12Now I feel much calmer.
09:15How do I say it?
09:16I feel like there's no need to talk about the subject.
09:18Our hearts beat at the same time, right?
09:22You're full of peace and harmony.
09:24You're a perfect couple.
09:26Everything is so interesting.
09:28But I'm also in this project.
09:32My first project as an editor.
09:35This is excellent.
09:37I had my doubts,
09:39but now I see it as a great opportunity to succeed.
09:42I'm also very surprised.
09:44This seems very interesting to me.
09:46We are fortunate to be able to work with an editor like you.
09:49I want to add one thing, Jan.
09:51Of course, please.
09:52The key to being able to work as a team
09:55is to be in the same tune.
09:56And this is something that business people know.
09:59Although we only have one day,
10:01I really enjoy working with Serena.
10:02We started 24 hours ago.
10:03Exactly.
10:04But it seems like we've been working all our lives.
10:07Anyway.
10:08Beautiful.
10:09Let's continue.
10:11It seems like they've been together all their lives.
10:13As you say,
10:14all that happiness was thanks to a car accident.
10:17Blessed accident.
10:18That's right.
10:19Yes, there are accidents that happen
10:21because we have our heads in something else.
10:23Of course.
10:25Yes.
10:26And we're in the same tune, right?
10:28Oh, sorry.
10:29I thought I saw a fly.
10:30It's true.
10:31We work very well together.
10:32It's something fantastic.
10:33I'm still asleep.
10:34I need tea.
10:35Where's the tea, JJ?
10:36I'm coming, Mr. Jan.
10:38Here you go.
10:42Me, coffee, please.
10:46Oh, there's no tea for everyone.
10:48What's wrong, JJ?
10:49It's a joke, Polina.
10:53Did you drink it?
10:54I think it's all clear
10:56and there's not much to talk about.
10:58Yes, I think there are too many words.
11:00I think I'm lost.
11:01We just have to define the dates.
11:03Why?
11:04Are you thinking of going somewhere?
11:05When?
11:06With whom?
11:07When will you be back?
11:08I'm talking about the book.
11:09Yes, that's why I'm asking you these questions.
11:11Because we have to adapt our calendar to yours, Jan.
11:13Huh?
11:14What publication date do you have in mind?
11:16As soon as possible.
11:17What?
11:18What do you mean, a minute?
11:19We want to publish the book as soon as possible,
11:21in a week or so.
11:22Uh, but that's impossible.
11:24Of course it's possible.
11:26If you work well, you can do it.
11:28But, Sanem, right now it's impossible.
11:30We can't do it.
11:31We have a lot of projects right now.
11:33Are we behind on any?
11:35Unfortunately, no.
11:36Remember we started the shoe campaign late?
11:39I left the brand research done.
11:41Yes, and I work on that campaign.
11:43Thank you, JJ.
11:44It's not the budget for the car project.
11:46I had that project already advanced
11:48and now my ex-colleagues are finishing it.
11:50Bravo, Sanem!
11:51JJ, shut up!
11:53Sanem, uh, since you don't work here anymore,
11:57you can't comment on the agency's projects.
12:00Okay?
12:01Because all of that is confidential information.
12:04I'll always have them in my heart.
12:07It's like I've never left.
12:10Okay.
12:13This tea is horrible, JJ.
12:15Really?
12:17I like it better when I make the tea.
12:19Of course.
12:20I liked it a lot.
12:21Thank you, JJ.
12:22I drank it from a straw.
12:24I'm sure he burned his throat.
12:26I don't doubt it.
12:27Sure, we can do that,
12:29but you have to pay close attention to what I say.
12:31Well, see you later.
12:35Honey.
12:36Hi.
12:37It wasn't for you.
12:38It was for Polen.
12:39Hi, how are you, Uma?
12:41Shall we have a coffee together?
12:42Of course, of course.
12:44Jigit, I'll have a coffee with Uma
12:46when I finish under the tree.
12:47Very well.
12:48Giselle, bring us two coffees.
12:50Of course, Mrs. Uma.
12:51Giselle?
12:52Yes, that's my name.
12:53Janine, shall we go?
12:55Yes, of course.
12:56Come on in, please.
12:58See you later.
12:59Have a nice day.
13:00See you later.
13:06Would you like a coffee, Mr. Jan?
13:08Yes, a very strong one.
13:14Hello, brother.
13:15How did it go?
13:16Emre, you know me, don't you?
13:19Normally, I'm a kind man.
13:22Patient, polite, a gentleman.
13:25I'm a good person, you know.
13:26I'm not someone violent or anything.
13:29That's not me.
13:30In fact, I'm against violence.
13:32And when I get stressed, I go to the gym.
13:34But outside the ring, I've only fought with you.
13:37You know that.
13:38It's true.
13:39Yes, you're polite and kind.
13:41But the violence...
13:42Emre, I'm going to tell you something
13:44and I don't want you to be surprised,
13:45but I'm really telling you that I'd break that guy's face.
13:48Do you understand me?
13:49And when I hit, I hit hard.
13:51You know that.
13:52You've felt that.
13:53If I grab him, I kill him.
13:54I'm telling you that.
13:55Stop talking nonsense.
13:57Please.
13:58Sit down, please.
13:59Don't make me chase you around the office.
14:00No, no, no.
14:01I don't want to sit down.
14:02I have to get rid of this negative energy.
14:03Or otherwise, I'll become a killer.
14:05Because I swear I'm going to kill him.
14:07I'll cut him into a thousand pieces and that's it.
14:09I wonder if you know anything about kickboxing.
14:12Can you defend yourself?
14:13What do you think?
14:14Because I could go to his gym and solve things there.
14:18Really.
14:19If you know anything about kickboxing,
14:20it would help me not to have any remorse.
14:23I think that would be the best solution.
14:25But if you don't know, then I don't know,
14:27maybe I'd be embarrassed.
14:29Do you understand what I mean?
14:30I don't know.
14:31It could hurt him a lot.
14:32No, no.
14:33What are you doing?
14:34I can't stand to see him.
14:35Calm down.
14:36Why don't you leave, Leila?
14:37Because just seeing them together makes me furious.
14:38I'll go to the doctor to get a sedative.
14:40Why don't you ask me to sit down?
14:42Calm down for a moment.
14:43Stop moving.
14:44I'm tired of following you from one side to the other.
14:46Breathe.
14:47Very well.
14:48I gave him the days he had left,
14:49and yet he came to the agency.
14:51Why doesn't he stay in his office?
14:53It stresses me out.
14:54I just started a new job, a new life,
14:56and yet he's back.
14:58Hi, girls.
14:59Hi, Yigit.
15:00How are you?
15:01Very well, and you?
15:02Fine, thank you.
15:03I'm done with my job.
15:05What are you doing?
15:06Laughing and gossiping makes people happy.
15:09Yes, we were just talking.
15:12Osman calling.
15:14Hi, Osman.
15:16Oh, you're here.
15:19Looking for a house?
15:21Why?
15:24Yes, you're right.
15:25We have to look for a house, but...
15:28Okay, fine.
15:29I'm on my way.
15:30Fine.
15:33Osman came to pick me up.
15:34I'm leaving.
15:35Well, good luck.
15:37See you.
15:38Preparations for the wedding?
15:40That's right.
15:41Good luck.
15:43See you.
15:52Oh, Sanem, Sanem.
15:53I've read the same sentence four times because of you.
15:56I can't even concentrate.
16:06Come on, Sanem.
16:07My first novel.
16:08It's going to be great.
16:11Let's start.
16:17No, not this.
16:20Let's see, again.
16:30And if I don't read aloud,
16:32maybe if I listen,
16:34I'll be able to concentrate on the novel.
16:38After a long discussion,
16:40the silence returned to the house like a dense fog.
16:43Mert was in his bed,
16:45trying to forget everything that had happened.
16:49And suddenly he heard the door open slowly
16:53and footsteps advancing towards him.
16:55Mert closed his eyes and said,
16:57Sanem,
17:01this book is driving me completely crazy.
17:06I can even hear footsteps.
17:11Dreamy bird
17:15approached the bakery.
17:20The air was impregnated with the sweet aroma
17:26of freshly baked bread.
17:29That was the best time of day.
17:35For Sanem.
17:37Sanem?
17:39Well, yes, for now I'll put Sanem.
17:41And maybe I'll change it later.
17:43In fact, it's an autobiographical novel.
17:45Well, where was it?
17:47Oh, yes, it was the best time of day for Sanem.
17:50While the others were sleeping,
17:52for Sanem it was time to dream.
17:54Surrounded by the sweet aroma of bread.
17:57And while he was mentally traveling around the world,
18:00Jan entered the bakery.
18:03Was it Jan?
18:08I see him everywhere.
18:19While Sanem traveled the world with his imagination.
18:22No, it's just that he can't be Mousafer either.
18:26He can be...
18:28Enter, Memet.
18:29Yes, Memet.
18:30Memet.
18:31For now his name will be Memet.
18:33Good morning.
18:36Good morning.
18:37Good morning.
18:47What would you like?
18:48A loaf of bread, please.
18:51Okay.
18:54I'm coming.
19:01A loaf of bread.
19:20A loaf of bread.
19:31A loaf of bread.
19:44Have a good day.
19:50The truth is that this novel
19:53has not helped me at all.
19:57I'd better read this, even if it's in English.
20:02Well, let's see.
20:05Sanem was walking through the deserted streets.
20:11At first, in the morning, when...
20:16Suddenly he saw...
20:20Jan again.
20:25And if he runs to you?
20:27I'm going to break your hand, I'm going to hit you.
20:32I'm allergic.
20:41What's going on? I got scared.
20:47Why am I dreaming of Sanem? What's wrong with me?
20:50Oh, it can't be, but what's wrong with me?
20:54Now I have to bear it until my dreams.
20:58I should call Sanem.
21:00Should I call Jan?
21:01I'll just tell him I dreamed of her.
21:03Can I tell him I dreamed of him?
21:05It looks like I'm 15 years old.
21:07I feel like I'm 15.
21:10Or I'll send him a message and ask him if he's already asleep.
21:15Let's see what he answers.
21:19Sanem, I love your determination.
21:23Busy?
21:25Who are you talking to?
21:27Really? Busy?
21:30I can't believe it, he's busy.
21:33Who is he talking to at this hour?
21:35Don't worry, it's none of your business.
21:39I'm going to erase Jan from history.
21:43Very well.
21:46Maybe he has a problem with his mother and he's talking to her.
21:49I'm sure he hung up, I'll just tell him a couple of things.
21:52It doesn't matter how he reacts.
22:01Sanem?
22:02Jan!
22:04I'm sorry, did I call you?
22:08I'm sorry, I wanted to call Ivan, but I made a mistake.
22:11How are you?
22:12Sorry, I'm a little hoarse.
22:14Fine, everything's fine.
22:16How are you?
22:17I'm fine.
22:20How are you going to leave soon?
22:22You're probably at a farewell party with your friends.
22:25You must be busy and I don't want to bother you.
22:28I called you by chance.
22:30Yes, I'm at a party, of course, you know how I am.
22:33Are you working at this time?
22:36Because if you're busy, I can call you later.
22:39I don't want to bother you, but only if you want to talk, I could call you.
22:43As you wish.
22:44No, I'm free.
22:47I'm at a party.
22:49Yes, I'm coming.
22:50Yes, just give me a moment.
22:52Fine, fine, no problem.
22:54You enjoy the night.
22:56Hey, Yigit is very polite.
22:59It seems that he is very kind.
23:03I hope he is good and that he treats you well.
23:05Well, of course.
23:07In fact, I am very grateful to him.
23:10He has helped me and supports me a lot.
23:12The truth is that he has given me many ideas for my novel.
23:16I don't know what I would do without him.
23:18Well, yes, it's true, he is a successful man.
23:21In fact, I have helped Pauline with her book.
23:23And I'm also doing a project with him.
23:26I don't know how I got in.
23:28Yes, of course.
23:29As if someone had pushed you.
23:31I mean, I think it's a great opportunity.
23:34I'm glad, really.
23:36You took your path and I'm going to follow mine.
23:38We will go in opposite directions and who knows what happens.
23:41Our paths separate.
23:43It's true.
23:45Who would have thought, right?
23:47Yes, yes, what do you mean?
23:48Well, yes, no one would think that we would take different paths.
23:52And that we would respect each other's decisions as civilized people, right?
23:57Yes, it's true.
23:58We are civilized people.
23:59That's the word.
24:00You said it very well, Sanem.
24:02Fortunately, we no longer get into each other's lives.
24:06We are strong and we are no longer jealous of what the other does.
24:09Now we are two average people, Sanem.
24:12How?
24:14It's true.
24:17I don't understand people who can't be friends after finishing.
24:21They are not civilized.
24:23It's true.
24:24Friendship is more important than love.
24:26Because in the end, love disappears.
24:29It doesn't last.
24:30Friendship, on the contrary, can last forever.
24:34It's true.
24:35In fact, I think you described it very well.
24:38I think exactly the same.
24:40Very good.
24:41Let me applaud you.
24:43Bravo.
24:45I think it's good.
24:46Hey, I don't want to entertain you anymore.
24:47They are waiting for me.
24:48Give me a second.
24:49Put them to cool down.
24:50I don't want to make them wait.
24:51Do you understand?
24:52Yes, sorry.
24:53I didn't want to entertain you.
24:54Besides, they are also waiting for me.
24:56I think we are both very requested.
24:58I'm tired, but what am I going to do if everyone wants to be with me?
25:01Your friends.
25:02I'm leaving.
25:03See you later, Yana.
25:05See you later.
25:06Goodbye.
25:11First, he was busy, but then he answered.
25:15How meaningful.
25:20He says he's not jealous.
25:22I'm the one who's not jealous.
25:24I'm not jealous, and I'm not going to tell you.
25:26I'm going to prove it to you with facts.
25:28Less talking and more acting.
25:32Really?
25:33Now he's not jealous?
25:35Really?
25:36Are you sure you're not jealous?
25:38If you just need to hook me up with a table so I don't leave the agency.
25:41It's really childish.
25:42He says I'm an ordinary person.
25:44Well, okay.
25:45If I'm one more, it's okay.
25:46Although I'm not like the others.
25:48He thinks I am, but I'm not.
25:50Well, I don't care.
25:51I don't care about this nonsense.
25:53Because it's nonsense.
25:55That's it.
25:56And I'm tired.
25:57Do you want to turn off the light or do you want me to do it?
25:59You'll see what it's like not to be jealous.