Illegally Yours (1988) Comedy

Retro Kid

Richard Dice (Rob Lowe ) finds himself in trouble when he realizes that he is serving jury duty in a murder trial where his first love is accused. Thereafter, he tries his best to prove her innocence.

Transcript

00:00:00Except that poor mailman.

00:00:05So anyway, on June 23rd, in the afternoon,

00:00:08two of Keillor's chief security guys followed Keillor's own daughter and her girlfriend over to the beach.

00:00:13Suzanne and Sharon, now, they didn't even know they'd been followed.

00:00:16Wait.

00:00:17The girls were driving a guy called Arnie, who used to work for Keillor.

00:00:20Arnie'd been fired, you see. Arnie was a blackmailer.

00:00:27He's got a bug on him. I thought he did.

00:00:29Means he was probably bugging us this morning. Maybe the whole time.

00:00:33Son of a...

00:00:40Come on, come on.

00:00:46Arnie was paying a call on Keillor's two main assistants, Donald and Ruth.

00:00:50The funny thing is, Keillor himself didn't know about any of this stuff until even after I did.

00:00:53It is kind of confusing, isn't it?

00:00:55It was confusing to everybody there, too.

00:00:57Now, maybe if Suzanne and Sharon hadn't been so nervy, so damn curious, things might have been different.

00:01:04Harry, Conrad, Keillor's daughter, they don't like it much either, but there's not much they can do about it.

00:01:10Hey, don't feel bad. Everybody's ripping Keillor off.

00:01:13They used to work for the guy, I know.

00:01:15Hey, people, it's rude to turn your back on a guest.

00:01:18You're insane if you think we're gonna pay you anything.

00:01:20You got nothing on us.

00:01:21Hey, hey, hey, back up.

00:01:22Look out!

00:01:28Ow!

00:01:40What is this?

00:01:42They're taping us.

00:01:43Get the tape.

00:01:48What about the gun and the...

00:01:49All right, get him in the rug.

00:01:50In the rug?

00:01:51Roll it up.

00:01:53What do I do? What's gonna happen?

00:01:55What do I do? What's gonna happen?

00:01:57All right, get him out.

00:02:08And it was just that moment Molly picked to show up.

00:02:11Molly Gilbert, the only person in the story I'd ever met before.

00:02:14Some years before, that is, 19 years before.

00:02:19She didn't have anything to do with Keillor, except that Donald worked for Keillor,

00:02:22and Donald, the blonde guy with the carpet,

00:02:24had just broken up with Molly because of Ruth, the other one with the carpet.

00:02:28And Molly was pretty esteemed about it.

00:02:49What are you doing here?

00:02:52Getting my stuff.

00:02:53This is not the time to be here.

00:02:55Would you mind coming back another day?

00:02:57It's always inconvenient.

00:03:00Look, what are you doing here?

00:03:01I'm just packing my stuff, okay?

00:03:02Yeah, well, just make sure it's yours.

00:03:04Molly?

00:03:09Look, if this is not all of your stuff, I can tell that you're being reckless.

00:03:12It is not. Look at all of this.

00:03:15These are my papers, all right?

00:03:16They are.

00:03:17They are not.

00:03:18They're my papers.

00:03:19Those are not all yours.

00:03:49Let's go.

00:04:12So, anyway, six months later, well, actually about two weeks ago,

00:04:15I was still in Winston-Salem, North Carolina, 500 miles from home.

00:04:19I'd been living, happily I thought, with a woman a little older than me.

00:04:22I guess I like older women.

00:04:24A sculptress named Sonia.

00:04:26But December 17th, I had a pretty bad day myself.

00:04:29Actually, it was murder.

00:04:30Well, I mean, nobody got killed.

00:04:31I mean, that day was murder.

00:04:33It was the afternoon, and I was coming home early.

00:04:36It was a surprise.

00:04:37Some surprise.

00:04:39I was bringing home some French bread and red roses.

00:04:45It was a surprise.

00:04:46It was a surprise.

00:04:47It was a surprise.

00:04:48It was a surprise.

00:04:49It was a surprise.

00:04:50It was a surprise.

00:04:51It was a surprise.

00:04:52It was a surprise.

00:04:53It was a surprise.

00:04:54It was a surprise.

00:04:55It was a surprise.

00:04:56It was a surprise.

00:04:57It was a surprise.

00:04:58It was a surprise.

00:04:59It was a surprise.

00:05:00It was a surprise.

00:05:01It was a surprise.

00:05:02It was a surprise.

00:05:03It was a surprise.

00:05:04It was a surprise.

00:05:05It was a surprise.

00:05:06It was a surprise.

00:05:07It was a surprise.

00:05:08It was a surprise.

00:05:09It was a surprise.

00:05:10It was a surprise.

00:05:11It was a surprise.

00:05:12It was a surprise.

00:05:13It was a surprise.

00:05:14It was a surprise.

00:05:15It was a surprise.

00:05:16It was a surprise.

00:05:17It was a surprise.

00:05:18It was a surprise.

00:05:19It was a surprise.

00:05:20It was a surprise.

00:05:21It was a surprise.

00:05:22It was a surprise.

00:05:23It was a surprise.

00:05:24It was a surprise.

00:05:25It was a surprise.

00:05:26It was a surprise.

00:05:27It was a surprise.

00:05:28It was a surprise.

00:05:29It was a surprise.

00:05:30It was a surprise.

00:05:31It was a surprise.

00:05:32It was a surprise.

00:05:33It was a surprise.

00:05:34It was a surprise.

00:05:35It was a surprise.

00:05:36It was a surprise.

00:05:37It was a surprise.

00:05:38It was a surprise.

00:05:39It was a surprise.

00:05:40It was a surprise.

00:05:41It was a surprise.

00:05:42It was a surprise.

00:05:43It was a surprise.

00:05:44It was a surprise.

00:05:45It was a surprise.

00:05:46It was a surprise.

00:05:47It was a surprise.

00:05:48It was a surprise.

00:05:49It was a surprise.

00:05:50It was a surprise.

00:05:51It was a surprise.

00:05:52It was a surprise.

00:05:53It was a surprise.

00:05:54It was a surprise.

00:05:55It was a surprise.

00:05:56It was a surprise.

00:05:57It was a surprise.

00:05:58It was a surprise.

00:05:59It was a surprise.

00:06:00It was a surprise.

00:06:01It was a surprise.

00:06:02It was a surprise.

00:06:03It was a surprise.

00:06:04It was a surprise.

00:06:05It was a surprise.

00:06:06It was a surprise.

00:06:07It was a surprise.

00:06:08It was a surprise.

00:06:09It was a surprise.

00:06:10It was a surprise.

00:06:11It was a surprise.

00:06:12It was a surprise.

00:06:13It was a surprise.

00:06:14It was a surprise.

00:06:15It was a surprise.

00:06:16It was a surprise.

00:06:17It was a surprise.

00:06:18It was a surprise.

00:06:19It was a surprise.

00:06:20It was a surprise.

00:06:21It was a surprise.

00:06:22It was a surprise.

00:06:23It was a surprise.

00:06:24It was a surprise.

00:06:25It was a surprise.

00:06:26It was a surprise.

00:06:27It was a surprise.

00:06:28It was a surprise.

00:06:29It was a surprise.

00:06:30It was a surprise.

00:06:31It was a surprise.

00:06:32It was a surprise.

00:06:33It was a surprise.

00:06:34It was a surprise.

00:06:35It was a surprise.

00:06:36It was a surprise.

00:06:37It was a surprise.

00:06:38It was a surprise.

00:06:39It was a surprise.

00:06:40It was a surprise.

00:06:41It was a surprise.

00:06:42It was a surprise.

00:06:43It was a surprise.

00:06:44It was a surprise.

00:06:45It was a surprise.

00:06:46It was a surprise.

00:06:47It was a surprise.

00:06:48It was a surprise.

00:06:49It was a surprise.

00:06:50It was a surprise.

00:06:51It was a surprise.

00:06:52It was a surprise.

00:06:53It was a surprise.

00:06:54It was a surprise.

00:06:55It was a surprise.

00:06:56It was a surprise.

00:06:57It was a surprise.

00:06:58It was a surprise.

00:06:59It was a surprise.

00:07:00It was a surprise.

00:07:01It was a surprise.

00:07:02It was a surprise.

00:07:03It was a surprise.

00:07:04It was a surprise.

00:07:05It was a surprise.

00:07:06It was a surprise.

00:07:07It was a surprise.

00:07:08It was a surprise.

00:07:09It was a surprise.

00:07:10It was a surprise.

00:07:11It was a surprise.

00:07:12It was a surprise.

00:07:13It was a surprise.

00:07:14It was a surprise.

00:07:15It was a surprise.

00:07:16It was a surprise.

00:07:17It was a surprise.

00:07:18It was a surprise.

00:07:19It was a surprise.

00:07:20It was a surprise.

00:07:21It was a surprise.

00:07:22It was a surprise.

00:07:23It was a surprise.

00:07:24It was a surprise.

00:07:25It was a surprise.

00:07:26It was a surprise.

00:07:27It was a surprise.

00:07:28It was a surprise.

00:07:29It was a surprise.

00:07:30It was a surprise.

00:07:31It was a surprise.

00:07:32It was a surprise.

00:07:33It was a surprise.

00:07:34It was a surprise.

00:07:35It was a surprise.

00:07:36It was a surprise.

00:07:37It was a surprise.

00:07:38It was a surprise.

00:07:39You have a chance when you play with fire.

00:07:41Sometimes you might get burned.

00:07:44Love is a gambler.

00:07:45Love is a gambler.

00:07:47Lady Luck is always there when the wheel is turned.

00:07:52When the wheel turns.

00:07:55When the wheel turns.

00:07:59Lady Luck, won't you turn that wheel for me?

00:08:05It was good being home again in Florida.

00:08:08Ponce de Leon named it after Flora, the goddess of flowers.

00:08:11I guess old Ponce was a hopeless romantic too.

00:08:14That's what my mother started calling me.

00:08:16A hopeless Romeo.

00:08:17Maybe because it was Christmas time,

00:08:19but I certainly was looking forward to seeing her again

00:08:22and my kid brother Andrew.

00:08:23Even though I told Andrew I'd be coming home the conquering hero.

00:08:27Oh well.

00:08:28My mother was always up to something screwy.

00:08:30You could just never predict her.

00:08:31She's also been married about seven times.

00:08:33My mom always says,

00:08:34Richard, you've got to remember,

00:08:35love is a gamble.

00:08:36Most of the time you lose,

00:08:37so there's no point in being depressed too long when you do.

00:08:40It's just the way it goes with love.

00:08:41Better luck next time.

00:08:43My mother's an optimist.

00:08:44I guess maybe I am too.

00:08:47Yes sir, you said a mouthful.

00:08:48Johnny, that's a big hit single for the man in black.

00:08:50And it sure is a beautiful morning here in St. Augustine.

00:08:53Only eight more shopping days to Christmas

00:08:55and it's over 85 in the shade.

00:08:57Hey Charles, you hear that Al B. Keogh guy

00:08:59is having a Christmas party to show off what he's done in the old fort?

00:09:07Had a good night's sleep?

00:09:09Don't worry about a thing, Mom.

00:09:11I got a very good deal.

00:09:12Uh-huh.

00:09:13500 miles, $500.

00:09:14That's only a dollar a mile.

00:09:15I love bargains.

00:09:16You look exhausted.

00:09:17You want to lie down?

00:09:18I'd be eternally in your debt, ma'am.

00:09:20Well, come on before you fall down.

00:09:21I'll pay you back.

00:09:22I'll pay you back for anything you do, Mom.

00:09:24Well, it's the thought that counts, sweetie,

00:09:25but I won't hold my breath.

00:09:27Yeah, but we get our vouchers.

00:09:28I'll design a voucher.

00:09:29They just need to mature a little bit.

00:09:30Well, that's true of a lot of things.

00:09:31Hail the conquering hero.

00:09:33Yeah, true.

00:09:34How much this time?

00:09:35Don't fuss about it, Andrew.

00:09:36And say hello to Wally.

00:09:37Hi, Andrew.

00:09:38Hi.

00:09:39Uh, Andrew, the world is a strange place.

00:09:40Wally, how about a little room and board?

00:09:41I'd be eternally in your debt, ma'am.

00:09:43You already said that.

00:09:44Just take it off the top.

00:09:45Don't worry about a thing, little buddy,

00:09:46because I'm fine, Andrew.

00:09:47I'm a freaking ass.

00:09:49I'm a dynamo.

00:09:50I'm a wrecking machine.

00:09:51Yeah, and I'm getting wicked deja vu here, Richard.

00:09:59Name?

00:10:00Richard Dice.

00:10:01Dice, Richard.

00:10:02Hair, dark, 24.

00:10:03Eyes blue, 5'11".

00:10:05The other side.

00:10:06Who are you?

00:10:07Oh, Freddy Bonflecker, police department.

00:10:09I've been going with you over the past couple of months.

00:10:11Sorry about the choke hold, but suburban crime is under control.

00:10:15Call me Uncle Freddy.

00:10:17OK.

00:10:21It was a little strange being in my old room again.

00:10:24Sort of like bumping into the ghost of Richard past.

00:10:26And right then, he didn't seem like a very interesting guy.

00:10:29Certainly not a lucky one.

00:10:30But all that was going to change.

00:10:33An old gypsy numerologist told me once,

00:10:35trust the dice.

00:10:36They would guide me, she said, on the path of life.

00:10:41Twenty.

00:10:42That's two.

00:10:43That's love.

00:10:44OK, then.

00:10:47No smoking today.

00:10:49No smoking at all.

00:10:52This is Dice's alligator mud.

00:10:54I gather you're a business woman, Mrs. D.

00:10:56Well, don't gather too much, honey.

00:10:58We're just trying to get this new facial off the ground.

00:11:00We used the red clay from out back, mixed with horse protein.

00:11:03Richard wasn't in Winston-Salem for very long, was he, Mom?

00:11:06You're not in shock about it, are you, honey?

00:11:08Not really.

00:11:09What's the story with Uncle Freddy?

00:11:11Freddy's not a bad guy.

00:11:12You just have to get past the paranoia.

00:11:14Also, he's tall.

00:11:15I have to go out to the Keeler place.

00:11:17I don't believe we've had the pleasure.

00:11:19Wally, Freddy, Freddy, Wally, and don't start frisking.

00:11:21Up, up, keep them up.

00:11:23He does that to everybody.

00:11:25Since Al B. Keeler moved into the old fort, you have to be careful.

00:11:28With all that money around town, boy, draws kooks like bees to honey.

00:11:32Well, that guy Keeler may be rich, but he's an idiot.

00:11:35You are speaking of one of America's richest and most respected men, Evelyn.

00:11:39Why, if he hadn't inherited every penny from his father,

00:11:42he could have had the brains to...

00:11:44Be a policeman?

00:11:45You are a smart aleck.

00:11:46And you, I don't know about you yet.

00:11:48This one's clean.

00:11:50Well, he is tall.

00:11:52You weren't in Winston-Salem for very long, were you, Rich?

00:11:58It didn't pan out, huh, kid?

00:12:00You know, I just don't think Sonia was ready to accept

00:12:03the responsibility of two people living together.

00:12:05Yeah, she made him take a number.

00:12:07I think I'm swearing off women for a while.

00:12:09That's a bit drastic, isn't it?

00:12:11No, no, see, I was reading this magazine.

00:12:12They said I was a love addict.

00:12:13Love addict?

00:12:14Yeah, you know, reckless, made happy, craves for attention.

00:12:16I want my drives.

00:12:17They're out of control.

00:12:18You know, I'm a hopeless romantic.

00:12:20Oh, forget it, baby.

00:12:21Take a week off.

00:12:22Relax.

00:12:23Oh, no, I'm gonna be out of here in less than a week, really.

00:12:24I'm on a roll.

00:12:25I got this rhythm going.

00:12:26Job, boom, career, boom, apartment, boom.

00:12:29Oh, no.

00:12:30What is it?

00:12:31Not another warrant?

00:12:32Jury duty.

00:12:33Today's the deadline.

00:12:34I have to be there by nine.

00:12:35Oh, well, I'll get out of it.

00:12:37This is an easy one.

00:12:38And then it's gonna be job, boom, career, boom, apartment, boom.

00:12:41I'm gonna have to use the car.

00:12:43Hey, Ma, you promised me the car for work after school.

00:12:45Oh, I'll be out of this jury thing before then.

00:12:47Mom, you remember that Mexican wallet that you gave me

00:12:49with the hundred in it?

00:12:50Uh-huh.

00:12:51I have the wallet.

00:12:52I just don't have the hundred.

00:12:53Cute.

00:12:55Don't anybody worry about me.

00:12:57I've been at square one before.

00:12:58The key right now is discipline.

00:13:00Some of us just have to give ourselves that short leash.

00:13:03I've heard about that leash before.

00:13:05Kid's a good talker, though.

00:13:07Gonna go far.

00:13:08Yeah, but he just might have to get towed the whole way.

00:13:11Hello, my love.

00:13:12How you doing?

00:13:13Finally.

00:13:15Yeah, I've been waiting forever for you.

00:13:18What's up, man?

00:13:19Well, Andy, I like your shirt.

00:13:20It's a great shirt.

00:13:21I wore it for mom.

00:13:22No, it's not, it's a friend of mine.

00:13:24You know, it's too expensive.

00:13:25I'm not even sure if it's gonna fit.

00:13:26It's not gonna fit.

00:13:27It's too small.

00:13:28Oh, it's okay.

00:13:29They won't take it.

00:13:30Oh, you're my smiling face.

00:13:31It's not gonna fit.

00:13:32It's not gonna fit.

00:13:33All right, all right.

00:13:34You know, I want to have the whole thing,

00:13:35but I want to make sure you get it just right.

00:13:36I'm not going to be able to do this, I'm afraid.

00:13:38You're late.

00:13:39Slow it down, now.

00:13:40Excuse me.

00:13:41If you recall the names, I want you to report

00:13:44to the criminal court on the second floor of this building.

00:13:48Aaron.

00:13:49Excuse me.

00:13:50Abernathy.

00:13:51Excuse me.

00:13:52Alan.

00:13:53My shoe came off.

00:13:54I don't mean to be a prima donna.

00:13:56I just don't have two weeks to kill right now.

00:13:58I'm sorry.

00:13:59I'm sorry.

00:14:00I'm sorry.

00:14:01I'm sorry.

00:14:02I'm sorry.

00:14:03I'm sorry.

00:14:04I'm sorry.

00:14:05I don't mean to kill right now.

00:14:06I'm getting this rhythm going.

00:14:07Job, boom, career, boom, apartment, boom.

00:14:09You know what I mean?

00:14:11I'm just a guard, fella.

00:14:12Tell her to Miss Sobel.

00:14:13Huh?

00:14:16Miss Sobel.

00:14:17Hello, good morning.

00:14:18I'm Richard Dice.

00:14:19I just got back into town and found a summon waiting.

00:14:22Do you have a slip?

00:14:23I had a slip.

00:14:24I need the slip.

00:14:27Don't move.

00:14:28Cruz.

00:14:30Excuse me.

00:14:31Hello.

00:14:32Could you give me back that paper?

00:14:33Oh, I can't.

00:14:35What do you mean you can't?

00:14:36Well, you're already registered.

00:14:38No, no, no, wait. You don't understand.

00:14:39Dice!

00:14:40Dice.

00:14:41Wait a minute.

00:14:42Could somebody just listen for a second?

00:14:44I can't do this.

00:14:45Why not?

00:14:46It's absolutely crucial I devote every day to my career.

00:14:48Well, have you got a letter from your employer?

00:14:50I could get a note from my mother.

00:14:53Ha, ha, ha, ha, ha, ha.

00:14:56I'm just kidding around.

00:14:57No, you don't understand. I can't be on a jury.

00:15:00I like juries because, you know, I believe in juries.

00:15:03But, I mean, I believe in our whole system of American justice.

00:15:07Order.

00:15:09Order in the court.

00:15:11Order in the court.

00:15:13I mean, I like to judge and I like to be involved in something.

00:15:15Be quiet now.

00:15:17Your Honor.

00:15:18Yes, Counselor?

00:15:19My client's a little late.

00:15:21She's dealing with an eviction notice.

00:15:22But I believe we could begin the preliminary jury selection without her.

00:15:25Yes, that's all right, Counselor.

00:15:27But, of course, you know that until your client is present, the jury can't be sworn in.

00:15:31Yes, of course, Your Honor.

00:15:33Your Honor?

00:15:34Yes?

00:15:35I'm a little late, too.

00:15:37This is a particularly important week for me.

00:15:39And I was just wondering, could you say, is this a tough one or an easy one?

00:15:42Justice is never easy, young man.

00:15:44Justice is a very careful process.

00:15:46Yes, I'm sure that's so true.

00:15:48But will it take long?

00:15:49You...

00:15:51Order in the court.

00:15:53Order.

00:15:56Your Honor, my client, Miss Gilbert, has arrived.

00:15:59Apparently.

00:16:00Gilbert?

00:16:01Molly?

00:16:02Molly Gilbert?

00:16:03All right.

00:16:04If there are no further problems, let the jury selection begin.

00:16:08Abernathy, Jerome.

00:16:11Abramowitz, Mildred.

00:16:14Mildred, Mildred.

00:16:16Mildred, Mildred.

00:16:18Mildred, Mildred.

00:16:20Mildred, Mildred.

00:16:27Kuchenbacher, Henrietta.

00:16:30Kern, Lisa.

00:16:33Denigol, Tim.

00:16:37Dice, Richard.

00:16:42Horowitz, Scott.

00:16:45Mr. Clerk.

00:16:47Howard, Stephen.

00:16:50Your Honor, may I interrupt this process for a moment?

00:16:53Yes.

00:16:54Miss Gilbert is distressed because the bag that she carried to the house,

00:16:57Exhibit C, had a number of personal effects in it.

00:17:00And since the revolver is the only relevant piece of evidence,

00:17:04and these items have been impounded for six months,

00:17:07we were wondering if the court would consider

00:17:10I see no reason to hold it.

00:17:12Miss Gilbert can pick it up at the sheriff's office downstairs.

00:17:16Prosecution must apply a receipt.

00:17:18May the jury selection continue now, Miss Morgan?

00:17:21Yes, of course, Your Honor. We thank you.

00:17:23Go ahead, Mr. Clerk.

00:17:25Mr. Dice, have you ever served on a jury before?

00:17:28No, no, I haven't.

00:17:29Well, Miss Gilbert is charged with a very serious offense

00:17:31of attempted murder, Mr. Dice, in which two people were injured.

00:17:34Mr. Dice, have you ever served on a jury before?

00:17:37No, no, I haven't.

00:17:38Attempted murder, Mr. Dice, in which two people were injured.

00:17:40Is there anything that you may have read in the press or seen on television

00:17:43that might have prejudiced your judgment of this case?

00:17:45No, I've been out of town.

00:17:47One final question, Mr. Dice.

00:17:48Before today, have you ever in your life met, spoken to,

00:17:51or so much as seen the defendant, Molly Gilbert?

00:17:56Never.

00:17:57Accepted?

00:17:59Accepted.

00:18:01Justice Abraham, will you render an impartial verdict

00:18:04based upon the evidence presented in this courtroom?

00:18:08You're going to kill him!

00:18:09She did not mean that.

00:18:10I didn't mean it literally.

00:18:11And Hal Keeler, Ethan and all this.

00:18:13Hal Keeler, Ethan?

00:18:14Ruth Harris.

00:18:15She works for Keeler.

00:18:16I don't see the connection, but stick around

00:18:18and I'll talk about it in court.

00:18:19Excuse us now, please.

00:18:20Bye now.

00:18:21I don't want to talk.

00:18:22No talking.

00:18:23Bye, Nellie.

00:18:28My mom hears about this in Saskatchewan.

00:18:30Relax.

00:18:31I'm late.

00:18:32Here, pick up your bag at this window.

00:18:34Don't talk to the press.

00:18:35And keep your chin up.

00:18:37Hello, could I have my stuff, please?

00:18:38Record!

00:18:39Record!

00:18:44Thank you very much.

00:18:45Record!

00:18:46Record!

00:18:53There she is.

00:18:54I'm going to take care of that tape.

00:18:55Good.

00:18:56Tonight.

00:18:57It's one of those tapes in that bag there.

00:19:02Come on, we better go get the car.

00:19:04Huh?

00:19:08Oh, hey!

00:19:09Hey, Richard!

00:19:10Didn't get out, huh?

00:19:11What?

00:19:12What happened?

00:19:13Go right there.

00:19:14See her?

00:19:15The one with the rainbow-colored bag?

00:19:16Stunning, huh?

00:19:17You said this morning you were swearing off women.

00:19:19I know, I know.

00:19:20This is an exception.

00:19:21That's Molly Gilbert.

00:19:22When I was in first grade, she was the prettiest

00:19:23sixth grader in the school and the cutest square dancer.

00:19:25There were five years between us.

00:19:27She didn't even know I existed.

00:19:28I still loved her.

00:19:29This first love, Andrew, would be the root of my whole problem.

00:19:32You were only six years old, Richard.

00:19:33I know.

00:19:34Six is pivotal.

00:19:35Six is the number five.

00:19:36I looked up from the jury locks on the floor.

00:19:37Those two guys are looking at her funny.

00:19:39Is she the lawyer?

00:19:40The defendant attempted murder.

00:19:41What?

00:19:42Jurors aren't allowed to know defendants.

00:19:43You're supposed to be in love with them.

00:19:48Watch it, kid.

00:19:53I don't like those guys.

00:19:54Let's follow them.

00:19:55Richard, I don't understand.

00:19:56Richard.

00:20:06Those two guys look like they're tailing her.

00:20:08This is illegal, Richard.

00:20:09You know, against the law.

00:20:10The law doesn't have to know.

00:20:11Wait a second.

00:20:12They ask every juror under oath if they know the defendant.

00:20:14They asked.

00:20:15I said no.

00:20:16You lied.

00:20:17That's perjury.

00:20:31Did you see?

00:20:33This is insane, Richard.

00:20:34Let's follow them.

00:20:35Follow them?

00:20:36Yeah, those guys make me nervous.

00:20:37Richard.

00:20:38Don't you understand?

00:20:39I could be the only guy standing between Molly and 20

00:20:41years on a bum raft.

00:20:42But Richard, I don't understand.

00:20:43I remember one time at school.

00:20:45I brought her a flower on the playground.

00:20:47Too many kids watching.

00:20:48She kind of wiped the pavement with me.

00:20:49Next year, she was gone.

00:20:51Look at her.

00:20:52Get off it, mister.

00:20:53I'm moving it.

00:20:54She's got to be innocent.

00:20:55Please.

00:20:56Rich, you're playing with fire.

00:20:57Relax.

00:20:58I'll be in a box.

00:20:59We travel in a pack of 12, OK?

00:21:01Rich, you're a sick person.

00:21:02Therefore, I'm taking the kids to the clinic.

00:21:04Andrew!

00:21:17Are you crazy?

00:21:18I'm terribly sorry.

00:21:19It's something of an emergency.

00:21:21Are you out of your mind?

00:21:23Could you follow that Plymouth?

00:21:24Someone stole my car.

00:21:25Yeah, OK.

00:21:26Is that why you're following her?

00:21:27Who?

00:21:28The woman in the Plymouth.

00:21:29No, no.

00:21:30I think her life's in danger.

00:21:34Well, hello there.

00:21:35This was all trees once and wild animals, eh?

00:21:38Right.

00:21:39No, that's my friend Sharon.

00:21:40Somebody slipped her a weird mushroom a couple days ago

00:21:42on a slice of pizza.

00:21:43She hasn't quite come down yet.

00:21:44I see a label, eh?

00:21:45See what I mean?

00:21:46Uh-huh.

00:21:47They're turning right.

00:21:48Turn right.

00:21:52Are you a cop?

00:21:53Me?

00:21:54No.

00:21:55Biogenetic research.

00:21:56You know, gene splicing, et cetera.

00:21:57Oh, really?

00:21:58Oh, yes.

00:21:59I wonder who those two goons are who are following her.

00:22:00Personally, I wouldn't know.

00:22:01We're just students.

00:22:02I want to go in the boot.

00:22:03Excuse me?

00:22:04Out in a boot.

00:22:05Out in a boat?

00:22:06No, out and about.

00:22:07She's from Canada.

00:22:08Oh, out in a boot.

00:22:19Oh, gosh.

00:22:20Are you hurt?

00:22:21Are you OK?

00:22:22Yes, I'm fine.

00:22:25OK, let's go.

00:22:34OK.

00:22:55What are you?

00:22:56Do you have any sunglasses or something?

00:23:01Thanks.

00:23:02Could you wait, please?

00:23:02Sure.

00:23:17Hey, you!

00:23:18You're down a quarter of an aisle!

00:23:19Hey! Hey, guys!

00:23:20Get out of there.

00:23:21I was just using the ladies room.

00:23:22You're down two quarters.

00:23:23Yeah, well, some other time.

00:23:33Could we follow him?

00:23:34This looks serious.

00:23:35Sure.

00:23:48What exactly makes you think her life's in danger?

00:23:50Didn't you see what that goon was trying to do?

00:23:52She's on trial, eh?

00:23:53Huh?

00:23:54Maybe it was Blackman.

00:23:55What?

00:23:56Oh, she's just mushroomed.

00:23:57Go to sleep, Chanel.

00:23:58Wait a minute.

00:23:59What do you two know about this?

00:24:00Us? Nothing.

00:24:01We're on a class project.

00:24:02Class project?

00:24:03You know, seeing how courts work.

00:24:04Oh.

00:24:05What's your big interest

00:24:06if you're some biodegradable researcher?

00:24:07Biogenetic.

00:24:08Biogenetic?

00:24:09That woman is a biological time bomb.

00:24:10That's all I can say right now.

00:24:11But if you two are covering up any knowledge about her,

00:24:13the consequences could be very disastrous.

00:24:15Hmm.

00:24:17I'll get it.

00:24:32I have to get my hair cut.

00:24:34You'll have to leave.

00:24:35Sorry to say.

00:24:36It's been very nice talking with you,

00:24:37and thank you for the lift.

00:24:38It's been very nice talking with you, Sharon.

00:24:40Before the trees.

00:24:41The trees.

00:24:42The trees.

00:24:43The trees.

00:24:44The trees.

00:24:45Before the trees? Yes. This is a lorry. Oh, right.

00:24:48What did you say your name was? Hi.

00:24:51That's a nice name.

00:25:02What is it with this guy? Susie? Just a second.

00:25:16Hello? Anybody home?

00:25:21Hello?

00:25:23Oh, hi. Hello. I'm with Galaxy... I'm sorry we were on the back porch.

00:25:26Oh, yeah. Well, I'm with Galaxy Cable TV, and I'd like to talk to you about our fantastic...

00:25:30Thank you, but we've dished. Dished?

00:25:32Satellite dished. The whole street's almost 100% dished.

00:25:35Oh, dished. I see. Thanks. Thanks anyway. Bye.

00:25:38Yeah, good luck. Bye.

00:25:46I've got to talk to her. I've got to warn her.

00:25:49Maybe I should have just talked to her, but I couldn't.

00:25:52What was I supposed to say?

00:25:54Hi, I'm on your jury. You're in big trouble, and I want to marry you.

00:25:57No, I had to do it some different way.

00:26:00Anybody home?

00:26:02Coming!

00:26:04You know, I had to do it some different way.

00:26:06Oh.

00:26:07Oh.

00:26:08Oh.

00:26:09Oh.

00:26:10Oh.

00:26:11Oh.

00:26:12Oh.

00:26:13Oh.

00:26:14Oh.

00:26:15Oh.

00:26:16Oh.

00:26:17Oh.

00:26:18Oh.

00:26:19Oh.

00:26:20Anybody home?

00:26:21I'm coming!

00:26:34Oh, my God.

00:26:35Duck, duck.

00:26:43Coming!

00:26:46Coming!

00:26:48I'll be right there.

00:26:50I'm just getting out of the shower.

00:26:58Oh, no.

00:26:59Oh, dear.

00:27:04Oh, yeah.

00:27:05No.

00:27:14Coming!

00:27:17How did they do this?

00:27:26Well, come on.

00:27:27I don't have all day and night.

00:27:28Hello.

00:27:29Hello.

00:27:30I'm with Galaxy Cable TV, and I'm

00:27:32here to talk to you about our fantastic new offer.

00:27:34Yes, come in.

00:27:35I love cable.

00:27:36Oh, you're my kind of customer, lady.

00:27:37Now, we offer three basic kinds of cable,

00:27:40adult programming, educational programs, operas.

00:27:43Yes, yes, I'm very interested.

00:27:44Listen, I read cards.

00:27:47Would you like to have your cards read?

00:27:48I read big cards.

00:27:49I see trouble and confusion, lots of trouble

00:27:52and lots of confusion.

00:27:52Wait a second, lady.

00:27:53You want cable or not?

00:27:55Yes, yes, that's very interesting.

00:27:57But listen, this means an attempted murder.

00:27:59And this means a trial.

00:28:01And this is a warning.

00:28:03Men are chasing you, and, uh, you're innocent.

00:28:06Oh, no, the judge.

00:28:07What?

00:28:07I can't believe this.

00:28:09Now, look, lady, if you know anything about my trial,

00:28:10get out.

00:28:11No, no, no, my husband, he hates cable.

00:28:13You'll have to go now.

00:28:14Remember the warning on the big cards.

00:28:15He's signed us up for 20 years.

00:28:18Jeez.

00:28:18Uh-oh.

00:28:19Is he out there?

00:28:20Shh, just a minute, just a minute.

00:28:22And don't you dare come back here again.

00:28:25Oh, great.

00:28:25Juror caught in judge's house.

00:28:27Wonderful.

00:28:32Honey, are you home?

00:28:33Oh.

00:28:34Hello?

00:28:39Sweetie?

00:28:43Bunny rabbit?

00:28:45Where's my bunny rabbit?

00:28:47Oh, there's my honey bunny.

00:28:49Did you know that there were some hooligans outside

00:28:51rummaging in the garbage?

00:28:52How about a beer for the judge?

00:28:53I want to get out of these clothes.

00:29:02Bunny rabbit?

00:29:05Bunny rabbit.

00:29:10Bunny rabbit?

00:29:19What the hell is this?

00:29:22Ah, just be a second with the money.

00:29:24OK, man.

00:29:32Ah!

00:29:34It's just me.

00:29:35I'm trying your mom's new alligator mud facial.

00:29:37I got to keep walking.

00:29:38Oh, yes.

00:29:39Oh, yeah.

00:29:41Guess what?

00:29:42Made the jury.

00:29:43I thought you were getting out of it, sweetie.

00:29:44Where's your shoe?

00:29:45I was.

00:29:46I mean, I am.

00:29:47But now I'm considering law school.

00:29:48Richard, we've done a lot of stupid things over the years,

00:29:50but we've never been boring people.

00:29:52Where's your other shoe?

00:29:53Mom, I wouldn't do this unless I felt

00:29:54absolutely passionate about it.

00:29:56Passionate about what?

00:29:57Passionate about what?

00:29:58Passion about what?

00:29:59Law.

00:30:00Awesome.

00:30:01Andrew, where's your phone book?

00:30:02I don't know.

00:30:03Richard, where's your shoe?

00:30:04What is it?

00:30:05Lawyers only work with one shoe?

00:30:06Huh?

00:30:07Shoe?

00:30:08Oh, that shoe.

00:30:09It's at the shoe fixer.

00:30:10Resoling.

00:30:11Mom, can I borrow these few little ones?

00:30:12Oh, all right.

00:30:13You're a saint, Mom.

00:30:14Wally, while you're walking,

00:30:15would you give this to the cab driver?

00:30:16Yeah, sure.

00:30:17He'll get it all back with interest.

00:30:18I didn't think saints charged interest.

00:30:19You?

00:30:20More mud.

00:30:21Oh, give me a break, Mom.

00:30:24I'll get it.

00:30:25I'll get it.

00:30:26I'll get it.

00:30:27Here you go.

00:30:28Look.

00:30:29I'm trying out Mrs. Dice's new alligator mud facial,

00:30:31so I have to keep walking.

00:30:37I felt bad about lying like that to my mother,

00:30:39but I knew she'd feel a lot worse if I told her the truth.

00:30:43And there was just no way around the fact

00:30:45that everything I'd seen all day

00:30:46made it obvious that Molly was in much worse trouble

00:30:49than she thought.

00:30:50And somehow, I seemed to be the only one

00:30:52who might be able to save her.

00:30:56And yet, everything I was doing

00:30:57was completely against the law.

00:30:59Still, there were the laws of love to consider.

00:31:03Because I guess there was also no getting around

00:31:05the fact that I was falling again.

00:31:07And there wasn't anything I could do about that.

00:31:11Your breath.

00:31:21That's 26, that's 8, that's fruitfulness.

00:31:24That's good.

00:31:27Hey, that's phone company property

00:31:28just destroyed there, Rich.

00:31:30Give me a break, Andrew.

00:31:31I am in a position to save the life of a woman

00:31:33I've secretly loved for 19 years.

00:31:34I have to get to her house.

00:31:35You're going to jail for this, Rich.

00:31:36For ripping a phone book?

00:31:37For attempting to have sex with a defendant.

00:31:39This isn't about sex, Andrew.

00:31:40The woman is a goddess.

00:31:42What kind of goddess?

00:31:43Good goddess, bad goddess, moon, sun goddess, bitch goddess.

00:31:46Gangaga, Rich.

00:31:47Don't you understand?

00:31:48I was six.

00:31:49She was 11.

00:31:50There's a universe between six and 11.

00:31:52Height, vocabulary, penmanship.

00:31:54But we're adults now.

00:31:55Five years means nothing anymore.

00:31:56Still means something insane to say.

00:31:59You know, Ma, I know we haven't had much chance to talk,

00:32:01but I just wanted to let you know

00:32:02how great it is to be home.

00:32:04He's sucking for the car.

00:32:05No car.

00:32:06No, no, no.

00:32:07Don't even ask.

00:32:08As far as I'm concerned,

00:32:09if you want to go around without a shoe,

00:32:10you can do it on foot.

00:32:11It's Christmas, Ma.

00:32:12He's on the hook, but don't tell Fred.

00:32:13Ma, you're the greatest mom.

00:32:15Bye, Wally.

00:32:16Hi, Rich.

00:32:17Hey, what do you think?

00:32:18You're not done yet.

00:32:19Okay, but I just hope I don't turn into a handbag.

00:32:21Ma, can we call it a night on the mud?

00:32:23Now, Andrew, tell me the truth.

00:32:25What is this with Richard?

00:32:26Is he in love again?

00:32:27How did you know?

00:32:28I mean, I don't know.

00:32:29Another 10 I owe you.

00:32:30Huh?

00:33:55Wally!

00:34:26What?

00:34:27Ah!

00:34:28Ah!

00:34:29Ah!

00:34:50Come on, come on!

00:34:51Get in!

00:34:55Get in!

00:35:06What's going on here?

00:35:25Get in!

00:35:26Oh, all right.

00:35:31Go.

00:35:44Now, look, I don't want you following or calling

00:35:46or trying to identify me.

00:35:48I'm not going to do it.

00:35:49I'm not going to do it.

00:35:50I'm not going to do it.

00:35:51I'm not going to do it.

00:35:52I'm not going to do it.

00:35:53I'm not going to do it.

00:35:54Now, don't make me come with you

00:35:57or trying to identify me.

00:35:59As far as you're concerned, none of this is happening

00:36:00and we don't exist.

00:36:01Who's Shadow say?

00:36:02Hi, Sharon.

00:36:03You feeling better?

00:36:04Fine.

00:36:05Oh, good.

00:36:06My name is Richard,

00:36:07I'll idle our mysterious driver.

00:36:08I said no names.

00:36:09You're too involved in all of this, aren't you?

00:36:10We didn't know he'd be a murderer!

00:36:11Murderer?

00:36:12It's an unattempted murderer.

00:36:13Uh, I'm an attempted murderer.

00:36:14Oh, no.

00:36:15I thought you two were on some sort

00:36:16of school project together.

00:36:17No, no.

00:36:18It's my school project.

00:36:19She's just visiting me for the holidays, okay?

00:36:20You end up

00:36:21Oh, please. I don't believe a word you've said.

00:36:23Then why do you keep picking me up?

00:36:24Because. What's your big interest in this woman, anyway?

00:36:27Those two guys weren't after Molly.

00:36:28They were after her bag.

00:36:30And you two, you're after the same thing, aren't you?

00:36:32No, I told you what we were doing.

00:36:33Oh, right, the school project.

00:36:35Okay, that's enough. Get out.

00:36:38Wait, not until you tell me what's in the bag.

00:36:40You think you're so smart, don't you?

00:36:41Well, just follow your nose.

00:36:44I watched them as they followed those two clowns

00:36:46into the Keeler Fort.

00:36:48I was thinking, those two girls know a lot more

00:36:51than they're saying, so I did what she told me.

00:36:53I followed my nose.

00:36:56When Keeler bought that old fort,

00:36:57no one dreamed he'd want to live there, but he did.

00:37:00And he was spending a fortune fixing it up.

00:37:02Shipped in a lot of Greek statues and Chinese pagodas.

00:37:05Vincent!

00:37:07It's kind of ironic now, but as they say,

00:37:09little did I know then that the statue I was hiding behind

00:37:12would soon play a key role in the mystery.

00:37:15I barely noticed because I was so surprised

00:37:17to see one of those two clowns

00:37:18putting on a security chief's uniform.

00:37:20His name was Harry, and he and this Keeler guard

00:37:22were talking about a burglary that had just happened,

00:37:25and it was clear that they had done the burglary.

00:37:27Talk about an inside job.

00:37:30Well, maybe if I followed old Harry,

00:37:32he'd lead me to those two girls,

00:37:33or Molly's bag, or something about this mess.

00:37:42Oh! What are you doing here?

00:37:44I'm with Harry, uh, security training.

00:37:46Oh, okay. Okay?

00:37:48Yeah.

00:37:49But, uh, Harry, uh, kind of a weirdo, isn't he?

00:37:52Yes. Yes, he is.

00:37:53Yeah, yeah. See you later.

00:37:55Oh, uh, okay.

00:37:58As I crossed the moat,

00:37:59there was an eerie splashing down below,

00:38:01and if I'd known what it was,

00:38:02maybe I'd have turned around.

00:38:04Maybe.

00:38:05But a few seconds later,

00:38:06I was almost face-to-face with...

00:38:08Well, because of the burglary,

00:38:10one of several of Keeler's,

00:38:11Keeler had called the cops,

00:38:13and the cops had assigned...

00:38:14That's right, Uncle Freddy.

00:38:16Come in. This is Boneflecker.

00:38:17The Keeler suite's been hit again.

00:38:19They've cleaned it out.

00:38:20Three of those giant TVs,

00:38:21three VCRs,

00:38:22five CD players,

00:38:23three stereos.

00:38:24They must have had a chopper.

00:38:25Of course, Freddy had no idea

00:38:26he'd just been talking

00:38:27to the burglary's mastermind himself.

00:38:29Poor Freddy.

00:38:30Well, there I was,

00:38:32still following Harry,

00:38:33and I was just beginning to wonder

00:38:35where the girls might be,

00:38:36when there they were,

00:38:37still following Harry.

00:38:46Now, look.

00:38:47Mr. Keeler wants

00:38:48all electrical systems

00:38:49operational for the party.

00:38:50He certainly won't tolerate

00:38:51any excuses,

00:38:52so don't give me any.

00:38:53I said we'd have it done.

00:38:54Well, then have it.

00:38:55What's your name again, kid?

00:38:56Jerome, ma'am.

00:38:57Cute.

00:38:58Rude.

00:38:59Beat it, Jerome.

00:39:00Did you get it?

00:39:01No.

00:39:02What do you mean, no?

00:39:03What happened to your face?

00:39:04She came back early.

00:39:05I had to get out of there quick.

00:39:06Well, then get it tomorrow.

00:39:07If she ever hears that,

00:39:08we're sunk.

00:39:09What do you think I'm trying to do?

00:39:10You think I like

00:39:11walking through windows?

00:39:12What's with Cairo?

00:39:13I'll get him to move it tonight.

00:39:14Don't worry.

00:39:15Later.

00:39:16I'll be right back.

00:39:17Uh-uh.

00:39:24Uh-uh.

00:39:26Uh-uh.

00:39:31Nope.

00:39:33Uh-uh.

00:39:36So the other clown

00:39:37worked for Keeler, too,

00:39:38and apparently they weren't

00:39:39after Molly's bag at all,

00:39:40but after some tape or other.

00:39:42And they also knew

00:39:43that the two girls

00:39:45were after the same thing.

00:39:46Anything?

00:39:47Nothing yet.

00:39:48Another burglary.

00:39:49Probably Harry again.

00:39:50When they move that statue tonight,

00:39:51for God's sake,

00:39:52keep an eye on things.

00:39:53I'm on top of it.

00:39:54Don't worry.

00:39:55It turned out

00:39:56that Harry's pal, Conrad,

00:39:57had overheard the girls

00:39:58at the fort

00:39:59talking about this tape

00:40:00and confirming

00:40:01what Harry and Conrad

00:40:02had already been afraid of,

00:40:03that they, too,

00:40:04had been incriminated.

00:40:05And what exactly?

00:40:06I still didn't know.

00:40:07Yeah, okay, right.

00:40:08Come on.

00:40:09Keeler wants us

00:40:10to put all that stuff

00:40:11away for a while.

00:40:12Let's go.

00:40:13And why was everybody

00:40:14so silent?

00:40:15Friday at 5.

00:40:40Where were you

00:40:41at the time of the burglary?

00:40:42What were you doing?

00:40:43Hands up.

00:40:44Two walls coming through.

00:40:45I said,

00:40:46what were you doing?

00:40:47I was eating a candy bar.

00:40:48What kind?

00:40:49Butterfinger.

00:40:50How about you?

00:40:51I wasn't eating anything.

00:40:52I didn't ask you

00:40:53what you were doing.

00:40:54Where were you?

00:40:55I was in the basement.

00:40:56What were you doing?

00:40:57Fixing the lights.

00:40:58Where were you

00:40:59the night of the other crime?

00:41:00Right up front again.

00:41:01What were you doing?

00:41:02Eating a candy bar.

00:41:03Same kind?

00:41:04No, I think it was

00:41:05the baby root.

00:41:06Now we're getting

00:41:07somewhere.

00:41:08What about you?

00:41:09I wasn't eating anything.

00:41:10What's the matter with you?

00:41:11Don't you ever eat?

00:41:12No.

00:41:33No.

00:41:42No.

00:41:46No.

00:42:01No.

00:42:05No.

00:42:06Are you still in this room?

00:42:07No, I told you,

00:42:08I'm okay now.

00:42:12Nope again.

00:42:13Sure,

00:42:14we've got to find that tape

00:42:15and shred the thing.

00:42:16If my father ever heard

00:42:17Sharon wore accessories.

00:42:18I always thought

00:42:19accessories were

00:42:20like power brakes.

00:42:21No,

00:42:22they're like dead ducks.

00:42:23You know,

00:42:24I guess Arnie

00:42:25must have been

00:42:26blackmailing Harry

00:42:27and Conrad too.

00:42:28Where else

00:42:29would they want that tape?

00:42:30And what about

00:42:31that guy we picked up?

00:42:32Where does he fit in?

00:42:33I don't know.

00:42:34I don't even know

00:42:35where I fit in,

00:42:36but he's awfully cute.

00:42:37Well, I saw him first.

00:42:38Oh, no,

00:42:39he's not my type, A.

00:42:40He's too cute.

00:42:41It's Daddy.

00:42:42Come on.

00:42:46Come here.

00:42:47Come here.

00:42:49Over there.

00:42:53Come here.

00:42:54Come here.

00:42:57Hello.

00:43:03Hi, Daddy.

00:43:05Daddy.

00:43:06Woozie,

00:43:07where have you been?

00:43:08We've been searching

00:43:09high and low for you.

00:43:10You haven't seen

00:43:11any of the arrangements.

00:43:12Hello, Baby Tiger.

00:43:13We were just

00:43:14watching the stars, Daddy.

00:43:15We found the Big Dipper.

00:43:16Fine, girls, fine.

00:43:17But how many times

00:43:18has Daddy Healthy Keeler

00:43:19told you

00:43:20not to play

00:43:21near those

00:43:22high open windows?

00:43:23Sorry, Daddy.

00:43:24Bonflickers!

00:43:25Yes, sir.

00:43:26Secure those windows!

00:43:27Yes, sir.

00:43:28No, I'll do it.

00:43:29Bonflickers!

00:43:30Secure those windows!

00:43:31Yes, sir!

00:43:32Come along, Suzy Woozie.

00:43:33All right, now,

00:43:34why are you people

00:43:35following me

00:43:36all over the fort?

00:43:37Cover for me.

00:43:38Take that out there.

00:43:39Okay, come on.

00:43:40Oh, my God,

00:43:41there's no ledge out there.

00:43:42There isn't?

00:43:43No!

00:43:44I want you and Baby Tiger

00:43:45to take protocol lessons

00:43:46before you talk

00:43:47to Ambassador Tainey.

00:43:49All right, men,

00:43:50you check the balcony.

00:44:07Ledge?

00:44:08There's no ledge.

00:44:12I'm going to check

00:44:13this one out.

00:44:15Hey, who's that out there?

00:44:16What are you doing?

00:44:20Intruder in the north moat!

00:44:21Hold up!

00:44:22Intruder in the north moat!

00:44:23Intruder!

00:44:25No ledge?

00:44:26The back.

00:44:30Oh, no.

00:44:31Intruder in the north moat!

00:44:36Intruder!

00:44:37Hey, watch out!

00:44:39Catch!

00:44:40Catch the boy!

00:44:41Catch the intruder!

00:44:43Turn off the spotlight!

00:44:56Who is it?

00:44:57Mr. Dice,

00:44:58525 Old Quarry Road.

00:45:01Let me see that.

00:45:02Easy, Harry.

00:45:04It's a little surprise

00:45:05to see you in court today.

00:45:07Yeah, well, look,

00:45:08there's no point

00:45:09beating around that bush

00:45:10no more.

00:45:11What?

00:45:12We's two

00:45:13knows what you's two

00:45:14are up to.

00:45:15You do?

00:45:16Yeah, the guy

00:45:17who was blackmailing us, too.

00:45:18He was?

00:45:19Yeah, uh-huh.

00:45:20Only, uh,

00:45:21we didn't kill him.

00:45:22Neither did I.

00:45:24I mean,

00:45:25we.

00:45:29I still don't get

00:45:30your major point here.

00:45:31The point is

00:45:32we all got a major interest

00:45:34in that tape.

00:45:37Huh?

00:46:07Good morning, Mom.

00:46:08I had a little bit

00:46:09of an accident.

00:46:10That's two cars

00:46:11in two days.

00:46:12I know,

00:46:13I'm terribly sorry.

00:46:14I'm awfully late

00:46:15for court.

00:46:16My estimate

00:46:17in dollars

00:46:18for the past 48 hours

00:46:19is nearing 2,000.

00:46:20It's only 8.15 a.m.

00:46:21Wednesday.

00:46:22I know,

00:46:23I'm going to pay

00:46:24for everything.

00:46:25Not to mention

00:46:26the price of worry,

00:46:27irritation,

00:46:28and lack of sleep.

00:46:29You have to put

00:46:30all the facts into context.

00:46:31Well, let's start

00:46:32by putting that

00:46:33in context.

00:46:34Well, that's not my fault.

00:46:35I think we can

00:46:36all agree

00:46:37that's a very complex

00:46:38legal experience

00:46:39in the past 24 hours.

00:46:40You're giving me

00:46:41a lot of work.

00:46:42You know,

00:46:43you haven't had

00:46:44any sleep in two days.

00:46:45Sue the city for what?

00:46:46I'm not putting up

00:46:47a sign on a dead-end

00:46:48sleep street.

00:46:49I haven't?

00:46:50No, I can't do it now.

00:46:51I'll be right down.

00:46:52Don't worry about a thing.

00:46:53I'm kicking ass.

00:46:54I'm a wrecking machine.

00:46:55I'm a dynamo.

00:46:56I'm not saying a thing.

00:46:57That's good.

00:46:58Hey, Andrew.

00:46:59Yeah?

00:47:00Would you do me a favor

00:47:01and go in my bookshelves,

00:47:02see if you can find

00:47:03those old

00:47:04Grover Canyon yearbooks

00:47:05because, man,

00:47:06I need the one from 1968

00:47:07when I'm in the first grade.

00:47:08No.

00:47:09What do you mean, no?

00:47:10I mean, no.

00:47:11Eat, snake.

00:47:12Forget about it.

00:47:13You gotta be stopped.

00:47:14This woman

00:47:15will destroy you.

00:47:16Andrew, I don't know

00:47:17what you're talking about.

00:47:18Will you find

00:47:19the yearbook, please?

00:47:20I'm gonna tell you

00:47:21responsibility

00:47:22and one thing

00:47:23this guy never knows

00:47:24about morality

00:47:25and justice

00:47:26and love

00:47:27and never ending

00:47:28peace and value.

00:47:29Okay, I'm here.

00:47:30Oh, can I borrow

00:47:31your Bowie tape?

00:47:32What?

00:47:33I can't hear you.

00:47:34Can I borrow

00:47:35this Bowie tape?

00:47:36We don't have it

00:47:37in the store.

00:47:38What?

00:47:39I'll loan you

00:47:40my Springsteen.

00:47:41I can't hear

00:47:42a word you're saying.

00:47:43Oh, never mind.

00:47:44I'll tell you later.

00:47:45What were you

00:47:46yelling about, Andrew?

00:47:47Did you find

00:47:48the yearbook?

00:47:49It's on your bed.

00:47:50Hey, listen,

00:47:51can I borrow

00:47:52a couple bucks?

00:47:53Thanks, Andrew.

00:47:54Oh, yeah,

00:47:55my wallet's in my pants.

00:47:56Hey, Richard.

00:47:57There's no wallet

00:47:58here, Richard.

00:47:59There isn't?

00:48:00Oh, don't tell me

00:48:01you lost the wallet

00:48:02that Mom gave you.

00:48:03Oh.

00:48:04Good toast.

00:48:05Raisins.

00:48:06Hi, hi.

00:48:07Good morning.

00:48:08When Freddy finds out

00:48:09about my car,

00:48:10the man will

00:48:11call an airstrike.

00:48:12Where is the law

00:48:13this morning?

00:48:14Well, Freddy was

00:48:15at the Keeler place

00:48:16all night.

00:48:17There was a break-in.

00:48:18Freddy said the thief

00:48:19jumped into the mall,

00:48:20but they found

00:48:21his wallet.

00:48:22They found his wallet?

00:48:23And there was no I.D.

00:48:24There was no I.D.?

00:48:25There was no I.D.

00:48:26in what?

00:48:27Nothing, nothing at all.

00:48:28It's not important.

00:48:29Sounds like a pro job to me.

00:48:30Pros never carry I.D.

00:48:31What I.D.?

00:48:32I need one little favor.

00:48:33I'm very late.

00:48:34Driving to court?

00:48:35Sure, no problem.

00:48:36No, no.

00:48:37No more help

00:48:38from this house.

00:48:39Mom, that would be

00:48:40an obstruction of justice.

00:48:41See you later.

00:48:42Mom, there was

00:48:43no I.D. in what?

00:48:44Oh, sit down, Andrew.

00:48:45What did I do?

00:48:58Oh, Molly,

00:48:59who would have thought

00:49:00then you'd be

00:49:01six now.

00:49:02That goes for you

00:49:03too, Rich.

00:49:04There she is.

00:49:05Drove me nuts.

00:49:06Not my type.

00:49:07I remember I was

00:49:08just starting out

00:49:09the first grade.

00:49:10I had to go

00:49:11to the bathroom.

00:49:12Mrs. Walker

00:49:13pointed me down the hall,

00:49:14but I couldn't read yet,

00:49:15so I went into

00:49:16the girls

00:49:17instead of the boys.

00:49:18Just as Molly

00:49:19was walking in.

00:49:20I'll never forget it.

00:49:21She looked down at me

00:49:22and she said,

00:49:23get out of here,

00:49:24you little pervert.

00:49:25God, she was sophisticated.

00:49:26Took me years

00:49:27to figure out

00:49:28what that meant.

00:49:29Sounds pretty

00:49:30good to me.

00:49:34Okay, I'll see you.

00:49:35Uh, will you keep

00:49:36an eye on that for me?

00:49:37Okay, good luck.

00:49:38See you tonight.

00:49:39We're having mashed potatoes.

00:49:51I mean,

00:49:52why would she ransack?

00:49:53She never wanted me

00:49:54to have my things.

00:49:55That's why she tried

00:49:56to run me over.

00:49:57All right,

00:49:58don't worry about it.

00:49:59Oh, I didn't get

00:50:00any sleep last night.

00:50:01And remember,

00:50:02I need the angel in court.

00:50:03We are still

00:50:04in self-defense.

00:50:05Yeah, yeah, yeah.

00:50:06If only I had a witness

00:50:07I could nail her.

00:50:08Just relax.

00:50:09Do you solemnly swear

00:50:10and affirm

00:50:11that the testimony

00:50:12you are about to give

00:50:13will be the truth,

00:50:14the whole truth,

00:50:15and nothing but the truth

00:50:16so help you God?

00:50:17I do.

00:50:18Please step up

00:50:19and be seated.

00:50:20State your place

00:50:21of residence.

00:50:22I live at 205 Genoa,

00:50:23Delano Beach, Florida.

00:50:24Better view.

00:50:25Miss Harrison,

00:50:26can you tell

00:50:27the jury your occupation?

00:50:28I'm an executive assistant

00:50:29to Mr. Hal Keeler

00:50:30of the Keeler Organization,

00:50:31and I'd like to thank

00:50:32one of his

00:50:33most loyal associates.

00:50:34Well, Miss Harrison,

00:50:35you are here

00:50:36purely as a witness

00:50:37for the state,

00:50:38having chosen

00:50:39to drop your own charges

00:50:40against Molly Gilbert.

00:50:41Well, I consider

00:50:42that matter private

00:50:43and rather embarrassing,

00:50:44not worthy

00:50:45of a legal ordeal.

00:50:46Can you tell us

00:50:47what you did

00:50:48when Molly Gilbert

00:50:49forced her way

00:50:50into Donald Clary's house?

00:50:51Well, I asked her

00:50:52what she wanted,

00:50:53and she said

00:50:54rather heatedly

00:50:55that she'd come back

00:50:56to pick up

00:50:57a few things

00:50:58she'd forgotten.

00:50:59Knick-knacks,

00:51:00trinket jewelry,

00:51:01music tapes.

00:51:02Did you know

00:51:03that she had a gun?

00:51:04Not then.

00:51:05Frankly,

00:51:06I couldn't imagine

00:51:07any woman

00:51:08who would need

00:51:09to arm herself

00:51:10with more

00:51:11than feminine wiles.

00:51:12And then

00:51:13what was your reaction?

00:51:14I was afraid

00:51:15for my life.

00:51:16I knew she was jealous

00:51:17and wanted revenge.

00:51:18Donald had thrown her out.

00:51:19I'd moved in.

00:51:20She was out for blood.

00:51:21Out for blood?

00:51:22You tried

00:51:23to run me down, honey.

00:51:24Order, order.

00:51:25Order.

00:51:26Young lady,

00:51:27I'll not tolerate

00:51:28such outbursts

00:51:29in my court.

00:51:30If you have

00:51:31something to say,

00:51:32tell it to your attorney.

00:51:33Okay, okay,

00:51:34I'm sorry, Judge.

00:51:35I don't know

00:51:36what we're gonna do.

00:51:37He's a jerk.

00:51:38He's probably

00:51:39even got the tape.

00:51:40How could he have?

00:51:41Oh, you mean

00:51:42because he was in there?

00:51:43He knows

00:51:44we're involved.

00:51:45He knows

00:51:46we're involved,

00:51:47but does he know

00:51:48exactly what

00:51:49we're involved in?

00:51:50Even I have trouble

00:51:51figuring that out,

00:51:52and I'm involved.

00:51:53I don't know.

00:51:54The police report says

00:51:55that there were skid marks

00:51:56in the driveway

00:51:57that would indicate

00:51:58you were traveling

00:51:59at more than 30 miles per hour

00:52:00when your car

00:52:01hit the street.

00:52:02Do you think

00:52:03that 30 miles per hour

00:52:04is a safe speed

00:52:05to exit a residential driveway?

00:52:06How would you react

00:52:07if one shot

00:52:08had just blasted

00:52:09through your window

00:52:10and you were looking

00:52:11right down

00:52:12the barrel of the gun?

00:52:13I stepped on the gas.

00:52:14Wouldn't you?

00:52:15No further questions

00:52:16for now, Your Honor.

00:52:17You may step down.

00:52:18Thank you.

00:52:20State called

00:52:21U.S. Postal Worker

00:52:22Maurice Nutter.

00:52:23Mr. Nutter.

00:52:28Do you solemnly swear

00:52:29or affirm

00:52:30that the testimony

00:52:31you are about to give

00:52:32will be the truth,

00:52:33the whole truth,

00:52:34and nothing but the truth

00:52:35so help you God?

00:52:36I do.

00:52:37Please step up

00:52:38and be seated.

00:52:39Mr. Nutter,

00:52:40would you recount

00:52:41the events

00:52:42of the afternoon of...

00:52:43You follow the girls.

00:52:44You follow that guy

00:52:45on the jury.

00:52:46I'll have to get

00:52:47out of the car.

00:52:48I'm on the chicken trial.

00:52:49Donald and I

00:52:50will take care of her.

00:52:51Don't attract attention

00:52:52with mail delivery.

00:52:53What happened

00:52:54then, Mr. Nutter?

00:52:55I kept on going.

00:52:56Did the Wyman's

00:52:57and the Murray's

00:52:58before the leg

00:52:59just gave out

00:53:00and I realized

00:53:01I'd been hit.

00:53:02And the bullet

00:53:03went through your mailbag,

00:53:04through all of these letters

00:53:05and into your...

00:53:06Yes,

00:53:07into my posterior area.

00:53:08And yet you went

00:53:09right on

00:53:10delivering the mail.

00:53:11Yes, sir.

00:53:12Neither snow

00:53:13nor sleep.

00:53:14Yes, thank you.

00:53:15No further questions.

00:53:16No questions.

00:53:17Please step down.

00:53:18Prosecution calls

00:53:19Donald Clary.

00:53:20Donald Clary.

00:53:21Raise your right hand,

00:53:22please.

00:53:23Do you solemnly

00:53:24swear or affirm

00:53:25that the testimony

00:53:26you are about to give

00:53:27will be the truth,

00:53:28the whole truth

00:53:29and nothing but the truth

00:53:30so help you God?

00:53:31Yes, I do.

00:53:32Step up and be seated,

00:53:33please.

00:53:34State your name

00:53:35and place of residence.

00:53:36Donald Clary,

00:53:37Volano Beach, Florida.

00:53:38Mr. Clary,

00:53:39could you tell the jury

00:53:40what caused you

00:53:41to end your relationship

00:53:42with the defendant

00:53:43Molly Gilbert?

00:53:44Well, when I first met Molly,

00:53:45she was very tough,

00:53:46a little desensitized.

00:53:47Letting herself

00:53:48put me through

00:53:49travel agent school

00:53:50was a big step for her.

00:53:51Then I met Ruth.

00:53:52You see,

00:53:53I'm a sensitive guy.

00:53:54I don't like

00:53:55to wave it like a flag,

00:53:56but I'm looking

00:53:57for someone

00:53:58to share the sunrise with me

00:53:59and by the time

00:54:00Molly had finished

00:54:01the funnies

00:54:02and a cup of coffee

00:54:03and rolled out of bed,

00:54:04hey, we'd missed it.

00:54:05It was pathetic.

00:54:06So Ruth and I

00:54:07started to meet

00:54:08at the office

00:54:09at the crack of dawn.

00:54:10Mm-hmm, I see.

00:54:11Was this a difficult

00:54:12time for you?

00:54:13Oh, yeah.

00:54:14Ask him where he was

00:54:15last night.

00:54:16Looking like him,

00:54:17but you only stand

00:54:18with a chip

00:54:20and you would take

00:54:21this turn of events.

00:54:22I'm like a rookie.

00:54:23Molly developed

00:54:24other interests.

00:54:25One day,

00:54:26I found her

00:54:27passed out in a heap

00:54:28on the floor,

00:54:29an empty bottle

00:54:30of wine next to her,

00:54:31so I dragged her

00:54:32to her feet

00:54:33and demanded

00:54:34that she play

00:54:35a set of racquetball

00:54:36and sweat it

00:54:37out of her system.

00:54:38She bashed me

00:54:39over the head

00:54:40with the racquet instead.

00:54:41Not with the string part

00:54:42either,

00:54:43but the frame,

00:54:44so it hurt like hell.

00:54:45Why you lying son of a...

00:54:46Order!

00:54:47Young lady,

00:54:48one more such outburst

00:54:49and I apologize.

00:54:52Now,

00:54:53did you hit her back,

00:54:54Mr. Cleric?

00:54:55I did not, no.

00:54:56Not because

00:54:57I wouldn't punch a woman,

00:54:58but because

00:54:59I wouldn't punch a person.

00:55:00However,

00:55:01if I were the sort of person

00:55:02to punch a person,

00:55:03I'd like to think

00:55:04I wouldn't hesitate

00:55:05to punch a woman.

00:55:06Yes, I...

00:55:07I only wish

00:55:08that had been

00:55:09the last of her outbursts.

00:55:10Thank you.

00:55:11No further questions,

00:55:12Your Honor.

00:55:13That concludes

00:55:14the case for the prosecution.

00:55:15No questions

00:55:16for the moment,

00:55:17Your Honor.

00:55:18Mr. Gilbert.

00:55:27Do you solemnly swear

00:55:28or affirm

00:55:29that the testimony

00:55:30you're about to give

00:55:31will be the truth,

00:55:32the whole truth

00:55:33and nothing but the truth

00:55:34so help you God?

00:55:35I certainly do.

00:55:36Please step up

00:55:37and be seated.

00:55:38Now, Ms. Gilbert...

00:55:39Total exaggeration,

00:55:40total exaggeration.

00:55:41When I sense

00:55:42I'm not wanted,

00:55:43I'm gone.

00:55:44I don't hang around

00:55:45bashing people with rackets.

00:55:46Yes, Ms. Gilbert,

00:55:47it was the afternoon

00:55:48of June 23rd.

00:55:49Look, when Donald

00:55:50and I split up,

00:55:51I took it hard.

00:55:52I'd sit home alone

00:55:53bouncing off the walls.

00:55:54I'd make

00:55:55all his favorite food

00:55:56and torch it.

00:55:57But there's things

00:55:58that I left behind

00:55:59at his place

00:56:00and one day

00:56:01I realized

00:56:02that I couldn't

00:56:03make a clean break

00:56:04with chunks of myself

00:56:05somewhere else.

00:56:06And what did you do

00:56:07then, Ms. Gilbert?

00:56:08I drove over

00:56:09to Donald's

00:56:10to sever my ties

00:56:11to wrap up

00:56:12the loose ends.

00:56:13Why did you have a gun?

00:56:14When you live

00:56:15in my part of the town,

00:56:16and had you ever

00:56:17fired it before?

00:56:18No.

00:56:19I'm really amazed

00:56:20that I hit anything.

00:56:21Uh, thank you,

00:56:22Ms. Gilbert,

00:56:23your witness.

00:56:24Tell her you ran

00:56:25a change of heart.

00:56:26Tell her

00:56:27you'll change

00:56:28your testimony.

00:56:29Okay, okay.

00:56:30I'll get it

00:56:31if she's got it.

00:56:32All this other

00:56:33joke is up to you.

00:56:34Well now,

00:56:35you intrigue me,

00:56:36Ms. Gilbert.

00:56:37One moment

00:56:38you're sentimental

00:56:39about a previous

00:56:40relationship

00:56:41and the next moment

00:56:42you disdain it.

00:56:43You carry a deadly weapon

00:56:44but you insist

00:56:45you don't want to

00:56:46get involved in it.

00:56:47That's very amusing,

00:56:48Ms. Gilbert.

00:56:49Obviously,

00:56:50I have a wonderful

00:56:51sense of humor.

00:56:52However,

00:56:53maybe you wouldn't

00:56:54mind telling us

00:56:55why you really

00:56:56went to Donald

00:56:57Clare's house.

00:56:58I told you to get

00:56:59a few things

00:57:00that belonged to me.

00:57:01I see.

00:57:02Is that why

00:57:03you were so violent

00:57:04toward Ms. Harrison?

00:57:05Wait a second.

00:57:06I never laid

00:57:07a hand on that woman.

00:57:08I tried to leave

00:57:09but she grabbed my bag.

00:57:10I pushed her away

00:57:11and went out the door.

00:57:12I'm confused.

00:57:13You say you pushed her

00:57:14You don't seem

00:57:15to know what you mean.

00:57:16I object.

00:57:17I withdraw the comment.

00:57:18Please continue,

00:57:19Ms. Gilbert.

00:57:20Look,

00:57:21I just wanted to

00:57:22get out of there

00:57:23but she was right behind me

00:57:24breathing down my neck.

00:57:25But didn't you just say

00:57:26that Ms. Harrison

00:57:27went out the door

00:57:28and got in her car?

00:57:29Yes, she did.

00:57:30And she was

00:57:31breathing down your neck.

00:57:32Well,

00:57:33you must have

00:57:34a very long neck,

00:57:35Ms. Gilbert.

00:57:36I object.

00:57:37Sustained.

00:57:38I have no further

00:57:39questions,

00:57:40Your Honor.

00:57:41Be quiet.

00:57:42Because I have

00:57:43to deliver

00:57:44a judgment

00:57:45in another trial

00:57:46this afternoon

00:57:47we will recess

00:57:48until 9 o'clock

00:57:49tomorrow morning.

00:57:50I'm so glad

00:57:51that you're here, sir.

00:58:06Hey,

00:58:07don't be jumping on me.

00:58:08Yeah, yeah, yeah.

00:58:09I know that was

00:58:10a pretty weird scene in there.

00:58:11I mean,

00:58:12you were right in front

00:58:13of each other

00:58:14and then never

00:58:15to each other.

00:58:16I'm not that

00:58:17in the nuances.

00:58:18What happened

00:58:19to your face?

00:58:20Hey,

00:58:21I was making a damn

00:58:22fool of myself

00:58:23in your living room

00:58:24last night.

00:58:25Uh-huh.

00:58:26I don't know

00:58:27what I was doing.

00:58:28I guess I was just

00:58:29looking for little

00:58:30leftover bits

00:58:31of my life with you.

00:58:32You know,

00:58:33my life together.

00:58:34Well,

00:58:35why don't you

00:58:36just sing it?

00:58:37Put it to music.

00:58:38It might be

00:58:39a hit, too.

00:58:40Look, Molly, baby,

00:58:41that's not

00:58:42what my name is.

00:58:43It's not

00:58:44Sheila's name.

00:58:45What do you

00:58:46want, Donald?

00:58:47Just a passion,

00:58:48Mol.

00:58:49I watched Ruth

00:58:50on the stand today.

00:58:51I kept thinking,

00:58:52what is she?

00:58:53I snuck into your place

00:58:54because I wanted

00:58:55to dig up the old

00:58:56letters,

00:58:57the photos,

00:58:58our astrology charts

00:58:59just to get back

00:59:00to that side of myself.

00:59:01Sounds a little

00:59:02like one of my moves.

00:59:03Makes me wonder

00:59:04if we've

00:59:05still got a chance.

00:59:06Do you think

00:59:07I'm waiting for this,

00:59:08Donald?

00:59:09You've got

00:59:10to make bail, and I'm working door-to-door

00:59:12because I can't hold its full-time job.

00:59:14So if you're getting depressed, you deal with it.

00:59:16Look, how about a little dinner at your place?

00:59:19Like the old times.

00:59:20We don't have anything to talk about, Donald.

00:59:21Molly, look, I want to talk to my lawyer.

00:59:24Don't you understand?

00:59:25I'm changing my testimony.

00:59:27Maybe I'm crazy, but I keep thinking

00:59:29if I just sit down with you, bomb a jardinier,

00:59:32and we'll do things like we love,

00:59:34maybe we just might pull a happy ending out of the hat.

00:59:38After all, huh?

00:59:41Look, Mice, nine-ish?

00:59:45What the hell? I'm a jerk.

00:59:47Come on over.

00:59:48Love you, baby.

00:59:49We'll be back.

00:59:52We'll be back.

01:00:01Bye-bye.

01:00:02Hey, hey, the tape! The tape wasn't there!

01:00:29The tape you took from my pocket this morning. Yours is yours, where's mine?

01:00:32Jeez, Rich, take it easy. I haven't even gotten a chance to listen to it yet.

01:00:35Oh, thank God. Where can I listen to it now?

01:00:37Hey, I'm working, Rich.

01:00:38Come on, Andrew.

01:00:39Andrew, help me find those ZZ Top CDs.

01:00:41In a second, Mr. Marmer.

01:00:43Andrew, I need a cassette deck right now. I've got to hear this tape. It's an emergency.

01:00:46You never should have taken this without asking.

01:00:48Andrew.

01:00:49I did ask.

01:00:50Put on another tape, will ya?

01:00:52Coming, Mr. Marmer.

01:00:54Give it to me, then. I'll just play it here.

01:00:56Thank you very much.

01:00:57Andrew!

01:00:58In a second, Mr. Marmer.

01:00:59Come on.

01:01:00You think I don't know that both of you are ripping Keillor off.

01:01:03I just want a piece.

01:01:05Harry, Conrad, Keillor's daughter, they don't like it much either, but there's not much they can do about it.

01:01:12Hey, don't feel bad. Everybody's ripping Keillor off.

01:01:16Hey, you used to work for the guy. I know.

01:01:19Hey, people, it's rude to turn your back on a guest.

01:01:22You're insane if you think we're going to pay you anything.

01:01:24You got nothing on us. Pay it back!

01:01:27Hold it right there.

01:01:28Look out!

01:01:32Hey, what are you doing up there?

01:01:36Andrew, call the police.

01:01:38No guns! No guns!

01:01:43Don't move!

01:01:44Stay there or the kid gets it.

01:01:46No!

01:01:48Back! Back!

01:01:49They're after me.

01:01:51What cops? Leave a file on that guy. Open the door, quick!

01:01:53Andrew, give him the key.

01:01:54I don't think they're really police, Mr. Marmer.

01:01:56Andrew, give him the key to the back room or you're fired.

01:01:58The keys are in my jacket, Mr. Marmer.

01:01:59Go get it!

01:02:00The jacket's in the back room.

01:02:01You're fired.

01:02:02They're gone.

01:02:05I didn't do anything, Mr. Marmer.

01:02:15Those girls are everywhere.

01:02:18Those girls are everywhere.

01:02:20Yeah, ubiquitous.

01:02:21Your what?

01:02:37Hey, what do you think you guys are doing?

01:02:39Get your hands over here.

01:02:40Come on, put them on the hood right now.

01:02:42They're going to have a little explaining to do.

01:02:43Here, turn at the next street. I know a place.

01:02:45Give me that tape.

01:02:46No, no, no. We're going to listen to that right now.

01:02:48Do we have to?

01:02:49Yes.

01:03:06What is this?

01:03:08It's the tape, I guess.

01:03:09Now what do we do?

01:03:10Get the tape.

01:03:12Whew.

01:03:15Give me that.

01:03:16No.

01:03:17Now look, girls, this is getting pretty intense.

01:03:18That sounded exactly like a murder.

01:03:20That's because it was a murder.

01:03:21Shut up, Sharon. I want that tape.

01:03:23Oh, come on, Suzanne.

01:03:24This is getting too heavy.

01:03:25Tell me the truth.

01:03:26I heard him mention your name and your father's.

01:03:28Okay.

01:03:29Everybody was being blackmailed by Arnie.

01:03:30Now give it to me.

01:03:31Who's Arnie?

01:03:32Come on, Suzanne.

01:03:33The guy on the tape.

01:03:35He knew that Ruth and Donald and those two goons,

01:03:37all of them were using and stealing

01:03:39and he was holding Daddy blind right under his nose.

01:03:41They still are, eh?

01:03:42If you knew all this, why didn't you tell your dad?

01:03:44We didn't know at first, and then we just couldn't, okay?

01:03:47You've got to trust me, Suzanne.

01:03:49We might as well, Susie.

01:03:52We couldn't do anything

01:03:54because we saw the murder and we never reported it.

01:03:58You saw the murder?

01:04:00Yeah, he was blackmailing her, too, eh?

01:04:02Tell him, Susie.

01:04:04I was away in Canada at school a year ago

01:04:06and I was bested for pot, okay?

01:04:08I took care of it with Sharon's help.

01:04:10No, no, I mean she took the rap for it.

01:04:13I got bested, too, eh?

01:04:14No, no, no, no, she saved me

01:04:15and it was all without Daddy or the press ever finding out.

01:04:18But Arnie found out.

01:04:19I kept paying him not to tell anybody

01:04:21because he said that the publicity

01:04:22would kill Daddy's reputation.

01:04:24So one day I was giving him more money

01:04:26and for some reason he made us drive him to Donald's house.

01:04:29I never even understood exactly why.

01:04:31It was kind of impulsive.

01:04:32And he drank a lot, eh?

01:04:33And that's when he was killed.

01:04:35But it was his own fault, really.

01:04:37He pulled the gun.

01:04:38Ruth just ended up with it.

01:04:42Jeez, that must have been rough.

01:04:44Wait a second, Molly didn't...

01:04:45We don't even know who Molly is.

01:04:47She just walked right into the middle of it

01:04:48because of her thing with Donald.

01:04:50See, she picked up the wrong tape.

01:04:52Now, can I please have it, Richard?

01:04:53No, no, this is what Ruth was after.

01:04:55This is going to help me to clear Molly.

01:04:56What about us?

01:04:57Can we make a copy of the tape?

01:04:58Yes, of course.

01:04:59Don't you see, right now this tape is just sounds

01:05:01and the sounds are meaningless without a body.

01:05:03No body, no crying.

01:05:04That's heavy as corpus, eh?

01:05:05That's right, eh?

01:05:06Now you've got me doing it.

01:05:07Look, look, we're going to get something to eat

01:05:09and we're going to make a plan

01:05:10and we're going to work this thing out, okay?

01:05:11Okay.

01:05:12Well, the first part of the plan

01:05:13meant getting to Molly's house before Donald.

01:05:15Get there and tell her everything we'd found out.

01:05:17Suzanne and Sharon could help us look out

01:05:19and, of course, we'd all need some disguises.

01:05:21Also, I was going to need another car

01:05:23and now that was going to be a little tricky.

01:05:26Hi, am I too late for dinner?

01:05:27You're a dead man.

01:05:28That way.

01:05:29Me, I'm neutral.

01:05:30Your brother lost his job because of you.

01:05:32Huh?

01:05:33Now, I want a full explanation

01:05:34of everything that's been going on.

01:05:36Richard, you're out of here.

01:05:37How could they fire him?

01:05:38He didn't do anything.

01:05:39I covered up for you like you asked me.

01:05:41Oh, well, gee, I guess I owe you, Andrew.

01:05:43I'm sorry.

01:05:44Yeah, you're running up quite a tab around here.

01:05:46How could you threaten your own brother's life?

01:05:49Threaten his life?

01:05:50Does the phrase

01:05:51don't move or the kid gets it ring a bell?

01:05:53That was my hand.

01:05:54Mom, that was just my hand in my pocket.

01:05:56I'm trying to piece this all together.

01:05:57I just need a little more time

01:05:58and you'll get the whole story, I swear.

01:06:00What about this story?

01:06:01What?

01:06:02Recognize anything?

01:06:04Oh, the shoe?

01:06:05Oh, you think this is my shoe.

01:06:08Richard, if you're on the jury,

01:06:10what are you doing at the judge's house?

01:06:12Mom, come on,

01:06:13do you know how many shoes there are like this in the world?

01:06:16I mean, the statistics must be astronomical.

01:06:19I know what the statistics are,

01:06:21but that's your shoe.

01:06:23Uh, well, Mom,

01:06:25someone must have robbed the shoe fixer,

01:06:28nabbed my shoe,

01:06:29hit the judge's house,

01:06:30and then left it there.

01:06:31That's it.

01:06:32That's the dumbest story I've ever heard.

01:06:34Uh, yes.

01:06:35Andrew, I owe you a very large apology.

01:06:37Come here, I want to give it to you.

01:06:39I haven't finished eating yet.

01:06:40This is more important than food, Andrew.

01:06:41It's between brothers.

01:06:42Food can wait.

01:06:43This is blood.

01:06:44Can't it wait until I finish my mashed potatoes?

01:06:46They're gonna get cold.

01:06:47Seconds.

01:06:48Neutrals serve themselves.

01:06:51Richard, please.

01:06:53Ow, Richard, this is my new suit.

01:06:56Take it easy.

01:06:58What?

01:06:59What?

01:07:00I'm hungry.

01:07:01Yes, we've got a murder on our hands.

01:07:03I need your help.

01:07:04You're standing a little close, Rich.

01:07:05Don't you see?

01:07:06This is a tape of that guy's murder.

01:07:08Why do I believe you?

01:07:09Because there are weeks of murder.

01:07:10You're spooking me, Rich.

01:07:11Uh-oh, Freddy's home.

01:07:12I want you to get his car keys

01:07:13and meet me out front.

01:07:14Wait a second.

01:07:15Don't pull me into this.

01:07:16Andrew!

01:07:17Some things are out of our control.

01:07:18This is destiny.

01:07:19It's not my destiny.

01:07:20Don't you want to meet a girl

01:07:22that might possibly have sex with you?

01:07:25I'll get the keys.

01:07:28Now, all I had to do

01:07:30was escape somewhere safe.

01:07:32Safe and lucky.

01:07:33Helmet.

01:07:34Well, my old football helmet

01:07:35had saved me a couple of times,

01:07:36and maybe it could do the trick again.

01:07:41Just one last check of the dice,

01:07:43and we were off.

01:07:44Okay, where am I?

01:07:45What am I doing?

01:07:49This is 23, that's 5.

01:07:52Five minutes to our conception,

01:07:54birth, life, death, resurrection.

01:07:56This is getting very heavy.

01:07:58I see Wally's still here.

01:07:59That means there's nothing left to eat.

01:08:01That's right, nothing left.

01:08:02I'll fix you some eggs.

01:08:03Hi, Uncle Freddy.

01:08:04What about this business of yours back home?

01:08:06You bankrupt?

01:08:07Oh, no, I just got a little behind in my rent.

01:08:09Oh, who takes care of it for you

01:08:11while you're gone?

01:08:12So long.

01:08:13I just put a gone fishing sign on the door.

01:08:16Well, um, I got a date, bye.

01:08:18A date?

01:08:19Andrew?

01:08:20Yeah, he said something about a date.

01:08:21Oh, hi, Freddy.

01:08:22Gee, you must be exhausted

01:08:23with all that action at the keeler place.

01:08:25Well, I gotta drop this wallet off

01:08:27down at the lab for a print check.

01:08:29Similar ammo to the Judge Meikle break-in.

01:08:32That's a nice wallet.

01:08:33Mexican.

01:08:34I'm just going out for a little jog.

01:08:36Bye, everybody.

01:08:37Cheap taste.

01:08:38What do you mean, cheap?

01:08:47It's early.

01:08:48Who's early?

01:08:49I thought we were meeting girls.

01:08:50Shh, let me think.

01:08:53Too late now, aren't those the girls?

01:08:56Oh, yeah, yeah, that's okay.

01:08:58Which is mine?

01:08:59Oh, the blonde.

01:09:01What do we do now?

01:09:03He came home early.

01:09:04Who came home early?

01:09:05Shh, be quiet, A.

01:09:06Oh, look.

01:09:07Malio!

01:09:08Good evening, Donald, you're early.

01:09:10Hey, I couldn't wait, baby.

01:09:11You're looking great.

01:09:12Thanks.

01:09:13Where'd you get these, my garden?

01:09:14She's gotta be mad.

01:09:15Look, isn't this the guy?

01:09:17That's what I thought.

01:09:19She's playing with fire.

01:09:20Okay, Susie, you come with me.

01:09:22Andrew, you two stay here.

01:09:23Keep a sharp lookout for those goons.

01:09:24What goons?

01:09:25Who's he?

01:09:26Oh, I'm sorry.

01:09:27This is my kid brother, Andrew.

01:09:28Andrew, Sharon, Suzanne.

01:09:29I thought you told him about me.

01:09:30Oh, he did.

01:09:31Scats, come on.

01:09:32Oh, okay.

01:09:33Love your outfit.

01:09:35No, really, I do.

01:09:38Why don't you sit down, Donald?

01:09:40All right.

01:09:41Oh, hey, the falafel.

01:09:42Look at this.

01:09:43What's this, Sandra?

01:09:44Get the falafel, you doom-trip.

01:09:46Yeah, I remember that falafel, all right.

01:09:48Oh, and these guys?

01:09:49Look at this.

01:09:50Yeah, these guys are my favorites.

01:09:51I bought those this morning, honey.

01:09:53Joke's on me.

01:09:55I tell you what, I'll pick some tapes,

01:09:57and you crack the wine, okay?

01:09:59Okay, Donald, okay.

01:10:00Okay.

01:10:01You stay here.

01:10:02If Donald moves towards the kitchen or anything,

01:10:04I want you to whistle like a bird.

01:10:06Just like that.

01:10:14So, um, what's Pitmano's?

01:10:16Hometown, eh?

01:10:17Oh, really?

01:10:18Where's that?

01:10:19B.C.

01:10:20Oh, for Christ.

01:10:21British Columbia, Canada.

01:10:23Oh, a canuck, huh?

01:10:24So, um, what do you do?

01:10:25I'm in the music industry.

01:10:27I work in a plastic factory.

01:10:28We make ketchup squeeze bottles.

01:10:30Oh, very interesting.

01:10:32Sorry, I had an itch.

01:10:37Um, I'm a jogger.

01:10:38I just happened to be jogging by, uh,

01:10:40jogging by the neighborhood.

01:10:41Well, I can see that.

01:10:42What do you want?

01:10:43Oh, I can't tell you a lot about that,

01:10:44but I can tell you about a tape.

01:10:45Uh, that's what your friend Donald wants.

01:10:47So that's why he's here tonight,

01:10:48and he's looking for a tape of a murder.

01:10:50What?

01:10:51I have to go now.

01:10:52That's my bird calling.

01:10:53Hey, what are you doing in there?

01:10:54Here, read this quickly.

01:10:55I'll find out where the body is,

01:10:56then you can be proven innocent.

01:10:58That wine, right?

01:10:59Yeah.

01:11:00What are you doing, honey?

01:11:01Yeah, sure, nothing.

01:11:02Well, let's get it in here.

01:11:03I'm getting thirsty.

01:11:04Want me to give you a hand?

01:11:06No.

01:11:07Good.

01:11:13What are you looking for, tapes?

01:11:15No, albums.

01:11:16What are all those albums we used to listen to?

01:11:18I can't seem to find them.

01:11:19Most of them are packed already.

01:11:20I gotta think about certain memories.

01:11:21I like to bury them away,

01:11:22then they don't hurt so much.

01:11:24But I do have some interesting new tapes you haven't heard.

01:11:27I got one you play at the wrong speed,

01:11:28and it sounds just like a murder.

01:11:30What are you talking about?

01:11:31Why don't you take that off, sweetie?

01:11:32You'll be much more comfortable.

01:11:33No, no, wait, wait, wait.

01:11:35What's that tape you're talking about, Molly?

01:11:37You want another cracker, baby?

01:11:38No, no, I don't.

01:11:39Well, I don't know.

01:11:40It's one of those satanic heavy metal bands,

01:11:42but it did sound exactly like a murder.

01:11:44What?

01:11:45You won't find it there, Donald.

01:11:46I looked high and low for that tape,

01:11:47but I think somebody stole it.

01:11:49Is that what you came back for?

01:11:50Is that why you were over at my house the other night?

01:11:52No, look, I...

01:11:53Is that why Rue tried to run me over?

01:11:55Look, she's just jealous of you, that's all.

01:11:57You did something real important, didn't I, Donald?

01:11:59She's good.

01:12:00Maybe some key to some big deal secret.

01:12:02Look, I came here to have a nice,

01:12:04quiet little dinner with you,

01:12:05and what's gotten into you?

01:12:07Look, if I make a fool of myself over somebody,

01:12:08then I get a sixth sense about them.

01:12:10So let's not pretend to weep about the good old days.

01:12:12You want to have a pleasant little dinner?

01:12:13Then I want to know what's behind Rue dropping charges

01:12:15and you turning to mush.

01:12:16Hey, look, I better go now.

01:12:17Listen to me, Donald.

01:12:18We had something together once.

01:12:19Now we both seem lost.

01:12:20You've got to be completely honest with me,

01:12:22or neither one of us are going to get out of this.

01:12:24People know things.

01:12:25There was a murder.

01:12:26You've got to tell me where the body is.

01:12:27Look, leave me alone.

01:12:28I've got to get out of here, okay?

01:12:29Wait a minute.

01:12:30That's not your...

01:12:33You know, you're a shrewd little bitch.

01:12:35You want to play games?

01:12:36You just tell me next time.

01:12:44Okay, now.

01:12:45This is nice.

01:12:46Where's the tape?

01:12:49Thank you.

01:12:50Uh-huh, that's okay.

01:12:51Come on.

01:12:52Come on.

01:12:53Come on.

01:12:54Curl up in the back seat.

01:12:55Curl up in the back seat.

01:12:56We'll have to switch.

01:12:57No, no, no.

01:12:58No.

01:12:59No.

01:13:00No.

01:13:01No.

01:13:02No.

01:13:03No.

01:13:04No.

01:13:05No.

01:13:06No.

01:13:07No.

01:13:08No.

01:13:09No.

01:13:10No.

01:13:11No.

01:13:13No.

01:13:18The whole world's out of control.

01:13:20Okay, Andrew!

01:13:21I want you to take the car!

01:13:22Let's go, girls!

01:13:23Why me?

01:13:24Because you're after us, not you!

01:13:25Go, go!

01:13:26Okay, okay!

01:13:27Okay!

01:13:33Okay, let's double back and get your car.

01:13:35It's getting late.

01:13:36We've got to get home.

01:13:37Yeah.

01:13:42Hi.

01:13:43Son of a...

01:13:44Come on.

01:13:46Hi.

01:13:47Son of a...

01:13:54Come on.

01:14:06I don't know.

01:14:07I don't know what I'm doing.

01:14:09It's like the willow.

01:14:19All right, where is he?

01:14:21I don't know, and I don't care.

01:14:22He made me do it.

01:14:23You have a wild brain, Mrs. Day.

01:14:25Well, that's it.

01:14:26I didn't do anything.

01:14:28He made me do everything.

01:14:29I didn't do anything.

01:14:30I swear, don't you believe me?

01:14:36Mr. Dyson, go to the clerk's office and ask for a razor,

01:14:58wash, and shave.

01:14:59I don't like my jurors looking like derelicts.

01:15:01Yes, sir.

01:15:06I don't like my jury.

01:15:23Guilty, guilty, guilty, guilty, not guilty, guilty,

01:15:33guilty, not guilty.

01:15:35not guilty. She's got such innocent eyes. I can feel by my water she's innocent and

01:15:40I trust my own instinct. The iron is in the water again. If I hear that damn iron

01:15:46water argument one more time. Where I come from we have an expression. When 100

01:15:53people tell you you're dead, lie down. There are only 10 of you. I'm already lying

01:15:57down. But we have an expression in Holland too. If you lay down with the

01:16:01horses, you don't get up with the goats. What are you talking about? Maybe I translated it wrong.

01:16:06Here, it's Friday. It was looking very bad for Molly, but then Lady Luck stepped in

01:16:10again. Friday? I thought it was Thursday. Friday. Among the evidence was a letter from an art

01:16:16dealer confirming the purchase of a statue. A statue with a hollow base. That

01:16:21was it. No wonder Donald and Ruth were in such a hurry to ship that statue to

01:16:24Cairo. Could they have filled that hollow bottom with something? Like dead weight?

01:16:30The body's in the vase. What? Nothing. Friday at 5. Oh, they could be shipping it. I need to get out of here.

01:16:36We're going to ship here until 5 or 5? I can't stay here until 5.

01:16:40She's guilty. You're right. I vote guilty. But we agreed. She had such innocent eyes. What happened?

01:16:45Forget about her eyes, Mrs. Kuchenbacher. Eyes like hers are a dime a dozen.

01:16:48They're right. We're wrong. All the evidence says it. We can't make a legal

01:16:51decision based on some kind of instinct. I mean, we've got to look at the evidence,

01:16:54but we've got to trust the law. She's guilty.

01:17:01Please publish your verdict. Will the jury please stand and hearken to your verdict?

01:17:10I had to get out of there fast before that body went to Cairo. It was risky, but

01:17:14I figured Molly would be okay. She'd be out on bail, and I'd have the whole thing

01:17:18wrapped up in plenty of time to take her to a candlelit dinner for two.

01:17:23Verdict. We, the jury, find the defendant guilty as charged. So say we all. Signed, Robert

01:17:29Thompson, four-person. Order. Order. Your Honor, pending appeal would like to make a

01:17:36request for bail, but due to the expense of this case, my client is out of funds.

01:17:39She should have thought of that before. Bail may be posted at $10,000. I will

01:17:46pass sentence on Thursday next at 9 a.m. You may take the defendant.

01:17:59No. No! No!

01:18:09What are you doing? It's a rescue!

01:18:29Who are you? What do you think this is, a Western? I can't do this!

01:18:33I think we've already done it. I don't need this. I don't have a chance for an appeal.

01:18:36Without any new evidence, I'll find you guilty. The body's the key. Let's go in here.

01:18:40Ah!

01:18:42Ah!

01:18:44Ah!

01:18:46I don't see a thing. I just don't like to watch people getting trailed.

01:18:50I did it for you. I know the real truth.

01:18:52You need professional help, mister. I need to get back to work.

01:18:55Hey, hey. Open up.

01:18:57There's no way this is end right. Don't worry. I've got it this way.

01:19:00Look, the day that you went to Donald's house, they had just killed a guy who was blackmailing him up here.

01:19:06And by accident, you picked up the tape from the blackmailer's machine, which recorded the whole thing.

01:19:11Ruth wanted that tape. Give me your hand.

01:19:16Oh, let's go. Let's go.

01:19:18So you mean to tell me that's what all this is about?

01:19:20Yes. That's why we're here. Use your back. Oh, good. Good.

01:19:24Come on. Go, go, go.

01:19:26What's happening?

01:19:36Thanks again for the lift, girls.

01:19:38Where are we? What is this, a getaway?

01:19:40Look, Molly, don't you see? I have the tape. When we find the body, we prove why Ruth tried to run you down.

01:19:44Hope it's the left guy. Right. Hi, Cheryl.

01:19:46You look very handsome today, Richard. Oh, thank you, Suzanne.

01:19:48What is everybody talking about? What kind of car is this? Who are these people?

01:19:51She's a transgender. She's from out of the country. I'm just a tourist.

01:19:53Look, Molly, I'll explain everything. So what's the plan?

01:19:55Wait a second. I know what's wrong with all this.

01:19:57The tape and dead body are evidence that'll prove I'm innocent, right? Right.

01:20:00And all we have to do is find them, right? Right.

01:20:02Wrong. Why didn't you find the evidence first and bust me out of court last instead of busting me out first

01:20:06so now we have a million people chasing us around while we're looking for the evidence?

01:20:09My mind's blank right now. What?

01:20:11Okay, you know how things come crashing into your consciousness just like a thunderbolt?

01:20:14No. No.

01:20:16Something just flashed. Don't let her go to jail.

01:20:18The last thing I know, I had you in one hand, the American flag in the other. It just happened.

01:20:21That's your explanation? I think so.

01:20:23This is death. Let's cut the small talk, you two. Where are we going?

01:20:26To your daddy's house. The body's in the base.

01:20:35What was that?

01:20:37Daddy usually gives himself a 21-gun salute.

01:20:39If you hear, ready and fire. Plug your ears.

01:20:41Wait a minute. Where's the statue?

01:20:43It's south of Baton Rouge. We love what Keeler did with his place. The man's an idiot.

01:20:46That's what my mother says. How are we gonna get in?

01:20:48Maybe it's me. Who? Yeah, Keeler's your father.

01:20:50Oh, I'm sorry. I just called him an idiot.

01:20:55You're okay now with those tags. Yeah.

01:20:57I better check in with my dad. Make yourselves at home. See you later, A.

01:20:59Make yourself at home? That's a laugh.

01:21:01Look, you're gonna be fine. What?

01:21:03And you're starting to believe, which I think is somewhat of a breakthrough,

01:21:05because neither one of us could do this if we didn't believe in one another. Am I right?

01:21:08Well, I'm here at the party. I might as well dance with the guy who brought me.

01:21:11Huh? Oh.

01:21:13Uh-oh. Uh, there's Rue.

01:21:20Watch out! There's Donald! Where? There!

01:21:26I've got an idea. Huh?

01:21:28Come on. Let's go. So you still haven't told me your plan.

01:21:30Plan? Oh, of course. Body, boom. Tape, boom.

01:21:33This crowd, boom. Me and you, boom.

01:21:35Wait a second, Junior. You and me, no boom. Don't get any ideas.

01:21:37Maybe I'm getting a little ahead of myself. Yeah, I'll say.

01:21:40This isn't gonna end perfectly. You just gotta believe. You gotta loosen up.

01:21:43Well, it's difficult to loosen up at a party

01:21:45when you have to get up the next morning to serve a life sentence.

01:21:47Well, if you find that body, you won't for five minutes.

01:21:49Versus when? Now it's if. Sounds like every guy I've ever known.

01:21:51Uh-uh. Not like every guy. Uh-oh.

01:21:53Huh? Police.

01:21:58A.K.B., wild escape of the courthouse involving a juror.

01:22:00They could be armed and dangerous. Let's hone in for details.

01:22:03Great. The machine got us down on sight. Thank you. Don't worry.

01:22:06The body's in the base. The body's in the base of what?

01:22:08The base of the statue we're going to see.

01:22:10Okay, if the body's in the base, where exactly is this famous tape?

01:22:12The tape is safe. The tape is taped to the nape of my football.

01:22:15The body's in the base. The tape's in the nape. It sounds like Mother Goose.

01:22:18See? There's the statue. Wait a minute. That's not the statue.

01:22:21The body's in the base of the other statue. What other statue?

01:22:24The statue of some Greeks. That's a statue of a...

01:22:26Now, that is a statue of Hal B. Keeler himself,

01:22:29his torch hand held high to light the plight of the Chinese alligator.

01:22:32When I heard that the world's only other alligator species,

01:22:35the Chinese species, was in danger, damn it all.

01:22:37Well, it's been a long, hard upstream pull of the oars.

01:22:40There's this mindless loathing of the reptile.

01:22:43I hate to tell you all, but I learned...

01:22:45Mr. Keeler, Wallace is missing. He's been stolen.

01:22:48What next? All right, move out.

01:22:50Stop once and for all.

01:22:53Hurry, Donald, move to the gator pen.

01:23:01You said you had a plan. You had a high school bear.

01:23:03Let's go where the murderers are, see if they can find us.

01:23:05I've had enough of this, Mr. Richard. I'm getting out of here.

01:23:07Wait a minute. You can't go. The police are after us.

01:23:09Mr. Richard! Huh?

01:23:11The cops. You gotta get out. Jerome, here's okay. He can help you.

01:23:14I'd do anything for Miss Suzanne.

01:23:16They've switched statues. Where would they store the other one?

01:23:18There's a shipping room downstairs. Turn right at the bottom.

01:23:20Go to the far right-hand corner at the right.

01:23:22Right. Maybe Jerome could show us. That'll help.

01:23:24All right. Thanks again, girls. See you later.

01:23:27Right onto the last corner right. Right at the back to the right.

01:23:30Ready! Aim! Fire!

01:23:43I can't see a thing. Wait a second, wait a second.

01:23:46Don't you understand? I held out for as long as I could.

01:23:49They were all against me. And then, bam, it hit me.

01:23:52Not only were you innocent, but I was innocent, too.

01:23:55And then, bam, it hit me. Not only were you innocent, but Ruth was guilty.

01:23:58Huh? Wait a second. There's a door.

01:24:01Okay, all right. Then why did you change your vote?

01:24:04Oh, that. Well, I had to get out of there before 5.

01:24:06Yeah, get out of there, but...

01:24:11Careful of that statue, boys. It's fragile.

01:24:14Before 5? Shh.

01:24:20Look, I'll go in my appeal with the help of a trained criminal lawyer,

01:24:23not some insane kid on a romantic free-fall through space.

01:24:26Romantic free-fall through space? I would agree with you.

01:24:32What are we doing? Just a minute.

01:24:40Okay, come on. What?

01:24:44What is this? Shipping list. Wait a second.

01:24:47Shipping list? Look, I want to hear and see that, Tabor. I'm turning myself in.

01:24:50You can't. We've done it. Done what?

01:24:52Found the body. Look, it's in Cairo.

01:24:54You! Me? You!

01:24:59Right in shipping! Right in shipping!

01:25:01I'm gonna tell your mother on you!

01:25:03Tell your mother? What kind of loony bin is this?

01:25:05Don't worry. We're going home now. Huh?

01:25:08There they are.

01:25:21Tony!

01:25:32Great. Will you look at this, ma'am?

01:25:34Well, they're leaving.

01:25:36What are you looking at?

01:25:38You'll like my family.

01:25:40Will you stop selling? Let's just get that tape.

01:25:42Okay, we'll go the back way.

01:25:44Go ahead. Yeah, kind of.

01:25:49Yes, it was quite a jolt today here at the St. Augustine Courthouse

01:25:52when a defendant, Molly Gilbert, and a juror identified as Richard Dicey

01:25:56fled the building in a daring escape just seconds after Miss Gilbert was declared guilty of...

01:26:01You have a wild breed, Mr. D.

01:26:03Hi, everybody. This is Molly. Molly Gilbert.

01:26:06The murderess. Attempted.

01:26:08Pleased to meet you. None of this was my idea.

01:26:10I look at you young people and all that wonderful energy gone to seed, and it frightens me.

01:26:13Mom, I know you're upset.

01:26:15Upset? I'm not upset. Are you upset?

01:26:17Well, I'm upset. I'll take care of everything. I've got to get some things upstairs.

01:26:19Molly, I'm going to need a little transportation.

01:26:21Yeah, sure.

01:26:23In the old days, I used to worry about my kids if they came home late at night.

01:26:26But today, as I saw my oldest son on the news exposed as a common criminal, I felt nothing.

01:26:30You splashed across TV screens from coast to coast.

01:26:32You're both dead men.

01:26:34Where's my stuff? Where's my football helmet?

01:26:36It's a little too late to turn pro, Richard.

01:26:38Here's a check for $115. That's my gift to you and your new life, Richard Dicey.

01:26:41Huh? I'm still wrapping up the old one. Mom, where's my helmet?

01:26:44The old one is over.

01:26:46A number of your things, including your helmet, are at Grover Canyon Bazaar.

01:26:48What?

01:26:50I had a little warm-up purge.

01:26:52Well, plans just humming along like clockwork. Why Grover Canyon?

01:26:54I'll tell you later.

01:26:56He went to school at Grover Canyon. You went to Grover Canyon?

01:26:58I'll explain it to you later. Mom, are you crazy, Ma? The tape was in that helmet.

01:27:00That's the evidence that's going to prove Molly's innocent.

01:27:02Molly, there's a policeman outside. Could you bring the truck around?

01:27:04I'll go the back way.

01:27:06Don't you see, Mom? I've cracked the case.

01:27:08You're just plain cracked, Richard. Those are all the key aways.

01:27:10You need some professional help.

01:27:12Yeah, like shock therapy.

01:27:14You don't know what you've done, Mom. I just hope that that tape is still in Grover Canyon.

01:27:16So do I.

01:27:18Bloodbath. He couldn't leave without a bloodbath.

01:27:20What are you doing here?

01:27:22Oh, one of your friends? Everybody in your crowd pack a ride?

01:27:24I told you it was Ruth.

01:27:26Why are you pointing that gun? What is everybody doing?

01:27:28Be quiet and sit down. Hand me that phone.

01:27:30Grover Canyon School, I believe you said.

01:27:32Wait a second. So you are after that tape.

01:27:34Is that good enough for everyone, huh? Vindication?

01:27:36Hey, shut up and hand me that phone.

01:27:38Did you wear out your feminine wiles?

01:27:40You just put that gun away now.

01:27:42I told you, sit down.

01:27:44In my house, I sit when I'm good and ready.

01:27:46What about me, Ruth?

01:27:48Get back, both of you. Do something, Richard.

01:27:50Go for the eyes, Mom. Stand back.

01:27:52Okay, truck's ready. Grab her!

01:27:54Oh, grab the other hand! Grab the other hand!

01:27:58All right, put him up.

01:28:00Honey, you're good. I was wrong about you.

01:28:02Andrew, get a wet towel for Wally.

01:28:04Richard, get the hell out of here.

01:28:06Bye now.

01:28:08Sickness in this country.

01:28:10You check the upstairs. All right, nobody move.

01:28:12What's going on here?

01:28:14What is happening here?

01:28:34Well, here it is, our old school where we first met.

01:28:36Look, I'm on a very thin line here, Junior,

01:28:38so don't expect me to wax sentimental

01:28:40over my old grammar school.

01:28:42As a matter of fact, I don't remember you at school at all,

01:28:44Richard Dicey.

01:28:46Dice, not Dicey. Dice. I'm Richard Dice.

01:28:48There, now you know.

01:28:50Well, whoop-dee-doo.

01:28:52No, I'm Richard Dice of the first grade.

01:28:54We weren't in first grade together.

01:28:56No, no, you were in sixth. That's the whole point.

01:28:58I'm Richard Dice, the rejected flower.

01:29:00No, you're Richard Dice of the insane asylum.

01:29:02There it is. Ruth was right.

01:29:12Ah!

01:29:22Sixth to St. Augustine.

01:29:24I've located the white tow truck listed on the bolo this morning.

01:29:26Look, there it is.

01:29:28Well, come on, man.

01:29:30Don't you understand? I've been in love with you

01:29:32since I was six and you were 11.

01:29:34It couldn't work then, but now it can.

01:29:36That's what you think.

01:29:38Oh, hi, Miss Walker. I'm Richard Dice, remember me?

01:29:40No.

01:29:42Face it, Dicey, nobody remembers you.

01:29:44That's my helmet, Miss Walker. My mother sent it by mistake.

01:29:46Could I have it back, please?

01:29:48You have to win it. Three win tickets for next.

01:29:50Oh, okay, I'll win it.

01:29:52Let's just move it, lady. Here's 20 bucks.

01:29:54Mainly half of the children, Miss.

01:29:56That's too many win tickets for next.

01:29:58No, no, no. We'll be back later to win it.

01:30:00Why don't we just brain her and grab it?

01:30:02Uh-oh. Huh? Oh.

01:30:04Ruth must have gotten away and called him.

01:30:06Oh, this is just great.

01:30:08I've been hanging around here all day like an idiot.

01:30:10I don't even remember this famous meeting.

01:30:12You don't remember the rings?

01:30:14You used to swing on those rings.

01:30:16And one time you fell and you hurt your knee

01:30:18and I brought you a band-aid and you looked up at me

01:30:20and you said, thanks, kid.

01:30:22And it was just, like, for that one moment

01:30:24we were the same age, and I'll never forget it.

01:30:26Wait a second. You're not the little pervert

01:30:28from the girls' bathroom.

01:30:30Yes! Yes, that's me. You remember.

01:30:32Watch out. Huh?

01:30:34Hey, cut that out, kid. Why'd you do that?

01:30:36Oh, we were just reminiscing. He's okay.

01:30:38The cops. Thanks a lot, kid. Don't worry.

01:30:40Are you looking for the pervert?

01:30:42Yeah. He went that way.

01:30:44Thanks, kid.

01:30:46Isn't this the most amazing thing?

01:30:48What? It's sort of like a love dart.

01:30:50Don't you understand?

01:30:52She shot me and for the first time

01:30:54you said I was okay.

01:30:56It's kind of like that poem,

01:30:58why was Cupid a boy and why a boy was he?

01:31:00He should have been a girl for all that I can see.

01:31:02Take off your glasses.

01:31:04Put them back on.

01:31:06Oh, uh, too bad.

01:31:08Oh, goodness.

01:31:10Uh-oh, the helmet. Some little kid just won it.

01:31:12I know. Come on, let's go.

01:31:22Okay, you get the helmet,

01:31:24meet me at the truck. I'm gonna get the kid's bear

01:31:26and I'm gonna distract him.

01:31:28Do we really have to clean out the kid completely?

01:31:30You have no choice.

01:31:34Sorry, kid.

01:31:36Sorry, kid!

01:31:38Sorry, kid!

01:31:40Hold on!

01:31:42Right there!

01:31:44He stole my bear!

01:31:46The bear!

01:31:48Hey, that's my kid's bear!

01:31:54Oh, no, I'm afraid they've sliced it.

01:31:56Yeah, yeah, I know.

01:31:58Here it is. It's for you.

01:32:00Now we have to find the body.

01:32:02It's always been for you.

01:32:04Even when it was for other women, it was always for me.

01:32:06You know what? I think you live in the past too much.

01:32:08Well, it's kind of hard to bask in my future right now.

01:32:16Where are we running?

01:32:18This is getting seriously dangerous!

01:32:20We've got to get to the dot before 5!

01:32:22We can't run all the way!

01:32:24Oh, God, here they come! Let's get in here!

01:32:26What?

01:32:28Quick, we've got a gift shop here.

01:32:30Are we going to give this to the police?

01:32:32No, we're going to get some disguises.

01:32:34That's not a bad idea, I think.

01:32:44They look like idiots!

01:32:46Watch out!

01:32:50Well, they say if you drink this, you can live forever.

01:32:52I'd settle for tonight.

01:32:54We've got to get out of here!

01:33:00Oh!

01:33:06Uncle Freddy!

01:33:08Maybe we can get a cabin here.

01:33:10Great, one jail to another.

01:33:18Look, Richard, life's not some crazy romantic fantasy.

01:33:20You don't just fall in love with a guy...

01:33:22Watch out, there's...

01:33:24Come on, I know a back way.

01:33:30Oh!

01:33:32Damn, now what?

01:33:34I have an idea.

01:33:36Well, I've attempted murder in a jailbreak.

01:33:38I guess a little grand theft auto

01:33:40isn't going to make a whole lot of difference.

01:33:42Oh, good, there's a tour tape. That'll help.

01:33:44Hang on, folks, this is the express tour.

01:33:50You really are insane.

01:33:52It's temporary.

01:33:54Well, hang on to this. If they catch us, swallow it or something.

01:33:57They stole a tour bus!

01:33:59Come on, let's move it!

01:34:08Look out!

01:34:26Cairo.

01:34:28Where?

01:34:30There, on the big crane.

01:34:32Oh, yeah.

01:34:34Come on.

01:34:36What's up there?

01:34:38Good vantage point.

01:34:40Look, Molly, I know you think I'm just a kid with a crush,

01:34:42and you're the troubled older woman I'll never understand.

01:34:44Well, that's just not the way I see it at all.

01:34:46I'm sure you got it all figured out in just under two hours, right?

01:34:48And 19 years.

01:34:50That is a long time.

01:34:52It's just yesterday to me.

01:34:54Shut up, you idiot!

01:34:56Hold on!

01:34:58Now hand it over, Molly, or your boyfriend gets it!

01:35:00Don't do it, Molly! I'd rather die your boyfriend!

01:35:06Don't let it move!

01:35:10Well, we're almost there.

01:35:12Almost where?

01:35:14Come on, don't worry.

01:35:18Just how do you plan to get the body from up here?

01:35:20I don't know. Let's examine the situation.

01:35:24I'm going to throw this wrench through that truck window,

01:35:26knocking the gearshift into neutral.

01:35:28The truck will roll back against the hydropole,

01:35:30snapping the crane cable.

01:35:32The crate will drop, breaking the base.

01:35:34The body will fall out.

01:35:36Oh, well, give it a shot.

01:35:40No!

01:35:42No!

01:35:44No!

01:35:46No!

01:35:48No!

01:35:50No!

01:35:52No!

01:35:58All right!

01:36:00No!

01:36:06Get your hands out of the door!

01:36:10Get your bloody gun back!

01:36:16Oh, my God!

01:36:18This is terrible!

01:36:20Well...

01:36:24What?

01:36:26All right, just stay where you are!

01:36:28Actually, I must say,

01:36:30this certainly has been the most active first date of my life,

01:36:32and really, you've been very helpful.

01:36:34You think so?

01:36:36Yes, I guess I even owe you a kiss.

01:36:38You threw her under arrest!

01:36:40Well, maybe I owe you another one.

01:36:42You have the right to remain silent,

01:36:44but if you decide to talk,

01:36:46anything you say, just a minute.

01:36:50Anything you say can and will be used against you.

01:36:52You have the right to talk to a lawyer right now.

01:36:54Do you understand? Issue these rights.

01:36:56I'm explaining to you!

01:36:58Well, actually, we didn't go to jail.

01:37:00We went to my mother's house instead,

01:37:02where there was a changing of the guard.

01:37:04The press from all over came, too,

01:37:06and half the town.

01:37:08Suzanne, you see, finally brought her father into it,

01:37:10and then it turned out that Arnie, the blackmailer,

01:37:12had been wanted for murder in two states.

01:37:14There were even rewards posted,

01:37:16and Mr. Keillor also gave us each a very generous one.

01:37:18But the money didn't come soon enough,

01:37:20so Molly got evicted anyway,

01:37:22but that was okay,

01:37:24because we decided to do a little traveling

01:37:26before we settled down.

01:37:28I guess my mom and the gypsy were both right.

01:37:30Love is a gamble, and it is all in the dice.

01:37:32Just sometimes you really get lucky.

01:37:34Love is a gambler with your heart

01:37:37Love is a rambler from the start

01:37:40And the hottest fire you know

01:37:43Is in the flame of a lover's glow

01:37:47And there's a real good chance

01:37:49When you play with fire

01:37:51Sometimes you might get burned

01:37:53Love is a gambler, love is a gambler

01:37:56Lady luck is always there

01:37:59When the wheel is turned

01:38:05You can feel just like a child

01:38:08When you fall in love

01:38:11You hide and seek for dreams

01:38:14That might come true

01:38:17Like a little boy and girl

01:38:20Playing games of make believe

01:38:23But it's gotta be a game

01:38:26That's meant for two

01:38:29Love is a gambler with your heart

01:38:32Love is a rambler from the start

01:38:35And the hottest fire you know

01:38:38Is in the flame of a lover's glow

01:38:41And there's a real good chance

01:38:43When you play with fire

01:38:45Sometimes you might get burned

01:38:47Love is a gambler, love is a gambler

01:38:50Dame fortune's always there

01:38:53When the wheel is turned

Category

Transcript

Recommended