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00:00:00Peasants of the rural areas!
00:00:02The A-team is here to solve your problems.
00:00:05The landlord wants to take your land.
00:00:09The farmer wants to pollute it with nuclear waste.
00:00:13Do you want to get rid of the rural idiot?
00:00:15Antonio!
00:00:16Hey, be quiet, they can't hear me!
00:00:18Accessories!
00:00:19The A-team is with you.
00:00:20Build this unique chance!
00:00:24No one cares about him.
00:00:25We've been fooling around all over Spain for months.
00:00:28I'm hungry.
00:00:30Stop, stop, stop!
00:00:31A woman is coming through the window.
00:00:35Come on!
00:00:36Where are you going?
00:00:37To hunt for clients!
00:00:41Ma'am!
00:00:42The A-team is knocking on your door!
00:00:44Be quiet!
00:00:45She's old, she must be deaf.
00:00:49Good day!
00:00:50Do you have a problem to solve?
00:00:52Do you feel free during the long winter nights?
00:00:56Get in, get in, get in!
00:00:57Where are they?
00:00:58That's a shame.
00:00:59What are you talking about?
00:01:00Go get the money!
00:01:01We're going on a mission!
00:01:03I love this life!
00:01:04Get out of here, swindlers!
00:01:06Run, run!
00:01:07Motherfucker!
00:01:08Koke, run!
00:01:09Come on!
00:01:15Hey, wait for me!
00:01:16Koke!
00:01:17Koke, stop!
00:01:19Oh, shit!
00:01:20The flowers came out!
00:01:21Oh, God!
00:01:27Mr. Dolphin, did you catch anything?
00:01:29There's no fish here.
00:01:30This river is dead.
00:01:32What soup should I make?
00:01:34The soup is finished.
00:01:36Damn it!
00:01:37I just caught a hare, but I'm left without arrows.
00:01:40We'll starve to death.
00:01:41There's nothing to eat here.
00:01:42Calm down!
00:01:43I have a brilliant plan.
00:01:44We'll make a deadly trap.
00:01:46Look.
00:01:47You put these horses on your head
00:01:49and you turn their asses.
00:01:51And then you're chased away.
00:01:53And when the man comes to get you,
00:01:55he throws you with his brother.
00:01:58What brother?
00:01:59Koke, make a brother.
00:02:01Bullshit.
00:02:02Just a line.
00:02:03On a stick.
00:02:04Why on a stick?
00:02:05Are you going to make them on a stick?
00:02:07Why make a line on a stick?
00:02:09But there's nothing to eat here.
00:02:11Quiet!
00:02:12Make a line on a stick.
00:02:14There's nothing to eat here.
00:02:15Quiet!
00:02:16Make a line on a stick.
00:02:17What am I doing here?
00:02:18I had a life.
00:02:19A wonderful life.
00:02:20Yes, but you're bored.
00:02:21Now you have an adventure.
00:02:22What adventure?
00:02:23Not to be killed for a little bit.
00:02:25Enrique, you're very negative.
00:02:27You're ruining my fighting spirit.
00:02:30The phone.
00:02:31Who cares about you?
00:02:33They want to sell you something.
00:02:34Don't pick it up.
00:02:35Judith.
00:02:36The red-haired bitch?
00:02:38Judith, tell her quickly that my battery is low.
00:02:40Enrique, where are you?
00:02:42I'm on an adventure around the world.
00:02:45Come back, please.
00:02:46I need you.
00:02:47I'm coming.
00:02:48I'm coming right away.
00:02:49Where's Kukna?
00:02:50At home.
00:02:51My beloved needs me.
00:02:53You're a pathetic traitor.
00:02:55How many of us are left to adventure?
00:02:57No, no.
00:02:58I'm leaving, too, my son.
00:02:59Come here!
00:03:00I'm sorry you broke my wife.
00:03:03To hell with you two.
00:03:05I'm staying alone.
00:03:06We're not the A-Team anymore.
00:03:08Now I'm MacGyver.
00:03:12Wait, wait.
00:03:13There are beasts here.
00:03:16We're here again because Mr. Mador Rivas
00:03:18neglects his full-fledged duties,
00:03:21which seriously harm the quality of life of my client,
00:03:25without mentioning the expenses.
00:03:27I object.
00:03:28Live like a queen.
00:03:29Sit on my skin.
00:03:30You whore.
00:03:31What whore?
00:03:32I haven't seen Kukna's money for half a year.
00:03:34Aren't you paying the whore?
00:03:36A brick, a brick.
00:03:39Without a job, I'm barely surviving.
00:03:41I have no choice.
00:03:42I have no choice but to die.
00:03:44I owe you 50,000.
00:03:46I won't give it to you.
00:03:47Order in the hall, order.
00:03:49Your Honor, my client wants the lawyer
00:03:51to save the joint insurance
00:03:53and take care of the children
00:03:54for an equal number of days
00:03:55with the mother.
00:03:57But she doesn't give them to me.
00:03:58How can I not give them to you?
00:03:59When it's your turn, you don't want them.
00:04:01I don't feel comfortable on Saturdays.
00:04:02I'm a bohemian and a whore.
00:04:04That's not true.
00:04:05He's not a whore.
00:04:06Shut up.
00:04:07That's the only thing he cares about, Your Honor.
00:04:08Who cares?
00:04:09I have to stay.
00:04:10I have to stay.
00:04:11I have to stay.
00:04:12I have to stay.
00:04:13I have to stay.
00:04:14I have to stay.
00:04:15I have to stay.
00:04:16I have to stay.
00:04:17I have to stay.
00:04:18I have to stay.
00:04:19I have to stay.
00:04:20I have to stay.
00:04:21I have to stay.
00:04:22I have to stay.
00:04:23I have to stay.
00:04:24I have to stay.
00:04:25I have to stay.
00:04:26I have to stay.
00:04:27I have to stay.
00:04:28I have to stay.
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00:04:30I have to stay.
00:04:31I have to stay.
00:04:32I have to stay.
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00:04:34I have to stay.
00:04:35I have to stay.
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00:04:39I have to stay.
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00:05:00I have to stay.
00:05:01I have to stay.
00:05:02I have to stay.
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00:07:04I have to stay.
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00:07:33What are you doing?
00:07:37It's just that...
00:07:39The logo seems to shake area.
00:07:41Have a knife?
00:07:42Rickie, have a seat.
00:07:43We need to talk.
00:07:52I've made silly mistakes.
00:07:54What?
00:07:57You were not here.
00:07:59I felt lonely.
00:08:00I was trying new things.
00:08:01I...
00:08:02Calm down, I've done a lot of stupid things.
00:08:06The important thing is that I'm already here, next to you.
00:08:09Really?
00:08:10Of course. Look at me. I'm ready for anything.
00:08:13So, you want to be my deputy?
00:08:17Please.
00:08:20I don't know where my mind was.
00:08:23I went to the meeting and I saw this chaos.
00:08:26Paralysis was crying, no one wanted to stand up.
00:08:29Suddenly, I raised my hand. I don't know why. I don't know.
00:08:33So, you called me...
00:08:36I mean, I walked 642 kilometers at 70 kilometers per hour
00:08:41to become your deputy.
00:08:45Yes.
00:08:48That's why you needed me.
00:08:50Of course, I needed you.
00:08:55What humiliation! What a fool!
00:08:58Let's call Z. Let's call A.
00:09:00What?
00:09:01Don't play with my friend.
00:09:03We'll see.
00:09:05You and I will hit him to death.
00:09:07Let's find the whores.
00:09:08Get out of here.
00:09:09I'm doing this for you.
00:09:10I'll twist your ass.
00:09:13Negora Seiva has an appointment as deputy manager.
00:09:17Will you take the job?
00:09:19Of course. It's time for someone to put an end to this.
00:09:23It will be an example of solo cooperation.
00:09:25Stop!
00:09:26Don't twist my ass.
00:09:28Why are you helping her?
00:09:29The red-haired whore doesn't like you. She uses you.
00:09:32She likes me.
00:09:33But she's too proud to admit it.
00:09:35I became deputy manager so she can apologize and keep me to herself.
00:09:39What kind of movie are you projecting in my head?
00:09:41Judith will fall into my hands like a ripe fruit.
00:09:45Besides, I'm the deputy manager.
00:09:47The best mirador is Montepinar.
00:09:49Where have you seen a woman managing?
00:09:51In Germany, for example.
00:09:53That's a man.
00:09:54Antonio, accept him.
00:09:55Your time is up.
00:09:56Take care of the kids and leave us to start the cooperation that you fucked up.
00:10:02What do you mean, no?
00:10:04These are my possessions and I'll get them back.
00:10:07We start from home.
00:10:09Your kids' apartment for three months.
00:10:13The bitter kids.
00:10:15I'd throw myself out of the window.
00:10:17But he's enchanted and now he's in the bag.
00:10:19He can't take care of himself, because what's left for four kids?
00:10:22And the cockroaches go in the bag.
00:10:24You don't tell him anything.
00:10:26What for?
00:10:27Eh?
00:10:28Eh?
00:10:29Biramole, I finished the job.
00:10:30The house and the kids are for me.
00:10:32Amador! Amador! Amador!
00:10:35I chased Milut out.
00:10:36Now I'll be a bohemian and a swallower.
00:10:40Eh?
00:10:41What?
00:10:42Amador! Amador!
00:10:44Are you kidding me?
00:10:45Eh?
00:10:46Eh?
00:10:47Biramole.
00:10:48Left?
00:10:49I just left her at the airport.
00:10:51Who?
00:10:52Lola took her to a Latin-American bar.
00:10:54Six months in Miami.
00:10:56Six months in Miami? Alone?
00:10:58Bad.
00:10:59Why bad?
00:11:00Bad, bad.
00:11:01I'll make a lot of money.
00:11:03Javier, there's a lot of Cubans, culturists and Latin lovers.
00:11:06And?
00:11:07I'll eat salami.
00:11:08I believe in Lola.
00:11:09She loves me.
00:11:10She and her mother loved him, but forgot him from her neighbor.
00:11:12You have to kiss me, right?
00:11:14Javier, love from a distance is a hard job.
00:11:17This is a test for your relationship.
00:11:19I believe in eternal love.
00:11:21You are ours.
00:11:23Come on, Gregoria!
00:11:24Eh, I'll make it clear.
00:11:25I'll fuck you.
00:11:27I'll smear you.
00:11:28Calm down.
00:11:30Calm down, cool mind.
00:11:33Let's look at the positive side.
00:11:35You got rid of your wives.
00:11:37You are a free man.
00:11:39Ah, Lola.
00:11:40Ah, Gregoria.
00:11:41What's that?
00:11:42Ah, ha, ha, ha.
00:11:43What are we?
00:11:44Wolves?
00:11:45Or flies?
00:11:46Wolves.
00:11:47And what do the wolves do at night?
00:11:48They sleep.
00:11:49No, the wolves.
00:11:50This evening we'll go out and we'll conquer the city.
00:11:53Kupon.
00:11:54Kupon, kupon.
00:11:55No, I'm not up for that.
00:11:57And you'll die of boredom.
00:11:59No, he'll make my dinner.
00:12:01Come on, Javi.
00:12:02Let's go for a drink.
00:12:03I don't want to.
00:12:04Have fun.
00:12:05And without that, they'll beat you.
00:12:06Enough.
00:12:07Enough.
00:12:08Enough.
00:12:09Enough.
00:12:10Peace and love.
00:12:11Use your strength until the evening.
00:12:13Football is waiting for me.
00:12:14The Turkish League.
00:12:15What kind of football?
00:12:16Meringue, meringue, meringue.
00:12:17What are you going to do with the kids?
00:12:18You have to leave them with someone.
00:12:20Yes, yes, of course.
00:12:22I'll get out of here.
00:12:23And for what?
00:12:24I'll give you 10 euros.
00:12:27We love kids.
00:12:28But you have one.
00:12:29Do you want it?
00:12:3010 euros.
00:12:31Sold.
00:12:32No, no, no.
00:12:33I have enough.
00:12:34No, I have to rest.
00:12:36If I don't sleep 13 hours, I think slowly.
00:12:39But they sleep like flies.
00:12:40Do they smell?
00:12:41That is, they don't stink.
00:12:42Do you tie them?
00:12:43No, no.
00:12:44You just put them in the sacks and ...
00:12:46Ah, the sacks are finished.
00:12:48But you didn't sleep 13 hours.
00:12:51Accidentally to look like a butterfly.
00:12:54What is it?
00:12:55You wake them up and wink at them.
00:12:58Is that it or not?
00:13:00Oh, no.
00:13:03Girls!
00:13:05Honey!
00:13:06Don't open it.
00:13:07How can I open it?
00:13:08It's the cucumber.
00:13:09She loves you so much.
00:13:10Open it or she won't die from here.
00:13:16I carry half a kilo of cucumbers.
00:13:19They are so fluffy.
00:13:21You melt in your mouth cream.
00:13:24When you pick them up, the stuffing spreads around the edges.
00:13:27And you have to ...
00:13:29get close to them, so that not a single drop of it comes off.
00:13:35Hello, hello.
00:13:36Where are the cucumbers?
00:13:37In the bag.
00:13:39That was very cruel.
00:13:41And this suitcase?
00:13:42It's not fully unpacked.
00:13:44I want an eclair.
00:13:45Where did you leave it?
00:13:46Far away?
00:13:47No, I want to live here.
00:13:51Excuse me?
00:13:52No, look ...
00:13:53I'm very bad.
00:13:58The judge gave the kids to Amador.
00:14:00Isn't that what she wanted?
00:14:02Yes, but the apartment is for three months.
00:14:04Three months?
00:14:07Yes, but ...
00:14:08You can't stay here.
00:14:10Why ...
00:14:11You'd better not go to Raquel.
00:14:14No, no.
00:14:16We don't have a place.
00:14:18Here, too.
00:14:19You have two apartments.
00:14:20Yes, but upstairs there is only one bathroom, and you have two.
00:14:23But one is mine.
00:14:24So you'll share the expenses.
00:14:26Now you pay for everything, and you can't afford a single modern bed.
00:14:30Yes, yes, yes. I'll pay you rent for the apartment.
00:14:32But what apartment?
00:14:33Both are for you.
00:14:34If she pays, you go to the couch.
00:14:36I'm on the couch.
00:14:38I don't know.
00:14:39Three hundred?
00:14:40Yes, but ...
00:14:41Couch, react, don't fall into the trap.
00:14:43900 euros for three months.
00:14:45You'll be able to buy shoes, Jimmy Choo, and they'll stay in your wallet.
00:14:49We'll move in, great.
00:14:51But you won't break the deal.
00:14:53Bratovchetke thought about Tonin.
00:14:55He needs space.
00:14:56Jimmy Choo, Jimmy Choo.
00:14:58Tonin.
00:14:59Tonin.
00:15:00Jimmy Choo.
00:15:01You're like a doll to him.
00:15:02It's okay.
00:15:05You'll regret it, Bratovchetke.
00:15:08Apartments are so cool.
00:15:14God, what a mess.
00:15:16What a lack of ... of ...
00:15:18Francisco Javier!
00:15:19This is burned by a cigar!
00:15:21Apparently it's from some coupons.
00:15:23Who allowed you to make coupons here?
00:15:25You disappear and leave your growing son at the mercy of fate in an empty house and a bar, drunk with alcohol.
00:15:31You are irresponsible.
00:15:32You know a lot, Ostata.
00:15:33The end of the coupons.
00:15:35And you'll pay for the upholstery of the couch.
00:15:37You.
00:15:38Yes, yes, and now I'll write you a check.
00:15:40I really like this kitchen.
00:15:43How does he drink me?
00:15:53Who is it?
00:16:00Good day.
00:16:01Good day.
00:16:10You're all the same.
00:16:12Dirty, but ...
00:16:13I just came from the road.
00:16:14With Kiselyaka.
00:16:15Now they're friends.
00:16:17Look at you.
00:16:18Coffee?
00:16:19I don't drink coffee anymore.
00:16:20Do you have tea and punk tea?
00:16:21Please.
00:16:22Senk tea?
00:16:23No.
00:16:24Cookie tea?
00:16:25Fran, do we have cookie tea?
00:16:26What's that?
00:16:27Biscuits?
00:16:28Anyway.
00:16:29Water.
00:16:30Non-carbonated.
00:16:33He's grown so much.
00:16:34That's how it is when you disappear for three years and you can't get to know your own son.
00:16:39I knew you were going to make him a question.
00:16:41How not?
00:16:42After he cuts me like that.
00:16:43With a mark.
00:16:45Water the flowers.
00:16:47Are you watering them?
00:16:48Please.
00:16:49Don't worry about Fran, please about the flowers.
00:16:51You've got a lot of energy.
00:16:53Aracelina, I insist on explaining.
00:16:54Son, you too.
00:16:56No, no, I'm going to bed.
00:16:57We're listening.
00:16:59Let's see.
00:17:00What did he say?
00:17:02How did it happen?
00:17:03Oh, yeah.
00:17:04Was I bad?
00:17:05I felt something here.
00:17:07And here.
00:17:09And here.
00:17:11And I said, I'm leaving.
00:17:14And I left.
00:17:18Is that it?
00:17:19What kind of explanation is that?
00:17:20Dad pushed.
00:17:21That's what I understood.
00:17:22Eric, I wasn't happy.
00:17:24He had to find himself.
00:17:26But now he's found himself.
00:17:28Eric, I've reached inner harmony.
00:17:31And I'm back to the lost time and love.
00:17:34Too late, dear.
00:17:35I'm not coming back to you.
00:17:36Even if you beg me on my knees.
00:17:38The love of my son.
00:17:42He didn't come back because of me?
00:17:43No, I'm already in a relationship.
00:17:45Thank God.
00:17:47Otherwise, it would be a terrible blow for you.
00:17:50I also have a relationship.
00:17:51We are very in love.
00:17:53What is he doing here?
00:17:55No, no, he's...
00:17:56Max, get dressed.
00:17:58I was Fran's mother all this time.
00:18:00You're not going to separate me from him.
00:18:02No, no, calm down.
00:18:06Are you gay?
00:18:07No.
00:18:08He helps me in the bar.
00:18:09You have a bar?
00:18:10I have to do something.
00:18:11Your place is ruined.
00:18:13That's what I wanted to talk about.
00:18:14We have to see.
00:18:16What are we going to do with the place?
00:18:17With the apartment?
00:18:19So you're going to leave me alone like a dog
00:18:21at the neighbors' house with a troubled teenager?
00:18:25And now, when I don't get my act together,
00:18:27you have the nerve to come to your business.
00:18:30It's not going to happen.
00:18:31I want a divorce.
00:18:33That's what I'm telling you.
00:18:34Let's sort out the documents.
00:18:35You're not going to see a drop of this money.
00:18:37Sooner or later, I'm going to burn everything.
00:18:39Obviously, now is not the time.
00:18:41When you calm down,
00:18:42at least a little, you'll come back
00:18:43and we'll discuss the matter like mature people.
00:18:46No, better leave a note.
00:18:48Come on, see you in three years.
00:18:51Bye.
00:18:54What a nice villa.
00:18:57What's going on here?
00:19:00Paralysis, open the door.
00:19:04Boss Antonio, I'm so happy.
00:19:06Shut up, you liar.
00:19:08Who told you to change the key?
00:19:10I thought it was like I'm the owner.
00:19:13What did you do to my car?
00:19:14It looks like an Indian car.
00:19:16I arranged it to my taste, boss Antonio.
00:19:19What is this paper?
00:19:21Our family.
00:19:22But how many are you?
00:19:24Use condoms and paralysis,
00:19:25then we'll feed you.
00:19:27How terrible they are all,
00:19:29especially this old man.
00:19:30That's mom.
00:19:33Get the Indian ore and go back to your habitat.
00:19:37This is not your place.
00:19:38But Dona Berta transferred my property.
00:19:40Dona Berta will break it, idiot.
00:19:41The signature has no legal validity.
00:19:44Antonio.
00:19:46What are you doing here?
00:19:48You're breaking the paralysis?
00:19:50No, no, no.
00:19:51Antonio, don't start again.
00:19:52Wasn't he in the monastery?
00:19:54They locked him up.
00:19:55The nuns couldn't pay the debts.
00:19:57They didn't cover the expenses with sweets.
00:20:00It's a crisis.
00:20:01Even God has to let the tenants go.
00:20:03There was nowhere to go.
00:20:05It was so hard for me.
00:20:08I'll leave you alone to talk.
00:20:10No, no, no, no.
00:20:12Wait for the suitcases at the airport.
00:20:13They're coming back for free.
00:20:15Don't treat him like that.
00:20:16The paralysis has destroyed the sea gifts, Resio.
00:20:18The sales have doubled.
00:20:20What do you call me?
00:20:21Let me call you Rick.
00:20:22He's made up his mind.
00:20:23It doesn't matter.
00:20:24Life gives us a second chance.
00:20:26Why don't we leave everything,
00:20:28go far away and start from scratch?
00:20:30I'm not going anywhere.
00:20:32Antonio, Resio, dirty fish,
00:20:34neither forgive.
00:20:35Then why did you come back?
00:20:37Because this is my house.
00:20:38It's not anymore.
00:20:39Now it's paralyzed.
00:20:41But I want to go back to my family.
00:20:43I can leave you at a good price.
00:20:44Do you want to sell me my own house?
00:20:46If you can't sleep on the couch.
00:20:48No, no, no, no.
00:20:49That's the problem.
00:20:51An idiot beats my wife,
00:20:53a pimp steals my job,
00:20:55and an Indian steals my house.
00:20:57The world is no longer the same
00:20:59and good people have no place in it.
00:21:01Antonio, where are you going?
00:21:03To the bathroom.
00:21:08Rick, come in, come in.
00:21:10You have a lot of work.
00:21:12I made a list of existing problems.
00:21:14First, no currency.
00:21:16Second, no money.
00:21:18Third, no wallet.
00:21:19Araceli is back.
00:21:20Who?
00:21:21My wife.
00:21:23And what does she want?
00:21:26To get together again?
00:21:28She realized her stupidity
00:21:30and wants to go back to her previous life.
00:21:32And what did you tell her?
00:21:34I threw up.
00:21:35Very good, very good.
00:21:37She took anger and indignation
00:21:39and I kicked her out.
00:21:41Great.
00:21:42And now?
00:21:43Later.
00:21:44When I thought about Fran,
00:21:45she's my mother
00:21:46and besides, she's very thin.
00:21:48Thin?
00:21:49She's old.
00:21:51No, no, she's grown her hair long.
00:21:53But she's definitely full.
00:21:55No, no, she has a waist
00:21:57and her skin is smooth,
00:21:59her eyes shine.
00:22:01If you like,
00:22:02let's focus on the block
00:22:03and leave the feelings aside.
00:22:05So there are feelings?
00:22:06Yes.
00:22:07No.
00:22:08I mean, your stupid wives.
00:22:10Why do you have them?
00:22:11Well, I have a lot of memories
00:22:13and she was the woman of my life.
00:22:15Don't be afraid of impossible love
00:22:17and call a meeting.
00:22:18For what?
00:22:20To pay the bills.
00:22:21We don't have a toll,
00:22:22we don't have an elevator.
00:22:24Yes, yes, don't worry.
00:22:25We're a team.
00:22:26Exactly.
00:22:27You and me
00:22:28and no one else.
00:22:31Show me your nails.
00:22:33You fell for me,
00:22:34but come on.
00:22:35Hello.
00:22:36Welcome.
00:22:37Thank you for coming.
00:22:38The meeting is in the dark.
00:22:39That was out of the question
00:22:40with Antonio Recio.
00:22:41It's romantic.
00:22:42I'm canceling the meeting.
00:22:43Antonio, you have no balls.
00:22:45And so,
00:22:46for me,
00:22:47it's a great honor.
00:22:49Dad.
00:22:51Are you done?
00:22:52Please, hold on a little longer.
00:22:54Everyone is asleep.
00:22:55What is he doing here?
00:22:56I was trying to tell you that.
00:22:58We already have a doorman
00:23:00and a deputy home manager.
00:23:02I'm not sure
00:23:03if we have a doorman
00:23:04and a deputy home manager.
00:23:05Enrique Pastor.
00:23:06Traitor.
00:23:07You set up the gadget.
00:23:09No, please.
00:23:10Our current relationship
00:23:11with the lady home manager
00:23:12is purely official.
00:23:14It's not a secret
00:23:15that we had a beautiful romance
00:23:16and that there is undoubtedly
00:23:17an attraction between us.
00:23:19Second point.
00:23:20I object.
00:23:21You don't even know what it is.
00:23:22What is it?
00:23:23Unpaid bills to the energy.
00:23:24I object.
00:23:25First, there's no word.
00:23:27Antonio, you don't object
00:23:28and you have to let us know
00:23:29about the damage.
00:23:30Yes,
00:23:31this elevator is a big mess
00:23:32and the garage door
00:23:33doesn't work.
00:23:34I don't feel sorry
00:23:35when I look at these pillars.
00:23:36And I don't feel sorry
00:23:37when I look at the unpaid bills
00:23:38to the energy.
00:23:40I'm counting
00:23:41and waiting.
00:23:42A logical explanation.
00:23:44Barter A.
00:23:45Amador Ribas
00:23:46and Mayte Figueroa.
00:23:473680 euros.
00:23:49Carp, carp.
00:23:51What if he paid me
00:23:52for the maintenance?
00:23:53I would have paid.
00:23:55But I'm unemployed.
00:23:56I have nothing left
00:23:57except to die.
00:23:58Nothing else.
00:23:59Amador.
00:24:00But are you going to pay
00:24:01for the maintenance?
00:24:02Yes, yes, yes.
00:24:03Why can't I?
00:24:04For what?
00:24:05He lives on the ground floor,
00:24:06doesn't use the elevator,
00:24:07doesn't have a car,
00:24:08and the fact that there's no electricity
00:24:09at the entrance
00:24:10doesn't stop him.
00:24:11It's not stupid to pay.
00:24:12Oh, God.
00:24:13But...
00:24:14Right?
00:24:15No, no, no.
00:24:16I'm not paying.
00:24:17For what?
00:24:18Antonio, you don't pay, do you?
00:24:19I continue.
00:24:20Second A.
00:24:21Isascon Sagastume.
00:24:222260 euros.
00:24:23Why don't you pay?
00:24:24Cigarettes are very expensive.
00:24:25Are you going to pay?
00:24:27Actually, no.
00:24:28I wonder
00:24:29how they're going to
00:24:30pay.
00:24:31Second B.
00:24:32Vicente Maroto
00:24:33and Gregorio Gutierrez.
00:24:341280 euros.
00:24:37Oh, Gregorio!
00:24:38A little sympathy,
00:24:39if you like.
00:24:41Gregorio is dying.
00:24:42What a lack of respect
00:24:43for Antonia Croquette!
00:24:44She was excluded
00:24:45from Antonio Recio!
00:24:46You'd be dead
00:24:47if you liked her.
00:24:48Don't get involved in his game.
00:24:49I'm nervous.
00:24:50Calm down.
00:24:51Oh, my God!
00:24:52Take my hand!
00:24:53The gadgets are...
00:24:55Transparent management.
00:24:56If you're together,
00:24:57tell me.
00:24:58No problem.
00:24:59She broke the door
00:25:00like the first lady.
00:25:01Why did you hit him,
00:25:02you loser?
00:25:03You're an asshole!
00:25:04Not like you!
00:25:05You've got wrinkles
00:25:06all over your body.
00:25:07I'm not.
00:25:08Are you calling me a whore?
00:25:09You're a little dirty.
00:25:10Action!
00:25:11Action!
00:25:12Action!
00:25:13Cut!
00:25:14Action!
00:25:15Action!
00:25:16Cut!
00:25:17Please!
00:25:18Cut!
00:25:19Cut!
00:25:20Sit down, all of you!
00:25:21Sit down!
00:25:22I'm voting against the door!
00:25:23I'm voting against everything!
00:25:24Silence!
00:25:25Eric, I'm very depressed.
00:25:26So am I.
00:25:27The total debt to date,
00:25:29including this debtor,
00:25:31is 35,720 euros.
00:25:34What a jackpot!
00:25:36Someone,
00:25:37whoever it is,
00:25:38will pay something.
00:25:39And the second table,
00:25:40is it being rented
00:25:41or is it being sold?
00:25:42No attention.
00:25:43That's the price
00:25:44of the building.
00:25:45This is the fourth dot.
00:25:46A little row, please.
00:25:47Can't be a dot up,
00:25:48a dot down.
00:25:50Calm down,
00:25:51I'll remove the table.
00:25:52I've already removed it.
00:25:53Which one?
00:25:54One?
00:25:55I insist,
00:25:56I'm going to ask the tenants
00:25:57to make sure
00:25:58we don't have a scratch.
00:26:00You're the scratch.
00:26:01How dare you?
00:26:02Where is she going?
00:26:03Where is she going?
00:26:04Silence!
00:26:05I'm going home
00:26:06and I'm going to take off
00:26:07your clothes.
00:26:08Let's talk about the electricity.
00:26:09We're not moving forward at all.
00:26:11Are you married or not?
00:26:12Bert, please,
00:26:13I'm going out.
00:26:14Where are you going?
00:26:15To drink with the judges and the girls.
00:26:16Bravo!
00:26:17The cooperation is not in the dark,
00:26:18but in the administration,
00:26:19because you're V.E. Bayrak.
00:26:20In the administration,
00:26:21because you're not V.E. Bayrak.
00:26:22So,
00:26:23are you a rebel or not?
00:26:24Inform the people.
00:26:25Don't call me a rebel.
00:26:26What was that about?
00:26:28I want to go home.
00:26:29The meeting is closing.
00:26:30What are you talking about?
00:26:31Don't you want to go?
00:26:32No, no.
00:26:33Now you're telling us to go.
00:26:35What a despicable administration.
00:26:36You're really just wasting our time.
00:26:38I don't even know
00:26:39what you're calling us for.
00:26:40That friend of ours
00:26:41was fired.
00:26:42The tenant is a traitor.
00:26:43Dad, let's go.
00:26:44Who doesn't have the heart
00:26:45to get on a train?
00:26:46I have a lot of energy.
00:26:48If she falls and breaks her leg,
00:26:49I'll sue the cooperation.
00:26:51Where are you going?
00:26:52I don't know.
00:26:53Don't worry.
00:26:54They'll pay their taxes,
00:26:55or I won't call myself
00:26:56Enrique Pastor.
00:26:58Really?
00:26:59I'll take care of it.
00:27:01Thank you, Enrique.
00:27:02Thank God I have you.
00:27:04You have me.
00:27:05You have me.
00:27:10How's the meeting going?
00:27:11It's a triumph.
00:27:12I've got her in my pocket.
00:27:13Here she is.
00:27:14Go get up.
00:27:15And put on your headphones.
00:27:18Enrique, my friend,
00:27:19I'm coming to live with you.
00:27:20What?
00:27:21What?
00:27:22I'm coming to live with you.
00:27:23Our emergency apartment.
00:27:24What's for dinner?
00:27:26Wait a minute.
00:27:27You sabotage the meeting,
00:27:28and then you want me
00:27:29to shelter you at home?
00:27:30You're the one
00:27:31who's got the board.
00:27:32And you pack your bags
00:27:33and go to the boarding school
00:27:34in Ireland to become a man.
00:27:35Why don't you kiss me on the lips?
00:27:36Drogiras is very aggressive.
00:27:38Antonio, I'm sorry,
00:27:39but the Pension Pastor is fired.
00:27:41But there's nowhere to sleep.
00:27:42Paralys doesn't want
00:27:43to give me my house back.
00:27:44I don't care.
00:27:45We're friends.
00:27:46Don't be like that.
00:27:47No, Antonio.
00:27:48You and I are not friends.
00:27:49We're not?
00:27:51Big pig, I've got others.
00:27:5475 euros for one night?
00:27:56But the kids are asleep.
00:27:57You're not going to do anything.
00:28:00If you have a gadget,
00:28:01you can sit on the couch.
00:28:03Hello?
00:28:05Awesome.
00:28:07Come on, have you written
00:28:08your house rules?
00:28:09I haven't.
00:28:10You have, you have.
00:28:11Write it in your notebook.
00:28:12Dad, but this is very difficult.
00:28:14Let's see.
00:28:15Tell me.
00:28:16Solve the problem.
00:28:18One farm has two sheep,
00:28:20seven horses,
00:28:21eleven cows,
00:28:22and fifty chickens.
00:28:23How many feet are there in total?
00:28:27It's very easy, Carlota.
00:28:28But if I tell you,
00:28:29how are you going to learn?
00:28:30150, right?
00:28:31It's good that you're going
00:28:32to become a doll.
00:28:33All the kids are very sleepy.
00:28:35But I have to have dinner.
00:28:36And take a bath.
00:28:37Come on, live.
00:28:38Live, it's getting late.
00:28:43Nano, Nano, come here.
00:28:46Eat, Carlota, eat.
00:28:49Nano, sit on the table.
00:28:53Come on, eat.
00:29:00Pizza!
00:29:08Come on, Poligota.
00:29:09Poligota.
00:29:18No, no, Carlota, no.
00:29:21Men, Kosta.
00:29:22Are you going to get out of the gate like this?
00:29:24No, no, the grandmother.
00:29:25She got lost and I had to feed her.
00:29:28Let's wait for her here,
00:29:29so she can sit down.
00:29:30No, no, you go and order me a drink,
00:29:32I'm coming.
00:29:33Let's leave it for another time.
00:29:34In no case,
00:29:35tonight the sheep go hunting.
00:29:37Merengue, merengue.
00:29:38That's right, merengue.
00:29:40Poligota, I said.
00:29:41I won't repeat it.
00:29:45What a beautiful color,
00:29:46the woman said,
00:29:47kissing the leaflet.
00:29:48Barely touched her lips.
00:29:51Her ass dissolved into a splash.
00:29:54Is this for children?
00:29:55Yes.
00:29:57On the green tits
00:29:58sat a little girl,
00:29:59not bigger than a finger.
00:30:02That's it.
00:30:03And they called her a stick.
00:30:05How can there be such a small girl?
00:30:07How can I know, Carlota?
00:30:08That's what it says.
00:30:09What are sticks?
00:30:10Where the frogs live.
00:30:11Go to bed,
00:30:12because you're at school tomorrow.
00:30:13I want water.
00:30:14You can't,
00:30:15you'll get drunk later.
00:30:16Who's calling you?
00:30:17Go to bed,
00:30:18turn off the light,
00:30:19go to sleep.
00:30:20Come on.
00:30:21Now, now, I'm coming.
00:30:22Quickly,
00:30:23we met with a mother.
00:30:24Are they young?
00:30:25Well, not many,
00:30:26but only they were young.
00:30:27I'm coming,
00:30:28wait for me at the entrance
00:30:29to pay me for the taxi.
00:30:32Be careful,
00:30:33the bus is coming.
00:30:35Ole,
00:30:36Ole,
00:30:37Ole,
00:30:39Ole,
00:30:42That's it.
00:30:45That's it.
00:30:48Merengue, merengue.
00:30:50Merengue.
00:30:51Coupon.
00:30:54Well,
00:30:55here I am again,
00:30:57as a porter.
00:31:00I'm tired.
00:31:02Koke, my friend,
00:31:03I'm coming to drink with you.
00:31:05With me?
00:31:06Why?
00:31:07Because you're heavy,
00:31:08and alone,
00:31:09your friends support you.
00:31:11Come on,
00:31:12make me a seat.
00:31:13Are you angry
00:31:14that I became a porter?
00:31:15Me?
00:31:16No, no,
00:31:17why wouldn't I be angry
00:31:18if a woman ordered you
00:31:19to replace me at the entrance?
00:31:20Well, yes,
00:31:21but they'll pay me.
00:31:22Eh, Koke, Koke,
00:31:23you're lying like a fool.
00:31:24Eh,
00:31:25normal.
00:31:26Why aren't you sleeping?
00:31:27I'm hungry.
00:31:28Make me dinner.
00:31:29I'm very hungry,
00:31:30but I need to sleep.
00:31:31But I didn't have dinner.
00:31:32At least one milk
00:31:33with fish.
00:31:34Ah,
00:31:35let's go.
00:31:36I don't have anything.
00:31:37Dessert?
00:31:38Can I offer you some?
00:31:40Aha,
00:31:41do you want to smoke me
00:31:42and wake me up?
00:31:43No, no, no,
00:31:44I want to sleep.
00:31:45You were sleeping here with my wife,
00:31:46right?
00:31:47And now you want to sleep with me,
00:31:48right?
00:31:49Good night.
00:31:50Don't turn it off
00:31:51and don't sleep with me.
00:31:53Motherfucker.
00:32:02Nana, milk me.
00:32:03Milk me.
00:32:05Tell your father.
00:32:10When will I have a room
00:32:12just for me,
00:32:13with a closet
00:32:14and a shoe cabinet?
00:32:16No,
00:32:17he won't.
00:32:18I'm sure
00:32:19he's sleeping on the couch.
00:32:20No,
00:32:21he won't.
00:32:22He left us alone.
00:32:23Milk me.
00:32:25Let's wake up
00:32:26Mom and laugh.
00:32:28I'll shit myself.
00:32:31Who can he
00:32:32give us a closet
00:32:33for dinner?
00:32:34I'll shit myself.
00:32:39Shit,
00:32:40he locked us in.
00:32:45Hi, hi,
00:32:46I'm Motherfucker.
00:32:47Leave a message
00:32:48and I'll get you out
00:32:49in half an hour.
00:32:50Bye.
00:32:54This is the phone
00:32:55of Bohemus Valach.
00:32:56If you want salami,
00:32:57leave a message
00:32:58and I'll get you out.
00:33:00It hurts a lot.
00:33:03And now,
00:33:04who should I shit on?
00:33:11I'll get you
00:33:12right here.
00:33:13Don't shout,
00:33:14the neighbors are sleeping.
00:33:19Oh, you,
00:33:20for the bigotry.
00:33:21It's very clear
00:33:22that I'm a bastard.
00:33:23If your mother was alive,
00:33:24she would make me
00:33:25a snack now.
00:33:26If she was alive,
00:33:27she wouldn't let you
00:33:28get out.
00:33:29That's right.
00:33:30Oh, Gregoria.
00:33:31I'm not going to sleep
00:33:32in your house.
00:33:33How am I going to
00:33:34climb three floors?
00:33:35Good night.
00:33:36Oh, how are you going
00:33:37to sleep?
00:33:38This is the night
00:33:39of the lions.
00:33:40Come on,
00:33:41one last Lamador.
00:33:42No, no,
00:33:43go to hell,
00:33:44and I'll get drunk.
00:33:45If you want a threesome,
00:33:46just call me.
00:33:47I'm a bastard.
00:33:48Give me my keys.
00:33:49I don't know.
00:33:50Maybe you fell
00:33:51while you were
00:33:52playing Michael Jackson.
00:33:53You're a great dancer.
00:33:54Don't bring me here
00:33:55for nothing.
00:33:56No, no,
00:33:57I'll go through the garden.
00:33:58No, Leo,
00:33:59don't ring,
00:34:00there's no grandmother.
00:34:01I have to go.
00:34:02Leave the kids
00:34:03to me.
00:34:04Mom,
00:34:05what are you doing here?
00:34:06Go inside,
00:34:07you son of a bitch.
00:34:08Are you the mother
00:34:09of the Lamador?
00:34:10There are many
00:34:11more famous ones.
00:34:12Kosti,
00:34:13nice to meet you.
00:34:14Leonardo Romani,
00:34:15and the second one
00:34:16was his best friend.
00:34:17I was waiting.
00:34:18Mom,
00:34:19this is Loreto.
00:34:20Lorena.
00:34:21Come closer.
00:34:22No, no,
00:34:23no street girls here.
00:34:24Ma'am.
00:34:25You're seducing others.
00:34:26This pumpkin
00:34:27is married.
00:34:28Mom,
00:34:29go inside.
00:34:30Did you bite?
00:34:31No.
00:34:32Go inside.
00:34:33How tasty.
00:34:34Don't sit,
00:34:35you have to take the kids
00:34:36to school.
00:34:37Mom,
00:34:38to school.
00:34:39Ah,
00:34:40this tongue.
00:34:41Build in two rows.
00:34:42You'll get fat.
00:34:43Dad!
00:34:44What is Grandma Kosti
00:34:45doing here?
00:34:46I'm free,
00:34:47where were you?
00:34:48Do you really smell?
00:34:49No, no,
00:34:50this is aftershave.
00:34:51We're going to school.
00:34:52You,
00:34:53the car keys.
00:34:54Give them to me.
00:34:55How are you going to drive
00:34:56this car?
00:34:57Are you going by bus?
00:34:58It's far,
00:34:59give me money for a taxi.
00:35:00Unemployed people
00:35:01don't go by taxi.
00:35:02Come on, kids,
00:35:03I made you sandwiches.
00:35:04And you thought
00:35:05you were going to get rich,
00:35:06but you're wrong.
00:35:07Leo,
00:35:08today you're going
00:35:09to get rich.
00:35:10And you're
00:35:11going to take
00:35:12all of them.
00:35:13Come on,
00:35:14where are you going?
00:35:15Why did you
00:35:16attack Grandma Kosti?
00:35:17Because
00:35:18my back hurt.
00:35:19Why didn't you
00:35:20stay with us?
00:35:21Because
00:35:22I wanted to go out
00:35:23with my friends
00:35:24and I felt lonely.
00:35:25Don't give me numbers,
00:35:26they don't pass.
00:35:27Don't touch me.
00:35:28Why are you touching me?
00:35:29I'm going to sleep.
00:35:30Wait, wait,
00:35:31drive us.
00:35:32We can't trust the car,
00:35:33it's smart.
00:35:34The kids are in the trunk,
00:35:35it's ready.
00:35:36You don't know
00:35:37they're going to stop us.
00:35:39Antonio!
00:35:40Don't be silly,
00:35:41I'm coming to eat.
00:35:42Should I make you milk?
00:35:43Give me the hot one.
00:35:45Good morning,
00:35:46Antonio.
00:35:47Why aren't you
00:35:48wearing your hat?
00:35:49I took a day off.
00:35:50And who gave you permission?
00:35:51Let me in.
00:35:52Do you want money
00:35:53to surprise you?
00:35:54You go and
00:35:55return my house,
00:35:56you good immigrant.
00:35:57Here's a present
00:35:58for your tribe.
00:35:59Put it in the coconut milk
00:36:00and...
00:36:01No, no,
00:36:02I'm not going.
00:36:03Then there's no cake.
00:36:04Come,
00:36:05let me show you something.
00:36:06Wait until I finish,
00:36:07take my milk.
00:36:08Wait, wait,
00:36:09you're going to like it.
00:36:10But I don't like surprises.
00:36:15But why are you
00:36:16putting me in the car?
00:36:17Close your eyes.
00:36:18Why not?
00:36:19Antonio,
00:36:20don't spoil the surprise.
00:36:21No,
00:36:22he wants to get rid of me.
00:36:23You're going to be
00:36:24without a snack.
00:36:27Order, chef Antonio.
00:36:30Watch the step.
00:36:34Ta-da!
00:36:37Where's the cake?
00:36:38He brought his gang
00:36:39to cut me into pieces.
00:36:41No, no, no,
00:36:42they're friends.
00:36:43They're helping me with the repair.
00:36:44Antonio,
00:36:45fish store.
00:36:48It's for you.
00:36:51Do you like it?
00:36:52You made me
00:36:53a fish store?
00:36:54A fish store?
00:36:55While Perales
00:36:56is selling his stock,
00:36:57you're going to serve
00:36:58the neighbors.
00:36:59How am I going to serve
00:37:00a fish store
00:37:01and a dirty fish store?
00:37:03How?
00:37:04Don't worry, chef,
00:37:05I'll find someone.
00:37:06Yeah,
00:37:07and who's going
00:37:08to pay for all this?
00:37:09I invested
00:37:10my profits.
00:37:11All of it.
00:37:12What do you want?
00:37:13To ruin my business?
00:37:14The profits are mine.
00:37:15Sea gifts
00:37:16are really expanding.
00:37:17Now the Empire
00:37:18really needs
00:37:19a partner.
00:37:20An immigrant?
00:37:21What does he know
00:37:22about this business?
00:37:23They don't eat
00:37:24fresh fish.
00:37:25They eat
00:37:26trivoli,
00:37:27sticks,
00:37:28maggots,
00:37:29worms,
00:37:30and...
00:37:31Don't you like it?
00:37:32No,
00:37:33I don't like it
00:37:34and I'll keep it
00:37:35for you
00:37:36this month
00:37:37for free.
00:37:38Antonio,
00:37:39where are you going?
00:37:40To have a snack.
00:37:41I'm coming with you.
00:37:42Don't follow me.
00:37:43You're so rude.
00:37:44He hates me.
00:37:45What memories
00:37:46came to me
00:37:47from school
00:37:48when I was going
00:37:49to get a band
00:37:50and play with plasticine?
00:37:51Yeah,
00:37:52but you told me
00:37:53you couldn't.
00:37:54And to make
00:37:55sandwiches
00:37:56out of breadcrumbs.
00:37:57Hey,
00:37:58I ordered a taxi
00:37:59an hour ago
00:38:00and it's still not here.
00:38:01Look,
00:38:02Lorena is still here.
00:38:03Lorena?
00:38:04She's crazy about me.
00:38:05We're waiting.
00:38:06What?
00:38:07Where the hell are we?
00:38:08Even the taxi drivers
00:38:09don't know this place.
00:38:10How are you going
00:38:11to leave without a snack?
00:38:12Come on,
00:38:13I'll give you salami
00:38:14and my friend
00:38:15will give you a ride.
00:38:16What will you give me?
00:38:17Whatever you want
00:38:18for a snack.
00:38:19Your mother
00:38:20won't let you in.
00:38:22Oh, yeah.
00:38:23You know,
00:38:24I'm already sleepy.
00:38:25Come in.
00:38:29I don't want any trouble.
00:38:30I'm afraid of your mother.
00:38:31She won't understand.
00:38:34Oh, my.
00:38:35Who is it?
00:38:36Mom?
00:38:37Why are you so busy?
00:38:38Well,
00:38:39I'm tired.
00:38:40There was a bus,
00:38:41a truck
00:38:42and a minibus
00:38:43going around.
00:38:44I can't hear anything.
00:38:45Well,
00:38:46because
00:38:47they've been going around
00:38:48for a long time, Mom.
00:38:49Take out the window
00:38:50so I can't hear the traffic.
00:38:51Oh, no, no, no, no.
00:38:52That, that, that, that.
00:38:53The meeting
00:38:54was a while ago.
00:38:55I'm already at the entrance.
00:38:57Wait,
00:38:58I'm going to open it.
00:38:59No, no, no, no, no.
00:39:00You don't have to go upstairs.
00:39:01Aren't you 15 or what?
00:39:02Come on,
00:39:03I'll send you a movie.
00:39:04Are you going to go or not?
00:39:05Yes, yes, yes,
00:39:06come on,
00:39:07give me a coffee
00:39:08so I don't fall asleep.
00:39:09Run.
00:39:11What are you doing, Mom?
00:39:12What the hell?
00:39:13I couldn't open the door.
00:39:14Sometimes,
00:39:15I'm tired.
00:39:16I have to iron my pants.
00:39:17Get in.
00:39:18When are you leaving?
00:39:20Later.
00:39:22Now,
00:39:23I'm leaving.
00:39:27You can't leave everything!
00:39:28What kind of waiter service is this?
00:39:29Ma'am,
00:39:30you're paying for a lift
00:39:31with an elevator.
00:39:32An elevator is available.
00:39:33But it's not working.
00:39:34Then why don't you just
00:39:35lift,
00:39:36come on, quickly.
00:39:37For the same price.
00:39:38Ma'am,
00:39:39talk to the boss,
00:39:40if he can.
00:39:41We're going to have a snack.
00:39:42Come on,
00:39:43give us a hand.
00:39:44Dad,
00:39:45shall we help them?
00:39:46Run, run!
00:39:47And don't come back.
00:39:48They won't even pay you
00:39:49And that was a man.
00:39:51I'm really sorry.
00:39:53No, these things are said.
00:39:55Why not here?
00:39:56Technical problem.
00:39:58With...
00:39:59That...
00:40:01So...
00:40:02Already...
00:40:03No problem.
00:40:04This is a luxury cooperation.
00:40:06Hey, the neighbors are coming to shake our hand.
00:40:08Come on, let's go.
00:40:10Look, the new one is coming.
00:40:13Hello, Leonardo, Romans and the first B.
00:40:15Do you have a space jump?
00:40:17Do you believe in God?
00:40:18What are you interested in?
00:40:20The needs of Reyes are first transferred to the woman.
00:40:22Very nice.
00:40:23As a big family we are.
00:40:25Reyes, let me introduce you to Turbo Dax.
00:40:27The intelligent space jumper, she will change your life.
00:40:31What?
00:40:32At least I'm a woman, I have to like space jumpers.
00:40:35Isn't it a fear to live in that fish?
00:40:38The owner to die in the kitchen.
00:40:40At night they hear to fry croquettes.
00:40:43What is this lady talking about?
00:40:45Nothing, old man.
00:40:46It's not with everyone.
00:40:47You can not leave these things here.
00:40:49They hinder the passage.
00:40:51Can not I?
00:40:52Do you want to get stuck on the stairs?
00:40:54I'll call the police.
00:40:55It's not with everyone.
00:40:56No, no.
00:40:57How not?
00:40:58She came from the vegetable garden, so put it twice.
00:41:01Okay, I'll put on my pajamas.
00:41:02What?
00:41:03As a woman, I can not put on my pajamas?
00:41:05No, no, you can, of course, you look pretty strong.
00:41:08Yes, and you're barefoot.
00:41:13I do not like it.
00:41:15Let's see what there is.
00:41:16Why do such prostitutes always come here?
00:41:20Mother of us, no.
00:41:21I'm going to water the flowers.
00:41:22Okay, okay, sit down.
00:41:25But what's going on here?
00:41:26What kind of mess is this?
00:41:28Where is the porter?
00:41:30I do not know, the new ones cut them here.
00:41:32What a horror.
00:41:33Where is Judith?
00:41:34Here she comes.
00:41:35I gave him everything.
00:41:36His best years.
00:41:38Four beautiful children.
00:41:40It's good to have three.
00:41:42And now what do I have?
00:41:43Luxurious hair.
00:41:44Come on, let's clean up.
00:41:46My house, my children.
00:41:48I want to kiss them.
00:41:49How are you going to show them like that?
00:41:51Shame.
00:41:52Make him drunk here during the service.
00:41:56Leave me to live.
00:41:57No way.
00:41:58Come on, go and dress up.
00:42:01Rike, Rike, I'm ready.
00:42:03Where are you going?
00:42:04There is no elevator.
00:42:05And above all, there is no electricity.
00:42:09Wait, wait.
00:42:10Wait.
00:42:12Oh, my God.
00:42:14Honey, feed her.
00:42:16The CDs are gone.
00:42:17The Lord will make you repent your sins.
00:42:19Say goodbye.
00:42:20Let's get out of here.
00:42:21Make him drunk here for ...
00:42:23Leli, how does it smell?
00:42:24Cock.
00:42:25Get up.
00:42:27Give her a gift for a good time.
00:42:29For us, ma'am?
00:42:30I do not want to go back.
00:42:32I'm clean.
00:42:33It smelled like a shit soup.
00:42:36What's going on here?
00:42:37Calm down, I'm here with Turbo Dex.
00:42:39Enrique, make him drunk here for ...
00:42:43Sit down and talk to the new girl.
00:42:45You barely made it to the back of the line.
00:42:47So you can not become my dolphin again.
00:42:49You are lowering your rating on Doerie.
00:42:51Why do not you give her a leave?
00:42:53Leave me alone and do not follow me.
00:42:55But I'm here to help you.
00:42:57What will you say to the new girl?
00:42:59I'll greet her with a welcome and I'll ask her politely
00:43:01to take her things out of the entrance.
00:43:03See?
00:43:04And you'll splash her again.
00:43:05With the new ones, you need a hard hand.
00:43:07Otherwise, they'll get on your head.
00:43:09Leave it to me, I'll give you more respect.
00:43:11No, I'm the deputy manager.
00:43:13Mother of God, how you get drunk from the power.
00:43:18What?
00:43:19Good day, Enrique Pastor, advisor for young people and free time.
00:43:22I'm not young, I do not have free time.
00:43:25You have no charisma.
00:43:26No one pays attention to you.
00:43:28Look and learn.
00:43:32Daddy?
00:43:33The entrance is not your personal warehouse.
00:43:35Annoying neighbor.
00:43:36I order you to remove your dirty laundry from my property.
00:43:39Hey, hey, hey.
00:43:41Be careful with the tone, old man.
00:43:43What did you call me?
00:43:44I want to say that the entrance is full of cockroaches
00:43:46and the inhabitants are a little ...
00:43:48dissatisfied.
00:43:49I do not like to stand there and suck them all.
00:43:52Do not hide anything.
00:43:53Who are you and what are you here for?
00:43:54For what?
00:43:55Of course, it is not pleasant for anyone,
00:43:57but as your deputy manager, I beg you ...
00:43:59You are the deputy manager?
00:44:01Enrique Pastor, nice to meet you.
00:44:02Will you explain to me why there is no roof?
00:44:04Yes, yes, why there is no roof?
00:44:06In my time it was excluded.
00:44:07Antonio Resio, merchant of Edro, unclean fish,
00:44:09vote for me and I will give you the roof.
00:44:11It's your fault the mosquitoes bit me,
00:44:13because there is no elevator
00:44:14and you have the audacity to tell me that my things are in the way.
00:44:17It's still a transit zone.
00:44:19My business card?
00:44:20Tell the scoundrel to pollute the public squares.
00:44:22To your unhappiness, old man.
00:44:24I'm very happy.
00:44:25Please calm down, I'm sure it's a dialogue.
00:44:28Is there a door?
00:44:29Yes, yes, of course.
00:44:31But it's coming.
00:44:32Let me get my things and that's the end of the problem.
00:44:34What's going on, Xuxi?
00:44:35Nothing, dear.
00:44:36These neighbors came to say hello to us.
00:44:39Deputy manager of the fish market.
00:44:41Araceli, my girl.
00:44:43Hello.
00:44:44Goodbye.
00:44:48This was your wife, wasn't it?
00:44:51Yes, I think so.
00:44:53He turned the screw.
00:44:56How did he convince you that there is no ...
00:44:58but that there are no men?
00:45:00This can't be happening to me.
00:45:02First he left you the most insolent,
00:45:04and then he goes to the other side.
00:45:06What humiliation.
00:45:07You won't be able to overcome him.
00:45:09How can I say to Fran?
00:45:10It's going to be a big shock.
00:45:11The bitter boy.
00:45:12With a bad father and a lesbian mother.
00:45:14How can he not be drugged?
00:45:15Antonio, what are you doing?
00:45:16I'm looking for a pen with a pendant,
00:45:18with which they get along like dogs.
00:45:20Don't beep.
00:45:21Araceli doesn't use artificial limbs.
00:45:23A stand of scissors?
00:45:24They don't do anything.
00:45:25They all get along somehow.
00:45:26And who do you think you are?
00:45:28You'll see when the neighbors find out.
00:45:29You'll be laughing at the cooperation.
00:45:31Antonio, discretion, please.
00:45:33No one cares about my wife's sexual orientation.
00:45:36No, no.
00:45:37What can I say?
00:45:38It's going to be your political murder.
00:45:39We're still friends.
00:45:40Great friends who know how to keep secrets.
00:45:44Get in the car.
00:45:45Don't be late.
00:45:46Hurry up.
00:45:47Come on.
00:45:48Hurry up.
00:45:53How little time do you have left?
00:45:58Boots.
00:46:01Boots.
00:46:02Where are you going?
00:46:03Are you still here?
00:46:05Sit down, let's talk.
00:46:07I can't, I have to go out.
00:46:08Where?
00:46:09You don't have any work, unemployed.
00:46:12I'm going to pick up the kids.
00:46:13They're going out at five.
00:46:15Yes, but I'm still talking to the teacher,
00:46:17that they're doing it wrong.
00:46:18You're doing it wrong.
00:46:19Sit down.
00:46:20It's bitter, dad.
00:46:21You miss him a lot.
00:46:23Sit down, I said.
00:46:28My son.
00:46:29What are you doing with your life?
00:46:31What can I do, mom?
00:46:32I don't have luck, it doesn't work for me.
00:46:34You're looking for luck.
00:46:35Look at your brother, Moncho.
00:46:37He's already the boss of the train station in Torijos.
00:46:39Where is that?
00:46:40I don't know, but the train passed by there.
00:46:42Get out of your life.
00:46:43Wait a minute.
00:46:44Get out, get out.
00:46:45And how good were you with your mother?
00:46:47I can't explain what happened.
00:46:49She saved the neighbor.
00:46:50Fables.
00:46:51What fables?
00:46:52What about Korcho?
00:46:53He's gone.
00:46:54He's gone.
00:46:55What fables?
00:46:56What about Korcho?
00:46:57He's the only one who looks like you.
00:46:58He's not like me, mom.
00:46:59Look at him.
00:47:00He has your grandfather's eyes.
00:47:01You need to get together with your wife
00:47:03and get back to your previous life.
00:47:06You're good.
00:47:07I don't want to get together with Milo.
00:47:09And first of all, stop being stubborn.
00:47:11How are you doing with your job?
00:47:13It's good, it's good.
00:47:14It's not good because you don't work.
00:47:15I want to work,
00:47:16but with this world crisis...
00:47:17What crisis?
00:47:18The justification of losers like you
00:47:20to torture your help.
00:47:22Don't you read the news?
00:47:23Yes.
00:47:24And look how much work there is for you.
00:47:27Come on.
00:47:28Get dressed.
00:47:29Now?
00:47:30I'm not asleep, mom.
00:47:31You'll be patient.
00:47:32And don't be lazy until you're done.
00:47:34Mom.
00:47:35Watch your tongue.
00:47:36I'm late.
00:47:43Ricky, what do you want?
00:47:44I feel sick.
00:47:45Judit, when a person takes a political post,
00:47:47does not appear drunk in front of her voters
00:47:49because she loses their trust.
00:47:51How do they exaggerate?
00:47:52I only drank two gin and tonic.
00:47:54If you don't take the post seriously,
00:47:56I'm resigning.
00:47:57Where were you?
00:47:58I don't owe you an explanation
00:48:00about your personal life.
00:48:01You owe me.
00:48:02For the sake of the security of the block,
00:48:04as your deputy,
00:48:05I need to know your movements.
00:48:07All of them.
00:48:08I officially inform you
00:48:09that I'm going to sleep.
00:48:10Take over.
00:48:11Judit, I'm very sick.
00:48:12Oh, not now.
00:48:13My wife is in the block.
00:48:18Please.
00:48:19No, it's the second time.
00:48:22With your girlfriend.
00:48:23I have a boyfriend.
00:48:24Girlfriend.
00:48:25She's a lesbian now.
00:48:29Is it funny?
00:48:30No, it's just...
00:48:32My throat is a little dry.
00:48:34Why did you have to come back?
00:48:36Did the neighbors make you pay?
00:48:38Are you listening to me at all?
00:48:40My life is getting worse.
00:48:41I'm on my deathbed.
00:48:43Well, yes.
00:48:44Your personal life is go, come.
00:48:46Go, come?
00:48:47Tell me, Ricky.
00:48:48What kind of diagnosis is this?
00:48:49Focus on the cooperation.
00:48:51Think about your life.
00:48:52You need to be challenged.
00:48:54Judit, I have a feeling
00:48:55that I'm attracted to you
00:48:56just because you're attractive.
00:48:57How can you say that?
00:48:59Because I'm...
00:49:00Tell me, Ricky.
00:49:01And you're not interested in my feelings.
00:49:02I'm interested.
00:49:04I'm your therapist.
00:49:05Just?
00:49:07And housekeeper.
00:49:09What more do you want?
00:49:10After what happened between us,
00:49:12you can be at least my girlfriend.
00:49:14Oh, yes, yes.
00:49:15And girlfriend.
00:49:16No more counting.
00:49:17Don't try to blame me.
00:49:19I have no responsibility for you.
00:49:21We slept together four times, yes.
00:49:24But up to there.
00:49:25Oh, that wasn't for you.
00:49:26Four times.
00:49:27Of course.
00:49:28You're a man,
00:49:29at your age.
00:49:30At my age again.
00:49:31But she enjoyed my kisses.
00:49:33It's not like anyone knows what it is.
00:49:35I'm sorry,
00:49:36but I'm an exceptional lover.
00:49:38Oh, yes.
00:49:39That's why your wife became a woman.
00:49:48Order.
00:49:49Sixty euros.
00:49:51Thank you for bringing me here.
00:49:53Therapist.
00:50:02Hey, Ricky.
00:50:03She was the only one missing.
00:50:05What's wrong with your eye?
00:50:06Oh, oh.
00:50:07I've been looking through the spyglass for half an hour.
00:50:10It's uncomfortable,
00:50:11and they have to put it under my eye like a binoculars.
00:50:13Araceli, hurry up.
00:50:14I wanted to put it under your eye.
00:50:16I wanted to talk to you.
00:50:18No, thank you.
00:50:19The therapist told me to focus on the operation.
00:50:21If he hadn't kicked me out that day,
00:50:23I was going to tell you about...
00:50:25about yourself.
00:50:27Because...
00:50:28I had a brother in life, and...
00:50:30And what?
00:50:31And love comes out
00:50:33when and with whom you least expect it.
00:50:35You've become a wonderful lesbian.
00:50:37No, we're just friends.
00:50:38But why did you have to come right here?
00:50:41So I wouldn't have wasted my time with Fran.
00:50:44If the neighbors find out, it's going to be ridiculous.
00:50:47But why should they find out?
00:50:49Because they will.
00:50:50That's why they live.
00:50:51Do you see the difference between women and men?
00:50:53Absurd.
00:50:54We're very different.
00:50:56The tenderness at home,
00:50:57the glass of wine,
00:50:58the pillow, or...
00:50:59No need for details.
00:51:00I'm not ready for that.
00:51:02I just want you to know
00:51:03that you're not guilty
00:51:05that I'm married.
00:51:06Why should I be guilty?
00:51:07I'm an exceptional lover.
00:51:09Oh, yeah?
00:51:10I have wonderful memories.
00:51:11The first time...
00:51:13This Opel Kadett...
00:51:14It was your parents' car.
00:51:16Whatever.
00:51:19Going back to the present,
00:51:21to reality,
00:51:22to our here and now,
00:51:25I'm very happy.
00:51:27Me too.
00:51:28I'm even in the apogee of my life.
00:51:30Then what's the problem?
00:51:31Why are we both happy?
00:51:33I don't know.
00:51:34You're stopping me.
00:51:35Oh, I wanted to ask you something.
00:51:38Reyes still doesn't know you live here.
00:51:40She already saw me.
00:51:41Yeah, but she doesn't know it's you.
00:51:43He's Enrique,
00:51:44my husband,
00:51:45Franco's father.
00:51:46You want to hide?
00:51:47To pretend.
00:51:48Just as I explained,
00:51:50she's very jealous.
00:51:52That's the top.
00:51:53I don't even exist.
00:51:55No, she knows I have a past,
00:51:58but she doesn't know where.
00:51:59She'll learn little by little
00:52:01so she doesn't get shocked.
00:52:02Just tell me when I can
00:52:04get my personality back.
00:52:06You're welcome.
00:52:12Sushi,
00:52:13open the door,
00:52:14it's locked.
00:52:16Araceli,
00:52:17how long has it been?
00:52:18Hi.
00:52:19Do you want a soda?
00:52:20No, thank you.
00:52:26I won't leave
00:52:27until I water the flowers for the third time.
00:52:31Hello?
00:52:32Please,
00:52:33I need the job.
00:52:34I have four kids.
00:52:36Yes, yes,
00:52:37what's the idea?
00:52:38Hello?
00:52:39Hello?
00:52:40They locked me up again.
00:52:41Humiliation after humiliation.
00:52:43You're doing it wrong.
00:52:44What do you mean wrong?
00:52:45I'm just looking for a job.
00:52:46Turn yourself in.
00:52:47No, no, Mom,
00:52:48you're making me nervous.
00:52:49Should I turn myself in?
00:52:50I'll take care of you right away.
00:52:51No, no, no,
00:52:52I'll turn myself in.
00:52:53For this job.
00:52:56Mom,
00:52:58I don't want to be a shepherd.
00:53:00Nobody wants you,
00:53:01they'll take you right away.
00:53:02Count.
00:53:03Six.
00:53:04One.
00:53:05Seven.
00:53:06I won't wait any longer,
00:53:07I'm leaving.
00:53:08No, no, no,
00:53:09George Clooney.
00:53:10Come in.
00:53:14Yes?
00:53:15Hello?
00:53:16Is this the chief shepherd?
00:53:17Excuse me?
00:53:18Yes, yes,
00:53:19I've always wanted to be
00:53:20a sheep shepherd.
00:53:21Very good.
00:53:22Is this a survey?
00:53:23Yes, it is.
00:53:24I can't hear you,
00:53:25speak louder,
00:53:26Mr. Shepherd.
00:53:27Merengue, merengue.
00:53:28Amador?
00:53:29Yes, yes, the same,
00:53:30Amador Rivers,
00:53:31nice to meet you.
00:53:32What are you doing?
00:53:33Lorena wants you to turn yourself in.
00:53:34I'm looking for a job,
00:53:35will you hire me?
00:53:36What kind of shepherd are you?
00:53:37Lord,
00:53:38let's start from the beginning,
00:53:39we clearly don't understand each other.
00:53:40Are you telling me strange things?
00:53:41That's right,
00:53:42I'm Amador Rivers,
00:53:43and you're looking for a sheep shepherd,
00:53:44right?
00:53:45What kind of shepherd?
00:53:46Look,
00:53:47I'm here with my mother,
00:53:48and until you hire me,
00:53:49she won't let me go out.
00:53:50Do you understand?
00:53:52And why exactly a shepherd?
00:53:53What's going on?
00:53:54Mom,
00:53:55this guy doesn't understand.
00:53:56Give it to me.
00:53:57No, no, no, no, no.
00:53:58Let go.
00:53:59Hello?
00:54:00Can you hear me?
00:54:01Yes, yes,
00:54:02hello,
00:54:03I'm the chief shepherd
00:54:04at your service.
00:54:05Look,
00:54:06my son is unemployed.
00:54:07I'm leaving,
00:54:08call me a taxi.
00:54:09Baa,
00:54:10baa,
00:54:11baa,
00:54:12let's go back to the barn.
00:54:13What's going on?
00:54:14A sheep ran away.
00:54:15The sheep were chased away,
00:54:16and...
00:54:17I'll be honest,
00:54:18my son took him.
00:54:19I understand.
00:54:20But he has four children,
00:54:21and he has to feed them.
00:54:22Give him a chance.
00:54:23The first month is free,
00:54:24then you pay him
00:54:25as much as you want.
00:54:26Yes, yes,
00:54:27of course,
00:54:28I'll come right away,
00:54:29yes.
00:54:30Thank you very much.
00:54:31Did you see how easy it is?
00:54:32They took him.
00:54:33Go,
00:54:34they're waiting for you.
00:54:35Thank you,
00:54:36thank you,
00:54:37I love you.
00:54:38Everything should be
00:54:39given to you ready.
00:54:45Amador,
00:54:46what do you want now?
00:54:47Nothing from you.
00:54:48I'm going to Leo
00:54:49to give birth to a baby girl.
00:54:50You'll be shocked
00:54:51when you see her.
00:54:52She's so tall.
00:54:53No, no,
00:54:54so much.
00:54:55With a mustache,
00:54:56hair,
00:54:57juicy lips,
00:54:58body like
00:54:59that Gisele Bündchen,
00:55:00only with bigger balconies.
00:55:01How are the children?
00:55:02They are burning with happiness.
00:55:03Even Kokorchu told me,
00:55:04how happy I am,
00:55:05daddy.
00:55:06Junior,
00:55:07but he doesn't speak yet.
00:55:08With you,
00:55:09with me,
00:55:10not milk,
00:55:11like a lantern,
00:55:12you're suffocating them,
00:55:13the bitter ones.
00:55:14Are you giving birth
00:55:15to a baby girl?
00:55:16Yes, yes.
00:55:17Amador,
00:55:18I told you.
00:55:19Hey, what is it?
00:55:21Hair shampoo.
00:55:22Syrup for curls,
00:55:23last time
00:55:24you warned Kurema
00:55:25about it.
00:55:26I know, I know,
00:55:27but I didn't give it to him,
00:55:28because,
00:55:29as it is,
00:55:30daddy,
00:55:31all the children
00:55:32are sick
00:55:33of me.
00:55:34You're holding me
00:55:35by the hand
00:55:36so I don't get sick.
00:55:37You want to interest me.
00:55:38Now I live with my
00:55:39unmarried friends
00:55:40and I have fun like crazy.
00:55:41I'm glad.
00:55:42Asshole.
00:55:43Street girl.
00:55:44Bastard.
00:55:45Careful,
00:55:46careful,
00:55:47don't let him see you.
00:55:48Why does
00:55:49everything have to
00:55:50be me?
00:55:51They take me
00:55:52for a fool.
00:55:53Koke,
00:55:54I have a mission
00:55:55for you,
00:55:56like once.
00:55:57Now,
00:55:58I can't,
00:55:59I have to load
00:56:00the luggage
00:56:01in the second B.
00:56:03Is that so?
00:56:05No, no, no,
00:56:06I'll get in trouble.
00:56:09Why aren't you
00:56:10a housekeeper anymore?
00:56:20Will you pay me?
00:56:25Ten euros,
00:56:26what should I do?
00:56:29Let's see.
00:56:30The housekeeper
00:56:33informs
00:56:35two new
00:56:38neighbors.
00:56:40Give it to me.
00:56:42The housekeeper
00:56:43informs.
00:56:44The new neighbors
00:56:45are the opposite.
00:56:46Despite their
00:56:47genetic defect,
00:56:48they should be treated
00:56:49as normal people,
00:56:50without any other
00:56:51harm from nature.
00:56:52Given that
00:56:53one of them
00:56:54is Araceli,
00:56:55the ex-wife
00:56:56of our dear
00:56:57housekeeper,
00:56:58the residents
00:56:59and the subject
00:57:00of the curse
00:57:01Enrique,
00:57:02who has to
00:57:03go through it.
00:57:05I have an idea.
00:57:06Why is it called
00:57:07circular
00:57:08when it's right-angled?
00:57:09Because it circulates
00:57:10from the side.
00:57:11No, no,
00:57:12I circulate it.
00:57:13It should be called
00:57:14circulated.
00:57:15No, no,
00:57:16that's what
00:57:17the Jews of Penis do.
00:57:18Tirbushon?
00:57:19No,
00:57:20they remove
00:57:21the excess skin.
00:57:22Nothing is
00:57:23excessive to me.
00:57:24Are you a German helmet
00:57:25or an Icelandic hobbit?
00:57:26No, no,
00:57:27I'm a housekeeper.
00:57:29It's different
00:57:30when you go
00:57:31with your bag in your hand.
00:57:32Echo!
00:57:33Hello?
00:57:34Echo!
00:57:35Wait, wait!
00:57:40Ah!
00:57:41Husti!
00:57:42I'm so happy!
00:57:43What are you
00:57:44doing here?
00:57:46At night
00:57:47I woke up
00:57:48at the nick of time
00:57:49that Nanno
00:57:50was upset.
00:57:51Ah!
00:57:52Why?
00:57:53Because my
00:57:54lost son
00:57:55went for a walk.
00:57:56Isn't it
00:57:57too late
00:57:58for a murder?
00:57:59Tell me.
00:58:00And the kids?
00:58:01Alone.
00:58:02I gave them
00:58:03pizza for dinner.
00:58:04My goodness!
00:58:05I don't know
00:58:06what to do
00:58:07with this man.
00:58:08To the court.
00:58:09No,
00:58:10leave the court,
00:58:11leave it.
00:58:12He's doing stupid things
00:58:13because he's not with you.
00:58:14You have to
00:58:15come back to him
00:58:16and the kids.
00:58:17It's better
00:58:18to die.
00:58:19Yes, it will.
00:58:20No, Husti,
00:58:21no.
00:58:22But what will you do
00:58:23alone at your age?
00:58:24You won't find each other.
00:58:25You will be
00:58:26alone
00:58:27forever.
00:58:28I'm trying to
00:58:29develop you
00:58:30and he's
00:58:31stuck.
00:58:32But he's changing.
00:58:33Since when?
00:58:34Since I arrived.
00:58:35He's on
00:58:36an interview
00:58:37for a job.
00:58:38But I saw him
00:58:39getting close to Leo.
00:58:40No, no, no,
00:58:41he's going to
00:58:42cut sheep.
00:58:43No, no, no,
00:58:44he's going
00:58:45to give birth
00:58:46to a baby.
00:58:47What's with
00:58:48these bags?
00:58:49You still
00:58:50don't find
00:58:51the keys.
00:58:52Donja,
00:58:53Husti,
00:58:54are you here?
00:58:56I'm with her.
00:58:57You see,
00:58:58there's no one.
00:58:59I mean,
00:59:00I'm here,
00:59:01but I'm alone.
00:59:02I'm single.
00:59:03What's that?
00:59:04That's the dog.
00:59:05He's blind
00:59:06and he's hitting
00:59:07himself in the door.
00:59:08Chewbacca,
00:59:09sit down,
00:59:10sit down, Chewbacca.
00:59:11Come on, come on,
00:59:12come on.
00:59:13Okay, I'm here,
00:59:14but don't hit me,
00:59:15please.
00:59:16Motherfuckers.
00:59:23The new girls
00:59:24are lesbians?
00:59:25Shame.
00:59:26In my time,
00:59:27the opposite
00:59:28didn't even dare
00:59:29to get in here.
00:59:30And you,
00:59:31he never comes.
00:59:32Isn't that weird,
00:59:33Saraseli?
00:59:34I mean,
00:59:35I suddenly
00:59:36become gay.
00:59:37Aren't you?
00:59:42She's a motorcyclist,
00:59:43a lesbian motorcyclist.
00:59:44You fell,
00:59:45angel.
00:59:48Hello.
00:59:52What?
00:59:53Nothing.
00:59:54Didn't we see
00:59:55a lesbian up close?
00:59:56Ma'am?
00:59:57What's this?
00:59:58You're the most rude.
00:59:59Who told you that?
01:00:00The housekeeper.
01:00:01She's sending us
01:00:02a circular letter.
01:00:03Here,
01:00:04it's well explained.
01:00:05Home.
01:00:07How is it?
01:00:08He's coming.
01:00:09The new neighbors
01:00:10are the opposite.
01:00:11Despite their genetic defect,
01:00:12they have to treat
01:00:13like normal people,
01:00:14otherwise they are punished
01:00:15by nature.
01:00:16She's a psychologist
01:00:17and she knows
01:00:18how to approach
01:00:19the subject tactically.
01:00:20Where does
01:00:21the housekeeper live?
01:00:22In the neighborhood.
01:00:25Speak,
01:00:26Senrique.
01:00:28Open up.
01:00:29The new one
01:00:30wants to meet you.
01:00:31You can become
01:00:32friends.
01:00:35Hello.
01:00:36Welcome
01:00:37to Montepina.
01:00:38Are you the housekeeper?
01:00:39Yes.
01:00:41Judith Becker,
01:00:42nice to meet you.
01:00:43I'm Reyes,
01:00:44the opposite.
01:00:45Excuse me?
01:00:46I'm not going to
01:00:47excuse you,
01:00:48you dirty whore.
01:00:50But I didn't write anything.
01:00:52Take responsibility.
01:00:53That was
01:00:54out of the question
01:00:55with Antonio Reyes.
01:00:57But you wrote it.
01:00:58Shut up, idiot.
01:01:00Reyes,
01:01:01we were going to find out.
01:01:02No, the apartment
01:01:03is on the bottom of the bedroom,
01:01:04that's for sure.
01:01:05Reyes,
01:01:06I swear I didn't know anything.
01:01:07Koke,
01:01:08where did you get that from?
01:01:11Horrible.
01:01:12I'm not a saint.
01:01:14Koke!
01:01:15Even the housekeeper
01:01:16is rebelling.
01:01:17That's not how
01:01:18cooperation works.
01:01:19Let's see,
01:01:20if you didn't write it,
01:01:21who did?
01:01:22Well,
01:01:23I trusted Enrique's management,
01:01:24but...
01:01:25He's the chosen one.
01:01:26Yes,
01:01:27Araceli's man.
01:01:28The priest is accusing you.
01:01:29What do you mean,
01:01:30Araceli's man?
01:01:32He just wrote it.
01:01:33Leave him alone,
01:01:34then he can't...
01:01:35Oh, God.
01:01:37I don't know.
01:01:39You're ruining
01:01:40a Christian wedding.
01:01:42Come on,
01:01:43the show's on.
01:01:52Hello, dear.
01:01:53How are you?
01:01:54Are you well?
01:01:55Is there anyone
01:01:56in your house?
01:01:57What were you saying
01:01:58to the neighbors?
01:01:59Me?
01:02:00About what?
01:02:01That we're lesbians.
01:02:02I don't like that word.
01:02:03I prefer the other way around.
01:02:04And the neighbors?
01:02:05The other way around.
01:02:06How did you two get on?
01:02:07Enrique told me.
01:02:08Who?
01:02:09Enrique,
01:02:10the housekeeper.
01:02:11Enrique,
01:02:12the housekeeper.
01:02:13I'm not a lesbian.
01:02:14I'm not a lesbian.
01:02:15I'm not a lesbian.
01:02:16I'm not a lesbian.
01:02:17I'm not a lesbian.
01:02:18I'm not a lesbian.
01:02:19I'm not a lesbian.
01:02:20Enrique,
01:02:21the housekeeper.
01:02:22I don't know.
01:02:23I don't remember.
01:02:24You don't?
01:02:25Yes, I do.
01:02:26I'm so busy
01:02:27with the housework.
01:02:28I wonder
01:02:30where
01:02:31to put this
01:02:32or that.
01:02:34By the way,
01:02:35you need
01:02:36to tie
01:02:37my legs
01:02:38to...
01:02:39It's strange
01:02:40you don't remember
01:02:41who Enrique is.
01:02:42Your husband.
01:02:43Your son's father,
01:02:44Tifran.
01:02:45Where did you hear that?
01:02:46My husband lives
01:02:47in Teruel.
01:02:50In Teruel?
01:02:51Of course.
01:02:52Enrique lives
01:02:53in Teruel.
01:02:54Oh,
01:02:55that's great.
01:02:56I have to do
01:02:57my homework.
01:02:58You won't be able
01:02:59to sleep
01:03:00tonight.
01:03:01I know,
01:03:02I know.
01:03:03I'm going to go
01:03:04and do my homework.
01:03:05Well,
01:03:06I'm going to do
01:03:07my homework,
01:03:08and I'm going
01:03:09to answer
01:03:10to that
01:03:11the other day.
01:03:12Oh,
01:03:13I never
01:03:14said
01:03:15I'd do
01:03:16my homework.
01:03:17I...
01:03:18I don't know
01:03:19I don't know how to tell you. I felt bad.
01:03:22Like some soulless mother.
01:03:25That day I watched the episode of Marco on TV.
01:03:28The bitter child was suffering.
01:03:30From the Apennines to the Andes.
01:03:32He was looking for his mother, who had left him like me.
01:03:35And I said to myself,
01:03:36no, my Fran is not going to survive this.
01:03:38And that without a monkey.
01:03:39As much as she goes, she is her company.
01:03:42But why didn't you tell me before we got involved?
01:03:44But with your character.
01:03:46I can't hear you.
01:03:47I'm going out.
01:03:48You have no balls.
01:03:50No, no, please, calm down.
01:03:52Leave them.
01:03:53Leave them.
01:03:54Ricky lives down there.
01:03:55And what about this?
01:03:56If he asks you something, I'll cut his head off.
01:03:59No, I hate him to death.
01:04:01Besides, he almost ate Gadget.
01:04:03With this physiognomy, I don't know what I saw in him.
01:04:06Exactly.
01:04:07There's nothing to worry about.
01:04:08Relax.
01:04:09I'll make you a bath.
01:04:11The meaning of Cleopatra.
01:04:13They're going to fill up the toilets while they're doing the dishes.
01:04:16Antonio!
01:04:17Shame on you!
01:04:18His mother recovered very quickly.
01:04:21They're going to break up soon.
01:04:22God told me.
01:04:29Oh, therapist.
01:04:31Are you coming to depress me a little more?
01:04:33Ricky, that was very mean.
01:04:35For the last time, you're writing a circular letter in my name.
01:04:38I didn't write anything.
01:04:39What do you mean?
01:04:40And what is this?
01:04:42The new neighbors are back, despite their genetic defect.
01:04:46How could I write such a nonsense?
01:04:48Because you're angry with me.
01:04:50Or are you crazy, trying to get me to take my post?
01:04:54That's Antonio's business.
01:04:55He's trying to divide us, to destroy our relationship.
01:04:58What relationship?
01:04:59You see?
01:05:00You mix things up.
01:05:01You're full of shit.
01:05:03Judith, let's talk about this later.
01:05:05You didn't call me to be your deputy.
01:05:07I used him as an excuse, because I missed you.
01:05:11Did you?
01:05:12Maybe I'm old.
01:05:13Maybe not.
01:05:14But I know you're crazy about me.
01:05:24Who are you thinking about?
01:05:26Humphrey Bogart?
01:05:32So you didn't write it?
01:05:34No.
01:05:35Come here.
01:05:36No, no, no, wait, wait.
01:05:37Let me take a picture.
01:05:38I'm not crazy about you.
01:05:40I had to relax my body tension.
01:05:43No problem.
01:05:44I'm your deputy.
01:05:45I'm always at your service.
01:05:47No, no, it's for today.
01:05:48That's enough.
01:05:50Actually, stay like this for a while.
01:05:56Maxi, give me a tea from Laika.
01:05:58What a fool.
01:05:59That's right.
01:06:00When you mix and order shots like I haven't seen.
01:06:02Enough, you devil.
01:06:03You look like your mother.
01:06:05Oh, Grigoria.
01:06:08It's time.
01:06:09Where are you lost?
01:06:10What do you mean, where?
01:06:11I fell, man.
01:06:12Beer?
01:06:13Amateur, don't lie.
01:06:14I'm not lying.
01:06:15He fell, didn't he see me?
01:06:17You called him, not me.
01:06:19I saw him because my mother came in to pick him up.
01:06:21Seriously?
01:06:22Is that what I'm talking about?
01:06:23Tell me, tell me.
01:06:24I'm not going to tell you anything.
01:06:25He took him by the ear like a thief.
01:06:27What do you mean, a thief?
01:06:29His ear looks like a calf's ear.
01:06:32No, I just slept on this side.
01:06:35I'm going to smear you.
01:06:38So your mother is in your role as supervisor.
01:06:41I told her.
01:06:42I told her, Mom, now I'm drunk and I think I need some space to wear a mask so I can go back to my dad.
01:06:48But first, make me meatballs.
01:06:50Goodbye.
01:06:51Is that what he said?
01:06:52Very clear.
01:06:53Are we wolves or flies?
01:06:54What did I tell you, I forgot.
01:06:56Mom, are you going?
01:06:57To get my luggage.
01:06:59For what?
01:07:00I'm going to stay with you because you're very crazy.
01:07:03There's no such thing.
01:07:04Don't answer me.
01:07:05Mom, I'm not crazy.
01:07:07Tell her.
01:07:08Come on, you don't have a job here.
01:07:10Say goodbye.
01:07:12Is that how you say goodbye?
01:07:14You're not a goat.
01:07:16I lost a lion.
01:07:17Should I scare you?
01:07:19What a woman.
01:07:20They excite me like that.
01:07:23Rosario Parales.
01:07:25Yes, who's on the phone?
01:07:27We're waiting for a call from a group.
01:07:29What group?
01:07:30A group to repatriate immigrants and pursue the Spanish dream.
01:07:33How can I help you?
01:07:34Hold my mother.
01:07:35Please.
01:07:36Do what I tell you or I'll throw you on the crocodiles.
01:07:39Holy Virgin.
01:07:40Where is she?
01:07:41Hold her.
01:07:42She's very old.
01:07:43In the Colombian jungle, tied to a palm tree.
01:07:45I want to talk to her.
01:07:46Impossible.
01:07:48I miss my nanny and I can't leave her.
01:07:51They went to buy a table, but they can have fun for hours.
01:07:54How do I know you're holding my mother?
01:07:56Because I'm telling you.
01:07:58Go back to your country or your mother will die in terrible darkness.
01:08:01Darkness?
01:08:03Boss Antonio?
01:08:04No, no, no.
01:08:05Who is this?
01:08:07What a little boy you are.
01:08:09Let me hold you.
01:08:11What a bad luck.
01:08:12I lost a captive immigrant.
01:08:15It's good that I have the fool.
01:08:19Koke, my friend.
01:08:23Koke.
01:08:25Koke.
01:08:26Open the door.
01:08:32God.
01:08:34Where can I sleep now?
01:08:38This time you won't kick me out of the barbecue.
01:08:41Barbecue.
01:08:53The flowers came out.
01:08:57Why do I need a barbecue when I don't have any friends?
01:09:02You're already asleep.
01:09:03What a pity.
01:09:04My stomach is burning.
01:09:08Enrique, my friend.
01:09:10The red shirt is dirty.
01:09:11Antonio, what are you doing?
01:09:12He's naked.
01:09:13What is this mess?
01:09:14What are you doing, bastard?
01:09:15Let me live.
01:09:17Get out of here.
01:09:18Out.
01:09:22What did you do?
01:09:23I won't tell anyone.
01:09:25Then I'll give you up.
01:09:26Sit down.
01:09:27The psychologist is struggling with her dolphin.
01:09:29Domestic violence.
01:09:31This was exclusive to Antonio Recio.