• 2 months ago

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TV
Transcript
00:00:00Mr. Rencio, Mr. Rencio, I don't want to get up.
00:00:22What are you doing?
00:00:23Don't cross me.
00:00:24But it was you.
00:00:25Aren't we back?
00:00:26Maybe you felt lonely.
00:00:27Make me a snack.
00:00:28There's nothing.
00:00:29What a horror.
00:00:30You don't know how to return home.
00:00:31Bertha always made me cocoa and cookies.
00:00:32Why don't you come back to her?
00:00:33Because she beats you.
00:00:34That was a long time ago.
00:00:35Did you do it to the dog, huh?
00:00:36Forget it now.
00:00:37Bertha loves you.
00:00:38Come back to her house.
00:00:39What house?
00:00:40The immigrant took it from me.
00:00:41But if you make up with your wife, maybe she'll give it back to you.
00:00:42Do you think?
00:00:43Of course.
00:00:44Paralysis has a good heart.
00:00:45There's no doubt about it.
00:00:46I'm sure.
00:00:47I'm sure.
00:00:48I'm sure.
00:00:49I'm sure.
00:00:50I'm sure.
00:00:51I'm sure.
00:00:52I'm sure.
00:00:53I'm sure.
00:00:55Paralysis has a good heart.
00:01:09Good morning, my love.
00:01:11Bring it!
00:01:12Do you want a snack?
00:01:13No.
00:01:14This is for you.
00:01:15How beautiful you are!
00:01:16They are for me?
00:01:17Of course.
00:01:18You see these romantic leaves, don't you?
00:01:21Right.
00:01:22How silly I look for Bertha?
00:01:24From Antonio.
00:01:25Is that all?
00:01:26I've been thinking for half an hour, and I haven't thought of anything.
00:01:29Good morning, Chef Antonio.
00:01:31Why aren't you delivering the juice?
00:01:32I already did, so I could open the store on time.
00:01:35Good, immigrant.
00:01:36Antonio, what do you want?
00:01:38Make me juice.
00:01:39And bring the cupcakes, because Paralez took them all.
00:01:41I'm asking what you're here for.
00:01:43I'm coming back, can't you see?
00:01:45What about me?
00:01:46You don't deserve it, because to hit an idiot is a mortal sin,
00:01:49but God forgives you, and I forgive you.
00:01:51Thank you, Antonio.
00:01:52I'll be very happy.
00:01:54Congratulations.
00:01:55I'm glad you're getting together again.
00:01:57Make me juice, because I haven't eaten.
00:01:59I'm going.
00:02:00I'm going.
00:02:01I'm going.
00:02:02Bravo, Chef Antonio.
00:02:03Dona Berta is a great woman.
00:02:05Paralez, of course, after we're a family again,
00:02:07we can't all live here.
00:02:09Of course, you need intimacy.
00:02:11And space.
00:02:12We want more children.
00:02:13What do you mean, children?
00:02:14How many?
00:02:15A lot.
00:02:16Shut up.
00:02:17You don't want them to grow up among toothless Indians,
00:02:19do you?
00:02:20I'll miss them a lot.
00:02:21I'll miss you.
00:02:22What can you do?
00:02:23You'll take care of the immigrant's life,
00:02:25on your own, without any roots.
00:02:27Is there anywhere to go?
00:02:28No, you're leaving.
00:02:29Me?
00:02:30Paralez, it's going to be a big family.
00:02:32We need a home.
00:02:33Why don't you go in the caravan?
00:02:34What do you mean, no?
00:02:35To hit the idiot again.
00:02:36Antonio!
00:02:37I'm sorry, I can't leave the apartment.
00:02:39I want to bring my mom here.
00:02:41But how are you going to get her out of the tropical habitat?
00:02:43She'll die.
00:02:44There's no immunity.
00:02:45Antonio, we'll find another place to live.
00:02:47The important thing is that we're together.
00:02:49You can stay here for a day or two,
00:02:51until you find something to eat.
00:02:53Thank you, Paralez.
00:02:54What do you mean, thank you?
00:02:55This is my house.
00:02:56Not anymore.
00:02:57Dona Berta gave it to me.
00:02:58I'm confiscating your cookies.
00:03:00Antonio, help me pack the suitcases.
00:03:02I'm coming with you.
00:03:03What do you mean, no?
00:03:04I'm not going anywhere with you.
00:03:11And then the angry swine, Seraphim,
00:03:13grabbed the squid,
00:03:14Baltasar, for one of the people,
00:03:16and said to him,
00:03:17maybe we're different squids,
00:03:19but we're friends.
00:03:21What's better than that?
00:03:23To live in peace with other animals in nature.
00:03:27The end.
00:03:30I have no words.
00:03:32This is a metaphor against racism.
00:03:34Don't think.
00:03:35I can make an animated series.
00:03:37Think of it as Spongebob.
00:03:40Brat, how did the women's party go?
00:03:43Bad.
00:03:44Brat, I'm so happy.
00:03:45I wrote it again.
00:03:47Read it, read it.
00:03:49If they take her out,
00:03:50I'll give her to you.
00:03:56Brat, read it,
00:03:57or one of her fairy tales
00:03:59will break the pan in your head.
00:04:01It's traumatizing.
00:04:02Nina, don't argue with me.
00:04:03I'm really depressed.
00:04:05Great.
00:04:06What happened?
00:04:07Monica was the last unmarried person in the group.
00:04:10Everyone is married,
00:04:11with children,
00:04:12and I don't even have a gadget.
00:04:13I told them I had one,
00:04:14but they started looking at me like I was an alien.
00:04:17Can you imagine?
00:04:18You're weird.
00:04:19They asked me if I was a lesbian.
00:04:21It's harder for you Russians to get married.
00:04:23You're evil,
00:04:24and men run away from you.
00:04:25I'm not going to go to the wedding alone.
00:04:27I'm not going to humiliate myself.
00:04:28I need a successful man.
00:04:31Order Raquel for you.
00:04:33That's who you're going to the wedding with.
00:04:35But...
00:04:36What is this?
00:04:37I ordered a few toys on the Internet.
00:04:39Look, look.
00:04:40Look at this pepper spray.
00:04:42They have it at a distance,
00:04:43and this...
00:04:44I don't know what it is,
00:04:45but it's really sweet.
00:04:46Listen,
00:04:47charge the toys.
00:04:48We're going out tonight.
00:04:49It's an emergency.
00:04:50Coupon, coupon.
00:04:52But no alcohol.
00:04:53You're getting drunk.
00:04:54Milo, are you drunk?
00:04:56We need to talk, Mom.
00:04:57Amador is suffering because of you.
00:04:59Rodrigo,
00:05:00stir the milk.
00:05:01Drink the juice.
00:05:02Drink the juice.
00:05:03Stir the milk.
00:05:04Melt the croissant.
00:05:05What are you doing?
00:05:06I'm Dr. Chaos.
00:05:07Drink it.
00:05:08Your father has work to do.
00:05:09Come on.
00:05:10It contains refined sugar
00:05:12and hydrogenated fats.
00:05:13It's very tasty.
00:05:14Drink it.
00:05:15I don't want to.
00:05:16It has 493 calories in 100 grams.
00:05:19Have you started reading the labels?
00:05:21Don't act like your mother.
00:05:23Amador!
00:05:24God!
00:05:25Mom!
00:05:26How are my babies?
00:05:28Listen,
00:05:29call before you come in.
00:05:30For the last time,
00:05:31ask your mother to pay me.
00:05:32If I miss you...
00:05:33How will you miss me?
00:05:34I'm a bohemian swallower.
00:05:35Tell her you're suffering.
00:05:37It's very kind of her to call us.
00:05:38I like her.
00:05:39I don't know why.
00:05:40Her mother is mad.
00:05:41She's worried about her.
00:05:42Talk to her yourself.
00:05:43Your mother is suffocating me.
00:05:44She gets up in five minutes
00:05:45and I have my own life.
00:05:47Me too,
00:05:48but she didn't leave.
00:05:49Hit him in the face.
00:05:50You have to tell her to leave.
00:05:51Okay, I'll tell her.
00:05:52There are no balls.
00:05:54Dad has balls
00:05:55like a horse on a slope.
00:05:56Amador!
00:05:57Are you making fun of the kids again?
00:05:59No, no, no.
00:06:00What is it now?
00:06:02Mom
00:06:03wants to take the kids to the zoo.
00:06:05I told her she can't.
00:06:06They have classes.
00:06:07Let her take them.
00:06:08She's thinking about the kids.
00:06:09That's what a mother says.
00:06:11Get dressed.
00:06:12Hooray!
00:06:13To the zoo!
00:06:14I can't take them.
00:06:15I'm a hairdresser.
00:06:16Milune,
00:06:17give me the ball.
00:06:18You'd better take the two of them.
00:06:20The kids are injured.
00:06:22Yesterday Carlota called me
00:06:23grandma,
00:06:24mom and dad.
00:06:25They don't like each other.
00:06:26I'm very sad.
00:06:27Carlota told him.
00:06:28Are you calling me a liar
00:06:29in front of your wife?
00:06:30No, mom, no, no.
00:06:31Come on, come on.
00:06:32Let's all go to the zoo.
00:06:34You're a big fool.
00:06:37What are we going to do
00:06:38with the kids now?
00:06:39Are we going to take the two of them?
00:06:40Will you take us to the zoo?
00:06:42Have a nice ride.
00:06:43Where are you going?
00:06:44To an interview for a job.
00:06:45Amador!
00:06:46Amador!
00:06:47Amador!
00:06:48Amador!
00:06:49Why is she always on
00:06:50mom's side?
00:06:51I'm her son.
00:06:52I love her more.
00:06:53She won all the blood
00:06:54with the role of the good
00:06:55in the movie.
00:06:57When you had a problem
00:06:58with Lola,
00:06:59your mother always protected you.
00:07:00Ah, Gregorio!
00:07:01You were the man of the house!
00:07:02Man!
00:07:03The only way
00:07:04your mother can go
00:07:05to your side
00:07:06is to discover
00:07:07the dark side
00:07:08of the mothers.
00:07:09That's right.
00:07:11What dark side?
00:07:13That she's a street girl.
00:07:14Ah, yes, yes, of course.
00:07:15But she doesn't want
00:07:16to change it.
00:07:17She says Cocorcio is mine.
00:07:18She couldn't sleep
00:07:19with the neighbor.
00:07:20But she did.
00:07:21I asked Salama
00:07:22and what else.
00:07:23While you were playing tennis,
00:07:24she was
00:07:25ping-pong, ping-pong,
00:07:26ping-pong, ping-pong.
00:07:31Alassensi!
00:07:32Always tell the truth!
00:07:43I like your plan,
00:07:44sucker.
00:07:45It's not like the baby
00:07:46wants to go out
00:07:47but it's so much full of....
00:07:48We'll fix this!
00:07:49No!
00:07:50What are you doing?
00:07:51I saw The Adelita Lovers!
00:07:53Who's beating Lola this week?
00:07:54There's a conflict
00:07:55between Carlos Alfredo's
00:07:56and Victor Eugenio's love.
00:07:57And those two
00:07:58are straight.
00:07:59Victoria fell in the stable. She got sick and...
00:08:02I think she likes Carlos Alfredo.
00:08:04He's playing with her, and it's normal for her to give in to his brother.
00:08:07I'm trying salami again.
00:08:09No, no, I'm taking a vacation and going to Miami.
00:08:11And who's going to make me dinner?
00:08:13My brother-in-law is in danger.
00:08:15Let him do whatever he wants. It's up to you not to know.
00:08:17I have a better solution.
00:08:19Protect the horn.
00:08:20What's that?
00:08:21You stay in Spain and kill someone.
00:08:23If Lola doesn't believe you, you're a quid.
00:08:25Then maybe you'll beat her.
00:08:27And if she doesn't believe me?
00:08:28You'll mark the number. Are we foxes or bats?
00:08:30Foxes, foxes.
00:08:31I'm talking to him, you idiot.
00:08:32No, I'm filming myself.
00:08:33When she wakes up, she'll get up and... that's it.
00:08:36Nice.
00:08:37But no wonder.
00:08:38When you get up, put a guy in her lap.
00:08:40The horn is ready to pick her up.
00:08:42Tapak!
00:08:43Where is she going?
00:08:44Merengue, merengue!
00:08:45In the morning!
00:08:46Get him, his mother!
00:08:48Done.
00:08:49Your wife already has a profile on the dating site.
00:08:52Nickname, Miloto, age 33.
00:08:55I gave her a 7.
00:08:56Introduction.
00:08:57Hello, boys.
00:08:58My wedding was a complete failure, and I need a salami.
00:09:02Everything will catch some confusion.
00:09:04What is life?
00:09:05One thinks his wife is a whore, and the other is looking for a gadget.
00:09:08The world of the two is endless.
00:09:10What are you laughing at?
00:09:11Shut up!
00:09:12Look, there's a girl.
00:09:14Already?
00:09:15How much do you know about cyberspace?
00:09:20Araceli?
00:09:21Come in.
00:09:22How can I help you?
00:09:23I have an hour, right?
00:09:25Yes, but...
00:09:26Because we agreed before...
00:09:28I didn't think that...
00:09:30I decided to cancel.
00:09:32Then...
00:09:33Are you coming?
00:09:34No, no, no, for God's sake, come in.
00:09:40How are you?
00:09:41Bad.
00:09:42Very bad.
00:09:43That evening, my ex organized a party for me to normalize the relationship,
00:09:48which ended catastrophically.
00:09:50But then came his gadget.
00:09:52It turned out to be really cool, believe me.
00:09:55A girl appeared.
00:09:57Young.
00:09:58Pretty.
00:09:59You wonder what he's doing with him, because he said,
00:10:02he has no money, he's not handsome.
00:10:04What is this...
00:10:06girl looking for?
00:10:08Araceli?
00:10:09Yes?
00:10:10Are you talking about me?
00:10:11No, I'm sorry, you're my therapist too.
00:10:13I'm talking about my ex's gadget, not your ex's gadget.
00:10:18Did you break up?
00:10:19Yes, yes, finally.
00:10:21It's better for everyone to go their own way.
00:10:26You shouldn't be talking about this to a patient.
00:10:28Oh dear, now I'm not your patient,
00:10:31but a friend, your ex's ex's.
00:10:34Still, it's not a good idea for me to treat you.
00:10:37I have a colleague.
00:10:38Please, Edith, we're both adults.
00:10:41We can separate personal life from sessions.
00:10:44How delicious is this?
00:10:47What are you putting in it?
00:10:49Cinnamon.
00:10:50Ah, cinnamon.
00:10:57Very cool.
00:10:58How did you do this miracle?
00:10:59How was it?
00:11:00I had a lot of fun.
00:11:01What turns, the asphalt was burning my ass.
00:11:04Francisco Javier.
00:11:06Bastard.
00:11:07I told you I don't like motorcycles.
00:11:08But I like them.
00:11:09And you answer me?
00:11:10Quickly, in the house.
00:11:11Okay, but more calmly, please.
00:11:13Come on, clean up.
00:11:14And you, for the last time, get on my motorcycle.
00:11:17The day before tomorrow.
00:11:18Are you scaring me?
00:11:19Yes.
00:11:20Oh, I'm so scared.
00:11:24Francisco Javier, you know you're not allowed to ride a two-wheeled motorcycle.
00:11:29Nothing is forbidden to me because I'm an adult.
00:11:31That's...
00:11:32Anyway, as long as you live under my roof, you'll do whatever I tell you.
00:11:35Then I'll break.
00:11:36Where? You have no money, no job.
00:11:38Do I need it?
00:11:40I become self-sufficient.
00:11:41Enough nonsense, sit down, let's talk.
00:11:43Don't tell me...
00:11:44Sit down, I said.
00:11:45No.
00:11:46I'm sick of it.
00:11:47I'm sick of it.
00:11:48Go, I said, get up.
00:11:49Stop this nonsense in this house.
00:11:51I'll think about it.
00:11:54And you're not getting out until I tell you.
00:11:59Where are you going? You're punished.
00:12:01Dad, I love you very much, but I can't stand you.
00:12:04Your luggage was ready.
00:12:05I knew this moment would come.
00:12:07Now I understand, Mom.
00:12:08Okay, but stop this nonsense.
00:12:10You're not coming back anymore.
00:12:12Very good.
00:12:14I'll miss you.
00:12:42Sushi, I'm home.
00:12:43Where have you been? I called you.
00:12:45I turn it off when I'm in therapy.
00:12:47Did you see Sudit again?
00:12:49She's the only psychologist in a 30-kilometer radius.
00:12:52I need to talk to someone who's not you.
00:12:56This is your ex's gadget.
00:12:57I'm going to tell him everything.
00:12:59I don't like the beard to know what we're doing.
00:13:02No.
00:13:03They broke up.
00:13:05They'll get together.
00:13:06This girl is very confused.
00:13:07I don't like her either.
00:13:08She's just playing.
00:13:09I'm with you, I'm not with you.
00:13:11What did I do to you?
00:13:12I don't want him to suffer.
00:13:14Go to therapy to try for her.
00:13:16You again.
00:13:18Okay, do it because you're worried about Fran.
00:13:22If his father is bad, he suffers.
00:13:24And I suffer, and you suffer, and we suffer.
00:13:27We're part of a whole universe.
00:13:32Hi, honey.
00:13:35How much have you grown?
00:13:36I broke out of the house.
00:13:37He threw himself on your mother.
00:13:39Did you leave Enrique's bag?
00:13:41No, he saw me.
00:13:42Do you think I'm 15?
00:13:44How old are you?
00:13:4518, dear.
00:13:47He can't punish me in bed.
00:13:49He can, as long as you're under his cover.
00:13:51That's why I broke out.
00:13:52I'm staying here.
00:13:53Very nice.
00:13:54No, no, there's no room here, no.
00:13:56What about the couch?
00:13:57If not, we'll buy it from those Dubai Mille Glace.
00:14:00They're wonderful.
00:14:01I slept like that in the camping of Offenfisbach House.
00:14:05And it was very comfortable.
00:14:07By the way, I met Sannuschka there, who...
00:14:10How are you?
00:14:12If it's too much trouble, I'll manage.
00:14:14No, not at all.
00:14:15You're staying here, honey.
00:14:17We'll be very happy.
00:14:18And you two will be with us, right?
00:14:20And how many days are you staying?
00:14:22What did you eat?
00:14:23Are you hungry, Smurf?
00:14:25Come on, cook him something.
00:14:28Mom's boy.
00:14:29You can't play here.
00:14:31Let me collect some other money.
00:14:34That's not food.
00:14:35It's a bad goat.
00:14:38What are you doing, pervert?
00:14:40Well, the goat wants to play a concert here.
00:14:44Leave him alone.
00:14:45The neighbors will be angry.
00:14:47On the contrary, they love music.
00:14:49Play.
00:14:50Play calmly.
00:14:51And louder.
00:14:53Come on, we need to talk.
00:14:55I can't leave the housekeeper's post.
00:14:57She'll get bored.
00:14:58What do you want?
00:14:59To bore the future housekeeper?
00:15:00Don't you think?
00:15:02What is this nonsense?
00:15:03The housekeeper?
00:15:05As I ordered.
00:15:06She won't last long.
00:15:07The ugly one.
00:15:08Counselor!
00:15:09Son of a bitch!
00:15:13Koke?
00:15:14You coming back to Bertha was a complete failure.
00:15:17Don't you want to?
00:15:18Of course I do.
00:15:19You made her fall in love with a romantic card.
00:15:21And the honor?
00:15:22No honor.
00:15:23I don't like Bertha.
00:15:24Then why did you make her fall in love?
00:15:26To get the house back.
00:15:27What's in the house?
00:15:28Is it paralyzed?
00:15:29But if Bertha gets paralyzed, she'll give it back to me.
00:15:32Why?
00:15:33That was the plan.
00:15:34What a stupid plan.
00:15:36You made it up.
00:15:37You made it up.
00:15:38Me?
00:15:39I don't remember.
00:15:40Oh, this one.
00:15:41I don't care.
00:15:42I want the house.
00:15:43We have to think of something else to get it out.
00:15:45It's very complicated.
00:15:46Give me a luxurious apartment and the devil himself won't get me out of there.
00:15:50If you have it, I haven't seen it.
00:15:53Oh, yes.
00:15:54I know how to get it out.
00:15:55Is that so?
00:15:56The immigrants are very superstitious.
00:15:58We'll scare him to death and he'll swim to your side.
00:16:01And how are we going to scare him?
00:16:02Are we going to put a spider in his head?
00:16:04No.
00:16:05We're going to visit Ephistophel.
00:16:07Philosopher.
00:16:08No.
00:16:09Satan.
00:16:10Velzerul.
00:16:11Lucifer.
00:16:12The Dark Prince.
00:16:13How many people?
00:16:14I'll think it's all saints.
00:16:15Here.
00:16:16Buy a spiritual board.
00:16:17Tonight we'll summon the devil.
00:16:19Him too?
00:16:20We have to buy a scoop.
00:16:24How do you excite me, Monolo 72?
00:16:26I want you to cut me off from healthy sex.
00:16:29You're going to scare him.
00:16:30Let's choose.
00:16:31I have five minutes.
00:16:32This one's ready.
00:16:33What does it say?
00:16:34And where do we call them?
00:16:35I don't know if the mother will come out.
00:16:37I'll figure it out.
00:16:38Monolo 72.
00:16:41I pee everywhere.
00:16:44I'm so hot.
00:16:46The seeds are shaking like...
00:16:48Don't pee!
00:16:49What are you doing here?
00:16:50Mom!
00:16:51We're looking for a job on the Internet.
00:16:54Come on, I have an interview.
00:16:56What kind of interview?
00:16:57I won't tell you not to pee for an hour.
00:16:59See you later.
00:17:05What animal do you like the most?
00:17:07The ticket saleswoman.
00:17:08Clean up.
00:17:09Nines.
00:17:10Nines.
00:17:11Ah!
00:17:12The package.
00:17:13Because of whom I saw the perverted monkeys.
00:17:14How much did you pay them?
00:17:1520 miles a euro.
00:17:16How do you misuse unemployed people?
00:17:18Here's the picture.
00:17:21Let's go home.
00:17:23Have you been with mom and dad?
00:17:25He's been lying all day.
00:17:26Nines, wait, wait.
00:17:28Do you know if Milo will come out?
00:17:30No, no, no.
00:17:31You'll watch the kids.
00:17:32That's how you clean up.
00:17:33It's not that.
00:17:34Will he come out or not?
00:17:35Boy, this is convincing information.
00:17:37Do you think I'm going to betray my friends?
00:17:39For less than 10 euros?
00:17:44Yes, he'll come out.
00:17:46But tell me where.
00:17:4710 euros.
00:17:50To hell with you.
00:17:52I don't know, but I'll figure it out.
00:17:53Wake up.
00:17:54Okay, okay.
00:17:55You arrange the meeting to come at 10 to 12.
00:17:58And what are you going to say to your mother to get out?
00:18:00Am I punishing you?
00:18:02What?
00:18:03Well, well.
00:18:08Judith, can we talk?
00:18:10Eric, don't come at any time.
00:18:12Because between us...
00:18:13I'm coming as your deputy.
00:18:14Look, I have documents.
00:18:15I found a solution to the financial problems of the cooperation.
00:18:18Come in, come in.
00:18:19I think by sharing a small part of the taxes...
00:18:22Judith, I'm very bad.
00:18:24You have to help me.
00:18:25I knew I shouldn't open you.
00:18:27Franz left home.
00:18:28I don't know where he is.
00:18:29Why? Did you argue?
00:18:30Of course.
00:18:31He was riding on his mother's motorcycle.
00:18:33I punished him, and he left.
00:18:35Why does everyone leave me?
00:18:37Have you tried to talk to him?
00:18:39It's impossible.
00:18:40I can't speak.
00:18:41He didn't follow my dialogues.
00:18:43You must be following him.
00:18:44You have to get close to him as a friend.
00:18:47I've talked to him a million times.
00:18:48When he wanted to marry the crazy gothic or when...
00:18:50Do you like motorcycles?
00:18:51A lot.
00:18:52I'm hooked on them.
00:18:53That may be the key point with him.
00:18:55You have to develop.
00:18:57To adapt.
00:18:58I also like motocross with caps.
00:19:00They are safer.
00:19:01I'll look for them in the cellar.
00:19:02We'll make one for Lorenzo and one for Pedro and...
00:19:05Son, you feel old.
00:19:07And you treat him like a child.
00:19:09He's a child.
00:19:10Not anymore.
00:19:11Imagine what you were like at his age.
00:19:13I played with caps until I was 25.
00:19:18Fran is a big boy.
00:19:19The years went by without you noticing.
00:19:22Is that how we started with age?
00:19:24No.
00:19:25You're always trying to torture me.
00:19:26I'm coming with a serious problem.
00:19:28I'm talking about your son's age.
00:19:29Of course.
00:19:30My son is big.
00:19:31I'm an old man.
00:19:33What a stupid thought.
00:19:34I think you have OCR.
00:19:35What?
00:19:36Obsessive Compulsive Disorder.
00:19:38I may have it, but it's your fault.
00:19:40You keep telling me I'm old.
00:19:42Please.
00:19:43You're hurting me so much.
00:19:45One more.
00:19:51Actually, no.
00:19:55I'm giving you a 30-day pass.
00:19:57No, no.
00:19:58From now on, I'm going to talk about your problems with Max.
00:20:00He's much more tactical than you.
00:20:10He's with Yoli.
00:20:11Yes, the sister of Balhata.
00:20:13Look at him.
00:20:14He's so big.
00:20:15He takes up the whole sofa.
00:20:17Do you know how long he's going to stay up there?
00:20:20I don't know.
00:20:21I think he's looking for himself.
00:20:23You have to convince him to get along with your father.
00:20:26No.
00:20:27He'll think I don't love him.
00:20:28Life gives me this opportunity.
00:20:31I'm wasting my time with my son.
00:20:34What are you going to waste?
00:20:35You're on the phone all day.
00:20:37Araceli.
00:20:38I'm going to lose a little personal space in this marriage.
00:20:41You shouldn't have thought of that before you threw him on the motorbike.
00:20:44Are you accusing me of my son running away from home?
00:20:46Yes.
00:20:47How do I know he's not allowed to ride a motorbike?
00:20:49And who gives his son the right to ride a motorbike?
00:20:52How do I know I don't love children?
00:20:53Let's not even talk about it.
00:20:55Okay.
00:20:56Come on.
00:20:57Calm down.
00:20:58It's only going to last a few days.
00:21:00Bitch, don't call me.
00:21:01Now she's living with the old lady.
00:21:03Write down the number.
00:21:06Hello, dear wife.
00:21:07What do you want?
00:21:08Bring the flowers.
00:21:10Antonio.
00:21:11Don't play with me.
00:21:12Berta.
00:21:13I want us to get together.
00:21:14You're lying.
00:21:15You humiliated me in front of my parents and left without even looking at me.
00:21:18I'm going to get the suitcases.
00:21:21And where are they?
00:21:22They're very heavy.
00:21:23How much longer are you going to carry them?
00:21:25I don't believe you.
00:21:26I love you a lot.
00:21:27Don't you want us to be a Christian family again?
00:21:29Of course I do.
00:21:31Then don't be stupid.
00:21:32Don't find another one.
00:21:33We, the traders, are in great need.
00:21:34Okay.
00:21:35We'll get together.
00:21:36We'll look for a single-family home without neighbors.
00:21:39What a bore.
00:21:40No.
00:21:41I want to be a housekeeper.
00:21:42But how are we going to live with a paralysis?
00:21:44No, no.
00:21:45I have a brilliant plan to get rid of it completely.
00:21:48Poor thing.
00:21:49Calm down.
00:21:50I'll just scare him to death.
00:21:52But I need your help.
00:21:58Whatever it is, you either got lost, Max, or I did.
00:22:01I didn't recognize you in your Vittel, David Hasselhoff.
00:22:05I became a motorist.
00:22:06I parked the car outside.
00:22:08Beast.
00:22:09A car is an ordinary definition for a father-in-law.
00:22:11I understand.
00:22:12I have such a beast that the dead can't get enough of you.
00:22:15Shut up, Mivki.
00:22:16I'll give you notes.
00:22:17But aren't you afraid of motorcycles?
00:22:19No, I'm not afraid of anything.
00:22:21Are you a tuned coupe?
00:22:23Yes, yes.
00:22:24Super-mega-yak.
00:22:25Come on.
00:22:30125 cc.
00:22:31Develops 100 km in 13 seconds.
00:22:34Triple disc brake of 240 mm, which increases the braking force by 20%.
00:22:39Four-wheel drive system.
00:22:41And a trunk of 65 liters.
00:22:44But it has three wheels.
00:22:45This is not a three-wheel motor, man.
00:22:47Impressive, isn't it?
00:22:48Franz will be smiling.
00:22:50Yes, yes.
00:22:51My face will turn red when he sees this engineering miracle.
00:22:54And my shares will go up in front of Judith.
00:22:58I can take her on a picnic on Sundays.
00:23:00You have a place for tortillas.
00:23:02All right, brother.
00:23:03I'll hit the tires to feel it.
00:23:05Don't you prefer a helmet?
00:23:07No, I like the wind to blow my face.
00:23:09I'm the angel of Ada.
00:23:11Renegade.
00:23:12Forward!
00:23:18Renegade, my ass.
00:23:24Mom, mom, I have a job.
00:23:26I'm starting tonight.
00:23:27Have you eaten?
00:23:28A night guard, please.
00:23:29I'll be back at eight in the morning.
00:23:31A night guard?
00:23:32To kill you or to smear you with paint?
00:23:34Didn't you want me to start working?
00:23:36But not in which you risk your life to think of you with a clear heart.
00:23:39But mom...
00:23:40No, I'm old enough for poison.
00:23:42I have a stick.
00:23:43Look, I have a deadly weapon in my hands.
00:23:45I'll smear everyone.
00:23:47Watch out for the guard.
00:23:48Watch out.
00:23:49What did she steal?
00:23:50What did she steal?
00:23:51What?
00:23:52Easy.
00:23:53Oh, son.
00:23:54Stop acting like a monkey.
00:23:55Wake up and say you're giving up.
00:23:57I'll be a night guard.
00:24:00So you can sleep with me all day.
00:24:03And the kids?
00:24:04Who's going to look after them?
00:24:06You got me here.
00:24:07Okay, okay.
00:24:08Whatever you like.
00:24:09I'll give up.
00:24:10But I have to return the uniform and the stick.
00:24:13They cost a lot of money.
00:24:14At this hour?
00:24:15Mom, they're waiting for me.
00:24:16It's inconvenient to...
00:24:18We have to be more serious.
00:24:19When will you clean up?
00:24:20I'll call you...
00:24:21Yes, yes.
00:24:22To wake me up.
00:24:23Do you know how hard it is to sleep?
00:24:25Okay, I won't call you.
00:24:26If something happens to you, I don't know.
00:24:28Mom, enough.
00:24:29I'm a big man.
00:24:30Your big brother Perico is a big man.
00:24:32He has an agency in Cuenca.
00:24:34I found the information you asked me for.
00:24:37What did you find?
00:24:38Hosts.
00:24:39Your son is a fag.
00:24:41You go to the menu.
00:24:43Then to history.
00:24:44And you show where the little angel surfed.
00:24:47Where did you learn that?
00:24:49In the community.
00:24:50They're doing courses for retirees.
00:24:52How do you excite me, manual 72?
00:24:55I want you to cut me off from healthy sex.
00:24:58You killed me.
00:25:01Are you sure it's not bad?
00:25:03Mom.
00:25:04Nickname.
00:25:05Nice interests.
00:25:06Male.
00:25:07Representation.
00:25:08Healthy boys.
00:25:09My marriage was a complete failure.
00:25:11And I need salami.
00:25:14There are 37 answers.
00:25:17Are you a homosexual?
00:25:19Very clear.
00:25:20It can't be.
00:25:21Rivas are men.
00:25:22They all have bones on their backs.
00:25:24There are no gays in the sausage.
00:25:26It was said here that Milo had an affair with Leo.
00:25:30With his friend.
00:25:31They lived together in an apartment with a bedroom.
00:25:34How can it be clearer than that?
00:25:36That's why his mother left him.
00:25:38She put him on a train and said,
00:25:40Your mother's ass is sold.
00:25:42And in case, right on the spot.
00:25:44My God.
00:25:48Fran is running away from home.
00:25:50Yes, Eric told me.
00:25:52Did you get together again?
00:25:54No.
00:25:55He just came to...
00:25:59Order.
00:26:00Well, nothing.
00:26:01He came to us.
00:26:02The child.
00:26:03And the house is small.
00:26:04And Ray is a little nervous.
00:26:06Because the relationship with Penny and her behavior.
00:26:10Since little.
00:26:11But you'll spend more time with Fran.
00:26:14Yes.
00:26:15Isn't that why she came back?
00:26:16Don't you think she'll pay attention to me?
00:26:18You have to get close to him as a friend.
00:26:21With time.
00:26:22How much time?
00:26:25Araceli, turn off the phone.
00:26:27I thought I turned it off.
00:26:29Sorry.
00:26:30Look where the remote was.
00:26:33Sorry.
00:26:34Oh, where are you?
00:26:36With those big bags.
00:26:39Vibrate.
00:26:43Vibrate.
00:26:44Turn it off.
00:26:46I don't know.
00:26:47When I open it, it stops ringing.
00:26:49Speak.
00:26:50Okay.
00:26:51Maybe it's her.
00:26:53Hello?
00:26:55Yes, yes.
00:26:56It's me.
00:26:57Actually, the ex.
00:27:00We haven't signed the divorce papers yet.
00:27:03And we have to arrange a question with an apartment and a mall.
00:27:07Which are common property.
00:27:09So I'm officially his wife.
00:27:14From the hospital?
00:27:16Disaster.
00:27:17What?
00:27:18The car.
00:27:19The car?
00:27:20With a motorbike?
00:27:21But Erika doesn't have a motorbike.
00:27:23If you like, you should look for good information before you drive people's angels.
00:27:28And I'm good.
00:27:29What did they tell you?
00:27:31That Erika crashed with a motorbike.
00:27:33Can you imagine?
00:27:34Erika on a motorbike.
00:27:36Oh my God.
00:27:37What?
00:27:38Oh my God.
00:27:39What is it?
00:27:40We told him to take an interest in motorbikes so he could make friends with Fran.
00:27:43Are you crazy?
00:27:44Erika is more unstable than Herzogin.
00:27:47I didn't know she was going to crash with a motorbike.
00:27:50I should have thought about it.
00:27:52It's been years.
00:27:53I'm going to the hospital.
00:27:55I'm coming too.
00:27:56You?
00:27:57What for?
00:27:58To see how it is.
00:27:59How can it be bad?
00:28:00They got rid of the hospital.
00:28:01If it was good, he would have gotten rid of it himself.
00:28:03Don't you watch the news?
00:28:05My bag.
00:28:06From where?
00:28:07I know where it is.
00:28:08Which hospital was it?
00:28:10I don't know.
00:28:11They got rid of you.
00:28:12Give them back the money.
00:28:13How?
00:28:14Give.
00:28:15Give.
00:28:16Oh my God.
00:28:17Poor Fran.
00:28:18First she lost her mother.
00:28:20And now her father.
00:28:23Are you going to shut up?
00:28:26Here she is.
00:28:27Let's go.
00:28:28Hello?
00:28:29You just called for a gentleman with a beard who crashed.
00:28:35My chakras are closed.
00:28:41Hey!
00:28:42Are you looking for a waitress with divine standards?
00:28:45Because I'm free.
00:28:47I'm English-speaking.
00:28:51Hey!
00:28:52How's the material?
00:28:53Average.
00:28:55Look.
00:28:56Isn't he an amateur?
00:28:58It can't be.
00:28:59What a coincidence at such an institution.
00:29:02Let's follow him like a psychopath.
00:29:04His mother to dance.
00:29:06Attention, I explain.
00:29:07First, thank you for coming.
00:29:09Shut up.
00:29:10She's a dancer.
00:29:11Do you see the beautiful blonde?
00:29:13Not her.
00:29:14The other one.
00:29:15The ordinary one.
00:29:16But she's a big bitch.
00:29:17You must have heard.
00:29:18Oh, very important.
00:29:19Whoever hears her, I'm going to her house.
00:29:22And who are you?
00:29:23I'm a man.
00:29:24Nice to meet you.
00:29:25Are you looking for your wife's lover?
00:29:26It's very exciting.
00:29:27But that's a secret.
00:29:28She doesn't know.
00:29:29I'm a priest.
00:29:30That's removed.
00:29:31One less.
00:29:32All right.
00:29:33Give him a better chance.
00:29:34Who's first?
00:29:35What's your name?
00:29:36Arturo.
00:29:37Arturo.
00:29:38Arturo.
00:29:39You're the first.
00:29:40Arturo.
00:29:41Arturo.
00:29:42Arturo.
00:29:43Come on, Arturo.
00:29:44Break it.
00:29:45Two of you will be easier.
00:29:46With him.
00:29:47What's your name?
00:29:48Manolo.
00:29:49Manolo, 72.
00:29:50Manolo, Manolo.
00:29:51Manolo.
00:29:52Manolo.
00:29:53Let's get started.
00:29:54Who will get her out?
00:29:55I have to convince Rossa to look at the whiskey.
00:29:57Did you bring her?
00:29:58I haven't led her to dance since I brought her to the duty.
00:30:00They weren't going to let her go.
00:30:03Do you know what this action?
00:30:05Let's not take to her evil spirit.
00:30:07Antonio.
00:30:08The spirits are dangerous.
00:30:09You want help from the Mother of God, don't you, my friend?
00:30:12Attention, coming!
00:30:15Good night, sleepyhead.
00:30:17Are you going to bed?
00:30:18Come on, we're going to play a very fun game and we're missing a player.
00:30:22A quiz?
00:30:23No, the quiz is a game for educated Europeans, you won't even answer one question.
00:30:28We're going to talk to the spirits of the dead.
00:30:29Calling the spirits?
00:30:31No, no, these things are scaring me.
00:30:33Don't be a coward!
00:30:35I have to go to bed, I'll get up early.
00:30:37How do you like to lie down in the third world?
00:30:40It's normal that we took you in so easily.
00:30:42You're all asleep.
00:30:43Come on, hold hands, let's start.
00:30:49Spirits of the dead!
00:30:50Dead with unpaid bills!
00:30:52Angry from the underworld!
00:30:54I summon you!
00:30:56Can't we call someone nicer?
00:30:58Yes, Oles closed his eyes to tell us a story for a light night.
00:31:01Concentrate!
00:31:03Is there anyone there who wants to connect with the world of the living?
00:31:08I don't think so.
00:31:09Wait, Verdi!
00:31:10I feel a presence!
00:31:12Who are you, presence?
00:31:14Introduce yourself!
00:31:19Antonio, put your hand on the glass, otherwise it won't move.
00:31:23Yes, yes, yes, that's right.
00:31:25Say your name, brother spirit.
00:31:27S.
00:31:29A.
00:31:30S.
00:31:31T.
00:31:32A.
00:31:33S.
00:31:34T.
00:31:35Santa Claus.
00:31:36Santa Claus?
00:31:37Where did you get that name from?
00:31:38It's a curse!
00:31:39You're scaring the spirit!
00:31:41You'd better lie down.
00:31:42Wait!
00:31:43Maybe he wants to talk to you.
00:31:45Okay, spirit, we have S.
00:31:47What's the next letter?
00:31:49Did you see the name?
00:31:53Satan!
00:31:55I summon the devil!
00:31:57My God, what have I done?
00:31:59Holy Mother of God, protect us from the prince of darkness!
00:32:03He's going to kill us!
00:32:05Run, paralysis!
00:32:06Don't look back!
00:32:08What are you doing?
00:32:09You broke the glass!
00:32:10That's not true!
00:32:11You'll see for yourself!
00:32:13Okay.
00:32:14What do you mean, okay?
00:32:15Run!
00:32:16I'll laugh with you!
00:32:20Demons!
00:32:21What do you want?
00:32:23The closet is dirty!
00:32:26Help!
00:32:27I'm suffocating!
00:32:29I'm suffocating!
00:32:30Don't push me!
00:32:34He's running away.
00:32:35The light is scaring him.
00:32:37Like a gremlin.
00:32:38Okay, it was a lot of fun,
00:32:40but I have to go to bed.
00:32:42Good night.
00:32:48This immigrant is very funny.
00:32:50I don't like him.
00:32:53This immigrant is very cunning.
00:32:55I don't like him.
00:32:56Who would believe this nonsense, Antonio?
00:32:58It's funny.
00:32:59But we came up with a plan.
00:33:01You come up with it.
00:33:02Let's go to bed,
00:33:03and tomorrow we'll look for an apartment.
00:33:06I don't understand why the plan failed.
00:33:09It's very hard to believe that there are demons when you don't see them.
00:33:13Of course, you have to see it, and we need a demon.
00:33:16And where are you going to get it from?
00:33:17Come on, we'll steal the goat from the gypsies of Secordia.
00:33:20The goat?
00:33:21Why?
00:33:33Did you see how they look at her?
00:33:35Yes, yes.
00:33:36Why do the devils only talk to Raquel?
00:33:38But she's prettier.
00:33:39Of course, in the herd, the men argue over the youngest and the most fertile woman.
00:33:44Milota will shake and she'll get her way on her own.
00:33:47But the plan...
00:33:48It will scare you.
00:33:49Come on, man.
00:33:50Let's make Milota stay alone with the candidates.
00:33:53Come on, ignore the others.
00:33:55You're Nines, and you're Raquel.
00:33:56What should I say to her?
00:33:57Share your pussy.
00:33:58Your women are falling for it.
00:33:59You can even smear it.
00:34:00I don't want to smear it.
00:34:01Go away.
00:34:02Don't touch me.
00:34:03Why are you touching me?
00:34:06Nines.
00:34:07Raquel.
00:34:08What a coincidence.
00:34:09Come on, let's have a drink.
00:34:11Leo, I don't want anything from you.
00:34:13But as friends...
00:34:14We're not friends.
00:34:15Let me go, Leo.
00:34:17So, Raquel...
00:34:18I'm sorry, can we talk?
00:34:20What about you?
00:34:21Not here.
00:34:22Let's go to the bottom.
00:34:31Now, yes.
00:34:32See, Maxi, this works.
00:34:34The devils have brains.
00:34:35They'll throw us out.
00:34:36Why don't they tell us anything?
00:34:37I don't know.
00:34:38I asked this evil bitch at the registry office 18 times.
00:34:41We should have waited for the doctor.
00:34:43Erika, please don't die.
00:34:45It depends.
00:34:46I almost prefer to...
00:34:47Arsele, please.
00:34:48Life is transient.
00:34:49Maybe she'll be reborn into something better than a connoisseur.
00:34:53To stay that way.
00:34:54Or maybe she'll be reborn as a doctor.
00:34:56I don't know.
00:34:57I don't know.
00:34:58I don't know.
00:34:59I don't know.
00:35:00I don't know.
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00:42:13I don't know.
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00:42:15I don't know.
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00:42:19I don't know.
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00:42:21I don't know.
00:42:22I don't know.
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00:42:24I don't know.
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00:42:26I don't know.
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00:42:29I don't know.
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00:42:31I don't know.
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00:42:33I don't know.
00:42:34I don't know.
00:42:35I don't know.
00:42:36I don't know.
00:42:37I don't know.
00:42:38I don't know.
00:42:39I don't know.
00:42:40I don't know.
00:42:41I don't know.
00:42:42I don't know.
00:42:43I don't know.
00:42:44I don't know.
00:42:45I don't know.
00:42:46I don't know.
00:42:47I don't know.
00:42:48I don't know.
00:42:50What's the plan?
00:42:51Tuck the goat into his living room.
00:42:53Hello, mister devil
00:42:54What do you do?
00:42:56In my view, you're not answering.
00:42:58That's not his number...
00:42:59You're an idiot.
00:43:00There has to be a number.
00:43:01No, why not?
00:43:02He lives in Ada.
00:43:03There's no reception.
00:43:04And, yes, again, he gets flashed by his jacket.
00:43:08Look, you've lost your mind.
00:43:10Bring the carrot.
00:43:11The dinner time?
00:43:12Not for me, the goat.
00:43:13We have to take care of her.
00:43:15Like a dog drops a,
00:43:17Drop her?
00:43:18Is she sleeping?
00:43:19This is a movie. They did it like this and they were full of gas.
00:43:22She was dressed.
00:43:24Like this one.
00:43:25The gypsy girl trains to dance to the accordion.
00:43:28And where will you find music for the accordion?
00:43:30Wait. I think I have a record with the Apathe dance.
00:43:36Look, Maria Chessus and your accordion.
00:43:38I don't know.
00:43:39If the devil appears on the background of the Apathe dance,
00:43:42I'm not afraid at all.
00:43:44In my opinion, this song is terrible.
00:43:46And why did you buy the record?
00:43:47No, it's mine. Take it.
00:43:49Get to work.
00:43:51Otherwise, we'll make you sleepy.
00:43:52How do you like to snore?
00:43:54Wake up.
00:43:55Do something.
00:43:57Maybe she fell asleep.
00:43:58Throw the carrot.
00:44:04Now you'll see how she'll get scared.
00:44:09Throw more.
00:44:12What are you doing?
00:44:13I'm making hellish sounds to make her react.
00:44:16Paralysed.
00:44:19Paralysed.
00:44:22Nothing.
00:44:23Even this.
00:44:24Lucky her. What a deep dream she has.
00:44:26What kind of Indian is he?
00:44:28He won't survive 10 minutes in the jungle.
00:44:30The lions will eat him.
00:44:31And what are we going to do?
00:44:32Wake him up to see the goat?
00:44:34Yes, and we'll introduce her to him.
00:44:36We have to see her.
00:44:38What are you doing?
00:44:42The devil.
00:44:43Don't shout. You're scaring her.
00:44:45Get her back.
00:44:46Take her. It's just a goat.
00:44:48Move her. Move her. Move her.
00:44:50Don't shout. Don't shout. Breathe. Breathe.
00:44:54What's going on?
00:44:55Nothing.
00:44:56Where is he?
00:44:57I don't know.
00:44:58I don't know.
00:44:59I don't know.
00:45:00I don't know.
00:45:01I don't know.
00:45:02I don't know.
00:45:03I don't know.
00:45:04I don't know.
00:45:05I don't know.
00:45:06The devil Paralassos!
00:45:08He appeared in the image of a goat.
00:45:10What?
00:45:11He's locked up in the ashes.
00:45:12He wants to find his way into the house.
00:45:14He was Lucifer himself.
00:45:16Get out, paralassos, and don't even look back.
00:45:17How did you know he's the devil?
00:45:19Did he tell you anything?
00:45:20He had three sixes burnt at his neck.
00:45:22His eyes were bloody, and there was fire 123 00- difficulty receiving
00:45:27were you dreaming a nightmare, for sure?
00:45:28Wait.
00:45:29You're crazy, immigrant.
00:45:30You want to die burned, but there's no flame.
00:45:33I think you've gone a little too far with summoning spirits.
00:45:35Your mind makes you see things that don't exist.
00:45:38Oh my God, I'm half-devil.
00:45:40That's why you don't play with these things.
00:45:42You'll see that there's no one...
00:45:48What? Is that an inspiration too?
00:45:50Holy Virgin, cover us!
00:45:52Yes, yes, I can hear something from inside.
00:45:54This is Velzhevul.
00:45:55Turn around and don't look back.
00:45:58I don't know, I think I'm inspiring myself too.
00:46:03It's better to go to bed.
00:46:05How can you sleep? The devil pays for you.
00:46:09Don't scare him. This immigrant is crazy.
00:46:12Antonio, let's get out of here.
00:46:14No, we have to go.
00:46:15And what are we going to do?
00:46:17I don't want to get there, but we have no choice.
00:46:19Berta, the demon will wake you up in this room.
00:46:22Antonio, are you crazy?
00:46:24This is the only way to get home and live happily.
00:46:27What is it? You're going to change your clothes and...
00:46:29How can you go to bed with a goat?
00:46:31What are you talking about, you perverted zoophilic lesbian?
00:46:34As much as you're crazy, I can't get to know you.
00:46:37Don't you want that?
00:46:39No! To play the girl from the Exorcist.
00:46:42To simulate the demon's breath to scare Paralez.
00:46:45Ah, okay, say so.
00:46:47Besides, the goat is not a demon, we stole it from a gypsy.
00:46:50I'm going to bed, because if I don't sleep for 13 hours, I'm not a man.
00:46:53Okay, but take the goat.
00:46:55And what do I do with it? Return it to Stupanin?
00:46:58No, at the bar, a man doesn't know when he'll need a goat.
00:47:01Antonio!
00:47:02Come on, let's go to bed. I'm very tired.
00:47:04Here, chocolate candy.
00:47:06Don't touch it, no!
00:47:07Crap.
00:47:09Go to hell, you pervert!
00:47:13What are you going to do with this guy? Are you going to throw him up?
00:47:16No, just send him away. They met each other.
00:47:19Girls, girls, I need some space.
00:47:21Why don't you split up?
00:47:23At six in the morning, smash him in the car and that's it.
00:47:26Raquel, Raquel, leave me the house.
00:47:28Just for a little while, please, please.
00:47:32How much longer are you going to have fun?
00:47:34That's what the man is asking.
00:47:36Hey, Manolo, friend, how much longer do you have to...
00:47:39Well, I don't know, it depends.
00:47:44Girls, I love you.
00:47:50It's hot, let it cool down a little.
00:47:52And now what are you going to do?
00:47:55And now what are we going to do? Let's go to bed.
00:47:57Listen, what if I ask Javi to come with me to the wedding?
00:48:01Cool, right?
00:48:02Go to hell.
00:48:04Again?
00:48:05Raquel was your sister, and you left her to rot in hell.
00:48:08Are you going to leave me alone?
00:48:10Bullshit! Bullshit!
00:48:12Women for me, I love women.
00:48:13Don't mess with Lolo.
00:48:15He's eating Caribbean salami in Miami, and you're going down to the supermarket.
00:48:17I don't know what he's doing to me, get out of here.
00:48:19What a situation, what a dilemma, between passion and morals, between sex and love, between...
00:48:22Shut up!
00:48:23But Raquel and I were just talking, we're friends.
00:48:26Ha ha ha.
00:48:27What do you mean, ha ha ha?
00:48:28I don't believe it, there's no friendship between a man and a woman.
00:48:31The instinct to force infects everything.
00:48:35The Russian woman clearly wanted some meringue.
00:48:37You're all crazy.
00:48:38Hello.
00:48:39Lolo.
00:48:40Hello.
00:48:41Javi, I wanted to talk to you.
00:48:43If you don't mind.
00:48:46She says yes, when she drinks a little too much.
00:48:49It's better for you, for us, that's why.
00:48:51Yes, yes, my wife made me a Manolo, 72.
00:48:54Yes.
00:48:55Are you married?
00:48:57Yes, we are.
00:48:58Javi, Javi, come here for a minute.
00:49:00Meringue, meringue, meringue.
00:49:02If you want a threesome, just call me.
00:49:04What about me and Rossa?
00:49:05We have an open relationship.
00:49:07What a mess, Javi, and Lolo is going to Miami.
00:49:10I'm going to wake up my mother to see what the fuck is love.
00:49:13Are you stealing?
00:49:14I'm taking the keys, I'm going to take action.
00:49:22Excuse me for a moment.
00:49:25What, what are you doing?
00:49:26I'm watching the game.
00:49:27Come on, Tadkov, it's ready.
00:49:29Ah, Gregoria.
00:49:31How big is the bed without you?
00:49:34His mother.
00:49:35Hi.
00:49:36I'm leaving, I'm leaving.
00:49:38Make yourself comfortable.
00:49:39I mean, sit down or stand up straight, as you please.
00:49:43Pleasant as standing.
00:49:46I'll fix it.
00:49:48No, we're just friends.
00:49:50Come on, he's ready too.
00:49:53Look how hot the couch is.
00:49:55It's normal, it's been lying around all day.
00:49:57Would you like something to drink?
00:49:58Whiskey, rum, tea?
00:50:01No, no, thank you.
00:50:02You see, I had a very nice evening talking to you.
00:50:06I felt very pleasant, very comfortable.
00:50:09Me too, me too.
00:50:10Let me talk.
00:50:12I love it when a man reveals himself.
00:50:14You see, I feel so tender and wounded.
00:50:17Because I'm in a bad moment, I'm very lonely.
00:50:20I mean, it's Lola, isn't it?
00:50:23It's normal, she's far away, she works a lot, she has new experiences.
00:50:27Did she say anything to you?
00:50:28No, no, no, I haven't talked to her.
00:50:30Javi doesn't surprise you.
00:50:32How do you know?
00:50:33I don't know, but...
00:50:35You see, it surprises me.
00:50:36I feel it here as something physical.
00:50:39Did you have a boyfriend?
00:50:41Every day, every hour.
00:50:43And our sexual life wasn't particularly...
00:50:46And she was always very active, she loved sex.
00:50:49Who doesn't love sex?
00:50:51Everyone.
00:50:52Not me.
00:50:53Dad, go to sleep already.
00:50:55Oh, Gregorije, how little pleasure I left you.
00:50:58Javi, didn't I come to talk about Lola?
00:51:00Yes, yes, I suppose.
00:51:02You see...
00:51:03I don't want to talk about Lola.
00:51:05I don't want to talk about Lola.
00:51:07I don't want to talk about Lola.
00:51:09Look...
00:51:11It will be revealed.
00:51:13And I will be revealed.
00:51:17As you wish.
00:51:18I'm alone, you know.
00:51:20I don't have a gadget, don't mess with me.
00:51:22I understand.
00:51:23And I...
00:51:24The question is that I need you.
00:51:26Can I ask you for a special favor?
00:51:33No, stop!
00:51:34Back!
00:51:35What are you doing?
00:51:36And I was going to ask you that.
00:51:38I'm really very...
00:51:41No!
00:51:42Stop!
00:51:43Javier!
00:51:44What's wrong with me?
00:51:45Look, leave it.
00:51:47It wasn't a good idea to come.
00:51:50Raquel, I understand.
00:51:51You want me and I want you.
00:51:53But I can't give you what you want.
00:51:55I mean, I want, but I don't have to.
00:51:57This is a dilemma that...
00:51:58Javier, I just wanted to ask you to join me at a wedding,
00:52:01so I don't go alone.
00:52:03At a wedding?
00:52:04You're not good.
00:52:06Not at all.
00:52:07You're not good.
00:52:14God!
00:52:16What did I do?
00:52:17I'm not looking.
00:52:18I'm going to get some water.
00:52:22Dad!
00:52:23I'm fine, I'm fine.
00:52:24Get back to work.
00:52:25Get back to work.
00:52:29Amador?
00:52:30What are you doing in the dark like the old lady from Psycho?
00:52:32Don't talk too much.
00:52:33Sit down, I want to talk to you.
00:52:35I want to show you something.
00:52:36Where?
00:52:37I'm cold.
00:52:38You'll see how you'll feel.
00:52:40Still?
00:52:41What happened?
00:52:45Where did he go?
00:52:46To see a surprise.
00:52:48What is this?
00:52:49Here, here.
00:52:50You'll see.
00:52:51One...
00:52:52Two...
00:52:55God!
00:52:56Look, where's Salom?
00:52:57What are you doing here?
00:52:58We caught you, bitch!
00:53:00Mother!
00:53:01Hosts!
00:53:02I...
00:53:03I didn't do it.
00:53:04It's your fault.
00:53:05You didn't give her what she wanted.
00:53:07Asshole!
00:53:08What are you talking about?
00:53:09I like men.
00:53:10Amador?
00:53:11The first homosexual in Albacete.
00:53:14Your father told you not to hang out there,
00:53:16or they'll lynch you in the bar.
00:53:17Wait a minute.
00:53:18I'm a macho.
00:53:19I'm a bohemian.
00:53:20I checked your computer.
00:53:21You were on a dating site.
00:53:23Emanolo72 wanted to cut him off from sex.
00:53:27No, no.
00:53:28I'm Emanolo72.
00:53:29Yes, you are.
00:53:30Are you chatting with my husband?
00:53:31He arranged my meeting with you.
00:53:33You were a bad girl.
00:53:34I'm sure you had an affair.
00:53:36No, no, no.
00:53:37I love Milo very much.
00:53:39But when I couldn't make her happy,
00:53:40I said,
00:53:41why don't I find someone on the Internet
00:53:43to fuck her up?
00:53:44Where have you heard and seen a man
00:53:45looking for his wife's lover?
00:53:47Go home!
00:53:48Can't you see she's a street girl?
00:53:49Pervert!
00:53:50No dating for a month!
00:53:54It's strange.
00:53:55Your family...
00:53:56There are strange things, like everyone else.
00:53:58And we...
00:53:59What?
00:54:00Do we continue?
00:54:01You!
00:54:02You!
00:54:03Get out!
00:54:04She's a man's wife.
00:54:05Okay, okay.
00:54:06I'm going.
00:54:07Bye!
00:54:10You're so bitter.
00:54:12Do you feel lonely enough to do it?
00:54:15Yes.
00:54:16A lot.
00:54:17Don't worry.
00:54:18I'll get Onsi on the way,
00:54:20and you'll fall in love with him again.
00:54:22I don't want to call myself a hostess.
00:54:24Until you get together,
00:54:25he won't come back to the Albaset.
00:54:32Good morning!
00:54:34Oh!
00:54:35I'm sorry.
00:54:36Can't you make a call?
00:54:37No.
00:54:38I'll go get the juice.
00:54:39You don't have to do anything.
00:54:41On the contrary.
00:54:42Half an hour ago,
00:54:44you should have taken the medicine.
00:54:46It's so delicious.
00:54:48Yes.
00:54:49Roasted croissants.
00:54:50With butter.
00:54:51Just like we ate them
00:54:52on our honeymoon in Paris.
00:54:54Remember?
00:54:55You, if you want to go,
00:54:57hurry up and get the money
00:54:59to take care of your daily personal hygiene.
00:55:03Yes, yes.
00:55:04I'll get you some clothes,
00:55:06and I'll meet you at his place.
00:55:07Really?
00:55:08Yes, my love.
00:55:09Here.
00:55:11Come on.
00:55:12Your tea.
00:55:21What's my little joke?
00:55:23Exactly.
00:55:24What is it?
00:55:25Because I can't...
00:55:26Judith, it's perfect.
00:55:27She's a goddess.
00:55:28A goddess with a very changing attitude.
00:55:30He secretly killed you
00:55:32in front of the whole family,
00:55:34and now, all of a sudden, he adores you.
00:55:36Thanks to the disaster,
00:55:37I realized that he can't live without me.
00:55:39And that was my gadget.
00:55:40I didn't need you to spend
00:55:42to understand that I love you.
00:55:44Are you jealous?
00:55:45Me?
00:55:46How could I be jealous?
00:55:47I just don't want to hurt you.
00:55:48And this girl,
00:55:49it seems like she's
00:55:50going to freeze her hands.
00:55:52She's going to stop
00:55:53regretting you
00:55:54and she's going to leave you.
00:55:55Like you.
00:55:57Are you going to tell me
00:55:58about betrayal?
00:55:59No, no.
00:56:00I'm not.
00:56:01I'm not.
00:56:02Eat.
00:56:03Oh, you can't.
00:56:06You should be happy
00:56:07that I'm happy.
00:56:08How can I be happy?
00:56:09She almost killed herself.
00:56:11And I'm happy,
00:56:12because that way,
00:56:13she realized
00:56:14that I'm the man of her life.
00:56:16Of her half-life.
00:56:17Because if you two
00:56:18get old together,
00:56:19she won't be able to.
00:56:20Did you think about that?
00:56:21At first,
00:56:22it was a matter of age.
00:56:23She was worried,
00:56:24but little by little,
00:56:25she overcame that barrier
00:56:26and now she's completely
00:56:27given up.
00:56:28We're going through
00:56:29our most romantic period.
00:56:30That's so nice.
00:56:31You're not denying it, are you, Fran?
00:56:33To stay with you
00:56:34for another day or two.
00:56:35I want to stay
00:56:36with Judith
00:56:37to strengthen our relationship.
00:56:38Of course.
00:56:39You strengthen her,
00:56:40and I'll take care
00:56:41of the child.
00:56:42Thank you, Araceli.
00:56:43I like having you
00:56:44as a friend.
00:56:45Yes, it's very...
00:56:48I'm leaving.
00:56:49I'm leaving.
00:56:55Goodbye, brother.
00:56:57How's the angel?
00:56:58Bad.
00:56:59I think Fran
00:57:00needs her.
00:57:01No, not now.
00:57:02The child is here.
00:57:03Fran, honey.
00:57:04Sandwich with nuts,
00:57:05thank you.
00:57:06What?
00:57:07No,
00:57:08I want to tell you something.
00:57:10Later,
00:57:11I'm talking to a friend.
00:57:12Okay.
00:57:14Yes, yes,
00:57:15yes, but...
00:57:16Oh!
00:57:17Turn it off.
00:57:18Look, Fran,
00:57:19your father
00:57:20has a car accident.
00:57:21With a motorbike.
00:57:22He almost died.
00:57:23He survived
00:57:24with this miracle.
00:57:25The child drives you
00:57:26to move like this.
00:57:27Are you kidding me?
00:57:28He wanted you
00:57:29to become his friend,
00:57:30and the crazy woman
00:57:31upstairs
00:57:32told him
00:57:33to buy a motorbike.
00:57:34Three wheels.
00:57:35How is it?
00:57:36Is it good?
00:57:37Yes, yes, it's good.
00:57:38And his two hands
00:57:39are cast.
00:57:40He can't move.
00:57:41He can't listen to himself.
00:57:42Nothing survives.
00:57:43He's alone.
00:57:44It's a real pity
00:57:45for you.
00:57:46I'm cleaning up.
00:57:47Please,
00:57:48I'm not telling you.
00:57:49I prefer you
00:57:50to stay with me.
00:57:51Mom,
00:57:52it's my fault.
00:57:53Let me take care
00:57:54of my father.
00:57:55Okay.
00:57:56I'll see you
00:57:57this weekend.
00:58:00What was all that?
00:58:01Well,
00:58:02I decided that Fran
00:58:03would be very happy
00:58:04to take care
00:58:05of her father.
00:58:06And Judith?
00:58:07Will she be happy?
00:58:08See?
00:58:09I wouldn't have imagined it.
00:58:11You're so blind.
00:58:12I have no words.
00:58:13Come here,
00:58:14silly.
00:58:17You nasty worm.
00:58:18Save your therapy,
00:58:19my lord.
00:58:20I'll chew you
00:58:21with my teeth.
00:58:22You'll break
00:58:23with a broken tooth,
00:58:24you disgusting pig.
00:58:25Antonio,
00:58:26I won't say that.
00:58:27No, no,
00:58:28just shout
00:58:29and levitate.
00:58:30Look at her.
00:58:31But how can I levitate?
00:58:32Look, look.
00:58:33You have to
00:58:34get the foam out of the rest.
00:58:35You'll eat sour milk.
00:58:36Antonio,
00:58:37but I'm allergic
00:58:38to lactose.
00:58:39Exactly.
00:58:40Your face will swell
00:58:41and you'll get
00:58:42satanic fumes.
00:58:43No,
00:58:44it'll be terrible.
00:58:45And the break-up
00:58:46will be a nightmare.
00:58:47I'm sorry,
00:58:48bro.
00:58:49Not yet.
00:58:50I can't.
00:58:51Watch out.
00:58:52Rambo killed Cengeto.
00:58:53Okay,
00:58:54I'll put your nightgown
00:58:55back on.
00:58:56Your head is spinning.
00:58:57Oh,
00:58:58I found rubber bands
00:58:59to put on your back.
00:59:00So,
00:59:01there will be four.
00:59:02Come and see
00:59:03the mechanism
00:59:04that I have to
00:59:05go back to work.
00:59:06What did you do
00:59:07in the bedroom?
00:59:08I connected the break-up
00:59:09to the kitchen clock
00:59:10on the other side
00:59:11in the room
00:59:12for the booklet.
00:59:13It's not happening.
00:59:14Damned break-ups
00:59:15are like souvenirs
00:59:16from the Vatican.
00:59:17What should I do?
00:59:18Use the lever
00:59:19and turn it
00:59:20on the other side.
00:59:21I want it to light up.
00:59:22Antonio,
00:59:23you can't light up
00:59:24the break-up.
00:59:25I can.
00:59:26I'll put it in gas
00:59:27and the bell will ring
00:59:28from behind.
00:59:29But you want the effects
00:59:30of interstellar wars.
00:59:31Shut up.
00:59:32You're looking for
00:59:33an excuse
00:59:34to get drunk.
00:59:35Or the bed
00:59:36has to fold
00:59:37and smoke comes out.
00:59:38And how good
00:59:39were you as a gardener?
00:59:40I'm going to get milk.
00:59:42Oh, God,
00:59:43Prostini.
00:59:44Do it
00:59:45to save your marriage.
00:59:48I took Milo
00:59:49with Monolog 72
00:59:50and I took him.
00:59:51One month.
00:59:52Punished.
00:59:53What are you doing here?
00:59:54My mother is in a hurry
00:59:55to open her mouth
00:59:56from the bitterness.
00:59:57Didn't she warn you?
00:59:58I'm punished.
00:59:59Eh?
01:00:00Eh?
01:00:01Eh?
01:00:02Eh?
01:00:03Eh?
01:00:04Eh?
01:00:05Eh?
01:00:06Eh?
01:00:07Eh?
01:00:08Eh?
01:00:09Eh?
01:00:10Eh?
01:00:11Eh?
01:00:12Eh?
01:00:13Eh?
01:00:14Eh?
01:00:15Eh?
01:00:16Eh?
01:00:17Eh?
01:00:18Eh?
01:00:19Eh?
01:00:20Eh?
01:00:21Eh?
01:00:22Eh?
01:00:23Eh?
01:00:24Eh?
01:00:25Eh?
01:00:26Eh?
01:00:27Eh?
01:00:28Eh?
01:00:29Eh?
01:00:30Eh?
01:00:31Eh?
01:00:32Eh?
01:00:33Eh?
01:00:34Eh?
01:00:35Eh?
01:00:36Eh?
01:00:37Eh?
01:00:38Eh?
01:00:39Eh?
01:00:40Eh?
01:00:41Eh?
01:00:42Antonio loves you!
01:00:43Me too!
01:00:44Eat, so you starve all!
01:00:45That would be too much
01:00:46for me.
01:00:47No way!
01:00:48When we check,
01:00:49your calyces will hurt.
01:00:51Okay?
01:00:52Stop spewing,
01:00:53and go right away!
01:00:54It's quite aral!
01:00:55Go now!
01:00:56Why are you ruining your life
01:00:57if my ex sucks my blood
01:00:58and my ex is apsed?
01:01:00Please stop
01:01:01bad-mouthing
01:01:04your mother
01:01:05who loves you!
01:01:06And that she
01:01:07loves me,
01:01:08do you hear me?
01:01:09Yes, yes, yes!
01:01:10The pickles
01:01:11What about last night? What did you do?
01:01:14Nothing. We were talking about Javi and...
01:01:17Give me a kiss.
01:01:18What?
01:01:19Twice.
01:01:20You'll fall.
01:01:21Did you sleep with him?
01:01:22No, no, no, no, no.
01:01:23Lele is very cool.
01:01:25We didn't do anything.
01:01:26Super cool.
01:01:27I didn't sleep with him. He kissed me and I ran away.
01:01:30Did you lie to him?
01:01:31No, but I felt a little...
01:01:34His mother.
01:01:35You're in love with Javi and he's married. Very cool.
01:01:38What are you talking about? I'm not in love.
01:01:40I don't like Javi and Lola is my friend.
01:01:44But he kisses well. He's sensitive. He speaks our language.
01:01:48He's not like Amador, where he always spits and coughs, and then opens his mouth.
01:01:52Brat, you're disgusting. You made a mess.
01:01:55Come on, I didn't sleep with Javi.
01:01:57But he was blowing on his beret at the bar.
01:02:00He said he had it all night. Come on, come on, come on.
01:02:02And he was blowing on his beret.
01:02:03Lele is very cool.
01:02:06All blondes are ugly. They're afraid and they change.
01:02:11Raquel?
01:02:12Why are you telling everyone we slept together? Liar!
01:02:15No, I didn't say anything.
01:02:17What do you mean, you didn't?
01:02:18At your friends at the bar. You didn't hear us.
01:02:20Oh, yes.
01:02:21When did I blow on your beret?
01:02:23He never does berets for the first time.
01:02:26I told them to leave me alone.
01:02:28You have no idea how they press me at the bar.
01:02:30If I had said that we only kissed, they would have kicked me out.
01:02:33If I had said that we only kissed, they would have kicked me out.
01:02:37Of course.
01:02:38They leave you alone and I become the bitch at the bar.
01:02:41No, the bitch is the mother.
01:02:42You're the bitch.
01:02:43You were the bitch.
01:02:45Now we broke this myth and they don't know how to call you.
01:02:48Javi, you betrayed me.
01:02:51I thought you were different.
01:02:52That's right. I'm like that.
01:02:54I'm very bad.
01:02:55I didn't blink.
01:02:56And to die, I cheated on my wife.
01:02:59Enough, it's just one kiss.
01:03:01Two. And the second one with tongue.
01:03:02But only with the tongue.
01:03:03I didn't even understand.
01:03:04Anyway, I can't live with that.
01:03:06I have to tell Lola.
01:03:07Wait, wait, you're not going to say anything.
01:03:09Nothing.
01:03:10Clear?
01:03:11I put a horn on my hand.
01:03:12There is no horn.
01:03:13There is no sex.
01:03:14I'm not saying it.
01:03:15Clinton said it.
01:03:16I feel sick.
01:03:17How could I give in to my instinct?
01:03:19Stupid, stupid.
01:03:20Javi, Javi, for God's sake.
01:03:22Remind me of her.
01:03:23Lola, I love you.
01:03:25Fuck you.
01:03:27Dad, I don't like these jokes.
01:03:29I'll watch football.
01:03:30The Dutch league.
01:03:31Not now.
01:03:32I'm talking to Raquel.
01:03:33I'll melt the couch if you repeat this tonight.
01:03:36Ignore me like your mother did.
01:03:38Javi, listen to me.
01:03:39It happened last night.
01:03:41The guy felt lonely and kissed his girlfriend.
01:03:44Twice.
01:03:45Twice and that's it.
01:03:46If you tell Lola, you'll hurt her.
01:03:48She'll suffer.
01:03:49She'll want to forgive you.
01:03:50She'll swear at you.
01:03:51For two friendly kisses?
01:03:52Javi.
01:03:54Women are very forgiving.
01:03:59You're right.
01:04:00It's better if I don't say anything.
01:04:03And long live the pig.
01:04:07Lola knows.
01:04:08How could she know?
01:04:09Calm down.
01:04:10Breathe.
01:04:11Lola, I'm sorry.
01:04:12What are you doing?
01:04:13I didn't get up.
01:04:14I was rehearsing.
01:04:15Don't say anything.
01:04:16Calm down, please.
01:04:20No, I can't.
01:04:22Dad, get up.
01:04:24Fine, give it to me.
01:04:26You're the same.
01:04:28Lola, how are you?
01:04:31Fine, fine.
01:04:33No, you can't talk now.
01:04:35Take Raquel.
01:04:37Honey, how are you?
01:04:38Yes, yes.
01:04:39Raquel came here for sugar.
01:04:41No, not sugar.
01:04:42For salt.
01:04:44No, not salt.
01:04:45Rice?
01:04:46Coffee.
01:04:47Coffee.
01:04:48Yes.
01:04:49Now I buy coffee because of my father.
01:04:51He has problems with digestion.
01:04:54Yes, I can love you too.
01:04:57At night?
01:04:58She knows.
01:04:59Stop it right now.
01:05:00No, I love her very much.
01:05:01You'll get tired of waiting.
01:05:03Honey, I'll call you later.
01:05:05Call me on the other line.
01:05:06What line?
01:05:07No, they gave me a service phone.
01:05:10Big boring people.
01:05:11I kiss you, I love you.
01:05:12I really like your series.
01:05:16It's very exhausting to have a girlfriend.
01:05:18Assuming there's football.
01:05:23Is everyone here?
01:05:24Everyone to their places.
01:05:25Bring the mashed potatoes.
01:05:26I don't want to.
01:05:27My stomach is grumbling.
01:05:28You won't grumble.
01:05:29You'll just turn green on the parade.
01:05:32I'll spit it all out.
01:05:34How will I know when to end the break-up?
01:05:36I'll wink at you.
01:05:37But I won't see the bottle from the table.
01:05:39Okay, when I call out, Satan!
01:05:41Get out of here!
01:05:42Satan!
01:05:43Get out of here!
01:05:44Yes.
01:05:45Is it going to catch fire?
01:05:46Yes, yes.
01:05:47Wet it with gasoline in this bucket.
01:05:49Come on, get out.
01:05:50Berta, are you ready?
01:05:51Destroy yourself.
01:05:52You're very hot.
01:05:55What happened to Donja, Berta?
01:05:57Horrible.
01:05:58Mephistopheles settled in her.
01:06:00Paralys, he was right.
01:06:02These things don't exist now.
01:06:04Evil has settled in this house.
01:06:06I hope it's not yours now.
01:06:07Look!
01:06:09Look!
01:06:10He's possessed by demons.
01:06:12Donja, Berta, are you okay?
01:06:15These are rats from hell.
01:06:17It smelled like pumpkins.
01:06:18I hope she didn't eat anything.
01:06:20Paralys, Paralys.
01:06:22Look!
01:06:23She's a servant of evil.
01:06:25Satan, get out of here!
01:06:28We'd better call a doctor.
01:06:29Satan!
01:06:33Look, she's possessed.
01:06:34Paralys, you'll burn in hell.
01:06:36No!
01:06:37Don't take the soul of this poor illegal.
01:06:41Run, Paralys.
01:06:42Hide in the woods of your native jungle.
01:06:45Where are you going?
01:06:47Antonio, the urbazan.
01:06:49Wait.
01:06:50Don't turn around.
01:06:52Can you stop spinning?
01:06:53My hand slipped.
01:06:57The End
01:07:14Who wants a snack?
01:07:17Judy!
01:07:19What are you doing here, son?
01:07:21I figured out the disaster and came to see how I am.
01:07:24Are you leaving?
01:07:25Fran, will you leave us alone for a while?
01:07:28Brutal.
01:07:29Brutal.
01:07:31Really brutal.
01:07:33We talked and I think that from now on we can have a very good relationship between father and son.
01:07:39Is he coming back here?
01:07:41Yes, but you can stay.
01:07:42He has nothing against it.
01:07:44Wait, I'll make him a snack.
01:07:46He kissed me.
01:07:48On the face.
01:07:49And I kiss you elsewhere.
01:07:51And you can keep doing it whenever you want.
01:07:53It's not when you're on your own.
01:07:55But he picks up the phone and doesn't hear anything.
01:07:57The three of us can be very happy together.
01:08:01But I'm too young to be a mother.
01:08:03We're starting again.
01:08:04I want to be with you, just the two of us.
01:08:06Like yesterday.
01:08:07It was wonderful.
01:08:09Yes, but I have a son.
01:08:13He's 18.
01:08:14He's old enough to move out.
01:08:16Judy, don't make me choose.
01:08:19I'm sorry, but I don't want to divide you.
01:08:21There's no way.
01:08:22Then let's go upstairs.
01:08:27Judy, wait.
01:08:29Yes?
01:08:30Before you leave, could you help me get some rest?
01:08:33Fran!
01:08:35Your father wants to pee.
01:08:37Did you help him?
01:08:39Not anymore.
01:08:40We broke up.
01:08:41Another depression.
01:08:42Fran, tell your mother to come down and pray to God.
01:08:45Maxi!
01:08:47Yes, but she won't hold him back.
01:08:52Maxi!
01:08:59Who is it?
01:09:01Who is Fran?
01:09:03Hello, son.
01:09:04How are you?
01:09:06Good.
01:09:07I'm coming.
01:09:08What's up?
01:09:09Eric needs help to pee.
01:09:12Okay.
01:09:13Are you going to hold him?
01:09:15What should I do?
01:09:16No, no.
01:09:17You're not going.
01:09:18What should I do?
01:09:19I'll take care of it.
01:09:20You?
01:09:21You don't wear those...
01:09:24Don't be rude.
01:09:26Please, I'm going to pee.
01:09:29Go to the bathroom.
01:09:30Hurry up.
01:09:34Oh, I'm freezing.
01:09:35I'm freezing.
01:09:36Antonio, stop.
01:09:37Give me the shirt.
01:09:38One second, one second.
01:09:39I'll do it now.
01:09:40No, hurry up.
01:09:42How can we be happy like this?
01:09:44You're making up excuses so we don't fall in love.
01:09:47Antonio, thank you very much.
01:09:49Antonio, thank you very much.
01:09:51A priest is coming.
01:09:53What?
01:09:54Hurry up.
01:09:56And my shirt?
01:09:57Later, later.
01:10:02Antonio, they're going to block my airways.
01:10:05Just for a moment.
01:10:06When the cross is lit, they'll run away.
01:10:10Fuck.
01:10:17Earth!
01:10:18Earth, don't make her suffer any more.
01:10:22Boss Antonio, how are you?
01:10:24Wait for me, paralysis.
01:10:25No, no, thank you.
01:10:27What are you doing here?
01:10:28You should be at home.
01:10:29I went to get help.
01:10:30Look at him.
01:10:31This is Father Gabriel,
01:10:32an exorcism specialist and demonic manifestations.
01:10:35Don't make it hard for her.
01:10:37Her soul is lost.
01:10:38Why did you come here, you devil?
01:10:40Paralysis, your grandfather is here.
01:10:43When did my grandfather die?
01:10:46No, your great-grandfather.
01:10:48Did my grandfather Augustine die?
01:10:50He's coming for you now.
01:10:52Run, paralysis, and don't look back.
01:10:55The devil lies to confuse us.
01:10:57We need to be very careful.
01:10:59It smells like gasoline here.
01:11:00Shut up, paralysis.
01:11:01You'll find out when you die.
01:11:03Have you ever heard him speak a foreign language?
01:11:06This is typical for possessed people.
01:11:08They speak dead languages.
01:11:10Yes, yes, he speaks very strange things.
01:11:13Soon, damn it, soon.
01:11:15Do you see?
01:11:16He doesn't understand a thing.
01:11:18Quiet, I want to hear what he says.
01:11:20Do you understand?
01:11:21I told you that the expert has a night show on TV.
01:11:24He speaks in Katajusika,
01:11:25an ancient dialect of the Mayans.
01:11:27Only three Madushis in the world speak it,
01:11:29and luckily I'm one of them.
01:11:32Move it away! Move it away!
01:11:34Move it away!
01:11:35Move it away!
01:11:36Move it away!
01:11:38What did he say?
01:11:39There's a serious problem.
01:11:40Lucifer really doesn't want to leave.
01:11:43Do you see?
01:11:44Run, and don't look back.
01:11:46Luckily, I can get him out for 500 euros.
01:11:49Yes, I suggest the devils take her.
01:11:51And Tanya?
01:11:53Get out of here!
01:11:54I'll pay you back.
01:11:55Save her, father.
01:11:58Don't do anything stupid.
01:12:00I need the light of water.
01:12:01Right away.
01:12:02Wait.
01:12:03Give me the suitcase.
01:12:05My ship!
01:12:07My ship!
01:12:09What?
01:12:10I'm here to see if Bertha was possessed.
01:12:12What woman?
01:12:13She's like a magnet from the outside.
01:12:14She sees the devil, possesses Satan.
01:12:16You're the only bastard who asks about your goat.
01:12:18I'm here to see if I'm going to meet Gregorio,
01:12:20that he doesn't remember the pin on the visa.
01:12:22When you get there,
01:12:23we'll experience a serious family drama.
01:12:25What's going on there?
01:12:26Mom, there's a fire!
01:12:28You're smoking in public!
01:12:30One cigarette?
01:12:31To make up for the housekeeper!
01:12:33That's right.
01:12:34Leave the housekeeper alone.
01:12:36You're in trouble.
01:12:37You need to start the fire.
01:12:39Now?
01:12:40No, when I give you a sign.
01:12:41Satan, get out of here.
01:12:42No, that's over.
01:12:43Lucifer, I don't want to see you here.
01:12:45All right.
01:12:48Holy water,
01:12:49purify this mortal body.
01:12:51Antonio, I can't take it anymore.
01:12:53Lucifer, I don't want to see you here.
01:12:56Lucifer!
01:12:59We can't defeat the devil!
01:13:01Get out of here!
01:13:02I won't give up.
01:13:04Get out of here and don't look back!
01:13:06Get out of this body.
01:13:07I'm throwing you out.
01:13:09Get out of here!
01:13:10Are you crazy?
01:13:11You'll ruin my wife!
01:13:12There's only one God's servant.
01:13:14Take me!
01:13:17Antonio!
01:13:18Please, help me!
01:13:20Dona Berta is back!
01:13:21The exorcist healed her!
01:13:26Berta!
01:13:29Get up!
01:13:33Get out of this body!
01:13:35Get out of here!
01:13:36You'll burn my house down!
01:13:39Turn it on!
01:13:41No!
01:13:52Come on.
01:13:53One more pergola and the devils are gone.
01:13:55How long have they been here?

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